#and nobody really acknowledges that

[alteredsilicone]

I like the idea of the Operators being "mature" but in the sense that, due to being molded into child soldiers, they were forced to grow up way too fast and the obvious trauma and mental dysfunction that comes from such circumstances shines through. Like, even the Tenno that embody the "look inside a broken thing and take away its pain" are unsettling in the way that a young child should not be taking on such burdens... Worst of all - they're essentially godlike creatures, so there really is nobody else that understands their struggle or can truly comfort them. Margulis tried, the Lotus tries but the Tenno are still alone in their predicament.

[offkilterkeys]

The world isn’t ready for my alpha kid readings.

[adhdandcomics]

perhaps the most important question i’ve ever asked:

does anyone have tips for people trying to stop being chronically late to everything in the world that aren’t weirdly judgmental and aggressive or flat out lies

[wileycap]

Vi's journey broke my fucking heart and I do not see anyone talking about it, so I will.

The Writing In Arcane Was Very Good, Actually (SPOILERS)

The core of her character is that Vi lets herself be hurt. Again and again, and she asks nothing for herself. In S1E2 when she's talking to Vander, she says "I grew up knowing I'm less than them, that my place is down here. I want Powder to have more than that, and I'm willing to fight for it."

Not "I want more than that." She says "I grew up knowing I'm less" and even then, she's already accepted it. It's fine if it happens to her.

When Jinx blows up the council, again it's "I can do this alone, nobody else has to get hurt." She doesn't want the badge, but she takes it anyways because if she doesn't, Caitlyn will be hurt. So it's fine if it's her principles that get tossed out. It's fine if it happens to her.

When Caitlyn hurts her, again - she directs all the harm at herself. She doesn't grab Cait and beat the shit out of her for hurting her. She goes and becomes a pit fighting alcoholic so that she can keep the pain where it belongs, with her. It's fine if it happens to her.

And then... Jinx comes to get her, and they get Vander. She gets to see Jinx be a big sister, try to carry more so that Isha could carry less. And she sees Jinx lose what she lost. (I want you to hurt like you hurt me today and I want you to lose like I lose when I play.)

She tries to help Jinx again and she gets hit with another betrayal. Except this time... Jinx wants to make the same choice Vi always makes. "You don't need to feel guilty about being happy. You deserve to be with her." She's no longer judging Vi or resenting her, because after Isha, how could she? She understands Vi. She understands her too well.

When she's completely broken down, Caitlyn comes in. And Caitlyn isn't upset or angry, no, Caitlyn knew she'd go to her sister and planned for it. Caitlyn accepted her and her need and put aside her own need for revenge.

This is followed by the best sex scene I've ever seen. Now, you have to understand that sex scenes make me uncomfortable, so this is like, high praise from me.

Vi expects to be punished. "Say it. 'I told you so.'" She is literally imprisoned by her mind (wow, filmmaking 101!). And she expects to be taken out of there, to be put back into the fight (like the first time Cait set her free) so she can be hurt and be useful.

And instead, Caitlyn opens the door and steps inside. Into Vi's prison ("Walls of self-doubt and accepted limitation.") To give her understanding and love and most importantly, time. They have more important things to do. There's an invasion coming. And still, Caitlyn puts Vi first.

And Vi lets her. She initiates it, she leans into the comfort and intimacy being offered. It's actually beautiful.

(And then Jinx comes back to help, too, - healing that wound - and even though she loses her again... she can allow herself to move on and be happy. Like she never could before.)

(And we know Jinx survives, but she leaves because yes, sometimes you have to walk away. Sometimes meaningful healing can't happen if you're stuck in the same situation.)

(And Caitlyn figures it out, but doesn't tell anyone. She learned how to forgive and move on, and she's letting Vi do the same.)

"You've got a good heart. Don't ever lose it, no matter how the world tries to break you."

She didn't.

[lainalit]

Rhysand stans:"nobody wants to talk about how Rhysand is a SA Victim"

Girl, I see constantly posts/tiktoks/content about how Rhysand is a SA Victim and 99% of the comments are always super supportive, but every time a Nesta post is made about how she was SA'd by the Kelpie and/or Thomas there are always some Nesta antis in the comments being like "her trauma, doesn't absolve her of being a horrible sister!!!!" even though the post has nothing to do with feyre

or than god forbid people point out that feyre is a Victim of SA in the hands of Rhysand all hell breaks loose, and instead of acknowledging what rhysand did was SA , most of the fandom is out here trying to justify it with the same old tired phrase of "he did it to protect her" or even worse out right denying it by being like "rhysand touching feyre's waist, arms, making her sit on his lap and kissing her against her will isn't SA because only certain circumstances need to occur for it to be classified as SA"

Don't even get me started on the people who believe that gwyn faked her SA and is secretly an evil lightsinger

And the one who rarely gets any recognition of being a SA Victim (besides from his fans) is Lucien. I saw a handful of posts/tiktoks from lucien fans that bring this topic up but those are not nearly as popular as Rhysand's posts and where are almost always some people in the comments of lucien's posts who are asking "when did he get SA'd?"

The majority of the fandom always talks about Rhysand being a SA Victim

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?

[timelesslords]

I legitimately think about padawan Dooku saying “every Jedi is a child his parents decided they could live without” to Yoda at least five times a week and I go insane about it every single time

[hoofpeet]

It feels like a lot of the ppl who are asking you to trigger tag the derealization stuff r probably the same people to ask for trigger tags on self harm scars. Like yeah mayb some ppl might be triggered by them but it's also a very real part of someone's body (+life) that they r always living with. And it's weird to ask someone to trigger tag that??? Like what a fucked up thing to say to someone? No you can't have your arms uncovered in your own space because it makes me upset to see that part of you/no you can't make a mild vent post on your own blog because it makes me upset to see that part of your life?? The unfollow/block button is right there goddam. Just walk out you can leave and all that. Anyway ur post really resonated with me and I'm so sorry for all the hate you got over it

YEAH people treating any kind of scarring as some sort of taboo subject is also really annoying to me.. Putting effort into any art starts to not feel worth it when people expect to like. Take everything they want from you while ignoring whatever they don't want to 'deal with'.... very very disheartening to be expected to be quiet about normal parts of my life while. also pouring all my time into making art for other's enjoyment . Like an internet jester

-neway ! Glad my post helped a little at least- it was nice to see others relate to it, so whatever weird discourse it sparked is worth dealing with if it comforted anyone 👍

[ratatatastic]

the face of a coniving man who wouldve broken the rules of no cup ocean diping even if was aware of them

[aroaceleovaldez]

Something something Jason feeling like he doesn't quite fit as "Greek" or "Roman" as a metaphor for bisexuality, particularly the semi-canonical bi-coding in his half of experiences during the Cupid scene and how Favonius and Cupid speak to him in parallel to the scenes confirming Nico is gay.

Something something the camps as metaphors for traditionally acceptable forms of relationships and Nico living as a rogue outside of them, rejecting expectation (ergo in himself representing a metaphor of queer identity and living outside of boxes and defined/usually hetero-allonormative/binary ideas of what love/relationships should look like) versus Jason struggling with the expectation to conform to a label and even discussing with Nico both of them remaining at CHB together.

Something something the inverse of Jason shifting away from the camps after he breaks up with Piper, feeling lost and unable to find a place between the camps as he begins to explore his queer identity properly for the first time versus Nico only remaining at CHB because he has entered a relationship. In this essay I will-

[international-repeater-station]

hobbies include: sketching phos (particularly not having a great time). yeah this is just a sketch dump pretty much!.

the last 3 were done while listening to the most phos-core song ive ever heard: Low – More (discovered thanks to @punpuncake) (no seriously, google the lyrics. mind-blowingly accurate. angst.mp3.)

aaand a bonus sketch from an aggie.io session with friends – blindingly white next to the previous pics, so im putting it under the cut:

[gay-jesus-probably]

Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.

First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.

And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.

And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.

Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.

Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.

TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.

...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.

There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.

[magic-owl]

Why am I the person who both likes happy ending stories where everyone gets along and then also when I walk into a new fandom pet shop to pick out my new favorite blorbo I always end up walking out with War Crimes Georg

[sovamurka]

let's be honest, for very ironic reasons, official writers were not really responsible for timebomb being so good, fortiche carried most of the timebomb writing

yes, even in s1 since this is really where writers (*VERY LOUD COUGH* amanda) picked up on very delicate and deliberate details that fortiche put in s1e7, details which could be potentially explored later (as a side plot, of course *sarcasm*, we don't want to overshadow other dynamics of the show, do we?)

but especially in s2 since it's basically confirmed by pascal charrue, fortiche's co-founder, that the episode fortiche studio were most emotionally and creatively involved with in matters of writing is episode 7

which is even further confirmed by linke in the artbook where he states that episode 7 is basically a literal love letter to french culture and that he hopes fortiche is really proud of it

like... wow, the "nobody loves timebomb more than french people do" joke is actually not a joke at all

[miakwat]

​A little part of me thinks they let Kai learn rising dragon first as an apology for him repeatedly losing his powers throughout seasons 11-15

[butchford]

I think we need to blow up the mouthwashing tag on every social media site

Solid fucking agree 🚬🐴