#and obviously the singles are very very good

[hellotailor]

Apologies if you've already done a post on this and I've just missed it, but can I ask for your take on the pyjamas worn by the cast of interview with vampire? I mean technically they're not a 100% necessary item, but just from a quick look there seems to be a lot of variety and they do change over the series

ok, i’m delighted by the specificity of this question, and it turns out that i have a VERY extensive answer.

there’s a lot of sleepwear in IWTV due to the volume of bedroom/coffin scenes, and like any other outfit, these costumes are shaped by characterization and historical period. for instance claudia initially wears a long, modest, frilly nightgown - an old-fashioned style that plays into her girlish doll wardrobe purchased by louis and lestat. however her sleepwear matures over the years, including a trendy lace nightdress with bloomers in the 1920s (note the rectangular silhouette), and a pink padded jacket/pastel robe outfit in 1940s paris. she's following contemporary trends while charting a visible trajectory from child to adult.

when i wrote about the Théâtre des Vampires coven costumes, i noted that while their wardrobes share certain themes (ie. monochrome patterns and stripes), they each have specific personal tastes. that holds true for sleepwear. in the S2 finale we see the coven going to bed in their coffins, with Eglee in a gorgeous (maybe 1940s?) robe, Celeste in a striped pajama suit reflecting her 1920s-30s cabaret style, and Armand in a plain grey set of prison jammies because he's Suffering.

of course, the star pajama outfits all belong to Louis and Lestat, playing into their wealthy domestic aesthetic in S1. they receive multiple bedroom/coffin scenes, and Lestat's gold Leyendecker robe is obviously iconic.

touching on the historical side of things for a moment, pajamas (as in a matching buttondown top and loose pants) were popularized in the western world in the 19th century, as a repurposed south asian import - kind of like how banyans became trendy among the upper classes in 18th century england. this was when loungewear started to catch on as a concept, both in terms of dressing gowns and smoking jackets (which you could wear while socializing at home) and actual pajamas, which became unisex in the 1920s.

back in his human life in the 18th century, Lestat probably slept naked or wore a shapeless white nightgown (and possibly a nightcap, the sexiest of garments). but in New Orleans he adopts Louis' lifestyle, which involves a luxurious wardrobe of fashionable menswear. they're both into shopping and looking good, and i think they enjoy the ritual of getting dressed together each night.

(i also have a personal theory that Lestat may prefer to sleep fully clothed because his formative traumatic memory involves waking up naked in the dark. after all, he doesn't need pajamas to stay warm, and he doesn't have a recent habit of wearing them in his human life like Louis does. then again, maybe he just enjoys having a new outfit for every occasion!)

in Dubai, we only get one scene (iirc) with Louis and Armand in their pajamas, lying in bed wearing outfits that tie into the striped prison bar imagery of their bedroom. Armand is in warmer brown tones (like his Paris wardrobe) while Louis is in black and grey, like the rest of his Dubai outfits. i'd also note that this is the one place where they're genuine in private, meaning that they aren't putting on a show for Daniel. so this is potentially Armand's most relaxed costume in the present day.

the fact that they're wearing this kind of old-school sleepwear feels very appropriate for their whole deal, imo. in the 21st century, a lot of people just sleep in boxers and t-shirts or whatever. there's a slightly 20th century vibe to wearing a full set of buttondown pajamas, and Armand's outfit reads as more stylish (and possibly more wealthy) than your average millennial guy. which makes sense! they're old men.

i think we can assume that every single thing in their Dubai home is ferociously expensive, even when it doesn't need to be. considering the way Louis gives himself a modern makeover in the finale, i do wonder if he'll switch over to sleeping in t-shirts etc next season, or if he'll stick with variations of the same sleepwear he wore during his mortal life.

p.s. all of my iwtv design posts are available on this tag!

[alpaca-clouds]

BG3 fans, we gotta talk CPTSD

Okay, I have spend about a week considering writing this blog, but I really gotta say, that it is something people really need to understand. See, I mostly see this issue with Astarion and his depiction in fandom. However, I would argue that it is a thing that affects literally all characters that play some sort of bigger in this entire game. Including many NPCs.

But let me start with Astarion. See, I wrote the blog two weeks ago about people being judgy on people, who do not want to have graveyard sex with him. Mostly people will argue how Astarion should be allowed to have his agency in that moment - while I argued that whoever the player is playing should have also agency in that scene. Including the agency to say "no" for whatever reason. I also included that my Tav absolutely denied Astarion, because he was not trusting that Astarion in the scene really was ready for it, for a variety of reasons. Which is very much a valid reason for someone not to want to sleep with someone else. (Literally every reason is a good reason for that, mind you.)

And obviously there came the comment, that went basically: "As someone who was raped I am very appalled by you saying that raped people cannot consent." Which is very much not what I said.

What I said was, that my Tav did not consent. Yes, he did not consent because he thought Astarion was not ready for it - but he is the one not consenting. It does not matter for this whether his assumption about Astarion is true or not. Tav does not feel comfortable in the scene, so Tav does not want sex right there.

However... If you consider the drow orgy scene, Tav is also very much right. If you do that scene after defeating Cazador, Astarion is enthusiastically consenting to that orgy, but he still ends up dissociating during the scene. (And in that scene, even if your character notices it, you cannot go "Stop!" Which I hate.)

Here is the thing. If you are in the BDSM scene, you might actually have encountered a scenario in real life where someone was enthusiastically consenting to something - only to them realize, that they were not into it at all. And people can withdraw their consent IRL at this point. Only that in this game, obviously you can't. So within the game choices I will just start out with "no" for this character.

Still, that is actually not what I mainly wanted to talk about. No.

What I wanted to talk about is the other thing. I absolutely know that for a variety of reasons a lot of SA survivors do identify with Astarion, and I do not want to take that from anyone. I think it is amazing that we got a character with whom we see this issue portrayed seriously. And let's face it. Especially in tumblr fandom circles, we will have a lot of SA survivors, because the userbase of this website is majority afab, and many are queer. And we know from statistics that queer afab people are even more likely than non-queer afab people to experience SA at some point in there life. So, yes, Astarion is going to be embraced by this community makes sense - even without his dashing looks.

But here we get to the actual meat of the issue: Astarion was not just raped. Astarion was abused in a variety of ways - some of them sexual - over the course of 200 years. He went not through a single traumatic event, but an ongoing trauma that, again, lasted for 200 years.

Or to put different: Astarion does not have PTSD. He has C-PTSD. Complex trauma. The kind of trauma that develops when the trauma lasts over a long, long time, without the survivor getting a chance to ever really properly ever relax. Something that was very true for Astarion's time under Cazador. He was under constant threat of rape, torture, and other forms of violence.

While CPTSD is a form of PTSD, it has some differing symptoms - and additional symptoms from plain old PTSD.

I found this graphic on this blog here, and found it fairly good in the depictions. (If you google CPTSD you will find several graphics like this.) It shows very well the additional symptoms, compared to normal trauma.

Generally speaking, CPTSD brings a lot stronger issues with self-worth, interpersonal problems, and emotional regulation. CPTSD folks are often prone to emotional outbursts (this graphic names anger, but technically it can be all other kinds of emotional outbursts - which is why at times CPTSD gets confused with BPD).

And Astarion is written like this. He shows very much all the symptoms of CPTSD. And let's be honest: That is an issue he will have to deal with for a long, long while.

But... As I said, the same is actually true for pretty much all the characters.

If you look at the companions, it is obvious.

Gale spent at least a year in constant fear of blowing up. While Mystra's abusiveness towards him within the relationship prior the orb is more fanon than canon (though the relationship was defnitely not an easy one), the "one year in constant fear of death" is very likely going to instill some form of CPTSD in him.

Karlach was a slave for 10 years, forced to fight in the hells. While she will also probably suffer from certain forms of PTSD more common in soldiers. Additionally I would argue that she also has some CPTSD from tiefling-racism. While she does not bring it up often... She does seem to have a thing there.

With Wyll it is a bit more complicated. Yes, for him I would see the kind of CPTSD I have - parental abuse related. Ulder was not openly abusive, but neither was my mother, and guess what fucked me most up in my childhood, despite experiencing some really bad violence elsewhere.

Shadowheart was abused by Viconia and midwashed and tortured and was forced to kill her fucking pet mouse. Bonus points that a lot of it happened during her childhood. She very much is gonna suffer the consequences.

Lae'zel... Do I really need to say something about her upbringing among the Gith?

Then we have Halsin. We know fairly little about his background, given that he is very coy in talking about it. But his "three years as a drow slave" definitely make it likely that he has developed some form of CPTSD.

And then we have Jaheira and Minsc. For whom just the... Well, look folks, the adventuring lifestyle would logically also leave you with CPTSD of some sort.

Even if you play a Tav who entered the game after having a very untraumatic life... They will spent what has to be at least two months with a tadpole in their head threatening to kill them - while half of Baldur's Gate is trying to do the same. They'll have PTSD after this at the very least, if not CPTSD. (Even though, let's face it, chances are we all gave our Tavs more than enough background trauma to go along with it, right?)

And same goes for so many other characters. The tiefling refugees. Our main villains (especially Gortash and Orin). Cazador. The other vampire spawn (duh). The list goes on.

So, what am I trying to say here?

Well, for once I just want to make sure folks understand that CPTSD is a thing that exists and while being similar to normal PTSD differs in some points. Including the fact that people with CPTSD have a high likelihood to make very rash decisions driven by instable emotional states, that might be harmful to them on the long run.

And mind you. In real life most people with CPTSD have it because either they were bullied for a long time, or were in an abusive relationship of some sort. (Abusive parents, abusive partners, abusive friends/roommates.) But even in those heightened scenarios the game represents for the most part - the issues are gonna be still mainly the same.

[niceandaccurategoodomensanalysis]

I was not able to find the source for this pic! If you know about it, please let me know in the comments or via direct! Thank you!

Religious trauma in Good Omens: Aziraphale's case

We talk about religious trauma and the state of constant psychological abuse and manipulation experienced by those who suffer it, using Aziraphale as an example.

DISCLAIMER

This post is about painful experiences and the different ways you can react to them. This may affect you in particular and be difficult or stressful to deal with.

Here I intend to speak to you about the trauma of Aziraphale. I use the singular not because it is a single event, but because it is a very specific type of trauma to which ours has been subjected continuously since the beginning of time: religious trauma.

WHAT IS RELIGIOUS TRAUMA

Religious trauma is a complex type of trauma that usually has its greatest impact during the period of development: a person grows up in a social context that is regulated according to the dictates of any sect, which greatly influences the way they approach reality and, above all, themselves.

Often, this trauma begins to affect the existence of the victim even before they begin to speak and thus have the capacity to articulate the memories associated with it. It is not necessarily this trauma that is marked by significant events: very often it is its impact on everyday life that literally conditions the people who experience it, placing them on a well-trodden path of conventions and moral imperatives from which they must not deviate.

We are all (obviously, given the fandom) familiar with the concept of original sin. When a person is brought up with the view that we are all born sinners because we have literally inherited that sin and must spend our lives making amends for what is in our nature, several things happen:

_we live with a constant sense of shame and fear of not making it, of not being enough; _we blindly trust those who raise us and show us the way, and we may not want to see the inherent hypocrisies and contradictions because that would bring us into conflict with reality; _as a result, we have an incredible fear of authority and will tend to respect hierarchies even when they do not make much sense to us, and also try not to question what we are told; _we want at all costs to be 'part of the herd' and conform to the group, so we will suppress anything that we feel is different and might cause us trouble.

Now let's consider that, growing up in such a context, we become aware that something is not quite right for us. It could be anything from realising that we have sexual urges, to being attracted to someone of the same sex, to feeling uncomfortable in our own bodies, and so on.

In response to all of this, we experience feelings of shame, self-loathing and a desire to repress that which takes us away from what is the right way to be.

All these things are cruelly represented in our beloved angel Aziraphale.

AZIRAPHALE'S TRAUMA

It is really difficult to talk about Aziraphale's pain, although it is probably the most obvious and easiest to explain in the series. Because it is tangible, it is realistic, many of us experience it all the time and can relate to it.

Aziraphale has won us over with his almost childlike tenderness and joy, with his tenderness for the little things, with his tendency to take to heart the well-being and happiness of every human being in front of him. He is pure, genuine, sensitive and always on the side of good. But behind his façade of a happy and enthusiastic little creature, there is a frightened, abused, insecure child full of shame and self-reproach. This will always condition his actions and will lead him to the painful and, as we shall see, inevitable epilogue in which he rejects Crowley's love to follow Metatron to Paradise.

TO DO WHAT IS RIGHT OR TO DO WHAT I MUST?

We immediately see how Aziraphale lives in a state of perpetual contradiction due to his strong sense of morality: in the series, the first thing we see of him is the moment when he gives Adam and Eve the flaming sword he received as guardian of the Eastern Gate, so that they would not be completely helpless in their escape from the Garden of Eden.

As well as entertaining Crowley (and winning his immediate admiration), the episode shows us from the outset that Aziraphale has a moral compass that always points in a very precise direction: the good of others. This will often lead him in the series to act on impulse, only to have to face the consequences of constituted authority, and create in him an everlasting sense of remorse: almost immediately he is asked by God himself to account for the sword, the very sword that was in danger of becoming an instrument of destruction in the hands of one of the Horsemen of the Apocalypse - except that it was then the key to preventing it.

Unable to fight his nature, Aziraphale finds himself repeating the same actions over and over again: in the miniseries about the life of Job, his tenacity to save innocent creatures at all costs leads him to confront Crowley head-on, discovering his plan to circumvent the orders he was given and not kill anyone. But the web of lies he and the demon have woven tightens around him as Gabriel, Michael and the other angels descend to give Job the good news that he will be able to have more children in exchange for those who have been killed.

Aziraphale is thus forced to make a choice: tell the truth, exposing Crowley's deception and leading to the presumed murder of Job's children, or lie, saving everyone but tarnishing himself with what he sees as an unforgivable guilt. Our angel, as we know, chooses to lie. This causes him tremendous pain and leads him to believe that his fate is sealed and that he must fall. Despite having made the right choice.

Fortunately, as we know, none of this happens. But the fear of doing the wrong thing is always with him.

NATURAL ENEMIES

Aziraphale never makes it a secret that he despises Crowley's demonic nature. Never.

It is painful to compare the admiring look he gives him in S2E1 when he meets him in his angelic version, intent on starting the nebula he has been working on since the beginning of time, with the veiled look of shock (not to say a little disgust) he gives him in S1E1 when they meet again as an angel and a demon, on the walls of the Garden of Eden.

However, as soon as it starts to rain and Crowley gets close to him, Aziraphale immediately takes him under his wing. Aziraphale is an angel, and as such he loves no matter what. It is his peculiar and almost poisonous trait that leads him to help and to forgive even those who have wronged him.

Aziraphale believes that Crowley should be forgiven and loved, but he cannot accept that he has feelings of love for him. This leads him to reflexively despise himself for what he feels, and to push Crowley away whenever he gets too close: think of the argument under the gazebo, or when, confronted with Crowley's suggestion that he take him for a ride after giving him the thermos of holy water, he tells him that he "runs too fast".

It is already obvious to us viewers, and to Aziraphale himself, that he has feelings for Crowley that go far beyond camaraderie, but he cannot let go of them: the fear of retribution and the contempt he feels for anything that is not angelic leads him once again to flounder in contradictions and adopt that yo-yo attitude that characterises all his interactions with Crowley.

THE FINAL TEMPTATION

Crowley is a demon sui generis: he is not really evil and does not mind harming others. In fact, if he can, he actively avoids doing so. However, he does enjoy temptation, and one of his favourite targets is our beloved angel. Still during the miniseries on the life of Job, we see Crowley's first successful temptation of Aziraphale: while the two are patiently waiting for the storm to pass in the cellar of the mansion, Crowley offers him a drink, but Aziraphale refuses, not wanting to succumb to the intoxication of the wine.

Crowley then suggests that he try some human food. The angel is initially disgusted, but makes no objection, and is so impressed by what he tastes that he devours the entire roast beef on the table. Crowley is delighted, and this gag of temptation for an invitation to dinner is repeated throughout the series. Whether the invitation comes from him or from Crowley, each time Aziraphale eats contentedly and our demon watches him eat with satisfaction.

Crowley can therefore be said to be initiating Aziraphale into the pleasures of the flesh, which he will indulge in to the fullest. Aziraphale is a hedonist who loves refined and special things: from antique books to bespoke clothing, passing records, tea and sushi. He loves the objects he surrounds himself with and treats them with care: remember the white gloves he wears before leafing through the only existing copy of Agnes Nutter's Prophecies!

Aziraphale delights in touching his surroundings, and we have already talked about how his predominant love language is physical contact. As much as he can control himself, he touches our demon every time he gets his hands on him. He cannot help it. He desires it, and while Aziraphale has not realised this for the better part of 6,000 years on Earth, in the last century he has come to acknowledge it openly.

This leads Aziraphale to experience another contradiction: he wants to have more physical contact with Crowley, but he cannot. Crowley is a demon, he is the enemy, he is everything he abhors, but the angel he was is always there, alive, before his eyes, and it is out of love for that angel that Aziraphale accepts Metatron's proposal, faced with the prospect of being able to take Crowley back to Paradise with him. So they could be together, in the sunlight, with the approval of God and all, in an angelic way.

But Crowley unexpectedly, desperately, refuses.

Our angel feels betrayed, but has no choice but to accept Crowley's will.

Here is the irreparable, the ultimate temptation our demon could offer: a kiss, a last desperate cry for love, a plea for help, a series of meanings too great to be expressed in words. Crowley grabs Aziraphale by the lapels and for a few very long seconds their lips meet.

Aziraphale has never experienced anything like this before (probably not even Crowley) and feelings stir inside him that he has never even been able to name. Feelings that frighten him, feelings that bring back his contempt for himself and his being far from angelic nature. Aziraphale desires Crowley, discovers that he wants to be kissed by a demon (as the writers of the show themselves have revealed to us), and all of this clashes with everything he has ever been. He has just witnessed the contempt of angels and demons for the love of Beelzebub and Gabriel, he has just risked extinction for helping the fugitive Archangel, and yet Crowley tempts him with a sweet and terrible kiss.

But Aziraphale is an angel, and as such he loves and forgives.

So he forgives Crowley.

But Crowley, by definition, is unforgivable: disappointed and embittered by his beloved's rejection, he leaves.

Aziraphale does not really want to go to Paradise, but his desire to be part of the herd, his need to be loved and accepted by his faction, drives him to go, to do what is right, what is expected of him as an angel.

As he gets into the lift and asks Metatron what his task will be, he discovers that he will have to deal with the very thing he had already averted in the past: the Second Coming, the Last Judgement. He realises his mistake, realises that he is trapped, and once again wonders if he should do what is right or what he must do.

This time, however, it wins what he must: after one last look at Crowley, watching from afar, Aziraphale climbs into the lift with Metatron that will take him to Paradise. His trauma is so deep and ingrained that it has removed any prospect of being worthy of love except in the light of divine approval.

Although leaving everything he loves - Crowley, Earth, the Library - causes him enormous pain, Aziraphale must return to Paradise and fulfil his destiny.

More infos at Religious trauma syndrome - Wikipedia

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[signanothername]

How do you see Nm's and Ccino's relationship? Is it different from canon?

Ngl didn’t expect people to be this interested dhdhhdhdh

Kay so, ngl, i’m still kinda refining how I interpret Ccino and his Au as a whole, so what imma say is just a few paragraphs of the gist of how i think of it so far dhxghxhxh

Nightmare found out about fluffytale and by extension Ccino through doing research of different AUs, as Nightmare has a tendency to study AUs to understand how they work and how he can apply it in his own plans/take advantage of them

The reason Fluffytale even caught Nightmare’s attention at all, was for 2 reasons:

1- the Au no longer has any Alternative timelines as there only seems to be one single timeline left, meaning, it’s the one singular unique Au, single main Au with no copies that illustrate different events, and the code of the Au seems completely corrupted, meaning the very concept of new timelines being created is impossible

Nightmare isn’t completely sure why every other timeline seems to have been erased out of existence and why the code is corrupted, but he guesses it’s Error’s work

2- the Au has a cafe which is open to host whoever in the multiverse, regardless of who they are, whether infamous for violence or known for their kindness, whether they are a person who’s part of another Au, or an outcode, it welcomes everyone, including his twin, and by extension himself

Not only did Nightmare see potential in having another set of eyes on the outside world and a great source of info, but even as a source of negativity considering the misery in that universe in general

Nightmare eventually visits the Au himself and watches the cafe from afar for a few weeks before actually visiting the cafe himself

Obviously, with the intent to make a “deal” with the owner of the cafe (Ccino)

Ccino is completely unaware of the state of his Au, thinking that other timelines do exist, and by extension, having a bit of courage to refuse Nightmare’s “offer” at first

Nightmare being the bitch who never takes “no” for an answer, threatens Ccino that he will destroy his Au, and kill his family, and let him watch it happen, which again, Ccino is fine with (lie) as long as he knows there are other timelines in which they live peacefully (he’s not actually fine with it, he’s terrified of Nightmare and his threats, but the idea of other timelines existing gives Ccino a little bit of hope that even if he dies, another version of himself and his brother are out there happy and safe)

And that’s when Nightmare tells him about the state of his Au, and even proving that there’s only this one timeline, and that crushes any sort of hope and confidence in Ccino, and well, Nightmare takes that as a chance to manipulate Ccino into a deal

The deal Nightmare’s trying to entrap Ccino into is for Ccino to be an outside source of info on the multiverse and what happens within it, considering his cafe is open to anyone out there, and an active info source at that, so if Dream were to visit the cafe, Ccino is to report that to him immediately, if anything happens within the cafe that could be good info that might benefit Nightmare, Ccino is to report that to him, if Nightmare were to visit himself, he expects a full report of what’s been happening out there when Nightmare’s been busy with his own nuisances, however Ccino isn’t allowed to provide info about Nightmare or his gang to anyone else

Ccino however, wouldn’t just accept Nightmare’s deal without his own terms, so he tells Nightmare that if he were to provide info, Nightmare’s forbidden from harming his Au or anyone in it (including people who visit his universe from other universes, no matter who it is, even if it’s Dream) which Nightmare (reluctantly) agrees to, and so the deal is made

So now, Ccino acts like an outsource spy to Nightmare without anyone’s knowledge, so an innocent Dream who thinks he can tell Ccino whatever thinking Ccino’s a good confidant would have the shock of his life if he ever found out anything Ccino was told went to Nightmare

Ccino obviously, finds no joy in this, and he even tries to keep somethings from Nightmare, it’s just hard to do that when your soul starts beating fast and fear grips his nonexistent throat and Nightmare catches his fear and starts questioning him :)

Ccino carries a lot of guilt for it, but just like any victim under Nightmare, Ccino is forced to do shit he isn’t proud of or want to do, it eats away at him and is just making his mental health worse than it already is

Ccino hears from Dream about how much Nightmare means to him, and so, since his job is to “provide info” he also relays those sweet conversations to Nightmare, hoping it might stirr something inside his cold soul, Nightmare barely twitches at such comments tho (further crushing whatever false hope he may have)

I plan for Presso (Fluffytale Paps) to also have a big role in the story and how it all connects to Nightmare, but I’m still working on that part so uhh nothing to say about that for now zhxhhdhdhhs, all I know is that I want Persso to also fall into making a deal with Nightmare shshhs

Ngl been working on a comic with Nightmare’s and Ccino’s “deal” but i’m far from done dbbdbxbx here’s a lil snippet tho

[ghostbustting]

Ok so,firstly hiii! I love your writing style sm!

Would you ever consider doing a Cliff or Jason one shot where the reader is super self conscious about her being “plus-size” and “not being a typical rockstar girlfriend” and them comforting her and it leads to some really sweet love making 😭

Cliff is my number one man and I hardly see any fics for him fr

CLIFFCLIFFCLIFF !! (yes i'm back. yes i'm disappearing again.)

♯ ; 𝑴𝒀 𝑮𝑰𝑹𝑳 ༘⋆

Cliff Burton x Plus size!Reader

Contains Smut.

With my own fingers fiddling with the hem of my uncomfortably fitting dress, my eyes wander around the diner booth we were all sitting at. By we, I was referring to me, my boyfriend Cliff, his three bandmates, and their awfully drop dead gorgeous girlfriends.

It was a relaxing Saturday night, Cliff had brought me with him to go have dinner with his bandmates and their girlfriends at some local diner.

However, the rest of the dinner night, I felt like I do not belong here, like I could never fit in well between these rockstars and their girlfriends. No matter how reassuring and comforting having Cliff's presence close next to me, it didn't make me oblivious to how much of a contrast the difference between me and his bandmates' girlfriends is.

They were perfectly good looking to say the least. Thin figures, curves accentuated perfectly in their tight dress they probably didn't have to overthink much about, no thunder thighs filling up their seats, smiles so wide without their cheeks looking like they're swollen.

On the other hand, I stood out... not in a very pleasing way. It's more like as if I was a sore thumb. My eyes could never stand the numbers that showed up on the weight scales whenever I stood on it. The beautiful small dresses I saw down the streets would never fit the shape of my body.

Cliff made it his task to make me feel loved, and I knew he really do love me. But it doesn't change the fact that I'm not what people expected, doesn't change the fact that I'm not the ideal rockstar's girlfriend.

So here I sat next to him, head hung low, the food I had ordered barely touched, my ears not even picking up on the conversation around me, eyes focused on getting the end of my dress to cover more of my insecure legs.

Even with my mind overwhelmed with that irritating sense of insecurity, the concerned gaze on me that came from Cliff’s eyes were something that I could never ignored, something so familiar that it would always hit me right away whenever I receive it, something I could recognize easily every single time.

It didn’t took long before I feel his warm hands take ahold of my cold ones, the pads of his thumbs running over my knuckles as I hear his beautiful voice whisper softly and gently into my ear, “Are you alright..? You feel sick..?” He asked, the worry accentuated enough in his voice.

However, I try to cover it up, “I’m alright..” I whisper back while shaking my head with a soft smile— a smile so forced and fake that obviously someone that knew me so well and so detailed like Clifford Lee Burton wouldn’t be fooled by.

”You’re not,” Cliff spoke, with an attempt to drown all the insecurity in me with his soft gaze, “I know my happy girlfriend when I see her and this is not her.”

A sigh leave my lips and my eyes look up at him, meeting his own in an instant. He could see the weak and soft gaze of my eyes, the way my eyebrows are slightly furrowed as if I was thinking about something. He can read me like a damn opened book and I can't decide whether I hate or love him for it.

My thoughts drifted away when I hear the man spoke again, this time towards his friends, patting Kirk's back, who was sitting on the chair beside him. "Sorry, it's getting late. We have.. other plans." He say.

That was in fact, not true. I was not aware of any other plans we have scheduled after this dinner.

Hence, a look of genuine confusion was etched onto my face as he took ahold of my hand and pull me up from my seat, giving me no time to say goodbyes or grab one last french fries when he lead me out of the diner with no words of explanation.

We found ourselves driving back to his place in a weird yet comforting silence. One of Cliff’s hands was holding onto mine while the other was fixated on the steering wheel. I can feel his thumb running over my knuckles every now and then, a gesture of comfort I’m used to receive from him.

My eyes drift from our hands to the window, watching as cars drove pass us, watching the motorcycles, watching as teenagers party, craving the body those gorgeous girls possess. My eyes would still run over their perfect figure if it wasn't for Cliff's voice that snapped me out of my trance.

"What's with you tonight?"

He asked. Usually, words like that would be taken as somewhat a complain. But with Cliff, it was clear by his voice that he was asking me out of concern. He wasn't wrong about knowing a happy me and a not happy me, it was quite easy. I would've been smiling to my eyes when I'm happy, words spilling out of my lips endlessly, unlike the state I was in earlier.

A sigh left my lips as I slowly turn my attention back to Cliff, the lights of Los Angeles and the red traffic light combined with the beautiful moonlight illuminates his face, his eyes shining more than how they already were.

"I.."

"Honest. Please. I hate not seeing your smile."

A squeeze of his hand was delivered to mine, making my heart flutter just the slightest bit. There was no way in hell I'm able to decline his plead for honesty.

Slowly, I begin to speak again, a hint of uncertainty was able to be heard in the words that left my lips in a quiet question. "..Do you ever regret dating me?" I ask, my voice soft, eyes avoiding his own as I feel that same exact concerned gaze over my face the moment his head instantly snapped my way.

I could feel his gaze on me for a few minutes until the light turned green, taking his focus again as he continue driving before asking me, "Wha— why would I regret dating you? Don't be silly." He chuckled softly, taking my hand up to his lips to kiss my knuckles.

The gesture was sweet, bringing a soft smile on my face. However, It didn't take too long before my smile faded away yet again slowly as my previous thoughts of insecurity builds back up in my mind. It was like a parasite, unable to be avoided.

”It’s just..” I let out a sigh, “James, Kirk, Lars...— They have these drop dead gorgeous girls as their girls. They’re beautiful, they’re in good shape, they’re— they’re the perfect rockstar girlfriend.”

Only when I feel the car stop and park did I realize we have arrived in front of his house, away from the chaos of the traffic, the door that leads to the inside of the house seems so inviting as my body yearns to just lay on his bed. Meanwhile, the silence between us felt somehow loud, if that even makes sense. And again, his eyes gazes over me.

Cliff let out a small chuckle, “So that’s the problem? You think I’d regret dating you because of this?—” He reach out and pinch the chubby cheek of mine, pulling on it slightly. My eyes slowly gaze up into his own, revealing my glassy eyes to him. A sigh leave his lips as he cup one of my cheeks. “You think I care about whether you’re as skinny as a branch or as fluffy as a pillow?”

I let out a small strangled chuckle at his words, trying to turn my head away, to which he prevent by cupping both of my cheeks now. “I don’t want a rockstar girlfriend. I just want my girlfriend. I just want you. I want you for your heart, for your smile, for your love.” Cliff spoke so sincerely it was impossible to not believe him, especially with how deep his eyes was gazing into mine.

The smile he made at my speechless state melts my heart, listening as he say, “Come on.” Shortly after, I watch him exit the car and jog around the front only to open the door on my side of the car, the sweet smile making a stay on his face as he reach for my hand and help me out, his other hand shutting the door behind me the moment my shoes lands on the ground.

Each and every move of his only made me love him even more.

My body stayed close to him, almost as if we were attatched like magnets, all the way as he leads me into his house and into his bedroom, his hand holding mine so firmly yet gently at the same time, as if he was afraid I’d slip away, as if he was afraid the insecurity will consume me and fade me away from his life. I always loved the way he touched me, always able to make me feel loved, even the moment I lost hope in loving myself, he always made me love myself with his own love.

Slowly, I sit down on the soft matress of his bed, a spot we often find ourself laying in after a tiring day, just wrapping each other in the other’s arms, where our problems never exist, only our bloomin love.

I feel the mattres beside me sink due to Cliff’s weight as he join me, sitting on the bed as well with his hand in mine still, the pad of his thumb running over my knuckles again and again softly, a motion I’ve found rather comforting. I can feel his lips pressing soft kisses all over my cheek, yet my head was hung low, eyes on my lap.

Yet the moment he notices, he held my chin in his free hand, slowly tilting my head towards him. “Look at me.” He smile softly, making me look at him. “I want you to let your mind rest, okay? Let go of your thoughts..” His voice was soft, I couldn’t help but give in and follow the instruction he gave me, letting my thoughts drift away, letting my focus to be for him and him only.

”My girl..” He breathed out, slowly leaning in till our lips eventually meet in a soft and gentle kiss, his palm coming to rest against my cheek, the other that was previousky holding my hand slowly trails to hold my waist instead, gently pushing me down to lay on my back, my head landing smoothly on his pillow.

I sigh against his lips and watch as he lay himself down next to me, mumbling, "Cliff.." The way his hands touch me all over made me felt important, as if I was the center of the earth. To him, I probably was. After all, he never failed to make me feel that way.

Within seconds, I feel my shirt slowly being slipped over my head, my hands coming to cover my body. Despite how many times we've done this, being bare and showing the insecurity I own beneath the fabric always rewinds. Yet, Cliff only chuckled and moved my hands away, his lips pressing a short peck on my stomach.

"Beautiful." In an instant, the tenses in my body relaxes as I hear his voice, a comforting and loving lullaby.

I feel his lips press and trail kisses all the way from my stomach down to the them of my panties, his fingers slowly hooking into the waistband and sliding it down, his eyes gazing up to inspect the way I was bitting my lip from his action alone.

The moment that panties of mine was discarded, Cliff's lips were quick to attach onto my cunt— desperate, yet gentle.

A moan manage to escape my lips, a soft call of his name, "Cliff.." His name seems to be the only thing available in my dictionary at the moment, finding it difficult to let out anything from the back of my throat other than a moan, curses, and his name.

Cliff's warm tongue slides in and out of me, the very tip of his nose nudging my clit every now and then as he eat me out, ignoring the way I was squirming above him, my hand trailing down to run through his long hair. "Fuck.." I whined, my hips bucking up to try and grind against his face.

His tongue was lapping up and down my folds like a dog, a hungry dog. He makes me feel wanted. And I can't help but want him as well.

Not long, he pull back from my pussy with his lips glistening with my slick, his fingers replacing what was once his tongue, two of them running up and down my folds before sliding through them, earning a gasp from me. I feel his lips against my thigh, yet I was too caught up on the feeling of his fingers.

"Can you feel it?"

My eyes struggles to meet his as I utter out a, "What— Feel what..?" Through my moans.

"Just how much I love you."

Right as the words leave his lips, I finshed right around his fingers, clenching the digits as I did so with a loud and uncontrollable moan, my back arching like a cat you'd see down the streets.

I hear a small chuckle and a gentle, "Good girl. My girl." Before I see him stand up, his hands going to his belt as he unbuckles it, swiftly throwing it away and slipping his jeans and boxers both at once, not even wasting his time for even just a second.

Seconds later, before I knew it, he was back on top of me, his body towering over mine as he lean down to press a kiss on my cheek, "My tonight, my tomorrow, my tomorrow night, my every night, and my every day are yours okay? I can't live through this without your sweet soul." He spoke with so much genuineness in his voice.

My thoughts evaporates into thin air as he slowly slides his cock through my folds, pulling out soft noises of pleasure from both of us as one of his hands came to rest on the pillow beside my head while the other holds my own hand, pressing a kiss to the back of it before he starts thrusting in and out of me, very gently.

Unlike the rather passionate love making we have done before, he was being extremely gentle this time, passionate still— yet mostly gentle and full of care as his eyes never broke the contact they had with my own eyes, a window that connects our souls.

I feel the tip of his cock hitting every special spots in me without even having to do it hard and fast. He knew me. The real me that lay upon all these insecurity. He knew me all too well. Yet he didn't even have to try. It was like nature have his own way with connecting us.

"I love you too.." I blurted out, a soft moan pulled out of the back of my throat as I slowly close my eyes.

Yet I feel his lips again, this time on my closed eyelids. "Don't close your eyes. I want you to look into my eyes and look deeply. So deep to the point you can see how much love I have." He spoke. Within seconds, my eyes were opened again and stared into his eyes again.

And just as he says, there was a certain look he had on.

A look of love.

So sweet. So deep. So tender.

His hips continue to move against mine, soft grunts slipping through his lips as my walls hug his cock just right. "Fuck.. My girl.." After he mumble this, his arms slowly wrap around my torso, his bodg pressed flushed against mine while his thrusts now becomes more deep, still in the gentle pace he was in earlier.

"Cliff..." I breathed out, my own arms around his body. Each time his cock thrusts into me, a moan would be pulled out of me while a grunt would be pull out of his, both of us becoming closer each seconds we spend in this bed.

"Come with me, sweetheart?.."

"Only with you.. Only with you.."

Not long, I feel an all too familiar knot in my stomach as he continue to hit every weak spot of mine. The way his lips were attached onto my neck and sucking marks wasn't helping with the feeling either. He could be so soft, yet I'll still be the most pleased girl in the earth. His girl.

Before I knew it, my high came crashing down around his cock, letting out a loud moan as his own seeds fill me up, his voice mumbled against my neck as he stayed close to me after our finish. I breathe in and out, all the troubles I had stomped away by a single love making.

But I knew it wasn't the love making

It was him.

He was clinging onto me like a koala, his head in my neck and his arms wrapped around me still yet so tightly, hands stroking my body in an affectionate way. He loves me. It was becoming clearer and clearer each day I spend here with him. He wants me for me. I was too blind to see the way it's all too obvious from his care, from his words, from his eyes.

And I love him too.

My boy.

[thatrandomblogsays]

AU where Helaena and Aegon get married but in name only and immediately start having extramarital affairs. They don’t even consummate the marriage. A year later Helaena gives birth to a very obviously not Valyrian child. Aegon rocks up like “yep that’s my son/daughter”

Alicent through gritted teeth: “the brunette babe? You and your silver haired sister had a brown haired baby”

Aegon: *beeming* they take after their grandmother

*cue alicent having a stroke*

Even funnier if Helaena is super good at hiding her sneaky link so the court doesn’t have a man they can accuse, but they know something is up because it’s every. Single. Baby. Daemon is laughing his ass off at dragonstone

[seekerbr]

One thing I was thinking about today after reading a few fanfics is Seto Kaiba and school, and how that is portrayed in fanfics.

In canon, we have very little of Kaiba in school: in the manga we have his introduction chapter, and then the first episode of DM and his introduction on Season 0 adapting it, but after these he kinda just… never goes to school again. We don’t even have him graduating on DSOD, so I guess we are supposed to assume that he dropped out of it sometime after losing to Yugi (or ending their game on a draw in Season 0’s case). 

But honestly, I think what i find interesting is how he’s portrayed as in fanfics: obviously I haven’t read every single YGO fanfic in existence, and sometimes different people will have different takes on it, but what i’ve seen on a lot of them is he still going to school after his first duel with Yugi, where he’s a pretty popular guy who’s known as the owner of a big company; also, he usually either works from school or skips classes a lot to work. The minor details then are kinda muddled, like if he’s considered a good student or not.

I put the detail of people knowing that he’s the owner of a big company because that isn’t actually the case originally? In his first chapter there’s nothing really implying that he’s even rich (though he does have that briefcase full of cards) and in the beginning of Death-T both Yugi and Joey are surprised that he’s the owner of Kaibacorp, so that’s obviously not common knowledge.

I guess you could just say that this is a retcon or use the meta excuse that Takahashi hadn’t thought about him being the owner of Kaibacorp yet, but I find interesting how that implies that he isn’t the big rich popular kid in school, seeing how the average person doesn’t know that he’s the son of the owner of a big company. Maybe he was really antisocial? Also, Kaibacorp still hasn’t created the Duel Boxes and Duel Disks at this point, so they might not be as popular at this point.

Both of the anime adaptations change this when they adapt his introduction: Duel Monsters has Joey asking why he is visiting grandpa’s shop since he’s the owner of a big company, so that’s common knowledge there, and Season 0 has him everyone immediately knowing who he is after first hearing his name, having the other student see his fancy car, letting people visit his mansion… Funny enough, his fandom self is closer to this version in a way, with him making it obvious how rich he is (though this version of him also still has Gozaburo being alive, so I imagine it changes his deal a little… Season 0 is weird sometimes)

BTW, I’m not complaining about how he’s treated in fanfics: it does make some sense seeing how boisterous he acts in later story arcs, and most people know the animes better; this is just an interesting detail i was thinking about

[spellmage]

sorry i'm still yapping about this album but if there's two songs i had to recommend off the new unto others album (not including the singles) it's 'never, neverland' and 'time goes on'. they're so good trust me

[ssaalexblake]

absolutely hate it when something stupid and negative somebody wrote on one of my positive fandom posts gets stuck in my head but like, i truly wish i'd asked the rando person who said they just Couldn't keep watching 13's era because of the constant put downs of men if they'd legitimately gotten her era and moffat era dw confused (which does, quite frankly, have a ~girls rule boys smell~ lean to it uncomfortably often) because that is simply preferable to the alternative that they meant it and genuinely think that men Not being front and centre is an affront to men and that they couldn't deal with it. But I blocked them bc Be Real. But I regret not asking even though I strongly suspect that the answer would have given me a headache.

[wilsonsmcgillsweatshirt]

It's a crime that more people aren't aware of House's prison bracelet. He wears it basically all of s8, and Hugh Laurie said that House made it in prison as a reminder of the time he served and everything he went through during his incarceration.

[toytulini]

me, stupidly and weirdly resistant to listening to audio books vs reading a physical book for no real reason: man i wish there was a way to like, read a book while i crochet like i do with tv shows and movies and podcasts

[doedipus]

I really need a release of kglw's murder of the universe that just stitches together all of the songs in each section

[lukasadss]

Idk if you heard the news but Our dear Mason now goes by not only they/them but also she/her and on top of that there's a high probability they identify as a nonbinary lesbian, all trans men who love them fell to their knees including me lol

ADRYAN THE WAY IM IN MOURNING ABOUT IT /J

[icewindandboringhorror]

Obligatory fancier outfit that must be present anytime I post outfits 

[cloudysfluffs]

Don’t listen to haters, everything ever spread about Vivzie was disproven. Your art is cute.

LMAOOOOOOOO NO IT WASNT????????!!??!?!?

[magstorrn]

every few years im reminded that the war of the worlds stage show exists which is never good because i always find something new to hate about it