#and it makes it so difficult to do anything about anything that's a problem

[trevel]

Reminds me of when there was a whole debate over whether D&D was a "story game" -- the debate was *actually* about "what is a Story Game?", was it (expansive) a game that can be used to tell a story, or (limited) a game that has specificly story-based rules.

I prefer the more limited definitions because you can tell a story with any game -- including risk, monopoly and badminton -- to the point where it would be immensely difficult to make a game that can't be used to tell a story, just like it would be pretty difficult to make an rpg that *cannot* be used to tell queer narratives with queer characters, if the players are so inclined.

The "problem" with this for the D&D crowd is that D&D5E doesn't particularly want to be anything other than profitable, which means it can't be a Thing in the way that, say, Dungeon Bitches is. It can't focus, it can't be a Queer game because then the bigots won't buy it, it can't be a Straight game because a lot of players are queer, it can't be a tactical combat game because then the people who don't like tactical combat won't buy it, it can't be a story game because then they can't sell minis. So it isn't anything, and so people have to describe it in terms of what it doesn't *stop* you from doing, and in that specific sense it is a queer game but also so is ice hockey.

Which is to say, you can definitely*run* a Queer Campaign with D&D, but that doesn't make it a queer *game*.

D&D is the Taylor Swift of TTRPGs by which I mean it's something with broad mainstream appeal and name recognition and also there are people out there who pretend it's gay

[bunnysdollette]

WAYS IM PREPARING FOR THE BIG 2025 PT 1 ⟢

♡˚₊· ͟͟͞͞ Hey angels! I basically just wanted to come on here today and share some ways I’m preparing for the new year. Feel free to take inspiration from this post. :) Stay cute

BEFORE ANYTHING…

Before starting ANYTHING off new this year, I really just wanted to take time and reflect on what I did well and what I need to work on next year and also what I’ve LEARNED this year to make a game plan.

For example, some things I’ve noticed this year that I need to work on is better time management, balance between work and life, taking more time for my mental health, and pushing myself more towards my goals.

I recently also read a post about resetting before 2025, which I think is helpful. I’ll link it right here.

ENVISIONING THE YEAR

for me, setting an expectation is SO important. It just defines everything I want to have and accomplish, it lets me believe that my desires can be attained and really just cultivates that kind of positive mindset I need going into the new years.

Here are ways I’m currently making space for that vision for the big 2025.

♡ vision boards

(could be about beauty, manifesting, money, studying, or a combination! whatever you’d like, but I’d recommend not sharing to keep that energy private to you. it’s important to move in silence.)

♡ inner work

(maybe some difficult events have happened this year or recently. it’s important to go into 2025 releasing everything negative and leaving all grudges behind. 2025 is a NEW year. let’s make sure our mental is great now so that we can charge into 2025 ready to go.)

♡ self care time

♡ social media detox

♡ planning new smart goals

♡ stricter mental diet

START NOW

guys, you’re gonna have to trust me when I say START NOW. of course your resolution isn’t officially in effect til the start of January, but PLS. start now while your motivation is here or even if you aren’t motivated. START working out, start taking those little steps to move like your dream self, DO IT.

The problem is that usually a “new years resolution” person will give up after not even a week of being in it, so START now. Give yourself the space to make mistakes and work out those kinks NOW so you can really go into the new year feeling refreshed and ready to conquer every single one of your goals.

HARSH MOTIVATION

“The person with the same goal as you is working 10x as harder as you right now.”

I saw this quote on my feed and it really resonated with me, because I want to pursue a career in nursing. It made me think of all the people who are studying hard right now and doing pre-med programs right now to be two steps ahead and really excel in their performance as a nurse. And what am I doing? Slacking.

No more slacking in 2025! I have to realize this and tell you this, that nobody is holding your hand anymore! It’s just you versus the world. What will you do to succeed? You need to act NOW while you’re realizing this, or be left behind. That’s just the way things work.

Take that time to yourself. Take that time to reflect, think, and rebuild your self concept for the beginning of the new years. This is YOUR moment. This is YOUR year. YOU’RE her, so start acting like it.

ahihihihi and bd changes her layout again? guys I’m rlly struggling with this theme shit 😪 I feel like I can’t really find a format I can stick to. I think I’m in my divine feminine era..kinda loving it but doesn’t match the cute pink teenage vibe I have for the rest of my blog. anyways have a wonderful holidays n 2025 angels hoped this helped msg me byee ♡

[abyssal-ilk]

please give us vivienne headcanons the people want them

then the people will be given them! as a holiday present or something, idk, this has been in the drafts for a minute. i've got a whole bunch but have some off the top of my head

- vivienne struggles sleeping anywhere in a location she isn't used to. so the early days of both haven and skyhold, sleeping out on the road, settling into an inn for the night– it's all difficult for her. she's a mage, and notably one who does not like exploring the fade when she dreams. each new place she sleeps takes her to a new part of the fade, and it sometimes leads to her skipping sleep when she can risk it. she will also actively avoid solas if they happen to be in the same part of the fade while sleeping. he's tried tempting her to explore more of the fade and he is NOT defeating the pride demon allegations.

- her favorite place to sleep is in bastien's estate! she's very wary of any spirits she encounters there still, but she enjoys spending time in the fade's version of the estate's garden. she hated sleeping in both the monnstimard and ostwick circles, though.

- vivienne is an alcoholic. in the same way your aunt says that it's fine that she drinks so much and its not a big deal because it is Just Wine, vivienne usually has a glass in her hand more often than not. she very rarely drinks to the point of being inebriated, but she gets stressed when she hasn't had a drink and relies on it maybe a bit more than she should. she doesn't drink red wines, though. she won't even touch them.

- adding onto the previous one, dorian and vivienne are drinking buddies! usually it's just vivienne having a glass or two while dorian gets trashed, but there has been a few times where it has been the reverse. they don't talk about it afterwards.

- vivienne does have a favorite type of magic and it is her healing magic, not her ice or even her sword. being a healer means people rely on her, which she likes, and it also means she doesn't need to rely as heavily on other people when she can do it herself. the act of healing is also pretty therapeutic to her in a weird, morbid sort of way. feeling bones snap back into place, sinew threading itself back together, and burns fade to scars under her fingers makes her feel powerful in a way her combat magic just. doesn't.

- this leans more to canon, but vivienne is also an alchemist! her heath potions are potent as hell, but holy shit is there a kick to them. in general vivienne has several practical skills that a lot of other circle mages don't. she can make potions, she can stitch wounds, she can sew clothes, do her own laundry, cook– anything and everything to be as reliant on herself as possible.

- sometimes during down-time moments with sera she'll tap her nails against whatever is near her to get that scrape-y, crawly sound. skitter skitter.

- and one of my favorite ones, vivienne has worked with/hired the bull's chargers in the past before inquisition! she occasionally hired them when she needed some beast to be killed for an ingredient, a pelt/hide, or if it was generally causing problems and it would look good for her to stop those problems. she pays them well and, on one occasion, joined them to take down a particularly bothersome drake. bull missed that fight though 😔

if anyone would like more or to share their own, feel free to send in an ask <3!!

[ilikekidsshows]

I've seen people said Adrien doesn't have motivation to be a hero but Marinette does, which is weird because I feel like it's Marinette who doesn't have a motivation to be hero beyond "people listen to Ladybug". Her lack of motivation is what confused me because as a protagonist, she's inevitably become a role model for the young audience and I find nothing about her is likeable, even more so after she become a guardian. It's as if being a guardian inflate her ego and she forgot that everyone else is a human with feelings, not just a pawn or a doll for her to play and ordered around.

Recently I found out a website that contain the concept plot and it confused me more because I feel like concept Marinette is a more grounded character than she is in the show.

Marinette's goal isn't just to be Adrien/Felix's girlfriend but she also need to collect the kwamis that she accidentally releases and she become a guardian not because of luck or favoritism like how it is in the show, it's because her grandfather is the guardian. Adrien/Felix doesn't even become Chat Noir because he's chosen by the guardian, it's Plagg who chose him. It's actually much better than the whole "I choose you but also I'm not going to do anything with you" that Fu pulls in the show.

i don't understand why the higher up/the sponsor reject this plot because I think this much better than whatever we have now. If they have a problem with Chat Noir being an anti-hero, then why do they accept Marinette being written like one while also hailing her as a hero?

---

“Adrien isn't motivated to be a hero” he actually likes being a hero, unlike our role model protagonist, who’d rather do anything than be Ladybug even when she's being lauded for her heroic deeds. Is this based on Adrien trying to quit when Fu or Marinette is making his job needlessly more difficult to do? Because, like, that's the only thing that he seems to dislike about being a hero, which, like, makes Marinette an even worse hero. She’s so bad at her job, she makes otherwise eager heroes lose their motivation.

I’m gonna be very honest here; Marinette becoming Ladybug because she accidentally released a bunch of magical creatures and Adrien/Félix being more of an anti-hero rival than a full-on ally would have been copied straight from Cardcaptor Sakura’s starting setup. Like, I’m not surprised that even the rejected ideas for Miraculous are copied from other properties, but it just proves that regardless of any other variables, Astruc’s creation was always going to be highly derivative. Regardless, I do feel that Fu being her grandfather instead of a stranger would have gone a long way in justifying Marinette’s special treatment both in-universe and to the audience, but that’s probably why it was rejected.

Like, we can mock the fact that Marinette isn’t actually within spitting distance of being a “normal girl with a normal life” all we like, but that doesn’t change the fact that, from a purely on-paper angle, she is pretty average. She’s a middle-schooler with pretty average hobbies who deals with normal teen problems like bullies and a crush on a boy she doesn’t know how to deal with. There’s a reason it’s the opening line for the show’s opening. It's marketable. A special chosen one from the start wouldn’t have been as marketable in the same way. Especially when we take into account how hypersensitive Astruc is to Marinette being less liked than he’d want. He’d do whatever he can think of to make sure Marinette isn’t immediately judged a “Mary Sue”.

The thing with executives is that they don't watch the shows they fund. They read the pitch, synopses, and maybe the scripts if they can find the time. And even then, they might not want to put in the money to get a script revised even if they paid enough attention to tell it was dogshit. They wouldn't be interested as long as the different Miraculous bedsheets and shampoos keep selling and as long as the show isn’t too gay to sell to other countries. Like, the show bible that Gloob leaked? The one full of inaccuracies because it was outdated? That was what the executives were most likely given when the retool went into development. In addition, corporate oversight on the show has actually decreased the longer it’s gone on, because the show’s proven itself to be a success. I’m pretty sure the higher-ups were not asked: “hey, is it okay if we make Marinette an entitled jerk who gets validated at every turn while she starts treating people worse and worse?” I’m pretty sure no one okayed Marinette’s “villain arc”, it was just allowed to pass because it didn’t make the show less marketable.

That’s the thing with any property that becomes “too big to fail”. Less oversight means less quality control. It’s like one anonymous Gamefreak employee said about making Pokémon games: “It’ll sell anyway, so it doesn’t matter if it’s bad.”

[loving-family-poll]

2nd Ultimate Incest Tournament - Round 1

Propaganda under the cut:

Lestat/Gabrielle:

what if you were a 21 yo blonde guy turned into a vampire against your will and you turned your terminally ill emotionally unavailable 50 yo mother in a vampire also and she immediately started to dress as a beautiful man (she is eerily similar to you…) and you thought that you weren't alone finally and she would understand you and finally accept you and you made out nasty style but then she realized that she still doesn't really give a fuck about you. and ran away into the forest. to sleep in the dirt.

conversely what if you were a noblewoman that hates all of her children and feels completely and absolutely alone all of the time and trapped in a life you do not want but then your least hated son (who looks exactly like you and who you feel insanely jealous of because he is able to live the life you cannot) turns you into a vampire and for an evening you feel happiness and you experience true freedom until you realize that this new more powerful existence which frees you from the social norms of your time ALSO makes you unable to change anything about yourself so you can't even CUT YOUR HAIR LIKE THE MAN YOU ARE. and ALSO your annoying fucking crybaby son is there still and you hate him a little because despite being what you WISH you were he does not accept that freedom? and insists on living among humans? so you run away to live in the forest and sleep in the dirt

Flamboyant bi son and emotionally distant transmasc mom duo who bond to survive abusive circumstances and start making out after he turns her into a vampire (which technically makes him her dad as well). Lestat describes her boobs in lurid detail and literally refers to them as "lovers kissing" in canon. Gabrielle ends up abandoning her sonlover after a couple years on the road together, causing him to literally bury himself under a house out of sheer misery. If they try to smooth any of this over in the books I will riot.

freaky, freaky man and his genderqueer mother who he’s totally normal about. they kiss on the mouth many times and are described as lovers

Rinne/Hiiro:

they come from a feudal village where rinne (older) was being groomed into the next leader, and hiiro (younger) groomed into his personal servant and bodyguard. the only problem is…rinne wants nothing more than to dote on his baby brother and spoil him to the ends of the earth. hiiro hardly developed a sense of self outside of his duty to rinne, but rinne wants him to be his own person SO badly. he doesn't want to make hiiro into his little personal soldier. he just wants his baby brother to be happy.

Hiiro left his village swearing to destroy all idols to get his brother back, Rinne needs to pretend to be drunk in order to tell his brother how he really feels and Hiiro still sees right through him, they are literally the leader and his body guard raised from birth to be devoted to the other and they somehow keep it even through their new goal of being popstars, it's amazing.

"You shaped everything about yourself in order to become the handiest creature to me… You kinda love me, right, lil bro"

"it was right for me to take care of him because we are 6 years apart. Watching over his quick growth was one of my few enjoyments back then - no matter how difficult things were, i was able to endure them because of this."

"I will protect, love and support him just like he once loved and sheltered me"

"i'm sorry, hiiro. im a pathetic big brother, and this little freedom is all i can give you."

"He gets under my skin just rememberin’ him, that Hiiro. It comes naturally to him. What a frightening little brother, leaving scars on the heart of his Onii-chan he’s oughta respect."

"To him, I am his whole life — So if I were to turn out to be a foolish and useless human…"

"Hmm? Why are you hugging me? Need attention?"

[aworldofendlesswonder]

ouagh menty illness hours

[swagging-back-to]

worst trope is found family separating as soon as the antagonist is dealt with.

[toytulini]

me, stupidly and weirdly resistant to listening to audio books vs reading a physical book for no real reason: man i wish there was a way to like, read a book while i crochet like i do with tv shows and movies and podcasts

[liquidstar]

a friend who'd wait :)

[mellotronmkll]

I need to stop having one weird reaction with someone and then letting the anxiety decide in my head that the friendship is doomed because I ruined it like it's my absolute worst trait and I just have to move past it but it's hard

[secretexperiment]

*

[elftwink]

been learning to play ironsworn (gritty fantasy ttrpg which you can play with a gm but is mostly suited for solo or small group co-op gmless play) after having the rulebook pdf for several years (stars finally aligned to remove invisible thing blocking me from reading it idk) because i'm on another solo ttrpg kick & i don't know what took me so long to get around to this game because it genuinely is exactly what i was looking for. years ago when i was playing through solo 5e modules i should have just been playing ironsworn (believe it or not, 5e isn't very suited to solo play and is extremely clunky when you try lol).

also though i have dabbled in some other solo ttrpgs, a considerable amount of them are journaling games which is fun but imo considerably more work (usually by the time i'm a quarter of the way through the journal entry, i know how to entire scene played out and i want to move on to the next gameplay thing, so i get frustrated and bored quickly. it feels like when you solve a level in a video game but don't have the coordination to pull off the necessary move so you have to spend 20 extra minutes doing something you already figured out), so i really appreciate like not needing to write something for the game to progress (ive been taking notes for my own record since im playing solo and thus am not really out loud roleplaying the way you do in a group, but i definitely could do that instead and not take notes and the game would still function perfectly)

& ive been playing by myself but also in the past ive played a lot of ttrpgs in very small groups which has been other games but is mostly dnd and like. we also should have been playing ironsworn so that having a gm was not necessary. have definitely played games where we had to adapt the rules soooo much to do something that is just base game included in ironsworn. plus it's rules-light enough to do pretty complex moves that pose difficulties in bulkier games (ever introduced someone to dnd and they tell you they want to do a sick backflip and catch something and then attack and you have to tell them that will require several different consecutive rolls and some creative liberties with how the rules are 'supposed' to let you move? you can just Do That in ironsworn. use the strike move and describe it. done!)

the one thing is that although it's rules-light enough to theoretically play any setting or genre (some with more difficulty than others), ive found so far that like... the grittiness and sense of threat is very built into the mechanics so that would be sort of difficult to work around or change (but i think it's great from a game design perspective). what i mean is like, okay: you start with 5 max hp. there isn't really a way to raise this max hp, you just slowly gain abilities (assets) that make you less likely to have to lose the hp in the first place, or that make it easier to recover. when you encounter foes, you rank them on a scale of 1 -5, and enemies on the lowest side of this scale do one harm to you, while enemies on the highest side do five harm to you. so even though encountering an epic enemy won't always be deadly due to the assets you have, they are ALWAYS capable of taking you down to 0 hp with one good hit. so the feeling of threat is much more present compared to games where your character starts to be able to just tank and push through a failure or huge threat.

admittedly also i'm playing solo, im still learning how to balance combat, and also i built a character who has NO combat talents and iron (the close quarters fighting stat) is one of my lowest stats so i personally am under much more threat than if you built a character who knew how to fight or who could do deadly harm. but also the other thing about combat is it's extremely difficult to maintain control of the fight; you have to score a strong hit to do it on basically all moves, and there's a really limited pool of moves available when you don't have the initiative, and obviously none of them really favour you. i don't know that this makes combat genuinely more difficult, but it does make you feel like the fight is always about to spiral out of your control. every second you let it drag without decisive action feels like it brings you closer to dying. like i said, this is a feature of the game design and not a problem in any way. just thinking about it because when i was initially learning i was going to try to supplant it into a homebrew fantasy world of my own but the tone just wouldn't be right. and that it is somewhat difficult to replicate the kind of worlds that i typically play or run for dnd, which tend to lean somewhat sillier and definitely much higher fantasy

but i like to try new things and tbh especially in dnd i find that i very rarely feel that sense of threat and when i do feel it, it has nothing at all to do with the actual mechanics and reality of the combat and everything to do with how well the dm sells it to me and makes it sound and feel scary and dangerous. which is a testament to what a good gm can do for you but i do appreciate the threat feeling more built-in and also being actually real.

[musical-chick-13]

It is because these people are stupid. Hope this helps.

[icharchivist]

I think you said Siete and Lucanis would get on fine but would Solas like him?

Actually, also, do you think you could leave Lucanis and Solas in a room together or would they be at each other's throats?

Solas and Lucanis?

They do interreact in late game so i have a few ideas about that.

Contains Veilguard spoilers, and unfortunately some negativity about it too:

Mainly esp with a romanced Lucanis, Lucanis wants to kill Solas for what he did to Rook. So huh. Well. That's already not exactly a stellar start. Though he does say that if Rook wants to spare Solas, he will follow Rook's desire -- but if Solas even endanger Rook even once, Lucanis will not hesitate to kill him.

Meanwhile Solas feels a lot of pity for Lucanis. Both Lucanis AND Spite were forced into cohabitating and Solas comments that it's a horrible thing to inflict over two souls. He even offers that, at the end of all things, he could separate them if they wanted. Both Lucanis and Spite refuse on the spot because not only they came to an agreement, but they don't trust him. Not after what he did to Rook. And Spite comments that all he smells over Solas are tears and lies.

(Solas was responsible for the thing that got Rook locked away for a few weeks, and if Solas' plan went according to him, Rook wouldn't have been let out. Lucanis mentions that he cannot bear the thought of losing Rook and those past few weeks are hinted to have been agonizing for him. So even outside of just "you hurt Rook" i think the fact he felt like hell for a few weeks also makes him want to kill Solas. He does fall back on revenge a lot, especially while fuelled by a Spite demon.)

Before that, i'd have to rewatch the Solas regrets scenes to refresh myself on Lucanis' feelings about it but i think i recall Lucanis being a bit more on the understanding side? or maybe i'm projecting.

But i think Lucanis would understand where Solas is coming from but he can't accept the cost or the means to get there. He always saw what a threat Solas could be, and after he hurt Rook this was done and over for him. I think Lucanis will remain hostile because he's good at holding a grudge.

One thing the game never really mentions but is from the books is that Lucanis genuinely goes out of his way to get revenges for slaves and free them. I always thought it would be relavent to connecting with Solas or not because like. The extreme Lucanis goes through to punish slavers and anyone who enable them should be something Solas would connect to. In the same book we see Solas ruthlessly punish slavers as well. As per the books, i think the two of them would actually relate and understand each other a lot. and i think Solas would like the extends in which Lucanis is ready to go to free slaves outside of his orders.

In a way both Solas and Lucanis were forged to become weapons by a matriarch figure in their lives. Solas just eventually rebelled, while Lucanis still is loyal to her, even though he breaks away from it to disobey and free slaves. And i think it's like. In the Books, we have kind of this built up of how Lucanis is more like when Solas was still young, still in the service of Mythal, yet still unable to look away from the misery of people.

And they're both pretty mellow people. They're understanding and listens to others a lot. They have their share of hyperfixation. I didn't pick the option but i think Lucanis also doesn't like tea so it makes them bond on that.

But at their core they are freedom fighter who had been molded into giving death only. Solas broke free from it. Lucanis didn't but he disobey when he can.

The game....... doesn't really touch on that. In fact it barely even touch on Lucanis' complicated feelings toward Caterina despite being a perfect foil to Solas being molded by Mythal to be who he is. .... the game also pretty much just makes Caterina a loving Grandmother, which is understandable bc she has been missing Lucanis when he was gone for one year, but therefore makes nothing to address the very complicated dynamic in the Dellamorte family as it is hinted in the book.

If their storylines focused more on that, i feel like they would see more of each other into the other, or at least Solas would see himself in Lucanis, because i don't know if Lucanis is self aware enough to really understand the depth of the abuse he went through with Caterina.

And the problem with Veilguard imo is that, while i love the storyline and i love Spite, focusing all of Lucanis' struggles on Spite leaves no room to actually address the deep root of his trauma (i mean there's Illario but. I think overthinkers can manage to tie the plot back together but the game itself will do very little effort to dive deeper into how it plays on both their CPTSD.). Lucanis has both CPTSD and PTSD. CPTSD because of the Crows, and PTSD because of the experiments made on him the past year. The game only really dive into the PTSD and the way it intersect with the CPTSD when you free him from PTSD prison -- but it does very little to address the CPTSD. Which i get because this would be long and hard (but the ending of this quest makes it very bitter to me), but is definitely something i have to take into account here.

But as the game goes... I don't know i think i still need to get my thoughts more sorted about it, i had years to really dive into Lucanis' story in the book and only a month to think about his story in the game, i'm clearly not on the same level of depth here, and the bait and switch with Spite means i didn't pay enough attention early on -- which is why i'm replaying it too!

And there's also the whole.... The thing is that i think if you take the book AND game together, an idea of them together, you could get something extremely compelling about the Benevolent but Abusive Matriarch That Formed You Into A Weapon, and the Betrayal Of Those You Considered Brothers. Like i feel like if they bothered to show more about the Felassan betrayal in game aside from the revenant, there could be some introspection and elements of Lucanis putting himself in Felassan's place after Illario's betrayal. There is a concept, right here, ready to be explored, that is... just not enough invested in, and wouldn't even be something you'd bother to pick up if you hadn't read the books and read Lucanis' complicated feelings about Caterina and the depth of his bond with Illario, when the game made the two of that... very one dimensional without the context.

But Spite makes things a bit difficult. Still Solas would see that it's two souls being bound, and he detests this idea. He detests the inherent slavery, he detests the way it is altering the both of them. But he admires that they managed to make it work and he admires that Lucanis gave this opportunity to Spite as well, as humans and non mage are rarely this opened to Spirit possession and understanding.

But yeah ultimately i think the difference, especially in game, is that Lucanis is more driven by his personal feelings than the bigger picture like Solas is. So Lucanis will hold grudge over how Rook was hurt regardless of the bigger picture. And while Solas CAN get petty and arrogant with someone who is hostile to him, he's less so when he agrees he's in the wrong, and he does agree it was horrible of him to do that to Rook, so he's been withstanding Lucanis' anger. That said Solas would get rid of Lucanis if Lucanis stood in the way of his goal.

So like.

I think pre-Rook betrayal they could stand in a room together and be cordial with each other. they'd be wary of each other and have difficulties being nice, but they are professionals. They won't start fights for no reason.

(unless Solas would address the inherent slavery of the Crow system but Veilguard kinda retconned everything about it so what is there left to comment on. where is slavery even in Veilguard.)

but Post-Rook betrayal Lucanis would have a dagger out the whole time. He'd be glaring daggers. And Solas can't even be mad because he knows he has every reasons to be treated this way. If Rook tells Lucanis no, Lucanis will behave, but he will make clear he won't forgive Solas and that he's ready to kill him if he does anything wrong. If Rook does nothing, Lucanis will just keep to whatever he would have promised about it before. But if Rook is mean to Solas you can be sure Lucanis will go "AND ANOTHER THING" supporting his lover while making sure Solas feels like shit and knows the dagger is ready to go to his throat anytime.

so huh.

that's my take away. I think.

[kath-artic]

so much stuff happening in the periphery of my world and i just cannot be bothered to give a fuckkkk. no more ✋️

[jettison-my-gift]

.