#and now just reading in the main harley quinn comic run about them being so in love and seeing them like this | Explore Tumblr posts and blogs

zahri-melitor · 2 years ago

Text

No Man’s Land

I made it back through! As I said before, my last read through was over 15 years ago, so it was a lot of fun seeing what I remembered and what I didn’t. This really is one of the best Batbook events. The departmental level planning and plotting really stands out; there’s only a couple of times events are repeated between titles (most of the duplicates are actually in Azrael, now I think about it; particularly the Azrael-Catwoman storyline. Clearly they understood they couldn’t trust people to read Azrael) and the story flows with very few contradictions/out of order events/obviously skipped bits . The biggest overall ‘wait what?’ timeline issue is ‘how long was Tim actually IN No Man’s Land and how many times did he sneak back in after being rescued’, because the suggestion he was inside for 2-4 weeks before being airlifted out is hilarious given he then proceeded to spend over a month staking out Pettit and got back in for the Christmas Eve summons quite easily.

Highlights from my read: Bruce Wayne (as opposed to Batman) has some really good stories through Cataclysm-Aftershock-Road to NML. I adore when comics take the time to break out what Bruce can do as a Wayne compared to what he can do as Batman, and both are on show here.

Legends of the Dark Knight #125: the conversation here between Jim and Batman is something that’s been building for over 6 years, since Knightfall. And yeah, the payoff is worth it. They both used their words!

Being a big event, we got multiple 'day in a life' comics for outsider PoVs or minor characters, which are one of my favourite things. I'm a huge sucker for an outsider point of view. Lots of ordinary Gothamites just explaining why they stayed and what community means to them (and also that Gotham talks to you when you have bat rabies). I particularly adore the little red headed agent of Oracle's in SoTB #92 who is so EXASPERATED by Clark Kent ruining her stakeout. She's got a job to do! Stop ruining her report!

Among this is also some of THE defining Leslie characterisation in Chronicles #18, of why she's a doctor and her philosophy on care. Now, the way the story used Zsasz to frame it was irritating (please Leslie, O neg is in such short supply I PROMISE you there are half a dozen people in your hospital camp here right now who need it more than Zsasz), but what can you do. "I will provide treatment to everyone" doesn't have to mean "I'm using an invaluable resource on the least deserving/needy person in this hospital" but it does mean "everyone deserves my care and best effort".

Barbara is at her best, here. Not only does this run highlight her skills as an information broker, troubleshooter and dispatcher, but everyone finally starts turning up regularly to the Clocktower to hang out/have meetings! Early 2000s status quo behaviour has been ACHIEVED. The story would not have worked without her.

Just a BUNCH of Gotham Rogues have really good stories here. What Penguin contributes to the city's dynamics is just so very on display as he runs the entire city's black market. Two-Face's trial of Jim Gordon is some iconic storytelling. Ivy is mostly around via her physical absence - she only appears on page for Fruit of the Earth and in the Harley Quinn intro to set up the Harley & Ivy status quo - but she pins a lot of the territory warfare in place via holding Robinson Park, starts her road to redemption, FINALLY gets rid of those terrible 90s tights (ugh I dislike that costume) and honestly probably helped a lot of people survive NML. And uh Black Mask himself doesn't have the greatest storytelling but his HENCHES do.

Harley finally gets her promotion to the main universe (and her intro doesn't suck). Joker is fine I guess...ok yes I do actually like Endgame and it's solid Joker storytelling, even as shooting Sarah Essen is the most cheap and lazy angst ever (And then! Jim and Bruce are there in front of Joker who is asking to be arrested after he hurts their family! Again! This story has never been told before oh wait it's the 10 year anniversary edition).

Every Bat vigilante (minus Steph) gets a lot of solid character work and stuff to do. Steph's stuck off in her pregnancy arc having Dixon Lectures On Ethics, but does get that Helena team up during Cataclysm at least. We get Cass and David Cain! JPV remains the saddest wet cat in Gotham and the universe causes terrible things to happen to him (seriously how did you end up getting blown up and in worse shape than HELENA for the finale)! Dick confirms he's back in the family full time and will come if Bruce asks! Tim and Dick have adorable sibling adventures together! There’s an entire Dick/Babs hurt/comfort storyline! Tim Having Parents is actually plot relevant and helps end No Man's Land (also his team up with Wally in Keystone is the funniest thing ever. Wally's like 'HOW DID YOU GET MY PHONE NUMBER...oh yeah you asked Dick')! Helena gets masses of page time even as the plot (and Bruce) does her dirty! Even the LANGSTROMS get page time and character changes (that scene where Man-Bat takes Barbara flying is just beautiful).

#z canon read throughs #dc #no man's land #you can tell they put the work into this!#there's a reason NML fundamentally changes the universe status quo #HOW Gotham stories can be told has changed #even in the tiniest of things like Batman telling Oracle 'call them'#the dry runs in Contagion and Legacy are now just assumed behaviour #Batman calls? the team assembles

14 notes · View notes

harlivycentral · 2 years ago

Note

Just wanted to say thanks for breaking down the comics that lead to Ivy’s series. I read some of it before but I knew I was missing something so your post is super helpful. Also I’ve been loving the Kate/Maggie posts as well I’ve been meaning to read more batwoman. 🙏

Thank you so much for sending this ask, I'm glad you've been enjoying it! It was really kind of a pet project for me, since I was in the same boat as you for a long time & wanted to archive for myself the complete backstory. I think seeing how they built up Harley's interest in being a hero for multiple years was really interesting, plus I loved a lot of Ivy's storylines!! So it makes me happy to hear people are appreciating it :)

In 2019, I was a very casual Harley Quinn fan--much more into other comics & hadn't read most of her stuff. I was living in Seattle and going weekly to this awesome comic shop that's since closed (RIP 😢), so I picked up & read all of the limited-run Harley Quinn & Poison Ivy. After that, though, I didn't really keep up with their main storyline. I prefer to read things physically, and I'd buy certain single issues I was interested in (I bought single issues of Joker War and Catwoman: Fear State that I read online had more Harlivy content specifically), but I was always slightly confused/wanted to know the full scope of it. When they finally gave Ivy her own ongoing series, that's when I was like, okay, I'm fully diving in!

(Just a side note, midtowncomics.com is awesome for buying cheap back issues physically. Although I have temporarily subscribed to DC Universe just to catch up on the full backstory & decide which comics I want to own physically. I also hoped excerpting stuff from them would help other people decide which arcs they wanted to read in full for themselves! I can definitely give my recommendations if anyone is interested.)

And I definitely had to do some digging on like old reddit posts and random comic reviews etc. to figure out which comics had their complete storyline over the past few years, so I was like, okay now that I've put this all together, let me put it one place for posterity. There's definitely parts of their storyline I think are way better written than others (though I've tried not to editorialize too much except for Heroes in Crisis lol). I was on vacation last week & had a dental emergency this week (which turned out to be fine as of yesterday woohoo!), but I'd love to make some more text posts with my thoughts on stuff (separate from just archiving it). And I would definitely love to hear from my followers any of their thoughts on specific Harlivy storylines/comics/writers/etc.!

Glad you've been enjoying the Kate/Maggie posts too! I have such mixed feelings about that Batwoman run. It is truly like, sigh, the amount of canonical gay women that DC makes former army or current cops is truly abysmal. And it also definitely has more running themes of violence against women than I expected/wanted (obviously outside of villains physically fighting Kate, I mean, as that's to be expected). But the art is TRULY gorgeous, the storytelling is engaging, and it does represent a lesbian relationship and center a lesbian superhero in a way I haven't really ever seen anywhere else. I love DC Bombshell's version of Kate SO much (the art is also gorgeous for that & her backstory is WAY more appealing to me personally), but sadly they were more focused on including a breadth of characters in that comic than diving deeply into any one character's storyline, including Kate (after like the first six issues). Anyway, I won't go too in depth on my Batwoman thoughts here lol.

But yeah, I was in the Batwoman tag and it was mostly Batfam memes. Which, understandable to some extent, since her last solo comic ended a few years ago, so that stuff is probably just buried. But I was like, well, since I'm reading this anyway, I would like more of the art & relationships from her actual solo comic to be in the tags, at least on my blog for my own reference.

Anyway, sorry, feel like stuff has been running mostly on a queue for the last two-ish weeks, and now I'm back and energized & your ask happened to spark this rambling. Lol thank you for dropping in to my inbox, hope you have a good one!

#asks #anon #i truly love to talk about comics anyone feel free to shoot me an ask with your thoughts or questions any time!#:)

3 notes · View notes

taiblogcomics · 1 month ago

Text

The Only Real Crime is This Comic

Hey there, volatile reptiles. It's autumn now, so I think we've gone through two seasons reviewing Countdown. Certainly at least one! Also, I think we're twenty issues in at this point. Just some trivia or statistics or whatever, which is certainly more interesting than the actual comic~

Here's the cover:

Wait, Crime Society? I've always heard it as Crime Syndicate. Is this their Golden Age equivalent, like the Justice Society? I'm just gonna keep calling them the Crime Syndicate regardless of what the comic says. I don't actually know! But I do know that being a syndicate is cooler than being a society, especially for villains. Regardless, Owlman vs Jason Todd is actually a really cool matchup. There's a lot to unpack there, and I hope the comic gets into it! Shame it couldn't happen in a better comic, though~

Recap time! Jason Todd and his Multiverse Pals' search has led to Earth-3, the evil version of Earth. Mary Marvel is meeting with Eclipso about the evil version of her powers. Pied Piper and Trickster are on the run again, escaping from the evil version of murder charges. Holly Robinson and Harley Quinn have been recruited by the evil version of a women's shelter. Karate Kid and Una are searching for a cure for their evil version of a disease. And Jimmy Olsen is hoping for a non-evil use for his power. Meanwhile, we're still reading this evil version of an event comic~

So we open with Kyle Rayner doing the thing we brought him onto this team for: providing exposition. So this version of the Crime Syndicate might actually be the Crime Society, since the previous version they encountered was from the Anti-Matter Universe, which is separate from this, an alternate Earth in the multiverse. Got it? Not at all confusing, is it? Anyway, Kyle exposits all this to his pals, as well as identifying who they're fighting with a brief bio for each of them. I mean, for the audience. I mean, for them.

The fight continues for a bit, with Bob the Monitor opting to warp out instead of bothering to fight Ultraman. Donna Troy flings Owlman off Jason Todd, letting him squeeze in an "Aw, you really do care." Maybe she cares, but I don't! The three of them regroup and debate if Bob has abandoned them, allowing the Crime Syndicate Society to regroup with even more members. But this allows for an introduction to the breakout star of Countdown: the Jokester, the heroic version of the Joker from Earth-3, with purple hair, green suit, and over-sized hammer with a boxing glove inside~

Alas, we have to cut away from the epic fight that's sure to be to Holly Robinson attempting to post a letter. It's one of those "If you don't hear from me, I'm probably in trouble" letters, but Holly is already in trouble, because she lays it in the outbox, and Athena tears it up as soon as she leaves. Speaking of trouble, we also briefly cut to the fifth dimension, where Mr. Mxyzptlk and his main squeeze Ms. Gsptlsnz are out walking their fish, when Mxy suddenly disappears. Like, he's torn directly through the fourth wall and out of the fifth dimension. Actually a pretty good effect, wasted in this comic~

Over in Turkey, Eclipso is still having her chat with Mary Marvel. She's offering to help show Mary what she can do with her powers, while her other mentors didn't truly want to help. Thankfully, Mary's not stupid, asking how Eclipso's any different than Zatanna and Klarion before her. Eclipso dismissively suggests she doesn't want Mary's powers, she's already way more powerful than her as it is. She just wants to help a kindred spirit. Then some guards show up, complaining that visitors aren't allowed up here, entitled Americans or no, and Mary turns them to stone. Eclipso encourages her to chase this feeling of having murdered three people.

We catch up on Karate Kid and Una, who I note we never see them having to chase down or solve their leads. Like, they get a "go see so-and-so" from the last perso they talked to, they don't appear for an issue, and then next time we see them, they're at the new place, going "Well, we finally tracked down so-and-so." Not saying it'd be any more interesting to see them doing research at the local library (or, more likely, calling up Oracle and making her do all the searching), just kind of a pattern I noticed with their sub-story.

Anyway, they've reached the suburban home of Buddy Blank, the original OMAC. There's a kid playing in the yard and Karate Kid walks right up and asks where his grandpa is. The kid wisely runs inside, and Una says maybe the cute girl should be talking to the strange children. How is that better? Buddy comes to the door, and he's wisely carrying a baseball bat. Karate Kid just lays it all out, given they're both in costume and all, pleading his case as being for life or death. He then also adds he needs to talk to Brother Eye. Oh god, don't bring Brother Eye back into this.

Jimmy Olsen, meanwhile, is still being examined by Cadmus Labs. They're doing a big scan, and the scientist lady in charge says things like "Quoted for truth!" out loud. Remember when people would say that on message boards? It was cringey to say it out loud when this was new, and only seems stupider 17 years later. Quickly, as the scan continues, the machine goes out of control and can't be shut down. Jimmy's powers--which only activate when his life is in danger, remember--start going out of control and he begins to painfully mutate.

Back on Earth-3, the fight continues. None of it's really important, as evidenced by Bob warping back in suddenly and literally saying "This is a waste of our time", before warping them all back out again. The Jokester, thinking that looks fun, jumps through the portal after them. The Crime Society Syndicate is disappointed that they have no one to kill now. And that's when fuckin' Monarch warps in and invites the Crimers to come join him in his stupid tie-in, Countdown: Arena, so they can conquer the universe together.

The comic ends, not with any of our plotline protags, but with the Monitors. What was this other guy named again? Solomon? Anyway, he's pointing to a viewscreen (a monitor, if you will) showing Jokester escaping through Bob's portal. He's mad coz, due to all their arguing of "Should we do something?", the multiversal anomalies have been allowed to proliferate and spread. You don't eliminate a contagion, he says, by waiting it out, you must exterminate it. I dunno, waiting it out usually is how I get over my contagions. Ginger ale and saltines usually help too. But what I'm currently sick of is this comic, so let's end it here~

Another real nothingburger of an issue, huh? (There's some slang that also won't be dated in 17 years, I'm sure~) We're in that lull period again, where the comic is setting up more plotlines instead of resolving ongoing ones. The cover really made the Jason Todd/Owlman confrontation to be a big deal in particular, and we knew it wouldn't live up to the hype, but boy, did it turn out even less than advertised. About the only high point of this issue is the Jokester, and we'll get more into him later. But I just think it's a really fun concept, a heroic version of the Joker. Never you mind that the Creeper already exists, and Harley Quinn's going to go straight in less than a decade's time herself. Well, not straight, I'm pretty sure there's nothing straight about her relationship with Poison Ivy, but you know what I mean~

#comics #reviews #Countdown #Countdown to Final Crisis #Taiblog

1 note · View note

soulmate-game · 3 years ago

Text

Well, here is the stupid thing I was alluding to. It’s mostly a filler chapter, but yeah.

Harley’s Plea for Help, Chapter 3

“Well, that took a while,” a relatively deep female voice smoothly drawled. The plants placed right next to the window pulled away, no longer blocking the pathway inside. The two figures who were perched right outside the windowsill took the invitation and climbed inside, the shorter of the two looking at the woman who had spoken and smiling widely.

“Auntie Ivy!” Marinette happily exclaimed, making the redhead across from her grin back.

“That’s me. It sure is nice to actually see you in person, little Marigold,” she held out her arms for a hug, which Marinette instantly ran in to accept. “Video calls are never quite enough, are they? You’re so tiny! Are you sure you eat alright?”

“Auntie Ivyyyyyy,” Marinette whined, knowing full well that Ivy was just teasing her.

“So, what took you all so long?” Ivy asked Red Hood, even as she kept her arms wrapped around her soon-to-be daughter in law. “Usually you bats are all about getting back on the streets to punch people, we didn’t think you’d be bringing her in at almost one in the morning.”

Hood shrugged, thumbs hooked in his pockets. “Your little garden fairy nearly gave us the slip. Went straight out the back exit instead of doin’ anything showy like we half expected and we almost missed her.”

“I stopped as soon as I noticed who they were, I swear!” Marinette pulled away from Ivy, holding her hands up in mock surrender. “I didn’t expect Momma to send them to babysit me before our first full day being in Gotham. In hindsight, though, I really should have.”

“Yeah, you should’ve,” Ivy agreed with a smirk, ruffling Marinette’s hair and making her pigtails go a little crooked. “And I know for a fact that you’ve done some stunts off your balcony back in Paris, so at least I know you can be responsible and hold yourself back from doing the same here. Must get that from me, because we both know it doesn’t come from Harley.”

Marinette and Hood both had to laugh at that. Being responsible was definitely not a trait that Marinette could have inherited from anybody in her family tree, that was for sure.

“Are ya makin’ fun of me in front of my daughter?” the comically scandalized voice announced the arrival of one Harley Quinn, who walked into the room in white onesie pajamas with a poker print on them. All of the “joker” cards were crossed out heavily with red sharpie, and a few of them had black-sharpie devil horns and handlebar mustaches vandalizing them. Marinette even caught one such card with a googly eye on it, the matching eye having fallen off and leaving only a small circle of since-dried hot glue where it used to be. “If you guys are gonna be that way, fine! Ivy dyes her hair!”

“No she doesn’t,” Marinette deadpanned, clearly fighting against a giant grin. The corners of her lips gave her away, they never stopped twitching with repressed mirth. “But you do. I got the pictures to prove—- aah!” Harley tackled her daughter to the ground, attacking her with tickles immediately.

“Take it back! My hair is naturally blond!”

“Yeah, naturally— hahahahaha! Sandy blonde! You— hahaha! Have just as much brown— stop I can’t breathe! hahahaha!— as yellow!”

“Hmph,” Harley finally backed off, crossing her eyes and looking away from Marinette with an exaggerated pout. “How dare you reveal my darkest secret?”

“I was a natural redhead even before I got my powers,” was all Ivy had to say, looking all too amused at this turn of events. “Your original costume completely covered your hair.”

“Don’t worry, Harley,” Red Hood butted in, reminding the three girls that he was still here. His tone suggested that he was definitely smiling under his helmet. “We found out about your hair dye years ago.”

“I just cover up the brown parts! It’s not like I’m changin’ much,” she argued before standing up again. “Thanks for gettin’ my cupcake back safely, little birdie. Oh, that's right! I made cupcakes! Hang on, lemme grab one for your trip back!” with that, she span on her heels and ran back further into the apartment. Marinette dashed over to Hood, immediately shoving him to the window.

“Quick, save yourself! Momma can’t bake for her life!” she whispered urgently. “I’ll say you were called away for an emergency, just hurry!”

“It’s not even a lie, getting away from Harley’s baking is an emergency,” Ivy agreed, waving as the vigilante took their advice and fled. It was only three seconds later that Harley slid back into the room, nearly falling due to the feet of her onesie having pretty much zero friction. Her face immediately fell when she saw that her victim was gone, leaving her standing there with a cupcake that was about twice as much frosting as actual cake, covered in sprinkles like a kid’s craft project that was smothered in glitter. The frosting was also shapeless, just heaped on the cake like a half-melted scoop of ice cream. She sighed in despair.

“There goes my chance of giving a bat diabetes. You guys warned him, didn’t ya?”

They both nodded shamelessly. “We’re not that cruel, Harley,” Ivy defended, getting up from her spot on her cushioned armchair and wrapping an arm around her fiance’s waist before she kissed the top of her head gently. “Hood got our little Marigold back safe and sound, and he’s even started a garden at his apartment. He doesn’t deserve to be poisoned by you.”

“I thought you said he got a single cactus at the flea market last month,” Harley deadpanned, making Ivy shrug.

“Might as well be a garden for him, and it’s something he’s not likely to kill so that’s a plus to me. He’s actually taking really good care of the little baby.”

“Speaking of garden!” Marinette gently took the sad excuse of a pastry away from her mom and sat it down on a side table before ushering both of them over to the living room and onto the sofa. “My garden back home is growing so big, I don’t think I can keep everything much longer. I barely have room to walk on the terrace, with all the vines and leaves and branches. Got any ideas of what I can do?”

“Of course! Do you have pictures, Marigold?”

—*—*—*—*—*

Slipping back through her hotel window at six in the morning was risky, since it involved climbing the wall and hoping nobody saw, but her classmates were so unpredictable that it was the only way she could be sure nobody would find out that she had violated curfew and snuck out. Of course, having Red Robin waiting outside her mom’s apartment’s terrace to escort her back helped. At least she knew that no street cams would record her comings or goings, and his grappling hook made the whole scale-the-hotel-wall business much more efficient.

Once she was inside, she sighed happily. “Thanks, now—“ her apology was cut off as Red Robin held up a finger to tell her to wait.

“Hold that thought, be right back. Don’t move.”

Thinking, rightfully, that something was wrong, Marinette obeyed. She watched Red Robin leap off of her hotel balcony and disappear into the streets. Immediately, she began a search to make sure her room had been left untampered— everything important had been packed in the backpack that she had taken to her mom’s place, but still. Could never be too careful. By the time she finished checking for bugs or any signs of snooping, Red Robin landed back on her balcony.

“Here we go.”

Turning to face him, Marinette opened her mouth to ask what the problem had been— only to tear up a little and walk over to the vigilante.

“Oh, my hero. Truly, my one and only savior. Knight in shining red Kevlar. I’m running on two hours of sleep and you have read my mind!” The pigtailed drama queen eagerly took the coffee that he offered her, and he sipped from a larger cup that looked like he had grabbed it from the same place. Marinette almost instantly sighed in gratitude when the hot drink lightly scalded her tongue. This. This was the elixir of life.

To his credit, Red Robin was able to restrain himself to merely an amused smirk. Probably because he was running on just as little sleep as she was. “Sorry it’s only a small, I figured it was best to have something you could finish quickly and easily hide the evidence for. If you need more caffeine, I happen to know that Wayne Enterprises has a very good coffee shop in their main hall. You’ll be touring there today, right?” He asked, taking another sip as he waited for the answer that he already knew.

Marinette nodded absently, drinking in the euphoria of her coffee as she tried to both savor it yet finish it as quickly as safely possible. When she came up for air, she said; “Yeah, that’s right. We’re touring Wayne Enterprises for most of the day, having lunch there, and leaving for dinner after the tour. Then we have a visit to the Gotham Museum of Fine Art, and we’ll stay there until about eight-thirty before heading back to the hotel.”

Red Robin nodded, then turned and looked out the window at the slowly rising sun. Sunrise was always a bit later in Gotham, partly because of the abundance of high-rises and partly because of the thick cloud cover and ever-present fog on the edges of the city making everything seem darker than it should have been. He had to be at work soon himself, which is why he had been chosen to escort her to the hotel in the first place, but that meant that he had to be heading off.

“Alright. We arranged for a bodyguard we trust to keep an eye on your class during the WE tour, but he doesn't know who you are or that we’re the ones who asked. We’re still in the process of arranging someone to shadow you after the tour, but we’ll tell you about that once it’s solidified. Until then, follow the usual self-defense procedures if you suspect anyone of following you. You have the panic button we gave you?”

Marinette nodded, gulping down the last of her coffee and carefully putting it in her room’s tiny trash can. “Got it. Thanks, again. Seriously,” she met his eyes— or, probably did since they were hidden behind that weird white film that the whole Batfam had covering the eyeholes of their masks. “I mean it. For listening to me, for listening to Mom. It means a lot. I’ll keep the panic button on me, and I’ll use it if I think I can’t handle a situation on my own. I’ll cooperate with the people you get to watch over the class, and I’ll do my best to not get into any trouble. No promises, but I’ll do my best,” she maintained eye contact until Red Robin nodded, hiding his expression behind his coffee cup. After a second, he cleared his throat.

“Well then. We’ll contact you once we have anything to say about your intel. Until then, I gotta go. And by the way?”

Marinette tilted her head curiously as Red Robin paused for just a moment on her balcony railing, aiming a smirk back at her. “Yeah?”

“Welcome to Gotham.”

And if she couldn’t help but smile widely as he grappled off into the fog-veiled sunrise? Well, only she had to know. She wasted no time closing and locking the glass balcony door, and pulling the curtains over it completely. Once that was done, she couldn’t help but do a little shimmy of Joy. She was caffeinated, she met Auntie Ivy in person for the first time, she got to sleep next to her momma— and she was in Gotham! Technically her hometown— or town she was conceived in? Didn’t matter. Point was, even with the chaos and dark energy clouding the very air, she couldn’t help but feel like she belonged in that city. Like that was where she was always meant to end up, where she could thrive and the environment that she was made to thrive in. The environment that she was born to start fixing.

She beamed at herself in her bathroom mirror as she gave herself one more once-over. Yeah, so far her visit to Gotham was going much better than she could have hoped. Now, she just had to make sure it stayed that way.

Three businesslike raps sounded against the door to her room, just in time for Marinette to feed Tikki one more cookie and straighten her purse on her shoulder. Madame Mendelieve’s voice called out from the other side of the door in her usual no-nonsense bark;

“Dupain-Cheng! Room check! It’s time to get up, we’re meeting down in the lobby in ten minutes.”

Marinette ran up to the door, not quite able to contain her energy, and swung it open with her trademark large, beaming smile.

“Way ahead of you, Madame Mendelieve!”

Her science teacher blinked, adjusting her glasses on her nose as if she couldn’t quite believe what she was seeing.

“Ah. You’re already awake and ready?”

Marinette giggled and nodded. “Yup! I was so excited for the tour that I could barely sleep! Does the hotel breakfast include free coffee?”

—*—*—*—*—*

The hotel breakfast did, in fact, include coffee. What it did not include, however, was free coffee that Marinette could reasonably stomach. Especially after the heaven in a cup that Red Robin had gotten for her earlier, the watered down motor oil in the hotel lobby had been unbearable. She had barely managed two sips before regretfully throwing the rest away. Which is what brought her to stand in line at the very same coffee shop that Red Robin had mentioned was in the main hall of Wayne Enterprises, as the rest of her class mingled and waited for their teachers to check their tour group in and their tour guide to arrive.

“Hmm. Sorry, this is my first time ordering here,” she apologized when she reached the counter, gaining a slight lopsided grin from the barista at the register. “Um, I usually like strong coffee, with a lot of caffeine, but I also like something sweet. I don’t need anything too complicated though, do you have any recommendations?”

The barista gave her a customer service smile that seemed just a tad softer at the edges than usual. “Sure! So, we can add an extra shot or two of espresso to any of our drinks, to make it stronger and give it an extra kick. If you’re looking for good sweet flavors, the classics are our white chocolate or caramel. But we also have a seasonal syrup right now that I personally love, which is our cinnamon butterscotch. Did you wanna try that?”

Marinette smiled widely. “That sounds delicious! Then, if I could have your largest size café latte, hot, with… two extra shots and that syrup? Does that sound good?”

The barista actually let loose a soft laugh, already keying in the order. “If you’re a coffee lover and a sweet tooth at the same time, then you’ll love it. If not, come back during your tour’s lunch break and I’ll make you something else.”

Marinette made a little more small talk as she handed over the proper cash for the order, and grabbed her drink after just another minute’s wait. She turned around, taking a sip of the unsurprisingly heavenly coffee and started off to join her class.

Only to realize none of them were where she had left them. She sighed, starting to reach into her purse to see if anyone had texted her about where they were going, but a heavy presence stopped her. She could feel him approaching from in front of her, slightly to her right, but she couldn’t hear him at all. On guard, she straightened up and turned to observe the potential threat.

A security guard. Marinette blinked, running over what she had been told earlier that morning. Was he..?

He seemed to notice her instinctually defensive posture because he raised his hands to show he meant no harm. “Sorry, didn’t mean to catch you off guard,” he apologized. “I’m the guard that was assigned to your tour group. I offered to stay behind until you got your coffee while the rest of your group went ahead and got the run-down on all the boring rules and whatnot of the tour. Figured you’d already know everything they had to say anyway, you’re the class president right?”

Marinette relaxed her posture, nodding and sending the man a relieved smile. “Yeah, that’s right. Well, that explains why they left without me then. Usually Madame Mendelieve is strict about following rules though, how’d you convince her to go on without me?”

The man chuckled, jerking his head to show that she should follow him as he began to lead the way to a side door. Marinette kept her guard up just in case, but wasn’t too worried. If nothing else, she was still in the middle of a super crowded building and the other security guards around didn’t seem concerned. She could easily yell for help if she needed to.

“Well, can’t you tell it was my devilish charm?” He teased, grinning. He waited until she rolled her eyes to continue; “but really, I’m like a second tour guide. She made me show a lotta proof that I’m actually assigned to you guys and not just faking it, not that I can blame her. Eventually she saw the logic in my suggestion and agreed. See, there they are,” he pointed casually ahead of them in the large side hallway they had entered. Sure enough, near the end of the hallway was her class at what looked to be the tail-end of a standard rules-and-guidelines speech from the tour guide. “By the way,” the guard spoke up again, holding his hand out. “My name’s Jason. You’ll be seeing me more often, since I’m supposed to guard you guys for all of your visits to the Tower. Call me if you need help with anything, ‘kay kid?”

Marinette grinned, now positive that this guy really was the guard that Red Robin had said was assigned to her class. She switched the hand she was holding her coffee in so that she could properly grab Jason’s hand for a shake.

“Got it, Monsieur Jason. Let’s both hope I don’t end up needing your help though, I think that would be easier on both of us,” she joked, earning a chuckle from the large man. And— yeah, now that she was relaxed, he really was big, wasn’t he? Then again, Marinette didn’t always realize when people were a bit larger or more buff than they should be. Living with her dad had seriously skewed her perception of the normal size of an adult male (which, she learned when she was seven, most definitely was not almost seven feet tall and muscled enough to make a pro wrestler jealous). But she would like to think she had gotten better in that aspect, and Jason was definitely a big guy. A little over six feet tall, she thought, and though the guard outfit hid a good portion of his physique, she could tell he carried enough muscle to do serious damage if he wanted to.

With a wave, she left him to join her class and sipped at her latte. She had figured that the Bat Clan’s criteria for civilians that they would put to guard her class had to be high, but now she had to wonder just how high. Most police officers or security guards were fit, sure, but not like Jason. Casting a quick glance back at him, she confirmed that he had quite a few faded but visible scars. Again, more than your average officer even for Gotham. Who had they tasked with her class’ safety, exactly?

An elbow in her side distracted her from her thoughts, forcing her to blink and stop her cup from going back to her lips. The grin of none other than Adrien Agreste greeted her when she snapped out of her own head long enough to pay attention to her surroundings. He jerked his head to indicate that the class was already starting to move off.

“Come on, Mari or you’ll get left behind again,” he teased. She grinned back at him, rolling her eyes but falling into step beside him as they followed at the back of their class. “If I didn’t know any better, I’d think you were gonna marry that coffee. You haven’t zoned out that badly in years,” his tone was light and cheery, but Marinette didn’t miss the concern in his emerald eyes. She sighed, gently bumping her shoulders against his in silent reassurance.

“I’m fine. Just didn’t get much sleep last night, that’s all. But this really is good coffee. Elixir of the gods,” then, just to provoke him, she took a giant gulp of the still steaming hot drink. Adrien grimaced in pained sympathy even though Marinette didn’t seem affected at all.

“Oww, Marineeeeeeeeeette,” he whined. “Don’t do that, my throat hurts just watching you guzzle hot coffee like that,” he complained, rubbing at his neck to make his point clear.

“Wimp,” she teased, unrepentant. Adrien just groaned dramatically.

“I’m not a wimp, you’re just concerningly used to burning your throat from the inside out,” he accused. “Anyway, how’d it go?” He was being deliberately vague, but it was obvious to her what he meant. He was only one she had told about visiting her mom, after all, just in case she needed a quick getaway.

In fact, he was the only one of her friends that she had even told about her biological parents. Alix knew too, but only because of time shenanigans. Marinette was fine with it now, but still.

“It went great,” she smiled widely at him, keeping her voice low but casual. “If I have a chance, I’ll introduce you sometime during the trip. I have a feeling you’ll love Auntie Selina, but I have to meet her first. All I have so far are stories.”

“Fair enough,” Adrien agreed easily. “But you don’t have to, you know that right? I’d love to meet your family, but I’m also fine just being your pseudo-brother like I have been up until now. I know it might be a bit… uncomfortable, for you.”

“Nah,” Marinette shrugged. “Nerve wracking, maybe. But that’s also about half the things that I do in my life period, anxiety is no joke. I’ll catastrophize for a while, but I know you’ll love them and they’ll love you.”

“Sounds like they have paw-some taste,” he didn’t even miss a beat with his puns, earning a playful glare for his efforts.

“Never mind. You’re a heathen. Disowned. Who are you?”

“Mariiiiii,” he whined, causing them both to laugh for a while before focusing on the tour.

So far, so good, Marinette thought.

—*—*—*—*—*

Part 1 Part 2

@emotionalsupportginger @alysrose-starchild @emistar0 @kibastray @justanotherfanficlovinbitch @alyssadeliv @blackroserelina @blackstarlight-co @readingalldaysleepingallnight @maanae @aespades @jaybird-and-co @fleursroses @probably-a-hologram @misterpianoman @deathssilentapproach-blog @user00000003 @frieddonutsweets @blur-of-colours @prettylittlebutterflie @ladyqnoirr @a-star-with-a-human-name @mizzy-pop @laurcad123 @dorkus-minimus @chocolatecatstheron @tazanna-blythe @golden-promises @literaryhiraeth @asrainterstellar @hewantedbeefintheparkinglot @miraculous-trinity-leo @missanalysis @lovelyautumnsunflower @lolieg @ann0631 @whitetiger1249 @meow-now @toodaloo-kangaroo

#maribat #ml x dc #mlb x dc #soulmate-game #marinette x damian #damian x marinette #damimari #dc x miraculous #dc x mlb #bio!mom harley quinn #eventual daminette #probably #daminette #platonic jasonette #platonic timinette #platonic timari #platonic dickinette #platonic brucinette #Joker can choke on a cactus

380 notes · View notes

river-bottom-nightmare · 4 years ago

Text

Nightwing 79 Review

i said i would and i will. i did like this issue! not as striking and attention grabbing as 78, but i think this issue was meant to be a foundation one, laying out the groundwork for the future. overall, pretty good. also there wasn't enough bitewing. as promised, overly extensive metaphors and me reading too much into things under the cut

i know i've talked about this cover before, but this particular thing is oddly important to me, so i'll talk about it again

this is me, once again screaming about how artists put nightwing in traditionally feminine poses and how every time i see it i just get whiplash. i mean, true, the main reason why is because nightwing is a so often sexualized character, and putting him in these poses just increases the objectification, which is a goal that dc producers have. but there are very few popular male characters that do this. the only one i can think of off the top of my head is deadpool, but that was so obviously a critique and a way to make fun of the media industry. when they draw dick like this, they’re being serious. they’re putting him in appealing poses meant to show him off, and that’s something that’s traditionally only been done to women.

it's a very direct and very loud breaking of traditional gender roles in media, especially for a character as high-profile and historic as dick grayson. colour also plays a factor in this. the entire background is pink. i was absolutely shocked when i first saw it, when the teaser came out, because i cannot think of any comic book covers of male comic heroes this high-profile where pink is even just prevalent in the cover, let alone the majority of the cover. the pink does look beautiful: it offsets and highlights the black and blue of dick's suit gorgeously, but does it with more finesse than orange or red. but the fact that the stylistic choice was made to accent and draw this cover with aesthetic and beauty in mind, completely ignoring traditional hard-set gender rules in art, was a conscious choice and one i wholeheartedly support.

just another example of the sexualization i was talking about. i remember seeing harley quinn in this exact pose in suicide squad.

so far, taylor's been pretty dead-set on bringing alfred to the forefront of importance in this series. he wants people to know how much he loves alfred's character, and how much the butler meant to dick growing up. he was dick's father too. but what i adore is how taylor managed to stress alfred's importance in a way that didn't insult or belittle bruce.

this is one of the best bruce and dick interactions i've seen, and it's done in one simple interaction. in this, bruce is tough and harsh. he knocked dick down hard, but then he reached a hand down and helped pull dick back up. let me analyze their dialogue for a minute

on your feet: this is bruce telling dick to get up. he's trained dick, he knows what the younger boy is capable of, he knows his limits, and he knows what dick can do. this is bruce telling dick i know you're strong enough to get up, so get up and prove me right

are you just going to knock me down again?: surface-level, it looks like dick's complaining. he doesn't like bruce's rough training, and he's tired of bruce knocking him down. but look at his face in this. he's smiling up at bruce, knowledgeable and a little hopeful. he knows that bruce is doing this to help dick better himself, he's completely on board with the rough training, because they both know the rewards are incredible. also, he's teasing. he's bantering with bruce. there's an ease in that joking statement, one that belies affection and intimacy. they've only known each other for a little bit, but they're already slipping into a close familial relationship.

it depends on how fast you learn: this is bruce bantering back. this is bruce not being a stoic, unfeeling asshole. instead, he's shown with the dry humor that a good batman writer knows is a staple of the character. he's teasing dick, telling him he'll basically whoop his ass if dick doesn't learn fast enough. it's incentive for dick to train harder, while also being lighthearted enough to tell dick that believes in dick and doesn't want him to push himself too hard.

gosh i love the titans. also it looks like wally's staring at dick's ass.

this was cute. a prod at dick's silly and playful sense of humor, while not dumbing him down for the sake of a laugh. instead, he's joking about food, which is stuff everyone jokes about. this is the kind of stuff that'll actually make me laugh, instead of just making me vaguely uncomfortable.

bludhaven's almost always portrayed as a cesspool of a city. and to be honest, it really is. but this panel gives the city a meaningful history, while also giving us a reason for why dick moved there.

it talks of a time when people still thought they could beat the monsters. that if they fought hard enough, they could win the fight. it was a tentative hope that you could always overcome hardship.

dick's little "i like that it's still standing" shows how he still believes that, despite what the rest of the world thinks. despite everything that he's been through, dick is still tentatively an optimist, and believes he can fight the monsters of the world and win. it's a beautiful testament to his character, and i'm like that they added his signature element of hope back in. it used to be what he symbolized as robin, and despite his growth and character arc from robin to nightwing, this is one aspect of robin that i'm glad nightwing still has.

remember when i said "things that make me vaguely uncomfortable??" yeahhhh,,,,,,,,,,,,,,

Shooketh Dick: A Sequel

(the expressions in this series are just,,,,on point)

this was an incredibly sweet and kindhearted thing for dick to do, but i found it kind of,,,,,,,,desperate? maybe that's just me, but let me explain.

dick's suddenly a billionaire, and he has entirely too much money that he knows what to do with. it's also alfred's money, what the man left to him, so dick forever links it with alfred. in addition to that, he's back and bludhaven and looking at it with "fresh" eyes. (at least, from a different point of view since he got shot in the head. then mind controlled.) he's desperate to do something with the money and he's desperate to help the people around him that so obviously needs up, so he comes up with an on-the-fly solution that's a little impractical and a little crazy, but it still helps and still does some good.

to me, dick seems a little lost. he hasn't completely found his balance yet, and he's trying to do things that will. he tries charity, because that's what bruce did and it's what he knows, even though he admitted that he always thought bruce could have done more as bruce wayne than batman.

they have a family group chat guys yall were right.

also, do i think that dick would ever actually get his wallet stolen?? no way in hell, he’d notice someone getting ready to pickpocket him a mile away. but i suppose it’s important to the Plot.

okay this is getting interesting. first blockbuster, now maroni (+ the weird heart stealer guy). i can officially say that i am intruiged

this particular artistic quirk is shown a lot in this issue, and from this art team in general, but i feel like this panel is one of the best examples of it. it was stunning enough to take up a full page, and it’s well deserved.

the way they show dick moving is absolutely brilliant. as a reader, i like seeing these smaller versions of dick getting clearer and in more detail as they come closer to the screen. not only do they show depth in the picture beyond what a simple 3 dimensional piece of art does, it also shows the passage of time.

in addition, it showcases dick’s skill. dick spots these mobsters running after a group of petty thieves. he then, and follow me here, leaps off the roof of one building feet first, springboards backwards off the side of the adjacent building with his feet, gracefully continues his backflip, rights himself, shoots a line with perfect timing: just in time to soften his landing but not slow him down, execute said landing on top of a moving bus, keep running on the moving bus without missing a beat, shoot his grapple, use the grapple to swing, use the swing to build up momentum, then use the momentum to deliver a powerful blow to the mobsters. and he did all that fast enough to catch up with the mobsters, even though he was a ROOFTOP OVER.

d a m n s o n

this panel, the very first in the issue, is also another example of that art style, but a little more distinctive. i love the way they showed dick’s different costumes through the ages, along with him simply growing up. it’s a little heartbreaking, but a lot uplifting to see how far he’s come. thank god he got rid of the red. now all we need is the fingerstripes, and we’ll be golden

discowing my beloved. also i can’t clearly see discowing’s hair but it definitely looks like it’s pulled back. it looks like he put it in a ponytail. guys. guys. dick had a ponytail omg.

he’s having a Hero Moment

are you talking about the city, dick, or are you talking about you? the kgbeast, the court, the joker. dick fell to each one of them, no matter how hard he fought. he won in the end, eventually and with his family’s help. but i think he’s feeling a little low, a little defeated right now. it’s almost like he needs a win, he needs to feel victorious, he needs to feel like he helped someone (hence the food and the hotel room), just because he needs to remember what it feels like.

these lines were supposed to resonate with you, and goddamn they did.

i looked at it from two ways. first, it’s the girl asking, begging nightwing not to hurt them. bludhaven doesn’t know dick the way gotham does, they’re still a little frightened of him. this child was brave enough to step in front of all of the other hurt and homeless kids and ask, to a strange man in a mask, if he was going to hurt them like the other men had. it’s heartbreaking, but commendable, and an echo of the city itself that dick’s decided to protect. they’re bloody and broken and terrified, but still gritty and brave enough to stare what they fear in the eye and ask it not to hurt them.

second, it’s dick seeing the question reflected in himself. recently, he got shot in the head and lost all his memories. while i think that the way ric reacted was a perfectly valid and human response to the situation, i think dick still regrets how callously and rudely he treated his family. then, he was manipulated by the court of owls, then he was brainwashed with a magic crystal by the joker. dick does have a guilt complex. it’s not a big as bruce’s, but it’s there. and right now, with this girl begging her not to hurt them, dick is probably thinking about all the times he hurt people, in control of his own actions or not, bc he “didn’t have a heart.”

little ambitious don’t you think, dick?

also just look at the sunset colours loOK at the they could not make this any more obvious oh my godddddddddddddddddddddddd

in conclusion, i need more of her

#dick grayson #nightwing #nightwing 79 #nightwing 79 spoilers #dc #dick grayson meta #nightwing meta #nightwing 79 meta #dc meta #river thinks too hard

128 notes · View notes

maxwell-grant · 3 years ago

Note

I was inspired by your Ryu post so I wanted to ask about another Street Fighter character. Growing up I didn't play the games but I had the toys and of all the toys my absolute favorite was Necro. I loved him and thought he had to be the center of the SF universe. Now I know better but the guy still has a special place in my heart. What would your 5 tenets be for handling Necro the strange rubberband man?

Oh man, I really love this ask, this is exactly the kind of question I dearly love to answer and would not get anywhere else. I really like Necro, he's a character I've grown to really love over time, and I also love reading stories like these, about the kinds of ideas people develop for certain stories or franchises based on what little information they have, that end up becoming almost like little glimpses into alternate scenarios. I really like reading these stories and I would eagerly appreciate being sent more of them if any of you all have some to spare.

I remember back when I discovered JJBA for the first time through it's tangential connection to Street Fighter, way before the anime and before I even knew how to read English proper, and how I used to think Lisa Lisa was the main character because she was associated with Rose, who's heavily associated with tarot cards, and because all I could find about Jojo was stuff on Part 3 and Heritage specifically, I thought it was a series about a bunch of weird tarot mystics duking it out (turned out it was about a bunch of weird -everything- duking it out and tarot was only a very very tiny part of it).

I'm not sure if I even 5 "tenets" for handling Necro, he's a very simple character who barely gets featured as is in the series, but I'll make an effort here. I've done a lot more for a lot less.

1: Necro is an outcast, a weirdo even among weirdos. He's a science fiction comic book character.

As described by one of his designers,

Necro - A warrior who emits electricity from his body, and can elongatae his limbs. The sad tale of a man who got developed into a weapon by the secret society Gill is in charge of.

Necro was a character took a lot of inspiration from Street Fighter 2. Primarily Dhalsim, of course. Dhalsim elongates his limbs because of his mastery of yoga, but regular people obviously can't do that, so we went a bit of a science fiction-y route by making him a human who had been experimented on.

He was conceived as the "oddball" of Street Fighter III, even exemplified by him taking traits from Blanka and Dhalsim, the previous oddballs of the franchise. Visually, Necro doesn't look like a representative of a fighting style or nationality the way most of the other characters do (or at least did, before SFIV), he looks like he wandered off a Hellboy or X-Men comic and ended up on the wrong franchise, this comic book comparison seems to have been even reinforced recently as Capcom's taken some steps to characterize Effie as a Harley Quinn-analogue, and I think it helps to set Necro apart as a character: He's a Superhero Comic Book character born in a franchise not built to accomodate him, where he's never gonna find his calling as a costumed adventurer or part of a team of fellow freaks, he's just gonna fight people while on the run from his creators trying to put him down.

While on paper Necro's design is often boiled down to "Dhalsim meets Blanka", I'd argue he uses these gimmicks better than the other two. He uses his electric powers in ways other than just shocking himself on contact, and stretching-wise he uses his powers in much more varied ways than Dhalsim, in a way he almost reads like Street Fighter's equivalent to Plastic Man, another stretchy punk character with an unusually grim origin who ends up becoming one of the cast's cartoonier characters. And speaking of said origin,

2: Necro is arguably the darkest, and the most tragic, of the Street Fighter III newcomers: Necro's entire origin is that he used to be a poor peasant named Illya, living in a deserted Russian village with 4 siblings (two older brothers, one younger sister), who left his home and family when he was 18 looking for a better life of freedom and riches. At some point, he was tricked by the Illuminati with the promise of a great future, and turned into a freakish pale monster with elastic rubber skin, electric powers and a computer in his brain to enhance his fighting abilities. One of Necro's earliest victory lines even was "I'm in pain!", which is something he says even when he wins, which possibly indicates his powers hurt in some capacity.

He was made into a slave fighting under the command of the Illuminati (you see the scientists mess around with his monitors in his stage), fighting based on the promise Gill made to him of eventually getting his freedom (and he secretly wants to take revenge on Gill). Gill in his ending then lies to him and entraps him to be destroyed as nothing but an expendable failure, and then he's rescued by his girlfriend Effie. His plotline in Third Strike is that the two of them are on the run from the Illuminati, which is trying to kill the two of them purely to cover up their existence, and there is no one they can rely on other than themselves.

Personality-wise, Necro can be snappy and bitter, he makes grim jokes about how he can smell "freshly cooked brain matter" or see the sweat crackle off his defeated enemy, and in 1st Generation/2nd Impact in particular there's a desperation to some of his victory lines like "Get outta my way or I'll tear you limb from limb!" and "I'll win by any means necessary. I will survive!", which only makes sense considering he's quite literally fighting for his freedom and his life in a way none of the other fighters are (it shows even in how much more mellowed out he is in Third Strike, because he's no longer with the Illuminati and he's got Effie). A SF3 Q&A from Gamest released prior to Third Strike that detailed information on the characters even remarked that Necro regarded every fight as an exertion made "to earn tomorrow's freedom". Where as his motivation in 2nd Impact emphasized his desire for freedom and revenge, all he wants in 3rd Strike is to escape with Effie from the Illuminati targeting him.

He's not a soldier, he doesn't work with law enforcement, he's got no allies among the main cast, he's not a trained warrior, he was an 18 year old kid who tried to find a better life outside of home and was transformed into a monster and shackled, and is now currently on the run from a criminal organization that practically controls the world, with seemingly no end in sight.

3: ...But all things considered he's actually taking it really well.

Necro's got an interesting dychotomy character-wise because, despite having an unusually grim origin by Street Fighter standards and a design that's meant to be eerie and corpse-like (it's in his name after all), he's got a fairly upbeat, cocky attitude as a fighter, he's extremely expressive and cartoony even by Street Fighter designs.

Character-wise, Necro's far from a bad guy. He's a well-meaning misfit with a chip on his shoulder (and brain) who, amidst all the bad hands he's been dealt, has managed to achieve exactly what he wanted even as Illya: freedom. His endings are downright sappy and uncharacteristically so among the cast, as they depict him and Effie overcoming the odds and running off together into the sunset, or him using his superhero powers to rescue her and proclaiming that, for the first time, he's grateful for his freakish body that lets him protect what matters to him.

(Art by Gene Fayne)

4: Necro and Effie are dorks

Actually, Necro's a dork even without Effie joining him for singing win poses, laying down next to him when he's defeated, or dressing up for Halloween. He cracks poses with his stretchy powers while fighting, he sings opera when he wins, he canonically likes "love poetry" and even has this really dumb rhyme for a win quote (I'm long and strong! To challenge me would be so wrong!), he likes to use his body as a pirate radio station, and remember how I mentioned that his backstory describes that he left his village to find freedom and riches? In that Q&A mentioned above written for 2nd Impact, we get to read what Necro's dream looks like, before Effie came along:

A dream to him?

A: Things such as a Rolex on his arm while eating a hamburger, jeans and a T-shirt while driving a Benz around.

That's what being rich and free looked like to him. Driving a car with a fancy watch and eating hamburgers. This is all the dude wanted in life. Just the simplest, dumbest pleasures that he never got to have growing up.

(Art by betofu)

5: Necro was designed from the start to have a romantic angle to his storyline, and while he can work as a character without it, with Effie, he becomes one of the rarest things in fighting games: A captivating love story

As Sadamoto elaborated recently on the origins of Effie

We also made a girlfriend for him.

Capcom Representative: Effie, right? Effie was planned from pretty early on, wasn't she?

Tomoshi Sadamoto: Yes, yes. We worked out a supporting cast for the characters to deepen their backstories from the very beginning, to bring them out in their endings and such. Every character in the game has supporting characters attached to them, right?

Capcom Representative: Indeed, there are loads.

Tomoshi Sadamoto: Contrary to the Street Fighter 2 days, it was difficult to tell a story with just the characters alone, so we wanted secondary cast members to develop the main cast more deeply.

Capcom Representative: So you created the very characters with their supporting cast in mind as well?

Tomoshi Sadamoto: Yes, it's good to have as many hooks as possible to reel people in with.

It's good that people seemed to like that a lot, as well.

This in particular I think comes back to what you mentioned in your ask, about how you used to think that Necro was the center of the SF universe and then you found out he wasn’t.

Because this used to be one of the greatest things about fighting games: the fact that someone who played the games off the arcade could have made the same assumption you did. The fact that, at the character select screen, knowing nothing about the game or what lore it has or where the storyline is going, every character can be the protagonist. Every character had a complete storyline, a motivation, a supporting cast of their own. Necro wasn’t any different from Alex, or Ibuki, or Dudley, he wasn’t given any more or less attention than they were, it all depended on just how much the player wanted to invest into the character, how much they wanted to learn, how willing they were to fight their way to the boss and learn about their future in the ending.

Every character was their own universe you could learn glimpses about through the bits the game would give you and you could look up later. This is lost when the game prioritizes the existence of a singular big story where obviously some characters are expected to take precedence over others, and this is certainly not a bad approach, it’s basic storytelling. But putting it like that, I suspect this may be part of the reason why I’m deeply indifferent to superhero events where every character becomes the ensemble of a juggling act.

Or to put it simply: Anon, it doesn’t matter that Necro is a low-tier, obscure, barely featured character in a universe full of vastly more important or well-liked characters, and none of that matters, because those other characters didn’t have the impact on you Necro did, none of them were the strange rubberman who made for the best toy of the bunch and gained that special place in your heart, none of the others mattered to you the way Necro did.

To you, Necro’s the center of the Street Fighter universe, because he’s at the center of the way you interacted with it. Even if you’re not really a fan of Street Fighter in general, that place in your heart occupied by the strange rubberman and the joy of a childhood toy, is something you’re gonna carry with you for life. Frankly, that’s the highest honor that could possibly be attached to any character or piece of media.

#replies tag #street fighter #necro #effie #capcom #videogames #deeply delighted to hear that Necro was someone's favorite Street Fighter character #personally my favorite was Sagat #I even got into Muay Thai because of it #and today even was the first day I was able to go back to Muay Thai after 5 years #i'm feeling great because of it and this ask was particularly timely

37 notes · View notes

scorpionyx9621 · 3 years ago

Note

While the art is left to be desired (i'm hope i use this ohrase right, my english is awful). I suprised that i found future state!Jason to be more enjoyable than Urban Legend one. Like he's way more capable there and [spoiler alert] also Bruce depend on him and still call him son? So you can have a bad ass Jason and good son jason at the same time.

So I need to apologize because this turned into a rant about Jason's characterization as whole and MAN is it long-winded and I'm sorry.

I have to agree. I really like the characterization Future State/Dark Detective is going for with Jason.

Jason is still the typical Jason we've grown to expect. Cold, cynical, snarky, willing to cross the dark red line and kill if need be, but he's still shown to have emotions. When he's betraying the family it's vocalized by Jason that he's upset about the situation. He doesn't want to, but he must for the mission Bruce put him under.

Truth be told, I'm not fully caught up on Future State/Dark Detective. I've kind of been reading spoilers and just getting the general gist in the periphery from people like you on Tumblr. I've been more focused on Urban Legends, which, while I will say I still don't hate the story, hell we still have two issues left of Cheer, and I by no means think Chip Zdarsky is a bad writer by any means. His characterization of Jason irks me.

*God I was so on the fence about Eddy Barrow's take on Jason until Issue #3. That right there? THAT. That's a handsome ass man Maurry*

ANYWAYS: I'm irked by Zdarsky's take on Jason just because of how hot headed and brash Jason is. Now don't get me wrong, every main writer for Jason has taken a bit of a different spin and while the big characters who have written Jason (Judd Winnick, Scott Lobdell, Tony Daniel) and while Zdarsky seems to be what I'm hoping to be a bit of a medication of Jason & Bruce's relationship. He's doing it at the expendature of Jason's characterization of being a damn near criminal mastermind.

If we focus on Winnick and Daniel's interpretation of Jason (Winnick wrote the original Under the Hood & Lost Days. Daniels wrote Battle for the Cowl) as well as all Pre-New 52 versions of Jason. Jason is a monster. Like genuinely a horrible human being. He still fights for right moral side (he kills mostly child abusers/drug traffickers and the likes) but this Jason is genuinely unhinged and while smart, he's absolutely monster. Hell, in Battle for the Cowl after hearing Bruce's final words, he has a villainous breakdown. Dresses as batman, and starts killing people. Judd Winnick himself said he sees Jason as a 'Psychopath' and there are a lot of very vocal people who say Winnick's original interpretation of Jason as a violent, misanthropic villain is the superior version and that Jason should return to this.

*I love to point out that I made a post on my alt account questioning Jason's age in this issue. Turns out he's Like SEVENTEEN. I get why they draw him older and more mature because of his darker/more villainous tendencies. But there's something kind of True Crime Podcast host fascination I have with this greasy, crusty, 17 year old who just casually kills 30 mobsters in horrific gun violence and calls it a day.*

Then we have the New 52. And in comes Red Hood & The Outlaws + the eventual Red Hood: Outlaw series. Piloted by the one Scott Lobdell. Now I know a lot of people dislike Lobdell for his takes on certain characters, his all-over-the-place writing style. (Let's not forget his allegations of SA and the fact that he openly admits that he wrote Jason as a self-insert for a 'bad guy seeking redemption') this was my first comic experience with Jason and to be honest, I can't bring myself to hate it. Sure there's some parts that literally show how much of a dumpster fire Lobdell's writing can become, but for the most part I genuinely liked the characterization of Jason that Lobdell gives. Jason may be a bit more reactionary and just kind of making shit up as he goes along, but he's far from dumb. The intro to the series has Jason sneaking into a terrorist run nuclear sub and killing everyone inside.

Again: Lobdell's writing is all of the place. But I do like that his take on Jason is a bit more subdued. I know in the New 52 they wanted to make Jason an Anti-Hero. Someone who very much still driven by emotion and revenge. But he's definetly more relaxed and even has a lot of fun. Intelligence wise he has is moments, but it does emphasize that while he may be the best read Robin, he does have a tendency to leap before he looks. Also all the art for RHATO with the exception of a few series were TOP TIER. I understand why they hired artists like Kenneth Rocafort and Dexter Soy to rehabilitate his image. I mean, come on.

Now if we're talking about Jason's intelligence, I'd be absolutely remiss if I didn't discuss Red Hood: Outlaw and the Price of Gotham Arc. Specifically this exchange between Bruce & Jason. To me, this is the single best part of Lobdell's run and shows Jason's true intelligence.

To give a rundown: After Bruce banished Jason from Gotham after seemingly killing the Penguin. Bruce proceeded to find Jason and literally beat him to within an inch of his life. It took MONTHS for Jason to recover. A lot happens but mostly Jason finds out (from Bruce no less) that Penguin is still alive. Jason hatches a devious plan. He takes over the iceberg lounge, kidnaps and holds Penguin hostage. Publically outs himself as Jason Todd, the dead ward of Bruce Wayne, as alive and well, and the new owner of the Iceberg Lounge.

When Bruce finds out he's clearly pissed and goes to confront Jason because he's banished him from Gotham. But because Jason outed himself as alive and one of Bruce's sons. Batman can do NOTHING. Jason has Bruce by the balls. If Bruce does anything to Jason while he's out and alive as Jason, all Jason has to do is tell the truth. And the whole Batman jig is up in an instant. And Bruce? After these panels? He runs off with his tail between his leg because he can't touch Jason. And all Jason did was capture penguin, and come out as alive. THIS is the Jason that I love. This is the Jason that strikes fear into people's hearts.

I think a lot of the general complaints we see about Jason as a whole is just how inconsistent he is with his writing. Which I agree. It's hard to characterize Jason well when there's been a character like Lobdell who was at the Helm of Jason's character for 10 years and then forced to leave. And I don't really know if DC has any really solid plans for his character and development. There's a lot of hype surrounding the end of Cheer and them saying it'll 'change Red Hood & Batman's relationship forever' as well as with Jason being featured in the new Suicide Squad coming this August, and Jason getting a feature in an issue of Robin. It'll be interesting to see where they take the character. Personally I do want a resumption of Jason. But like Harley Quinn where they're taking their sweet time redeeming her. Jason has done A LOT of awful things and of they wanna make him a hero, I want a few years to pass in terms of monthly issues before we see Jason become a hero again.

*edit: spelling*

#Jason Todd #Bruce Wayne #Batfam #red hood and the outlaws #red hood outlaw #batman urban legends #Batman future state #Red Hood #Red Hood lost days #judd winick #scott lobdell #Battle for the cowl #im sorry this is long #thanks for the ask!

114 notes · View notes

pluckyredhead · 4 years ago

Note

What's the top 10 worst things about HiC

Oh god, it took me FOREVER to narrow this down. There are so many bad things about it!!!

Literally I’m not even going to address all the little talking heads therapy sessions and how thoroughly riddled with continuity errors and godawful characterization they are, because there’s so much else wrong with the book. Just trust that they’re a mess, even if King is trying to be Intellectual (TM) by putting them in a nine-panel grid. WE GET IT. YOU’VE READ WATCHMEN.

I’m also not putting “they killed Roy” on the list because it’s comics, characters die. The fact that this book was a slaughterhouse is a problem (see below, #2), but the fact that one of those deaths happened to be one of my favorite characters is a bummer but not necessarily evidence that the book is bad. (The book is so bad.)

But okay, so the rest of it, from least-worst to worst-worst:

10. That Poison Ivy cover: Clay Mann draws beautiful people but for some reason he decided that the cover to #7 should be a dead Poison Ivy on her stomach, cleavage pressed against the floor, her spine arched EVEN THOUGH SHE IS DEAD in order to lift her ass in the air so that the reader can see both T and A at once. This was leaked and then ultimately pulled before it hit stands and Tom King tweeted that he'd never liked it, but it’s very telling to me that either literally no one noticed how gross this cover fetishizing a dead woman was before the internet protested, or DC actively planned to use a sexy dead woman to sell comics. In their book that was supposed to be about trauma and mental health and recovery.

10b. Babs, a theoretical protagonist of this book, sexily peeling her pants down to show her bullet scars, which shouldn’t even look like that due to all the surgery she’s had: We get it, you’re only interested in women’s trauma if it’s sexy. She doesn’t even get to talk on this page.

10c. The full splash page of Lois in her underwear, saying “What do you want me to do?” like she’s inviting the reader to bone her in the middle of this story about death and trauma: Stop!!! Just stop!!!

9. The laziness of everything having to do with Booster: Okay yeah, I’m gonna be fannishly self-involved about another one of my faves here, but Booster is legitimately one of the main characters of the series, along with the Trinity, Harley, Babs, and Wally. And yet the “trauma” that places him at Sanctuary was part of a hastily shoehorned-in Batman arc directly before HiC that writes him deeply out of character (he carelessly changes the timeline when despite the fact that he’s spent 15 years protecting the timeline, including the Superman arc he starred in literally directly prior to the Batman one), instead of anything endemic to the character (because spoiler, Tom King doesn’t actually know anything about the character). The series then entirely fails to address it, hanging Booster’s emotional arc instead on his friendship with Ted...a friendship that explicitly does not exist in the Rebirth timeline. The Ted/Booster friendship/marriage is literally my favorite relationship in the entirety of the DCU, but you don’t get to rest a protagonist’s entire arc on a relationship that was retconned out of existence seven years prior and then retconned away again. Do the work. Don’t copy Keith Giffen and J. M. DeMatteis’s papers from 31 years ago.

8. Interpretive hand jiving through the pain: You know how some people have to leave the room when characters do something very embarrassing on television? I’ve never been like that, just Jesus Christ I had to read this page between my fingers. Y i k e s :

7. Harley beating the Trinity in a fight: Come on. Harley couldn’t take a single one of them on her own, let alone all three. Don’t warp the characters to make your MC look more badass and keep the plot moving. (King also wrote Catwoman beating THREE SPEEDSTERS in his Batman run, which again: no. Absolutely not. Stop it.)

6. That Watchman reference: See above re: being so embarrassed for someone you have to read through your fingers. If you haven’t read Watchmen, the line “I did it 35 minutes ago” is extremely famous and absolutely a mic drop moment. It’s not a mic drop moment here. The characters are completely different and talking about completely different things. The only thing Heroes in Crisis has in common with Watchmen (besides copying the use of the nine-panel grid, like I said before) is that it’s about how heroes are fucked up, I guess? Which is hardly a bold statement in 2018; it’s actively cliche now, in fact. The only purpose referencing Watchmen serves here is to let the reader know that Tom King has read Watchmen, which is both pretentious because it is Art and ridiculous because it’s one of the bestselling comics of all time and millions of people have read it.

5. The abysmal “journalistic ethics” on display: There are so many characters literally and figuratively assassinated in this book that it’s easy to miss that Lois is one of them. But here’s a tip: when someone’s medical information is leaked to you, it is not in fact your obligation to share that with the world, no matter who they are. That is not information meant for public consumption, which we might assume Lois knows, since she doesn’t usually share the private business of her husband or her son or their cousin or any of their friends that she is also friends with. But suddenly she’s forgotten that because it’s on a zip drive? Not only does that show horrifying journalistic ethics from both Lois and Clark, who seems to think she had no other choice, it’s also ableist as hell - what, if someone has mental health problems or experienced trauma on the job they’re automatically a danger to the public? And despite the attempt to make this feel like a big twist, there’s actually zero point to it, because a) we never see civilians reacting to this information and b) there are literally zero consequences to publishing it in this or any subsequent comic. It’s never even mentioned again. If a tree publishes all of a superhero’s medical information and deep dark secrets in a forest and no one reacts to it in any way, shape, or form, does it make a sound?

4. The actual premise: I do sort of believe that Bruce would think “go to the middle of nowhere surrounded by robots wearing creepy robes and masks and tell your secrets to cameras which are then wiped and interact with no one” = therapy, although if that’s the case I don’t know why he keeps bothering to put people in Arkham, which at least allows them to talk to other humans. But under no circumstances do I think either Clark or Diana would go along with this horrible, horrible idea, that offers no genuine help to anyone. Not only does the fact that it’s implausible undercut literally everything that happens within the framework of Sanctuary’s existence, it’s just one of many examples of how almost everyone acts completely out of character all the time in order to keep the plot chugging along.

3. Bruce’s terrible detective skills: The World’s Greatest Detective spends like six issues seriously thinking that either Booster Gold or Harley Quinn is the killer. Booster or Harley! Booster has neither the temperament nor the ability to kill on that level and Harley would never hurt Ivy, plus neither of them are a match for Wally (who is believed to be dead at this point), and Bruce should know that. Again, weak characterization all around, but it’s especially egregious given that King wrote Batman for A HUNDRED ISSUES.

2. Wally’s character assassination: This is a three-parter:

2a. Logistical: It makes no fucking sense. Wally got his own corpse to the crime scene by traveling five days into the future and killing his future self. Everyone sees the corpse. Then Booster, Ted, Harley, and Babs talk him out of killing himself. But...he already did that and everyone saw the corpse, so now we have a paradox that’s never addressed.

2b. Moral: The comics have tried desperately to walk Wally’s actions back in the past two years, emphasizing that he didn’t mean to kill TWELVE PEOPLE, including one of his best friends. It was an accident! But he still framed Booster and Harley for literally no reason except to create a whodunnit, set them on each other which could have easily ended fatally for Booster, and then sent everyone’s private information to the media (which again, the comic frames as somehow noble and necessary, but which is actually deeply unethical). So you made this beloved 60-year-old hero into a villain...why, exactly? Just so it would be surprising? Cool, great work, Captain Edgelord.

2c. Metatextual: This comic spins out of Rebirth Special #1. The New 52 erased Wally from continuity and then brought him back as the younger, biracial Wally (and this isn’t the place to get into fandom’s response to that and DC’s response to fandom’s response so let’s just say they are both YIKES MCGIKES and leave it at that). Rebirth Special #1 brought him back, and the return of the “real” (white) Wally (again: yikes) heralded a new universe that was lighter and happier and contained way more fan favorites. It was literally branded as a gift to fans, embodied in Wally West.

In Heroes in Crisis, Wally is crushed by the weight of everyone being so happy he’s there and loving him so much while he’s struggling with grief and depression, and that’s why he snaps. It’s the metatextual equivalent of having Wally look at the reader and say “You’re happy I’m back and comics can be lighter now? Well, FUCK YOU, YOU RUINED EVERYTHING.” It essentially blames the reader for having Wally go evil, because the reader loves Wally too much.

King, what the fuck?

1. The overall message: Heroes in Crisis was sold as a thoughtful exploration of mental health and trauma, instead of just another bloodbath. Instead, it killed a dozen characters in its first issue and dicked around for another seven with an uninspired whodunnit before throwing a beloved hero in the garbage. But in the meantime, it manages to say:

Trauma is unavoidable.

But therapy doesn’t help.

Trying it does more harm than good.

If you’re struggling, you are a danger to others and don’t deserve privacy.

Good luck with that.

Therapy literally saved my life. This comic enrages me. This comic is harmful. Superhero comics as a whole have a lot to answer for when it comes to discussions of mental illness, but at least some random issue of Batman where Bruce thoughtlessly throws another “looney” into Arkham isn’t billed as a sympathetic take on PTSD. Our culture already discourages asking for help, and we don’t need a pretentious funnybook miniseries helping with that.

(If you made it all the way to the end of this post and you are struggling with trauma, depression, PTSD, whatever...please do look into therapy. I promise you it’s nothing like this comic.)

In conclusion, Heroes in Crisis is bad and it should feel bad.

THE END.

#heroes in crisis #comics #wally west #flash #NO TALK ME IM ANGY #kiseiakhun

58 notes · View notes

davidmann95 · 4 years ago

Text

Got a handful of DC-solicit asks, so I’ll just write up my thoughts on the whole batch again.

Mister Miracle: The Source of Freedom #1: The BALLS to not only do the next Mister Miracle thing after King and Gerads, but to do it with Shilo Norman and therefore invite Seven Soldiers comparisons as well. I wouldn’t be that interested, but the preview art that came with the announcement looked fun so this is a maybe for me.

Wonder Girl #1: I got a Yara Flor ask so I’ll go more into detail with that, but this sounds...not good.

Future State: Gotham #1: Hahaha, thanks, call me in six months if the next team does something there’s a reason to give a shit about. Except...wait, Dennis Culver cowrote that E Is For Extinction Secret Wars mini, dammit this might be good. Either way though, god willing we get a Future State: Metropolis book by Dan Watters too.

Legends of the Dark Knight #1: Hopefully this going with Sensational Wonder Woman means there’s a similar Superman anthology in the cards too, but I won’t hold my breath. Darick Robertson doing Batman is enticing, but I’m not familiar with his work as a writer and the premise doesn’t sound that gripping so I’ll wait and see. That Francavilla variant though? DC, blow that up to poster size and you’d make a mint.

Milestone Returns: Infinite Edition #0: Hmm. I got love for Static, but I might wait for further announcements and/or buzz before taking the plunge on this one.

DC Festival of Heroes: The Asian Superhero Celebration #1: This is a SERIOUSLY stacked lineup, definite buy.

Stargirl Spring Break Special #1: Impeccable timing, DC. It feels like it must be some kind of statement that there are no Morrison members of the Seven Soldiers in the mix (even swapping out Ystin for the original version of Shining Knight no one cares bout) - we focus on the Moore fixation, but there’s enough tidbits that I really do feel like Johns probably flat-out hates Morrison. And what’s this ‘secret eighth soldier’ nonsense? There’ve always been eight soldiers, people have been joking about it forever!

Justice League: Last Ride #1: Discussed that announcement here.

Batman: Earth One Vol. 3: *blinks*

*blinks again*

*squints at the cover art*

...Geoff Johns are you seriously trying to step to Morrison and use the Miagani tribe? YOU SEE WHAT I MEAN PEOPLE

I Am Not Starfire: Interesting concept that seems like it pushes into indie-flavored territory as much as DC’s superhero output just about ever has, if word-of-mouth is good there’s a decent chance I’ll get this.

Action Comics #1031: Wonder if this is serious about the potential of Kryptonian refugees, given PKJ suggested the idea in Worlds of War and that could play a significant part in the New Krypton stuff from Bendis’s Legion (with Johnson being clear he’s following up on a lot of Bendis’s ideas with his own Superman run).

Superman #31: This sounds big-time like Johnson hammering Superman into a swords-and-sorcery shape for an arc since that’s his bag, but Superman’s malleable enough for that to work so I’m not complaining.

American Vampire 1976 #8: Still not getting, so.

Batman #108: Tynion’s well and truly figured out how to game the direct market’s dopiest instincts, hasn’t he? Well, as long as that’s in service of him getting to continue doing weird Batman stuff with Jorge Jimenez like introducing whatever the ‘Unsanity Collective’ is, that’s fine with me. And more Ghostmaker!

Batman: Black & White #6: Not as packed for the finale as some previous issues, but still looking good. And there’s really never gonna be a ‘last’ Scott Snyder Batman story, is there? Sure it’ll be good but that’s kind of a shame, his Detective #1027 feature really felt like a nice full circle.

Batman: The Detective #2: Guess I wasn’t the only one wondering if it was a stealth DKR prequel and they wanted to cut that notion out at the knees.

Batman/Catwoman #6: Still very down for it, but BOY that Batwoman costume Mann debuted on Twitter.

The Batman & Scooby Doo Mysteries #2: I recently finally started reading Sholly Fisch and companies’ Scooby-Doo Team-Up! recently after getting the whole run for free on ComiXology earlier this year and have fallen in love with it, so I’m totally grabbing this digitally.

Batman/Superman #18: “The Dark Knight and the Man of Steel are on a mission to stop the godlike Auteur.io from destroying the pocket worlds he’s created...but where on Earth did Auteur.io even come from? The answer starts not on Earth at all, but with an ancient cult of World Forger worshippers on a planet far away—and if our heroes are to have a prayer of stopping this mythic behemoth, they’ll need to get to the bottom of his power source, and quick! It’s a race against time as the parallel lives of entire worlds hang in the balance!”

Anonymous said: Haha is Yang really doing Superman & Batman vs. Zack Snyder and the Snyder Cult (look up “auter” if you don’t know what I mean)? That’s fucking hilarious, especially since he apparently comes from the World Forge which is where all the shitty Earths full of bad ideas are made. Pretty pointed criticism there if I’m reading it right.

I’ve seen two or three people other than this anon independently conclude this arc is about the Supermen and Batmen of the Multiverse teaming up to stop Zack Snyder from destroying them all and at this point I’m ready to ask my LCS owner if I’m allowed to pay more than cover price for this run.

Batman: Urban Legends #3: Much more into this after the Grifter and Outsiders stories in Future State.

Catwoman #31: No reason not to assume this’ll continue to be great.

Challenge of the Super Sons #2: Good for the folks who want this, and that Nick Bradshaw variant is fun.

Crime Syndicate #3: I wanna be convinced to get this book, but the interviews are not persuading me.

Detective Comics #1036: How long is Mora sticking around?!

The Dreaming: Waking Hours #10: Another one I’ve got nothing to say about because I’ve never been getting it.

The Flash #770: Actually really excited to hear about how bad this run will suck now that I know it’s by the mind behind that “Geoff Johns’ OC - do not steal - beats up the Grant Morrison DC future” catastrophe from Future State.

Green Lantern #2: Really couldn’t wait a month for Far Sector to wrap up, huh?

Harley Quinn #3: Still not interested, but that *is* a nice cover.

The Joker #3: There’s a very real possibility I’ll have dropped the book by this point if it turns out to be the illustrated editorial mandate I get the feeling it could be, but fingers crossed.

Justice League #61: Not complaining, but wow, this really is Naomi 2 since Campbell’s busy in order to provide the necessary material for the CW show.

Looney Toons #260/Mad #20: Were these grouped with the rest of the solicits before?

Man-Bat #4: Very curious how this’ll be received, given nobody much cares about Man-Bat but Wielgosz seems to be quickly becoming a favorite.

The Next Batman: Second Son #2: Hadn’t realized this was only 4 issues - guess for at least one of them it’ll be the Luke Fox book everyone expected in the first place.

Nightwing #80: Dick Grayson vs. Heartless, not how I expected the DC/Kingdom Hearts crossover to happen but I’ll take it. That variant though? ALL TIMER:

The Other History of the DC Universe #4: I was trying to figure out who the focus of #4 would be since we know #5 is about Thunder and Lightning, forgot Montoya was confirmed.

Robin #2: Wanna care, so don’t care.

Rorschach #8: I will get it and probably like it.

RWBY/Justice League #2: My thoughts here will be their own post because there’s something particularly notable, but:

Anonymous said: Have you seen the BATtleaxe from the new art for RWBY/Justice League?

Yes, anon. Yes I have.

Sensational Wonder Woman #3: Eh, premise doesn’t grab me but maybe.

Strange Adventures #10: God I love the book about how Adam Strange sucks.

Suicide Squad #3/Teen Titans Academy #3: Hahahahaha

Superman: Red and Blue #3: Fiffe and Stokoe doing Superman stories!!! And...Nick Spencer. With Christian Ward art?! Sigh, fine, hopefully it’ll be Nick Spencer doing a nice little comedy, and not having Grant Morrison Superman throwing his t-shirt away because he grew up and realized changing things is too hard. A horrible shame Pope is doing the main cover though, the allegations against him I guess never really got any attention. At least there’s this JPL variant:

The Swamp Thing #3: Swampy will never be my guy but very happy for those who dig him, because I imagine this’ll be terrific.

Truth & Justice #4: Normally I wouldn’t care at all, but what I’m hearing on Twitter about this is a crying shame - that Jeff Trammell is really talented and Red Hood is a favorite of his and this is likely to be one of Jason Todd’s few Actually Good comics, but that artist Rob Guillory is a bullying transphobic piece of shit. Sucks all around.

Wonder Woman #772: I was so excited for this run, and then Immortal Wonder Woman had to go and suck.

#DC Comics #Opinion

15 notes · View notes

popculturebuffet · 4 years ago

Text

Paul Dini’s Jingle Belle: “Sanity Clauses” review or Santa’s Court Ordered Family Therapy Holiday Special

Merry Christmas everyone! I”m finally back on the reviewing reindeer after a week out with a cold, aside from the usual ducktales review, and it’s once again a comission from friend of the blog and the only guy who pays me for reviews weirdkev27. If you have your own holliday hyjinks you’d like me to review I do reviews of television and comics for 5 dollars an episode/issue, wtih variable prices for trades in comics case depending on length. Hit me up via my dm’s here on tumblr or send me an ask for my discord if you want to know more. WIth that plug out of the way away we go. This one was a bit unusual... in that when Kev bought it up I assumed he was going to buy a few issues of Jingle Belle, Paul Dini’s creator owned character we’re talking about today, and just have me review those. What I didn’t realize is he was buying me the full package, a collection of pretty much every jingle belle tale, as well as the released after it “Handmade’s Tale”. one shot. So yeah, while I had’nt really thought of rules for this kind of thing before from now on your free to buy a work for me to review... just keep in mind i’ts both not required for me to review something, and will not wave the commission fee as I use those fees to pay bills, buy things I need like charger cables, and just generally keep my bank account afloat while I look for a day job.

But... since I hadn’t firmly established any of this yet, and since Kev’s gift means a bunch more commissions from a guy who not only made sure I could afford Christmas, but who has provided me steady work while i’m out of work... this one’s on the house. So with all the jargon settled, who is Jingle Belle? Jingle Belle is an indie comics character created and owned by Paul Dini in 1998. Paul Dini is an animation god, who thanks to this review I know more about his career than I did before and as much as I always should have. Dini got his start in the 80′s, writing for everything from He Man to Gary Coleman Adventures, before getting called up to the big leagues for Tiny Tune Adventures around the time of the animation renaissance. To my shock, as I wasn’t aware he wrote for that fine program, he wrote 35 episodes including my personal favorite Prom-ise her Anything. But while a talented comedy writer, his main talent would show when he moved on to Batman the Animated Series as a writer and story editor. He was one of the main creative forces along with Bruce Timm, with the two going on to make the DCAU, aka some of the best superhero shows ever made, after already making easily one of if not THE best with BTAS. And Timm’s influence showed, Co-Creating Harley Quinn with Timm, and writing the series best episode Heart of Ice, which reworked Mr Freeze from a hoaky silver age villian into the tragic and thoroughly sympathetic character he’s been since that episode. Seriously that’s another one to add to the review pile.. which is giant and sentient at this point. And seriously EVERY episode on his imdb page credits is an utter classic and one I remember fondly. The guy is one of the most talented and seemingly nicest guys in the business and both the world of batman and the world of animation owe him a LOT. So to my surprise, I found out in the 2000′s he had a comic, Jingle Belle.. then for whatever reason just never dug into it till now. But now post digging Jingle Belle is Paul Dini’s long running series of one shots and series at various companies following the adventures of Santa’s rebellious teenage-ish daughter.. techincally she’s in the 200′s but still looks and acts like a teenager. The idea came about when he got a christmas card from Stephen Speilberg, and wondered how the kids of famous folks dealt with that and if they resented their famous fathers. And whose more famous than santa?. The series spins both out of that brilliant idea and out of Dini’s love for sunday comic strips, back when the panels were larger and creators were given more freedom to go nuts, though even today i’ve seen plenty of great stuff so it’s not all lost pauly. So in that spirit rather than one long ongoing Jingle Belle is instead a series of one shots, stories in anthologies and what have you, one and done stories more focused on the comedy. The comic has bounced around from various publishers, starting as something pitched to Oni Press, home of Scott Pilgrim and not much else, and has bounced around various publishers since, most recently ending up at IDW, where the trade i’m reading from comes from. So how does a great concept from one of the world’s most creative minds shake out? Let’s unwrap this present and find out.

We open with an appropriately christmasy rhymey opening as we get the story of Jingle Belle: She’s the daughter of santa claus and mrs. claus, in this case the Queen of the Elves. Which isn’t established until the next story but whatever. And as you’d expect she grew up a cheery, rosey little girl who loved helpiing dad in the workshop.. then everything changed when puberty attacked.

As you can see Jingle is now your standard Bratty Teenage Daughter sterotype. At least in this story. See this initial story feels much like a pilot: It’s clear things aren’t ironed out 100% for the idea, and i’ts more a self contained way to get across the general idea, that being Santa has a rebellious teen daughter, via what comes off as an snl skit in comic book form. THat’s not an insult, it’s a GOOD snl skit, and I am genuinely surprised only one movie company’s attempted adapting this comic: the concept is great. I’m just letting you know what i’m working with is all.

So naturally as a high concept comedy skit, Jing soon, after sharing some cigarettes with the local eskmo boys and accidently lighting her Reindeer’s butt on fire and wrecking her sleigh and some surrounding property, Santa is at his witt’s end and we end up in family therapy. And honestly.. Santa in a family therapists office is a great concept. IT’s why I compare it to a sketch: It’s just a simple one line proposal that’s really damn funny and really damn eye catching. It’s often REALLY hard to get a good santa parody going, so I admire how well he pulled it off here. But what really centers it is Jing giving her side, making her a bit more than the mostly one dimensional bratty rebellious daughter she’s been pegged as. Oh sure tha’ts still mostly what she is here, I’ll leave it to later stories to flesh her out hopefully, but she gives vallid reasons WHY she acts out: She points out no one even knew Santa had a daughter, and she has no songs or specials or any of that about her. The most Santa can offer up is “Jingle Bells” because the boys say “jingle all the way”... which really, especially in 2020, just makes HIM come off worse for not only slut shaming his daughter, but that the best defense he can offer is “Well some local boys talk about how you boned them that counts right?”.

That.. poorly aged joke aside Jingle brings up another good point on how sh’es on his shit list.. errr.. naughty list. Still a good gag. And yeah the therapist is understandably surprised Santa dosen’t give his own daughter presents, though his wife does give a valid counter to that: He has to hold a higher standard than anybody.

And that’s why I’m really intrigued by this concept and want to read more: WE have plenty of stories about Santa’s kids, i’ll grant, from him adopting a kid like in elf, to him passing on the legacy with films like Arthur Christmas and Fred Claus, or even just films about his legacy, like the Santa Claus, aka that time Santa died and his clothes forced Tim Allen into a job he dosen’t want with weight and beard gain he didn’t ask for via yuletide mummy’s curse to become the new santa and nearly loose custody of his child. What i’m saying is the concept is inherently fascinating and The Santa Clause is deeply terrifying if you stop to think about it for two seconds.. as is the sequel what with it’s Nazi Robot Santa Claus Tim Allen. Yes really.

But this one’s unique in that it’s not about the legacy. Oh sure Santa tries to get Jing interested, and his last attempte wound up with them having to take the bus, another great gag and i’m glossing over most because this is a very funny little comic, but the main focus is more on what kind of pressure that puts on a kid: wouldn’t you rebel too if your parents wanted you to be perfect and to follow in the family business of being basically a perfect human being? Jing herself sums it up perfectly towards the end of the story.

Granted after a tearful hug, Jing internally says “that new snowboard is mine.. but i’ts hard not to feel that a godo chunk of this is genuine. Sure she’s playing her parents a bit but.. you’d crack too if your dad was freaking Santa. I’m really intrigued to see where this goes both comedically and character stuff wise.

So we end on another christmasy narration bit as Belle plays good for a while, snapping only when it docent seem like she gets her snowboard. A comedy ending and an eh one. Not the best honeslty, I feel the comci would’ve been better ended just at the snowboard is mine bit, but i’ve seen worse.

Final Thoughts: A really good story. WHile it’s rough around the edges, clearly Dini and others have buffed them out over two decades, and i’m really intrigued to see more of this this holiday season and others. Again some parts, mostly playing Jing being sexually liberated for “OH HAW HAW SHE’S A SLUT” laughs is cringe inducing, but most of the jokes have aged well and for a pilot it’s not bad. I really look forward to reading more of the character and diving into her this season and beyond.

Until then be good to one another, have a happy holidays and always remember: There's always another rainbow.

#christmas #jingle belle #santa claus #mrs claus #paul dini #oni press #comics #review #comics reviews

6 notes · View notes

taffystake · 4 years ago

Photo

So......Are you ready for the encore?

Taffy’s Take: Dark Nights Death Metal #1

Written by: Scott “Hallowed Be Thy Name” Snyder

Pencils by: Greg “Panikiller” Capullo

Inks by: Jonathan “Motorbreath” Glapion

Colors by: FCO “Fixxxer” Plascencia

So....it has all finally come to this. The finale. The ultimatum in a long saga of stories that started in the original Dark Nights, began showing its hand in No Justice, and was fully fleshed out with Snyder’s Justice League run. And it opens with a resounding boom that rivets your attention straight to the story and won’t let go until the pages run out.

We open with Sergeant Rock, preparing himself and an unknown audience for a conflict to come. When or where this is set is somewhat unknown, but the massive futuristic assault rifle he levels to emphasis his last line says that Rock is somewhere in the modern day.

After the credits page, featuring a map of the current world of the DCU and a message that calls Death Metal an “Anti-Crisis”, we cut to Wonder Woman, hard at work deconstructing the invisible jet with a buzzsaw-like device in the literal depths of hell (Originally Themyscira) when someone interrupts her over approaching people. Said person is the flaming, green-covered skeleton that Swamp Thing has become in this world and he says that someone is coming with prisoners. And as Diana walks through her prison to meet these people, we get to see the absolute myriad of villains entombed in the place, including Joker. Once they reach the quartet, we get to meet Batmage, a red-suited Batman, a cloaked figure, and.....Bat-Tyrannosaurus. After some very terse banter, Diana is forced to throw this unknown prisoner into the pits of Tartarus. But before he is cast into the depths, he mutters something to Diana that makes her recognize the person for a moment.

After that, we are shown Castle Bat and given a backstory of a specific field within that area and the rebels who died within the tunnels underneath it before pulling back to a panel of a castle, with The Batman Who Laughs’ twisted Robins and Joker dragons dominating the structure. And then we meet The Batman Who Laughs’ League, composed of pairings of heros and Dark Multiverse Batmen. We have Harley Quinn and Dr Arkham, Aquaman and Bathomet, Wonder Woman and Batmage, and Mister Miracle and Darkfather. With each of them, we get a small question about their current work, with the most noteworthy being Mister Miracle revealing that Superman has almost succumbed to the Anti-Life Equation. Content with their briefings, The Batman Who Laughs begins to explain how Perpetua, the god who created their multiverse, has destroyed another of their universe, leaving only 8 before The Batman Who Laughs and Perpetua can remake the multiverse however they desire. Before we can hear more, we’re dragged into Diana’s perspective as the true Batman engages in a psychic link with her, trying to advocate for a small victory rather than the sweeping final win that Diana desires. As her thoughts turn towards what happened to result in the current state of the universe and her lack of memory about what caused it, The Batman Who Laughs interrupts her as he can tell that she is hiding something.

And at that moment, an explosive arrow fires out of the nearby woods and nearly vaporizes The Batman Who Laughs. Sacrificing one of his Robins, we soon see Bruce stride out to exchange threats with The Batman Who Laughs, who takes with some jest before ordering an entire squadron of Dark Multiverse Batmen to kill Bruce. While the enslaved Justice League does their best to take advantage of the distraction, their Dark Multiverse minders are quick to detain them from any rebellious actions. So Bruce is left alone, simply standing in this field to face down an army. And as The Batman Who Laughs monologues about how disappointed the brave men and women who died in this field would be at Bruce’s actions, he asks him what he would say to justify himself.

His answer?

One word.

“RISE.”

And so, with a BLACK LANTERN RING ON HIS FINGER, BRUCE WAYNE SUMMONS AN ARMY OF UNDEAD REBELS TO FIGHT THE DARK MULTIVERSE BATMEN JUST PURELY TO DEMONSTRATE WHAT HIS METHOD CAN DO TO DIANA BEFORE RIDING OFF ON A SKELETAL MOTORCYCLE AND LEAVING ZOMBIE JONAH HEX TO CONTINUE LEADING THE ASSAULT.

And now, as the audience both in the know about all of that and not in the know but hyped as hell because BRUCE WAYNE WENT FULL FUCKING NECROMANCER sits in the afterglow of that amazing moment, we cut to a single page depicting the planet Ossex as the Main Man, Lobo, unearths something from underneath the living bone of the planet.

Having made it back to Themyscira, Diana is quick to continue with the rebellion, setting off into Tartarus to see who this mystery prisoner is. And its...Wally West, with a Dr Manhattan-style hydrogen atom drawn into the forehead of his costume. And with Wally, we finally get an explanation of what the hell is going on. See, with the traditional multiverses, they are created using the positive energies that were explored in the Justice League run, things like the Speed Force, the Emotional Spectrum, Imagination. The inverse, stuff like chaos magic and the forces of doom that Perpetua wished to bring to power (and succeeded at doing) are what Wally calls Crisis Energy. And whereas the positive energies wish to create a strong united universe, Crisis Energies wish to simply make only one thing, one moment, one person important. And so, when Perpetua was trapped after her attempts to make a universe of war out of crisis energy, she did her best to instigate crises and came back empowered with all that energy. Meanwhile, the league, empowered by the slightly failed efforts of Dr Manhattan to ‘fix’ the multiverse, gathered all the positive energy they could and then, between the last issue of Justice League and Death Metal, the two forces clashed. Which, since they were basically smashing tow inverse forces together, resulted in both sides burning themselves out.

Now, that block of text could be extremely dry feeling, but it works really well in the two page spread, with the word balloons beginning to form an infinity symbol as images of past crises ranging from the original Crisis On Infinite Earths to Emerald Twilight to Dark Nights Metal in the background.

But back to the story. With that explanation done, Wonder Woman begins to theorize potentially going back to those crises and gathering this information for themselves in order to reshape the universe themselves. Resulting in....”The first Anti-Crisis” The Batman Who Laughs interrupts with, striding into Tartarus to cut his own deal with Wonder Woman to let him take control over Perpetua. If she helps him, she gets all the people Perpetua has trapped and their own planet. And after that, he emphasizes how she can’t out-plan him, how he’s already prepared for her to knock him out, use the invisible jet she was being forced to deconstruct and melt down to give her armor that would render her undetectable. Wonder Woman is quick to counter that despite all the knowledge The Batman Who Laughs says he has, that entire plan is what Bruce would do. So he is quick to counter, stating so then she’d make a weapon, some sort of sword?

But it seems The Batman Who Laughs didn’t account for two things. One, for Diana to have already made her weapon before he showed up. Two, she didn’t need to make a sword. And so, with a pull of its ripcord, THE CHAINSAW OF TRUTH CLEAVES ITS WAY THROUGH THE BATMAN WHO LAUGHS IN A SPLASH PAGE OF PURE ENERGY ERUPTING OUT OF THE DEMON WHERE THE CHAINSAW IS CUTTING THROUGH HIM!

The comic ends with two quick one panel stories. The first, with Batmage executing a final plan that The Batman Who Laughs had in place to unleash a final Bruce Wayne. Which only sounds mildly menacing, unti the art shows both a button with a watchmen-style frownie face and the final Bruce Wayne in silhouette, a glowing hydrogen atom on his forehead.

The other is a cut back to Sergeant Rock, still continuing with his tirade from the beginning of the comic before he is taken out of the moment by Batman coming to retrieve him for the big fight. And as Batman promises One last fight with everyone together, we get to see in silhouette that Sergeant Rock is missing his everything below his torso, revealing himself to likely be another resurrection from Bruce’s Black Lantern ring.

So, in summary, IM PUMPED TO SEE WHAT HEIGHTS THIS THING HITS! THE BIG MOMENTS WERE SO DAMNED COOL! THE ART IS STILL THE ABSOLUTE ALL KILLER NO FILLER THAT CAPULLO ROCKED OUT WITH IN THE LAST DARK NIGHTS METAL EVENT AND I CANT WAIT TO SEE WHAT NEW SPORES OF MADNESS HE GETS TO CREATE FOR THIS STORY!

And while I’d like to be pure hype beast, that feels a little disingenuous when I do have some small moments that seem like they could be tweaked. Both of the long exposition scenes for the Dead Bats and the Positive Energy vs Crisis Energy could have potentially stood for another pass just to really tighten them up, but I will also admit that both those scenes kinda deserve to be long-winded. The Dead Bats to make sure that the setup for Batman with a Black Lantern Ring summoning an army at that point works and the Energy one because its explaining the entire setup for the rest of the event series and it helps lull things down so that the hype of Chainsaw of Truth can hit like it should.

So yeah, this thing is absolutely something any Scott Snyder fan, any DC fan, heck Id almost venture to say anyone interested in comics read. None of the story elements of the comic intrinsically need you to know the backstory behind them, but there are definitely rewards for knowing DC continuity in general and Scott Snyder’s previous works in this arcing story. So yeah, I am going to sit here, vibrating in anticipation as I await the next issue of Death Metal from the Cowboys From Hell on their encore tour.

25 notes · View notes

c-e-gold · 4 years ago

Text

In light of recent events involving Damian in a certain DC Comic book, I have decided to revisit my proposed line up for a Teen Titans book that I would love to read. It’s going to be similar to the one I did before, but I’m going to try to go more in depth about it. If there’s any changes or additions you would make, please let me know. My knowledge on DC is limited. Especially now since I havent read them in awhile due to how annoyed they’ve made me lately.

Enjoy!

Core Team

Damian Wayne / Robin

Maya Ducard / Nobody

Suren Daga (He’s been staying at Carrie Kelly’s place since he’s had nowhere else to go)

Jon Kent / Super Boy

Kathy Branden / Beacon

This is the core team at the start of their tenure together. There really isn’t any designated leader among them. Instead, they opt for a rotating system where a leader is chosen for specific missions. For example, Maya be more suitable to lead a stealth mission than Superboy.

I know he would get brought up, by Colin isn’t included because I know nothing about him and haven’t read any of the stories he’s been in. I recognized that he’s popular among some of the fans, but I wanted this list to be as true to me as possible.

Team Mother

Talia Al Ghul

In this iteration, everything about her that was written by Grant Morrison is wholly ignored. Never happened. Talia, while not as involved in Damian’s life as she would like to be due to her work, maintains a healthy relationship with her son. She takes on the responsibility of training the team in combat, language, espionage, tactics, and assassination. She also does the mission briefings for them.

For those who are familiar with the Young Justice cartoon, she’s pretty much Batman. the events of R:SoB still happens, so her relationship with Maya and Suren are still rocky at best. Maya goes out of her way to annoy her and Suren just doesn’t like her. But the course of the story will have moments where, while not being a fan of eachother, Talia would definitely go out of her way to protect Suren and Maya and they would do the same for her. Perhaps their relationship develops from antagonistic to just playful ribbing.

Den Brother

Duke Thomas

Duke takes on Talia’s responsibilities while she’s not around due to her job and/or missions. His tasks normally include being the team’s “therapist”. Talia recruited him for this because she correctly figured that the team would be more likely to warm up to him since he’s closer to them in age. It also helps that he’s a bit better when it comes to understanding emotional children. While not being licensed, he listens to their problems and help work them threw it. On occasion he will tag along on missions with them.

Future additions to the team

Mia “Maps” Mizoguchi and Olive Silverlock

(Anyone else remember in Robin War where Damian left supplies for the Gotham Academy kids and nothing came of it? I do.)

Maps- who is by far the most excited about the prospect of joining the team- she begins early training at the insistence of Damian, much to Talia’s chagrin. Talia tries to discourage her threw tough conditioning, but Maps perservere, showing her heart and that her desire to help people isn’t just surface level. Eventually she does join the team part-time.

Olive partakes in the practice concerning the usage of metahuman abilities in order to master her pyrokinesis. Duke and Kathy helps her navigate her training and slowly teaches her to be able to call upon her abilities without losing herself to the flames. I’m on the fence about having Olive join the team, so I’m open to suggestions on that front. I’m leaning more towards no, though.

Detective Chimp

Why not? He’s not really doing anything in the comics that is worthwhile. And I think his presence would add an air of brevity. He would be in charge of teaching the team proper investigative tactics. He even has a few tips and tricks up his sleeve that even the most seasoned detective wouldn’t be privy to.

Also I want to see him and Maps interact. Not to mention the potential for a fun side adventure with Detective Chimp and all of the pets teaming up.

Temp Join/Team-Ups

Batfamily

Not having the rest of the Batfamily interact with this team would be a crime in of itself. Nightwing, Red Hood, Red Robin, Orphan, Batgirl, Spoiler, Blue Bird, Batwoman, Batwing, and Alfred. I want to see all of them interact with the team. It doesn’t even have to be serious! Maybe Stephanie shows up with Cass and kicks all of the boys out and has a girls night with the female team. Or Jason regales the team with totally not made up stories about all of the times he saved Damian and all the favors that he owes him.

Harley Quinn

I don’t know exactly the circumstances that would make this work, but I think this would be a cool and fun crossover. They would just kinda run into each other and decide, for the sake of the mission, to work together to get the job done.

Justice League

I mean, they HAVE to have their “Now do you take us seriously” moment. It doesn’t have to be a situation where the League is brainwashed or anything. Maybe it’s just a test. Or a friendly competiton. Or an excuse to get Wonder Woman and Maya to interact and have a proper passing of the touch and make the Tiny Trinity a for sure thing.

Robzarro and Boyzarro

They obviously like hanging out with Jon, Kathy, and Maya. So them popping up every now and then should be a given. Also I kinda wanna see how Damian and Talia reacts to Robzarro. There is so much comedy potential there.

Base of operation

The Fortress of Attitude

The base has an official named that Talia had given it upon construction, but Superboy called it the Fortress of Attitude. The some of the team just started calling it that out of being easier to remember while others (read: Maya) does it because she wants to annoy Talia. It’s very sleek with cutting edge tech rivaling Batman’s own tech. But as the team gets more and more accommodated to the hideout, they start adding their own flairs (stickers, posters, beanbag chairs, animal dens, dolls, figurines, and magazines).

It’s equipped with a central computer that monitors the coming and going of the members, the registry, and mission files. The AI is programmed into the teams phones, offering the same protection to their personal phones that the foretress has. Using technology similar to the Watchtower and threw studying Beacon’s powers, they can beam themselves to the fortress whenever they please.

Main villains

Slade and the Hive Academy

I put Slade and not Deathstroke because I’m not really a fan of comic book Deathstroke. But Slade is Bad. Ass. Methodical. Calculating. Brilliant. Powerful. Coniving. He would make a perfect overarching villain for this team. I wouldn’t have him want Robin as his apprentice though. That can stay exclusive to the Teen Titans cartoon. In that place, he would just be the headmaster of the Hive Academy and use the team to test his students.

The Court of Owls

While theyre largely Batman’s villains, I feel they would meddle in the affairs of anyone they deem a significant annoyance. Their Talons would prove such a huge obstacle for this team to overcome. Of course it wouldn’t be the entire court after them, though. Just a small team that is assigned to keep an eye on them and steer them in the direction that best serves the Court.

Blockbuster

I think 2 syndicates is enough for one title. Blockbuster is a departure from the cold, calculated, machinations of both Slade and the Court. He’s pretty much an immovable object that would be built up to be able to even withstand hits from Superboy.

Manchester Black

I think being trapped inside of a cow would make anyone thirsty for revenge. Also, a cow that is hell bent on revenge could be both terrifying and fun to read. No one is going to punch a cow, so the team would have to think of other tactics to take him down. Maybe Detective Chimp and the pets would have a hand in bringing him down!

I literally typed this out while working off of 3 hours of sleep the previous night and it is currently 12:37AM. That’s the excuse I’m going to go with if something is wrong here. I would want to include more villains that challenge the team both philosophically, physically, and mentally. But the longer I work on this, the more I go blank. So I’m putting a pin in this here.

If anyone has any ideas or suggestions, feel free to leave them! This is my own personal take on what I would like to see from a hypothetical Teen Titans/Young Justice book.

#Damian Wayne #Superboy #Maya Ducard #Kathy Brendan #Talia Al Ghul #Teen Titans

8 notes · View notes

that-shamrock-vibe · 5 years ago

Text

Movie Review: Birds of Prey (Spoilers)

Spoiler Warning: I am posting this review a week after the movie airs worldwide, so if you have not yet seen the movie do not read on until you have.

Characters:

Harley Quinn:

This is most definitely Margot Robbie’s signature role. Just like Johnny Depp has Jack Sparrow and Gal Gadot has Wonder Woman, Margot Robbie is Harley Quinn and I am not just saying that because she’s the only cinematic version we have.

I really enjoyed the “Galentine’s” movie angle as this movie was released around the traditionally loved-up holiday and Galentine’s is an anti-approach to it. But showing how Harley bounced back after being dumped by the Joker with the traditional break-up tropes of a bad haircut, partying, drinking and generally hitting self destruct was a lot of fun, particularly from Harley’s perspective.

Also the link with her roller derby hobby at the start of the movie showing how she’s moved on to the end of the movie when she uses her roller derby skills in a positive way was really great, and one of the few things I really like about her comics redesign.

As I said in my non-spoiler review, I thought Margot Robbie’s comedy as Harley Quinn had greatly improved from Suicide Squad to here, whether or not that’s better writers or Robbie’s own performance I don’t know. But Margot Robbie, to be fair to her, is funny when given the right material. Just look at how she delivered Brad Pitt’s acceptance speech at the BAFTAs.

But she had a lot of great one-liners and even character moments where it was just physical acting or face acting that just make me laugh every time I watch the movie, and I so far have seen it three times.

My favourite funny lines from her are “Run piggy run!” when she’s gunning down the GCPD officers with glitter rounds, “Does she have to keep running?!” when trying to chase Cassandra through the evidence room while also battling with the mercenaries looking to claim Sionis’ bounty, and when she is explaining why the main women of the movie need to team-up in the most realistic way possible ending with “...so unless we all want to die extremely painful deaths and let Roman go finger fondling around the kid’s intestinal track...”.

In terms of her silent comedy, I loved when she ran for the truck she used to blow up Ace Chemicals, Margot Robbie is a good drunk actor. The way she ran with her arms out but then momentarily stopped seeing the actual driver before continuing anyway, I’m cracking up now just thinking about it.

Also whenever she came across someone who was after her or she had an idea, the way she would sign or look confused or have her trademark devilish grin was fantastic.

In regards to her character development, I am beyond thrilled that they let Harley be Harleen in this movie.

During Suicide Squad she had one or two moments where she did analyse the team and especially in the extended cut she went through the group.

Here though right from the start with Roman in his club she lays out his psyche in front of him and in turn I believe throughout the movie analyses all the main players with the exception of Zsasz.

It did weigh in to the comedy but the fact she had an analysis for everyone so unique to them; Sionis with his insecurities, Canary being a harlequin of sorts, Montoya being stuck in the past, Huntress and her childhood trauma. It was all superb and exactly what I want from Harley.

Even psychoanalysing herself when explaining herself to Cassandra, how she was a psychologist working at Arkham before falling in love with her patient and helping him escape, then being arrested herself and becoming a member of the Suicide Squad, but escaping before being dumped. Serious and professional Harley is just as important to me as the wacky Harlequin of Chaos.

Also the fact she is still a dangerous character both with her actions and unhinged mind. She is a very calculating individual and that’s again a lot to do with her psychological background.

When she manages to save her skin (literally) with Black Mask by telling him she can get his diamond back from Cassandra Cain, the fact she’s clearly hesitant from just turning her over and simply wants the diamond, you can see the frustration in her when Cassandra originally refuses to hand it over before admitting she ate it.

Speaking of what I want to see from my Harley, her action sequences were so good. Harley is an acrobatic character and while we saw shades of that in Suicide Squad, here not only was she doing kicks and flips, but the way she used that baseball bat and her roller skates was everything for me.

Yes Harley with a mallet and a form of firearm will always be Harley, but this is old-school Harley and it works so well.

While I do think Margot Robbie’s storytelling style could be considered all over the place, in the context of Harley Quinn it is such a good narrative because Harley’s mind is all over the place.

I love me a cute animal sidekick and, while neither animals in this movie are cute (or real), I thought Bruce the Hyena was a great addition despite not really doing anything. If you’ve seen him in the trailers you’ve seen him in the movie.

I am hoping that some day soon they could afford to render two hyenas so we can finally get Bud and Lou on the big screen because Harley with her hyenas is such a great partnership.

Harley with a beaver on the other hand...I am just glad it wasn’t played up and used in cheap inuendos. It is slightly annoying that when her apartment was blown up, she had to save the beaver and even at the end of the movie, once it was revealed that Bruce was safe, the beaver was also there. I just don’t get the fascination with it.

Black Canary:

Jurnee Smolett-Bell, as I said in my non-spoiler review, is the breakout star of this movie for me. I know Black Canary quite well thanks to Injustice 2, the Arrowverse and even some animated properties, but seeing her in a more realistic setting rather than the suited up version was very refreshing.

Even the smaller moments for Dinah worked really well thanks to Smolett-Bell’s acting. For example, when that one guy roufees Harley and tries abducting her, the look on Dinah’s face as she’s deciding whether or not to get involved or not was really great.

Giving Black Canary some good action sequences was also the right thing to do because that’s partly what Canary is known for. Not only did she have some great kicks but it was just her attitude and her bravado about how she engaged in her fight choreography.

Also allowing her to sing, I haven’t talked about the music in this movie because while I do love some of the songs used here it wasn’t a lot to rave about, “Man’s World” may be slightly too on the nose for this movie but Smolett-Bell delivered it very well.

And let’s not forget the other way her voice was used, we have our Canary Cry and I am thrilled...mostly. Having it used once at the end of the movie and that’s it does seem like a bit of a waste, but it does make sense with in the context of this movie.

Black Canary is the only metahuman in this movie and on the team and so if she used her power all the time there would be no need for Huntress or even Harley.

However, the fact she fainted after using it once I found interesting. I am not taking the same approach as some by saying it was stupid because I feel the way Dinah’s story is told in this movie that she may not use it a lot and so she may not be vocally trained or durable enough to sustain.

On that note, the nod to Dinah’s mother, aka the original Black Canary, originally being a vigilante with the same Canary Cry as Dinah I also felt played into Dinah’s character. She knows what her mother was like and the fact she died, so of course she didn’t want that life and so didn’t use her power which is why it’s so overwhelming for her.

I do wish her outfits had been more Black Canary-esk. I would have loved more fishnets and definitely a leather jacket rather than that weird disco suit jacket she had on for a lot of the movie.

However, the gold trousers and matching boots were fabulous.

Black Mask:

Ewan McGregor can do no wrong for me really, there is just such a charm and charisma about the actor that I can’t help but like him in everything he is in.

That being said, I will say I know nothing about Black Mask from the comics other than he is a psychologically damaged crime lord. I do not believe he is this campy but I am sorry it works for the movie.

I did like how the movie played up Black Mask’s insecurities which Harley diagnosed at the start of the movie. When that one woman was laughing and he thought it was at him so decided to humiliate her, then later on when Zsasz revealed that Dinah betrayed him and he just flipped.

I’m not entirely sure if Black Mask is this misogynistic in the comics but it seems to be that every woman in this movie was at his mercy. At the start of the movie he clearly had a begrudging relationship with Harley because of her association with The Joker, however, after it was revealed that she had been dumped it seemed like he wanted her but then it’s revealed he just wants to kill her.

Bottom line, Roman Sionis was definitely a dangerous individual and Ewan McGregor played that brilliantly, but there was also a campy and somewhat sadistically comedic edge to him which gave way to a rather brilliant DC villain.

However, the very fact that his tenure in the DCEU is short-lived given that he was literally blown up at the end of the movie, it is sad that we will never see him going forward.

Also on the subject of his actual mask, I know it’s supposed to be welded to his face or something, I’m kind of glad it wasn’t but do wish we had seen it more throughout the movie. Also I feel it would have popped more with the white suit rather than the black, just saying.

Huntress:

While Mary Elizabeth Winstead was a great choice for Huntress here, I do feel that the movie missed a trick and a way to bring other strong female characters into the movie.

Alright so the movie honours Helena’s origins of being the daughter of a crime boss whose entire family is murdered and so she trains to become an assassin and comes to Gotham seeking vengeance.

However, how great would it have been if, rather than Sicily, if she was trained by either the League of Assassins or even Lady Shiva herself.

I know that this is more of a Cassandra Cain origin, which they still didn’t do, but it would have been a great way to tie-in these characters and also show a bond between Helena and Cassandra being raised by the same woman maybe.

Then also, if Black Canary and Huntress do get their own spin-off, Lady Shiva could come in as an antagonist and it would see Huntress going up against her old mentor.

I do think that Winstead did a good job with what she had, I am hoping that Huntress is meant to be socially awkward because that’s definitely the vibes I got from her.

I appreciated her tracksuit attire because Gotham is meant to be in New Jersey and it’s a very gangster Jersey attire.

I hated her last outfit though right at the end, loved the mask but that actual outfit was hideous.

I do see a future for Huntress going forward which is great, I’m not as disappointed with the character as I thought I would be.

Victor Zsasz:

This was an interesting conundrum of a character for me because, like the other two left on this list, if you don’t read the comics or watch the TV shows with these characters in, you’re not going to know who Victor Zsasz from this movie.

I will say, having seen the actor’s transformation from how he normally looks to his Zsasz look, it is a very impressive change and does fit in with the Suicide Squad level changes made to the characters.

Unfortunately though this is where the impressiveness stops. Yes, Zsasz is an assassin and I did like how they confirmed that he works for various employers, despite the fact it seems that the crime boss who had the Bertinellis killed was in fact working for or with Sionis so was Zsasz just on loan?

But the misogyny of the character was so cringe-worthy and at times unnecessary that it actually makes me side with the fans who put misogyny as this movie’s biggest problem, despite knowing logically that is not strictly true but I do accept it is one of the big problems.

For instance, it is implied that Zsasz only cuts himself to tally the number of women he’s “set free” as opposed to everyone he kills...that is not how Victor Zsasz is supposed to operate. He gives himself a point for every person he kills, that’s what makes him such a terrifying and grotesque adversary.

Okay so I know Anthony Carrigan on Gotham also didn’t go deep into that side of the character, but they didn’t have that Zsasz single out women either.

Also, when he paralysed Harley with that dart and then was effectively playing with her while she was unresponsive...I get she was still aware but even so where I thought that scene was going to go was both unnecessary and only added to why fans were laughing when Harley started repeatedly stabbing Zsasz with that same dart despite him already being dead.

I did like the subtle LGBT representation they tried to showcase with him and Sionis, because even if Sionis wasn’t reciprocating, this was a case of one guy crushing hard on another and feeling he knew what was best and wanting to protect him. That I liked and they played that rather well in my opinion.

But overall, I just didn’t feel that threatened by a supervillain who is essentially the living embodiment of torture porn. I know he cut off people’s faces and had visible scars, but there wasn’t a lot of anything else to make me believe this was the same Victor Zsasz that can easily inspire nightmares just by looking at him.

Cassandra Cain:

I’m just going to put this out there, I don’t know that much about Cassandra Cain. From what I have been told, she was someone who became Batgirl, I know in Young Justice she is in it as Orphan despite I don’t think ever speaking or having her real name revealed, and I know her mother is Lady Shiva.

Which brings me back to a potential storyline going forward for a Black Canary/Huntress TV series to feature Lady Shiva which could also include the return of Cassandra Cain...because I don’t think we need to see her again in the movies.

It is very harsh to judge a child actress, but much like Zsasz honestly if you are unfamiliar with Cassandra Cain as I am you would not really have much takeaway from the character based on this movie.

I also recall there being reports that Margot Robbie stole Cassandra Cain from the upcoming Suicide Squad as a plot point...but now I want to know what the original plan was for Cassandra Cain in The Suicide Squad and if James Gunn would have handled her better.

There just wasn’t a lot of depth to her character. She had a broken arm, potentially from her foster parents, but other than that she was just so angry all the time. She tried being sassy particularly with Harley but it fell flat.

Then in the climactic battle, she is the girl everyone is after to either kill or protect, but in that fun-house scene, as cool as the action was, Cassandra was essentially a hot potato going from character to character and it reminded me a lot of The Jungle Book when Baloo and Bagheera were trying to keep Mowgli away from King Louis and the monkeys.

I don’t really see the point of Harley having an apprentice either, I like the idea that she’s a free agent with no ties. Now that the Birds of Prey are formed she can float between helping them out and doing her own thing or going on another Suicide mission but the point is she rides solo...how are we going to explain where Cassandra is in The Suicide Squad?

Renee Montoya:

I continuously keep calling Rosie Perez’s character Maggie Sawyer because, in my opinion, this is who she is most like, not Renee Montoya.

Renee is young, determined and the woman who can stand alongside Jim Gordon and Harvey Bullock. She comes from the same origin as Harley Quinn which is Batman: The Animated Series. Yet so far the only incarnation to get her right outside of that has been Batman: Bad Blood where she had a minor appearance as Batwoman’s love interest...which is actually supposed to be Maggie Sawyer.

I said how Cassandra was played as angry, Renee was simply one of these rather aggressive soccer mom characters, especially in that final battle.

She had her funny moments and I do understand where the movie was coming from in trying to show how she was hard done by because of her male colleagues always stealing her glory, but this is a character who again led GCPD missions when Gordon and Bullock were detained in the past, yet I am not getting that essence from this character.

Also Renee, like Maggie Sawyer, is an LGBT character, but while her ex-girlfriend was shown here, if it wasn’t for Harley narrating that fact you would not know they had that history.

I don’t understand why she also became a founding member of the Birds of Prey, I get that in the comics she has been a liaison between them and the GCPD, but to actually quit her job and fight alongside Black Canary and Huntress? There is a third member needed in that line-up but Renee Montoya is not it.

DCEU Connections:

I will keep calling this universe the DC Extended Universe because until DC itself makes up its mind I am going to stick to what I know.

So in the wider scope of the DCEU, this movie definitely is a follow-up to Suicide Squad, not only because of Margot Robbie’s Harley and the flashbacks we saw of her diving into the acid vat from Ace Chemicals, but also the cheeky Easter-Egg of Captain Boomerang’s wanted poster at the GCPD.

I don’t understand why Captain Boomerang is wanted by the GCPD particularly when he is supposed to be a Flash rogue but I just loved seeing Jai Courtney getting some love.

Also, when the women are suiting up to fight Black Mask and his army, we see Black Canary equip herself with Harley’s Good Night bat from Suicide Squad but also Renee pick up Harley’s “Daddy’s Little Monster” shirt from said movie which Harley takes back as “sentimental value”. I love little connections like that.

In terms of where this movie could branch out to, again I do see a Black Canary/Huntress series in the future maybe including Cassandra Cain and Renee Montoya as guest characters, but movie-wise aside from Harley returning, I don’t see any of this lot coming back.

Also, despite Arrow severely screwing this over, the Black Canary/Green Arrow relationship I could see happen in a TV series but the way they have developed this version of the character I do not see Dinah needing an Emerald Archer in her life.

Overall I rate the movie a solid 7/10, I know I rated Suicide Squad the same and have said this was a better movie, but with everything that DC is pushing recently like Wonder Woman and Aquaman I expected something at that level rather than Shazam! level. Maybe if we got a Gotham City Sirens movie the mark would be higher.

So that’s my review of Birds of Prey and the Fantabulous Emancipation of One Harley Quinn, what did you guys think? Post your comments and check out more DC Movie Reviews as well as other reviews and posts.

37 notes · View notes