Robin: Hey Eddie, isn't Steve the best?! He's funny in a dingus sorta way, and fills out that sweater nice. Right? Riiiiight??? *nudge nudge*
Dustin: Hey Eddie, aren't Robin and Steve such a cute couple?? You should hang out with them more, especially Steve, he talks about you all the time. And honestly he could use a little positive male influence in his life. You'd really like them just give them a chance!
Steve: Hey Eddie, would you uh *blushing frantically* want to see a movie sometime? Together? Unless that's weird I mean I could totally invite Robin if that's... cool? If you'd want her there too? The three of us... or just us?? *dying internally*
Eddie: ...
Eddie: Am I being set up for a three way??
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Merthur really have it all huh. King and lionheart dynamic. Fucking hate at first sight then speedrun to trying to die for the other. Slow burn? Never heard of her. One of them wears gloves and one doesn't and I'm not even gonna bother to explain why that is top fucking tier. Lies and secrets that could bring about the doom of the kingdom. Obviously adore each other but will actually fucking die before saying it with actual words. The prince is a gigantic asshole who doesn't know how to show care or ask for attention like a person who had healthy emotional development as a child and oscillates between pulling pigtails and acting like an over-eager puppy or both at the same time. Domesticity levels previously unheard of. They canonically wear each other's clothes. One of them makes up words and the other promptly starts using them. Both are extremely into the other's specific brand of dumbassery. Their love language is fucking playing together. "I don't want you to change" fuck this fuck everything
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I'm very curious (you don't have to take this seriously if you don't want to) but how exactly would Bill find out about how bad OG!Bill is doing? Like, is there an interdimensional bookstore that sells this book? When he's getting his bi-monthly demon gossip magazine at this shop does he just see that book there and double-takes? What's happening there? And what is Dipper's reaction?
I'm not sure if Familiar Bill learns about it through the book, but let's think about that!
Since the book displays differently for everyone - I imagine Familiar!Bill just gets dozens of pages of 'LET ME OUT LET ME OUT LET ME OUT LETMEOUTLETMEOUTLETMEOUT' until he claps the thing shut.
Showing Dipper doesn't have much better effects; he just gets the ol' 'PUT JALAPENO PEPPERS IN YOUR EYES' treatment.
Once you put the book aside - I figure Bill finds out through the regular interdimensional rumor mill. Whispers along that strange network of various versions of oneself, carrying mentions of the strange twists and turns of fate.
That day has has Dipper wondering why Bill took one look at his phone, blanched, then started being waaaay too affectionate.
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no joke you turned star flower into one of my least favorite characters into one of my favorites. this is why i follow you and this is why its important to talk about this stuff. even when people are aware of these issues, it can be hard to see just how deep they run until somebody points it out
Star Flower deserves better, most of the cast of DOTC deserves better but Star Flower, Snake, and Bumble deserve the most better
She didn't DO anything man. She's not even that mean. It's super popular for people to just end up absolutely hating her because of Thunder being jealous and angry at her, but she didn't fuckin "betray" anyone, and everything Thunder is saying about her is SUPER messed up and should really have been examined!
Like... how do they unironically write Thunder looking at Star Flower, saying "YOU ONLY LIKE MY DAD BECAUSE HE REMINDS YOU OF YOUR FATHER" and just let that hang in the air?? And leave Clear Sky's internal monologue about how she's going to obey him, be more loyal to him than his "own kin" (Thunder) whomst he's actively abusing, and how he finally has someone who won't question him?
I need her to get therapy, man. I need her and Thunder to get therapy and Clear Sky to blow up.
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I'll bite and talk about something that doesn't get enough spotlight in general, which are Demetri's and Eli's family life. So obviously several fic authors have their own twists and flavors to this, but if I may sell you something for a sec.
So far into the series, what we've got are these facts:
Demetri's Mom is the only family member to be mentioned in the show.
Eli's parents were mentioned a couple of times.
That should be enough context to deduce two things:
Demetri could be an only child to a single mother, and;
Eli's parents involve themselves in the stuff that he does — including karate, who knows — though they tend to be tone deaf with his actual needs.
There's strong evidence to why the boys act the way they act (brain functions notwithstanding, but this isn't the post for that), which is why I think these deductions make sense. How their hypothetical upbringing is part and parcel to how characters behave in this series. Of course societal influence comes in second because obviously you've got a show that encourages learning karate as defense against bullies, but this show is also about generational chains and traumas! So why wouldn't their home life inform the way it informs the LaRusso's, Lawrence's, and Nichols'? But I digress.
In the span of the entire series, I've held onto this headcanon that Demetri's neuroticism and ability to anticipate his actions carefully stem from a household that needs these systems in place, much more for someone who likes to be on top of things. Since he's just a student, the only authoritative figure who can make executive decisions... is his mom. Add to the fact that she may be a working mom, so when Demetri tells Daniel about certain restrictions in learning karate, what could have made her decide to just write a letter instead vs. taking the time out to go with his son herself? I know I know it's narrative writing but like do you seeeee where I'm at here
Eli's family life is by far gave us early indications of his dynamic with his mother — but not so a father — in earlier seasons. It's possible that his mom is a stay-at-home one, but if I were to push the bounds of this box even further, I'd even speculate that she's retired early if it meant that Eli's dad is the one making most of the living. Like of course they'd get mad at Hawk for getting a tattoo at his age, I think any parent would! But the way he tells Aisha to exclude him from her stories tells us that there's not a lot that his parents know about the life he lives as Hawk. At this point we all know the kind of effort it takes to successfully carry it out because he has to go home every night. It's either he a) puts in a lot of effort into concealing this identity once he gets home, or b) his parents are rarely ever home, which again, feeds into another assumption that maybe Mrs. Moskowitz works certain hours.
All we know is they're never around a whole lot for these boys, which is sad! and also again, very Indicative of their classification as awkward nerds pre- and early karate. When I read along certain fics that consider and include how the rest of their characters besides the found families they've formed, it gives much more depth and potency to writing them, their flaws, and how they think.
For all we know, Mrs. Alexopoulos could be a lesbian making fun of her son for not slinging pussy like she does being rizzless unlike her, but don't let me explain that when we have @demetriandelibinaryboyfriends!
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wait ive been reading some of these asks. do machete & vasco have a written out story? or comic? i havent seen any links on your page for something like that (unless I'm looking over em :"D) but I'd love to read/hear more if so!
Hh sorry, they have lots of story stuff planned out but it's all just rattling around in my head, there's no comic, written fiction, lore depository or anything substantial that I could direct you to. I mostly just design characters for my own enjoyment and then put them in little imaginary situations because it's a fun and inspiring thing to do.
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Been thinking, there's an issue with how creators and readers often approach the theme of "coming back wrong", since so much of the emphasis ends up being put in the "they came back part". Especially on the readers' side, the idea that someone would do whatever it takes to bring you back is parsed as romantic and devoted, which it can be, but it overlooks a big element of the concept.
Coming back wrong, or even just performing forbidden rituals etc in general, for it to be impactful needs to place a big AND constant focus on the in-universe equivalents of Do Not Resuscitate & bodily autonomy when one can't consent.
It's not just the coming back. It's that you don't know what type of body, what type of mind you're coming back to. It's the dysphoria, if it can exist (and it should), and the expectation that you'll be okay with whatever was done to your inert body when you couldn't decide over it. You're back, you're alive, surely you can get over the circumstances under which it happened, be thankful.
You don't even need to get abstract with "the inherent feeling of wrongness that comes from being brought back from death", most humans can't relate to that, it's vague to the point where it isn't real stakes. It's just a non-issue mentioned to give a fake sense of stakes.
But if you take inspiration on DNR, from people whose lifestyle was changed radically from being saved from a situation where they may have preferred to be allowed to pass on. Like, say:
You come back, and you gotta learn to use your body from zero, and you'll be reliant on others forever. Or you come back and you look so different you feel disconnected from yourself, and every waking moment is uncomfortable. Or you come back, and too much time has passed, you feel like the life you were meant to live got away from you. Or you come back, and what was done to your changes you so fundamentally you end up isolated even if it's no one's intention. Or the ones that brought you back didn't do it selfishly but out of entitlement to your life.
The wrongness needs to be acknowledged often to the point of tediousness, only then would the spectator get a real sense of "okay, I see now why that'd be an issue, and why many would hate it".
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Eh fuck it. I'll just make The Discourse Post and just not have it be a fucking text essay.
One of my biggest issues with TME/TMA discourse is how much its based on assigning who is affected by oppression, in ways that are just FUNDAMENTALLY WRONG ACTUALLY.
If your method of analyzing oppression is built on a premise where you if you met the author of "I Am A Transwoman. I Am In The Closet. I Am Not Coming Out." you would look her directly in the eyes and say "You aren't the target of transmisogyny, actually" then quite frankly... your method of analysis sucks shit.
My OTHER big issue is... every fucking post about it sounds like this fucking tweet tbh.
Yeah, I'm sure that the dickhead looking to curbstomp someone who falls outside of gender norms entering a public restroom, is gonna go "Oh! You are a tranny with LADY PARTS! My mistake!"
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