#and names from various cultures the characters would be from

[bardicious]

I'm writing out my superhero comic idea and it's history, and it's like embarrassingly obvious what my favorite shows are. lmao.

[disaster-vampire]

why do culturally christian americans think it's okay to rewrite the mythology of cultures that have nothing to do with them to make them fit their ideals

[nimata-beroya]

Note: Since my old masterlist is getting notes again (and I'm hosting @tbb-appreciation-week this year), I thought it's a good time to release a new version with a lot more resources. If any of you know another site or thing that it's missing from the list, let me know and I'll include it!! [Altho, I'm getting this close 🤏 to the hyperlinks limit on this thing 😆]

Note 2: To avoid tagging the 3 people from whom I got multiple resources repeatedly, I've placed 1-3 asterisks between square brackets after the links, depending on the OP. I give the respective credit to them in a legend at the end of the post.

PLACES / TIME

Interactive Galaxy Map by Henry Bernberg

Map of the Galaxy

List of planets and moons [Wikipedia /needs expanding]

Planet Name Generator 1 [SciFi Ideas]

Planetary System Generator [Donjon]

Tatooine Location References [*]

Various locations Cross-Sections (Jedi Temple, Palp's office, Tipoca City & more) [**]

Republic - Separatist - Hutt space during the Clone Wars

Hyperspace Travel Times (to calculate how much time would take to go from point A to point B within the GFFA)

Standard Calendar and Holidays [including month names!]

Galactic Standard Calendar [wookiepedia // including week day names]

Date converter according to SWTOR [Google sheet]

Dated Star Wars Chronological Order (Movies + live-action shows + animation)

TCW Chronological Timeline by @mauvrix

Estimated date for: shared by @spectres-fulcrum

Partisans' attack on Onderon

Siege of Lasan

CHARACTER DEVELOPMENT

General

Star Wars Name Generator 1 [Donjon]

Star Wars OC flow chart by @thefoodwiththedood

Star Wars Name Generator 2 [FantasyNames]

Star Wars Name Generator 3 [FantasyNames]

MetaHuman [Unreal Engine]

The character creator

Droid Name Generator

Star Wars Randomizer by @aureutr

Character Picrew [Twi-leks, Zabraks, Torgutas and Nautolans] @/megaramikaeli

Jedi

Taking a Closer Look at the Jedi Order in Star Wars Canon [Meta/Reference Guide] [**]

Jedi Order Structure Flowchart by @rileys-nest

Mandalorians

Mandalorian Armor design by MandoCreator

Keepers of the Way (Mandalorian Lore) [*]

Clones

Complete List Of Named Clone Troopers shared by @propheticfire (Organized by Unit)

Clone Creator [MandoCreator]

Clone Picrew

Star Wars Character Templates by SmacksArt [the ULTIMATE battery of template for any human/humanoid original character in any era. From troopers to droids, from Jedi to Sith, from KOTOR to the sequel Trilogy. 100% RECOMMENDED]

Basic Guide to Clone Trooper Armour by @odekiisu

GAR structure summary by @intermundia

The Clone Wars Republic Military Hierarchy Flowcharts [***]

Clone Trooper Lore [*] [Ranks, Culture, Training, Organization, etc.]

Clones and Kamino [*]

The Bad Batch Characters Concept Art shared by @shadowthestoryteller

MISCELLANEOUS

Star Wars Character Age Comparison Chart by @the-yearning-astronaut

Tusken Raiders lore by @snarwor

Materials (fabrics, leathers, silks, plastics, construction, metal composites, etc.)

Materials in Star Wars by marvel_dc_heart_throbs

Star Wars Fashion [*]

Leisure, Art, Musical Instruments, Ethnography [*]

Political and Criminal Organizations in the GFFA [**]

Financial reference about credits by @thecoffeelorian

List of TCW Opening Quotes

Transcripts of all the TCW episodes shared by @book-of-baba-fett

Star Wars Crawl Creator [not exactly writing-related, but just for fun]

HEALTH AND MEDICINE

Canon Medical Lore [*]

Real World reference for Field organizational structure for corpsman (medics) [*]

Kaliida Shoals Medical Center (Republic Haven-class medical station) shared by @clonewarsarchives

GAR Battalion Aid Station [*]

GAR Clone Medic Q/A [*]

More combat medicine, shipboard medicine, veteran issues, and military culture [*]

SHIPS AND VEHICLES

Ship Generator 3D

Ship Name Generator

All Terrain Tactical Enforcer (AT-TE) shared by @stairset

Republic Vessels Reference [*]

Low Altitude Assault Transport/Infantry (LAAT/i) [*]

List of GAR Flagships in the Clone Wars by @meandmyechoes

Layout of the Havoc Marauder

Dimensions of various ships from the Clone Wars [**]

FOOD AND DRINKS

Star Wars Menu Generator

In-Universe Alcoholic beverages

Canon Cocktails (recipes) [*]

Another In-Universe Drinks list shared by @systemic-dreams

Teas in Star Wars by marvel_dc_heart_throbs

Foodstuff [*]

Canon Star Wars Holiday Recipes [*]

Trask Chowder Recipe (from The Mandalorian) [*]

LANGUAGES; PHRASES AND SLANG; VOCABULARY

Languages of the Galaxy [*]

Script of different languages in the GFFA by @lucif-hare-blog

In-Universe phrases and slang [Google sheet]

List of phrases and slang [wookiepedia]

List of equivalents to real-world objects [wookiepidia]

Talk Like a Clone Trooper shared by @archeo-starwars

Aurebesh Translator [Aurebesh.org]

Learning Aurebesh Tools [Aurebesh.org] Reading - Writing.

Mando'a Database [Mando.org]

Mando'a Transcripticon [MandoCreator] (Create your own text in the Mando'a script.)

@project-shereshoy (Blog that collects and posts sources for Mando'a from all over the internet.)

Mando’a Categorized Spreadsheet

Learning Mando'a Tools [MandoCreator] Reading - Writing.

Setting Thesaurus Entry: Spaceport [Writers helping writers]

Fan-created Conlangs

@dai-bendu-conlang (Jedi Culture Explored) (This blog is the home of the Dai Bendu Conlang, invented by the Archive of Our Own Users aroacejoot, @ghostwriterofthemachine, and loosingletters for the Jedi Order in Star Wars.)

Lasana Lexicon by Anath_Tsurugi (fandom lexicon of the Lasat Language)

HELPFUL BLOGS & SITES

The amazing @fox-trot, who not only makes astonishing art and write an amazing fic, she also responds to medical questions and gives all kinds of references for writing medic characters. Check her #medicposting tag and you'll find tons of information. Also check #star wars reference and her art tag while you're at it.

@writebetterstarwars, which seems to be inactive, but there are a bunch of references there.

@howtofightwrite The place to find out how to write a good fight scene.

@scriptmedic no longer active, but it has a great deal of useful information.

@scripttorture for your whump needs. Major trigger warning for all its content.

@sw-anthrobiology A blog dedicated to collecting headcanons about the biology and cultures of Star Wars species.

@archeo-starwars In-universe sources on culture and history.

@clonewarsarchives Resources & Concept Art Blog for The Clone Wars animated series.

Wookiepedia If you don't find something in here, it's probably because it doesn't exist, neither as a canon nor legends reference.

Star Wars Databank: The official Star Wars website's reference guide. All canon.

WRITING IN GENERAL (For those who don't want to die like Stormtroopers)

SlickWrite: Completely free; online. Checks grammar, punctuation, flow, and writing style according to different settings (including fiction writing).

ProWritingAid: [RECOMMENDED] One of the most thorough online proofreader I've ever used. Although when using a free account gives extremely thorough feedback, with +20 different in-depth reports, for only the first 500 words. However, you can earn a premium account license (for a year or for life) if you get 10 or 20 new users signing up for free; (if you wouldn't mind doing so using the link above and help me earn mine, please). The settings allow you to check your writing according to your needs, from general to formal to creative. It has a bonus that you can check depending on the genre you're writing. For example, in creative, you can choose romance or sci-fiction (there are 14 sub-genre in total). And just like google docs, you can share a document, and people can view, comment or edit it too.

LanguageTool: [RECOMMENDED] Another excellent proofreader. It also has a word limit in free accounts, but if you use the add-on for Google Docs, it counts each page as a new document, so hitting the word limit is nearly impossible. It helps you to rewrite a sentence (3 a day), even if it doesn't raise any flags; it's very useful for when your sentence is grammatically correct, but it doesn't feel quite right.

Grammarly, Hemingway Editor: No so great, but they do the basic job.

Legend

[*] Shared by @fox-trot [**] Shared by @gffa [***] Shared by @cacodaemonia.

[jinkiezzsstuff]

Alastor watching the princess and the frog by Disney ? It’s in lousiana in the 1920s so it would be perfect for him

absolutelyyyyyyy the princess and the frog is one of my fav disney movies from characters to soundtrack, so this one’s a bit longer. also kind of a part two but also not exactly

history ramble below

also i did some light research on new orleans history because if im gonna write alastor i should know. doggy i love me some history and this history is rich, depressing at times but also rich and meanful to know so i thought id share a little. from talking about the free the peoples movement, to the way women got their rights to their hair back that they didn’t have when enslaved only to have a law banning natural hair and hair wraps and so they decorated the wraps and used coloured fabrics effectively rendering the law useless, to the wealthiest black man of the 1870s for being a prospering business owner, the origins of how voodoo and other spiritual practices mingled perfectly with the pre established voodoo and how voodoo was predominantly black women who were highly respected, the first black man to be govoner in the united states in only 1871, a black woman named Rose Nicaud who opened the first coffee stand in 1800 and made enough to escape being ensalved. then there’s lighter topics like some of the jazz history and how it made various black stars like louie armstrong, and also how the language mingled to make the cajun french that’s sadly dying out, to the architecture that flourished through the varying clashes in culture between african, european, native and haitian peoples. if it’s not too upsetting to read i definitely suggest this page to have an insight on some of the quick history on new orleans, i enjoyed learning about the strength that many had during this time.

United teachers of new orleans < page i was reading

Warnings: jealous Al teehee, reader crushes on naveen and dr facilier (don’t mind me just projecting), cuddling, swearing, alastor doesn’t really know emotions good, fluffy banter, just some ushy gushy mushy tushy

Word count: 2k

The movie Bambi didn't even finish playing before the patrons started to filter out of the room heading to bed. First to go was Vaggie carrying a sleeping Charlie, Sir pentious promptly following along telling his fussy egg boys it was long past their bed time. Then it was Niftys turn to disappear, however she never said a goodnight only sped off leaving behind her vacant swishing rocking chair.

Then once Angel and Husk left, you had decided to just call it quits on Bambi, Alastor hadn't moved much or objected to you turning off the movie, only watching the projector as you scrolled through the app.

You stopped on the princess and the frog, grinning toward Alastor he sighed, getting a glimpse of your mischief from the corner of his eye. "Now what's this about darling?" Turning your body towards his fully facing him, you waited for his gaze to finally meet yours, and reluctantly it did. "Allow me to introduce you to one of, if not, thee best disney movies of all time; the princess and the frog," Alastor's finger rose as he took a breath to speak, but before he could say a word you interrupted him.

"Yes I know princess yuck, whatever Al. It takes place in New Orleans, its main focus is actually in the poorer area with the shotgun houses, and throughout the movie Tiana, the princess, travels through the bayou, oh! With Naveen one of the hottest princes, also it takes place in the twenties, oh!-" Before you could continue Alastor gently gripped your cheeks, your lips puckering involuntarily as he did so."What did you just?"

"Takes place in the nineteen twenties?" You asked, voice muffled from Alastors grip on your cheeks. "Before that dear." Your eyebrows raised looking at Alastor not trying to hide your confusion. "Naveen? One of the hottest princes?" Alastor hummed, booping your nose. "Yes dear, that."

"Yeah. duh dude he's one of the few princes that deserve the princess, he changes for Tiana, he's charismatic, funny, but nevermind that back to what i was saying. There's varying New Orleans culture littered through that might make you feel closer to home, all the music is jazz obviously." Opening your mouth readying to rant on about the Voodoo man that you adored, Alastor hushed you with his finger up to your lips.

"My sweet dear, I will watch this silly picture show so long as you stop rambling about it." Alastor wasn't truly done with hearing your rambling, he was enjoying hearing that you were such a fan of something that centred so close to home when it came to him however if he was going to watch it he rather not have it spoiled.

Giddily you clasped your hands together and hit play, your love for the film and excitement to see Alastors reaction may have made you slightly over enthusiastic just a bit. As the movie began you curled your feet up onto the couch, inching yourself closer to Alastor looking up to his face and back to the movie.

When Naveen got introduced on screen you accidentally gripped Alastors arm tightly shaking him. "My mannn~" You squealed happily, letting go of Alastor once you heard the unmistakable rattle come from him, a growl sounding out of his chest. You didn't pay much attention to him though, instead turning back to the projector and backing off Al. However Alastor wasn't too frustrated with the fact you touched him, but because you were being so ushy gushy over some fake man.

He was easily the same if not better than Naveen. Alastor was charismatic, charming, he could sing, play instruments, he didn't quite understand why you were so particularly interested in this Naveen. Hell, even Alastor had a similar outfit back when he was alive, he could've been Naveen when he was alive.

You didn’t notice Alastor having a mini tantrum in his own world, you were too engrossed in the movie. Suddenly you’ve gripped him again, pointing at the screen. "The shadow man, Al this is your kin!" You egged laughing maniacally at your own words.

Alastor’s face however brightened at the display of the voodoo man. "One of my fav songs." You whispered as Dr. Facilier began singing on screen. Cocking his head to the side Alastor looked down to you bouncing along to the song. "This fellow sounds similar to Husk." Alastor mentioned, watching intently at the shadows that crawled around Dr. Faciliers room, much like Alastors own shadows. "Yeah it really does sound like Husk. Strange, anyways, Dr. Voodoos hot too." Alastors static buzzed around the room and you had to hold back a giggle at the frustrated look on his face, despite the smile it was obvious he wasn't too happy.

"What's up Al, not liking the movie?" Static crackled around the two of you as you questioned him a little slyly as you could tell he wasn’t hating the movie. “No dear, it’s pleasant in comparison to some things i’ve grit myself through, however,” He paused watching you ogle at both the Dr and Naveen. “I can’t understand what’s so great about this Naveen you like. He’s a fool,” You scoffed at Alastors distaste for Naveen, you didn’t mean to make him feel frustrated at your adoration for the characters but it was endearing to see.

“What’s not to like about the man?” You state confidently but Alastor simply shrugged while humming indifferently. A beat of silence passed, the ending of the song playing out of the projector. “It’s just that,” Alastor started up again after a moment of silence, turning his body to face you hands folded in his lap politely. “You clearly have the odd reaction towards these gentlemen and I can't see why,” To give him credit he did look genuinely confused, and just as you were going to speak up he interrupted.

“And please do not say it’s because he is funny, charismatic, musically talented or sweet because I happen to hold all those same qualities!” He finished, hands thrown in the air like he said something especially spectacular. You had a soft smile present on your face watching him work through the sentence theatrically. “Well, Al you are, maybe i think the same about you?” Record scratch.

You cackled at his frozen state, patting his arm gently, cooing that you were only kidding, you turned back to the TV and the two of you decided to leave it at that.

Later on in the movie, when Tiana and Naveen are with the alligator going down the bayou singing about being human, you stared over at Alastor, your heart thumping at the sight of him. His arms were resting along the back of the couch, legs splayed out comfortably, posture sunken in, and his eyes lidded with a closed calm smile. His ear twitched and soon his eyes moved from the movie to you, quirking a questionable eyebrow at you.

Feeling slightly embarrassed for eyeing him up you tried to play it off by asking him a question. “Is there bayous in New Orleans, is that real?” You ask kinda dumbly, of course they were, you scolded yourself. Alastor didn’t seem to mind though he smiled widely, a chuckle reverberating out of him. “Why yes dear! Of course, I personally never lived close to the bayou, but it surrounds New Orleans, and I have been. It’s quite beautiful during a sunset but there’s tons of alligators.”

You leaned forward interested, but it seemed he’d stopped to refocus on the screen which you wouldn’t complain about. You not so discreetly leaned into his torso, arm still on the back of the sofa behind you, and thankfully he didn’t move when you leaned your body into him, instantly decompressing into his side.

They got to the scene where the gang is on the boat going through the bayou, the crocodile fitting in and playing jazz, when you turned to look up at Alastor seeing him already looking down at you. “What’s up?” You asked, watching as he scanned your face. “Well dear you’re just reminding me of home tonight, it would’ve been interesting to be able to show you where I lived, where I worked. Y’know when i did radio, most people didn’t know what I looked like so it came as quite a shock to some that I wasn’t what they imagined. Some were cruel, but my mother always taught me to be respectable if not respectful, so I managed to keep my grace.”

You giggle at his explanation watching him move his hand in all different directions, the radio host coming into play just at the mention of his job. “I’m flattered you would’ve wanted to show me your home n stuff, i wish it were possible.”

On the projector in front of you two, was the scene between Naveen and Tiana’s first date, where Naveen was going to propose. “They always get married so fast in these movies, you spend three days as a frog and suddenly it’s eternity!” You exclaimed humorously, Alastor scoffed an array of instrumental sounds electronically sounding out from him. “My dear it was common back in the day to get married quick, none of this lollygagging.”

You rolled your eyes blowing out air. “Would you get married to someone you knew for three days?” Alastor hummed, tapping his finger against his chin in exaggerated thought. “If it were you, perhaps, otherwise i’d attempt to lengthen it just a bit.” He reviled in the sight of you bashfully turning your head away, shy at his broad flirt. “You’d marry me, after only three days?” You questioned in disbelief, he hummed wrapping the arm he once had behind you, around you pulling you into him.

“Well I found you to be quite a treat the first day i met you, and decided i wanted to be around you for many days on. Is that not marriage worthy?” This confession shocked you slightly. You never expected him to say that he preemptively planned your blooming friendship nevermind that he equated that to being worth marriage. The movie played on in the background as you both watched each other’s faces.

“To me, dear,” Alastor started a smug smile stretching across his cheeks replacing the calm smile that stayed for so long. “It seems like you may unconsciously feel something towards me too.” Jaw dropping you stared at him confused. “What?” You scoff but Alastor only looked smugger.

“Come now, New Orleans centred movie? Jazz, cooking, even that dumbo man Naveen speaks french loves jazz music and dancing, oh and of course the ever so obvious voodoo, it’s almost like this movie is me, haha.” He laughed manically, eyes crossing as his body shook. It was quite the egotistical assumption on his part, but he wasn’t wrong.

You put it on for him but it seems for you too, you paid more attention to him half the movie, and you’ve been more interested in knowing real life facts about his home during his time then what story the movie was trying to tell. Maybe he was right, but even so what did him pointing it out accomplish? “Well that’s why i wanted to show you it, it’s got many aspects you’re involved with in it.”

You mentally gave yourself a pat on the back for such a good save, however Alastor was keen and knew you long enough to catch your lies. “Sure dear, sure.” Al gave you a condescending pat on the head and you speedily swatted at him. The movie played on you once more captivated by Alastor’s reactions more than the movie itself, you’ve already watched it enough to know.

Tucked under Alastor’s arm, warm and comfy, you barely caught the sound of Alastor huffing out chuckles, gazing up towards the projection you playfully hit him. “Don’t laugh at his death!” That only made Alastor properly laugh, dropping his head back, neck cracking grossly. “My dear it was a lightning bug in love with a star! He got stepped on that was hilarious!”

Sounds of prerecorded laughter sounded out with his natural laugh, you didn’t actually care that he found it funny, only pretended too as you gave him a disapproving glare. As the movie closed in you felt a weird gloom wash over you, it was nice being alone with him by his side while you two relaxed. You didn’t want it ending, but alas Tiana and Naveen kissed turning them human, with the reveal that with marrying Naveen, she became a princess effectively breaking the curse, and the movie started with the end song.

“Well dear I did enjoy that, the voodoo was pretty boringly unrealistic, but it’s for children. I did enjoy the mentioning of foods, very common dishes even I enjoy, like gumbo. But alas it was still a pathetic little movie about mortal love.” Standing to his feet when he finished speaking, Alastor dusted himself off and snapped his fingers making all around you revert to what it was before movie night.

“Do you not want to be in love?” You ask softly partly hoping he didn’t hear you as by the time you stood from your spot, you regret saying it. “Well I certainly haven’t looked. Why disappointed?” Alastor bent himself backwards to look at you since you stood behind him readying to exit. Looking down into his eyes you felt hazy, maybe a little drunk on desire as you gently caressed his cheek. “Maybe I am,”

“Darling.” Alastor said sternly as he cracked himself upward, he bent down facing you this time and before he could talk you once again interrupted. “Can’t blame me can you?” Alastor seemed momentarily taken aback, gazing around lazily trying to collect his thoughts. “My dear, I'm uncertain with emotions like this as well as expressing them, love is foolish, however… if you were to tell me ‘i love you’ i would say it back.”

It confused you, what Alastor said, you couldn’t tell if he was mocking you and telling you he was going to lie about his emotions to spare you, or if he was egging you on attempting to get you to tell him your true feelings. Regardless you swallowed down any worries for the future instead focusing only on the now, and looked deeply into the soft red glow of his eyes.

“I love you Al,” With a cheeky smile you watched him stutter, the visible shock was clear, and you wondered if he actually expected you to say that. Just as you began to worry you fucked up, he bent down to your height. “I love you too my dear,” And with that he gave you the chastised kiss on the lips, before standing to his full height materialising his microphone. “Got to go dear! Duty calls!” And with that he seemingly disappeared into the shadows, leaving you to waddle tiredly to your room. Little did you know that Alastor whisked himself away to have a minor panic attack in the safety of his radio tower, not believing himself and his broad actions, nor could he believe the pounding in his chest and flutter in his heart.

[iamthedukeofurl]

One interesting thing that can happen in long running media is that the general cultural background can shift under the work, recontextualizing it as it is being written. I'm specifically thinking of the Order of the Stick, a Dungeons and Dragons themed webcomic that started in 2003 with the titular party of adventurers going through a dungeon.

From left to right, we have Belkar Bitterleaf the halfling ranger, Vaarsuvius the Elf Wizard, Elan the Human Bard, Haley Starshine the Human Rogue, Durkon Thundershield the Dwarf Cleric, and Roy Greenhilt the Human Fighter. The comic takes place in a fantasy setting that knowingly runs off the rules of Dungeons and Dragons third edition. Characters talk about rolls and bonuses and intentionally take levels in various classes. At the start, the comic was a pretty basic gag comic about the D&D rules, basic fantasy/adventure tropes, ect.

In the 20 years the comic has been running, it has updated about 1300 times, not counting bonus strips exclusively made for the printed version, and several print (or PDF) only side and prequel stories. It has also dramatically grown from it's roots, the art has improved while keeping the same general aesthetic, and the gag-a-day comic has become a sweeping fantasy epic. The characters have grown beyond their initial bits (Belkar is a Murderhobo, Elan is stupid, Haley is greedy, ect), and it's genuinely up there as one of my favorite stories. But anyway, let's talk about Vaarsuvius. If you look at the above art, You'll notice that the characters tend to have three types of body shapes: Rectangles for Roy, Belkar, and Elan, feminine curves for Haley, and Robes for Vaarsuvius. This presentation is a pretty consistent signifier of gender and/or somebody wearing robes. Early on, part of Vaarsuvius's running gag became their ambiguous gender. At the time, it was a fairly common joke in fantasy to talk about how Elven men had androgynous or "Girly" appearances, so V was part of that. Instead of a singular pronoun, characters would generally just abbreviate Vaarsuvius's name as "V", and whenever the narrative would have naturally provided some indication of gender one way or another, V would resolve the situation without providing any such indication. For example, an early gag has the characters seeking out a set of modern style bathrooms in the dungeon. When they find them, V says that their "More Efficient elven biology" means they don't have to go yet, so they wait outside while the boys go into the Men's room and Haley waits in the inevitable long line at the women's. When Vaarsuvius reveals that they are married, they use the term "Spouse" to refer to their partner, when we see their children, the children are clearly adopted (V and their partner both have pale skin, their children have darker skin) and refer to Vaarsuvius as "Parent". Vaarsuvius themselves seems to have trouble identifying other people by gender. Characters outside the central cast might refer to Vaarsuvius as "He" or "She", but doing so was always shedding light on that character's perspective, rather than saying anything about Vaarsuvius. The assumption behind the gag is that Vaarsuvius must be either male or female, and the joke is that the narrative/Vaarsuvius themselves keeps finding ways to avoid "Revealing" their gender. Fan wikis and official books list Vaarsuvius's gender as "Ambigious" and on the forum there used to be a regular, multi-part thread dedicated to debatings Vaarsuvius's gender, even after the author declared that it would "never be revealed".

Anyway, going back to the start, it's 2023, and something shifted at some point, both in the comic and in the general cultural background. The jokes about V's gender kind of fell off, not just because the gag got played out, but because the basic assumption behind it simply doesn't work anymore. Everybody knows that Nonbinary people exist. There's no point in the comic where Vaarsuvius switches from being "Ambigiously Gendered" to Nonbinary, in fact, the entire comic reads just fine if you read Vaarsuvius as male or female and just not caring enough to clarify their gender to anybody and at some point other characters just stop thinking about it. But it's interesting to see how a character trait that was once included in even the most basic character descriptions (Varsuvius: Elven Wizard. Arrogant, Intelligent. Ambigiously gendered) just kind of got washed away by a rising tide of cultural nuance towards gender. Also go read OOTS, it's pretty great.

[creatingblackcharacters]

This may be a dumb question but is there a difference between canerows and cornrows? Is one more correct to say, or is it literally just it depends on where you live? Just wanna make sure I say it right when describing a character's hairstyle. Thank you for all your work!

So I had a feeling that it was the same, that maybe cane would be like growing sugarcane, the way cornrows were like growing corn. And I was right! Apparently canerows is used by Black people in the Caribbean.

"Black hair culture in the Caribbean, UK, and US continues to be exploited by colonialism. Various different Black braiding styles are often lumped together in the West, and instead of knowing their individual names, they directly reference an enslaved past. Cane/cornrows are more significant of which crops the enslaved were forced to cultivate — sugar cane or corn — than the beautiful traditions of African and Black hair braiding. The symbolism in the generic use of "cane/cornrow" discourages people from accepting that Black identity and culture existed centuries before colonialism. It's impossible to move past the pain and prejudice of our ancestors until we unlearn and understand how it continues to shape our lives."

Idk if I'm gonna automatically stop calling them cornrows, but this definitely gives me a new perspective to check myself on (as well as the Yoruban term) for this hairstyle!

"As discovered in Don't Touch My Hair, the classic straight-back rows of hair braided closely to the scalp is called "kolese" in the Yoruba language, which means "a creature without legs", like a snail. "The name is one that centers the specific characteristics of Afro-textured hair and is in reference to the way our hair curls up at the nape of the neck when it is braided in this direction," writes Dabiri on Twitter. While kolese most closely resembles the classic straight back cane/cornrows, the general term for cane/cornrows in Nigeria is irun didi."

[regular-dog]

Hey @five-rivers, happy truce! I decided to go with your prompt about danny attending a cultural ritual or event, and themed it around the far frozen. My explanation for it got a little longwinded so I've included it under a read more, along with a little extra art!

(tumblr’s probably gonna crunch all of these up a bit, so click for better quality)

I'll be honest, I haven't actually thought out the exact details of what this event would be, just the broad strokes - I tend to gravitate towards food as a source of celebration in my own worldbuilding, and I guess that bled through here as well in the form of “ice = water = probable fish based diet = important fish event?”

During drafting I couldn’t really decide between “event centred around observing fish migration and/or other seasonal habits” or “Danny being invited to come fishing with Frostbite and the other yeti”, but honestly I think either of those would probably fit. Originally I had planned to have one or two yeti characters swimming around with him to make the piece more dynamic, but a surprise attack from a migraine kind of cut into my plans a bit and I decided to downsize.

...at least until I got annoyed by the lack of a visible ghost friend in the piece and decided to paint a “small” “”extra”” “””doodle””” which rapidly turned into a whole other Thing,

There are shockingly few ghost fish in the show, apparently, or at least I could neither remember nor find images online of any examples, so I just kind of winged it. Their design is partially inspired by a short story you wrote a while back, although I ended up drifting away from the zebrafish motif as I was drafting them. I started thinking of them as maskfish as a stand-in name, and then promptly forgot to think of a better one, so. Maskfish it is. Here's some random notes I made while conceptualising them, because I constantly have specbio on the brain and couldn't not think about it

Maskfish flesh turns an opaque pale colour when cooked, and remains translucent when raw

Their eyes are covered in a clear, hard exterior, and can be hollowed out and sterilised for use in various crafts; along similar lines I could also see their bones being used to make glues, paints, and other such resources.

Their cores are located at the top of the spinal cord, in the head; their mouths are located on the underside, beneath the "mask", which makes up the entire top part of the head, and is a singular piece of a shell-like material.

Though they aren't particularly agressive hunters, they also aren't picky about their food, and will generally eat anything smaller than themselves.

Aaand finally, here's a bunch of isolated scans, since procreate ate a lot of the fine details in the collaging process.

[loverofstufflof]

Ways to consume Journey to the West (without needling to buy and read a full translation)!

I’ve noticed that a lot of people can’t read the book for a lot of different reasons, so I’ve compiled a couple of my favourite ways of consume the story while bypassing these problems, categorized by the various issues I’ve come across.

Note that this is mainly for English speakers, as that’s the language I default to for translations.

The book is too inaccessible/expensive for me to obtain physically

Journey to the West Research has an entire blog post dedicated to compiling free PDF versions of the book. This includes many languages, not just English.

I struggle with reading text in that quantity

There are abridged versions of the story, my personal favourite is the one by Julie Lovell—it’s approximately a quarter of the original story’s length, and mainly focuses on the most iconic chapters. These versions are also typically more easily found in local bookstores.

I struggle with reading novels in general

The story has been converted into audio form! Here are the ones off the top of my head, each listed with their own pros and cons:

Journey to the West: An Audio Drama Series is an original translation told in a read-aloud format, in which the host, Lin, acts as a kindly librarian reading to a group of awaiting 1st graders. She gives every character a distinct voice and personality, and she’s obviously delighted to be able to share her culture with the listeners. The show used to have free translation notes, where Lin gets to act as a disgruntled translator going on about the intricacies of the Chinese language and historical/mythological contexts, but these now require a subscription to access. This show is the reason why I know how to pronounce these characters’ names.

Legends Summarized: The Journey to the West by Overly Sarcastic Productions is one that I’m sure I don’t need to include (because of how widespread it is) but feel I should because someone is gonna mention is anyways. It’s a very summarized, very sarcastic retelling of Red’s favourite chapters in the book, accompanied by fun visuals and the excitement of someone who clearly knows and loves what they’re talking about. As Red has said herself, this series should not be your only source of JTTW knowledge, as she simplifies it a ton to make it more digestible. Great for people who are just getting into the story and want a general overview, not great for people who want a more in-depth understanding of the themes and other complexities.

Journey of the Monkey King is a podcast akin to a longform, more in depth version of the OSP series. It consists of two Irish comedians discussing one chapter per episode; one of them (Caoimhe) has read the book, the other (MJ) hasn’t. The format is mainly Caoimhe giving a comedic abridged version of the chapter while MJ gawks in horror at whatever absurdity the Monster-of-the-Week presents. Because it’s hosted by Irish people, there isn’t much cultural context given, and some names are butchered, however I do find this one a lot easier to follow in comparison to the Audio Drama Series, and it’s far more detailed than Legends Summarized.

Journey to the West English Amateur Audiobook is one that is on my radar but have not started. To my current knowledge, it is an audiobook version of the WJF Jenner translation, which is notable to me because most of these types of podcasts are derived from the Anthony C Yu translation, so this one would be a nice listen to compare how the two went about handling the text.

Please know that this post isn’t intended to shame anyone into consuming the story; it’s not for everyone! But I’ve come across my fair share of aspiring fans who couldn’t access the book in a way that suited them (including myself) so I wanted to make this knowledge more generally know for anyone else who might need it :]

[canmom]

Animation Night 189: Nonphotorealistic

There is a funny trend in animation-related terminology to define things by what they aren't. Animation is any technique for creating film that isn't live action. Limited animation is any style of 2D animation that doesn't follow the conventions of Disney's 'full animation' on 1s and 2s - a category that includes a wildly diverse range of approaches and techniques, as this wonderful history by Animation Obsessive describes.

In 3DCG circles, there is a similar term: nonphotorealistic. Which describes, naturally, anything that isn't trying to look like a photograph of a real scene. There has been a real boom in this of late, and just like the other terms, it really doesn't narrow it down very much. Other terms like 'hybrid animation' add a bit more hints.

Of course, if you've been anywhere near animation in the last few years, you'll probably know another term: 'Spiderverse style'.

There is no denying that Spider-Man: Into the Spiderverse (2018) by Sony Pictures Animation was an absolute landmark for animation. (I wrote about it way back on AN21, focusing more on the cultural angle.) The ludicrously stylish film pretty much set the direction for animation in the 2020s - making a bunch of money and awards and thus finally throwing open the door to 3DCG animation that doesn't look like the style set by Pixar/Dreamworks in the 2000s. Its sequel, Across the Spiderverse (2023), was even more ambitious and successful (despite a troubled production involving a lot of needless crunch). We'll be showing that soon in a Spiderverse double bill so look forward to it!

So perhaps not surprising that when people see the use of graphical styles, 2D elements, limited framerates and the like in 3DCG these days, Spiderverse comes to mind. In its wake have come various films and series that apply these and related techniques: 3DCG animation is more varied than ever, and it's cool.

It isn't really a style, tho.

Here I'm indebted to youtuber Camwing who has made a nice video overview breaking down the animation of recent movies in this vaguely defined paradigm. Among them we have The Mitchells vs the Machines (2021, also Sony), Puss in Boots: The Last Wish (2022, Dreamworks), and Teenage Mutant Ninja Turtles: Mutant Mayhem (2023, animated at the French/Canadian studio Mikros animation), and of course over on Netflix you got the wildly popular League of Legends spinoff series Arcane (2021, Fortiche Productions), and the romance film Entergalactic (2022, DNEG), tying in with an album of the same name.

None of these films has exactly the same style, but they all pull from a related bag of tricks. The core techniques are animating on reduced framerates for a 'snappy', high-clarity feeling, the combination of 2D and 3D elements in some fashion, and taking inspiration from traditional media such as paintings or comic books.

For example, Arcane and Entergalactic both use the trick of 2D backgrounds/projecting paintings onto 3D geometry, inhabited by 3D characters with a stylised shader. Arcane is dripping with 2D visual effects. Puss in Boots drops the framerate during its action scenes - the opposite of the old paradigm of full animation, where fast actions would get more frames. Spiderverse draws 2D expressions onto its 3D models to push them further, and is full of all kinds of colourful stylised rendering - screentone effects, kirby dots, outlines, the works.

It's tempting to link this to 2D-in-3D animation, and certainly many of these films apply this technique - this is the major niche where Blender has found its way into industry pipelines. But using 2D isn't mandatory to count here. For example, TMNT Mutant Mayhem has an incredibly striking storybook-painting style, accomplished largely by clever shader work and a strong sense of graphic design. Genndy Tartakovsky's canned 2014 Popeye project was planning to use a ton of 2D-style posing and squash-and-stretch, accomplished largely with rigged 3D models. There are many paths to take!

And mind you, I haven't even covered one of the biggest angles here. Search for nonphotorealistic 3DCG on Youtube and what you'll probably find most is information about cel-shading - aka 'anime style'. This has also advanced considerably in the last few years, with the techniques pioneered by Arc System Works in Guilty Gear such as editing the normals of characters for more precise control over shading, and minute adjustments to break up the mechanical feeling of 3D, becoming widely copied in both games and films. (And particularly, animated porn.)

Vtubers in particular have really run with this technique, generally speaking using cel-shaded models with edited normals, inverted eyes, etc. etc. to try and get the feeling of an anime character come to life. [You can see a lot of these state of the art techniques if you download Pixiv's free VRoid Studio software and import the model into Blender using the VRM plugin.]

Naturally this kind of cel-shaded approach has found a particular home in Japan. In anime, the biggest champions of it are certainly Studio Orange, whose hybrid approach involves planning out shots with 2D animation before matching them with the rigs. We've covered their adaptation of Houseki no Kuni in great detail on Animation Night 97; their Trigun reboot was perhaps even more popular. But cel-shaded techniques, 3D previs and the like have also made their way into big films like Eva 3.0+1.0 (AN66).

Although this type of rendering aims to recreate the look and feel of 2D animation as much as possible, it always ends up being something new: character models that would be too complex to draw, an ease to 3D movements and camerawork that would be challenging in 2D, and generally a new hybrid style. This is good! 2D animation is already very good at being 2D animation - it's fascinating to see what 3DCG becomes with that inspiration.

So with that brief overview, where does that take us tonight?

I'm not quite ready to do a Spiderverse double bill tonight, so instead the plan is to check out a couple of recent American franchise films that are taking on the new suite of techniques. I've mentioned them up above, but let me introduce them more fully here.

Puss in Boots: The Last Wish is a sequel to a fairly unpopular spinoff about a side character of the Shrek franchise (AN75). Not, on its face, very promising - which is why it is all the more striking that I was told on all sorts of sides that I must watch this movie. I'm finally going to make good on that.

The title character is a kind of feline musketeer type, now facing the end of his swashbuckling career as he's lost 8 of his 9 lives. Not wanting to hang up his hat, he goes on a quest to restore them. What makes it stand out its the action scenes, which go all in on the anime-influenced, extreme perspective and lighting, limited framerate style that we're discussing above. Apparently it looks sick as shit.

Teenage Mutant Ninja Turtles: Mutant Mayhem is a fresh reboot of the venerable TMNT franchise, which pretty much describes itself in the title: four turtles (named after Renaissance painters, of course!) live in a sewer as ninjas, led by their aging master who is a rat. Starting as a comic book, it became one of the iconic toyline-driven TV shows of the 80s - but it's still going! Indeed, Turtles has been on a roll of late (at least going by animator scuttlebutt), with Australian studio Flying Bark Productions turning a lot of heads with their neo-Kanada School style (and for really stretching the definition of 'storyboard').

This new film takes a different approach to the bombastic action of Rise. It focuses on a new origin story for the turtles, telling a kind of coming of age story - but what makes it unique is the animation style and cinematography. Cinéma vérité is not a phrase you really expect to be associated with ninja turtles, but the film seems to really go all out in a way you wouldn't really expect from a franchise movie, shooting the young turtles in a handheld style and focus heavily on character. Marcel Reinhard's shader work, allowing the animators to isolate lights to specific objects and characters and introducing graphical elements of cross-hatching, stippling, etc. etc. to the lighting, gives it a uniquely painting-like feeling, augmented by a lot of 2D creativity in lighting and effects.

Turtles has never really been my thing, but this film looks unique enough that I really want to see it - and I hear it's a good film too.

So that's our bill for tonight! Puss and Turtles. Let's see what the big studios have been cooking of late...

Animation Night 189 will be starting around 10pm UK time (roughly three hours hence) and carrying on til about 2-3am same! We'll be on twitch.tv/canmom as usual. Hope to see you there!

[a-s-fischer]

One of the things I hear a lot from Gentile witches and neo-pagans who want to work with Lilith or claim to work with Lilith, is that she is actually a Mesopotamian goddess, usually either Ishtar/Inanna or Erishkigal, and that it was the Jews, with their horrible patriarchy juice, who slandered her and cast her down, and so the Jews do not deserve to say what happens to her and it isn't antisemitism to work with her, or to completely ignore what the Jews say about what she is in a Jewish context.

Lilith is not Ishtar or Erishkigal. However, there is a Mesopotamian figure that is pretty stinking analogous to Lilith, and is probably her folkloric ancestor, by which I mean the idea of Lilith probably comes from this Mesopotamian figure. In fact, Lilith almost certainly is either a Jewish version of this figure, or, they are both descended from the same Near Eastern and Mediterranean basin folkloric figure. That figure is Lamashtu.

Lamashtu is, much like Lilith, the supernatural embodiment of maternal and infant mortality, a figure of power and terror, who functions as a way to embody and cope with the profound dangers that are pregnancy, childbirth, and infancy without effective medical care. the Mesopotamians never worshiped Lamashtu, but they did seek to appease her, including making symbolic gifts to her, to keep her from visiting them, and killing them or their children.

An interesting side note is that there is also a Mesopotamian figure who specifically opposes Lamashtu and functions as the protector of pregnant women and infants, and that figure is Pazuzu, a wind spirit, who ruled over other wind spirits, including ones called the Iilu in the Akkadian language. Akkadian is a Semitic language, related to Hebrew, and this word is probably a cognate of Lilith, but the Iilu probably have no relationship to the figure of Lilith except her name. You might know Pazuzu as the demon featured in the movie, The Exorcist, and ironic fate for a mythological protector of women and children.

Anyway, if you'll remember, I implied above that the Lamashtu/Lilith figure, was present in various guises throughout the Mediterranean basin and the Near East, so there are of course figures analogous to both of them throughout the region, such as Lamia of Greece, and the Strix of Rome.

So if you really really want to work with a figure who functions as the supernatural embodiment of maternal and infant mortality, Lamashtu, Lamia, or the strix would all be excellent options that don't come from an extant closed religious practice. All the baby killing, none of the antisemitism and cultural appropriation.

While all three figures are almost certainly descended from the same folkloric root, they're all subtly different, because as stories and characters travel, they change. as such, they all have particular good points about them as figures of veneration.

Lanashtu is the OG bad bitch, who commanded fear, respect, and offerings, like a mythological mafiosa, collecting protection money.

Lamia has attached to her the story that she was one of Zeus's dubiously willing lovers, who was screwed over first by Zeus, the embodiment of patriarchical rule, then by a jealous Hera, the embodiment of patriarchal marriage, so if what attracted you to Lilith was the story from the Alphabet of Ben Sira, about a victim of the patriarchy getting her own back through violent vengeance, Lamia might be the girl for you. With her however, the emphasis is less on her murder of children, then on her seducing and eating men, though she does also get strongly associated with killing children, especially boys.

And the strix is particularly interesting, because the word comes down to us in the modern Italian word for witch, striga. Indeed, one of the theories as to where the witch figure came from in Early Medieval, and then Early Modern Christianity, was as the strix demon made human. This might explain the close association between Early Modern Witchcraft and infant mortality, including Italian stories of witches causing infants to die seemingly natural deaths, so that they could dig them up and eat them after their funerals, something that ties these human supposed witches very closely to demonic folkloric antecedents. If you are looking for a figure of unfairly maligned female power, the strix and her close association with later human witches, might be the one for you.

All three of these figures, much like Lilith herself, are reflections, both of the power women wielded even within patriarchal societies, over the process of pregnancy, birth, and childrearing, and also the powers of death and loss that everyone was subject to. There is something powerful, transgressive, and even healthy in acknowledging the fears and dangers presented by this death and loss,and for some people, that might take the form in venerating the underlying powers. If this is something that would be spiritually meaning for you, and you wish to work with such a figure, and you are not Jewish, please respect the fact that Lilith is part of a closed religious practice, and remember that Lilith has sisters, in other parts of the Mediterranean basin and the Near East, who are not from extant closed cultures, and who might serve your needs better anyway.

[nqueso-emergency]

The use of Bummy really upsets and annoys me so I want led to write down my thoughts and I hope you can share 💕

Is the use of Bummy as a ship name offensive?

Yes, it is correct if you put the BU from Buck and the MMY from Tommy. Yes you get “Bummy”.

So what is the issue? It’s common practice in shipping, fans combine two characters names together, forming a new ship name (portmanteau or smushword). For instance, the ship name for Dean Winchester and Castiel from Supernatural is referred to as Destiel. The 'De' from Dean, and 'tiel' from Castiel.

Well, it’s the use of “bum” as part of the portmanteau and the closeness to the word “bummer” and “bumming”.

Why is that an issue?

Number one because the word “Bummer” is a gay slur word in British English & slang. Number two because this is a gay ship. Number three the majority of people using this ship name dislike the coupling. It’s generally used as part of a wider negative sentiment about the couple. Number four the fact one member of the pairing is a British actor meaning it’s a bit close to home.

One of the common responses to people saying the name being homophobic and offensive is that pro BuckTommy fans have dug up an obscure slur to find issue with the use of the ship name.

Let’s break it all down… we’ll start with the etymology first.

American English and British English as a language has a good few words with very different meanings. It’s understandable that both side would be unaware of subtle language differences. It’s easy to talk about trash vs. rubbish. It’s much harder to talk about words that could be used as offensive or considered a slur. I don’t want to start listing slurs for obvious reasons that fall under this umbrella (there is actually a few) so I’ll try to be concise.

Let’s use the example of “fanny” as word that in UK considered a vulgar word meaning the female genitals but actually means butt in America. A polite way to say fanny in the UK would be “front bum”. Because your ass, or buttocks in the UK is your bum. Aka your gluteal muscles.

So it’s means your bottom. But like most words you can use it in multiple ways and it can have multiple meanings. Bum, bummer, bumming etc. Various meanings depending on the context. A bum can be a homeless people or my backside. If I add an action word “to bum” it’s anal sex. If I said “what a bummer” I might be saying that’s disappointing. Or I might be using it as a slur to describe a gay person. Everything from tone of voice and inflection to your physicality can change the meaning.

Does the fact it’s of British language, history and cultural background mean it doesn’t count?

Is it obscure?

The slur “bummer” in the UK and Ireland is one of a number of terms beginning in the 1980s, and especially in the late 1990s, as an insult amongst young people. While curse words were cracked down someone using it as an insult could mostly fly under the radar. A school yard taunt.

The peak use of the word as a slur was over 20 years ago. Of course if you’re 21 years old that feels completely irrelevant. If you’re a millennial and lived through that peak of popularity then you have entirely different perspective.

In fact, as UK or Irish society has evolved in the last 20 years and become more progressive homophobic language is widely unacceptable in polite society. It’s not that specific slurs have become obsolete but that any slurs or micro aggressions in general have becoming broadly intolerable.

For me, obscure would be a word where no one living would recall it.

Similarly the word “gay” its self which was also used with derision during this time (being stupid, or equivalent to weak.) The pejorative use of the word "gay" was waved away as banter for more than a generation. But even then using such words and slurs as “a joke” had a knock on effect. So for example, college-age men were more likely to repeat the word negatively if their friends said it, while they were less likely to say it if they had lesbian, gay or bisexual peers.

Words such as “queer” or “gay” have been reclaimed by the Queer community since but it isn’t as clear cut as that and often there is a generational issue where younger people — millennials are fine with it. Gen Xers are less comfortable with it. And then older people or boomers, maybe, who find its use problematic.

What is the relevance of bringing in the wider use of homophobic slurs? Well we see fans waving away concerns about the use of Bummy as “not that deep” it’s just their names mashed together. Dismissal of the slang term as obscure and BuckTommy fans scraping the bottom of the barrel to find a reason to be offended. That narrative is repeated whether true or not because their side of the Fandom said it. The main demographic using the term is younger Gen Alpha Gen Z and American. A cohort with no frame of reference. And seemingly uninterested in extending curiosity to learn or to listen.

That all mirrors behaviour we have seen before. Does that mean I think anti BuckTommy fans are homophobic… no actually I don’t think that at all. Because there is nuance. Instead I think that they are okay using an offensive portmanteau because they intensely dislike the ship and that is simply slippery slope.

But is there a counter argument to that? Why jump to that conclusion?

Let’s say they just don’t want to use Tevan as that has Evan as part of the name. Okay, that’s a good reason. But wait? Why not use BuckTommy the most popular ship name? Or Kinley? Or Tuck? Why say Bummy Bones and not BuckTommy Bones? Why despite being told it’s offensive and having the ability to just Google it do they hand wave that away with wilful ignorance.

I do think the ship name of Bummy is used to intentionally have negative connotations. It’s meant to annoy BuckTommy fans. Perhaps it’s just engagement bait.

I've held on to this ask waiting for a good time to post it.

Today is that day.

[buffetlicious]

The Mid-Autumn Festival (中秋节), a Chinese celebratory season observed by many East and Southeast Asians, has begun. Held on the 15th day of the eighth lunar month, which is in the middle of autumn, the festival marks the end of the season’s harvest and is a time to appreciate the moon at its fullest and brightest. Besides feasting eyes on the moon and lanterns of different shapes and sizes, Mooncakes (月饼), a rich pastry with all sorts of fillings, are undoubtedly the main highlight of the festival and are traditionally shared among family and friends.

The Cantonese Mooncake (广式月饼) is the most commonly found traditional mooncake in Singapore. Its fillings consist of lotus seed or red bean paste and usually include one, two or four salted duck egg yolks. Many would also be familiar with the snow skin variant that was created in Hong Kong in the 1960s as a healthier alternative to traditional baked mooncakes. The fillings and a ball of dough are traditionally pressed into a wooden mould, which embosses intricate wordings of the pastry shop’s name or stuffing on top of the pastry.

A mooncake with various flavours such as rich, savoury-sweet and peppery, the Hainanese Mooncake (海南月饼), also known as Su Yan Bing (酥盐饼) is traditionally filled with ingredients such as fried shallots, lard, salt, white pepper, rose-flavoured white sugar, sesame seeds, melon seeds and dried wild tangerine skin peel. The filling is encased in a thin crust made with flour, salt and lard.

The Hakka Mooncake (客家月饼) is also called Yu Gao (月糕) and is a flat, snow-white disc that is typically made with cooked glutinous rice flour and sugar, giving it a crumbly and powdery texture. It is usually embellished with more intricate designs, often with animals and flowers. Although it doesn’t usually contain any fillings, some come with candied winter melon, desiccated coconut and sesame seeds mixed with glutinous rice flour, sugar, margarine and water.

Easily distinguishable by the red stamp of Chinese characters on the top of the crust and its white disc-shaped pastry which resembles a bright moon, the Hokkien Mooncake (福建月饼) consists of a dry and sweet filling that is made of candied winter melon, tangerine peel, melon seeds, sugar, and cooked with lard or peanut oil. A less common type is a savoury version with minced meat filling. Once known as Scholar Cakes (状元糕), they were given to those who took part in the Imperial examinations. Today, it is given as a symbol of good luck to those who are about to sit for their exams.

Many would be familiar with the Teochew Mooncakes (潮州月饼). It has a crispy, spiral-layered crust that crumbles easily. It originated from the Chaoshan (潮汕) area in Guangdong Province and typically consists of yam paste and a salted duck egg yolk. Other traditional versions of the Teochew mooncake are still made by old school bakeries in Singapore. For example, La Bia (朥饼 or lard biscuit), where ‘La’ refers to pork oil, has a thinner, flaky crust with a thick mung bean or red bean filling. There are also alternative fillings including red bean, mung bean or lotus seed paste. There is also a steamed version of the typically baked Teochew mooncake, called La Gao (朥糕). It can either be served plain or with a mung bean filling.

A Snow Skin Mooncake (冰皮月饼) variant was created in Hong Kong in the 1960s as a healthier alternative to traditional baked mooncakes. Similar to mochi, its crust is made of glutinous rice flour and varies in colour, based on the flavours used. And unlike traditional mooncakes, these are best served cold!

Mooncake information and drawings courtesy of Ministry of Culture, Community and Youth.

[writingwithcolor]

Judaism, Angels, and Monstrosity

@neapolitangirl asked:

I'm writing a story about the angel Muriel traveling through a world inspired by American folklore (Ex. The Bell Witch, Fearsome Critters, etc) while hunting demons. I wanted to draw inspiration from the legend that says Muriel and Abaddon are one and the same because I thought it was interesting. However, I also know that Abaddon is important to Jewish cosmology and wanted to avoid any unfortunate implications. Muriel is very skittish and kind of a coward, but turns into the more violent and vengeful Abaddon in the presence of demons. Appearance-wise both Muriel and Abaddon are tall and skinny, but Muriel is more like an owly-human while Abaddon is a spiky skeletal being. Would this be connecting Judaism to monstrosity? Also, is there anything else I should try to avoid?

So…angelology, the whole idea of angels with names and personalities and individual jobs, is just…not something the average Jewish person thinks or cares about, even the ones who know a little about it. Not that it’s bad, it’s just not something that is prominent enough that it would have tropes attached that we might be able to warn you against.

That said, we’re posting on the Niche Scholarship and Special Interest website, so if there’s a reader who happens to have a lot of knowledge and feelings about Jewish angelology we would welcome the contribution and specialized expertise.

As it stands, my instinct is to give these more general considerations:

Balancing Jewish and Christian Elements

To what degree are you trying to tell a Jewish story, a Christian story that does not harm Jewish readers, or a story strongly influenced by Christian ideas about the heavens in a way that does not harm Jewish readers? How does deciding where you fall among those distinctions affect how you construct your story, and how you portray your angels?

Jewish Concept of God and Angelic Appearances

To Jews, God Godself does not have a physical body or visible appearance. If you’re describing the appearance of God as you’re navigating your angel-centering narrative, you’re squarely outside the territory of inclusivity toward Jewish readers. That’s okay, if you’re clear with readers that you’re not telling a Jewish story. It’s not okay if you’re trying to conflate Jewish and Christian ideas into a single narrative when they are often incompatible.

Angelic Appearances and Jewish Scripture

Angels might have appearances, and some descriptions of some types of angels in some Jewish scriptures have body parts of various animals. I haven’t the foggiest clue if it matters to anyone what appearances belong to which angels, so if it matters to someone reading this I hope they will speak up.

Are angels Jewish? This is a subject that could make for a fun discussion among Jewish people as a way of exploring the nature of Jewishness, but in your narrative you will have to think this through in your own way. If your angels engage in Jewish practices, then what does that look like and why, and if they don’t, why don’t they? The answer to that may of course be “Because I’m not actually telling a Jewish story.”

Christian Themes and Sensitivity to Jewish Culture

It’s okay to not be telling a Jewish story. But in that case keep in mind what demonstrations of Jewishness you include in a Christian story.

Especially, if you’re depicting a divine Jesus, or a Jesus character with any type of more-than-human powers or ancestry, or you are including any reference to the idea that Christianity might be in any way objectively correct, then you must tread EXTREMELY CAREFULLY with including any depiction of Jewish practice in your work, as the line where depiction turns to appropriation is in that case extremely near.

In all things, try and avoid depicting Jewish humans and any character who might be Jewish or be seen as Jewish in ways that are otherwise harmful: we’ve often talked about tropes around greed, sneakiness, power-grabbing, gender and sexual dynamics, and other tropes that apply to portrayals of Jewish characters. If your angels are Jewish, or Jew-ish in flavor, that goes for them as well.

Again, I know absolutely zero about Muriel and Abbadon and am not very interested in learning more as their lore has zero bearing on my Jewish practice in any way, and that’s a somewhat important point to me to be making because…2J3O. Two Jews, three opinions. So again, if a reader does in fact have knowledge and opinions about the specific angels themselves, please speak up.

–Meir

[moghedien]

obviously there are a bunch of issues with the MCU and I'm not gonna sit here and try to convince everyone that MCU movies are cinema or whatever so don't get what I'm gonna say twisted. I do find their kinda mainstay in cultural media and the dominance they had to be interesting, especially now in an era where the MCU is undeniably falling off and struggling. just as like a cultural analysis I find that interesting and everyone has their opinions of why it happened.

my opinion/theory on why the MCU just crashed is because they sort of forgot what it means to be telling a comic book story, especially a marvel comic book story. Because I've read thousands of issues of various marvel series at this point, across tons of different eras and events, and the thing that makes them last (which is also a thing that drives me personally crazy and I hate so much) is that the status quo doesn't really change. Or when it does, it lasts for a few arcs or years at most and then gets reverted back to the norm eventually. Like the fact that everything is pointless and nothing is a risk is something I loathe, but it is admittedly what keeps them going. If someone just got into comics, they can pick up a modern issue and expect to find Spider-man or Captain America or whoever. They may be introduced to new characters, but the big ones will show up eventually.

And after the last Avengers movie, like half of the mainstay cast are just gone. Which as someone who likes good stories, I think is a good opportunity (which is arguably being wasted but idk I haven't watched any MCU thing in years) to actually shake things up and develop characters that mainstream people are less familiar with and give them a chance to shine and tell interesting stories. But that's not why people like marvel comics.

People like marvel comics because if they want to read about Iron Man, they can pick up any random issue about Iron Man and it will most likely be the Iron Man they know. People like the status quo, and Marvel has never been high literature and has always basically been pulp storytelling, and it gave people status quo and familiarity. And I think Marvel Studios figured this out waaayyy too late.

Because if Marvel actually understood what people like about the comics, they would have embraced recasting major roles from the start. They wouldn't have tied characters' identities so strongly to their actors and would have made it clear that characters can and will continue on with different faces. There is no reason why Tony Stark needs to be RDJ or Steve Rogers needs to be Chris Evans. They would have had plans to not write these characters out of existance the second actors wanted to exit or died or were fired or any of the various reason why actors are no longer involved with the MCU. Hell they had precedent. They didn't have a problem replacing Terrence Howard with Don Cheadle, who are very different looking people who give very different performances, but we know why they felt ok with that recasting but won't recast any of their boys named Chris...

Anyway it seems like they realized that general audiences don't actually like change if its permanent and are learning the wrong lessons with the Doom casting nonsense and the fact that they seem to keep changing what the new story is to fit what they think audiences want.

I'm fine with the MCU dying off and its probably better for media that it does, but again I'm just kinda interested in the fumble from like an objective standpoint because it seemed like they just locked themselves into eventual failure in such a stupid way. Like they could have told the same safe representative Avengers storylines for decades and wouldn't have a meltdown every time an actor in a major role needed to be removed from production if they just accepted that people would be recast as needed. It would be worse for actors and it would be worse for movies in general probably, but it would have kept the MCU churning out pulp like the comics do to this day. But now people are realizing its not just pulp but pulp they don't want and its gonna kill the MCU eventually.

[raven-at-the-writing-desk]

I don’t know if you’ve already covered this, but I had a question to ask about the VDC in Book 5. To clarify, I understand that RSA needed to win for thematic and character arc purposes, and that in-lore it was an audience vote not a professional one. The story beats line up. But the choice of cutesy and childlike RSA performance over the more refined and professional NRC performance still doesn’t quite click with me. Is there some kind of cultural difference that didn’t translate to explain why one performance was supposed to be understood as preferred over the other? Even if it was an audience vote, the standards should be higher just by virtue of this being a big name competition for teenagers held at a prestigious school.

Very quickly, I want to add a couple other points that help to explain why RSA won over NRC! Book 6 opens early on with Vil noting that NRC was not able to perform as well as they wanted to since they had just come out of a difficult battle against his OB form. (Because of this, he accepts responsibility for their loss.) Thus, the NRC performance may not have actually been as "refined", "professional", or as polished as we imagine it to be.

Additionally, it’s stated in book 5 that RSA’s song choice had universal appeal whereas NRC’s did not. We see this effect on the production crew when Neige and the Seven Dwarves do their practice run; their performance has a refreshing and soothing effect on what appears to be an older audience (as it plays to their nostalgia); we must consider this when evaluating RSA and NRC. For example, I know that I really disliked NRC's performance (sue me/j) because it sounded very oppressive and therefore unrelatable to me. The lyrics are literally about how NRC will dominate their opponents and win 😭 Sure, the music and lyrics for Neige's song aren't complex, but they're at the very least accessible and easy to follow along with. (That's not to say that I prefer RSA's performance though; I'm just explaining why someone might not find NRC's performance appealing.)

Lastly! We as players are looking at the two song + dance numbers from an omniscient perspective. We need to consider our own biases when judging, and accept that it may differ from the characters in-universe view things. Maybe you prefer NRC’s performance. That’s fair! But how much of that is informed by your personal music preferences? And how much of that comes from your attachment to the NRC characters, since you’ve followed their stories up until this point? As Rook points out in book 5, he’s aware of how hard NRC has worked to get here… but he’s also aware of Neige’s hardships too (er, in terms of his lifestyle; ie living with the dwarves and doing chores, etc.). Consider then, would you honestly not have a bias for RSA had Twisted Wonderland’s story centered on them instead of NRC?

It’s also worth noting that how things are seen in Twisted Wonderland may reflect its own unique culture rather than how we in the real world may perceive it. Maybe the people of Twisted Wonderland just prefer a cute, nostalgic performance. This may not necessarily correlate with west or east at all and that has always been a possibility! (While TWST does take inspirations from the real world, it’s not a 1:1 with the real world.)

dkhlbaiyfadvfoad Okay, NOW onto the actual question being pitched!

When you look at media from different countries, there are some stark differences in how the same information is presented. One example is like... any Gordon Ramsay show yes, I am using him as an example. Compare the American cut and the British cuts; there are much more loud sound effects, dramatic music, yelling, and cussing in the American cuts. The British cuts, by comparison, are notably quieter and contemplative, with hardly any cursing. Another example! Looking at variety shows from the east vs the west, they're quite different as well. Eastern variety shows tend to be "cute", usually using various cute sound effects or edits which make the guests appear more bashful (like drawing blush over their cheeks or something). We don't see this in western TV shows, which are louder and more boisterous. I've noticed a similar trend in the music industries of the east vs the west as well, where eastern stars tend to emphasize their youthfulness and playfulness and western stars try to be more "mature" and grown-up. These are just my personal observations and may not reflect reality, especially seeing as I am not involved in music-oriented spaces.

I asked friends and personal contacts in both eastern and western pop music fandom spaces for their own insights (which is also in no way representative of both fandoms, but at least this gives us other perspectives for consideration). To summarize, most of them replied that they did not think cultural differences account for this situation, since equating a preference for a "cute" aesthetic is not the same as RSA performing what is basically a nursery rhyme. There's no real-world equivalent for that (at least none that they can think of), and I agree with all of this. There’s really no point in trying to compare the two.

I remember lots of Japanese fans being upset at NRC’s loss too (when book 5’s ending was first put out), so the impression I got was they didn’t prefer the performance of RSA over NRC either. It was not just the international fandom that was disappointed. I don’t believe TWST ever intentionally set out to present “Everyone Yahoo!” as the “superior” song and dance number, or as the performance we’re supposed to like more than the other. It was very much framed as something pathetic and unlikely to win in most of the eyes of the NRC characters. They make fun of RSA’s clumsiness and claim it’ll be easy to win over them. The player most likely is supposed to think this way too—until Vil, the one with an eye for showbiz, realizes his loss. Why? Because it doesn’t matter what we think. What matters is how this clumsy performance will resonate with the common person.

What I think it ultimately comes down to is emotional appeal to the audience, which is more of a personal/individual level thing than a cultural thing. The competition is decided by audience vote. The average person honestly does not care about quality or standards. No one is giving them rules to evaluate by, no one is going to tell them off for not having strict standards. They will pick based on what they like best or whatever makes them feel good. And what will make anyone feel food, regardless of age, sex, race, education, socioeconomic status, etc.? Something cozy and familiar, thoughts of simpler times… Nostalgia.

Something else to think about is what a powerful motivator emotions can be. There are irl idol competition shows that are high stakes and decided by audience vote just like VDC/SDC… and people will still vote for their favorites even if they gave a technically bad performance. This is because fans are so emotionally invested in and attached to the performer. It doesn’t matter how “bad” they are, the performer/performance makes the audience member feel impassioned, and they will then act according to those intense feelings. Think about what you’re like when you’re in a terrible mood vs a good one. You act completely differently, right?

I hope that perspective helps! 🙏 I tried to be as thorough as I could be in this response, but please let me know if I misspoke or maybe missed a point.

P.S. I happen to be responding to this ask after TWST showed us the NRC Tribe’s dance performance in a MMD video. I wonder if this only made the “NRC should have own” crowd double down on that opinion since now we’re seeing just what their performance looks like 🤔 (though we don’t have a complete MMD video of Neige’s group to directly compare, just this which shows part of the dance and not in the same clumsy way that Neige and co. perform it).

[kanansdume]

I have SO MANY feelings about Kanan, Zeb, and Rex all being some of the last few survivors of dying cultures.

Even though the Jedi can pass on their teachings and there will always be more Force sensitive people in the galaxy, the specific culture of the Prequels Jedi that Kanan grew up with will never completely come back. Jedi like Ezra and Luke will share a lot of similarities, obviously, especially philosophically, but their way of life and traditions will look VERY different, as will whatever ends up evolving from them (and from Rey if we include the Sequels).

Similarly, Zeb finds the Lasat on Lira San, but those Lasat will presumably have a VERY different culture than the one that existed on Lasan. The two groups of Lasat have been separated for so long that Lira San has become legend and is thought to not really exist and even the people who believe it exists don't realize what it actually is and that there are other Lasat on there. This implies that it's been an EXTREMELY long time since the Lasat of Lasan originally left Lira San and the two groups have probably diverged quite a bit. Lira San itself is also just not going to feel like Lasan, it won't have the same landscapes or wildlife, the cities will be different. The language might even have some significant differences that the last three Lasan survivors would have to navigate. And there's no getting back that culture from Lasan, it's gone. There's only three known survivors and they're going to end up just... engulfed into the Lira San culture without a lot of ability to pass on what they remember from Lasan. Lasan might end up like... a chapter in a Lira San history text and that's probably it. The nuances of its culture will be lost completely.

And the clones. The clones are just going to completely disappear. People will likely only remember the clones even existed because the war got named after them. All they'll be remembered FOR is violence and death. Depending on who is talking about them, they'll either be the traitors who destroyed the Jedi and allowed the Empire to reign, or the poor pawns that the Empire used to destroy the Jedi and keep the galaxy under its thumb. Who they were will be completely and utterly lost. And there's no way for them to continue in any form. While it's POSSIBLE that a few of them might have sired children out in the galaxy somewhere, we never have any confirmation of that, and nearly all of them are dead by the time the Empire falls. Their friendship with the Jedi, what little culture they were able to develop, all of that is lost to time and will disappear once the final clone dies.

It's such a horrific thing that is happening to these three characters, a slow dying out that that's literally happening in front of their very eyes. It's the worst kind of connection between the three of them, but something that's probably really important in their various relationships. No one else understands this grief the way they do, no one else quite understands how this feels, the helplessness and hopelessness. There's absolutely nothing they can do but try to keep going and remember their people as best they can and live according to the culture the Empire has tried to eradicate.

I like to think the three of them end up discussing it one day, maybe one Empire Day they all just decide to go drinking and be maudlin together. And Kanan ends up talking about how the Jedi believed that there was no death, there was the Force. Everyone who dies rejoins the Force, so even if they're gone they're still impacting the galaxy and the people living in it, regardless of whether those who remain can feel them or not. Maybe you get a burst of inspiration or have a lucky break or meet someone you instantly click with, and maybe that's the people who've left before you still touching your life through the Force, binding you together no matter what. Zeb and Rex really connect to this belief and end up finding comfort and even a little healing in it.