#and love answering them when i can!

[erigold13261]

We’re all screaming into the void for all the asks… feel free to ignore or dump them… (I’m sorry that I made you feel like you have to answer them…) (also feel free to use those ideas without credit… after all we all are on anon…)

My thing is that I like to answer asks, but I can't really... keep up? Or like, I can only answer like 3 asks a day without getting tired or fatigued because I put so much effort into answering an ask that sometimes one ask takes me 2 hours to write (not even counting asks I want to draw for as well).

But yea. I'm most likely gonna save all these asks in screenshot form in google docs, and then delete them from my inbox.

So I will have the asks I want to possibly answer still, but they aren't in my inbox taunting me or whatever.

There's like a good 20-30 of the 300 asks that I definitely want to answer at some point, or keep because they have good ideas I want to save and look back on.

I never feel forced by outside forces to answer asks, or at least very rarely. My want/need to answer every ask comes from the same place that makes me spend 2+ hours on answering a single ask. I'm pretty sure it is at least.

That's a problem with me. I try to put my ALL into EVERYTHING I do to the point that, in my head, it feels better to not answer asks at all than give a half assed answer. Which causes asks to pile up which then makes me feel guilty as if I'm not giving it my all.

Which is something I have been slowly trying to fix and work on. As you can see with me being okay posting just lineart and doodles instead of ONLY finished pieces like I did when I first started (even in work and school I have been slowly being okay with allowing myself to relax and make mistakes).

So yea, when I get time I'm most likely gonna delete most of these asks, but they will at least be saved in google docs in case I one day want to actually answer them!

[letsplaythermalnuclearwar]

Homer!Odysseus and Epic!Odysseus would try to kill each other if they ever met

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[estrellami-1]

Anything

Trigger warning: discussions of death. Not a main character, but it does happen. Lots of angst. Lots of hurt/comfort. I’ll post it in the tags as well.

Steve has a problem.

It’s not a big problem, not really, but his brain won’t let it go and is making it a bigger deal than it really is.

Eddie won’t ride in his car alone.

With the kids, sure; he’ll practically dive into the backseat, noogie Dustin, generally make a nuisance of himself.

But if it’s just the two of them? If Steve insists on driving, Eddie will take his van. There’s no problem if Steve wants to ride with Eddie. But the other way around? Eddie riding with Steve? That doesn’t happen. And Steve has no idea why.

“Talk to him, Dingus,” is Robin’s advice. He’d flip her off, but unfortunately he thinks she’s right: this is something they’re gonna have to talk through.

So Steve pulls on his big-boy pants and marches himself to the Munsons’ trailer, knocking on the door and waiting expectantly.

He doesn’t expect Wayne, but maybe he should’ve, because that’s who answers the door. “Hi, Steve. You’re here for Eddie, I bet, he’ll be in his room.” He moves aside to let Steve in, and Steve thanks him after a second before moving down the hall to Eddie’s room.

He hears him before he sees him; or, more accurately, he hears his guitar. He’s playing the acoustic tonight, instead of his usual sweetheart, so Steve knocks instead of walking in like he’d usually do.

The guitar stops, and Steve hears it being put down, hears a heavy sigh. “Wayne, I’m not really in the- oh.” He opens the door as he speaks and blinks at Steve. After a second, he smiles. “Hey, man, c’mon in.”

Steve blinks. “Uh. Are you okay?” 

Eddie purses his lips. “Define okay. I’m not currently being eaten by bats, y’know? But playing the acoustic always reminds me of my Ma.”

“Ah.” Steve shifts. “Sorry, man. Maybe I should come back later.”

Eddie shrugs. “You’re here now, aren’t you? I can’t be that terrible company.”

Steve snorts. “No, I just… I had a question, but it can wait.”

Eddie tilts his head. “You do that a lot, y’know?” He turns, sits on his bed. Motions Steve into his room.

Steve sits next to him, more comfortable here than in his own room. “Do what?”

“Put yourself last.” He shrugs. “You can ask me. If I don’t wanna answer, I won’t.”

Steve scrunches his nose. “Okay, fine. Why won’t you ride in my car?”

Eddie frowns. “I do, though? Hell, I did what, two days ago? You, me and Dustin went to that comic store in Indy.”

“Okay, let me rephrase. Why won’t you ride passenger in my car, alone? Without any of the kids? And even two days ago you were in the backseat with Dustin.” He shrugs. “It’s not a big deal, I’m just curious.”

Eddie takes a breath. “No, it’s- yeah. You should know.” He clears his throat, grabs the acoustic again. Plays a riff of some sort, fingers dancing over the frets. “I think I feel like I have to save everyone. Or at least be in a position where I can save them, if the need arises.” He swallows, takes another breath. His fingers still. They tremble over the strings. “Did I ever tell you how my ma died?”

Now it’s Steve’s turn to inhale sharply. He shakes his head. “We can stop,” he says. “You don’t have to tell me.”

Eddie smiles ruefully. “I do, though.” He shakes his head. “I was… I was six. It was three days before my seventh birthday. We were driving home from the city. Ma was drivin’, an’ she let me sit in the front seat, since it was almost my birthday. Or- that’s what she said. I think it was so we couldn’t stop her. Couldn’t save her.” He swallows. His eyes are glassy. His accent is thick, the way it gets when he’s thinking about her, or when he’s emotional. His left hand grips the neck of the guitar tightly. Steve worries for his fingers. “We weren’t goin’ that fast, even, but forty’s enough when-” he shakes his head, looks away. Coughs out something that wanted to be a sob. Steve takes the guitar, takes Eddie’s hand. Puts the guitar down. Doesn’t let go of Eddie. “She unbuckled her belt. Dad didn’t see it. I did. Didn’t say anythin’. Maybe I should’ve, I dunno.” He squeezes Steve’s hand. “Then it all happened so fast… she smiled at me, an’ opened her door, an’ next thing I knew-” he wipes at tears on his cheeks. “D’you know what happens to a human head under the wheel of a car at forty miles an hour?”

Steve gasps, grips Eddie’s hand just as tightly. Pulls Eddie in when he begins to shake. “An’ I know why, now,” he whispers. “Dad weren’t good to her. I’unno what he done t’her. I know she did what she could. But I was there. I was right there.” He sniffles, trembles with the effort of keeping his sobs in. Somehow succeeds. “So that’s why. Figure if a kid were to try… I could stop ‘em. Figure if you were to try…”

“You could stop me.” Steve holds him tight. “I won’t,” he whispers. “I swear to you, I won’t.”

“I know,” Eddie whispers back. “But I gotta be able to try.”

“Christ, Eds,” Steve whispers. “I was gonna ask if you’re okay but that’s a stupid question.”

Eddie giggles, still teary-eyed. “Just a little bit.”

Steve pulls away to look him in the eye. “I’m staying tonight, okay? Nightmares are always worse after something like this.”

“Then you should go home,” Eddie argues. “Sleep while you can.”

“Nightmares are always easier with someone else.”

“Damn you, that’s true.” They both laugh a little.

Just then, Wayne comes in with two steaming mugs. “Listen to your boy, son,” he says to Eddie, handing over one of the mugs. He gives Steve the other with a wink. “Lavender tea with a shit ton of honey. Learned it from my ma.”

“Not my boy, Wayne,” Eddie grumbles, but thanks him for the tea anyways.

Steve thanks him too, and he winks again before leaving. Eddie rolls his eyes. “I’d apologize for him, but you’d just defend him.”

“Hey, I like Wayne.”

“I know. Sometimes I think you like him more than you like me.”

Steve chuckles. “Never. You’re my favorite.” He moves so they’re sitting shoulder to shoulder, drinking their tea, leaning against each other. It’s peaceful, and soon enough Eddie’s yawning and dropping his head onto Steve’s shoulder. “Imma pass out soon.”

“Then let’s get you up to brush your teeth before you do.”

Eddie groans like the toddler he secretly is. “I don’t wanna.”

“Yeah, and you don’t wanna go to the dentist to get teeth pulled, either, now do you?”

“Shuddup.”

“Wow. Real master of words here. Really feeling that Dungeon Master power.”

Eddie thumps his arm, but snickers, and really that’s what Steve was going for in the first place, so he just smiles and leads Eddie to the bathroom.

Soon enough they’re in bed, tucked in next to each other, not quite packed like sardines and it’s only because of the heat outside that Steve isn’t more upset not to have more of a reason to touch Eddie. “Night, Eds,” he murmurs, smiling when Eddie rolls over to face him and is temporarily blinded by his own hair. Steve helps move his hair, grabs at Eddie’s hand when he’s done. “Wake me up if the nightmare doesn’t, okay?”

“C’mon, Steve, I can deal with them-”

“I know you can,” Steve answers. “But I want to be up if you are. I want to help if I can. Please, Eddie?”

Eddie sighs after a second. “Damn you,” he says, “I can’t say no to you.” He’s smiling, despite his words, so Steve smiles back.

“Thank you.”

“G’night, Stevie.”

“Night, Eds.”

Steve wakes up to Eddie crying out in his sleep. Even with his eyes closed, he’s got tears streaming down his cheeks. Steve sits up, turns on the lamp, and puts a hand on Eddie’s shoulder. “Eddie?”

He rolls over, away from Steve, and continues sobbing. “Eds? Are you awake?” No answer, so Steve puts his hand back on Eddie’s shoulder and shakes a little. “Eddie, wake up!”

He’s up with an aborted yell and a flail of limbs, sitting up and staring into the darkness of his room, trembling. He sniffs and turns to face Steve, finally realizing he’s there, and Steve opens his arms for a hug.

He collapses into Steve’s arms, face mashed into the side of Steve’s neck, arms snaking around Steve’s torso to give an ineffectual tug. Steve takes the hint and inches closer until they’re practically hip-to-hip. “Y’wanna talk about it?” He asks. Eddie sniffs and shakes his head. “Y’want me to talk? To distract you?” Eddie nods. “Okay. Uh… I may have bitten myself in the butt with this one, ‘cause I’m not a great storyteller, not like you are, but did you know we actually met in middle school?”

No answer. “We did. Hawkins Middle was putting on its annual talent show. Now, back then, I was nobody. No one knew me, my name, my parents… nothing. I had one friend named Tommy, who I’d grown up with. Of course, you know him, and you know what happened between us, but he was my only friend back then. I didn’t tell anyone, but I signed up for the talent show. I didn’t even know what I wanted to do, I just knew I wanted to do something. I’ve always had a pretty decent voice, so I figured I could just sing, if I couldn’t figure out anything else to do. Knew I’d at least beat out Tammy Thompson.” He shifts so Eddie’s hair is no longer a choking hazard and pets his hand over Eddie’s head, doing his best to tame the wild curls. “So it’s the night of the talent show, right? And it feels like the whole school is there. I’m sitting backstage, peeking through the curtains, and am about to have my very first panic attack. Someone bumps into me and knocks me over. They tell me to watch where I’m going, even though I wasn’t moving. So now I’m on the ground, thinking about the crowd, and the noise is getting to be too much, and someone grabs my hand and it all… stops. Just like that. It’s silent, other than, like, a ringing sound in my ears. And this boy, the one who grabbed my hand, kneels in front of me, puts my hand on his chest-” Steve demonstrates, moving so he can grab Eddie’s hand and put it on his chest, just over his heart. “-and tells me to breathe with him. In, out. In, out. He raised his hand when we breathed in, and lowered it when we breathed out. In, out. In, out. And when my breathing’s calmed down, he tells me to name five things I can see. And you know what I said first?”

Eddie furrows his brows. “My… my hair?”

“Yup,” Steve nods. “But you’d just had it shaved off, so d’you know what I really saw first?”

“What?”

Steve giggles. “Your ears.”

Eddie groans and ducks his head, pressing his forehead into Steve’s chest. “Hated my ears.”

“I’m gonna say something that’s gonna sound mean, but is actually a compliment,” Steve warns him. “Your ears reminded me of Dumbo. I always loved that movie, the reminder that we don’t have to change who we are in order to be loved. That sometimes the things we hate most about ourselves, the things people tease us about the most, are actually the things that help us most, in the end.” He guides Eddie to lay down. “And I’m not saying your ears are what saved you. But I am saying they reminded me that everything, maybe, isn’t entirely hopeless.” He smiles, tucks Eddie’s hair behind his ear. Says, “I like your ears.”

Said ear burns red. “You’d be one of the few.”

“That’s okay.”

“What’s your thing? Your… ears?”

Steve hums. “Did you know I cried a lot as a kid? I was very emotional, very easily moved. My dad always hated it, so I learned to cover it up. But I think it’s what got me here in the end. I could’ve told Dustin I didn’t have time to help him, but I didn’t. I got roped into this whole mess, but it’s how I got to know him and the kids. It’s how I got to know Robin and you.”

Eddie smiles. “I’m glad you cried as a kid.”

Steve laughs. “Yeah. Me too.” He shifts, a little closer, a little more down the bed so their eyes are level. “D’you wanna talk about it?”

“There’s nothing I want less.”

“D’you think you can sleep?”

Eddie takes a breath. Steve feels the exhale over his cheek. “Maybe.”

“M’kay. Lemme know if you can’t.”

“Okay. I won’t.”

“Eddie.”

He giggles. “I’m kidding. I’ll let you know. I just… won’t stop talking at you until you answer.”

Steve hums, lets his eyes slip shut. “I’ll always answer.”

“Yeah,” Eddie says, so soft. It makes something warm unfurl in Steve’s chest. “I know you will.”

Steve reaches out, squeezes Eddie’s hand in answer. Lets sleep drag him down the way it’s wanted to since he lay back down.

He doesn’t think about the fact that their hands are still clasped.

He’s the first one up in the morning, and he’s a little annoyed by it because they’d shifted during the night, so Steve is no longer facing Eddie.

His annoyance lasts for all of two seconds before he realizes there’s a warm weight behind him and over his hip, and he figures out it’s because Eddie is behind him, arm over Steve’s hip, fingers curled against the little bit of skin visible from Steve’s shirt riding up during the night.

Steve smiles, sighs, and lets his eyes sink shut again.

He doesn’t sleep, just kind of drifts, so he feels it when Eddie wakes up. He feels him tense in a stretch, feels his forehead press against Steve’s spine, feels his fingers curl farther into Steve’s stomach.

He feels Eddie wake up fully and realize the position he’s in. Feels him hum, then stiffen, slowly pulling away. Steve aches about it, but doesn’t move until he’s out of bed completely, taking the time then to roll over as if he’d just woken up. “M’rn’n,” he mumbles, not exaggerating the sleep-rough in his voice at all.

“Mornin’,” Eddie yawns. “How’d you sleep?”

Steve hums, stretches, sits up. “Think I should be asking you that.”

Eddie smiles. “I slept fine. Now how about you?”

“No more nightmares?”

“Not at all. Think you chased ‘em all away.”

“Good.”

“Steve.”

“What?”

“How did you sleep?”

“Oh. Fine. Great.”

Eddie hums, but takes his word for it, offers his hand to help Steve up, which he accepts.

“Can I ask you something that I’m pretty sure you’re not gonna want to answer?”

Eddie grins crookedly. “You can ask me anything, Stevie. If I don’t wanna answer, I won’t.” He sits back on the bed, next to Steve. “What is it?”

“What was your dad like?”

Eddie blows out a breath, looks away. “Jesus, first thing in the morning, too. Uh… y’know how you said your dad is a grade-A asshole?”

“Yeah.”

“Yeah. Last I heard, he’s in the state prison for the next… five? Ten? Years. I dunno, don’t really keep track. Was just little things at first, petty theft, then he got an ego and started stealing cars, met a guy who could clean ‘em, and he just…” he shakes his head. “Wayne says he got too big for his britches. I say he got what was coming to him. He tried to rob someone and it… didn’t go well. He got caught, the owner tried to scare him off, swung first, but it doesn’t matter who swung first when he’s dead and my dad was trespassing, right? Tried to say it was self-defense, but…”

“But he was trespassing,” Steve nods.

“Exactly. He got twenty-five for that, and it’s been… twelve years? So I guess he’s got… thirteen left. Not five or ten. Guess it feels like he’s been gone that long.” He sighs. “I went to live with Wayne before that, though… I had a friend, he was my best friend, and my dad… really didn’t like how close we were. Spit out a couple’a slurs, said something about sending me to a camp.” Steve’s breath catches. “I called Wayne that night. Poor guy drove that night, was there by… one in the morning? Picked me up and I’ve never looked back.” He shrugs, picks at his comforter. “Turns out Dad was right about me, but Wayne’s never had an issue, so.” He shrugs. His fingers belie his nerves.

“I think, if I were to ever tell my dad,” Steve says quietly, “a camp would be the least of my issues.”

Eddie’s fingers still for a second before continuing, not fidgeting quite as quickly as before. “Yeah?”

“Mhm.”

“Then it’s a good thing you don’t have to tell him.”

“I think I do, though.”

“How so?”

“He’s got this… way. Of just proving himself right, every time. It’s why I haven’t left yet. He always finds a way to twist it around and show me I can’t make it on my own. Not on my Family Video salary.”

Eddie hums. “Maybe not on your own,�� he admits. “But with a person or two? There’s Family Videos in other cities. Ask to transfer. Robin’s been making noise about heading to Indy, right?”

“I think she just wants out of Hawkins, and Indy is the only feasible place to her.”

“Very understandable. Where would you go, Steve? If you could go anywhere?”

Steve sighs. “That’s the problem, though. I can’t leave the kids.”

Eddie chuckles. “I should’ve known. Then why not find a place in between? Maybe on the edge of town?”

“We’re still both on a Family Video salary. I don’t think even combined we could afford anything.” Steve tilts his head. “You said a person or two. Who’s the other person?”

“Ah,” Eddie says. “Well, not to come between the platonic soulmates, but I’m sure Wayne would love to have his life back.”

Steve snorts. “Robin loves you almost as much as I do, Eds, of course you’re welcome.”

Eddie ignores that, for the sake of his own sanity. “Well,” he says instead. “Maybe it’s time to take a crack at those newspapers Wayne’s been hoarding.”

“Maybe it is,” Steve says, a strange sort of smile playing across his lips. “And I can ask people. You’d be surprised at the amount of gossip I hear at work.”

“Oh, I believe it, trust me. Or are you forgetting I use to hang around Sam Goody?”

“Oh, god,” Steve laughs, “I had forgotten that, yeah.” He sighs. “D’you think we would’ve been friends back then? If we’d known each other?”

“I don’t think so.” Eddie chews at his bottom lip. “Not because of you, but because of me. I was still stuck in that high school hierarchal shit, y’know? I would’ve seen you as an asshole jock even though you weren’t anymore.”

“I think I’m still working on it.”

“I think we’re all working on being who we want to be.” He stands and offers Steve a hand up with a grin. “And y’know what helps with that?”

Steve chuckles, places his hand in Eddie’s. “What’s that?”

“Pancakes,” he says decisively. “C’mon, let’s go bully Wayne into making us some.”

“And by bully, you mean ask once.”

Eddie hums. “Same difference.”

He waltzes into the living room, arms spread wide. “Sir Wayne! Our visiting prince has requested pancakes this fine morn.”

Wayne squints at him. “I’m your king, dipshit,” he says, lip quirked up in a smile as he winks at Steve. “Make your own damn pancakes.”

“Wayne!” Eddie cries. “Betrayal! Betrayal of the highest order!”

“You’ll live,” Wayne deadpans. Steve giggles.

Eddie narrows his eyes at Wayne. “Fine,” he says. “We will make our own. But there shall be no extra for you, sir!”

Following him to the kitchen, Steve says, “We’ll make extra.”

“Don’t hurt yourself,” Wayne returns, “but I’d ‘preciate it.”

In the kitchen, Eddie sighs with his head halfway in a cabinet. “Okay, so we don’t have mix.”

“That’s okay,” Steve says. “I can make them from scratch.”

“Or,” Eddie says, turning to Steve with a grin. “We can go out.”

“We could,” Steve allows. “But then Wayne wouldn’t get any.”

Eddie hops backwards onto the counter and leans forward, resting his forearms on his knees. “Y’know how I said we wouldn’t have been friends if we’d met earlier?”

“Yeah.”

“It really would’ve been entirely my fault.” He sighs. “You’re just… so nice. And it would’ve been unbelievable, for me, because the Munson Doctrine dictates that all jocks are assholes and stay jockish assholes. I think what happened… had to happen, if we were gonna be friends.”

Steve worries his lip. “Then… is it bad if I say I’m glad it happened? If only for that reason?”

“Only if I’m also glad it happened, for that reason,” Eddie responds quietly. “Y’know the only other person I’ve told about my ma is Jeff?”

“I’m…” he pauses, scrunching his nose. “I wanna say I’m honored, but that sounds weird.”

Eddie chuckles. “I know what you mean, Stevie.”

Steve nods, and they stay there for a minute, looking at each other, until Steve looks away with a sigh. “Alright,” he says, pancakes?”

Eddie gusts out a sigh. “Please.”

Steve chuckles and shoves the flour towards Eddie. “Here. Two cups.”

Eddie frowns. “Only?”

“For now. We can always make more later if we need to.”

Eddie shrugs, but nods at Steve, as if deferring to his expertise. “D’you have eggs?”

“Uh.” Eddie checks the fridge, then the cabinet. “No, but we’ve got Spam?”

Steve snorts. “That works. Wanna cut up a can and fry it?”

“Works for me.”

And so they work, side by side, until breakfast is ready and they’re all three eating side by side.

After, Wayne stretches in his seat, glances at the clock, and mutters something underneath his breath as he gets up. “Thanks for breakfast, boys. Steve, you gonna be here for dinner?”

“Uh,” Steve says, glancing at Eddie. “Unless Ed kicks me out.”

“Never,” Eddie swears. 

“I’ll pick up burgers on my way back,” Wayne decides. “That work for you two?”

“Definitely,” Eddie nods.

“Sure. Thank you, Wayne.”

“Son,” Wayne starts, then shakes his head. 

Steve gets the message: he belongs here. His cheeks burn. “Thanks, Wayne,” he murmurs.

Wayne ruffles his hair as he passes.

“So,” Eddie asks, once it’s just the two of them. “Any plans for the day?”

Steve makes a face. “I gotta work at two, but I’m free till then.”

Eddie snorts. “Lemme guess, you’re working alone?”

“Yeah.”

“Well not today!” Eddie says brightly. “Why don’t I come with?”

Steve blinks. “Because… why would you?”

“Cause you’re my friend, Stevie. I wanna hang out with you but I can’t do that if you’re at work and I’m here.”

Steve snickers. “I guess we can talk about moving in together. Tuesdays are always the slowest day of the week.”

“Yeah! Wayne’s got the papers around here somewhere.” He trails off, looking around, then bounds over to the TV with a triumphant, “Ha!” He reaches into the crate the TV’s sitting on and pulls out a stack of newspapers. “Okay, we don’t want anything from last year… beginning of this year might be too old…” he hesitates, looking at Steve. “Maybe since Spring Break? A lot of people moved out.”

Steve hums, moves closer. “Good point. There’s bound to be something on the edge of town.” He sighs as he sits next to Eddie. “The only problem is Robin doesn’t have a car, or even her license. And if I’m working here, and she’s trying to work in Indy, how’s she gonna get there?”

“Well,” Eddie begins, “who says you have to stay at Family Video? Why not stretch your wings out? Try something else? Indy’s a big city with lots of opportunity. How about this.” He shifts so he’s facing Steve. “If you could do anything in the world, work anywhere, what would you do? Where would you work?”

Steve fidgets with his pant leg as he thinks. “A bakery,” he decides softly.

Eddie stills for a moment. “I feel like I should’ve seen that coming. You’d be a great baker, Steve. Or if you want to just sell the baked goods, you’d be great at that, too. Hawkins is small enough we don’t have need for a bakery. Not when you can get everything you need at Melvald’s. But Indy’s big. I pass by two bakeries every time I head into the city.” He puts a hand on Steve’s knee. “Stay at Family Video for now. But when we move, you can apply to those places. Yeah?”

“Yeah,” Steve nods. He can feel his cheeks heating up, feel the excitement coursing through his body. “You really think I could?”

“Steve.” Eddie sighs. “I think you are so much better than you see. I think you can do anything.”

“I dunno about anything.” Steve ducks his head as he blushes. “But, uh. Thank you.”

Eddie smiles. “For?”

Steve looks up at him. His breath catches, for a second, at the look in Eddie’s eyes. He looks away with a shrug even as his cheeks heat up. “Believing in me, I guess.”

“Anything,” Eddie promises again.

Steve looks at him again. Really looks, even as his cheeks heat uncomfortably warm. “…Anything?”

Without looking away, Eddie grabs his hand. Rubs his thumb over Steve’s knuckles. Whispers it again.

Steve leans in and kisses him.

Eddie kisses back.

[casualavocados]

#he doesn't want to fight with you ai di, he wants to Kiss🙄💘🥺

Nat Chen as CHEN YI KISEKI: DEAR TO ME (2023)

[starry-bi-sky]

What would a mother not do for her child What lengths would a mother not go There's a bond that exists between mother and child With no end to how strong it can grow It's a promise for life between mother and child It begins from the moment of birth.

================

She is six years old, and standing on the porch at her Auntie Alicia’s cabin. She is six years old, and holding an old rifle in her hands, standing at the railing and pointing the nozzle at a large target a couple feet away. There’s a pair of old ear muffs covering her ears. Behind her is her daddy and her sister, and Auntie Alicia. She can’t see them. 

Danielle Martha Fenton is six years old, and her momma has her arms wrapped warmly around her, keeping the gun steady for her. It’s heavy and the butt digs into her shoulder uncomfortably, and she feels nothing but determined. And nervous. 

Her momma was teaching her and Jazzy how to shoot, and they’re down in Arkansas to visit Auntie Alicia for her second “Divorce-iversary” as Auntie calls it. She keeps a hunting rifle in her gun safe for the rabbits that like to nibble on her garden. She mostly grows rhubarb, which goes untouched. But her carrots and greens and other veggies like to be tempting snacks for the game. 

Regardless, she is six years old and learning how to shoot. Her momma and her daddy (mostly her daddy) have been banned from every shooting range outside of Amity Park in a hundred mile radius. So Auntie is the best place to learn, or so momma says. 

Danny thinks it's just an excuse to see her sister, not that she's complaining. She loves visiting Auntie.  

She’s already seen Jazzy do this, her momma told her before the muffs went on to shoot when ready. No use trying to fire when you’re not; you can’t afford to miss when shooting ghosts. 

Danny breathes out steady, just like momma taught her, and quells her trembling little fingers. She focuses down the barrel, and pulls the trigger. 

Immediately, the recoil throws her off, the side of the gun that her cheek was resting on knocks against her skin, harsh enough to bruise if it weren’t for her momma’s steady hands holding onto her. The bang of the gun startles her more than she thought it would, and her heart leaps up and runs a jackrabbit through her chest. 

The gun is carefully slipped out of her hands, and Danny lets it go easily, her cheek smarting in pain and her eyes wide and following up to momma. Momma turns the safety on, and with a gentle hand, pushes against her chest. Danny takes a few steps back, and slips the ear muffs off her head. 

Mommy is smiling big at her, something that Danny can’t help but replicate on her own face as her heart swells. “Did I get it, momma?” She asks, watching as she passes the gun off to Auntie Alicia, who steps over to take it.

“I’m going to go see, sweetie, but I think you did.” Momma coos, before planting both her hands on the porch railing and, in a single leap, vaults over the side and onto the grass. She’s dressed all comfortable for the summer heat, with her hair all tied back and in shorts and a tank top and nice boots. Danny’s ribs swell hopefully, and she stands on her tiptoes to watch her walk over.

“I’ll be hard-pressed to believe if you didn’t, Martha Mae,” Auntie tells her, grinning like a cat, “that was a damn good shot.” 

‘Martha Mae Knight’ was Danny’s granny’s name. Auntie Alicia calls her that because of her middle name — and because, by her words, she has her momma’s weird-shaped eyebrows and piercing blue eyes. The kind that could scare a hawk into singing like a robin. It was Danny’s favorite nickname ever.

Daddy laughs brightly, the sound painful on her ears but twice as nice, and despite the distance, Momma whirls her head around to shoot Auntie a glare; “Language, Alicia. Not around my girls.” She warns. Her accent always comes through when they’re around Auntie. It’s Danny’s favorite thing to listen to. 

“Do you think so, auntie?” Danny says, bright-eyed and ever-optimistic. Auntie Alicia nods fiercely as Momma finally reaches the target and searches for the bullet hole. Daddy then comes up behind her, still laughing, and claps a hand onto her shoulder so hard that it makes her knees hurt.

“Of course she did!” Dad boasts, as bright as the sun and twice as warm. He shakes Danny affectionately, wobbling her on her feet and pulling her straight into his side. She goes so willingly with a burble of giggles. “She’s got the eyes of a Fenton! And our family are darn good shots.”

Auntie eyes him up and down, her smile immediately fading off into a pressed line. “I’m sure you mean she’s got the eyes of a Knight. You couldn’t hit the broad side of a barn at twenty paces, Jack Fenton.” 

Jazzy holds back giggles from where she’s standing by the door, her ear muffs in hand, and Danny watches her Daddy’s dark eyes immediately narrow. Just like Auntie’s, his smile tapers off into a frown. 

Before he can say anything, there’s a cheer from the yard, and they all turn to Momma clapping her hands in delight. 

Danny immediately pricks her ears up, and would’ve darn near rushed over to the railing if it weren’t for her Daddy’s hand on her shoulder. She yells instead, excitement thrumming like a hummingbird against her ribs, “Did I hit it, momma?!” 

Momma beams at her with all the pride in the world, “You sure did, Danny!” And she turns to press her finger against the target, right on the inside red ring of the battered old bag. “Right here, sweet girl!” 

There are cheers from all around, and Danny’s heart bursts inside her lungs with shiny, sunshine glee. She puffs her chest out big, and smiles so wide it hurts the cheek where the gun smacked her. Her Daddy shakes again, squeezing her tight against his side in a hug that Danny happily reciprocates. 

“What’d I tell you, Martha Mae?” Auntie tells with a big wink and a wide grin, the gun still gripped tight in her hands as Momma makes her way back over. “You got a Knight’s eye.” 

When Momma makes it back over the railing, she hugs Danny tight and praises her shot. Danny looks her in the eyes and chases the feeling, and asks to shoot again.

[pixlokita]

Aight 😔

[haveihitanerve]

Bruce: what does adopting children do for me? Bruce:... Bruce: *deep inhale* Bruce: what does AIR DO FOR MY LUNGS??!?!?!?!?

[poorly-drawn-mdzs]

Peeped the horrors

[First] Prev <–-> Next

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)

[loving-jack-kelly]

jack race and crutchie have the kind of co-dependent friendship/brotherly relationship/love that only comes out of being each others' sole support systems during the worst times of their lives. they can read each others' minds. they know immediately when something is wrong. they will be so so mean to each other but the instant anybody else is mean to one of them all bets are off. they communicate in sentence fragments incomprehensible to anybody else. they each know and guard the others' secrets with the type of intensity usually only seen in secret societies. ride or die to the most literal degree possible.

[cozylittleartblog]

idk if I've said it before, but your portrayals of both Rouxls and Queen are among my favorites, and the way they are when you combine the two is the sole thing that got me to say "yes" to queenkaard. When I first saw it in the game and it started catching on as a ship, I was like "nooo I hc him as gay," but then after seeing your stuff I was like "oh nvm I totally see this now."

i think hearing "i didn't see this ship before, but after your art i understand it and/or even ship it myself" is one of the nicest compliments i get, because it makes me feel like i'm representing something meaningful and sweet about a pairing and having people understand what i think is so great and captivating about them. i've gotten a couple asks like this and sometimes i forget to respond but i always really appreciate them :) thank you very much

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[galaxyinacup]

Ranchers mayhaps or Grimpulse? Or funny guys Romantic Zits + Jimmy :3

"Pesky little bird, aren't you...?"

Hello hello! I've been getting quite a few requests lately, I love all of your ideas but my usual digital artstyle process is a little too slow to keep up with them in an efficient way that doesn't take up all my free time (a guy's gotta game sometime too!)

So! In order to give everyone who requests a little something, I've decided to make some traditional art to "pick up the slack" as it were! From now on, some requests that particularly strike my fancy or get the creative juices flowing will be done digitally like I've been doing, but some others will be done traditionally

I hope nobody who gets a traditional piece feels dissapointed, since I know the style and vibes are a bit different, I love you all!

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.