#and in a society where that was the norm
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It’s always funny whenever ppl see historians talking abt how it’s difficult/fraught to apply modern sexual orientation identity labels to ppl in the past, and react by going ‘haha then you can’t say anyone in the past was straight either’ as if it’s some sort of a gotcha.
When like.
That is exactly the point! That’s not a gotcha, that’s what they want you to understand!
#obviously ppl in the past we’re attracted to the opposite gender#but ‘straight’ as an identity has our social reality baked into it#(and then there’s also the issue w/ real historical ppl that we don’t know everything abt their life#like if a person had children w/ someone of the opposite sex#we don’t know if they were attracted to that person or not#it’s not just that modern labels don’t always apply so easily to past societies#sometimes we just don’t know what a person experienced at all)#straight implies not just attraction to the opposite sex and lack of attraction to the same sex#but it also refers to a social expectation#whereas in some societies there may be a norm of like#a man having sex w/ men (as a penetrating partner) is grouped w/ having sex w/ women#where the norm (for a man) is to have sex w/ women and men (as a penetrating partner)#so rather than a division btwn men having sex w/ women and having sex w/ men#it’s btwn being the penetrating partner vs being a man penetrated by another man#and in a society where that was the norm#I’m sure a decent amount of men who currently consider themselves straight would also have sex w/ men as a penetrating partner#bcs it’s following the social role#and hell while for some it might be bcs they have some small amt of attraction to men that goes unrecognised in this society#like a Kinsey 1 or 0.5 or smthn#but also sex isn’t always abt attraction—esp. when it’s following some sort of social norm#(also in cases of availability—if you’re a man attracted to women but you’re only around men#it might still be worth it to have sex w/ a man for the physical sensation)
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I think people tend to assume that any criticism of worldbuilding is ultimately a demand for a story to grind itself to a halt and give the reader 20 paragraphs of exposition, and like. Most of the time good-faith criticism of this nature is coming from a core aspect of the story not being grounded in the setting in a way that outright detracts from the story's quality. You fix it not by Explaining but by Showing it passively in the makeup of the world.
Like the last instance I saw this critique in was like 'you can't expect an author to stop and exposit the nuances of gender roles/Queerness in a fictional society' and it's like yeah I don't, and in fact this is actually one of the easiest things to show in the text without exposition. If a society has gender norms to begin with you'll see aspects of these norms baked into EVERYTHING. You'll see it in its stories, its religion, its taboos, its etiquette, its clothing, its family structures, its language, its insults, its labor, its leadership, etc. It will have massive impacts on how characters interact with one another and how they perceive themselves. It will help Shape your characters.
If you do this legwork to begin with for the core facets of your story, you will find very natural places for these concepts to be demonstrated without derailing the plot and with little to no exposition. THAT sort of thing is what's being asked of you.
#Extremely comprehensive worldbuilding about every facet of a society is ultimately just for fun. It's not necessary for good writing.#But if you're doing any form of speculative fiction you need to at least do the legwork for the things that drive the plot/characters#Your story won't work as well if you don't#Like if the central storyline in a spec fiction setting is a gay story arc I don't expect you to have the fucking salt economy#meticulously fleshed out to justify where and how your character got the salt offhandedly mentioned in a meal.#I DO expect you to have given more than superficial thought about gender norms.#(also for the gender norms example this Does Not just go for societies with a patriarchy or other gendered hegemony lol)
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"I'm glad that everyone seems to be having fun... "
#born from more banter about Calia trying her best to adapt to a society where being alternative is the norm#“I can't hear the lyrics what are they screaming?”#world of warcraft#desolate council#calia menethil#forsaken#kottart
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Feel like Neil couldn’t have been any other kind of actor than one in theatre. If he was a movie actor or on social media or whatnot, it would not be the same. Theatre by nature is fleeting. Recorded mediums can be rewatched over and over, creating a time loop of sorts. We the audience can keep going back to a time when Neil is still alive. Theatre however is live and once the play is over, there is no going back except in our memories. It is much like life. We are forced to live in the moment in a theater lest we miss it altogether. It’s not that the poets choose to live in a world where Neil is dead, it’s that they must because the only other option is to die themselves. I feel like Keatings teachings could only be reflected in stage theatre because that’s the only way there can be no time loop of grief. I think dead poets society itself isn’t about overcoming the authority in your life to do what you want but rather about grief, about allowing oneself to feel grief and all one’s emotions without letting it consume you and to keep living after, to live every day in the moment lest you fall into grief and regret that will destroy you or force you into a miserable life
#just silly ramblings don’t mind me just ignore me 🫣#keating was teaching the boys catharsis as a means of survival and how to process their emotions so they don’t overcome them in a world#that convinces them to pretend they don’t feel at all; that’s why he focuses on the romantics rather than the realists because the romantic#is there to help you process your emotions of sorrow and joy; and that’s why he told Charlie he was misunderstanding the teachings when he#was acting out but not Neil when Neil was trying to get out of the grief over the person he wishes he could be; keating taught him that his#father was standing over an empty grave grieving the son he wanted and that Neil doesn’t have to lie in that grave just to satisfy his#fathers grief but can go to his father as he is and ask him to accept this version of himself and the son he is and his father rejected and#that is why Neil thought the only way to truly overcome his father was by allowing his father to grieve him over grieving the son he wanted#and Mr. Keating was crying over Neil but we don’t see him rage out like the school; Mr. Keating grieved Neil and moved forward with life#whereas all the other administration and Neil’s father will not be able to because they refuse to recognize any emotion but rage so they#feel they must go on a wrathful journey to try to process their grief; idk I think the whole story was about teaching the boys not to be#afraid of their emotions and that they must feel their emotions to process them and get through and I think this message just happens to be#counter to the norm we were told our whole lives but also necessary to be full people and I think that is why this movie sticks with so#many and why so many hold it so dear to them; it’s a story about grief and emotions and moving forward with life after the fact#it’s about feeling in a world that tries to convince you that there are ‘bad’ emotions and that you must not feel certain things and that’s#where overcoming authority comes in and the anti authority message of the franchise stems from#neil perry#dead poets society#dps#dead poets fandom#dps fandom#mr keating#john keating#dps symposium
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hughh I wanna talk about the queer theming and iconography in Disney villains/twst characters but I don’t want to look like a freaking nerd
Edit: I put my take in the og tags
#what if#i just do it in the tags#buckle in guys#i just want to say that#even if a Disney villain isn’t blatantly based off of a queer person#taking in the context of when and where these stories were made brings an obvious connection#the typical heroine was the ingenue#the innocent damsel girl unblemished by the “evils” that plagued society (back then)#and the villains? Well they’re flamboyant and eccentric#they wear heavy makeup and flashy clothing. they’re strange and out of the norm (queer)#and they always either want to corrupt the ingenue or get rid of them all together. out of jealousy of course#the fact that these villains have found their place in queer culture tells you that queer people have seen themself IN these characters#even if the representation isn’t “positive”#and I feel like if you’re going to claim that most Disney villains have nothing to do with queer culture#you’re just plain wrong#and that just ties right back around to twst characters#sorry if I went a little crazy chat#twisted wonderland#disney twst#twst wonderland#disney twisted wonderland#twst#bunnierambles#Disney villains
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This is unironically how I'd write Krypton
don't worry, this version is less idiotic and Dystopian
#dc comics#dc#superman#kal el#clark kent#krypton#kryptonian#meme#earth 1605#alien#aliens#kryptonians#autistic#speculative fiction#flashback#vision#a society where autism is the norm and neurotypicalness is a minority#DC rebirth#Kelex#Fortress of Solitude#fashion#fashion heaven
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so... the hyperfixation is back
#has anyone done this yet#a society where autism is the norm#twisted wonderland#i love twisted wonderland#theyre so funny#twst#twst memes
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#GAHAHAHHAHAHA#yeah#i need this too#transformers#Mtmte#transformers idw#transformers mtmte#idw mtmte#themmmmmm#lost light crew#Hehe#autism#a society where autism is the norm and neurotypicalness is a minority#Version 2
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"their relationship is romantic" "their relationship is familial" "their relationship is platonic" you're thinking too narrow. their relationship goes beyond labels. the family is inherently queer. their platonic love is romantic. the erotic is familial. each one is the other and the other is them
#.txt#i've gotten to the point of relationship anarchy where i no longer understand the obsession with labeling relationships#there's a post floating around like 'it doesn't matter if you view them as romantic or platonic the point is that they love each other'#and i get the message. however may i propose that distinctions such as that don't even have to matter. consider#bold claim probably. but whatever i didn't have the choice to think about love in a normative way and as a consequence i have thoughts#of course i am thinking about wincest but it applies everywhere. jopzier even#jopson views crozier as a surrogate parent but in an inherently queer way. does that mean he want to fuck his mom? probably not#but the fixation and need for redemption turns the traditionally familial relationship into something far more#do you understand#once you leave the normative behind labels become useless#do sam and dean love each other romantically or platonically or familially? consider: it doesn't matter. there are no words to describe it#their love is queer in the sense that it extends beyond normativity. society holds no sway over them. they are ungovernable#i find it ultimately unhelpful to discuss fiction in normative terms when the characters themselves exist outside of normative society#shows like supernatural and the terror are perfect examples. sam and dean were never normal and franklin crew left normal behind#the arctic doesn't care if you fuck your mom. the impala doesn't care if you kiss your brother#this isn't really about anything i just saw that post the other day and i was like. why doesn't this Hit for me. well this is why#however it IS helpful to discuss fiction set within normative society in relation to normativity. it's relevant!#most stories are not however set within the bounds of normativity. that's kinda the whole point of a lot of fiction#baby i explore relationship anarchy in ways that you couldn't even imagine#<-tldr#i have a tendency to write essays in the notes every time i post something. sorry about that. it feels safer here and i am skittish
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basing your love off of sydluca bc of the fact that he’s tall
#look at the superficial people you put on this earth god#newsflash tall men just as much aint shit as their shorter counterparts#i knew their two scenes together were gonna bite us back bc ayo has too much rizz with everyone#ig on that note maybe everyone should ship clairecarmy since we live in a society where white eurocentric beauty standards are the norm and#miss lady is everything that entails
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object show characters being named as their own objects might strike you as odd, but is it really that strange? with humans, differentiating each other using names is necessary. we're all "humans," so there's not much to name off of. physical features, maybe, but people can often share those...
however, with objects, there's a clear distinction to name someone after. and, why do names exist? to distinguish people from one another. why would you make a name, when there's already a perfectly good one right there? and sure, there's people who are the same object, but there's people with the same name too. they'd probably get nicknames/slightly different names... besides, that's why surnames exist.
#wheucto#wheucto speaks#osc#object show community#Be subjected to my thoughts.#<- /silly#tags don't add onto my point at all i just wanted to ramble about how names might work in an objects' universe#though this doesn't mean human-esque given names can't exist... like_ nobility tended to have a bunch of names... there might be something#- similar there? like they had non-object names#also for someone super well known like royalty_ it's probably important to distinguish them from other objects of the same kind#also for patronymics/matronymics... theres going to be people named something like [object] treeson or like featherson... thats so silly#in this system_ it would be very possible for someone to be named “feather featherson”#bc your parents wouldn't really choose your name#also i like to imagine an america (US that is) where they just have crazy names bc they wanted to be able to choose their own#since the nobility and royalty had names but the commoners didn't...#i dont know if that would be likely but i think it would be fun!!!#also since it'd be a movement started by like_ adults... it would mostly be people choosing their own name... which (i think) would lead -#- into a society where people are typically expected to choose their names#(maybe parents would name their children... but it'd be accepted if they later changed their name...)#(though i'd imagine being called like your object name as a child could be kind of weird... but who's to say people wouldn't like their -#- object names?)#and like... if you're choosing your own name. imagine you're like twelve. you'd probably like name yourself after like a character or -#- something similarly stupid. like internet names_ except it's real life!#also i wonder how gendered names would be? i mean_ they could probably develop somewhat similarly to human names?#and i wonder about if there's like a difference between how... um... upper class people with names (in non-US countries) and americans -#- treat names... like for an american maybe_ being called by your name (or its derivatives) even among close ones is the norm#but elsewhere it's common (for those with names) to be referred to by your object when you're close to them
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apologies for yosukeposting and especially incoherently but slowboiling in my brain whatever the hell was going on w him in kanji’s dungeon. guy who slingshots between some kinda fraught observation that this is so much worse for kanji because it’s happening in front of an audience (over like. freaking out about it), furiously asserting that he’s heterosexual, insinuating danger but then also being the one who volunteers to take kanji home afterwards.
It’s sooooooooooooooo.

#I’m naurt.#conveying it well.#but there’s some kinda something about which elements prickle his unease#exposure to the wider community#the topic of sexuality that falls outside of what is normative being introduced AT ALL#but he’s. not scared of kanji. he never has been tbh#I don’t think he would volunteered to take him home and essentially make sure he got there safely if he was#imo it’s more that like. kanji doesn’t reject the shadow’s assertions where yosuke would#and there isn’t a world in his sixteen (?) year old brain where you SHOULDNT do that lmao#if you’re a guy you like girls and you don’t get hugged when you’re sobbing your heart out etc etc#a guy’s a guy and when that doesn’t mean what he thinks it has to mean anymore that’s deeply uncomfortable for him to unpack#it brings to the forefront his own doubts and insecurities#and kanji accepts that in himself where Yosuke can’t I don’t think#doesn’t question a lot of time and builds his identity around it#but he can’t erase the questions people like kanji and naoto raise because like. it’s intimately relevant to HIM lmao#and it’s how he understands a core part of himself#even if that’s built on sand#congrats! you’ve discovered the patriarchal and heteronormative hegemony!#tunes talks persona#I think it goes largely unspoken and deliberately avoided with him but what kanji wrestles w in regards to conciling his sense of identity#to wider society is like. that’s him too lmao
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love when people write ancient dialogue w the same bizarre capitalization that they use in the pearls
its almost natural for me because I do the Same Thing. Also I think people should also note the constant paranthesis the ancients use too because I think thats funny
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“but if you love us
choose a younger bed
for i cannot bear
to live with you when i am the older one”
- sappho fr. 121, as translated by anne carson
#i never post my art on tumblr but this poem rly rly made me think of them#and Caleb’s martyrdom#wanting to leave essek as he ages but essek not allowing that#essek is from a society where reincarnation is the norm#age gap relationships don’t bug him at all#and he loves caleb deeply#and i choose to believe he stays by Caleb’s side till caleb dies#despite Caleb’s whole self sacrificing ‘oooooh I’m gonna die first’#anyway please be kind like I said I never post my art on here and I’m nervous to do so#critical role#caleb widogast#essek thelyss#shadowgast#critical role fanart
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A bathroom’s second use is for toilets or whatever the primary function is for Escaping Sounds That Are Outside. And crying also
#I’m not crying today but like once a week for like the first month of work. lol. I was really NERVOUS!!!!#lads I’m gonna become evil if I have to hear more noises LOL 😭#having such an aversion and sensitivity to things like this#makes functioning in society Very Difficult sometimes#I feel like. I’m currently working in the noisiest corner of the office#i think I can move bc I’m at a temp desk but#I’m scared that if I disrupt the norm of where I’ve been I’ll be killed by an unseen force#you know how it is#but oh my god. letter half of the days in office. It’s Hard To Bear#latter* whatever lol#head in my hands. maybe I SHOULD be lugging my headphones to and from work#my noise cancelling ones. + earplugs. I can’t do this man#anyway…. my best friend The Bathroom LOL 😭✌️#i kinda always need to pee so it’s. fine. lol
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