#and it's so easy to make it happen

[hinamie]

sry i have chronic only draws megumi disorder the doctor said it's terminal :/

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[bigfatbreak]

Birds of a Feather previous / next

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[deep-space-lines]

imagine if you could drag Gabriel to apologize to Minos after 6-2

[pincushionx]

Blood warning!

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I see lots of fanfics that talk about the Grimwalker stories and myths as Grimwalkers being these predators that hunt witches and are these monster that feed off of flesh, but all of these are usually false and like I said just myths.

So what if that wasn’t the case? What if Grimwalkers were the flesh craving beasts everyone thinks they are. Aka me giving Hunter the Tokyo Ghoul treatment (kinda)

This image takes place during Thanks to Them, he’s hunting and consuming animals to sustain himself but they can only do so much. He keeps it a secret because he’s ashamed, scared and full of self loathing. Unfortunately you can only sneak out and wash your clothes so frequently until you get caught.

…

The craving flesh started around the time Hunter started hitting his second stage of puberty, so around 12 to 13 years old. It started off as spouts of aggression, weight loss and odd carvings that he suppressed until he eventually snapped and attacked a scout. Once he consumed flesh, there was no going back.

This happened with a few Grimwalkers, typically one made around pubescent years due to this being a natural development. Grimwalkers who are made as adults don’t get this since get miss that developmental period. A reason why Belos made Grimwalkers strictly adults for hundreds of years before trying out a new experiment.

When Belos made Hunter, he was aware of this and rather than kill Hunter off or just make an adult Grimwalker, he decided he can benefit from a “monster” needing a source of food.

Hence, Hunter picking up a reputation for being “feral.” Belos supplies Hunter with blood and flesh but not enough to satisfy him, just the minimum to keep him alive. This is to keep Hunter at a state where he’s willing to do more work to earn more food but unfortunately this just results in cases of Hunter going “too far” aka mauling different beings (witches, beasts, demons, ect) during missions on the accounts he’s literally starving and being triggered in fights.

He can eat normal food but his sense of taste is bit dull and doesn’t give him the nutrition he needs. He can eat and eat and it will do nothing. He learns to satisfy himself through eating animals he hunts during missions. When he gets to the human realm he eats his food with an overwhelming amount of seasoning just to taste it.

He also has a very strong jaw and sharp teeth, like hyena type stuff.

(Imagine a scenario he pauses a mission mid way to go hunt some voles and eat them raw and the scouts just standing there like-)

After Hollow mind Hunter struggles because now he’s has little source of witch or demon flesh (he raids the healing classes for blood and kitchen for uncooked meat)

So during thanks to them he’s forced to live with three witches, a basilisk, two humans who are somewhat similar to witches and oh boy he struggles. His friends are concerned. Camila notices Hunter eats a lot but still looks like he isn’t gaining weight, Gus notices that he sneaks out, Vee smells something wrong with him, Luz sees how on edge he is, Amity catches on to his burst of aggression (caused by hunger and stress) and Willow notices he avoids them.

They all already knows something is off with him (heightened senses, unusual teeth and jaw strength, glowing eyes, unusually tight and powerful muscles despite how gaunt he is) but only Luz knows he’s a grimwalker but hasn’t quite put the peices that’s he’s a unnatural, natural predator to witches and demons. The witches, Vee and even the humans feel a slight primal fear around Hunter but they can’t quite put the reason why, he puts them on edge even if they love him but something’s off.

Despite the fact that all of them are willing to give him blood, even some flesh if they could, the boy just refuses, since he sees himself as a literal monster that needs to be locked up.

This is me giving Hunter Grimwalker trauma x100. Anywho this is my late Halloween post aka my billionth AU idea. This was inspired by Tokyo Ghoul, Ginger snaps(2000) and the fic [redacted] Hunter by ApaMonkey on ao3! Yall should read it!

I have a weakness for flesh craving characters who aren’t villains but they aren’t so common so of course I had to project that love to my own skrunkly!

[bunnieswithknives]

Gore, Violence and Blood under the cut

What a mess

[okayto]

Neopets is so funny right now. It's a 24-year-old website and half its pages haven't been updated in 15 years. Its ostensible audience is children. The core active audience appears to be nostalgic 20-40-year-olds. Old code means no accounts or pets can ever be renamed. The virtual pound is full of virtual pets named after Justin Bieber. It has an economy and inflation is rampant. New ownership is combating this with the stimulus of random super-rare items via daily quests and events, while the equivalent of Neopian Upper-Crust complain that their investments are deflating. You can't say seaweed or grapes.

[pokemon-radical-red]

Trans men are literally just a joke to so many people. I’ve seen multiple Tik Toks like “When the trans man with HUGE BOOBS(!!!) in a crop top gets mad at me when I misgender him.”

One of these had the OP’s comment of “Why are so many people in my comment section being transphobic towards trans men?”

It’s because you made this a safe space for people who hate trans men!!! You decided to describe trans men’s bodies in dehumanizing, sexualizing ways to make a joke out of us! In what world does “smh trans men are SO EMOTIONAL and expect us to instantly know everything about them and cater to them even though it makes my life so hard (I have to change a word),” not come off as repackaged sexism?

If you say that this is a made up situation, these people will immediately claim that this happens and has happened to them. It’s interesting that either they’re lying or they’re admitting that they’re sexualizing a real man’s body in a way that could easily trigger his gender dysphoria.

[eddiethebrave]

secret admirer part twenty-five

1043 words

one two three four five six seven eight nine ten eleven twelve thirteen fourteen fifteen sixteen seventeen eighteen nineteen twenty twenty-one twenty-two twenty-three twenty-four

That morning…

Eddie it really sucks that you’re the only you  other than the fact that two eddies would be amazing on it’s own, i realized that you don’t know how it feels to have your attention it’s so intense dude you’re so intense in the best way, of course i can only hope that i get to experience that feeling more in the future maybe in the present, too p.s. i got your book again yesterday, here’s hoping second time’s the charm -H

Yesterday, Eddie thinks, he should have been more present and paid attention to what H’s note said. He’d sort of gone into tunnel vision when he’d been - however jokingly - accused of not understanding one of his books. It kind of made him wish for the first time that he could talk back. He’d contemplated just walking up to Hagan during lunch, but decided not to. He wouldn’t want to make anyone suspicious of the guy, no matter how much of an asshole he tends to be to everyone else. Eddie just isn’t that kind of person. 

The audacity of a jock who’s admitted to only reading books for school - and for Eddie - to allege that Eddie needs to read a book more than once in order to understand it. 

Has he read all of his favorite books more than once? Yes, but that’s only because they’re his favorites!

And does he notice something new nearly every reread? Also yes, but he chooses to believe that’s what Tolkien intended. It’s like a scavenger hunt of foreshadowing and little things to get excited about even when you know the ending. 

Anyway, Eddie is decidedly less preoccupied today and he’s been wondering what book H is reading.

His curiosity leads him to venture into the school’s library before he heads to the lunchroom. 

He tries to recall which books he’d checked out the last couple of months. Once he’s compiled his mental list, he tracks them down one by one. Eddie checks the card that’s in a pocket inside the front cover of each book on the off chance that Hagan’s name is logged on any of them - it’s not. 

Eddie does find it interesting, though, to see a pattern in a few of the names he does see. Those that pop up multiple times are mostly people he recognizes from Hellfire.

He slowly eliminates each book until he’s left with one that’s not on the shelf. The Return of The King. The last book in the The Lord of the Rings series. 

Most staff - like the students - at Hawkins High aren’t very happy when they see Eddie ‘The Freak’ Munson approaching them. The school librarian isn’t one of them, though. Eddie’s been traipsing through this library for the better part of four years. 

Before he’d procured his prickly personality and style as a defense mechanism to the hostile environment of high school in rural Indiana, Eddie found shelter among the creaky furniture, shelves lined with books, and Ms. Hewitt.

She’s seen his sorry face more times than you can count and has always greeted him with a smile. Today is no different. 

He asks her about The Return of the King.

“Someone beat ya’ to it. Nice young man, he was.”

And while Eddie wouldn’t necessarily refer to Tommy Hagan as nice, he would for H. 

Eddie thanks and bids her farewell and then he’s off to lunch. 

He’s still having trouble conflating Hagan and his better half as the same person. 

So, H read the last book of an already complicated series without any backstory. No wonder he was so fucking confused. Eddie laughs to himself just imagining it. Against his better judgment, he’s hopelessly endeared. 

He’s late to lunch, but it’s not as if he was planning on paying for what the school thinks passes for food, anyway. 

When he takes his seat at the head of the table, Jeff places an apple from his homemade meal in front of him without even looking his way or pausing his debate with Gareth (the freshman who’d flipped Eddie’s world upside down by unknowingly revealing H’s identity as the one and only Tommy fucking Hagan).

Eddie absentmindedly munches on the fruit as he takes up his usual lunchtime hobby of gazing at a certain jock’s table. He finds it sort of odd when Harrington - Steve - forces Hagan to play musical chairs or some shit, but Eddie’s not intrigued enough to care, really. He does catch sight of Hagan’s red face and clenched jaw, though. If he didn’t know any better, he’d think the guy was pissed. 

The change of seats provides Eddie with something more worthwhile to look at, so he’s not complaining. Steve seems in high spirits, and Eddie feels his own mood brighten in return.

When their shared elective comes along, Eddie finds himself jittery as he awaits the boy’s arrival. It makes him feel sort of silly, but not enough to lessen the excitement when Steve finally arrives.

The jock takes his seat between Eddie and Carol and turns to greet the latter.

“Carol, Robin.”

“Steve,” the girls say simultaneously without looking in his direction at all. Eddie doesn’t pretend to know what’s going on there, and he honestly doesn’t want to.

Steve then turns to his left to face Eddie, and the last thing he needs is to be limited to the same dry conversation - if you could even call it that - so he cuts him off once he starts.

“Ed-”

“Steven Harold Harrington III. How now?” Eddie has never been the best at English accents, but he figures it gets the point across just fine.

Steve’s face splits into a grin before he forces his expression into a stoic one. He continues to adopt the most heinous English accent Eddie has ever heard - including his own. “That’s His Majesty Steven Harold Harrington III to you, Edwin,” he says snottily.

Eddie can’t help but break into his own grin. Never mind the fact that Eddie’s name isn’t fucking Edwin, but Edward. Few people embrace his antics, let alone engage in them. 

Eddie is so gone on this boy. He was kidding himself thinking he could stay away. 

Steve Harrington might just be the end of him.

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[chrisrin]

after reading @sixteenth-days's very lovely new fic chapter (go read here!) i just HAD to do a take on a flower husbands fusion design!

[territorial-utopia]

Huzzah! It's birthday time! I'm slowly accumulating more and more things I like (latest additions this vest I made and a travel typewriter! Still need to fix the latter one though)

Sure has been a year.

[quartergremlin]

Do you by any chance have any more ideas or plans for the leosagi babies comic

Do we get to see leo explain to Sagi? Or announce to the fam? Or stuffs like that

Its genuinely my favorite comic if yours to go back and reread it is so well written

vbdjhvbsfdj thank you 🥺

not really, at least not for now! I have one more ask that i'll probably answer, but other than that there's not much there for me - at least until i flesh out what the future actually looks like.

"I'm so happy!" "me too!"

I wanted to focus on a different turtle for each stage of development to avoid reiterating the same things over again - mikey (pre-baby) > leo (baby) > raph (post-baby) > donnie (post-post baby, otherwise known as a child).

"Baby Angst Hammer"

[unnonexistence]

hermann thoughts: if i discredit newton and his approach enough, the martial won't give him the equipment for his kaiju drift, and i can protect him from himself. if he despises me for it, so be it. there is little i wouldn't sacrifice to see him safe.

newt thoughts: this is a Best Science competition and i have to Win

[p4nishers]

there's something i need to say and yall can boo me for it but deep in my heart i'll always know i'm correct: crowley already forgave aziraphale. like already would take him back at one flutter of his eyelashes. that's all.

[incesthemes]

there is interesting johndean subtext and insinuations across kripke era, usually through an antagonist insinuating parent-child sexual violence in order to exert dominance over dean. this type of mockery exploits that ambiguous relationship between john and dean and reminds dean that he never had a normal relationship with his father, and that makes him gross and wrong. it doesn't actually matter in the end whether john was sexually abusive to dean. the core of their relationship was damning enough: dean was made to take the place of john's wife—to comfort john and raise sam—while simultaneously being his son. the codependent nature of their relationship implies the incest that underscores their dynamic. again, this is regardless of what literally occurred between dean and john because there is enough doubt toward the nature of their relationship that multiple antagonists can use it against them.

sonwife, brotherhusband—dean is stuck in a liminal space between family and lover and is unable to put his feet firmly on just one side and instead has to accept both together or abandon both together. he doesn't get to have a relationship with his family without it being simultaneously incestuous. he plays the role of wife to john and mother to sam as mary's replacement; he therefore becomes more than a son and transcends the boundaries of the familial into the incestuous. it's baked into the dynamic and he can't hope to escape the liminality in which he's stuck without abandoning his entire family altogether.

this ambiguous relationship is further acted out with sam, where people perceive them as lovers rather than brothers; where their mutual devotion trumps, neglects, and disallows any other close relationship outside each other; where their physical closeness is viewed through an unusually sexual lens despite no literal sex acts between them taking place on screen. once again dean is stuck in a liminal space, paralleling the ambiguous and uncertain relationship he had with john.

in the end, sex (and sexual violence) is just a symbol of this codependency and uncertainly incestuous dynamic. sex acts in kripke era end up being symbolic: misinterpretations of sam and dean's relationship; accusations of sexual violence; literal, on-screen sexual moments between the brothers and someone else. it's a literary device that highlights the incestuous themes of the show. dean hand-picks women for sam to fuck because it allows dean to be symbolically part of sam's sex life. henricksen accuses john of raping dean because it is a symbol of the unhealthy, codependent relationship dean had with his father. the samulet stays on during sex because sam is symbolically integral to dean's sexual gratification (seen too in the way both dean and cassie in 1.13 appear to kiss the amulet at least once in the dark room). sex is used to signify more than what's literally on the screen, and the connections between the literal sex acts and the blurred lines of dean's familial relationships allow for a reading of incest between both john and dean and sam and dean.

it never mattered whether johndean or samdean had a sexual relationship in the canon because that was never the point. the point is the liminality that permeates the narrative. sam, dean, and john all stand upon a threshold between acceptable and taboo. the point of it all is the doubt and anxiety, the are-they-aren't-they that is never answered. the absence of incest within the text invites the understanding that the incest was, in fact, always there.