#and i love love LOVE hearing about how people relate to things i've written! especially when it's maybe different from what i was thinking
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Not sure if this is the place to ask or if I should go to Bonebabble, but ooh, Dungeon Meshi mention! I love what you said about low-empathy and apathy, I think I’ll use that in ny own characters.
I wanted to ask why you think Shuro is autistic. I’ve seen a lot of people say it so there must be a reason why, but I don’t think it’s really obvious to me? Like with Laios, autism/neurodivergence is so integral to his story, so it’s deeply obvious. I love the way he’s written! But we don’t see a lot of Shuro, so I’d like to hear more of why people see the tism in him.
@bonebabbles is the better place to send these in the future but it's chill! The vibe right now's loose since we're all coming down from the heaviness of Mooncourse lmao
Honestly, I feel a little 'tism in a lot of the cast of Dungeon Meshi. As a very autistic writer myself, it kind of has a vibe like it was written by someone who's autistic and so it gets peppered into all of her characters. It's something I notice a lot in my own art, too.
But like, when it comes to Toshiro... I can't stop thinking about him. He makes me want to chew the furniture. With every passing day I become less normal about him.
glossary because I had a lot of thoughts about Toshiro Dungeon Meshi i guess. Oh my god this got long
He reminds me of some people I know
His culture clash is very relatable to me in an autistic way
He has a rigid commitment to his values and morals
Miscellaneous Autism Moments
THE LAIOS FIGHT
in conclusion
He reminds me of some people I know
He reminds me of certain autistic men I've met from affluent families. The type who both is taught to repress and mask their own traits, yet also not to be incredibly mindful of the emotions of other people. Because of their status, they don't have to learn how to work out interpersonal conflict because the majority of the people around them are servants or family. People who would never go away if they didn't like you.
So, his vassals have to learn to talk to him and how to carry out his orders. Not the other way around. As a result, Toshiro has a bit of unearned confidence about his leadership abilities and communication skills. NOT in a way that is smug, DO NOT misunderstand me; just in a way that overestimates his own judgement. Maybe he has encyclopedic knowledge for talking to other nobles offscreen, but when it came to his own team, he was ignoring a lot of the good advice they gave him about taking breaks.
Yes, Toshiro is from a high-context culture-- but his communication issues are bad with everyone.
ESPECIALLY his vassals, people he calls family, from the same exact culture as him. They're worried about him, most of them are desperate for acknowledgement, they'd do anything for him, and he doesn't address this until AFTER his brawl with Laios!
His culture clash is very relatable to me in an autistic way
Toshiro knew he was going somewhere that was going to be a melting pot of mostly western cultures. He knew the manners were going to be different, and he came alone, not in a group where he was only interacting with his own people.
Yet he NEVER adjusted his own social behavior.
I'm American and my partner is British. When I first went, I had no idea why they were offering me so much tea. I thought I was being polite by following them into the kitchen, thinking they wanted to move the conversation over there. My partner quickly fixed this by explaining that when someone offers you tea, they're taking a short pause in the lull of a conversation to be a good host.
I am autistic. What someone else might have just figured out through getting an awkward look, I had to be told directly. There are a lot of little things like that.
Toshiro feels like what would happen if the opposite was happening, an autistic person from a high-context culture coming to a low-context culture. He can't properly express discomfort. It's not JUST Laios, King of Autism, that he's having issues talking to. Neither Marcille nor Chilchuck know that "Shuro" is a mispronunciation, and they had no clue that he disliked Laios THIS much.
I even think it's kinda telling that Toshiro felt the most comfortable with Falin out of the rest of the party. The hyper-empathetic autistic girl who goes out of her way to accommodate others.
He has a rigid commitment to his values and morals
A strict, uncompromising moral compass is a hallmark of autism. It's everything Toshiro does!!
When Falin was eaten, he bolted off to assemble the best team he could think of. He believes that love is sacrifice, so he pushes his body and his family to the limit to try and prove how much he loves Falin. Chilchuck freaks out when he finds out that Laios told him about the dark magic, because "HE'S THE WORST PERSON TO TELL!"
LIKE, YEAH! HE SURE IS!
Maizuru also explains that from a very young age, he's been incredibly compliant. He never asks for anything, he's always been a bit sickly and uninterested in eating. He always tries to be on his very best behavior, even if that means not asking for accommodations he might actually need.
In fact, the only food he seems to LIKE eating is what Maizuru makes him. To the point where she ended up getting pulled into the kitchen even when she was on a "mission." Senshi makes a cute comment that it's "love" that Maizuru puts into those meals, but... what if it's actually because she knows the textures and flavors he likes?
Miscellaneous Autism Moments
There's so many little moments that are so incredibly autistic to me.
He sees Falin with a bug and he proposes right on the spot. The other characters are like, "oh that's just how they act in the east" but no the fuck it is not. They don't even know "Shuro" is a mispronunciation, how the hell do they know anything about eastern courting traditions?
I know EXACTLY what happened. I'm beaming you this information directly from the truth.
Toshiro was TOLD that you're supposed to 1. make your proposals a surprise, and 2. you will know the right one when you see them, and NO ONE elaborated any further because he comes from a high context culture. He popped that question the first time both of those boxes were ticked off.
In coming from a high context culture, what he does is strictly follow rules and conditions he was taught.
And that's absolutely why he handed Laios that bell. Because he does care about him and the party, and he's taught that doing these acts of service is a show of that... and he didn't even think ahead to the fact the bell was going to be ringing constantly.
And yet. In spite of that, he ALWAYS keeps it near him.
Before it clicked and I realized why, I used to think Toshiro was kind of an asshole for running off to get his vassals without even telling Marcille and Laios about his plan. Like... how could you not know they were going to do something drastic? The three of them were the Falin Fan Club and he was the most normal member of it. It's so obvious to me that Laios (brother) and Marcille (""Gal Pal"") were going to get themselves in danger.
So how could you just run off like that without telling them? Even if lack of supplies meant they couldn't go back in, how could you just leave them worried sick in the town, thinking you abandoned Falin?
And then it hit me. The man just has low empathy.
There WAS no malice, just like how there wasn't malice in how he was pushing him and his vassals to the limits, just like how there was never malice against Laios. It simply didn't occur to him like that.
He's never been taught to consider the thoughts and feelings of others very deeply and they don't come naturally. He's still compassionate. There's a reason all of his vassals love him!
But THAT'S WHY he never put himself in Laios' shoes, or anyone else's. Empathy does not come naturally to him. All of his good behavior is as a result of his moral code, NOT empathy.
So with that said, why does he love Falin so much? Aside from the wonderful, positive traits he lists when he's asked? I mean, what's really deep down at the core of why he finds these things so lovely?
Well... Falin and Laios are not all that different from each other, to the point where Toshiro gets gently ribbed in a bonus chapter about how if one of them was a girl, Shuro might have loved Laios instead. He waxes poetic about the ways she's different from most women, how she's not afraid of things like insects, her compassion, her face, her laugh.
These are all things Laios does too (in fact in one of the panels where Toshiro is appreciating Falin, she's trying to check if a caterpillar is a male or female), but Falin's personality expresses in a more subdued and introverted way. Closer to how Toshiro is, as a person. So... I think it's because he relates to her.
To both Touden siblings. But Laios makes him see things he doesn't want to.
THE LAIOS FIGHT
We established that Toshiro has a strict commitment to his values, he probably has low empathy, and even taking his cultural differences into account he's bad at communicating.
So then, why was one of his complaints against Laios' obliviousness that he "knows he doesn't mean anything by it, and that makes it worse"? Isn't that kinda specific when you think about it?
If you're neurodivergent, I want you to think back to points in time where you dealt with people who have the same issues you do. Autism, ADHD, PTSD, DID, whatever. Did you ever have a moment where they did something harmless or mildly inconvenient, definitely as a result of the same exact thing you have, and you just... HATED it?
You HATED it even more than you would anyone else doing the same thing. You probably know your response was disproportionate. But YOU don't do that THING they did. Or if you do that, it's less bad somehow. Or you used to do that but don't anymore and it reminds you of when you did.
If you're reflective, you might have realized it might be internalized ableism. I feel like that's a huge part of why Toshiro finds Laios SO. ANNOYING. Laios is like this stupid, idiot, blundering caricature of things Toshiro has been taught to avoid, which violate his moral code. Shuro comes from a place of so many more rules and subtle cues, and it's like Laios doesn't respect any of them.
What STARTS this fight, causes Laios to finally hit back after being smacked, shoved, and shouted at, is being told "YOU'RE NOT TAKING THIS SERIOUSLY."
It's so obviously wrong! Laios, who ran back into a dungeon immediately? Who Toshiro himself called rash? This is NOT a logical conclusion to make about Laios or his party. I think it came from frustration that Laios "does things the wrong way." That it's projection, stemming from that low empathy.
He's not like Kabru in the same chapter, who's desperately trying to get a read on Laios' inner workings and failing. Shuro's just extrapolating his own feelings onto him, because he's recognizing that same "sense" within him. If TOSHIRO didn't follow the rules he sets down for himself, that's not "taking it seriously."
Toshiro follows the rules. Laios does not.
...and Laios is FREE.
He's open and honest in a way Toshiro can never be, not as a noble, not as an easterner, and not as an autistic man. Hell, Laios was ALSO a noble, he gave that up! Threw that away, and then came back to his village and took Falin away from it. If Laios is acting like an idiot, he's acting like an idiot who does everything Toshiro has ever wanted to do. Laios cannot mask and Toshiro resents that.
One of the things Toshiro even explicitly says he HATES about Laios is the fact he's willing to be a burden on other people. Maizuru said earlier that he's NEVER made a "selfish request" before-- but Laios can just open his mouth and ask for help, feeling no shame, just as he did in this chapter when he asked him not to tell the Island Lord about the dark magic.
And then, after they literally come to blows, Toshiro tells Laios some incredibly brutal things, revealing he's NEVER been his friend and he has resented him this whole time. This actually sits with Laios well into the later chapters, but the fight ends and then they're just CHATTING FRIENDLY LIKE IT DIDN'T MATTER.
More honestly than ever before, because Toshiro is returning the effort. He eats some food (the narrative's metaphor for making connections). He thanks his vassals for the first time. He talks about how he wishes he'd told Falin about all the things he adored about her when he still had the chance.
I have to take the panels of his response right out of the manga actually because this little expression here is so subtle, but so meaningful.
(Read <- <- <- that way)
Look at the way that when Laios makes that genuine movement, assuring him with passion that he will be making sure Falin receives this message, Toshiro's gut response is annoyance. But then it softens and he pauses, like he's reconsidering what his response is going to be.
To admit that he envies "this side of Laios" is also admitting that the earlier fight was based on envy.
Laios was like this the WHOLE time. Making these grand speeches about his plans, what his party's been doing, how Toshiro needs to eat something and take a nap. He's ALWAYS been like this. It was Toshiro's mindset that changed.
In conclusion
Something I really like about Dungeon Meshi is HOW MANY of its characters can be read as autistic. Laios is just the most obvious one, with his special interest in monsters and inability to read social cues being central to the plot. His is a more "well known" expression of autism-- it's rare you get characters whose masking is central to their characters.
But it's really refreshing to see characters like Kabru, Falin, and Toshiro. Autistic people are rare enough in popular media to begin with, but we NEVER get characters whose autism intersects with their trauma, gender, and culture quite like these three.
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could you do headcanons for dabi who’s with a s/o that is a really kind and giving individual. he didn’t like it at first and he thought his s/o being so kind to people who were less fortunate like the homeless was a bad thing but he starts to pick up on their behavior and his s/o catches him doing something nice for something and they both realize he’s started to pick up after his s/o
Ooo, yes, absolutely! I feel like I can relate to this very well. I can already imagine all the things he'll say. I'm sorry this took so long. I've been trying to focus and take a bit better care of myself than I have been, especially with the carpal tunnel. I hope all of you will enjoy these anyway. I feel so bad about not posting here or on my A03. Thank you so much for your request! Please enjoy this, Dabi Goddesses!
Pairing: Dabi w/ S/O that is really kind and giving
Headcanons or one-shot? Headcanons with a small written scenario
Rating: SFW! Warning though! Dabi is sweet at the end and may steal your heart.
"You know they're just going to take advantage of you, don't you? You really need to set boundaries, doll."
At first, it really bothers him how kind and selfless you are and also maybe even makes him a little jealous.
And, he can sound very harsh and occasionally really hurt your feelings sometimes with things he says when he nags you about it, but he really means well.
He really doesn't want to see anyone hurt you or take advantage of you. EVER.
"You really are too kind for your own good. It's going to cause you a lot of trouble one of these days."
"You're such a pushover. You couldn't even tell someone, "No" even if you wanted to."
When he sees he hurts your feelings or upsets you, he does feel bad after, however. Believe me.
After a while though, he really grows to admire you and appreciate you.
After all, it takes a lot of courage to keep being yourself and being selfless, even if sometimes you do get hurt in the process.
You do eventually learn to set some healthier boundaries that Dabi takes note of, and he's proud of you, but he also grows to love how sweet you are.
Eventually, you both don't realize you've rubbed off and made him "softer" a little bit.
One day, you are out of the apartment when you hear a child crying. At first, you think Dabi may have said something rude without meaning to, and upset them, but a glance at the scrapes and blood on their knees proves otherwise. Dabi has kneeled down before them carefully.
"Did you go and hurt yourself there, little bit?"
The little one looks up at him with red and puffy eyes, still rubbing at them, and nods meekly.
"First, I need you to get up...C'mon. You can do it."
Dabi reaches out a hand gingerly and helps the young one to their feet carefully as you watch.
"Wanna see something cool to distract you from the pain a little bit? I'm gonna have Y/N go get you some band-aids and ointment."
Another nod in agreement. Dabi takes in a deep breath and carefully kneels back down to the child's height before he holds out a hand and gently alights a small cerulean flame ablaze in his palm. He glances at you carefully.
When you come back with the band-aids and medicine, you notice the child's laughter filling the air. The child is now fully seated on his lap with him carefully juggling the fire around them.
-----
Now bandaged up and much more dry-eyed and content, the mother soon arrives. It turns out the little one had gotten separated in the rush hour of people. She's surprised to see Dabi entertaining her child so well, despite his looks, but offers him a gentle smile and thanks you both softly as she gathers the little one into her arms.
As they're walking away, Dabi just casts his eyes over you.
"Don't even think about it."
"Think about what?" you smile.
"THAT. Stop it."
You giggle softly at him.
"...Maybe it's not so bad."
"Hm?"
"Maybe it's not so bad being just like you...every once in a while."
You can only smile in return as he grabs your hand and interlaces your fingers.
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Steve Harrington having a stutter? maybe Eddie and Steve are in an interview after revealing their relationship to the public (kinda ties with ur rockstar eddie drabbles?) and people make fun of his stutter. Hes always had it, he just doesn't talk in public so its a surprise to everyone that he has a stutter and that they actually get to hear his voice
So I know the request said he always had the stutter, but I wanted to do something head trauma related for this because Eddie is gonna get a little overprotective and says some stuff about his very amazing husband to be. I've never written a character having a stutter before, so I hopefully made it realistic. In my head, he struggled with some hard consonants and 'th', 'ch', and 'sh' sounds. - Mickala ❤️
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“Everyone please give your warmest welcome to Eddie Munson and Steve Harrington!”
They walked onto the stage with smiles and waves, hands clasped between them as they walked to the couch they’d be sitting on for their interview.
They chose this talk show host, Hannah, because she wasn’t pushy, asked heartfelt questions, and wanted to get the genuine stories out there.
Steve had been nervous to be on any talk show, so he was the one who made the decision to be on this one and Eddie was happy to oblige.
Her viewers may not have been his usual crowd, but if it made Steve more comfortable, he didn’t really care.
“Wow, that was a warm welcome!” Eddie exclaimed.
He wanted to keep it light; Steve’s hand in his was sweaty and shaking, and he knew Hannah could see his nerves.
“I think everyone is just so excited to have you here! You’re not our usual guest, I’ll be honest, so you’re shaking things up for all of us.” She smiled before looking at Steve. “Now, let’s get the elephant in the room out of the way first. Steve, that ring on your finger sure is a beauty!”
He glanced down at it for a moment, smiling to himself.
Eddie proposed a month ago, on their week-long getaway to Greece, and as much as they tried to hide it, it was on the cover of every tabloid and online news article within 24 hours.
They hadn’t even come out officially yet.
It caused Steve to panic, and then Eddie panicked, and then they both decided to take control of their own narrative and do this interview.
“Th-thank you,” Steve replied. “Eddie did g-good, didn’t he?”
Steve’s stutter was barely noticeable when they were in a comfortable environment, especially since they’d been together for so long. But when they were in a stressful situation, or around new people, or both, it became more obvious.
Steve had already spoken to Hannah about it beforehand, said he wouldn’t mind talking about it as long as it wasn’t the focus of the interview. She agreed and said that she would follow his lead on everything, and Eddie warned her he wouldn’t hesitate to walk them both off the stage if Steve got uncomfortable.
“He did great! Honestly, I’ll have to get you to show my husband how to pick an engagement ring. Bless his heart, he tried. Luckily, we married for love and not his ability to know what I want in a ring.”
The audience laughed, and Steve couldn’t help letting out a small giggle.
“Soooo…tell us how he did it!” Hannah continued, eyes glimmering under the stage lights.
“Um.” Steve took in a shaky breath. “We were at a p-priv-vate d-dinner on the beach-ch.” Eddie squeezed his hand once, smiling over at him as he let him lead. “He s-sang me a s-song and th-then proposed.”
“How romantic,” Hannah rested her head in her hands and sighed. “Everyone in the audience is going to show this to their significant others for them to take notes, I’m sure.”
“He left out the part where I also bought him the fancy wine he wanted only for it to be the worst thing we’ve ever tasted and we ended up giving it to a couple further down the beach,” Eddie added, playfully nudging Steve’s shoulder.
“Yeah, w-well,” Steve shrugged, blushing profusely.
“What a letdown! Hopefully the other couple liked it,” Hannah laughed.
“They didn’t complain, but honestly we didn’t stick around for too long. We were freshly engaged and had much better things to be doing,” Eddie winked at the audience.
“Oh, I bet you did!” Hannah smiled before getting more serious. “So you’ve been together for a while?”
“We were friends when we were really young, and it grew into more when Steve was supporting me and my band in the local bar scene. We’ve dated for almost four years now.”
“Awww. And you’ll be getting married pretty soon, right?” Hannah asked.
“Yes, we d-decided on next March-ch,” Steve added. “Spring is when w-we met-t.”
“Lovely! I’m sure the wedding will be quite the party.”
“We’re keeping it pretty small, just family and our circle of friends. My bandmates will be there. Just us back at home with the people who love us,” Eddie smiled.
“I think that sounds wonderful.” Hannah clapped her hands. “So, Eddie, with all this excitement in your personal life, what’s it look like for the band?”
“I’ll be on tour with them for August and September, and then we’ll be working hard on recording the next album in October and November so we can have it out next year. I won’t be doing anything else until after the wedding, though. I promised Stevie I’d help him plan everything.”
The crowd cheered, and Steve spoke up.
“He also p-promised t-to visit the loc-cation with me in Novemb-ber so we’ll see,” Steve teased, seeming to relax quite a bit more.
The interview carried on, mostly focusing on Eddie’s band and some more casual talk of the wedding and future plans.
Steve never completely relaxed, but he seemed much more at ease as Hannah focused more on Eddie for a few minutes, smiling at Steve when he decided to add something.
“Alright, that’s all the time we have boys! It was lovely to have you and we’re so looking forward to your future together!”
The audience cheered, the boys waved goodbye, and they walked back to the green room to grab some water before going back to their hotel.
Eddie stopped Steve in the hall, ignoring the people passing by, and pulled Steve against him.
“I’m so proud of you, sweetheart,” he whispered against his lips before pressing a soft kiss there. “You’re amazing.”
“Eds, st-stop,” Steve blushed.
“Nope, wanna tell you all the time. You’re incredible.”
“F-fine.”
—--------------------
Steve is a lovely person, and I will not tolerate hate comments on anything related to the interview I did with him and Eddie. My team always does the best with reporting hate comments, so keep that in mind before posting something you may regret later. Any Eddie Munson fan should know that Eddie wouldn’t accept this disgusting behavior towards his fiance.
Steve could feel tears welling in his eyes as he read Hannah’s lovely public comment about some of the hate she’d been receiving in regards to their interview.
One comment in particular had hurt to see: a fan claiming that Eddie just felt bad for him and didn’t want to break up with him because Steve would run to the press with negative stories about him.
Eddie was still asleep, hadn’t seen most of what was being posted since the interview aired first thing that morning, but Steve did.
He liked Hannah’s statement and posted it to his Instagram story with a heart emoji.
He went through some responses from Eddie’s bandmates and liked them, too.
Steve is probably the best thing that’s happened to all of us, so any “fan” of ours who doesn’t see how awesome he is, consider yourself uninvited to any show. Gareth posted.
You guys better hope Eddie doesn’t hop on here and see all this or he’ll end up hunting you for sport. Jeff joked, though Steve knew that he may be more right than not.
Imagine being so jealous of someone that you decide to make fun of the one thing they’re self-conscious about. Couldn’t be me. Grant posted on all his social media profiles.
Then he saw Robin’s post and his heart stopped for a moment.
My best friend is the bravest person I know. He only has a stutter because he risked his life to protect me. If head trauma is a joke to you, then I hope you find new material soon. When Eddie sees this, he’s gonna lose his shit.
Steve let out a mix of a sob and a laugh, startling Eddie awake.
“What is it, sweetheart? What’s wrong?” he asked as he sat up in their bed.
“I g-guess p-people aren’t a b-big fan of me,” he said as he held his phone out towards Eddie to show him what was going on.
Eddie’s face flushed red with anger before he calmly handed Steve his phone back.
“Eds?”
Eddie silently reached for his own phone and pulled up his notes app.
Steve watched him type furiously for a few minutes, then screenshot a couple of times, and open Instagram.
“Eds…it’s fine. Not w-worth it.”
But it was too late, and Steve’s phone went off with a notification that he’d been tagged in Eddie’s post.
It was a series of pictures, the first being a picture taken of them shortly after Steve’s worst head injury, when he barely could speak at all.
The next few images were the screenshots from Eddie’s phone.
I can’t believe I have to say this, but here goes. Steve Harrington, soon-to-be Munson, is the best person I know. I am lucky to be able to wake up next to him, to call him mine, to be his. He is incredibly brave, incredibly loving, and much too forgiving. He will be much nicer than I will. He is not defined by his stutter, but it is a part of his life, and it does impact him much more than he should ever have to worry about. But that picture you just saw? That was a man who could barely even say my name. I thought I would never hear him even say my name again. I’ve seen comments making fun of how he talks, how long it takes him to say some things, his intelligence. And I won’t tolerate it. If you have anything negative to say about him, unfollow me before I block you myself. Fame means absolutely nothing to me compared to this man, and I won’t let him suffer through the bullying just so I can make some fucking music. See yourself out or see us be happy. Up to you.
The last image was a picture of them the night before, cozy in their bed, Steve looking into the camera while Eddie looked at him, so much love passing from him it was almost a physical presence.
“Eds-” Steve started.
“I love you. I won’t let anyone let you think for a second that I don’t,” Eddie said fiercely.
“I know. I l-love you, t-too.”
They both shut off their phones for the rest of the day, didn’t care much for anything outside of their bed.
Steve called Hannah to thank her for everything the next day, and she was grateful to hear from him. He explained that he wouldn’t be doing any more interviews, but was glad he’d had a positive experience with her.
“Do you think Eddie will come back to the show someday to talk about you?” she asked.
“I th-think you’ll reg-gret asking him back. He won’t sh-shut up about me,” Steve smirked to himself.
“He shouldn’t. You’re both so lucky to have each other.”
“Yeah. W-we are.”
#steddie#steve harrington#eddie munson#stranger things#ficlet#request#rock star eddie munson#modern au#established relationship
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Preliminary thoughts on The Bear, race, power and privilege
I’m a non-Black woman of colour who has spent all of my life in the west…so I’ve consumed a lot of television media that is produced by and for the white gaze. The most obvious way that gaze plays out is when people of colour are non-existent in a cast, or when they are included, are tokenistic, bit players.
A more insidious manifestation is where POC are cast to play parts that could just as easily be played by white folks: characters that have no interiority or external relationships related to their cultural identities, wider communities or individual or collective histories (for example, Mindy in The Mindy Project for most of its run, or the characters of colour in Season 1 of Bridgerton).
I've had some thoughts about how The Bear (thankfully) avoids tokenistic and "colour-blind" representation. I also have some thoughts about how the show models meaningful allyship. I'm so keen to discuss this with folks and hear what others think about it too.
Unambiguous and unapologetic
The Bear is confined in its universe, particularly in season 1 where it’s focus is tightly bound to the physical location of The Beef as the setting for almost every scene. Episodes of The Bear are generally not very long, so time is precious (every second really does count). These factors necessarily limit how deep we can get into each character. But the show is so good at drawing on different means of communication: images, lighting, score, soundtrack, phrasing, callbacks to previous episodes, other cultural references etc, that each episode is like a jewellery box with gems waiting to be unpacked and pored over. I've said that I have started reading this show like a tarot deck because of how rich the symbolism in each episode is.
So despite the constraints of time and setting, characters of colour in this show are also so very rich in their realisation and portrayal. These characters are unambiguously and - this is important - unapologetically racialised: through language (see: Tina’s use - and occasional weaponisation lmao - of Spanish), physical appearance (see: Sydney’s two-tone braids and her stunning, prolific collection of headscarves throughout the show), culturally distinct names (see: Sydney Adamu, Ebraheim, Tina Marrero, etc), food (see: Carmy’s peace offering to Syd in ep 1x03 of Ebra’s family chicken suqaar - a popular dish in the latter character’s birth country of Somalia), etc.
GIF by @chefkids
These may seem like small and inconsequential details to some. In fact I’ve been seeing a lot of commentary from folks online saying that what they like about The Bear is that race isn’t mentioned at all on the show. But make no mistake: race is all over this thing. The examples I've given are only some of the many references to racialised histories and cultures that build out the broader fabric of multicultural Chicago here.
What is not present in The Bear is a script that is wasting time explaining the characters of colour and their rich inner and outer lives to white folks. Those things are just a given and we are invited to witness them being brought to vivid life by this cast and crew. And I am fucking here for it.
Respect and allyship
Another thing I LOVE about this show is the respect given to, and the recognition of, the experience, talent, drive and ambition of its characters of colour.
This is most obvious in the relationship between Syd and Carmy who are signalled as complementary equals in many ways. Others have written on the importance of the representation embodied by Sydney’s character and you should search out that analyses, especially when its authored by Black women. The only other thing I’d say about it is that I love Sydney’s character and I also love endgame Sydcarmy (even if it’s only hinted at in the last second of the last frame of the last ever episode lmao…I will take whatever I can get of these two 😭).
I also see the show’s respect and recognition manifest in The Bear's investment in its staff, particularly in season 2. Everyone who worked at The Beef has a role at The Bear and Carmy, Syd and Nat fund the ongoing training and upskilling of their largely racialised staff to make sure this happens. Ebra and Tina are paid to attend culinary school (Carmy also gives Tina his prized knife for her studies and beyond). Marcus is sent to stage in Copenhagen to develop his skills as a patissier. And then we have The Bear itself - what started as Carmy and Michael’s vision, is now the whole team’s baby, with Sydney literally being made the captain of the ship by Carmy at the end of ep 2x09.
GIF by @savagegood
Part of what was so tragic about Carmy's fridge spiral at the end of season 2 was that he didn't get to see how beautifully the team came through in a crisis. Instead we had him internalising, regressing and lamenting how he had let everyone down. This language centred Carmy as the be all and end all of The Bear (saviour vibes) when this couldn't have been further from the truth (particularly in a season where the man spent so much of his time not in the restaurant but chasing manic pixie no-last-name-having Claire....but I digress).
Carmy is his best when he checks his ego, takes a step back and realises that he is not alone. He is part of a whole chosen family supporting one another at The Bear. And I get the sense that the folks creating this show know that we need more white folks using their power and privilege to step back and facilitate access, and less gatekeeping white saviours taking credit where its not due.
After all, and paraphrasing Viola Davis, the only thing that separates people of colour from anyone else, is opportunity.
12/04/24 Note: I’ve amended this post because I forgot to mention the most pivotal example of Sydney along with her relationship with Carmy. Also made some slight stylistic changes to phrasing cos i fixate on errors lol
#the bear#the bear hulu#the bear fx#white gaze#critical race theory#carmen berzatto#sydney adamu#tina marrero#ebraheim#marcus brooks#allyship#white privilege#power#chris storer#joanna calo#sydney x carmen#sydcarmy#carmy x sydney
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i know this may be obvious to a lot of people, but i thought it was worth saying anyway: i love the good omens fandom because it encourages contribution more than any other popular fandom i've been in.
i'm incapable of being a casual fan of anything. it's just not in my nature. i've been in fandom spaces just over a decade - fandoms related to musicians, books, films and tv shows - and yet i've never been in a fandom that captures, creates, analyses, jokes, and just talks more than this one.
in most of the fandoms i've been in, there's a lot of passive consumption of fan content, which is obviously great and we all do it, but in the good omens fandom, that doesn't seem to make up the majority of our behaviour. in fact, when i got back on tumblr for the first time in 7 years after watching season 2, i had a look around at what the fandom was doing for a day or two and my first thought was: oh god, what if i've got nothing to say? what if i've got nothing to add that hasn't already been added? i immediately felt that i wouldn't truly be part of things if i didn't get stuck in.
if i'm fixated on something or particularly enjoying it at one time, i might wake up in the morning or pick up my phone/laptop thinking, i want to see more, hear more, learn more about this thing. that's still the case with good omens, but with the addition of, how can i contribute today? how can i bring something to the fandom, how can i connect with it, how can i consistently encourage and support the people in it? and that's all because of how artistic, analytical, poetic, humorous but above all enthusiastic all of you are.
the truth is, i'm not at all a confident person. i've got a film degree, i've done stand-up comedy and i've written comedy sketches, i was a popular fanfiction writer for years (hi supernatural fans), and i've shared poetry, too. so, i have got experience in things that could make my contributions to fandom spaces worthwhile (not that you need any particular achievements under your belt). yet usually, the fact that people are doing things that i'm doing infinitely better than me puts me off the idea of doing them at all. so, oftentimes i don't do them, or if i do i put them down immediately and keep them private.
i'm still very much experiencing that feeling since becoming active in the good omens fandom, precisely because there's so much talent and dedication here, but i'm trying to ignore it because it feels like everyone who wants to say something is genuinely valued - especially since people who think differently about aspects of the book and show aren't actually fighting with each other or obsessed with proving they're right, which is quite rare in my experiences of fandoms.
it's been really really refreshing to become an active part of this fandom and i do hope it remains that way as more time elapses since season 2 was released. i have a feeling it will because we've all chosen one of the most wonderful stories of our time to engage with, and the fans' love for it was and is taken more seriously by terry, neil, david and michael than we ever could've hoped for.<3
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LEMME HEAR YOUR UNHINGED TMA RANTS! <3
Oooh I think I've already posted a lot of my rants but one of the characters who I haven't really had a whole rant on is Martin K blackwood.
THIS MAN. This man is so wonderfully written. A lot of characterisations of the "nice one" are quite flat and don't really expand much on them being nice apart from maybe giving the person low self esteem. What I love about Martin is how masterfully it uses that sort of prototype of a character and makes it much more gut wrenching and relatable. He starts off as sort of the office dunce from Jon's pov, which early on we also realise is unreliable. He's the bumbling idiot, the sweet fool and I get it. As a fat person, I feel like a lot of us feel pressured to be the comic relief or to put it more precisely, the one to be laughed at. And he's seen the gap in the archives, he's seen that role that needs to be filled and he's easily filled it. When you have the group of Tim and Sasha and then Jon, the only thing that could unite them is mutual awkward laughter towards Martin. And Martin is used to seeing what's there and filling the gaps, man is a people pleaser to a fault, he has had to guess what his mum didn't like about him and change accordingly, getting it wrong every time. He makes himself palatable which is so REAL especially for a fat person and/or traumatised people.
And then we see this more calculating side of him. He LIED to all his colleagues and his BOSS about a qualification to get a job and then kept that lie going for at least a couple of months. Listen, I don't think it's fair to label Martin as completely a manipulative calculating guy who's just put on a mask but it's also not exactly fair to characterise him as just a sweet, tea making guy who wears jumpers. And that's what I love about him. He's so complex. I feel like it delves into the idea of having both a saviour complex as well as an inferiority complex. He's had to make choices that are above his skillset early in his life and frequently, he's been blamed for causing other people's emotions so he naturally thinks he has control over how other people feel. Which gives him that sense of responsibility, like I can save anyone cause I can control their emotions, if I'm nice enough then they won't be mad/ill/sad/they'll love me. But at the same time, these sort of underhand methods of indirect communication don't resonate to him as causing any damage cause he doesn't actually think he's important enough to cause damage or have an impact on other people's lives
I don't think it's of any shock to anyone that my favourite Martin is angry Martin. It's the part that fights against both aspects of this inferiority/saviour complex because it 1. Is a path of direct communication. He has the opportunity to state exactly how he is feeling and the focus is on that rather than how can I get the other person to respond. 2. It recognises that he is important. Anger is in response to perceived injustice, frustration, annoyance and all of those things are in a way, self preserving. Obviously it's not good to do that too much (see: Tim Stoker) but there you go. I'm not saying angry Martin is perfect or anything but I'm saying that it's so satisfying and interesting to see cause it completely goes against the characterisation we've been given so far and it introduces a whole new facet to Martin - that he doesn't want to be ruled by his trauma and past experiences.
It's honestly a joy to see Martin develop into someone who fights more against the role he's been "given" while simultaneously playing into it. His whole Peter Lukas arc is very much a part of that. Essentially he's saying I'm not important enough to contribute the way you are (inferiority) but I'm still going to try and control things behind the scenes (saviour). So when Jon goes to save him it breaks that, he looks him in the eyes and tells him you, Martin K Blackwood are Important, you make an impact and you Mean Something. You don't have to save us all. It's such an important part of his character arc and honestly it blows me away every time I think about it.
Plus obviously the whole isolation thing is just so AGH it's just so built in to his character it makes complete sense that he has a tendency to isolate himself. It fulfills both the inferiority and saviour - he doesn't think he's important enough to be missed but also he feels like it'll push them into missing him. Solving the problem and putting himself down in one fell swoop.
Our final stage of Martin is one that is far from perfect, far from healed but absolutely closer than he was at the beginning. He shows more of himself, in working towards realising he makes an impact on people, telling jokes and just sharing his thoughts to Jon. So what does him stabbing Jon mean for this? Honestly I'm not entirely sure (I'm gonna be honest I did not realise this rant would be so long lol) but I'm thinking along the lines of this is an ultimate show of acceptance of his significance and rejection of his need to save people. He is committing the most direct act of all, he's doing this in the same need to help people but instead of being manipulative about it, he's just directly doing what needs to be done. But also he's not saving Jon, he's doing the complete opposite. He couldn't control Jon's response to the situation, as much as he wanted to, so he did what jon wanted. I might not be explaining this right cause I'm not entirely sure what I mean either but I'm trying to say it's a poetic end. It's separate from everything he was but in a way that's parallel to and pays homage to his struggles. He's still being sort of a saviour and he's still arguably not the most important person in this scenario but the point is that it's in a different way than he's used to. In my opinion, a better way.
Anyway yeah thank you for enabling me, I didn't know how much I needed this rant and I didn't know I had so much to say lol. <3
#tma#the magnus archives#jonathan sims#martin k blackwood#jmart#jonmartin#tma character analysis#character analysis#martin kartin blackwood#martin blackwood#tma martin#tma martin blackwood#answered asks
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If they are keeping Lou around for any part of season 8 the show has to put an end to the cameo nonsense. Some of the Buck/Oliver takes that are starting to make the rounds are next level insane. I saw one scolding Oliver for making Lou do all the promoting of the ship. Another post said the writers needed to up Buck's game because he's not at the level of commitment yet that Tommy is being written (wtf when were these episodes). And yet another post scolding Oliver for promoting Buddie and Buck for continuing to spend time with Eddie.
They are taking these PAID (you paid him to say this shit) videos and making them canon. No part of anything he's saying is canon. Firstly, he wouldn't be allowed to tell them any actual canon facts and secondly Oliver/Buck is the character/actor the show gives a shit about. He's encouraging this nonsense and it's gross. Him promoting himself is fine, it's low-key cringe given the fact the other half of the ship is silent but you do you, babe. Oliver's silence is what's pissing his fans off. Seriously tell me you're new to Captain Starks ways without telling me you're new. He promotes no ship but the Buddie ship, canon or not. These people are here for Lou. When he goes, happy for him to take them with him.
I'm not sure why they keep letting him do those cameos especially after he pissed people off when he said T*mmy being homophobic and racist to Hen and Chim was just teasing. He also talked about people recognizing him in Thailand in the AH interview and did this fake stereotypical asian accent. 🤦♀️He really needs a better agent and some media training because they'd for sure tell him to knock that shit off.
I could see the cameos being fun to do a few times when he first came back to the show even to garner excitement about B/T and T*mmy but the fact that he's done so many now and has even raised the price just makes him look desperate for attention. And like you said he gives all these headcanons about T*mmy in his videos that his obsessive fans have taken for absolute fact. We would never hear the end of it if Buddie fandom was paying Ryan for videos like that.
I agree with you that a majority of B/T stans are here first and foremost for T*mmy and Lou not Buck and Oliver. I still can't believe that a lot of them used to be Buddie shippers. I think everyone should be able to ship what they want including multishipping but I don't get how some of them dropped a ship they were seemingly invested in for years for the nothing that is B/T.
That part of fandom also loves to call us delusional and say we're seeing only what we want to see but a lot of times we're just pointing out what's actually happening. Like in the recent episode T*mmy was being a downer to Buck's enthusiasm (which has basically become the norm for them). The camera also paned to Eddie after Buck got his award not T*mmy. Buck chose to run off to Eddie's after work not to T*mmy's. These are things the show is literally showing us not just stuff we're imagining.
It's similar with Oliver. They can come up with all the reasons in the world why he's never promoted B/T through this entire season but it doesn't matter because he still hasn't and likely won't. I've seen them say Oliver doesn't post anything about B/T or Lou to avoid dealing with the hate or to not upset Buddie fans or to protect Lou. The thing is though Oliver has left social media before when he's had issues and could again if he wanted to. He's also been dealing with homophobic comments since Buck came out but he's never shied away from talking about Buck coming out and has even addressed the hate on his insta.
Oliver liked a couple of B/T pieces of art when the story first happened but I think that was more to support the bi Buck storyline and the artists than anything else. Multiple times during this season he's liked Buddie art (including a tattoo which he commented on three times) he's also posted Buddie related and Ryan stuff on his stories. If he wanted to show support to Lou or B/T he could easily post on his stories where people can't comment. B/T stans can think what they want but it's clear Oliver doesn't promote any of that because he's rooting for Buddie harder than anyone. I think he knows B/T isn't going to be around forever and he's trying not to lead people on about it as he's said in the past he hates to do that.
I really hope we can get rid of T*mmy at the end of s7 although knowing Tim he'll probably keep him for added drama until s8. Unfortunately even when B/T ends I expect those fans to do a lot of complaining because they've concocted this whole idea in their head that T*mmy is Buck's endgame soulmate. They even want T*mmy to be added on as main character and get a begins episode. So I fully expect some of them to riot when he inevitably gets the ax. The rest will probably run back to Buddie the minute it becomes canon and try to pretend they never left. Jokes on them though because a lot of Buddie shippers have blocked them for how awful they've been this season especially towards Eddie.
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Okay, I’m at a computer again finally. I want to update and organize my rules before I do anything. It’s been a while since they’ve been changed and I really feel like I need to adjust them for my own comfort. Also, just a reminder @thylightbringer is my main Lucifer and one of my best friends. Things that reference a Lucifer in threads relate to them. We’re both silly little beans and you should definitely follow them if you don’t already. I adore B with everything I got.
Some other cool beans you should definitely follow:
@alteregozowie @radioiaci @diistortion @adflictus @solmxri @arachn0philia @gamblins @paymons @hotlhost @chasingrainbcws
They’re rather incredible writers who put great spirit and love into their muses. I haven't had the pleasure of interacting with all of them yet but I certainly watch them from afar, admiring the way that they write their muses. All of us put such depth thought love and passion into our muses and a lot of the time we don't feel like it gets seen read or cared about but that is certainly not the case. Though we might forget to leave a like or feel awkward giving a comment on something we're not a part of, everyone has carved out a wonderful spot for themselves in this silly little space.
Zowie, TJ and Luke are beautiful artists who put passion into making their muses come to life. Luke especially has poured time and effort into helping me bring Mike into reality on the wonderful art he has made for me. All three of them draw their own icons for their muses to breathe even more passion into the things they're making. The time, effort and love that has to take is beyond my small brains comprehension.
Gold I noticed draws too, I saw their wonderful art of Angel at Halloween in that kinky latex outfit which you can see on their artblog @golddraws and they are very much talented as well. I adore the way they play Angel and the absolutely amazing and hilarious Gingerbread fight that they engaged with me in. I still can't believe how long they kept that up with me without getting annoyed.
Autumn and Rory are two people I haven't gotten the chance to engage with yet but that I have carefully watched on the blog since sticking them in my pocket. Rory is very passionate about Paymon and the hcs, meta, various posts that they have made about them are absolutely brilliant to consume up. I absolutely love watching them engage with others. Autumn writes two other muses and the new bird along with Husk really are people Mike is going to scoop up and steal. Their blog aesthetics are so pretty and I adore Husk! He feels very on character from the posts I read from them. Especially with Angel, I read a lot of the Angel threads.
Charlie @chasingrainbcws is very aware of how I feel about them. Though it's been a while since we're written together (I need to throw some memes at you) they very much capture the feeling of Charlie herself from the show. I've only written with their Charlie and Emily (briefly her) but each interaction I got to do with the Princess of Hell very much felt like I could hear her voice or see her actually doing what she was in the show. I could clearly visualize our thread and I loved that. They are an amazing writer who really captures their muse well and I can't wait for the things we might get to do in the future. Either with Charlie or the other wonderful muses they write!
May @hotlhost is my newest friend who I've engaged with briefly but I loved and laughed so hard at the things we've done already. Charlie is absolutely brilliant and adorable and the interactions I've seen of them feel so spot on. Mike already very much wants to scoop his niece up and tuck her away somewhere where things won't get to her. I can't wait to see where their relationship develops when we get a real thread going!
Yata and Tordo are my friends and I will kill for them. @adflictus @solmxri are my chaotic partners in crime along with Bianca @thylightbringer. They've put up with me, listened to me ramble / cry / scream / have a breakdown more times than I can count. They've handled my for so long it should deserve some sort of metal of honor. They're all beautiful writers who have put so much time and effort into their muses (especially Tordo whose been around maybe even longer than me and created the Gabriel Yata writes), and the depth that all takes is remarkable. They all breathe such life into their muses and world and I love them. They will forever be a part of anything I create.
#( this took me an hour to type )#( bless anyone who reads it )#( positivity time! )#○ — 「 promo 」 saints and sinners.#○ — 「 inu 」 ooc.#( I adore all of you and my the stars shine upon everything you do )#long post cw
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now, if you'll excuse him, he has to go and fall to his knees before either dumbledore or voldemort.
ok hear me out why must there be an or. why can’t we have snape/dumbledore/voldemort all at once (in the interest of unhinged ships that really could be rather hinged if u think about it, i am waiting patiently for u to tell me how actually, we very much can have snape/dumbledore/voldemort)
hot.
anon, you are so right that snumblemort has the potential to go really, really hard and i am now entirely compelled by it as a concept.
i back each of the constituent two-person pairings entirely - i've written about snumbledore and riddledore, and i know there's an ask sitting in my inbox about snapemort [which i promise i'll get to].
and, i realise, i back them for exceptionally similar reasons.
both snumbledore and riddledore work because the potential for horror baked into them [the age gaps, the fact that dumbledore was both men's teacher, and so on] exist in conjunction with the fact that there would clearly be the foundations for genuinely meaningful relationships chilling cutely among all the ways in which they're fucked up.
all three men are the only people in the series who can be feasibly described as the others' intellectual equals - and all three share the same outlook on what the purpose of magic is and how one ought to relate to it [even if dumbledore hides this behind his shame at how his belief in the value of magic and magical experimentation as power triggered the whole grindelwald debacle...]. i think there's an immediately compelling prompt for a fic in which the three end up being forced to work together to solve some sort of mystery - the chance to pour over ancient manuscripts in candlelit libraries, or race against time to unravel the base of a curse or a poison, or try to figure out a series of puzzles or clues contained within dark objects would be right up their alleys, and nothing's hotter than a man who takes an interest in your sapiosexual pretensions.
but i'm also really interested in the ways in which snumbledore and riddledore really work as the most plausible pairings in which dumbledore can be made to do some actual self-growth.
his canonical relationship with both snape and voldemort is born of his own self-loathing - when he tells snape, in the prince's tale "you disgust me", he's speaking to the memory of a man whose selfish desire to impress someone he loved was utterly destructive; he is not disturbed by meeting the young tom riddle in half-blood prince until he describes himself as "special", and his loathing of the adult voldemort's obsession with fame and notoriety is evidently caused by the fact that these were both things he once [and still] desired.
and he's forced in canon to confront this in his relationship with snape - after snape agrees to kill him in half-blood prince - and to come to regard snape as brave, loyal, steadfast, and trustworthy. he's never - for obvious reasons - made to do this for voldemort in canon [and, indeed, he is strikingly oblivious in half-blood prince to the things about voldemort which inspire harry's sympathy - above all his lingering grief over his mother's death], but i think there are numerous plausible scenarios in which being forced into closer proximity to voldemort could bring this about. the canonical voldemort has an extremely profound - if also extremely odd - sense of honour, and he also possesses the capacity to - in his own little way - be surprisingly brave, and i always think there's something quite moving about fics in which dumbledore has no other option but to recognise this.
and dumbledore having to drop his mask would be good for both snape and voldemort. it's clear in canon that one of the reasons voldemort dislikes dumbledore is that he considers him a hypocrite [especially because he decries voldemort's ambition for public attention while courting such things himself] and that one of the reasons snape dislikes him is that he feels he conceals things from him because he distrusts him, even as he's asking him to risk his life for the order. both of them learning why it is that dumbledore constructed his public mask of benign eccentricity would help them make sense of why he is the way he is.
and it would allow all the similarities between the three to fully emerge. one of the reasons why snapemort really slaps as a ship is because snape and voldemort have so much in common - especially their experiences of childhood poverty, their disappointing fathers who they greatly resemble, and their periphery to the posh, pureblood world they both long to be fully part of and also long to undermine and humiliate. and dumbledore has the shadow of a similarly difficult childhood - and a similarly difficult relationship with his father and his legacy - lurking over him. all three also carry the weight of life-altering grief [even if voldemort is the one of the three unwilling to admit to this]. i think there's a lot of opportunity for the recognition of each in the others that they all canonically use to drive their own loathing to mutate into something which might look a lot like respect...
do i think it would be healthy? ...eh, probably not. all three clearly have really fucked-up views on intimacy and love, for one thing, and i doubt whether any of them really has the potential to let go of their original ways of seeing the others, to be properly honest, or to relinquish the power dynamics established between them from the beginning of their acquaintances.
and yet...
#asks answered#asenora's opinions on ships#snumblemort#wake up babe new toxic triad just dropped#albus dumbledore#tom riddle#lord voldemort#severus snape
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Something a bit more important than fandom, give it a read please. It is an issue that has been bothering me to the point of serious emotional distress for years.
Not related to ER but since I have hundreds of people following me here, I thought I'd share an article that is about the moral cost of cats in regards to birds. Much like other social media sites, tumblr also treats cats in a cult-like way, so I think reading something like this is essential for everyone. It is an excellently written article about a scientist and their fight against birds constantly going extinct BECAUSE of cats and irresponsible owners.
I am also sad about constantly seeing that every time someone brings this topic up, cat owners who can behave like they are part of a cult, immediately start acting vile and throwing death threats. So imagine thinking you, as a cat owner, are the victim when birds and small mammals are losing this fight every single day with a lot of species going extinct as we speak because of the very people who don't want to hear the truth. It baffles me that they say they like animals so much, especially cats, but at the same time, when other people who see the whole picture and are actually animal lovers who love more than just cats and dogs are suddenly their main enemies? How does that make sense? Once again I wish I could express myself better but English is not my mother tongue.
I can bring my own experience into this as well, I live in a country where cats outside are in such amounts that is is straight up just a pest issue - cats being the pests. I see how in the last 10 years, a booming blackbird population where I live went down to basically seeing one blackbird a year. I live next to a huge lake that is supposedly a national park type deal where birds are protected, and yet, on the street I live in that is right next to the lake, there are at least 3 outdoors cats per house, doing irreversible harm to the birds in the lake area. There is one person who owns 17 outdoors cats whose cats not only hunt for birds all day, but also baby chickens in neighbours' yards. When confronted, the owner said he doesn't care. Don't forget that cats kill for fun and sport! And there are no laws or anything to fight this, and I feel completely helpless because birds are essential.
I would make it mandatory for everyone to care for an injured bird that was hurt by a cat. And try to nurse them back to life, just to put things into perspective. I've been doing just that almost every summer in the past several years. It's heartbreaking. And I don't have options because the only bird hospital is across the country from where I live. So I have to rely on myself and the short training I had in bird emergency.
And knowing that a lot of cat (and dog) owning for the most part comes down to people being emotially stunted and refusing to see how harmful their pets are is just incredibly sad and also infuriating. Because that is the truth of it. The hypocrisy is wild. And it is a losing battle, especially since social media has been a thing for the past decade or so. It's much worse now. So if you like birds, please read the article. If you are a diehard cat owner who thinks everyone else is wrong, also read the article. Maybe you will see where the scientists and people who care for more animals than cats are coming from.
Also, I am really bad at confrontation and fights generally, so I will not tolerate any vile comment or addition on this post that will start to pick a fight. The energy you would use to fight me would have better use if use used it to keep yor outdoors cats inside. And maybe if it was used to actually help animals instead of hoarding them. This post for now is also for my followers only, so no reblogs. But even if 2 people read this post and the article, that's good news for me.
And also just to try to describe how I (and other people who love birds) feel: imagine this made-up scenario where the birds are the cats. You love cats more than anything, they have been going steadily extinct because of an animal that is a popular pet. You love cats but this other animal that is a popular pet is killing cats for fun. And the owners of this other popular pet think it is super cute how their pets are killing your favourite animals that are going extinct. And you can't bring up this topic ever, because the popular pet type that has been killing your fave animal is so so popular that people will gank you via comments and real life for it, no matter what. Now THAT is what fighting for birds and small mammals feels like when we try to bring this topic up with cat owners.
And if you unfollow me for this, good riddance. Just know that before you think you are the victim for people pointing out how harmful cats are, you are actively harming the environment and are responsible for birds and small mammals going extinct - because you are responsible for your cat. Cats by themselves wouldn't be an issue if it was a natural setting, without the human part, but it isn't. Humans are hoarding cats, so their ratio compared to birds is outlandishly big and unnatural. In no natural setting would cats be this rampant without the hoarding aspect. Humans hoarding cats and being irresponsible are the issue. And you can marinate in that after you unfollowed me.
For the rest of you who I reached with this post, thank you for reading. And I know this is not a fandom topic, but it is extremely important to me. And it should be extremely important to way more people. It is a global issue. It is always wild to see the lengths so called environmentalist go into to fight people about recycling and veganism, but hoarding killing machines somehow is acceptable to these very same people. Extend that cat (and dog) loving to other animals as well. Also, hoarding animals will not fix your emotional / psychological problems. It will only distract. There are less environmentally harmful ways for distraction.
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you know what?? Fuck it, there's something I've GOTTA talk about:
(don't worry this isn't like a serious post or anything. also its gonna be really badly written with grammar errors because I'm just really excited to finally be talking about this and I'm shaking like a leaf) (also, if you don't agree with this that is completely fine; everybody ships different ships, this is just one that I personally love and me explaining how it came to be and how I image it. I'm not trying to convince anybody of anything, this is just for fun. If you don't like, that's fine! All I ask is that there is no hate and that you just move on. Thank you!)
I love rairpairs. Like, LOVE them. Anyone who's seen my old transformers art knows that I ship DreadOp which is like, a nonexistent ship. like, the ship equivalent of being an endangered species (there's like 10 fics about it on AO3, so you KNOW it's rare). There's a few examples of me being like this but this is the best example that i have.
But this has gotten to the point where i have done something absolutely ridiculous: I have created an entirely new ship- no, TWO entirely new ships (I'm only going to be focusing on one rn). AND I'VE GOTTA TALK ABOUT THEM because honestly? I love them! so, what monstrosity have I created? Whoo... prepare yourselves (especially you, dark cacao cookie fans...)
Yep. Don't hate me. Please hear me out because honestly iv'e seen more heinous ships in my time on the internet.
so, first of all, the white dude is known as the milk village elder in CRK, and we only see him once in the entire game (that i know of). I love taking npc's and giving them characters, so this is kinda how this happened. I'm gonna start by talking about the milk dude and how i headcannon/ imagine him because it will come into play later.
I gave the milk village elder the name Whole Milk Cookie, because i couldn't exactly call him Milk Cookie; that names already been taken
Whole Milk Cookie isn't actually anyone's grandfather, despite him being called grandad/ grandpappy in the actual game. We never see anyone his age in the milk village, and I like to imagine that its sorta like an honorary title. Like, he acts like everyone's grandpa, so everyone calls him grandpa but no one is actually related to him.
Whole Milk Cookie is like, ungodly sweet. Like, diabetes kind of sweet. its ridiculous. there are only a few ways to get him angry; and trust me, you don't want to...
He's strong. Like, think Hollyberry type strong. Gives the BEST hugs too.
Nobody knows exactly how old he is, but people suspect that he's actually much older than he looks. This could be caused by his extreme talent with the milk that comes from the villages well; if its used right, the milk can cure disease, help pains, or even extend someone's lifespan/ help retain youth. either that or he's some sort of demon but hey, who's counting?
got all that? good. Now the question everybody's asking; why the hell do i ship this? What's the story here? What's the origin? Well hold onto your pants folks because this is where we get into me overanalyzing shit.
behold the line that started it all:
This is so SO vague. why the hell did they put this in here it is SO VAUGE. what does he mean by "THAT king"? you know what it sounds like? someone reminiscing of their time with a loved one who has now changed....
they never elaborate on what exactly this line means and this is the very last line we hear Whole Milk Cookie say in the main story
wondering where exactly he's gone instead of wondering when he's coming back? idk man you sound worried about him...
also saying "laid your eyes upon" just sounds so gay/loving and i don't know why. yeah your laying something thats for sure glfbnvbrfnjkrb (im so sorry)
There's also this line:
The ally thing is kind of given, but why and how isn't this guy talking shit about dark Cacao? Like, he has EVERY right to! but he's not.... its almost like he cares.... and sure he mentions the generation thing but just because your parents were friends with some dude doesn't mean you necessarily like them right? so what gives??
Then there's the matter of Dark Cacao Cookies SON:
who is DArk CHOCOLATE
now Dark Chocolate usually doesn't have any milk/dairy in it, but it DOES need a fat, which whole milk DOES have!!
So, in theory, it would make sense for cacao and milk to make chocolate of some kind, AND it would account for Dark Choco Cookie having a lighter skin tone than his father (lighter eyes and the double white hair streak too)
I also like the story implications outside of cannon:
two people who would generally not be allowed to be in a relationship due to differing status keep a relationship going for years behind the backs of their communities
Dark Cacao Cookie taking full responsibility for taking care of their son, only for everything to become too overwhelming and he begins to remove himself from everything emotionally, wanting to give his son over to his other father to be properly taken care of but can't due to the dangers that poses for everyone in his family
Dark Choco nearly kills him and Dark Cacao has to exile him and (because of a mix of psychological manipulation, grief, and regret) locks up the citadel, leaving Whole Milk Cookie out of the picture entirely
Whole Milk Cookie stews in anger due to everything that's happened and Dark Cacao cookie not taking proper care of their son but eventually falls into guilt as well because he saw the signs of stress and overworking from his partner and didn't step in, assuming that everything was fine (but is still mostly mad at Cacao because he REALLY fucked up and it's not an excuse)
Gingerbrave and the crew comes strolling up and gets the citadel open, and Dark Cacao admits to Dark Choco that he didn't care enough and that he should have done things differently, and that he loves his son. Dark Choco leaves the cookies of darkness and begins a journey of recovery while Dark Cacao vows to do better for his family and kingdom in the future.
Dark Cacao meets up with Whole Milk Cookie to truly apologize to him, admitting everything he's done wrong and that he should have done far, FAR better. He tells WM that he deserves better than him
Whole Milk is obviously still angry and will never forgive Dark Cacao for what he's done. but he still loves him despite everything and would much rather the two of them work together to fix things (not necessarily romantically, more just not hating each other wise) moving forward instead of breaking things off and stewing in grief and anger.
The two of them take things extremely slow and carefully because it's been a long and difficult process, but they, eventually, get back to where they were.
Their recovery process takes years, but by that point Dark Cacao has improved himself exponentially, wanting nothing but the best for his partner and kingdom (and now knowing exactly what NOT to do) They also eventually find Dark Choco Cookie and fix things with him, but that's a whole other can of worms I'm not going to open here.
Just generally a story of two very different people, who despite goin through unimaginable hardships, do their very best despite the circumstances. they love each other more than even they realize and the fact that they are able to fix what was broken by their own hands is a testament to that, despite all of the arguments and tears along the way.
TLDR: Dark Cacao fucks up, his husband is mad but still loves him because he knows him better than anyone else, Dark Cacao actually makes an effort and succeeds to be much much better, and the two of them eventually figure things out. An unlikely love story :)
Ok, wow, that was a lot and kinda sad. But there are a few thiings that i couldn't fit into the rest of this so imma just stick them here:
Whole Milk Cookie finds Immense joy in picking up his husband and throwing him across his shoulder like some kind of really important sack
Whole Milk calls Dark Cacao "Cacao bean"
Dark Cacao loves Whole Milk Cookies cooking to a stupid extent
Dark Cacao loves playing with his husbands fluffy hair
the two of them will often help each other do their hair because they both just have SO MUCH of it
Dark Cacao, despite popular belief, is a flustered mess around his husband and can very often be found blushing like a madman whenever Whole Milk uses his strength
these two have the ABSOLOUTE WORST bedheads. Like, Cacao HAS to braid his hair before going to bed because otherwise the two of them will wake up tangled in it. And Whole Milk will just have an untamable afro.
uhh anyways. thanks for coming to my ted talk
#yeah i wrote an entire essay on them#but im glad i did tbh#cookie run#cookie run kingdom#crk#dark cacao cookie#whole milk cookie#dark choco cookie#dark cacao cookie x whole milk cookie#milk village elder#shipping#rairpair#shitpost?#nah scratch that last one im pretty serious
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FIC REC WEEK 43 – ENEMIES TO LOVERS
SERIES: The Buzzfeed Listiverse by gogglor
Pairing: Steve/Tony Rating: M Words: 66,759 Tags: Didn't Know They Were Dating, Team as Family, Healing
Reasons why I love it: The premise of this series seems so simple, and yet gogglor manages to infuse it with so much emotion and real life experiences and deep conversations about the meaning of belonging and home, and I just – fuck, I love it so much. I don't think I can adequately convey just how good this series is, so I hope you'll believe me when I say that this is an absolute must-read for anyone who likes Stony. I'm serious, do yourself a favor and read it right now. I promise you'll love it just as much as I do.
This series consists of:
15 Things to Do in NYC If You've Been Stuck in an Ice Berg for 70 Years
Pairing: Steve/Tony Rating: T Words: 39,935 Tags: Mutual Pining, Slow Burn, New York City
Summary: Tony and Steve can't stand each other, but they agree for the sake of the team and the people that rely on them that they have to figure out a way to get along. So they come up with a plan to spend time together, in the form of a Buzzfeed listicle of things to do in New York City. Because if you go to enough museums with the guy you can't stand, you should *eventually* stop hating him, right? -- Come for the slow burn, stay for everyone's opinions on Cats the musical and a story about teenage Tony stealing an ice cream truck in an attempt to get laid.
Reasons why I love it: This is one of my all-time favorite Stony fics. It has everything I love – amazing characterization, impeccable dialogue, humor and fluff in spades and just enough angst to spice it up. I especially love all of the life advice Tony imparts on Steve without ever realizing how insightful he is in matters of the heart. And Steve's realization that he's actually falling for Tony is so well-written that it makes me grin like an idiot every time. If you haven't read this one yet, you absolutely have to, because every word is pure gold.
Stupid Sexy Avengers
Pairing: Steve/Tony Rating: M Words: 22,626 Tags: Team Bonding, Humor, Embarrassing Sex Stories
Summary: Tony, Steve, Nat, Clint, Bruce, Thor, Jane, and Rhodey all tell each other the funniest thing that's ever happened to them related to their sex lives. If you're interested in hearing the Avengers tell stories about their lives that are funny and mortifying and surprisingly sweet, you've found your fic.
Reasons why I love it: All of these stories just keep getting funnier and funnier. I love that we get to see the full version of Tony's ice cream truck adventure and Steve's sock misfortune, but the stories that really take the cake for me are Jane's and Thor's, I was crying laughing the whole time. Definitely check this one out, especially if you need a good laugh today!
The Future Talk
Pairing: Steve/Tony Rating: T Words: 4,198 Tags: Established Relationship, Communication, Plans For The Future
Summary: Tony and Steve have been dating for a little while, and they talk about their future and whether they can make it work in the long term.
Reasons why I love it: In my experience, it's pretty rare to find fanfics that deal with these kinds of serious, real life relationship issues, and gogglor explores them beautifully. Also, I love the light-hearted, kinky note this ends on, it's like a perfect bow on top of the present you've been waiting for all year. This series is delightful, and if you haven't yet, I hope I've convinced you to read it, because I'm sure you'll love it just as much as I do!
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Okay, Luke's somewhat serious post time.
Okay, so recently I've been getting some comments on my Ao3 that have bothered me and I feel like we should talk about comment etiquette again along with some lines of comfort for me.
So first of all, this:
This is not how you ask for more of a fic that you like. I'm already beating myself up over how long its been since I've been able to update things, and having people comment stuff like this on my fics only makes me feel worse.
I am a real person. I have a job and I've been working hard on finishing some commissions that people have PAID me to write. Forgive me if I'm not making the things that I write for free for people in my free time my first priority right now.
I AM absolutely still working on these fics. I've been working on Pyre and some requests in my ask box, but since they aren't my main priority right now its going really slow. I could very easily abandon these fics, but I don't because I love them and I love you guys and writing for you guys. All that I ask in return is that you respect the time and effort that goes into writing these fics.
My 8k-10k fic chapters take like 8 hours to write AT THE LEAST. Like I can't just churn this out like crazy as much as I would like to.
I am fine with people asking if I'm still working on a fic, but not comments like this basically demanding an update.
The next thing:
These were all comments replying to one another on my fic. There are three people in this thread in total and of them, only one of them actually made a comment about my fic.
Two people commented on my fic to essentially have a completely unrelated conversation with someone in my comment section. This is extremely frustrating.
Listen to me, imagine being me and seeing a notification that I got a comment. I get super excited, only to click on it and see that it has nothing to do with the fic that I've written? Its disappointing and so unbelievably discouraging to me.
I don't mind if people don't comment, but I do mind when people do this. Authors comment sections aren't a place to just have a casual chat!!! Keep it about the fic please!
Last thing and for the love of God listen to me:
This is nothing against people with DID. My issue with this falls into 2 categories:
"My one issue is that I'm trans in this, personally would have swapped me and Johnny"
If you are a person with DID and fictives and you read fics with your fictives, you have to understand that I AM NOT WRITING ABOUT YOU.
I do not need your opinion on if I wrote "you" correctly because I am not writing you!! I'm writing the fictional character who I have my own thoughts and beliefs about. If it bothers you, click off. I do not want or need to hear how I got something wrong because its not fucking wrong when it comes to me. Again, extremely discouraging to read.
The second thing and this may sound mean but for the love of God I do not care or need to know if you are a system/have DID. Unless my fic features DID (none of mine do at all) then its just completely unnecessary to mention.
I especially don't need to know which of your alters is talking. Unless I know you, there is genuinely no point to it. It just takes up space and makes things about you rather than about the fic you're commenting on.
Also, in this case? As someone who has been cursed by online role-playing in comment sections, even though this isn't it just feels like role-playing and it makes me extremely uncomfortable.
Please just leave your comment and move on. Unless it has something to do with the fic, I don't need to know this stuff about you. I've had people tell me more personal things in the comment sections that I was fine with and even touched me, but its always about how they relate to the fic, not just random information they throw in.
Again, its just a comfort thing for me.
Okay, serious Luke post is over now.
#thoughts with luke#gary roach sanderson#simon ghost riley#call of duty#john soap mactavish#ao3#commenting#comment ettiquette#boundaries
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Regardless of how much attention they got, what are three things you've written or drawn that you're most proud of?
oh i love this question...
so i think what i get most proud of are my long comics,, despite the drawings being simple, i think i put alot more effort into just finishing them than i do like. coloured pieces etc... doing full pieces is more leisure than struggling to finish a long ass comic yknow. especially if its mental health related, i put alot of effort into them
so i think the one im most proud of is the sunset duo comic about PTSD flashbacks the way i experience them.,. i never really saw people talk about how they are for me so i decided to do it myself
alot of people find comfort in it because they also have been longing for someone to talk about those kinds of flashbacks, where its not really pictures or specific memories, but more the feelings you felt during it. alot of people who have repressed memories have flashbacks this way it was very... cathargic. its the first thing that pops into my head when people ask about my emotion-comics. i think its my favorite
another one i really like is this one.
its my first deep comic like that, and it kinda kicked off something in me, knowing what i wanted to create. its kinda old now, and my art has evolved somewhat, ive been thinking of re-doing it sometime
alot of my comics that are like this are based on my own struggles, and i make them to deal with my own, hoping that posting them will make others feel less alone. i also base leo on my irl bff like 98% of the time, and this was one of them.
i think that it marks kind of "the first" of stuff that i've gotten feedback on that it has helped others, and looking back on it gives me alot of motivation to continue doing art
hmm third one i really love is this one, with april
i had this huge idea of going into detail about things, my own take on things. and i held that idea until i started drawing, and as i got to the end i realised: "wait.. i dont want to think about this. i dont want to have a take on someone's pointless suffering. i dont want him to have to remember it either. why do all comics have to elaborate on the struggling and then everything being okay? thats not how it works" and ended up completely re-writing it. i think it made it alot more in character too
at the time, i was in therapy. and we would often talk about what i do in my daily life and i would talk about the comics i make. and this was one she really liked hearing about, and she had a lot of praise for the way i ended it when i told her about my trail of thought
i hope this is comprehensible jdajkgfdsjk !!
i thinik. i like my art that includes leo .. is some of my favorite... i like writing him. he's very kind. he loves and respects raph alot, and i think he understands raph on a deeper level in some way. i cant explain it but. yueah!!! if i could have a fourth favorite it would be this one
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RHESUS PIECES THOUGHTS now that i've finished it!
i've learned that the attribution to euripides is VERY shaky, and even the people who're certain it IS euripides' are like "well obviously it must have been written when he was very young and bad at writing plays". haa
the whole play is just... a little off. occasionally absurd. all the characters are weirdly oppositional to each other for no good reason. nobody's likeable, but nobody's truly awful. sure the plot is "the night raid" as we know it from the iliad (with a bonus prophecy, and more lore about rhesus). it hits the story beats but there are no extra layers to it. the theme is unclear, it's just surface and no depth. idk i'm still trying to figure out if there's something i haven't picked up in it
it establishes its place in the larger narrative pretty thoroughly: the trojans are extra cocky because achilles is refusing to fight, and also they're still SUPER salty about the palladium heist, so odysseus is their most hated enemy. they keep fantasizing about all the gory ways they want to kill odysseus when they get a chance.
my heart BROKE when i realized that dolon's meeting with odysseus and diomedes all happens offstage! sure i can appreciate the shock of the reveal -- dolon sneaking off going "hehe off i go to spy on the greeks and murder some of their leaders" and then a little later diomedes comes onstage carrying dolon's bloody wolfpelt. there's elegance in that. but aw man.
SPEAKING OF THE WOLF DISGUISE, i really liked how the description of dolon donning it was so reminiscent of a pre-aristeia arming scene! the detail of what piece goes on which limb, etc. only it's a. a fursuit. gotta love it
hector's very rude and blustery all the time! it's strange seeing him portrayed that way, especially when it's never acknowledged by anyone ever. like when a herdsman comes up to him, hector tells him off for even speaking to him, and then when the herdsman assures him he's there to report seeing two shady characters sneaking towards camp (UH OH), hector's like "oh i see! well you have to understand i treated you the way i did because peasants are all very stupid" and the guy is like "haha yeah we are!"
for some reason i lost it at hector's line "dolon by name and dolon by nature". i KNOW it's untranslatable because dolon means trick, but now i want to start saying that to people with regular names. "oh just like i thought. timmy by name and timmy by nature..."
my bad sense of humour continued when i learned one of the arguments the play isn't really by euripides is that it shows "a lack of interest in women". i mean yeah, between aeneas telling hector not to fight achilles because achilles is "too hot" now (like i know you're happily married bro, but that emo buff-ass blonde... phew. oh man.), AND diomedes' obsession with the thought of hector in bed. i mean.
also the trojans always assuming that where odysseus is, diomedes is close by. deemed inseparable by the enemy
diomedes is adorably jumpy during the raid. he admits getting really scared by the creak of a leather harness, aw. buddy you're stealing horses, i'm sorry but there WILL be some horse-related noises
also ATHENA'S SO NAUGHTY OMG. that scene where she pretends to be aphrodite to distract paris ("heeey baby everything's fine you didn't hear a thing go back to bed") plays like comedy
ALSO comedy is when odysseus and diomedes are discovered after they've murdered rhesus and his men, and odysseus accuses the guys apprehending THEM to be the murderers?? "oh my GOD you aren't trojans at all, are you?!!! i bet you're greek spies who snuck in here and KILLED king rhesus!!!" odysseus you mad bastard
i feel like i'm overselling the odysseus and diomedes scenes because they don't factor in at all in the majority of the play, but that's where all the action is
the sole survivor of rhesus' men is CONVINCED hector invited and killed them just to steal the horses himself, and they have a fight about it WHILE HECTOR IS TRYING TO STOP THIS GUY FROM BLEEDING OUT. the insanity of hector finally going "GUARDS, SEIZE THIS MAN! and put him in my house and treat his wounds and feed him and take really really good care of him please". it just really stuck with me. banished to the comfy chair.
but like. there's no resolution to that. there's no resolution to anything. rhesus' mother (a muse) shows up and mourns, and she'll... resurrect rhesus but that means he'll have to live all eternity alone in a cave??? what
also rhesus' mom says she knows odysseus will be suitably punished for the night raid later on. and idk, will he?? i feel like these myths are usually very clear on "[transgression A] earns [divine punishment B]". like ma'am i'm not so sure the polytropos man ever gets punished for this particular one actually
in summary it's a weird play. i reread iliad 10 right before just to contrast and they're both weird in distinctly different ways. it's suitable that a euripides play that was probably not written by euripides was based on an iliad section that might not historically have belonged in the iliad
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ʚ♡ɞ I'll Follow You Into the Dark ʚ♡ɞ
{ CHAPTER THREE }
➳ PREVIOUS CHAPTER | NEXT CHAPTER
Summary: Emma's first meeting with the doctor goes about as well as you'd think and Marc gets firsthand experience of what it feels like to be Jake. Pairing: { eventual } Original Character { Emma Harper } x Marc Spector, Emma Harper x Steven Grant, and Emma Harper x Jake Lockley Contents: mental hospitals, psychiatric hold, Emma meets the doctor, angst { I guess? I don't know what else to call it. }, hurt/comfort-esque vibes Warnings: severe mental illness { psychosis, hallucinations, depression }, main character is actively in psychosis, I've done my best to write it in the least triggering way but there are a lot of heavy themes that will take place in this series, so forewarning. Marc is a danger to himself here but it's only really alluded to in this part. mental hospitals. toxic as fuck doctor, typical misunderstanding and misinterpretation that comes with psychosis. due to the nature of Emma's psychosis, things are very unhealthily skewed in a religious context. triggering themes related to the aforementioned. Author's Note: I recently finished reading Tear Down My Reason by @my-secret-shame-but-fanfiction and it inspired me to work on an idea I've been playing with about Emma and the Boys meeting while both in a mental hospital at the same time. I wanted to write a series that would help other people with severe mental illness feel seen and heard as there really AREN'T works out there like this, especially not actually written by people with firsthand experience of things like psychosis. This series is being written with a lot of love and care so I truly hope that it can be cathartic for those who read who might also live with mental illness because you DO matter and your stories DO deserve to be told. Word Count: 1,016 Taglist: @my-secret-shame-but-fanfiction @sub-aro
She’s quiet on the way back to their wing, a soft scowl seemingly forever over her features.
Marc wants to say something, but doesn’t.
He isn’t sure what she’s hearing as they cross through the locked doors but he knows she’s more caught up in her mind than she is present in the goings on around them.
While the rest of them file into the day room to receive their meds, she’s escorted through another door.
Marc feels a spike of anxiety.
He knows she’s going to see the doctor for the first time and having been to this particular hospital more than once, he knows this doctor.
A harsh and cruel man who deals out diagnoses like poker chips and always loads everyone up on too much medication, that their usual psychiatrists then have to sort out after they’re discharged.
He finds himself pacing the hallway like a caged wild animal, tense and binding their time.
Meanwhile, Emma is taken outside to a sort of courtyard and seated at a table in front of a heartless looking man with a massive binder in front of him.
She shifts nervously on the bench across from him taking in her surroundings and reminiscing on how bright it is and how much it makes her think of the garden of Eden.
The man folds his hands on top of the open binder and gives a menacing smile. “Alright Emma, I like to make deals—do you like to make deals? If you take my medication for three days, I’ll let you go home…”
And just like that, the proverbial serpent seems to take her into a chokehold. Her throat tightens and she finds it hard to breath despite being outside in the fresh air.
She forces a swallow, unable to find her voice.
“Sign here if you agree…”
The man – who she’s now sure is the devil himself – turns a contract around and reaches out a pen with the same sickening smile.
Emma feels like she’s signing her soul away but he gives no other option other than to do so. It feels like a trap, another test that she can’t help but fail.
She doesn’t even remember how to sign her whole name in the confusion of her brain, but she scribbles a ‘signature.’
“Wonderful…” The doctor says, “you can go back inside now.”
Emma stiffly gets up from where she sits, walking back toward the door where they wait to let her back in.
When she’s led back into the wing she can see Marc at the end of the hallway near her room. As if by some latent telepathy, he looks up, locking eyes with her.
She feels trapped now more than ever, like she doesn’t know what to do. So her feet carry her toward him, his own moving to meet her in the middle.
As soon as he gets closer he can see her trembling, tears welling up in her eyes.
He doesn’t know what to do because he can’t hug her but he can tell she’s terrified.
“How’d it go?” He asks, winded and unsure.
Emma shakes her head quickly, falling into a sob that rakes through her body as the tears spill over.
‘That bloody doctor,’ Steven curses.
‘I’ll kill him myself…’ Jake adds.
Marc, on the other hand, feels like he’s never wanted to hug somebody so badly in his life—the one time he can’t.
He wishes he could take her somewhere quiet so she could calm down—but going into each other’s rooms are off limits and the day room is crowded this time of day.
“I’m so sorry…” is all he can say, giving her a soft look of empathy.
Emma, on the other hand, not knowing any better—rushes forward to wrap her arms tightly around Marc’s middle, clinging to him.
It startles him, a little surprised she’d be comfortable enough to do it in the first place.
Risking hell from the hospital staff he does what he instinctively wants to, what feels right—and hugs her back. He can’t help but keep an eye out for prying looks and of course, the staff.
Emma sobs softly against him, feeling safe for the first time in the last 24 hours, as she shakes in his arms.
He holds her as long as he can before it becomes too risky, and withdraws. He gives her a soft look fighting every urge to wipe away her tears.
“We—we’re not really…supposed to do things like that here—I don’t wanna get you in trouble.” He explains gently.
Emma nods quickly even if she misconstrues his meaning for being about what’s appropriate in this liminal space.
She wipes furiously at her eyes.
“Why don’t we sit here for a minute?” He suggests, sliding down the wall along the hallway and reaching his hand up for hers, risking reprimand again.
As if sensing a thought Marc hardly has, Jake speaks up in their headspace, ‘Let them yell at you for helping her—I’ll gladly give them a piece of my mind…’
Marc doesn’t need to see his face in a reflective surface to know the malice in his eyes, the threat that’s far from empty.
Emma takes his hand, moving to sit next to him on the floor. She instinctively rests her head against his shoulder, and he feels as though he suddenly knows exactly how Jake must feel when he protects him and Steven.
He releases a heavy sigh and conceals their clasped hands between them if only for the sake of being able to continue holding hers a little longer.
It occurs to him that the next 80 some odd hours would be crucial for her, and he’s not sure it’ll be long enough to make sure she’s okay.
“You thinking what I’m thinking, boys?” He mutters to the other two in his head. Emma doesn’t seem to mind the way he talks to them in the least, only squeezing his hand tighter.
‘Think we’re gonna need to make an appearance…’ Jake suggests darkly.
‘Most. Definitely.’ Steven agrees.
#moon knight#moon knight fanfiction#moon knight fanfic#moon knight fic#moon knight au#moon boys#marc spector#marc spector x oc#steven grant#steven grant x oc#jake lockley#jake lockley x oc#muse: marc spector#muse: emma harper#muse: steven grant#muse: jake lockley#temp tag: marc/emma#temp tag: steven/emma#temp tag: jake/emma#{ series }#{ series } i'll follow you into the dark#that life seems like light years away { queue }
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