#and no one feels bad or apologizes

[womb-complex]

me rn

[housecow]

May we see your butt? My queen

going to be 100% honest w y’all my ass sucks and only looks good from one angle . this is probs the only pic i will post 😔

[pedrasacorn]

Imagine him gently rolling his hips up, hitting that perfect spot as he rocks into you from above, your fingers dig into his bicep as a whimper escapes you. “I know baby, I know it feels so good I’m sorry.”

He kisses your cheek over and over, caressing your hair, and cooing, “I know I’m sorry…M’sorry for hitting that spot, baby I know it’s so much to handle huh? Feels too good…” He swallows your moan in a kiss. “You can take it…m’here to help you take it.”

[moeblob]

North and Simon: (shaking hands on killing Simon potentially)

[cactus-juiceee]

chapter 372

[daily-beast-wirt-brainrot]

[Day 13] Might be busier than I had anticipated so here have another older piece I did!!!!!

[brw]

Goodbye Krakoa. Stay dead bitch. No more mutant islands.

Can we stop making ethnostates now like can we stop doing that in comics. Can we not keep saying "minorities are safe nowhere but in their own country that doesn't let certain people and also they might not even be safe because Evil People might get jealous and kill them". Ultimately this era has done nothing to explore why ethnostates are bad in any real way. It has done nothing to actually explore how being complicit in the creation of an ethnostate is a Bad Thing. We had some events but we didn't explore anything because we were too scared of making some of our faves look bad. I just actually hate the statements this era has ended up saying and I hate the fact that heroic characters are mourning over the loss of an ethnostate founded by eugenicists. These politics are ugly. And worse yet I see people mourning the loss of the fictional ethnostate like have we all lost our minds.

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[fishing-lesbian-catgirl]

I can imagine anything guy image: “I can spiral into tears and convince myself I’m the worst person alive over anything”

[flying-cat]

People don't want character redemption they want a revenge plot from a story that was never supposed to be about revenge

[buddietommys]

"Do you think we're soulmates in every universe?"

"Are we even soulmates in this one?"

[sidneycarter]

love the idea that post The Situation thomas is just increasingly obtuse when it comes to jimmy's feelings.

so when one day mrs hughes mentions in passing at how much easier it is to handle james now he's settled down, thomas is incredibly confused. and a little bit heartbroken too of course.

it gets even stranger when on valentine's day alfred sulkily asks jimmy how many cards he's sent that year and jimmy merely shrugs and smirks. mrs patmore chastises them for gossiping and announces that surely, jimmy's only got one to be sending.

then one night, most of the staff are enjoying a rare night off in the pub. as usual, a host of pretty girls surround jimmy, and one particularly brave one asks jimmy if he's got any plans on one of his half days. jimmy throws her a cheeky wink and says "sorry, darling, but i'm spoken for."

thomas starts feeling really rather hurt. he's known all along that this would happen eventually - that jimmy would eventually move on and find a nice village lass, but it still stings to hear it. somehow, it hurts even more knowing that clearly jimmy has fallen for someone but he hasn't even told thomas.

thomas puts on a brave face and elbows daisy in the side. "d'ya hear that? jimmy's kept that quiet 'asn't he?"

daisy looks at him with a frown and cocks her head to the side. "well, not really--" but before she can say anything else she's swept up into the rowdy conversation of the table.

a few weeks later, thomas and jimmy are alone in the servants hall, with thomas reading the paper in his rocking chair and jimmy tapping out melodies on the piano. the tune he's playing is sweet and gentle, and thomas finds himself swaying his head along. as the song draws to a close, a gentle round of applause sounds from the doorway.

baxter stands smiling. "let me call you sweetheart is one of my favourites. it was beautiful, jimmy."

jimmy blushes prettily and stands, closing the piano lid. "thank you, mrs baxter. good night."

after he's gone from the room, baxter enters to fill herself a glass of water. she smiles fondly at thomas. "he's so smitten you know. head over heels." she rolls her eyes affectionately.

it takes months until thomas finally figures out the truth of what's going on. well, to say he figures it out is somewhat generous.

he's in the servants hall again, this time feeling a little despondent with a cup of tea. jimmy had gone to the pictures with alfred of all people, their friendship seemingly improved since jimmy's given up on chasing ivy's skirt. thomas is resolutely not waiting up to make sure jimmy gets home safe. anna is the only other person still up, and she sits opposite thomas stitching one of lady mary's hemlines in companionable silence.

thomas dwells on his own thoughts for a while, until anna rests her sewing on the table and fixes him with a worried look. "are you quite alright, mr barrow?"

"hm? oh, yes anna, i'm very well thank you." he takes a sip of his tea to hide his moue.

anna looks unconvinced. "thomas," she says seriously, "is it-- have you and jimmy had a falling out?"

that genuinely surprises thomas. for all his worry and sadness over jimmy's as yet unknown love interest, they'd never fallen out. "no, no, of course not. he's just busy, that's all, which is to be expected now he's, you know," thomas waves his cup vaguely in the air, "courting the mystery lady."

anna chokes on a laugh. "the mystery lady?"

"yes. he's-- he's courting someone, isn't he? everyone keeps saying that he's... or suggesting that he's taken with someone." Thomas adds somewhat bitterly, "seems quite serious if you ask me. not that he's told me anything about it of course."

anna stops giggling and looks at him oddly. "thomas you-- you can't mean--"

"-- do you know who she is, anna?" thomas interrupts a little desperately. he's becoming tired of it all and he just wants to know-- how bad it is, for how long he's going to have to tend to his broken heart.

"thomas. thomas, jimmy's sweetheart is-- well, it's you."

"me?" thomas has a brief, sickening memory of his feelings before, and how miss o'brien toyed with them so badly. but he knows in his gut, that anna would never, and could never do that. he knows she's being honest, as confusing and terrifying as the statement may be.

"yes." anna smiles. "he's like a little puppy when he's with you. surely you've noticed? he gazes at you with stars in his eyes. he wants to do everything you do, and it seems like every other conversation is all about what you've been telling him this week. he only ever plays love songs on the piano when you're in the room. he laughs at all your jokes and he's not even glanced in the direction of a girl since last year." anna shakes her head. "i thought you knew and were just letting him get used to it."

"no i didn't -- i didn't know, i thought," thomas can feel himself blushing, "i don't know what i thought."

anna stands with a stifled yawn. "you make each other very happy. if you really didn't know, i think you ought to talk to him. good night, mr barrow."

"good night anna. and thank you."

thomas is left in the still and quiet of the room, watching the steam spiral up from his cup. a private and hopeful smile spreads across his face. yes, he thinks, nodding his head, perhaps we should talk.

[blonde-and-cat-suc]

Catra being anxious and having panic attacks over the bad things she did is actually counter productive to any hypothetical scenario where she is self reflecting and/or receiving constructive criticism.

Her potentially having crippling anxiety over being an asshole in the past PREVENTS and/or DELAYS any changes she might potentially make.

Making this character spiral over moral dilemmas does not inherently mean she’s actively working to change her ways. Her being afraid of facing her badness does not make her good; it simply means she has anxieties toward constructive criticism/dialogue.

[misty-wisp]

was missing my sons

[astrolotte]

Genuinely intrigued by the potential of Peri and Irep's dynamic but only in a platonic way so I end up not vibing with the fandom's portrayal of it 😔😔😔

(No but listen LISTEN they were kinda-almost-friends when we last saw them in FOP, yeah? Now they're enemies, with both actively fighting each other, and Irep going so far as to try and kill Peri's parents. What happened? When? What influenced it? Did they ever become friends, or did it nosedive the moment the cameras turned off? What about Sammy? How do Irep's parents factor into this? Could it ever be fixed? There's just so much we haven't seen, and romance just feels like too easy a solution to me. Let their friendship be easy to break, fragile. Let them have to work to keep the connection. Fairies and Anti-Fairies are literally made to be opposites, so what happens when two genuinely and truly become friends?)

((and yeah I guess a lot of this could factor into a romantic angle but ALAS the fandom seems to be leaning heavily into the funny toxic yaoi angle 😔 I don't mind it! By all means, please have your very harmless fun! But it ain't my jam :P Perhaps I'll have to write a oneshot myself...))

(((see tags for more rambles i guess. whoops a bitch spoke too much in there as he always does)))

[chayannesegg]

im so glad empanada, even after a tough day, got to have that talk and hug with richas and then bagi where em got some lovely advice about dealing with grief from richas & talked about what went wrong during the day

but i can't help but contrast this with sunny. sunny who empanada still hasn't seen. sunny whose been alone for days. sunny whose talked with almost no one. sunny who doesn't know bad is dead. sunny whose pretending tubbo isn't dead. sunny who got no goodbye. sunny who got no long talks about grief. sunny who got no explanations. sunny who no one visited today. sunny whose birthday is tomorrow. sunny who no one will wake up for first tomorrow