#and is it worth going at all if i only care about the one and a half womens matches that will last like 15mins total if were LUCKY.

[celestie0]

gojo satoru x reader | fake marriage au [18+]

in holy matriphony ch5. child's play

ᰔ pairing. fake marriage au - neighbor&realtor!gojo x nurse!reader (ft. choso x reader & suguru x reader)

ᰔ summary. gojo satoru is your extremely annoying next-door-neighbor who you're pretty sure is the most insufferable man you've ever met. given the fact that you exclusively work the night shift at a chaotic emergency dept, just got broken up with your boyfriend of seven years, and have been taking care of your sick mother ever since her multitude of diagnoses, yet somehow your neighbor is the main source of stress in your life should speak volumes. but when your mother's medical bills start to skyrocket to more than you can manage, and you learn that said neighbor of yours has the best private health insurance plan in the country, you ask him to enter a matrimonial agreement with you for the spousal benefits all in the name of saving a few hundred thousand dollars. but you'll have to see if suffering cohabitation w him is worth any amount of money.

ᰔ genre/tags. fluff, smut, angst, enemies to lovers (sort of), annoyances to lovers (that's more like it), small town romance, fake marriage, next door neighbors, lots of bickering, suburban shenanigans, slow burn, mutual pining, gojo likes to play house but you don't, hatred for the american healthcare system, gojo always forgets to mow the lawn, jealousy, an insane amount of profanity, mentions of cigarettes, depression/anxiety; btw gojo in this fic is in his mid 30s n reader is in her late 20s

ᰔ warnings. reader in this fic has a sick mother w alzheimer's & cancer so there is secondary medical angst!!

ᰔ chapter. 5/x

ᰔ words. 4.8k

a/n. helloo my ihm friends! long time no see. hope you're all doing well and thank you so much to everyone who sent me kind messages about the whole ihm gojo ex wife thing haha. i really appreciate it :) i feel more confident about my writing decisions now, and that's all thanks to you guys! anyways, i will be posting shorter chapters for ihm going forward, so sorry if some chapters have slightly abrupt endings or stuff like that. i guess my goal is to post shorter chapters but more frequently! we'll see how it works out. anyways, hope you enjoy this chapter and see you at the bottom!!

nav. ch1 :: ch2 :: ch3 :: ch4 :: ch5 :: ch6 (pending)

Ever since admitting your mother into hospice, things have been calmer inside your mind. After passing the initial wave of agony that came with no longer hearing her voice down the hall or seeing her silhouette in her bedroom as you walked past it, you realized that…a weight has been lifted off your shoulders. No longer setting alarms at the height of every other hour to remind your mother to take her medication, no longer viewing every interaction you had with her as some form of study you needed to jot down in a binder for her neurologist’s records, and no longer driving her to all of her chemotherapy appointments, only to leave them feeling like you purposefully just took your mother to a place where they sucked all the life out of her in exchange for the slim promise of giving it all back to her someday.

Maybe it was evident in the way your shoulders felt less tense as you rolled them back, tilting your neck to the side and no longer feeling the painful strain that tugs a wince onto your face. The other day, you caught yourself humming a song as you drove to work. Your skin, usually feeling cracked and dry from stress and exhaustion, now has a slight plumpness to it like before. A more youthful glow, like the version of yourself you were before your mother became sick. The version of you that so quickly deteriorated, and one you didn’t even know still existed somewhere within you. 

There has also been time for hobbies. Rarest of occasions, you find yourself sauteing some yellow and white peaches in a saucepan over medium heat in Gojo’s kitchen, humming that song once again that’s been stuck in your head. The sundress you’re wearing matches the pink of the syrup that pools at the bottom of the pan, and you feel like you’re living your cottage core dreams in this brief moment of reprieve you’ve allowed yourself to fall into.

The sound of slippers tapping down onto the hardwood floor startles you out of your gleeful trance, and you turn your neck to the right to see a pajama-clad messy-haired Gojo shuffling his feet across the open area into the kitchen with a dark black mug in his hand.

“Why aren’t you dressed??” you ask him in a panic.

“I’ll get dressed later,” he tells you dismissively as he grabs the glass pitcher of coffee from where the coffee machine was nestled up against one of the counter corners.

“You’re stressing me out. Your mom told us to be there in two hours,” you say, putting your hands on your hips in disapproval as you hear the sizzle of the peaches in the saucepan. 

He entirely ignores you, choosing to instead drag his gaze down the form of your body. “Woooow, twice this month I get to see you in a cute dress,” he comments, pouring coffee into his mug but his eyes are still on you, “lucky me.”

“Oh Shut. Up,” you sneer at him with a harsh roll of your eyes, “your fake flattery might work on the lonely middle-aged women you seduce to make a living, but it won’t work on me.”

His shoulders push back before he slumps them slightly, his brow lifting with confusion. “It’s not fake though? I mean it. You look really nice right now.”

You point an accusatory sugar-syrup coated wooden spatula at him. “You’ve just been conditioned by the patriarchy to get a boner at the sight of a woman in a kitchen.”

“What–...no–...why do you always have to say stuff like that whenever I compliment you? Can’t you just accept it?”

You cross your arms over your chest. “I refuse to be flattered by an insolent man like you.”

He sighs, setting his coffee mug down on the counter, and you watch the way the fringe of his hair hangs over his forehead as he gazes into the contents, swirling it around with a loose grip on the handle. “Is this how it’s going to be everyday? I try to be nice, and you–...well, you know, are you.”

“Well who else should I be?”

His eyes lift up to meet yours, the slightest of a cheeky grin on his face as his eyes wander down the form of you again. “I don’t know. Someone a little…softer? Like, you’ve got this really pretty dress on, and then you’re telling me off about patriarchy-induced boners. It’s a little, uh, contradictory?”

You gasp. “You’re trying to control me. I knew it. You are poisoned by the patriarchy.”

“What?”

Your eyes narrow at him. “You have this image of a perfect and cute little wife, who’s gonna wear pretty dresses all the time, and bake stuff in the kitchen, and get all blushy when you tell her she looks beautiful, and you expect her to have this soft little personality that never argues with you or disagrees with you…ALL BECAUSE OF THE PATRIARCHY!!!”

“...I–...Okay, you’ve lost me.”

You let out a hmph! noise. “Can’t even discern his own brainwashing. Sad.”

“All of this just because I tried to tell you that you look nice?”

“I know what your ulterior motives are, you creep.”

His eyes spark a little at that, the corner of his mouth tugging up into a cheeky grin as he sets the coffee mug down onto the marble counter and he straightens his spine. You blink, watching with confusion as he crosses the distance between the two of you, to where you’re taking a small few steps backwards until your lower back presses against the edge of the island countertop. He cages you into the surface with his frame, followed by the palms of his hands sliding over the marble on both sides of you, and you feel his forearms press against the curve of your waist as he traps you in with no way out.

“S-Satoru,” you stutter, looking up at him with wide eyes, “what are you doing?”

“What do you think I’m doing?” he says, his voice deeper with a nonchalance that has you shiver, his gaze dropping to your lips when you part them slightly.

“T-The patriar–” you squeak out, but he suddenly dips his head down to kiss you.

Your breath hitches in your throat, eyes immediately closing when he moves his lips against yours, one of his strong arms wrapping around your waist to pull you closer to him and your hesitation is something that only lasts a brief second before you find yourself kissing him back. Some noise leaves his throat, deep and raw and sounding pleasantly surprised as he captures your lips more fervidly now, his hands smoothing down to hold your hips and his teeth slightly nip at your bottom lip. 

You grab a fistful of his shirt, unsure of whether you want to pull him closer to you or push him away, but the moan that you mumble against his lips only makes his grip on your hips even stronger, fingers digging into the softness through the thin fabric of your dress. 

The oven suddenly starts beeping, startling you and you pull away from the kiss with a gasp, eyes rounded as you look up at him, but his are lidded and dilated as his gaze remains glued to your lips. 

With a heaving chest, you try to push him away by a weak fist to his sternum but he’s unrelenting.

“You taste sweet,” he says, like some comment he noted in his head but accidentally voiced out loud.

“I–...” you inhale sharply, “I just ate three macerated peaches.”

“Uh-huh,” he barely acknowledges before leaning in to get another taste, but you push him away harsher this time.

His hands let go of your hips entirely, finally breaking out of that kiss-induced trance he was in, but he still remains close to you in proximity, so much so to where you can feel the heat from his body. It’s comforting almost, radiating through the soft cotton of his long sleeve shirt, and you find yourself subconsciously leaning towards him before you snap out of it too, and rock your weight back against the island countertop.

You cross your arms over your chest, hoping the flush to your cheeks isn’t showing. “Oh okay so we just casually kiss now?”

He shoves his hands into his plaid pajama pant pockets, leaning away from you slightly. “For as long as I can get away with it, yeah.”

“You are breaking the rules.”

“You never said no kissing.”

“I said no touching.”

“Ehhh kissing isn’t really touching, though, is it?”

“You sound stupid.”

“I always sound stupid to you.”

The oven starts beeping again, and you realize it’s long been preheated to the setting you had placed earlier. You slip away from him with haste, feeling his gaze on you as you press a button on the oven to turn the alarm off, and you stare at the handle for a moment or two to calm the beating of your heart down. 

Your eyes catch sight of something on the side of the fridge. A little magnet made of rubber that has the word London on it as well as the design of the Westminster Cathedral with golden accents. You recall that Gojo went on a trip to London recently, and that he didn’t bring you back any souvenirs from there like he did for your other neighbors. And you want to pretend, you want to shove it down, that incessantly childish feeling that wonders why he didn’t bring you anything back. You want to continue to pretend like it doesn’t hurt your feelings. Something so miniscule and small. But you–...well, you can’t.

You spin around to face him. “Do you hate me?” you bluntly ask.

He blinks at you. “Huh?”

“Do you, what, I don’t know, think I’m annoying or something?”

He shrugs with his hands still in his pockets. “I mean, yeah, I do think you’re annoying sometimes. But in a silly way. Like we’re just pals horsin’ around, y’know?”

You snarl at him, putting your hands on your hips and narrowing your gaze until he’s hardly even visible anymore. “No. I actually find you annoying. Like, wanna-run-you-over-with-a-bus annoying. You just have horrendous social awareness and think that everyone loves you.”

“You actually don’t like me?” he asks, like he can’t even believe that someone wouldn’t.

“Yes,” you say, “now get out of my way.” You make an attempt to push past him, purposefully knocking your shoulder into him to assert dominance but he is unfortunately much bigger than you and so all it does is make you stumble ungracefully from the recoil.

He quickly grabs your arm to steady you, and you glare up at him before yanking yourself away and then step backwards until your back hits the fridge.

He studies your demeanor for a second before taking a deep inhale, and then lets it all go in a heaving sigh. “What do I have to do to get you to lighten up a bit?” he asks.

“You really want to know?” you sneer at him.

“Yes,” he says with a slight hint of frustration in his tone.

You cross your arms. “Pay for the fucking fence.”

He blinks at you, confusion replacing whatever frustration was previously decorating his tone. “What?”

“The fence,” you reiterate with a step forwards towards him, “the one I built six months ago. The one where you laughed in my face when I told you to help pay for it.”

He leans forward. “Yeah. Because I never wanted that fence built. Like I said, it fucked up the roots on my avocado tree. You should’ve asked me before building it. In fact, it’s illegal to build a fence without joint consent of both neighboring property owne–”

“Oh my god, okay, see? This is why I can’t stand you,” you snarl at him and make another move to get past him but he easily steps in front of you to keep you from going anywhere.

With a sigh, he relents. “Fine, I’ll pay for the fence.”

You try to keep the twitching muscles of your face still as you resolutely stare up at him, pressing your lips into a thin line. Through a strained tone, you say, “No. I don’t want you to pay for it anymore.”

He lifts a brow, utterly bewildered at this point. “Huh?”

“Now it just feels like pity. And I don’t want your pity money.”

“Two seconds ago, you did.”

“Yeah, well, whatever. That was two seconds ago.”

“So…let me get this straight, you don’t want me to pitch in?”

“No. I want you to have wanted to pitch in SIX MONTHS AGO.”

“Okay but what the fuck am I supposed to do about that now?”

“NOTHING!!!” you finally snap at him, the shrill to your voice startling him slightly to where you see his shoulders jump, and his eyes are now rounded blue as he looks at you. “There’s nothing you can do about it, there’s nothing you can do to get me to ‘lighten up’ or ‘act softer’ or whatever the fuck kind of damage control you aim to achieve with me due to your pestering incessant need to be liked by every fucking person you come across. So just deal with the fact that I hate you and let me do it in peace.”

He’s silent for what feels like a long time as he blinks at you, his bottom lip pushing up slightly in a way that suggests he’s almost impressed by your little outburst, then he takes a step forward, and in that one large stride, he’s closed any distance between the two of you. Your back is up against the frigid steel of the fridge, your heels tucked under the warm rubber at the foot of it, and you’re looking up at Gojo as he towers over you, his hands still annoyingly and relaxedly shoved into his pockets.

“Do you think it’s gonna be a problem that I think you’re kinda hot when you’re mad?” he asks you.

A small puff of air leaves your lips, like you just can’t believe the audacity, but also having him this close to you suddenly made it a little harder to breathe. “C–...Can you just be fucking serious for one second?”

His head dips down, the fringe of his hair tickling your forehead, tip of his nose slightly brushing against yours, but his gaze never falls to your lips. “You think I’m not being stupid fuckin’ serious when I say that you’re hot?”

“S–” your breath hitches in your throat, and his gaze finally falls to the lick you pass over your lips, “Satoru–”

Like God himself answered to your (cognitively dissonant) prayers, the bell rings, and Gojo leans himself away from you, straightening his spine so he can glance over his shoulder towards the door, a slight look of irritation on his face through the furrow of his brow.

You blink up at him. “A–...Are you expecting someone?”

He rubs the back of his neck. “No. Don’t think so.” He sighs before shuffling around the kitchen island and across the dining hall towards the entryway of the house, and you peer at the sight from across the hall.

When he opens the door, you see Sana standing outside, dressed in mom jeans and a t-shirt with her black Coach purse slung around her shoulder, arms crossed, and you barely register the fact that she looks pissed.

“Sana?” Gojo says, “what’s up.”

She entirely ignores him when she catches sight of you, pushing right past him and into the family room that you were currently finding solace in.

“You,” she points at you, storming right up to your personal space, “what the hell did you say to Juno when you were babysitting her?!”

“H-Huh??” you squeak out, taking a step backwards. “What are you talking about?”

“You told her to fight kids at school?!” she snarls at you, and your eyes widen.

“What?” you say, your face twisting with confusion, “I–...I never said that. I just said that she should stand up for herself if she needs to.”

Sana inhales deeply with rage, leaning back and jutting her hip out as she crosses her arms again. “Yeah, well, I had to pick her up early from school today because the principal called and told me she shoved a little girl on the playground during recess, and now she’s facing suspension.”

Gojo approaches suddenly from your periphery, standing in front of you as he faces Sana. You stand on your tiptoes to peer at her over his shoulder. “What? Why would Juno do something like that?

You hear Sana start to tap her foot impatiently against the hardwood floor, and then she turns her head away from Gojo as a slight hmph! noise leaves her throat. “The why is irrelevant.”

You poke your head out from behind Gojo and glare at her, but then Gojo turns around suddenly to look at you.

“y/n,” he says, “what’s going on?”

“I–” you start, glancing at Sana again who now has a solemn look on her face with pursed lips. You glance back at Gojo, who’s looking at you with confusion and anticipation. A heat spreads down your neck from the attention of the both of them on you, and you’re not sure what the smart thing to say is, so you figure you’ll just tell the truth as it is. “...I just didn’t want her getting bullied and thinking she can’t stick up for herself.”

At that, you see Gojo’s shoulders stiffen. “Bullied?” he repeats after you, then quickly turns towards Sana, “what does she mean, bullied? Juno’s getting bullied at school?”

Sana faces him full-on, raising a stern pointed finger between the two of them “No. Satoru. Stop. You always do this. This has nothing to do with you, so don’t even start. It’s not a big deal, let’s not make it one.”

“The fuck do you mean it’s not a big deal? She’s getting bullied at school, and you want her to just suck it up?” he asks, venom dripping from his tone. 

“It’s for her benefit!” Sana exclaims. “Jun and I have spent months trying to get her into this school! We don’t want her getting kicked out.”

“Y’know, I’m–” you stutter, “I’m gonna–...I’m just gonna go upstairs,” you say, “this seems like a family matter. I think you guys should probably just settle this on your ow–”

“No,” Gojo says, pointing to the couch that you were standing in front of, “sit down.”

You sit.

Gojo turns to face Sana again, and although you can’t see his face, you imagine he’s pissed off from the way Sana’s shoulders drop slightly and her sharp expression is cut into a more sheepish one.

“Who cares if Juno is suspended for sticking up for herself? It’s the teachers’ fault for not making sure she’s safe,” he says.

“Shoving other kids is not the solution.”

“Well if you fuck around, then you find out. Kids are too soft these days.”

“This is not the 90s, Satoru.”

You watch the back and forth between the two of them for the better part of an entire minute, feeling uneasy in the hostile environment of the room, but there’s a sense of underlying familiarity between the two, one that is recognizable amongst family. And you feel rather foreign, but then remember that, technically speaking, now that you’re married to Gojo, this is your family too.

Amongst the arguing of the adults, none of you noticed that Juno had gotten out of the car in the driveway and was now standing in the doorframe of the front entrance. She looks scared and guilty, fidgeting with her fingers in front of her, and you notice her scrapes and bruises that you tended to last week were now mostly healed. 

Gojo catches sight of her, and you see his shoulders relax. “Juno, c’mere.”

With the permission, she instantly runs towards him and into his arms from where he was crouched down to the floor in order to welcome her, and then she starts sobbing.

“I’m–hic,” she cries, “I’m so–hic–I’m so sowwyyy Uncle Toru…I’m–hic–I’m sorry mommyyyy.” 

You see Sana sigh and she makes a move to brush Juno’s tear-dampened hair out of her face when Gojo pulls her away from his shoulder by a delicate hold of her bony little shoulders.

“Juno. Listen. If people are being mean to you, then you do exactly as your auntie y/n said. You stand up for yourself. And if that doesn’t work, then you cuss at them and threaten to shove their faces into the dirt until they run away with their tails between their legs. Do you understand me?” Gojo tells her.

Sana gives you a pointed look.

“Oh, I–” you put your hands up in front of you, “I didn’t say any of that last part.”

“Do you understand me?” Gojo repeats again, and Juno nods her head slowly before she falls back into him and soaks his shirt with tears. “I’m soowwwwwyyyyyy.”

Gojo pats her back a few times to comfort her, and your heart breaks for the little girl. It’s bad enough to be bullied at school, but then to be reprimanded by your mother the one time you stand up for yourself…you can imagine how emotionally exhausting that would be for a five-year-old. 

Juno sniffles, rubbing her snot all over the cotton of Gojo’s shirt, and then pulls her face away to rub at her eye with a weakly closed fist. “I–hic–I just…I just wanted him to feel–hic–the same hurt.”

“Huh? Who?” Gojo asks.

“The boy,” Juno says, “the one that shoved me today.”

“It was a boy?!?!?!” Gojo yells. “Alright. That’s it. I’m grabbing my bat.”

“Satoru.” Sana deadpans.

Sana and Gojo continue to bicker about the ethics of threatening five-year-old boys with baseball bats, going back and forth about how Gojo wasn’t actually going to do anything but just wanted to instill fear (he’s lying), while Sana isn’t exactly sold on a single pacifist thing that he says, and you sigh, because you realize you’ve become invested in one of, what you feel like will become many, of their family quarrels.

Juno sneaks around Gojo’s legs and comes up to you while the arguing is taking place in the background, and she gently taps your knee as you’re seated on the couch. “Auntie y/n,” she whispers.

You rub an eye crustie from her face and then hold her hand in yours. “Yes?”

“Thank you.”

“Mm? For what?”

She smiles at you, her cheeks pink and flush from crying but rounded now in glee. “My mommy and daddy spoke a lot today at home for first time in long time because of me. Because I listen’ded to you. Thank you.”

Your eyes narrow. “What do you mean by that, sweetheart?”

Why wouldn’t Sana and Jun be on normal talking terms? What does Juno mean that it’s been a long time? What exactly was going on at home?

“Juno,” Sana’s voice interrupts your thoughts, her arms crossed across her chest, “c’mon. Let’s go.” She points a stern finger at Gojo. “Seriously. I mean it. No baseball bats or rodent traps involved. I’ll talk to the teachers and sort something out.” She glances at you, that strict look on her face now dissolving into one of pure exhaustion. One you can imagine only a mother can face. “See you later at dinner, you two.”

Juno runs up to her mom and grabs onto her outreached hand, and you see Gojo ruffle her hair as she walks past him, her giggles ringing in the air, and then he sees them out the door. 

The air is awkward, at least to you, the second he closes the door, and when he turns around to face you, your body stiffens up.

He leans back onto the front door, crossing his arms over his chest. “Thanks,” he says, “for telling Juno to stick up for herself.”

You blink at him. “Well. I don’t feel too great about it at the moment, to be honest.”

He sighs. “I just think that Jun and Sana are raising her to be…kinda meek. I wish they’d teach her to be more confident and take up space.”

“Mhm,” you nod. Because you agree. Little girls need to learn how to be that way at a young age, because the world is seldom very kind to them.

“Well, what you said to her is what I would’ve said to her anyways,” he says.

You roll your eyes, standing up from the couch and heading back into the kitchen to presume your work on your peach cobbler. “I never told her to shove kids’ faces into the dirt. But, uh, sure, I guess so.”

You see Gojo enter the kitchen too in your periphery, but you don’t give him any glance or look or attention. From what you can see as you stir around your macerated peaches in a Pyrex bowl, he’s leaning against the island counter about three feet away from you, his hands shoved in his pockets, and he’s watching you. A slight warmth radiates in your cheeks, but you attempt to ignore the nerves by being hypnotized by the pink syrup that pools at the bottom of the bowl.

My mommy and daddy spoke a lot today at home for first time in long time because of me. Because I listen’ded to you. Thank you.

An unsettling feeling takes over your senses. It could be the past few years you’ve spent walking on eggshells around your mother, or the way you’ve become so keen to her energy as a way of staying on top of any shift in her symptoms, any single sign of disease progression, any clue that she wasn’t getting better. Any clue that she wasn’t doing okay. And you feel a sense of dread, because that skill, you realize, has now made you aware of similar circumstances in the people around you.

Not to mention, you are a child of divorce. You know what that fear feels like.

You just want to know if Juno feels safe at home.

“Hey, um…” you start, turning slightly to finally face Gojo, your eyes hesitantly flickering up to meet his gaze, “when was the last time you saw your brother-in-law? And with Sana?”

He raises a brow at you. “I just saw them last weekend for one of Juno’s dance recitals.”

“Ah…I see,” you say. You purse your lips together. 

Right. Kids say things all the time. They believe in Santa Claus and think that blueberry pancakes are called blubbery pancakes. And they sometimes read too into things, and they sometimes read too little. Surely, things must be okay. Maybe Sana and Jun had had a little argument with some stubbornly thawing cold shoulders, a demeanor that was noticed by their child, and now things have resumed to normal. That was normal. Part of every family. “That’s good to know…” 

You turn away from Gojo to stare back down into the bowl of macerated peaches again. With a furrowed brow, you close your eyes tightly to try to shake the chilly feeling in your bones, and you feel better when you open them again. The slightly numb sensation in your hand dissipates and you have enough dexterity to mix the peaches around in the bowl.

“I wonder what news they want to share with us over dinner,” you say, to quell the awkward silence.

“Hm?” Gojo hums, and you see him turn around face the counter now, hovering over the bowl of raw crumble topping you had mixed together, prodding at it with the wooden spoon. “Oh, they’re moving.”

Your head snaps to look at him. “W-What?”

“Yeah,” he nonchalantly affirms, scooping up a spoonful of the crumble. “They wanted to up-size, and move a little closer to the school that Juno’s at. I found them a nice place about an hour from here on the outskirts of the city. They just signed the papers a couple weeks ago.” And then he shoves the spoon into his mouth.

“Oh…wow,” you say. “Okay…”

“Damn,” Gojo says with surprise laced in his tone, "this is really good.” He’s staring into the bowl in awe and then scoops up some more crumble with a spoon.

You blink at him, irritated that he’s eating all your ingredients without even asking, and before you’ve even finished your dessert. It’s like he was born to piss you off.

You walk up to him and yank the bowl away, “Gimme that.” Then you pull it into the divot of your waist possessively and glare at him. 

He sighs, and then says something out loud that you’re sure he meant to keep in his head:

“I’ll get used to it.”

.

.

.

[end of chapter 5]

a/n. it feels so strange to post such a short chapter bahaha hopefully the ending isn't too abrupt. but hope you enjoyed! i'm so sorry ab the slow burn in this series aaa but i can try to assure you that it'll all be worth it hopefully lol i'm really excited for what i have planned for this series!! alsooo sorry if there are errors or anything, i'm trying to spend less time editing since it really stalls me n leads to writer's block lol. hope to see you in the next one :) much love! - ellie

➸ you're all caught up!

🏷️: @tremendousbouquetflower @semra4 @noctuaism @gojonegs @reinam00n

@bloopsstuff @bbyxxm @yungbloode @elloredef @spriteshawtyy

@joemama-2 @luniunia @4y3sh4 @ironhottubstranger @lushafterglow

@hermizery @manyno @idiot-juice-enthusiast @fairyflorasworld @teramisuyhin

@mmeerraa @bnha-free-writing @xenop0p @spaghettinewt @pngjpn

@anniegojo @rirk-ke @chiyokoemilia @higurumapet @pickuptruck01

@electrckchild @vi-ola666 @arishaxml @lavender-hvze @starmapz

@sxnkuna @billiondollarworth @fallintothechasm @mavvsmm @satorubluu

@ricaliscious @satxoru @oyaoya-bungeegum @satowooo @samistars

@ifartmangos @andeverden @13-09-01 @lindyloomoo @tvdumarvelhpsimp

note. going foward, i will be tagging only interacts because i want to make sure i'm tagging active readers! so taglist may change every chapter. i'm also getting rid of the extended taglist bc it's too much work for me lol, so only 50 tags per chapter. i'd recommend subscribing to the fic on my ao3 so you can get email notifs :) but as always let me know if/when your taglist preferences change; please do not ask me/pressure me for updates or ask me when i am going to next update (read rules)

taglist is closed

[gotta-winwin]

OT13 Reaction -- to winning at MAMA awards

a/n: in celebration of our boys winning both AOTY awards at MAMA last night. i am so incredibly proud i feel like i raised them or something. like guys- it is that serious they are my family and im going insane.

SCOUPS: you're the first one he's calling once he's offstage - he's dialling your number and a whole string of nonsense rattles off him the moment you pick up. he can't string together proper words as you congratulate him. tells you how fucking happy the boys are - you should've seen them, love - did you see woozi crying? and DK - he smiled so big - needs you to bring him back to earth and remind him that this is his award too. he deserves it just as much as they do.

JEONGHAN: he's literally been bored out of his mind as you guys sit at home, watching the award show live. the only times he's acc been paying full attention was whenever groups he knew personally were on screen - and even then - you know you're losing him to how tired he is. lets out the tiniest, babiest gasp when seventeen is announced as the winner. is crying but turns away so you can't call him out on it.

JOSHUA: he runs home to you right after their dinner together and collapses into your arms. he's spent from the sheer chaos and adrenaline. mumbles sweet nothings about how this award is also yours. we won, baby. we share everything - this award is because of you - all because of you.

JUN: he's hiding out in his filming trailer so he can watch the award show through your phone on facetime - it's grainy and glitchy as HELL but he does not care. there's a 3 second lag when seventeen's announced as the winner - so he can hear you screaming but he doesn't know why. his mouth drops once the wifi catches up and he's practically glowing the entire day on set.

HOSHI: comes home wasted and a bundle of pure energy. he's on a high from the win- rushes home to yell into your ear how ecstatic he is as he tackles you for a hug. tells you he's literally so down to name your firstborn child AOTY just cause.

WONWOO: he comes home rather calm despite the chaotic evening he just had. runs you through his whole day- from getting his makeup done to winning the award to having celebratory dinner. you sit and listen happily, cause this is the most yapping you've ever seen this man do and you're SO happy. finishes his yap session by telling you that you make it all worth it - you're the real award, not MAMA.

WOOZI: tells you not to watch their acceptance speech even though he knows you already did :( is uber embarrassed at how emotional his speech was. I was gonna go up and accept it like a nonchalant cool mysterious man but NO! I just had to cry. he doesn't talk about the win much to you, preferring to just enjoy a quiet night in after the crazy evening. whispers to you once you fall asleep that this is why he does music and thanks you and the boys for being his biggest fans.

THE8: sends you the badass photo of him with all their trophies, followed with a long paragraph about how grateful he is to have you next to him through it all. he's unbelievably bright and happy for the next couple weeks, resulting in you kind of missing sassy Hao and asking for him back. side eyes you when you ask and quips "you didn't win a daesang- I did." Well...he's back ig.

MINGYU: comes home and the first thing he says to you is: aren't you proud i didn't cry? pouts when you rewind the clip to point out: he did in fact cry, he was just hiding his ginormous body behind his members. vows to you he won't cry the next time they win- and yes, he promises there will be a next time. and many after that.

DK: a bundle of joy upon his arrival home. keeps telling you he doesn't know what he did to deserve all this- completely floored when you start ranting about why he deserves it all. blushes and hides his face cause the compliments have him shy.

SEUNGKWAN: comes home fully ready to unleash his bragging rights. asks you to only address him by AOTY daesang winner for the next hour, until the joke gets old and he just wants to relax with you. gets a little sappy retelling stories about their trainee days as you both walk down memory lane together.

VERNON: hands you a wad of cash the moment he enters your shared apartment. oh well. i lost the bet. he literally bet against his team winning and ofc you took him on it cause obv seventeen is gonna win?? tells you he was confident svt was going to win he just wanted an excuse to give you cash.

DINO: promises to shout you out the next time svt wins a daesang. obv you don't believe him, so he defends himself, promising that he will 100% name drop his girlfriend on global television for shits and giggles. yeah, i'll just grab the mic and say "i dedicate this award to my WIFE" and watch the internet explode. why not?

[exhausted-archivist]

This is the banter about his going rates that I referenced in another post, and I see the comments and tags. I cannot tell you how much this isn’t him being a nepo baby or the “how much could it cost” meme.

Shoving the rest under the cut because I get the joke here but I need to yell about this man.

tldr: This isn’t dialogue about Lucanis being out of touch, and not knowing what money is worth. He knows, he’s a union man. This dialogue is about Lucanis learning about Harding’s values and priorities. He was worried he was low balling Harding. The tone in this dialogue throws him because what Harding says could easily be taken as “six thousand is only this much and I deserve more compensation.” Hence why he offered to negotiate with her and also why he clarified that the comparison was good.

Now for me yelling about this man:

Lucanis is a union man. Lucanis thinks everyone should be paid fairly, equally, and the market rate. He tells Neve to unionize with the other detectives to make sure she is being compensated fairly (to make sure they all are tbh) and that no one is underpricing themselves. If they are, they’re a scab.

He tells Bellara the Veil Jumpers are providing a service and risking their lives - they should be fairly and properly compensated. They should not only unionize but charge for their services.

Now there is something to say about capitalism and such, but Lucanis is vouching for this stuff because at the end of the day money is important in Thedas. With money you can buy the supplies you need. With money you can make more impactful change, bribe people with lesser morals, provide for people who need it. Cover funerary costs, compensate the families of those who died who maybe the person working for/with you was the only money earner. With money, you can choose to help on jobs that don’t pay at all because you have the comfort of knowing you have other work to cover things.

Lucanis isn’t asking Harding if that’s good because he doesn’t understand the value of what he’s offering. He’s asking Harding if it’s good to understand what her value of it is. Money is after all just a social contract of a universally agreed to system to value the more abstract concepts of value (and even then it fails at times). For all he knows she could have been presenting those examples to show he is lowballing her.

This man is offering to negotiate with her, but her words and tone throw him so he’s not sure if she is happy with the offer or offended.

Lucanis isn’t a nepo baby who thinks 10 dollars for a banana isn’t a lot. Illiaro is the nepo baby. Lucanis was born into wealth but he knows the value of it and works hard to not only earn it but also maintain it. This man has standards, he wants the best because he can afford it so he will not accept anything less than his expensive, luxury Orlesian peaches.

Lucanis doesn’t value goats or a barn the same way Harding does. For her there is personal attachment and sentimentality (see where money fails to properly put a value on something). He knows their monetary worth of those things but he would not be pleased or excited to be paid in a herd of goats (unless perhaps if they were Ayesleigh gulabi goat). But Harding does value those things. Those things have more meaning to her than their value in gold, that’s home. That’s stability. That’s purpose and security. Giving books to the whole village? That’s enriching lives, that teaching people to read. That is uplifting people.

If you asked Lucanis to list off what 6k gold could get him? You’d see his values are different, it would be coffee, luxury food ingredients, wyvern memorabilia, daggers.

Anyways, this isn’t my blorbo but he’s the blorbo of friends I have and man is up there with Cullen, Davrin, and others. Just rotating in my brain space because people I care about like him.

Also this makes me wonder how much the Inquisition was paying Harding and if Lucanis is going to provide her with one of his lawyers like he did for Neve and Bellara.

I've seen Lucanis' family villa so I knew he was rich, but this banter made me realize that he's a rich boy who has no idea what money is worth lmao.

[dcxdpdabbles]

ok but office supplier is even funnier if jason hasn't been declared legally alive again and danny starts dating him thus allowing him to both be and not be part of the wayne family

"I have a date," Danny says one random morning as he refills the office snack bar. Danny, in his own words, is one of the highest-paid employees. He has chosen to create a snack center for all Wayne employees. He has one on every three floors, filling it with fruits, chips, chocolate, pudding, and drinks.

And a cabinet with free samples of stationery supplies he thought more people should know about. Next to the supplies, he wrote the name of the product, where to buy, and even recommendations of

Everyone felt really touched by this and started bringing snacks and drinks to help him. Half the time, Danny only refilled the stationary since everyone was happy to have a community snack bar.

"A what!?" Jack from accounting gasped. Danny didn't pay him any mind; he was too busy picking between the flower and moon mini-planners.

Both were pocket-sized, but one had a workout addition, while the other had a section to track books for readers. He felt like there were more readers than gym goers, but he didn't want either to miss out if he picked one over the other.

"A date," he responded after placing both options inside the basket. He'll have to wait to introduce the amazing erasable pens he found, but he could make it up next month.

"With who?" Demanded Sara. She worked in PR and had been attempting to have him attend at least three parties with the Waynes in the past month alone.

"Peter. I met him a week ago at a street fair. One of the personal pen makers I follow would have a booth, and I was dying to see them." Danny pulls a box from his pocket, showcasing the fancy navy blue pen. "This is the George Washington Battle of Princeton edition. It has the painting of the battle wrapped around it, with careful silver-golden details on the cap to resemble the colonial era and a golden-edged nib; this is one fine fountain pen. It cost me five thousand and nine hundred dollars."

"Danny, please focus- five thousand? You spent five thousand on a pen!?"

Danny puffs out his chest, smiling broadly. "It was worth every penny!"

"That's-never mind. Are you sure Peter is a good person?" Jack pressed, "Because I know a great man. Mr. Drake-Wayne! Wouldn't you rather go on a date with him?"

"But Peter bought me easrsers that were shaped like fried chicken. They came in bucket. See." He ramages through his bag until he pulsl out a palm-szed bucket with chicken shaped earses inside. "Isn't it cool?"

"I'll admit that's pretty cool," Sara conceded but shared a quick glance with her coworkers. Danny wonders why they all look so worried. This wasn't that expensive. Peter only used ten dollars for it. "Do you like Peter?"

"I don't know. It's just a first date." He shrugs. "I don't usually have those. Not many people are willing to listen to me ramble about stationary."

"You know who would love to listen to you?" Jack throws an arm around Danny's shoulder. "Mr. Drake-Wayne!"

"Mr. Grasyon-Wayne!"

"Mis Wayne!"

"Mr. Wayne!" Everyone turns to stare at Gary, who flushes, "Bruce Wayne, not Damian!"

That caused some head nods and a few scattered comments about how the age gap was still alarmingly large, but if both were consenting adults, who were they to oppose it? Danny stared back as everyone debated whether Danny and Mr.Wayne should date.

He glances down at his heart-shaped notepads and figures they are right. It's not like he has any feelings about this date. He just agreed to get the passers.

Taking out his phone, he sends Peter a message to cancel their date. He should go out with someone because he likes them, not because they may allow him to discuss his interests.

Jason despairs somewhere on the other side of town as he reads the text for his second persona- a living citizen Peter Todd- from the guy who he saw at the street market going gaga over pens. The guy was so cute, too.

[mellosdrawings]

Now Jamil needs a spontaneous child

Except his is like a snake he found in the grass and bonded with and it sits around his shoulders

Alright, let's tackle the "Jamil and children" subject.

(A great mystery)

You were close, Anon 1, but it's actually a parrot (the pet parrot he's wished to have since his highschool days haha. He's talking about it in a vignette or two).

And for Anon 2, I actually think Jamil really likes kids. He doesn't have a problem with the Asim kids at all, his only problem has always been that he had to keep himself in check not to do better than Kalim. Without the same constraints, I can't imagine him being adverse to Kalim's siblings. Sure they would be a hassle the days he was overworked, but otherwise I like to imagine he acts as much as a big brother to them as to Najma.

Of the N2 squad, I believe he would be the one who wouldn't mind about having more children. He can handle them. He loves them. But I doubt Vil and Leona would want too many (or let's say Leona could if he ever lets go of his bad childhood memories and stops being scared oh his children ending up like him and Falena, but that's a discussion for another time.)

And to finish, I did juggle with the idea of bringing in a third kid when I made Koffi and Urcon, but I decided against it in the end. It was either two or a little army in my mind (and I don't have the strength to design a little army of kids rn), so I decided on Twst Kovu since Scar is canonically the only one who had a child in the movies (unless I'm mistaken), and then Twst Kronk since he fits all three of the N2 squad.

Which brings me to @cyn-write's ask:

Koffi's common traits with her parents:

Leona > cheater, manipulative, brawler, has wits but rarely does anything with it, very strong pack mentality so she will aggressively take care of anybody who is younger than her

Vil > sore loser, haughty, refuses to be treated lesser than what she's worth, agressive caretaker

Jamil > manipulative, ADHD, loves dancing, short fuse

Urcon's common traits with his parents:

Leona > brawler, chill but should not be roused, loves meat

Vil > passion for poison and fashion, almost obsessive with his passions, can be very overbearing

Jamil > passion for cooking, very curious, overbearing mother-like

(I promise it's not as bad as it sounds xD)

That's all for now o/

[neon-sunsets]

it’s actually insane to me in retrospect that viktor got the arc he did. I need to go back and count his screen time minutes, but it’s clear that he’s up there numerically, and his story has so much weight within the narrative outside of just numbers as well.

beyond that, though, is the fact that viktor's narrative is fundamentally one about internalized ableism and the systemic structures that encourage it.

(obligatory disclaimer #1 that I have a significant mobility disability and a progressive chronic illness, but I am only one disabled person.)

imagine this: you are a child. you are disabled. the world you live in is one where you cannot afford healthcare; no one is there to teach you how to even use your cane correctly. your world is inaccessible and, worse, even the people who would normally show class solidarity with you don't, because you are not even able to do what they expect from you. characters like vi, powder, claggor, ekko, and mylo are all shown care and solidarity that viktor isn't — because they are able-bodied and therefore able to "pull their own weight."

this, at least, is an environment that can probably be overcome or mitigated by age and meeting people in your community who do care about you. this is an environment comparable to that of many, many, many disabled people who manage to thrive in a deeply unfair and ableist world.

but then you encounter a man who sees that you have talent and tells you as much. he does not ask much of you and he does not care that you are disabled. all he asks is for some help, which you give, and in return he teaches you the things he knows. what comes of this, after all is said and done and your understanding of the world has been fundamentally changed, is that you do have something you can give to your community, to the world. you have a talent which you can use to make yourself useful. you're not strong or sturdy but you can make machines, and that is always in need.

but you can't skate by on being useful like a normal child. the onus is always on you to prove that you're worth the air you breathe and the space you take up, that it's worthwhile to keep you alive. and the place to go to make yourself the most useful, where the most change can be made, is not a place you have any traditional way of accessing. you, through tenacity and grit, manage to get there anyways. (the show doesn't depict this, but any way viktor would have managed to get to the academy would have involved significant difficulty and possibly deception).

and when you get there, to that towering city of bronze, you find that nothing you do actually matters all that much.

everyone looks at you and sees your disability. everyone looks at you and sees where you're from. no matter how smart or accomplished or helpful you are, your behavior will always be, in their eyes, representative of your people. you could handle the stares, the rejection. but their judgement is dangerous to you and your people.

so, in order to survive, you must be perfect. you must project confidence or at least indifference to their cruelty. you must do as you're told and accept meager promotions and toil away as an assistant. you might be the only disabled zaunite they'll ever meet, so you have to make it count. if you fail, if they decide everyone from the undercity is lazy and useless, it's your fault.

you tell yourself you won't let them get to you. you tell yourself that you believe in your abilities.

it's a convenient narrative, and it's wholly untrue.

you, after all, are only a human being. a lifetime of the chips stacked against you is nearly impossible to overcome.

and so the image you build of yourself is that of a man far more self-confident than you, one who is quiet and reserved but proud of his accomplishments. the man you actually are, though, is one desperate for acceptance. desperate to assimilate. you chase your dreams, yes, but you can't bear to take credit, can't bear to be the face of them. you don't let yourself get close to anyone except the man you've built all of this with, who you love more than anyone else. you don't let anyone touch you (except him) and you don't touch anyone. you convince yourself you don't deserve his love or anyone's, that you're not whole enough for that.

you take it so far that, when you finally have the technology you think can cure your terminal illness, the first thing you try to fix is your leg. not the thing eating at your lungs and cutting short the time you thought you had, but the leg which has marked you as Other your entire life. and even though it doesn't quite work, even though it still causes you pain with every step, you force yourself to run on it — faster and faster until you're outrunning the ships and screaming because you may have visibly "fixed" your leg but it still hurts the same.

and when the system is not only oppressive in the material sense but also set up to make you hate yourself, there is almost no escaping this cycle of self-hatred. throw in the fact that in season 2 viktor keeps getting tossed from resurrection to resurrection against his will and it's no wonder the man did the things he did. it doesn't excuse them by any means, but arcane is not interested in excuses — it's interested in what makes people do the things they do. everything that he did to the people in the commune was a reflection of his own self-hatred, both because he still possessed it after death but also because, since he was programming the hexcore to try and save his life but started with "fixing" his leg, it is designed to make people as physically "normal" as possible. the faceless, identical machine people are a metaphorical representation of the ideology viktor has bought into in his pursuit of self-hatred and internalized ableism. his whole arc across both seasons is a demonstration and condemnation of the ways that systems of oppression reinforce self-hatred in the people they are oppressing.

obligatory disclaimer #2 that I don't think arcane did everything right. I'm frustrated with the direction of season 2 away from the piltover/zaun class conflict and towards the broader league of legends universe. but I do think, as a disabled person with a very similar experience of my disability to viktor, that this arc is well-done and very compelling. in the end, what saves the world is viktor accepting that he is deserving of being loved. I'm going to be thinking about this one for a good long while.

[daisymbin]

hii can u pls do angst #50 with seungcheol? and ofc, not an happy ending >__< i love ur writing sm, thank you!

ah!!! yes I can!! thank you for requesting 🤍

request your own: full prompt list!

check out my masterlist! // cheol's m.list

angst prompt #50: "I hope they're worth it."

seungcheol stumbled through the front door, the faint scent of alcohol and guilt clinging to his skin. the clock on the wall read 8:23am, but he didn’t need to check the time to know he was late—too late. the moment he stepped inside, he saw you sitting on the edge of the couch, arms folded tightly, face pale and blotchy, with dried tear tracks staining your cheeks.

you had been crying.

"you’re home," you said flatly, your voice raw like you’d been screaming into a pillow all night.

his heart sank. he’d spent the entire cab ride rehearsing what to say, but the words disintegrated in his throat. his voice came out hoarse. "yeah. i… uh, i lost track of time."

you laughed bitterly, the sound low and hollow, and reached for your phone. you slid it across the coffee table, the motion sharp, deliberate. the screen was lit, an image burned into it—a picture of him kissing someone at the bar.

someone who wasn’t you.

his breath caught. his fingers trembled as he picked up the phone, staring at the evidence of his betrayal. the rush of blood to his ears drowned out everything else.

"you weren’t even going to tell me, were you?" your voice cracked, anger bubbling just below the surface of your words.

"i—" his voice faltered. "i didn’t mean for it to happen. i was drunk, and—"

"don’t." the single word stopped him cold. you stood abruptly, wrapping your arms around yourself like you were holding yourself together with sheer will. your eyes shimmered, fresh tears threatening to spill, but you blinked them back, your voice sharper this time. "don’t insult me by blaming it on the alcohol."

his chest tightened, the weight of his mistake pressing harder with every word you spoke. "it was a mistake. i swear, it didn’t mean anything. i—"

"you don’t get to decide what it means, seungcheol." your voice broke, and this time, a sob slipped out. you pressed a hand to your mouth, as if you could stop it, but it was too late. the tears were falling again, streaming down your face even as you tried to stand tall. "you don’t get to brush it off like it’s something small, like it’s something i’m supposed to forgive just because you feel guilty now."

he moved closer, his hands trembling as he reached for you, desperate to bridge the chasm he’d created. "please, it was a moment of weakness. i love you—"

"love?" you let out a strangled laugh, the sound choked by tears. you wiped at your face with shaky hands but didn’t bother to hide how much you were breaking. "is this what love looks like to you? leaving me here all night, wondering if you were safe, only to find out you were with someone else?"

his knees felt weak. he sank onto the couch, burying his face in his hands. "i’m sorry. i didn’t mean to hurt you. i don’t even know why I—"

"stop." you cut him off sharply, your voice steadier now, though the tears kept falling. "don’t sit there and act like you don’t know why. you knew exactly what you were doing. you just didn’t care enough about me to stop yourself."

his own tears started to spill, hot and heavy, but he didn’t wipe them away. "it was a mistake," he whispered, his voice cracking under the weight of his guilt. "it didn’t mean anything."

"it meant enough for you to do it," you shot back, your tone trembling but firm.

you bent down to pick up your bag from the floor, your movements slow, like every step you took was crushing you.

"wait," he blurted, panic lacing his voice. "where are you going? we can fix this. we can—"

"we?" you turned to face him one last time, your tear-streaked face filled with heartbreak and resolve. "there is no ‘we’ anymore, seungcheol. you destroyed that the moment you kissed her, the moment you decided i wasn’t enough."

his throat tightened as he tried to hold back his own sobs. "i’ll do anything. just… don’t leave. please."

you shook your head, the weight of the tears on your lashes making them shimmer in the dull morning light. "i hope she was worth it," you said quietly, your voice trembling as your lips quivered. "i really do."

he could only watch as you walked out the door, the sound of it closing behind you echoing in the empty apartment.

he stayed on the couch, staring at the spot where you’d stood moments ago, his tears falling freely now. the silence was suffocating, filled with the weight of everything he’d lost. he buried his face in his hands again, but this time, there was no one left to comfort him.

and he knew he deserved it.

[f1amour]

heyyy! can i request “i’m scared of losing you” (from angst1) with oscar piastri?

❝ i’m scared of losing you ❞ — oscar piastri

pairing | oscar piastri x reader

content warnings | lots of miscommunication, angst, comfort, happy ending

★ JOIN MY SHORT N SWEET FRIENDSGIVING !

─────────────────────────

it had been a few months since you last attended a race due to your job obligations but in oscar’s eyes he only saw it as one thing; you’ve missed him winning a race, twice now.

in his eyes he thought you may no longer love him that he wasn’t worth enough for you. however, in your eyes you believed he no longer loved you especially due to his lack of presence in your life and never asking you to join him for a race weekend in months. both of you afraid to lose each other didn’t touch on the subject and living as if everything is okay.

until it wasn’t.

“i may not win another race this season but i would appreciate your support! you weren’t there for my two wins and i…i’m tired of this,” oscar argued back, you had both gone out to dinner in monaco after he returned from singapore. it started with a sweet conversation of what to do for the break to now bitter comments towards each other.

“tired of what? of me? i’m trying, oscar. i just started my third year of university and then work—.”

“work! it’s always work this work that. they always need you for something even though it’s not even in your title to do all that! you drop everything to be there for them but you can’t be there for me not even once…baby?” his mean words hit you immediately and you sit on the couch of your apartment hands covering your face as you sob uncontrollably.

“baby, yn…hey, hey breathe with me. it’s okay i’m here” oscar whispers on your ear, both arms cradling you now. was it okay? his approach may not have been the best but he wasn’t wrong. your job had been putting too much on your plate when you were meant to just be an underpaid intern who was doing multiple jobs that were not your responsibility.

“but you aren’t here, osc. i…i know that your career is demanding but you didn’t take a second to look back and realize i ease being left behind. i feel guilty i wasn’t there for your two wins especially your first. i begged my job to let me just visit you for a day to celebrate but they made me stay. it wasn’t even my day to work and i still stayed. i chose a job that doesn’t value me over you…you do care about me maybe not right now—.”

“i’m gonna stop you right there. i’m an idiot who didn’t bother asking how you’ve been recently and expecting you to support me more when i didn’t see what you’d been going through. i’m so sorry,” he whispers, his forehead pressed against yours kissing your tears away.

you whisper out five words you’d been feeling for awhile now, “i’m scared of losing you,” closing your eyes ready for oscar to say you’ve already lost him, “i’m scared too.” his voice matches your vulnerability.

opening your eyes looking at him in shock, “you are?” you felt like you were both taking a big step in admitting this. maybe, just maybe this would help in repairing your relationship.

“i am. i think we’ve been selfish towards each other but we also haven’t communicated right. i should have asked you more about how the job was treating you-,”

“i should have asked you how the team had been treating you.” you counter back and he chuckles.

“i know you want to be independent when it comes to your career. but i think you should quit that job and focus on school only. i know you don’t want me to take care of you financially but just let me do that for now until you graduate and find a job that will value the skills you have. i can’t lose us. i can’t lose you, yn. i love you.” his words filled with nothing but love, oscar meant well and for once you decide to take him up on the offer he’d been giving you since you started dating two years ago.

“okay.” a simple word replacing your frown into a smile on each others faces. there was work to do on your communication with each other but for now you both got to breathe a sigh of relief after facing a fear that would no longer happen.

[stardusksx]

ೀ⋆｡ ˚ TIME TO BEGIN AGAIN remus lupin x fem!reader

summary: after the death of lily & james, reader and remus navigate their broken relationship while raising harry potter.

gif not mine, credits to the creator <3

warning: sad & angsty but there is a happy ending! idiots in love?? talks of death and grief, past miscommunication, hurt/comfort, friend to lovers, fade to black at the very end but nothing explicit!

( word count : 1.89k )

Silver moonlight bled through the windows, illuminating the tears on her cheeks and setting one-year-old Harry Potter’s eyes ablaze. He stared up at her, gaze wide like his small body had finally succumbed to the shock. She swayed back and forth to soothe him, her heart heavier than concrete, sound of his now silenced screams still ringing in her ears.

Down the hallway, she could hear muted voices. Albus Dumbledore's sombre words were incoherent to her, but she didn’t care what he was saying— what anyone was saying. She'd arrived a matter of fifteen minutes ago, burned under their sympathetic gazes, and fell apart at the confirmation of what she had hoped was a cruel, cruel, joke. Then her eyes had landed on midnight hair and a blue baby grow, the toddler squirming in Mcgonagall's arms as hysterical cries bellowed from his lungs. She’d taken him from her, cradled him close, and wordlessly walked down the hallway to Lily and James' vacant room.

She couldn’t whisper it’s okay, couldn’t get any words of reassurance out even if the infant was the only one who would be able to judge if they were truthful or not. It was like she hadn’t had air in her lungs since the phone call— it felt like nothing would be worth the effort it took to breathe again.

Lily and James were good. They were everything that a person should be, and they were gone.

“I’ve got you.” She managed to murmur, because she did— it was the one true thing she could say to offer comfort, “I promise.”

His head came to rest against her chest, and she could feel the stickiness of his drying tears against her skin. She was remembering the sorting hat placed over coppery hair, the sheepish expression on James’s face after he had accidentally hit her with a crumpled ball of paper— a note he’d been trying to get to Lily, who was sat obliviously beside her. They were so intertwined with every memory of those seven years at Hogwarts that she would never be able to think about her time there without thinking about them.

It had been the best era of her life, now forever tainted, like a spill of ink to pure water. She felt like she’d come crashing to earth after floating through antigravity.

There was shuffling in the hall, and her head snapped towards the doorway.

"Remus." She breathed, voice full of grief. The sight of him sent another wave of despair over her as more tears surfaced and spilled like rain against a window. He was dishevelled and clearly just pulled from sleep, but the redness of his glassy eyes as he stared at her for a frozen moment was enough to tell that he was in the same emotional turmoil she was. Her lip quivered before he finally strode towards her, wrapping his arms around them both. A sob was muffled into his shoulder, and she could feel his tears against the skin of her neck. They'd lost it all tonight.

"Oh god." His voice was raw, broken, as he said her name, "Oh god."

She didn’t know how long they held each other, but his arms were the only sense of reprieve she could find— like one of the million elastic bands around her heart had snapped away. She was scared to let go, scared that the one band would tighten around her again and squeeze until she gave out.

She hadn’t seen Remus since graduation. They’d had a stupid argument— stubborn colliding with stubborn, neither one of them wanting to admit to their wrongs. She had called him careless, stupid. It was harsh, but when she’d heard he was in the infirmary from a prank gone wrong, her panic had made her irrational. Why do you care so much? He had spat back when he realised she hadn’t been joking— when he realised she was actually mad. As soon as he’d said it, he really did feel stupid for instituting that she did care that deeply for him. For insinuating it like he didn’t want her to care, like he hadn’t been wishing for her to care like that since first year.

Well, forgive me, her last words to him had been, sarcastic and punctuated with a glare that she hoped would hide the way her heart was hurting, next time I’ll be sure to not give a fuck, Remus.

He’d felt too ashamed to approach her, and she’d felt too raw from the way it had been as if all her vulnerable feelings towards him had been forcefully exposed and thrown back at her with a sneer.

Come on, Sirius had said her name softly after it had been weeks, you know he didn’t mean it that way.

Then he shouldn’t have said it. She’d responded, shoving her papers into her bag and exiting the dining hall. He shouldn’t have said it like she didn’t have a right to care about him. Not when her heart had been in her throat at the sight of his bandages, voice wobbling when she’d asked if he was okay.

Yeah, he’d responded, having the nerve to grin, it was worth it for—

She was worked up. When Dorcas had come to get her, she’d made it out like he was on his deathbed. She’d been terrified. It was careless, Remus. Are you that stupid—

His eyes had widened in surprise, clearly not expecting her reaction. And so it had happened. They had said things they shouldn’t, then been too stubborn to fix it.

None of that mattered now. “He can’t go to Lily’s sister,” She said, “He just can’t.”

Remus pulled back from her, his hand gently caressing the side of Harry’s face. “He won’t,” he said firmly, “We’re his godparents, he goes to us.”

They had spoken to Dumbledore after they’d finally gotten the toddler to sleep, and the man’s features had pinched in concern. “You’d have to go into hiding,” He said, “He’ll be a target if they find out he’s still alive, as will you— if you aren’t already.”

“Whatever it takes.” She had responded, Remus nodding along.

They found themselves in the middle of nowhere. Some cottage hidden by country side trees while they waited out the war with the death eaters. Harry needed to be held most night, his cries an echo against the darkness after awakening from another nightmare.

She had nightmares too. So did Remus. They started off in separate rooms, but ended up in the same one for comfort. He held her, whispered assurances as they weathered the grief. She did the same for him.

Harry began walking, talking. They laughed again for the first time sitting on the kitchen floor, legs forming a diamond as the little boy attempted to stumble between them. One step, two step. He’d collapsed into her arms, and she’d raised him into the air, their cheers making him squeal.

The way Remus looked at her then— it had made her feel like a schoolgirl again, like she was before all the loss. She had smiled at him, genuinely, then broke his gaze to continue praising Harry.

They took turns cooking. Reminisced. It was less painful to remember things together. Candle light would flicker on the kitchen table, and they’d talk for hours like they used to. Then they’d get into the same bed, sleep in each other's arms as rain pattered against the window.

It didn’t happen straight away. They were too busy with grief, with the hurts from that lingering argument they hadn’t talked about, but eventually, with time, came the healing. Came the capacity to remember what they’d toed the line at those few months before the end of their final year at Hogwarts.

She’d loved him for a long time. She doesn’t remember when she started, but she knows that she hadn’t stopped. Not even for a moment.

Remus? It was sometime in February, the common room empty as the clock struck one in the morning. The fire was spitting embers, tartan blankets draped over laps. You're my favourite thing to come of this, you know?

His head had snapped up from his parchment paper, eyes comically wide, w-what?

She’d grinned slightly at his bewilderment, out of all the things Hogwarts has given me, you're my favourite.

He’d spluttered, and she’d gathered up her homework and headed towards the stairs, tossing a night, Mooney, over her shoulders like she hadn’t left him short of breath. At the breakfast table the following morning, Sirius had been teasing him about something as she sat down. He’d been flushed bright red, swatting the other boy's hands away and harshly whispering to stop it. Sirius had smirked at her, raised his eyebrows suggestively, and she’d told him to sod off with a poor attempt at concealing a smile.

“You're still my favourite.” She says, late into the night as her hands are deep in dish water. Remus freezes, rag hovering over the counters he was polishing. When his head turned to look at her, his eyes were as wide as they had been the last time. She smiles, “You always will be.”

He stares at her, grip on the cloth loosing, before his arm completely falls slack at his side. He takes in a breath, there’s another beat, and he does something he regretted not doing the last time.

With two strides, his hands cradle her face, and he pulls her towards him. Moonlight illuminates them, silver streamers through the kitchen window, and he kisses her like he was always meant to. Her hands fly to his waist, to his shoulders, and she melts into him as if her very bones were liquidated and seeking to be moulded permanently against his shape.

“I love you,” He says it like a promise, “Always. With everything I have.”

The words linger between mingled breaths, chests rising and falling against each other. “You’re my world, Remus. You and Harry. I don’t need anything else but this.”

He takes her hands between them, brings them to his lips. “You have me. I don’t want to be anywhere that you aren’t.”

They crash together again, years and years of unsaid things melded into their movements. They become a tangle of limbs in a bed they’d shared for months now, skin against skin and a shared pleasure that rolled over them like liquid gold.

It should feel wrong— hiding away in this cottage, raising the child of their murdered best friends, praying for the end of a war. But little by little, life begins to take a shape again, starts to feel like there is certainty and purpose. Here with Remus, with Harry, the effort it takes to breathe, to continue, is entirely worth it.

[eloquentlytired]

odysseus. sfw.

logan howlett x fem goddess reader

note: this is basically a circe x odysseus!au but also not moving according to the actual story. I've alternated the ending too. I've always wanted to write logan in such a theme/au so I'm happy that I did. it's short but still feeling satisfied. I also blame Madeline Miller for her amazing writing, just finished reading circe and I cried AGAIN. first tsoa and now circe.

warnings 4 this ?? bittersweet, hurt to comfort, reader is just a girl that's thousands of centuries old, logan is a worn out warrior, he'll never introduce himself in the story btw

“I heard my men came this way, my goddess. I mean no harm or to intrude but to only ask your assistance to find them.” His voice was soothing but raspy. His shoulders sunburned but prideful. Age was evidently catching up to him but he remained as handsome as other mortal men you'd witnessed before, although not plenty. You wondered if he would be any different but then you remembered the nature of all men before him and you mentally shook your head. He was just another pig to be.

You welcomed him to your home and offered him the best hospitality like you did to all of your guests. He ate as he spoke to you about a distant home he was missing, then his wife, and for a while you wondered if having a wife would make him less of a monster. But the men before him surely would have wives too, or loved ones, and if not most of them then some of them. Yet they had still been pigs.

He could sense your hesitation and you could sense his. At some point you noticed that he had not touched his wine — clever man he was. It was the wine that would cause him harm and he somehow knew. He kept twisting the full goblet in his hand without ever drinking from it, his mouth occupied by mere words of his trips and his suffering.

“You have not touched your wine.” You told him and his eyes glinted as he looked at you. He definitely knew.

“My goddess, if you'd allow me to speak honestly.” He said and you offered him a firm nod. You were fearless and he clearly liked that by the way he smiled at you. “My men. You have done something to them,isn't that right?”

A sly smile adored your features and to your surprise his own never disappeared.

“I let them in,fed them and cared for them. Yet they wished to steal from me.” You responded while circling him like a predator. That's what you were — and those stupid men were your prey.

“I have spoiled them. They're all idiots whose judgement has been clouded by the endless war.” The handsome man explained as he stroked his beard, his eyes following your every move. He turned with you as you circled him; as if this was a game. Perhaps it was.

“They are idiots and to that we may agree.” His smile grew at your words and he tilted his head slightly.

“I don't wish to fight you, my goddess. I see no reason to. Do you?” His goblet remained in his hand, untouched and filled to the brim. Despite him toying around with it, the wine never spilled from the cup.

“You knew about the wine.” You suddenly told him.

“And you know about the flower.” He shot back and the two of you exchanged glances longer than any season of time. Your face beamed with energy and warmth while your eyes moved like a prying serpent. His, on the other hand, were cautious but delightful to look at.

“Hermes gave it to you, did he not? And yet you haven't used it against me.” The man's next actions surprised you as he grabbed his satchel and threw it on the stoned floor. The roots of the flower, which was meant to go against you, were visible within the satchel.

You stared at the stranger in disbelief but he smiled again. Almost laughed.

“Like I said, respectful goddess, I see no reason to fight you. It's just not within reason to do so.” His words surprised you even more, how smooth of a talker he was but also how intelligent. Bards would die for this type of inspiration while others would sacrifice whatever for even half of his sentence’s worth. “My men are stupid but they mean no harm. The Trojan war has corrupted their minds but also I, their captain, have failed to properly teach them manners. They're young.” He took a step forward but you didn't cower. He appreciated that.

“Get to your point, mortal.” You said while raising your chin with pride, challenging him with your gaze.

He grinned and his teeth showed. “All I ask is to get my men back. In return, I will offer whatever I can to you.”

You thought about the events unfolded ever since your birth. How little you knew for your age; so old you'd forgotten it yourself. You were the daughter of a Titan, not newborn divinity. You knew what mistakes were better than anyone and you had learned, one way or another, to distinguish good from bad. This man was neither.

And then the agreement was made.

His men were back to their original humane forms and dined happily downstairs, finally at ease. You let them for the sake of the man that had charmed you with his words and brains.

“Our agreement.” That familiar raspy voice called out to you and you turned around, staring at his form on the doorway. He was leaning against it like he'd been here before but it didn't insult you.

He approached you slowly, one step after the other. His face hovered closely over yours as he spoke again. “One kiss.” The man repeated what you'd requested of him that night but before he could complete his pay, you stopped him.

He froze upon feeling your fingers upon his lips and his eyes stared at you — more worried than feared.

“I changed my mind.” You whispered as your fingers caressed his lips, chapped and rough. The man remained still as he listened. “I ,once, turned a girl into a monster for supposedly taking away a man I loved. I don't want to do the action which I punished someone for.”

The man nodded then smiled. “I have not met a woman wiser than you,my lady.”

His words brought a smile to your face, one that wasn't sly or contained hidden meanings. It was simply an act of delight.

“All this just to see her?” You couldn't help but ask, referring to his wife.

“Yes.” He answered with pride, and most importantly love, in his eyes. You dragged your fingers from his lips to his cheek and he leaned into your touch willingly.

“I don't know what that's like. To have a husband that actually loves you. All the men around me were never good to their wives.” You told him and something swirled in his orbs — rage.

“Then they were fools.” He whispered. “Even bigger fools for not treasuring you.”

You buried your face into his neck and he let you. His touch was warm and gentle, one arm hugging your waist while the other cradled the back of your head. The touch was so careful, almost fatherly, and you could not remember the last time someone had treated you so gently. So kindly.

You cried in his arms as he held you until the moonlight shed its final moments.

“I will need a few days to fix our ship—”

“Stay.” You cut him off. “As long as you need."

He nodded while tightening his arms around your smaller frame, his large hand still cradling the back of your head as if trying to ease the thoughts that weighed it down.

No matter what, you would help him and the others get home.

[diivineangel]

“ i’m takin’ care of each and every part…i open up your legs and go straight for your heart. ”

𝓢ynopsis: hiromi’s unwavering dedication to his work has created an unspoken distance in his marriage, leaving his spouse adrift in quiet loneliness. the long hours he spends away weigh heavily on them both—his partner aches for his presence, while hiromi wrestles with guilt and the fear of losing the one he loves most. finally, driven by the need to heal what has frayed, hiromi steps away from the chaos of his career, choosing instead to rekindle their bond in the most intimate and heartfelt way.

pairing: hiromi higuruma x fem!reader

cont: desperation, smut, oral receiving, he cums inside, just general 18+ content…., mdni.

wc: 2,543

────        𝓗iromi Higuruma's job was grueling. Fighting for the innocent, defending the wrongly accused, standing tall for people who didn't deserve to be caged away—it was as noble as it was soul-crushing. The endless hours, the weight of other people's lives resting on his shoulders, the knowledge that justice wasn't always as blind as it should be—it wore him down. But this was his duty. And he bore it, even when it left him drained to the core, because someone had to.

And then, there was you.

You, who made it all feel worth it. You, who welcomed him home like a balm for his weary soul. You'd have a warm bath ready after those long, punishing days, your arms open and waiting, a soft smile that could disarm any tension. You cooked him dinners so rich, so full of care, that he felt it in his bones. Everything about you soothed him, brought him a kind of peace he never knew he needed so desperately.

And he adored you for it. He always did.

Even if his words didn't always convey it, his heart spoke it every time he looked at you. How did he get so lucky? A wife who loved him unconditionally and somehow, on top of all that, made time to praise his nose? He'd chuckle about it in the quiet moments. It was silly, but he cherished it.

But lately, something had shifted.

At work, his focus wasn't what it used to be. Oh, he was still good—too good, even, to falter in the courtroom—but his mind had started wandering in ways it never had before. Specifically, to you. And not just your smile or the way your laugh filled every corner of a room. No. It was the way you felt pressed against him. The way your lips parted when he kissed you deeper. The soft sounds you'd make when he touched you.

It hit him out of nowhere most days—a rush of heat curling through him like a flame he couldn't extinguish. It didn't help that you hadn't had much time for intimacy lately.

Work, schedules, and exhaustion had gotten in the way, but the longing hadn't gone anywhere. If anything, it had only grown stronger, festering inside him until it was a near-constant ache.

So there he was, in court, cross-examining a witness with a painful erection straining against his slacks. No one could see it, thankfully, but the sheer humiliation of it burned in his chest. He couldn't stop thinking about you—your body, your voice, the way you'd feel under him. It was almost maddening.

By the time he won the trial, he wasn't even relieved. He just needed to get home.

To you.

The moment Hiromi stepped through the door, he was in motion. Shoes off, briefcase discarded, and then he was climbing the stairs two at a time, his heart pounding like a war drum.

When he saw you, he froze for half a second. You turned to greet him, your finger booping his nose in that playful way you always did, your voice sweet and full of pride. "You looked like you worked hard again, Romi," you praised softly, smiling at him.

"Yeah, I did. Thank you," he managed, though his voice was thick with something else entirely—something raw, hungry. And soon enough he was pulling you into a hug. 

The second your body pressed against his, he nearly lost his composure. His hips shifted instinctively, the hard line of his arousal brushing against you. He inhaled sharply, his face buried in the crook of your neck. The familiar scent of you was like a drug-intoxicating, irresistible.

"You—" His voice cracked slightly as he pulled back, his gaze locking with yours. He didn't know how to explain what you did to him, the way you completely unraveled him with just a touch, a look, a word. He didn't need to. You saw it in his eyes, the raw, unspoken desire that had been simmering for weeks.

Before you could say anything, his lips crashed into yours, hungry and demanding. He lifted you effortlessly, your legs wrapping around his waist as he carried you to the bed. There was no rush in his movements, though. No frantic desperation.

"I've been thinking about you all day," he confessed, his voice low and thick with want. His hands slid to your hips, his thumbs tracing slow, deliberate circles over your skin. "I'm gonna take my time with you, sweetheart, that alright?"

He didn’t even let you answer, his eager mouth moved lower, leaving a trail of kisses down your body until he was between your legs, his tongue dragging languidly over your sensitive skin. You gasped, your hands tangling in his hair as he worked you over with an almost torturous patience. His nose brushed against you, and the sound that escaped your lips made him groan against you.

"Hiromi..." His name fell from your lips in a breathless moan, your voice shaking with need. You couldn't help it-couldn't stop the way your hips instinctively bucked against him, seeking more of the unbearable bliss he was giving you. He only tightened his grip on your thighs, holding you firmly in place, his movements deliberate, maddeningly slow.

You couldn't think, couldn't focus on anything but the feel of him. His tongue moved in a steady rhythm, his nose brushing against you with every motion, and it was too much and not enough all at once. The sounds he was making-low, satisfied hums that vibrated against you— only pushed you closer to the edge, your entire body tensing as the pressure built inside you.

"P-please," you whimpered, your voice trembling as tears pricked at the corners of your eyes. You were a mess—flushed, shaking, your hands fisting the sheets in desperation. You could barely form words, barely do anything but feel.

Hiromi pulled back just enough to glance up at you, his lips slick, his eyes dark and hungry. "I said I'd take my time, didn't I?" His voice was rough, filled with an almost predatory satisfaction, and it sent a fresh wave of heat coursing through you.

You opened your mouth to respond, but all that came out was a strangled cry as he dipped his head again, his tongue sliding into you with a deliberate, agonizing slowness. It was like he was savoring you, taking his time to unravel every part of you. And you let him—because in that moment, nothing else existed but him and the pleasure he was giving you.

Your body trembled beneath his touch, every stroke of his tongue, every soft scrape of his teeth, every teasing nuzzle of his nose sending shockwaves through you. The knot in your stomach tightened, coiling tighter and tighter until it finally snapped, a wave of euphoria crashing over you so powerful it left you gasping, tears spilling freely down your cheeks.

He didn't stop, didn't let up even as you squirmed beneath him, overstimulated and blissed out. When he finally pulled back, his lips curved into a wicked, satisfied grin, his hands still holding you steady. "You're beautiful like this," he murmured, his voice soft but filled with an unmistakable possessiveness.

And as he moved to capture your lips again, you realized you'd never felt more utterly, devastatingly his.

Hiromi leaned over you, his lips claiming yours as if they could draw every last sound of pleasure from your mouth. You could taste yourself on him—warm, intoxicating, a reminder of just how thoroughly he'd worshipped you moments ago. His hands never left your body, sliding over your trembling thighs and up to your hips, anchoring you to him like he couldn't bear even a sliver of distance between you.

The look in his eyes when he pulled back made your breath catch. It was raw, unguarded-like he was teetering on the edge of something he couldn't control. His lips were slightly parted, his breath uneven, and you could see the flush creeping up his neck, could feel the way his body radiated heat against yours.

"You don't know what you do to me," he rasped, his voice low and unsteady. His hands tightened on your hips as he ground his clothed arousal against you, the friction making you gasp. His eyes flickered shut for a moment, and a groan escaped him-deep, guttural, filled with an ache that mirrored your own.

"Baby..." you whispered, your voice soft but trembling with want. You reached for him, your fingers tracing the strong line of his jaw, the slight stubble that tickled your fingertips. He leaned into your touch, his eyes fluttering open to meet yours, dark and filled with so much emotion it made your chest tighten.

"I can't stop," he admitted, almost a Whisper, as if confessing to some uncontrollable need. "You're in my head, always. Even when I'm at work, even when I'm trying to focus, it's you." He let out a shaky breath, his forehead pressing against yours. "And it drives me insane. I've been waiting—craving—this. Craving you."

The sincerity in his voice sent a wave of warmth flooding through you, your heart swelling even as your body ached for him.

You pulled him closer, your legs wrapping around his waist, and he let out a sharp exhale, his control visibly fraying at the edges.

"Then take me," you murmured, your voice barely more than a breath.

That was all it took.

His hands moved with purpose, unbuttoning his shirt with a desperate kind of urgency before shrugging it off. You couldn't help but admire him—the way his muscles tensed beneath his skin, the way his chest rose and fell as he fought to stay composed. But when he finally joined you on the bed, pressing his bare body against yours, any semblance of restraint he had left crumbled.

He kissed you again, slower this time, savoring the way your lips moved against his. His hands explored every inch of you, his touch reverent, as though he was memorizing every curve, every shiver, every little gasp you gave him. He moved against you, his arousal pressing into you with a delicious kind of pressure that had you arching against him, desperate for more.

And when he finally slid into you, the world seemed to still.

The stretch, the heat, the way he filled you so perfectly-it was overwhelming in the best possible way. You gasped, your nails digging into his shoulders as you clung to him, and he groaned low in his throat, his head dropping to the crook of your neck.

"God," he breathed, his voice strained, as if the feeling of being inside you was too much. "You're so... perfect. So warm. So —" He broke off with a sharp inhale, his hips moving slowly, deliberately, as if he wanted to make this last. But the way his body trembled against yours betrayed just how much you affected him.

Every thrust was slow, deliberate, his body pressing into yours with a rhythm that left you breathless. The friction, the heat, the intimacy—it all built into a crescendo that had you teetering on the edge of bliss once again. And from the way his breathing grew heavier, the way his groans became rougher, you knew he was right there with you.

"Hiromi... I—" Your voice cracked, your nails raking down his back as the pleasure built to an unbearable peak.

"I've got you," he murmured, his lips brushing against your ear, his voice soft but thick with emotion. "Let go for me, sweetheart. Let me feel you."

And you did. Your release crashed over you in waves, your entire body trembling beneath him as your voice broke on his name. The way you tightened around him, the way you clung to him like he was your lifeline—it sent him spiraling.

With one final thrust, he buried himself deep inside you, his groan muffled against your neck as his body tensed, his release ripping through him like a tidal wave. He stayed there for a moment, his arms wrapping tightly around you, his breath hot against your skin as he came down from the high.

Neither of you spoke for a while, the silence filled only with the sound of your mingled breathing. His weight on top of you was grounding, his hands gentle as they traced lazy patterns over your skin. He lifted his head eventually, his gaze soft as he looked at you, his thumb brushing a stray strand of hair from your face.

And as you pulled him closer, your bodies still tangled together, you both knew there was nowhere else you'd rather be.

🏷️: @luv-lies @tojiseviltwin @yung-notorious @kentosmirrorball @jazzthatonewriterchick @sugoroo @lokissweater @pepperyduck @obsesssedblerd

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[liviawildrose]

𝐛𝐞𝐜𝐨𝐦𝐞 𝐲𝐨𝐮𝐫 𝐨𝐰𝐧 𝐦𝐨𝐭𝐡𝐞𝐫

it’s a hard pill to swallow, but sometimes, you’ve got to step into a role you never signed up for. maybe your mom wasn’t the nurturing, protective figure she was supposed to be. maybe your dad let you down in ways that left scars. maybe your friends only stuck around to take, never to give. the truth? you can’t wait for someone to come and save you. you have to become your own mother.

ask yourself:

if your child was in your shoes—stuck in a bad relationship, getting treated like crap— would you tell them, “stay”? or would you say, “you deserve better than this”?

if your child was chasing their dreams but struggling, would you mock them? no. you’d guide them, push them to be their best. you’d discipline them with love and cheer them on with pride. now, apply that same energy to yourself.

be that mom who says: “get your shit together because you deserve the best life possible.”

but also the mom who says: “it’s okay to rest, i’ve got your back, and i’m proud of you.”

start showing up for yourself the way you needed someone to show up for you. and yes, it’s sad. sad that we even have to do this. but it’s also empowering to realize you can.

personally, here’s my story.

my mom never cared to take my pictures as a kid nor cared if a haircut made me happy or not, it was literally everything up to her convenience. it hurts now because i would’ve loved to look back and see those memories. but i don’t have them. i can count the photos of my childhood—20 pictures in 17 years. insane, right? so, i made a promise to myself: from now on, i will document my life. i won’t delete my photos. i’ll make sure there’s a record of who i was, what i felt, what i achieved. and when i have kids? you bet i’ll take pictures of them. i’ll curate their childhood with care because i know what it feels like to not have that.

but being your own mother isn’t just about the pictures or the memories. it’s about analyzing everything you missed out on and providing it for yourself now. it’s about being selfless enough to let go of bad habits that hold you back. it’s about kicking toxic people out of your life the way a mom would protect her child from bad influences. it’s about prioritizing your healing, even if it’s messy and uncomfortable. you have to heal your inner child. that 5-year-old who was bullied, that 13-year-old who was treated like shit in her first relationship, that 7-year-old who dreamed big but was told she couldn’t they’re all still inside you, waiting for someone to nurture them. and unfortunately, no one else is going to do it for you. no one else is going to come and fix the damage.

i made a pact with myself: when i have kids, i will raise them so well that they won’t ever need to “heal their inner child” at 17 or 18. they’ll be whole. they’ll be loved. they’ll know their worth from the start. but for now, i’m doing that for myself. and you need to do it for yourself too. because at the end of the day, the only way to heal is to become the person you needed all along. become your own mother.

what is the inner child?

the “inner child” is the part of you that holds your early experiences, memories, and emotions. it’s the 5-year-old you who loved to laugh but was scolded for being “too much.” it’s the 10-year-old you who dreamed big but felt dismissed. it’s the teen you who felt heartbreak for the first time but didn’t know how to process it. your inner child carries the wounds, fears, and unmet needs from your past, but also your natural creativity, curiosity, and joy. healing your inner child means reconnecting with this version of yourself, giving it the love and understanding it never received, and releasing the pain it has carried for years.

how do you heal your inner child?

1. journaling: dialogue with your inner child

dedicate a journal specifically to your inner child. write letters to them, like:

“dear [your name at 5/7/13], i remember when you felt [insert memory]. i’m sorry you went through that, but i’m here now, and i’ve got you.”

let your inner child respond. write as if you’re that younger version of yourself—pour out your fears, dreams, and questions. this process can uncover emotions and patterns you didn’t realize were affecting you.

2. therapy: safe exploration with a professional

a therapist (especially one trained in inner child work) can help you identify wounds and patterns from childhood. they’ll guide you in understanding how your upbringing shaped your beliefs about yourself and the world. therapy also gives you tools to reframe those beliefs and meet your emotional needs.

watch “dear zindagi” lol

3. look at old photos and memories

revisit old photos, journals, or artwork from your childhood. don’t just look at them—analyze them. (i wish i could d this but im stuck with 20 photos so… 😭) what do you notice in your younger self’s eyes, body language, or expression?

• ask yourself:

• what was i feeling here?

• did i feel safe? loved? excited? scared?

• what did i need in this moment that i didn’t get?

• use this reflection to understand your inner child’s unmet needs.

4. create new positive memories

your inner child is still alive within you, and they crave fun, love, and freedom. do things your younger self would’ve loved but never got to do: buy yourself a toy you always wanted. go to an amusement park or build a pillow fort. dance around your room like no one’s watching. this isn’t childish it’s healing.

5. practice reparenting

treat yourself as if you were your own child. when you feel sad or scared, don’t ignore it.

ask yourself: what do i need right now? and give it to yourself.

be the loving, supportive, and protective parent your inner child deserved.

6. identify triggers and patterns

notice when you’re acting out of a place of childhood wounds.

for example: do you get overly anxious when someone’s mad at you? do you seek validation in toxic relationships? trace these behaviors back to your childhood.

were you taught that love is conditional? did you have to “earn” attention by being perfect? once you identify the root, you can start rewiring your responses.

7. inner child meditations and visualizations

find a quiet space and imagine your inner child sitting across from you. visualize yourself comforting them, hugging them, and telling them they’re safe. remind them: “you don’t have to be scared anymore. i’m here for you.”

8. nurture yourself daily

make self-care non-negotiable. eat foods you love, sleep well, move your body, and spend time doing things that make you happy. when you treat yourself with care, you show your inner child they’re worth it.

9. forgive

healing isn’t about excusing those who hurt you. it’s about releasing the hold they have over you so you can move forward. write a forgiveness letter—not for them, but for yourself. (they don’t deserve the love i’m sorry)

“i release the pain you caused me so it doesn’t control me anymore.”

10. promise to break the cycle

vow to yourself (and your future children if you want them) just cause your grandma bleed on your mom and then your mom passed it to you does not mean you will make your future kids life miserable too. the generational trauma must break with you. your future child does not deserve it and so your inner child protect you inner child and when you have a child of your own be the best mother possible, i personally would love to make my future kids childhood so memorable and happy that they will feel the need to comeback and relive their childhood that’s the kind of childhood i want to give them

“i will not let this pain define me. i will create a life of love, joy, and freedom.”

healing your inner child isn’t easy, but it’s life-changing.when you reconnect with that innocent, wounded part of yourself, you’ll find that the love and peace you’ve been searching for has always been within you.

11. foster your inner child’s dreams

when you were a child, your dreams weren’t influenced by fear, rejection, or societal pressures. you dreamed with your heart wide open, purely and authentically. reconnecting with those dreams can heal the part of you that felt unheard or invalidated back then.

a. reflect on your childhood aspirations

• sit down and ask yourself:

• what did i want to be when i was 5? 10? 13?

• what made me happiest back then?

• what did i lose interest in because someone told me i wasn’t good enough?

• write down every dream, no matter how “unrealistic” it seems.

hint: those childhood dreams often point to your soul’s calling.

b. start chasing those dreams now

• even if your dreams have evolved, find ways to honor the essence of them.

• wanted to be a singer at 13? start singing lessons or recording yourself.

• wanted to help people? explore careers like psychology, teaching, or coaching.

• don’t hold back.

it’s not about being perfect, it’s about reconnecting with the passion your younger self had.

c. create small wins for your inner child

• maybe 8-year-old you always wanted to paint but never got the supplies. buy yourself a beginner’s set and paint, even if it’s messy.

• maybe 6-year-old you wanted to be a dancer. take a fun dance class and twirl like no one’s watching.

• small wins send the message to your inner child that they are finally being prioritized.

e. validate your inner child’s feelings and failures

• remind yourself:

“it’s okay that 10-year-old me struggled with making friends. i was just a child trying my best.”

• instead of shaming yourself for past actions, honor them.

every mistake was a step toward becoming the incredible person you are now.

f. use your dreams to shape your future

• your childhood passions aren’t just hobbies—they’re roadmaps to your authentic self.

• align your current goals with your inner child’s desires.

• if 7-year-old you dreamed of making people smile, maybe your career or side hustle should reflect that.

• if 12-year-old you loved storytelling, find ways to write, act, or share your voice.

fostering your inner child’s dreams doesn’t just heal the past—it builds a future that feels authentic to you. every time you take a step toward those dreams, you’re telling your inner child: “you were always worthy. your dreams always mattered. and now, i’m making them come true for you.”

[sturniolocafe]

star shopping

summary: making music has been chris' passion for years, but is that passion enough to keep you to stay? (based off star shopping by lil peep) pairing: rapper!chris x feminine!reader warnings: angst, talks of depression, weed use, arguing a note from lilah 𐙚: hey so i'm sorry for this. (lowercase intended!)

chris sighed, throwing a green celtics cap over his hair and sliding on his sneakers. he knew you were going to have something to say about this, but right now, he couldn’t risk the loss of this new beat. he’d been hitting a wall with making his beats fit his lyrics for weeks now, hence why he was getting ready to go meet with his producer at 11:30 pm, spurred on by the “dude, i swear to god i just hit the fucking jackpot” text.

you raised your brows as you stepped out of the bathroom, towel on your head and plush robe wrapped around your body. “where are you going?” you asked, watching as chris grabbed his wallet and keys. 

“they need me in the studio,” he mumbled. “i’ll be back in the morning.”

“whatever.” you hummed coolly, brushing past your boyfriend (if you could even call him that) to get to your vanity. 

“c’mon baby, don’t be mad. this is the one.” chris insisted, trying to smooth things over. 

“i’m not mad,” you said flatly, smoothing your moisturizer over your skin. “just go. i’ll probably be gone for work when you get back, so i’ll see you tomorrow evening.”

“baby,” chris practically begged, standing near your vanity, but not in your space so he didn’t upset you. “i know i fuck up. i know that i haven’t been a good boyfriend lately. i know you probably don’t want to end up with me, but i love you. you are so much more than gorgeous to me. i want to be with you for the rest of my life. please don’t doubt how much i love you.”

“chris, not tonight. just go.”

“i know i’m not worth your time right now; trust me, i know that. but i also know that i can work on it if you give me time. i can make this album and then we’ll be set, baby, i swear. just let me work on it.”

“you’ve been saying that.” you pointed out, trying to swallow the lump in your throat at the brunette’s words. 

“you’re losing your patience, and i don’t blame you.”

“chris!” you sighed, unintentionally slamming your eye cream down on the vanity. “i’ve been waiting for you to work on it for over two years. two whole rotations around the sun. i believe in you and i believe in your art, but i feel like i’m waiting for something that won’t come. it’s not paying our bills!

chris bit his lip, knowing you had a point. art couldn’t be rushed, but he had been in the process of writing this album for over two years, all while you single handedly paid the bills. the only time that the two of you truly had a connection was when you had sex. you’d look into chris’ deep blue eyes, allowing your hormones to take over and make you feel like maybe everything was okay, despite the fact that you two only had about one true conversation per week. 

“i know.” he mumbled quietly. 

“maybe,” your voice trembled as you began to argue. “maybe my friends are right. maybe i should break up with you. i can’t keep doing this, chris. i’ve worked my ass off to make sure we’re taken care of, and the way you pay me back is by leaving at almost midnight? seriously?”

“ma, you know i’m gonna make it happen one day,” chris pleaded. “as soon as this album comes out, i’m taking you overseas. we’ll go wherever you want, baby. we can smoke and stay in luxury hotels and-” chris was cut off when you interrupted him. 

“that’s what you want, chris. not me. i don’t give a fuck about weed or being overseas. all i want is for this, for us, to be a partnership.” you said, tears rolling down your cheeks. 

for some reason, despite what your instincts were telling you, you didn’t protest when chris pulled you into a hug, burying his nose in your freshly washed hair. “i’m sorry, baby. i know i’m nothing like what you or your family or anyone else wants me to be. but at the end of the day, i would give up my life for you. you’ve given up yours for me. you’ve taken care of me during my bad days, you’ve supported me through everything. i understand if you don’t want to anymore.”

“chris…” you croaked out, voice thick with tears. “i love you, i do love you. i just…miss you. i feel like you’re never home. i miss us.”

the brunette felt like he’d just received a blow to the gut. how could he have been so caught up in some dumb album that he had ignored the most important thing in his life? “i know, baby. i am so, so sorry. i…” chris pulled out his phone, fingers flying over the screen, before he shoved the device back into his pocket. “i’m yours for the rest of the night. shoutout to everyone making my beats, but you’re more important. music’s what helped me when i fell to pieces, so now it’s my turn to do that for you.”

you simply nodded into his chest, not quite forgiving him, but not having the chance to argue anymore either. you didn’t even protest under chris grabbed your hips, lifting you off the vanity stool and carrying you to the door that led from your master bedroom to the balcony of your chicago apartment. like any large city, lights were still aglow on the tall skyscrapers and traffic honked below you, but by some miracle, you could faintly see the stars in the velvety blue nighttime sky.  

“all of those stars have a reason they’re here,” chris mumbled. “i hope i find that reason for me…for us.”

you hummed quietly against in his chest in your robe. things weren’t okay right now, they probably wouldn’t be for a long time, but you were too exhausted to argue. you knew chris loved you, you knew you loved him, but you also knew that you couldn’t spend the rest of your life waiting around for what he might do. 

a/n: yeoWCH....thank you for reading bbys!

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[swamp-world]

Ooh genuinely the best and most stressful part of going out of town is trying to make everything line up for this to all happen SO. my checklist of things to always do before you go:

Full disclosure: if possible I tend to take early-morning or late-night trips, so I often don't sleep before flying or travelling (anxiety about being late), so I tend to do all of this the night before travelling. I can't really advise on the best way to fit this into daytime leaving-times but you are clever people.

Stinky things. The obvious ones but it's easy to forget one or two. Clean the bathrooms, empty ALL the garbage and compost and recycling, flush the toilets and scrub them. It is tempting not to scrub your toilets before you go away because you are going away and will not be using them. This is the devil talking. Scrub your toilet. Also wash the sinks themselves. I don't care if you normally do or not, do it before you go away for three weeks. Put fresh garbage bags in. I know you are not going to be using the garbage for three weeks but you-in-three-weeks is going to be pissed at you-right-now when you get home and just want to toss out your garbage and fall asleep. (yes it is a small thing. yes it is worth it.)

Bath/shower. Make sure your shower curtain is spread out! Save yourself the mildew! If you like baths, make sure your tub is clean so that if you want to come home and soak you can! Either way, have things ready to have a shower when you get back.

Laundry: sheets, towels, clothes. This one is the most pain in the ass because it involves timing your laundry for a few days before, if you're like me, but there is nothing better than coming home to fresh sheets on a newly made bed, clean towels laid out, and pyjamas all ready (or a set of clothes that you don't have to think about, if you have to go to work/school/other things as soon as you get back in).

Laundry - sheets. The night before I travel I'll change out my sheets and ideally since I'm up all night wash the dirty sheets and put them away so I don't have to worry about them upon return. If you can't do fully fresh sheets, wash them the day before, and take a few minutes to make sure your bed is made nicely. That way when you get in you can either fall asleep right away, or start unpacking and sort things on your bed without having to strip or remake it.

Laundry - towels. I do my sheets and towels all together, so the same rules apply. Leave a full towel set ready for yourself (and however many other people in the house are travelling). If you have roommates who aren't travelling, this isn't as much a problem, but still make sure you have towels set aside for yourself for when you return, in case your roommate used them all and forgot to do laundry.

Laundry - clothes. I don't like leaving laundry sitting before going away in case it stinks or starts to take up smells, so same as the sheets, I'll do all the dirty laundry before going away, so that hopefully the only dirty laundry I have is what I'm wearing when I leave the house. If I have to, I'll do laundry the day before I travel, and whatever clothes I'll be wearing for that day, I make sure I would want to take them with me, so that I toss them in my bag and clean them while travelling. Same with pyjamas.

Speaking of pyjamas! Make sure you leave a clean set ready. Put them under your pillow or lay them out on your bed. Same goes for clothing--before you leave, it's never a bad idea to lay out some outfits for when you return. If you can, have a nice outfit and a casual outfit, even if you're planning on getting home in the evening and not having to do anything. There's always a chance your flight gets delayed or rescheduled, and this way if the worst-case scenario hits and you need to get home and run out the door to work, you're set and have saved yourself a few minutes of stress; and best case scenario, you can just come home and change out of your gross travel clothes and into comfy clothes.

And about your clean clothes: fold them and put them away. Half of this is all less about having to do the work itself when you return and more about the relief of not having the visual clutter, mess, or reminder of further chores to be done. Coming home to empty laundry baskets just feels good.

Dishes. Self explanatory. Don't leave any. Wash the sink itself. Leave them to dry themselves, no worries. But DO NOT leave the dishwasher full; in my experience unless you clean your dishwasher regularly the dishes in there are just likely to get gross all over again.

Fridge. Go through it a few days before you go. Make sure you're using what can't be frozen. Don't wait until the day before to start sorting and packing things up to freeze. And more things can be frozen than you think! Look it up if you're not sure! Last time I left I was up late prepping a huge block of paneer for freezing because it took prep work, so make sure you're prepared to take a bit of time for that instead of getting blindsided.

Floors. Sweep them, mop if you get a chance. Dust is going to settle while you're gone and you are going to have to sweep when you get back anyways, but better to minimize that so you aren't super grumpy when you take your socks off. Same goes for vacuuming carpets.

The rest is mostly just tidying up clutter and making things look organized. You're doing this for no one but yourself, so don't be too harsh about it, but think about what you-in-three-weeks will want to return to. It doesn't have to be "everything in its right place" but certainly enough that you're not having to clean off counter space or sort through piles, or looking at a pile and sighing because you will have to sort through it.

If you have the ability to plan food for yourself for when you get in, do that. See if you've got something shelf-stable or in the freezer that you can have for breakfast the day after you get in so you aren't panicking about buying groceries immediately. Try to have a prepped meal in the freezer that you can microwave or something of the sort if you don't want to have to buy a meal.

This is about giving yourself some room to decompress after travelling! While it's a break from work or school or whatever, it's often also stressful, and if the travelling aspect itself isn't stressing you out, there's likely a bit of dread about returning to work, or having to cook, or just...daily life. Make it so that when you get home, you're able to relax for a little bit longer. That the chores you have to do are related to unpacking, not cleaning up your messes from three weeks ago.

Don't be afraid to ask people for help with all of this. If you live with roommates and can't wash your sheets before you go, ask if they can wash them for you. If a friend is watering your plants and collecting your mail for you, leave $50 and a grocery list and ask if they can grab some essentials for when you get back. If someone is housesitting for you, make sure they know your expectations for how clean the place should be when you return. Maybe ask if they can sweep a few days before you get back. Get them to take the leftovers out of the freezer so that they're thawed by the time you get in.

I am not very serious about planning for travelling. What I am serious about is planning for returning. That last point is probably the most crucial: if you have friends or family or loved ones who will be able to help when you get back, ask if they can. And do the same for them! When someone is going away for a long time, ask if there's anything you can do to help. If they've got a ride to or from the airport, if you could bring them a meal when they get back. It's nice for if they're returning from a vacation, it's better if they're returning from travelling for more serious reasons, and it means you get to see them to say hello, if only for a few exhausted minutes.

Trust OP when they say that returning to a clean house is better than sex. (And perhaps if you aren't too tired after travelling you can in fact have great sex in your clean house!)

edit lmao i just actually went through the rest of the notes on this post to find someone else saying "DO NOT STAY AWAKE ALL NIGHT THE NIGHT BEFORE TRAVELLING TO GET THIS ALL DONE IN A PANIC, MAKE A CLEANING PLAN OR SCHEDULE FOR THE DAY BEFORE TRAVELLING" and you should probably listen to them, unless you're like me and going to be awake anyways, in which case just make sure you don't start at midnight and need to be ready to leave at 5am.

adding something to my "adult advice that i had to discover for myself either because no one told me or when i saw adults do it as a kid i couldn't possibly understand," featuring such hits as "grill sandwiches with mayo" and "almost no quality matters more than flexibility," and it is:

clean your house before a vacation because returning to an already clean house is waaay better than sex