#and i hope i get that community and engagement again

[writing-with-olive]

some things to do instead of making the problem worse by trying to make others join your doom spiral

reach out to orgs like the trevor project and see if there's anything that needs doing that fits within your skill set

do local, in person community work (my favorite is food sorting shifts at the local food bank)

do some personal research about how queer people got the rights we have today. we didn't always have some, and the work's been done before, so it can be done again

do something creative to help with your own mental health. it's hard to stay in the fight when you've got your own separate demons (my favorite is crocheting little animals)

get engaged in the stuff that's going on at the city level. not a lot of people speak up locally, so your voice carries a lot of weight. (my favorite thing is watching city council meetings online while doing chores, and speaking at public comment when i have something to say)

call representatives about smaller initiatives that aren't contentious but could still have localized impacts. you can find a guide at my pinned post here (my favorite thing is to see what committees my reps are on and calling about the stuff they're slated to vote on a day or two out)

talk to the people in your life. it's really easy to feel alone when you're only doing stuff online, but having someone to go through the tough shit with can make a world of difference

hope isn't some dainty thing made of fairy dust and it's not empty wish-casting. hope is the act peeling yourself off of the pavement after you've had your ass handed to you and saying "i will make this world better even if i have to fight tooth and nail to make it happen"

Gonna be fr grown adult queers should know better than to engage in crazy fear mongering telling other people it’s over and we’re all gonna be sent to camps and lose our rights and be criminalized and whatever like hey how about don’t tell a group of people with unbelievably high suicide rates that there’s no hope and life is over

[sashayed]

I haven't said as much about electoral politics this year as I have in previous cycles, because I am exhausted like everyone else and have nothing new or helpful to add. That is still true, so caveat lector I guess lmao!!! Happy American Election Day Fellow Sufferers!!

I have been experiencing an internal backlash the last few years to my extremely Sorkinpilled D.C. private school upbringing -- my childhood spent as a kind of convent schoolgirl in the faith of The System Is Good If We All Participate, which of course has a uhhh let's say generously a minimal engagement with the ways in which many of us are by design shut out of participating. I don't think idealism is necessarily childish, but I think MY idealism certainly has childish qualities, an undergirding of 90s feel-goodism, of civic participation as a subtle ego stroke and of voting -- although I would never have consciously put it this way -- as a way to feel superior to people who don't vote.

Lately there has bubbled up in me a sludgy, adolescent fury at this whole stupid country that has made it very very hard to feel like I should do even the bare minimum. For these people? AMERICANS? The ones that not only want Donald Trump to be president but saw what happened the first time and were like, We love this, do it again but worse? Whatever, fuckos. "I hope you people get your dearest wish and it chews you to death slowly," I may have thought.

I have also thought: why is it so controversial to ask elected officials to stop funding a genocide? Why are we treating people who make that ask, who are watching the current administration directly fund death on a mass scale and objecting to that choice, as if they are being babies and just need to get over it? How are they supposed to get over it? Why is anybody over it?

Anyway all this means that I, a known chipper door-knocker and caller of congresspeople, have been pretty low-key this current cycle. I think that is OK. I don't want to make this a big dramatic confessional about how I didn't write enough postcards or whatever. We all get exhausted and this was my turn.

But it has also been an illuminating cycle in that it's made it clear to me how much at my big age I still want politics to make me feel good, and when they don't, I still have the urge to throw a lil tantrum about it! I can get very superior and intellectual about how right-wing operatives manipulate their voters emotionally WITHOUT EVEN NOTICING that I too have been manipulated, in my case into the feeling that nonparticipation is a kind of revolutionary act.* Just absolute "I threw it on the GROUND" logic happening inside my head. "Maybe if I don't vote I will be doing Quiet Quitting, which is uhhhhh anticapitalist." I'm not a part of your system!!!

Anyway, I am trying to have self-compassion about it, and one way for me to do that is to project my internal experience onto a theoretical reader. That would be you, my imaginary friend who clicked on this post for some reason even though you have already decided not to vote! I just want to tell you that I am more sympathetic to your point of view than I have ever been in my whole life, and I'm sorry I have historically been a glib, holier-than-thou asshole about it in ways that may actually have made you MORE resistant to civic participation.

And you're right: it doesn't make that big a difference whether I personally vote or not, or whether you do. But if there are hundreds of us, and I think there are, then each of those people individually do starts to matter.

I guess I would humbly request that you and I both pay attention to what people who need help are actually asking for. I would ask that we both notice who wins when we abdicate this single responsibility. I would remind us both that participating in the electoral process is not some kind of weird either-or with participating in decentralized community building and mutual aid, and the best people we know do both. Isn't it interesting that somehow, insidiously, without even consciously becoming aware of this belief, we have started to think that you can only do one or the other? Who is telling us that story? Who does it serve?

Anyway. I took the stupid 90 minute round trip to my polling place which was VERY hot for some reason and I stood in the stupid line and some babies waved at me and I cast my vote for Kamala Harris and I'm glad I did it in the same way I'm glad after I do the dishes or take a stupid shower. Doing work doesn't always feel like anything. I also saw a really wonderful small black and white dog that I thought was a cat on a leash. I would not have seen that dog if I hadn't gone to vote. So politics can still make you feel good!!!

*I mean all this analysis is cute and everything BUT ALSO i did switch antidepressants twice in the last year, an astonishingly grueling process that almost made me [affect the trout population]. Could these things be related? hmmmmmmm, don't understand the question, won't respond to it.

[superblysubpar]

This may seem silly, but it's helped me a lot and it may help you.

It is times like this that I like to pretend that I'm in a story.

If I'm just the character in a story right now, I can imagine that this pit, this despair, this hopelessness, is just what the sick and twisted author wanted. We're at the part of the story where our protagonists, me, you, us, have lost all hope. The enemy doesn't want us to get back up, and right now, we have no intention of doing so, so they think they've won. The cord in space has been tethered from ship and communication with NASA isn't going through. Uncle Ben and Aunt Mae and Uncle Aaron and Gwen are gone. The radios aren't working, no one is coming for help. Max Mayfield isn't going to wake up and we're all just a bunch of kids who didn't win.

And you're so at a loss for how to move on, even if you wanted to, and that's okay. You're defeated, you're scared, you're hurt, you're hopeless.

But you aren't alone.

Because, see, if you remind yourself you're in your story, there's me, and so many others, that are clutching their book with a booklight at 2am, desperate for you to get up. Or in their living room with their hands on their head screaming that you have to win. Or clutching a blanket up to their chin with a melting pint of Cherry Garcia in hand, sobbing, begging you to keep going.

You have to keep going. This isn't how your story ends.

And it's okay if you can't see it yet. It's okay to stay sad, and hurt, and scared, but eventually, I need you to get up and keep going. We all need you to keep going.

It may not be easy, getting back up when everything just wants to keep you down, but we'll help you, in any way we can. And when you do - you can help other people, who may be even less safe, more scared, who are also unable to get out of this part of their story alone.

Please keep going. March, make calls, vote again in two years and again in four. Donate to shelters, donate to individuals, donate to organizations - if you can't donate, volunteer, spread their message, ask others to help in any way they can. Pay for someone's coffee in line. Kiss and hug people you love. Write and read silly stories. Listen, talk, engage and keep faith that change can happen from many small acts of it. And most importantly, be kind.

I love you, mean it 💛

[nothorses]

Well that was a lot of really creative ways to avoid saying donate to a Palestinian.

Hey, I understand the hurt and the panic you're feeling, and I'm worried about Palestinians too. I'm hurting too, and I'm worried too.

This ask sucked to receive. It hurt a little to feel like the effort I have been putting in to promote Palestinian fundraisers, particularly to double check that what I promote is vetted by someone trustworthy so that people do not lose more faith in the validity of these donation efforts on my account. More than that, though, this ask made me feel angry and isolated.

The post you're referring to is a post about local community support networks, and what I said on it was just a list of small things people can do to build local community connections, starting from 0. It's for people who don't think they have friends and don't know how to make them, or who don't know how they can translate friendship into material support and action that benefits the whole.

This ask made me feel frustrated that you don't understand that point, or the importance of it. Or maybe you do, and you weren't willing to see or engage with that point because of other feelings you were having. Maybe you chose to direct those feelings at me because you needed an outlet for them, and you weren't thinking about the impact your actions would have on someone else.

Donating to Palestinians is also good, important work. I have fundraisers in my pinned post for that reason. I haven't had time or energy to go through the asks I've received to verify, promote, and add them to that list in a while, and I feel bad about that! And it's weird to me that you think I'd avoid advocating for that after all the energy I've put into doing exactly not that.

And like, again, I feel bad that I haven't done more. Part of that is because my expectations for myself are too high, and I am a person who tends to feel guilty over stuff that I shouldn't feel guilty for. Part of that is because I really could be doing better. I just haven't figured out how to do that in a sustainable way yet; which also means getting over the guilt so I can redirect that energy into productivity.

I wanted to respond to this ask with the frustration and irritation I was feeling when I first read it. I'm choosing not to because, when I started drafting that response in my head, I realized that telling you off for guilt-tripping me in this hostile, unproductive way would be hypocritical.

Community connection is more important than ever right now. We need each other. We need patience, forgiveness, grace, and connection. We need to be vulnerable with one another, even and especially when it's hard. When it hurts.

I would have preferred you ask me why I didn't add a suggestion to donate to Palestinians in my response. Better yet, that you add it yourself! I would have been happy to reblog that addition, and receiving that as a reminder, or as building on what I said, would have felt encouraging. It would have made me feel more connected to you, more hopeful, and more excited to do this work. It would have made me excited to dig into my ask box and promote more Palestinian fundraisers, in solidarity with them as well as with you.

I understand why you didn't do that; it hurts right now. It's hard to make the choice to embody critical hope in the face of so much pain. I don't blame you for the guilt I feel, and I know I can't let that discourage me from doing work to help other people either.

I also know you're less likely to hear any of this than the uninvolved people who'll see it without feeling any defensiveness over this critique of your choices, and like, that's fine too. But I don't think I'm wasting my breath either way; I want to set an example in my community, promote connection, and promote the healing and growth that will allow us to do the hard work we need to do in the coming years. We're entering a fight, and we need to do it together, with grace for each other and the vulnerability that will allow us to connect and heal. We need to practice the future we're fighting for, and we have to start now.

[arthurtristankingsmen]

I think it'd be really cool to make it an activity to go out and find people with OCs and draw them a fanart.

Sometimes it's hard to get people to love your OCs or ask questions or engage with them. I think it's mainly because there will always be a struggle to bond to a character that has little to no media that would help foster any fondness. Or not enough, I guess? It's hard to create a lot when you're just one person. But it's also hard to jump into something new, especially if there's the chance you might not like it. Getting into something is tough (aus are probably so popular for a reason lol). It might be tougher still to like a character with limited things to look at, and who there really aren't many people to engage with about it, or there isn't the capacity for some things like media analysis for.

But people love the characters they create so much! They put so much thought and effort into some, or they just really enjoy some aspect deep enough to keep creating. I think that's worth celebrating! And maybe it's the reddit migration and how many people i see genuinely enjoying the community here and participating, but I miss when i did that, and had it. And part of me wonders if I could start engaging people on some posts, and doing things that again. I want to, I think. And right now I've been very into original stuff and creating characters and stories!

Fanart feels like it'd be a pleasant surprise too, especially for people who might not have the much reach yet for their characters. I know if someone did for me, I'd be over the moon about it. I feel inspired to try at least, so hopefully I can start doing that, and seeing what happens ^^

[melverie]

Aaaaaaahhhhhhhh today I've been constantly experiencing the urge to un-private today-in-the-devildom & start writing for it again

[cathodic-clairvoyant]

You are actually the only person I have seen say anything that makes sense regarding HDWR recently, thank you for your good takes. I love this manga, but it really feels like I’m not reading the same story as most people sometimes

I for the record think that there is a lot (in fact i'd say majority) of interesting discussion about hdwr, even now, (just the other day in the main tag i saw a post that i liked talking about tamaki as a character & her and miwa's relationship and despite the subreddit having a lot of silly posts lately i think a couple months ago around ch. 113's release there were a lot of good comments about MiwaSae and both of their development throughout the story and I think even now there's good discussion about ch. 119 and miwa and tamaki burried in the silly stuff) and in some sense like i feel like the current wave with ch. 119 was always going to happen, it's a very emotionally charged topic that we're seeing how much it hurt a character people tend to like so like i understand being upset by it and having strong opinions about it.

That all being said, the kind of discussion that tends to surround the story of "sae was unfair/toxic to miwa" "tamaki has always been manipulative" "yuria is unfair to sae" are baffling to me because I feel like to get anything out of this story- to not instantly just be frustrated with it- you have to interact with it a little bit on its terms and I think part of that is acknowledging that these characters are more complex than the simple one word "abusive/toxic/manipulative/innocent" labelling and have complex emotions and imperfect reasoning that cause them to make mistakes, be cruel to each other, and do the wrong things. This doesn't excuse the characters' actions but that's not what the story is interested in doing anyway.

And like, I don't think the story is for everyone, I don't think everyone has to want to interact with the story on those terms; which is why while i personally don't agree with the kind of people who say "i had to stop reading when miwa and sae broke up bc it was too sad/too frustrating" and the like, I can at least understand it as just the story has goals that reader doesn't want to engage with, which is completely understandable. Where it confuses me is getting so far through the story and still not choosing to interact with the story on its terms. What are you getting out of this story then??? Does viewing sae as toxic enhance the story for you? Is it a useful way in looking at the narrative?

Especially since I feel like tamifull has attempted to make these characters realistic almost to invite us the reader to examine both ourselves and our relationships as we read. Is How Do We Relationship a useful tool to to analyze yourself or your own relationships with if you flatten the characters into good and bad? Is that a lens you'd want to view your own relationships with? I don't think so. I feel like the only things it could lead to is "i wouldn't make that mistake because I'm not toxic." "i wouldn't find myself in this situation because me and my partner aren't like them." So like. What benefit does viewing these characters in this way give you? You clearly seem to agree with/like the goals of the story if you're still here 100+ chapters later so like. What are you getting out of this?

I dunno. Like i said, I do think there's still a lot of good discussion about hdwr. That's why I still lurk the subreddit and read posts in the main tag. It's just this specific genre of discussion i can't understand especially when it happens with like more recent chapters

[oglegoggle]

I’m stressed by my work schedule. Thankfully I get paid on Friday and can hopefully deal with the speeding ticket issue. I know my dearest friend is also stressed by their work schedule. I feel so distant from them. I want to spend time with them and do activities with them in the evenings when they get home from work but they’re usually more interested in playing video games or staring at the internet than actively engaging with me. I had brought up to them that I feel distant from them and they said they’re trying to distance from me so it’ll hurt less when I leave in a few weeks. It… was an emotionally confusing response, like why did they ask me to stay longer if they’re just going to distance from me? I feel stuck in a place where I’m desperately trying to connect with someone I care very dearly for and like they want to connect with me but just can’t, doesn’t want me to go despite knowing that they can’t be present in my life the way I need. I kinda feel like my brain is being ripped in half again. I hope that things will be easier when their work schedule lightens up. But just the same I don’t quite know how to handle the growing stress of my own work schedule when I don’t even really want to be here where I increasingly feel ignored. The ambient sounds of the city stress me. The grinding gears of capitalism stress me. The long work hours and irregular schedule that doesn’t respect the one fucking day of the week I requested to always have off stresses me. I want so much to be out in the woods again. I stay because of them. I would stay as long as they want me to. But I just wish they would act like they actually want to spend time with me if they want me to stay.

[enbyhyena]

please stop scrolling for a sec!! i'd really appreciate your attention!!

hello, my name is nexys and i am a disabled, autistic, and queer person trying to make it in the content creation world. i'll do my best to keep this short and sweet, but i'm going to be having a subathon over on twitch starting 8/1 (august 1st) at 12pm CST.

this event is super important to me, as i'm trying to raise money to improve my living situation, as well as the living situations of those in my community. i'm also going to be running a charity day on friday, august 2nd for parkinson's awareness, research, and treatment, and will be having on my grandfather, who is an advocate with the disease. and i know it would mean a lot to him if he was able to raise some money to help other people like him.

for those that don't know, a subathon is when a streamer goes live on twitch for a certain amount of time, and the stream ends when the timer runs out. however, the timer can be increased indefinitely by viewers donating money, subscribing, gifting subscriptions, or cheering bits.

due to my disabilities i can't go 24/7 like some of the maniacs (/lh) out there, but i have committed to going every single day for at least four hours until the timer hits zero. and once again, this subathon event holds potential to be lifechanging for a lot of people. plus i'll be collaborating with over a dozen other creators throughout the first week, so you'll be getting a lot of variety! we'll be playing everything from pokémon to phasmophobia, roblox to subnautica, and more!

even if you can't contribute financially, dropping a follow, saying hello, and just Being There would mean the world to everyone involved.

here's my linktree, which directs to every website i'm on, including my twitch channel and discord server.

even if you're not personally interested in this project, please consider reblogging! there's a chance one of your followers might be interested, and any engagement helps. <33 thank you so much for reading this far, and i hope you have a great rest of your day/night!

[celestie0]

gojo satoru x reader | oneshot angst [18+]

title. let me be free of you

He would live in this lifetime of hell over and over again if it meant that in some other one, there exists a world where he never hurts you.

ᰔ pairing. friends to strangers au - best friend!gojo x reader (f)

ᰔ summary. gojo satoru, your love of a lifetime, tells you he’s engaged to another woman. inspired by the novel & netflix series “one day” created by david nicholls

ᰔ warnings/tags. 18+, fem!reader, angst, mentions of sex/explicit content, coming of age themes, reader & gojo are in their 30s, mentions of pregnancy, mentions of alcohol, cheating, lots of mutual pining & longing, bittersweet ending

ᰔ word count. 4.8k

a/n. hellooo! i've had this finished in my wips folder for a long time but never got around to posting it sooo just wanted to let it see the light of day haha. hope you enjoyyy <33

➸ masterlist

“I’m engaged.”

The words leave Gojo’s lips as much less of a confession and more like a blabber, like a toddler desperate to keep conversation going in the face of a disinterested adult. Wasn’t how he expected to share the news of a lifetime to the love of his lifetime, but he hopes it breaks your heart to hear it. 

He watches your eyebrows flatten from the crease that was bothering them before, and then slowly raise into soft arches above your eyes–those damn beautiful eyes that, even when they twinkle with hurt, still make his heart skip a beat in his chest.

He recalls for a moment the night the two of you met, drunk and dizzy from drinking out of a shared bottle of Prosecco, which only had half of the liquor left in it to start when he had first found it bleeding out to dry on the grassy lawn at the front of your university. It was graduation night, the last day to celebrate finishing four years of hell, and he had nothing to his name other than a rolled up diploma shoved in the pocket of his suit pants and the charm left in the youth of his smile. He wanted to spend the night with Aiko Rei, which was not a unique desire as most men on campus did, and he had a fair shot of getting into bed with her just like all those times before. But instead he was sitting at the top of a staircase inside the campus’s English literature building, making history in the crisp year of 1986 by being the first man of the robust age of twenty-three to pass up sex with the school’s lady heartthrob for–well, conversation with a sort of ditsy girl that he just met a half hour ago.

“What do you plan to do with your life?” he heard you ask him, a hard enough question to stomach when one is sober, and an impossible question to stomach when one is already trying not to puke flat Prosecco.

“Pardon?” he asked, in hopes to dissuade you from the question. In hopes that you’d get the hint. But you don’t. And he’d soon learn throughout the years of your friendship to come that you never did.

“Your life!” you exclaim, “we’re graduates now! What do you want to do with it?” You pat harshly at his thigh, closer to his groin than to his pocket, most likely because you’re tipsy too, but he realizes you’re referring to the rolled up paper protruding at the pocket. 

Truthfully, Gojo had never thought much about what he wanted to do after graduation. Hell, he didn’t even think he’d make it this far. Not once since he got here, not once since he flunked out of first-year history, not once since his father passed away during his third-year final examinations, and most certainly not after he got caught having “unethical affairs” with his communications professor just two months ago. And yet the esteemed board of scholars decided he was fit for a diploma anyway, and now he’s answering to, effectively, a stranger what he plans to do with said piece of paper.

“I don’t know,” he says to you, “I’ll do whatever.” 

Gojo Satoru could get by with doing whatever. He was good at everything he did. But his teachers and mentors and his own father would always warn him– son, it’s better to be an expert at one than a half-assed show-off in all. Well, they wouldn’t use the expletives, but that’s what it had sounded like in his head.

His dad would’ve liked you. He was always telling him to find a girl that challenges him, asks him the right questions, and pushes him to become a better man, the kind of woman his mother was to his father. Much opposed to the airheaded girls of Gojo’s college campus he would sneak into the house and forget to shoo off before sunrise, an occurrence that happened enough times for the respect in his father’s eyes to dwindle with each woman he’d watch his son dispel from their residence. Until eventually, Gojo started paying rent as punishment.

So, twenty-three year old Gojo, what do you plan to do with your life? Or do you have no idea of anything that extends beyond where you are right now, sitting across this strange girl you’ve just met on the death of your educational youth, at the top of a stairwell lined with passed out, drunk newly grads at nearly 4 in the morning? Right now, he’s eyeing the hem of your dress, the way it’s ridden up slightly but the mesh overskirt still tickles the skin of your thigh. He’s certainly able to picture what’s beyond that fabric, and maybe imagine the color of your panties, but what’s to come for his life? No. As previously mentioned, he never thought he’d get this far.

Gojo is thirty-four now, eleven years since that night the two of you met. And he sits next to you on a garden bench under a pitch black sky with stars speckled across, but only dimly visible. 

It’s been years since he’s seen you. You two had a “falling out” at the cusp of thirty, almost a decade of friendship fizzled away, because of his selfish actions. He couldn’t let you go, but he couldn’t want you the way you wanted him either. He didn’t feel like he deserved to have you. You were too good for him, and he knew it. So he wasted a decade chasing after other women, and in return, he lost the one he knew he was supposed to spend the rest of his life with.

It’s the night of your college roommate‘s wedding, all gathered here today to celebrate their love, and he knew he’d run into you here. You were the bride’s maiden of honor, and you looked beautiful. With your hair half tied up, a pretty clip twinkling with every movement of your head, and with strands falling down over the smooth curve of your neck, bare skin of your chest tightly covered by the nude fabric of your dress. He was fully lusting after you, and he has been all night, the picture of beauty and grace, and it was wrong. Because, again, he’s–

“You’re engaged?” you finally break through his thoughts, break through the trance that he was lost in by the sea of your eyes. Forever pulling him in like you were a wicked siren for his soul, when all you’ve ever wanted from him was his love.

He shifts a little, the thick fabric of his navy blue suit stretching with the movement as he fidgets with his hands in his lap. He’s sitting close to you, his shoulder brushing against yours, the contrast of his broad masculinity so evident against the feminine curve of your bare arm, the thin strap holding up your dress threatening to fall down the hill. His thumb twitches, because he wants to pull it back up into place for you like a gentleman, but he’s not sure if that’s what his hand would actually do. Because all he really wants to do is peel the dress off of you. 

“Yes,” he says, still tantalized by the glow of your skin under pale moonlight, “engaged.”

“To be married?”

“Well, what other kind of engaged is there?”

“You’re not allowed to get married.”

He snorts. “Says who?”

“Says me!” you exclaim, sitting up straighter, "I turn my back for one moment, and you've gone an got engaged? You're awful!" The strap of your dress falls down over your shoulder, his eyes immediately darting to it. He sees you pull the strap up back into place, and a flit of his eyes to your face reveals to him the slight dusting of an embarrassed pink to your cheeks. 

There’s a silence that settles between the two of you. Distant commotion is heard, likely from the wedding venue as people engage in reception activities and dances and cheers, while the two of you remain in this garden escape, the wall of primly trimmed bushes sheltering you two from having to pretend to be people you’re not amongst a crowd.

“Aiko…” he hears you say beside him, and although the name of the woman that has rolled off your tongue is the name of the woman he’s supposed to love, it only makes him feel sick to his stomach to hear you say her name. “She seems lovely.”

“She is,” is all he can manage to say. And he also knows this seemingly lovely woman is probably drunk off her face back at the reception hall, giggling at all the men that approach her from the sight of her flushed face, and he should feel some sort of jealousy or possessiveness over that, but he can’t seem to muster any. Unlike the grit he had to his jaw an hour ago when he saw you dancing with a man he heard you introduce to your friends as just an “old friend” of yours from college. He felt more anger in that moment than he’d ever felt watching his soon-to-be-wife getting talked up to by the sleazy men twice her age. 

“She must be very rich,” you say. “She looks it.”

“Oh. Yeah. Her family’s very well off,” Gojo says.

“So will you become rich too?” you ask him, “when you marry her.”

His eyes flit to the sky briefly. “Doubt it.”

“How come?”

“The old man doesn’t like me very much. I imagine he’ll cut ties after the wedding.”

“Her father?”

“Yes.”

“And why is that?”

“Well. I guess it’s not every father’s dream to find out his prim and proper daughter’s been knocked up by the good-for-nothing boyfriend he’s been threatening her to say good riddance to for months now.”

The silence finds the two of you again, but this time haunting and gutting. That was a blabber, if anything. So nonchalantly said, with no emotion or spirit, to the one person in this world who he’s always felt like he can be himself around.

“She’s pregnant?” you say beside him, voice breaking slightly at the end, and he can’t bear to look at you for some reason. Some sort of admission of guilt, but what for? What exactly was he repenting for?

He lets out a small laugh, like the absurdity of the situation finds him all the same. “Yeah.” 

“That–” you start, stiff next to him, before he feels the tension relax but only rigidly, “that’s wonderful, Satoru. I’m–...I’m really happy for you.” You turn your torso to wrap your arms around him, and his lips brush the sweet skin on your forehead as you bury your face in the crook of his neck. He wraps one arm around you, a sort of friendly hug as he rubs the skin of your arm soothingly, and his heart aches from the emptiness when you release him. 

“Wow…” you say, looking up at him with pretty eyes, eyelashes fluttering as you blink rapidly to process the information, and he wonders if you really are happy for him. He doesn’t want you to be. He wants you to be furious, to tell him off for getting another woman pregnant after leading you on for so many years, maybe he wants you to slap him, or grab him by the collar of his shirt and shake him until all he sees is a million of you through dizzy vision like some paradise. He wants you to be mad, because it’d mean that you still care. It’d mean that you still think there’s something here to salvage between the two of you. 

But he’s engaged. And he’s having a baby. What was more final than that?

“So…are you marrying her because of–”

“The wedding is in four weeks,” he cuts you off, but he knows the statement answers your question regardless.

“Satoru…”

He leans off to the side a little to reach into the pocket of his suit pants, and he pulls out what is now a slightly bent envelope and he hands it to you. You take it from him gently, holding it weakly like it was something beyond you. Like something distant and foreign and strange. When all it was, is a wedding invitation. 

“Listen…” he starts.

He sees your eyes dazed as you stare at the lettering on the outside of the envelope.

“We’ve been friends for a long time, y/n. And I know the last time we saw each other was–” Hostile. Angry. Disappointing. Ended with you cussing him out on the street and then saying you never want to see him again. “...not ideal, but I still care a lot about you, and, uh, so, it would mean a lot to me if you came to the wedding.” For fucks sake, even on the brink of losing you forever, he still can’t find the right words to say. “Aiko, she–” He tastes bitter in his mouth, “well, I’ve told her a lot about you, and she’d really love it if you came as well.”

You’re silent as you gently peel back the opening of the letter and then pull out the small card stock invitation. The gold printed letters shine as you inspect it, fingers tracing the patterns of words that profess the Rei family’s intent to wed their daughter to Gojo Satoru. Your Gojo Satoru. Your best friend in this whole wide world. He watches your eyes carefully, but he can’t discern what he finds in them.

“Gojo Satoru…” you drone off, “to be wed. And to be a father.” Years of late night talks of the future, of kids and Christmas and love, with reality seemingly sly on the horizon only to have crept up so abruptly. It was pinched between your fingers right now. That reality.

His shoulders sulk slightly. And when you look up at him again, there’s a sheen of tears in your eyes.

“I can’t come to this,” you whisper, “and you know that, Satoru.”

His heart breaks. A physical pain that twists in his chest so tight at just the sight of seeing you sad. Sad again over the actions of his own. They say you always hurt the one you love, and he had always wondered what sort of evil person would do such a thing, only to find out he’s only ever hurt you this entire time. 

He should’ve kissed you that night the two of you met at graduation. Should’ve shut you up and all your existential questions by pinning you to a wall and pressing his lips against yours. He should’ve taken you to bed and fucked you, and then held you in his arms until you woke up in the morning. Should’ve listened to you talk his ear off about how he’s just like all the other guys, who pretend to care, but only want to have sex and then never to speak to the girl ever again. And he should’ve laid there in bed, nose nuzzled in your hair, taking all the scolding despite having no intent to ever leave you.

Instead, he wasted so much time. Sure, he had your friendship. His best friend for years, but the two of you could’ve been something more. Could’ve spent the years together, instead of writing stained letters or leaving messages on answering machines while the two of you were miles away. He could’ve been waking up with you every morning with the scent of your shampoo on his sheets, instead of clinging to pillows in foreign motel rooms. He could’ve been engaged to you, and he could be whispering sweet nothings in your ear of how much he wishes the baby will have your eyes. 

But his thoughts are lost in fantasy. He is what he’s done, nothing more and nothing less. His eyes fall to your lap, the invitation still held loosely in your hand, and then a droplet of water falls onto it.

“I–” you stutter, wiping at the tears spilling down your cheeks with a hesitant swipe of your hand, “I need to go.”

You stand up off the bench and he quickly stands up with you, grabbing your wrist to keep you here with him, and you halt but only with you facing away from him. He yanks at your wrist harshly, pulling you into him so his chest is flush to your back, his arms wrapping strongly around you and his nose nuzzling into your hair, breathing you in greedily like it’s the last time he’ll ever get the chance.

“Satoru–” you gasp, your hands immediately grabbing at his forearms that are tightly crossed across your collarbone. “What are you doing–” 

“Say it,” he whispers, gruff and impatient, “tell me to do it, and I will.”

“T-Tell you to do what?” you stutter, struggling a little in his hold but he only holds you tighter.

“Tell me to leave her, and I will,” he says, his lips brushing at your ear now, the scent of your perfume maddening to his senses, and one of his hands slowly trails down and the knuckle of his thumb presses into the softness of your breast.

You squirm, a small and soft moan leaving your lips.

“T–” you breathe in harshly, “this is wrong.” 

“I don’t care,” he growls, arms sliding lower to hold you under your breasts, so tightly that your heels lift off the ground. “Just say the word, and I’ll leave everything behind for you. I promise,” he breathes in deep, the desperation making his head hazy, “that I’ll do things right this time. Just you and me–” 

“You’re going to be a father,” you remind him, and he shuts his eyes closed tightly, the responsibility of the word bearing on his shoulders but his desire for you overshadows every shred of sense or dignity or integrity he has left in him, because he felt like he was losing his mind after wanting you for years just to never have you. 

He turns you around in his hold so that you face him, and he crashes his lips to yours, muffling the surprised mmf! that dies in your throat in surprise as his hands hold your waist, relishing in the feeling of satin fabric pulled taut over your curves.

Forbidden, yet a taste that he’ll risk because there was no curse that was worse than the fate of having to pine after you for years.

Ah.

But.

But it was all fantasy, this moment in his head, where he takes you on the freshly cut grass of this garden. 

Something that only briefly flashes through his mind as his warm hand wraps around your wrist, from where he was still seated on the stone bench, and not on his feet holding you like he dreamed for. Like he longed for.

He feels the weight of his arm so heavily, as if it weren’t his own, and he slowly lets go of your wrist.

When he looks up at you, there’s longing in your eyes. A hurt that he didn’t even know he was capable of causing, just for him to realize that you’ve always looked at him that way, and he’s never been keen enough to know it until now. He grew up too late. He took too long.

His phone starts buzzing in his pocket, and he reaches in for it, then flips it open and sees his soon-to-be-wife’s name on it. He feels nothing at the sight.

“Hello?” he speaks into the device when he holds it to his ear, and he sees you take a couple steps away, rubbing anxiously at your elbow as you pretend to busy yourself with the study of the lamp. “Yes, I’ll be there soon. I, uh, I’m just with a friend. A couple of friends, actually. We’re having drinks by the pond. Mhm. Yes. I will. Okay, see you soon. I—…I love you too. Bye.” And then he snaps the phone shut. 

“Heading back?” he hears you ask.

He stands. “I’ve got to.”

“Okay.” 

You two walk down the shrubbery of the garden that was arranged like a maze, him a few paces behind you, and he watches the delicate line of your posture as your hand brushes against the green walls of foliage that encase the two of you, the feeling of wanting to touch you and hold you almost suffocating. 

“Hey,” he calls out to you, and he shoves his hands in his suit pockets. You turn around immediately to face him, like his voice was permission to do so.

“Yes?” you ask.

He blinks up at the starry sky, and then looks at you again. The soft cast of distant warm lighting falls over your face, making you appear like a renaissance painting, similar to those that you would point out to him at museums when you two would see each other on holiday back in your early twenties. He could never understand the charm of those paintings, no matter how many times you tried to explain it to him, but seeing you in this light right now, he finally understands the beauty that you saw. 

“I’m, uh,” he rubs at the back of his neck, and then scoffs out a small laugh, “I’m a little drunk right now, but–” He stops himself. What was he trying to say? And was it of conscious mind? “I just need to tell you that…I really regret…not speaking to you. I mean, for letting the silence drag on for years. You’re my–...my best friend. We’re a pair, you know? The two of us. For years, people would ask me where you were. And why they haven’t seen us together at all recently. And it was hard to admit that we hadn’t spoken in years.”

You take the smallest of steps towards him, and look up at him with empty eyes. 

“What I’m trying to say is, is that, well,” he finds himself tripping over his words, “I miss you. And I miss our friendship. And–...I miss having you around.” He glances down at his shoes, polished and reflecting off the moonlight directly above him. He rocks back and forth on his heels ever so slightly. “I know you said that I piss you off to lengths unimaginable to my tiny pea-sized brain, but I can’t help myself, y/n,” he admits, “I think you and I, we’re just meant to always be. In some how, or some way…”

You purse your lips together, gaze shifting lower to eye at the silk of his tie. 

“Can we be friends again?” he asks, the words feeling juvenile on his tongue. Like whispered apologies between children on a playground after shoving one another onto wooden chips, except the wounds he’s left on you run much deeper than a superficial scrape. 

You blink slowly, tilting your head up at him. “Friends?”

“Friends.”

You wipe your palm off on the satin of your dress. “I missed you too, you know.”

His eyes widened slightly.

Your hand finds its way up your arm, until you weakly cup your elbow with your palm and look off to the side, avoiding eye contact with him. “There were so many years where I thought that there was something between us. And maybe I was foolish for thinking that way, that you would ever see me that way–”

“y/n,” he tries to interrupt you. 

“But…the pain of not having you the way I wanted to was much less worse than the pain of not having you at all,” you say, your gaze finally shifting towards him. “But, the thing is, I needed to feel that pain to get over you. I had to.”

His heart stills at those words.

You glance down at the ground now. “I missed being able to tell you things. To laugh, and cry, and argue. I miss humbling your stupid ego. I miss being able to call you at any time, knowing you’d pick up when I needed you.”

His heart aches so much he wants to reach into his chest and hold it.

“The thing is,” you continue, “you would’ve been the first person I would’ve run to to tell them that I lost my best friend.” There were tears shining in your eyes. “But what could I do when you were the one that I had lost? Who could I have turned to then?”

He lets out a shaky breath, and in a swift motion, his arm wraps around your waist and he pulls you to him in an embrace.

You’re stiff in his hold, mechanical and rigid, so contrary to the soft tears you leave behind on the fabric of his sleeve, but slowly and surely, you warm and thaw. Your hands slide up past his shoulders, linking behind his neck. And his head drops to the curve of your neck, swaying you with him slowly as if it were a first dance.

“I’m sorry,” he whispers, “for hurting you.”

You breathe out slowly. “Just let me go, Satoru. Let me be free. Let me be free of you.”

He feels the air knock out of his lungs, and the two of you slowly pull your heads away from the embrace to look at one another, although your hands still find a place on his shoulders, and he still holds you close to him by a delicate hold of your waist. 

He wonders if in another life, you two were happy. He wonders if he could ever take back all the decisions he made, and start all over again. On that day the two of you met on that staircase in the west wing of the literature building, he would make a different choice. If he could, he would live in this lifetime of hell over and over again if it meant that in some other one, there exists a world where he never hurts you. 

“It’s time for me to go,” you whisper, eyes darting across the features of his face, studying them but with a familiarity that only you know, because you held his entire life in your palm. Your gaze meets his again, faces just inches apart, and the sweet curl of your eyelashes makes him weak in the knees. “It’s time.”

He nods slowly, his own eyes studying your face as well, except it looks foreign to him now. 

It’s all been said and done. There was nothing he could do to right the wrongs, or undo all the pain. He was to be a father now, and his duties were now towards his wife and unborn child. And no longer to the woman he holds in his arms, one he’s sure he will never stop loving for as long as he lives. 

It’s a sweet moment, the two of you gazing at one another. You look so pretty from this angle, looking up at him with the smallest tilt to your head and round searching eyes. His head subconsciously dips down towards yours in the second that he glances at your lips, but he stops himself. And when you make no move to create distance, he finds himself closing it again, until his lips brush against yours ever so softly. And then he captures them in a kiss, firm and unmistaken, finding solace in the way your lips move against his too, unsure yet passionately at the same time. Your fingers ever so slightly dig into his shoulders while his thumbs soothe at the skin of your waist, the two of you savoring the last moments of a kiss that’ll be the sweetest one you’ll ever know.

You pull away first, a small puff of air leaving your lips as you glance downwards. He rests his forehead against yours, never once looking away from your face. And you both breathe slowly, the soul of the chaste kiss entirely vanishing into the air along with all the hope that the two of you had left to make anything of the way you feel about one another. It was a kiss that almost disqualified any level of sin or guilt or wrong, because it was like one you two owed each other, after years of familiarity and longing. It was the goodbye that the two of you deserved.

His hands slowly let go of your waist, and he takes a step back away from you, softly clearing his throat. The distance feels like a galaxy away, and he briefly runs his thumb along his bottom lip, because the ghostly feeling of your lips on his still remains. 

“Shall we head back?” you ask him, prim and proper in posture and eyes widened in a formal gaze.

His lips are parted, and he finds that he’s panting slightly. And then he slowly nods his head. “Yes.”

.

.

.

[the end] 

a/n. i am sooooo freaking obsessed w "one day" by david nicholls and really wanted to write something inspired by it!! the book literally ripped my heart out and stomped on it like there were so many scenes where i just longingly stared out the window because of how shattering it was but dear god i really enjoyed it, and the show was also so dfkjhsfkhs i had sm feels watching it. so yea this was fun to write!! i hope you enjoyedd n thanks so much for reading :)

➸ masterlist

[paperclipninja]

I'm gonna sound very old person yells at cloud but I don't care, I feel like I need to say this. We all (well most of us) know that messaging Neil with any headcanons/theories/wishes/hopes/dreams to do with the show is a no-go because it could potentially compromise the story he wants to tell or ends up telling. And yes, he is a grown up who chooses what to respond to etc and I think it's wonderful he engages with fans and answers a lot of lovely and interesting questions about his process, writing and journey etc.

However, there is another reason not to send theories and ideas about how the show should go to the show creator in the hope of a response: it doesn't matter. It doesn't matter whether a theory is correct, or a speculation may or may not play out. That is why fandom exists.

Online fandom is where we all come together to yell and cry and throw around weird-ass ideas and theories and look at art and read fanfic and unite in our love of characters and a show. A huge part of being in fandom, is the way fandom theories become like an understood little bit of fanon lore that some people attach to, others disregard. But it doesn't matter. And part of the fun of fandom, is when a new season or a new episode of the show comes out, you have this collective catalogue of ideas and theories and headcanons and you get to yell and scream, "omg it happened1" or "lol that that thing was ever talked about" or "thank god that theory didn't come to pass".

Wanting to know now (not that we ever will) and not wanting to wait until the next season to find out the answers diminishes the fandom experience. I cannot stress enough how much we are in the absolute peak of the fandom experience right now. The between seasons time is the ultimate time to be a part of a fandom (as I'm sure many people are well aware), knowing there's another season coming energises everyone to create and connect and speculate and it's glorious! I know it feels like it'll be like this forever, but it won't. Next season is the last and yes, there will be a flurry and uptick of all the energy and excitement once again, and I absolutely believe Good Omens fandom will live on and remain active and thrumming. But there won't be theories and what ifs and hunting for clues for the next season, and over time it will dwindle a little and plateau and some people will fall into other fandoms, and while it will probably bubble away, there won't be the anticipation that sits with us now.

My point is, fandom is where we get to throw around ideas and flail and be ridiculous and also serious sometimes, but it's all for us. For the fans. Showing Neil theories or getting in a flap about a particular speculation and asking if x, y, or z might happen isn't just about putting the creator in an awkward spot, it takes away what fandom is about. Just let this time be ours. If you haven't been in fandom before, enjoy it! Don't be in a hurry to seek definitive answers or know things either way.

It doesn't matter if any or none or all of the things that float around end up being correct or incorrect. Fandom isn't about being right. It's about being a part of a community and being able to share ideas and it's about it being FUN.

So TL;DR Stop sending Neil fan ideas because that is for fandom, not for the creator.

[keefechambers]

I wanna be blunt about this ongoing James somerton suicide threat issue but I don't want to connect it to my IRL Twitter to comment on the dogshit takes I'm seeing there or the good and well meaning but maybe too kind takes I'm seeing here.

Obviously, I hope that this is a false alarm cry for help fake threat. Yes, it would reinforce that Somerton is a self-centered egomaniac who can't handle consequences but that's preferable to dead.

But I work in local news and let me tell you something. I've covered half a dozen family annihilating murder suicides and heard hundreds of men making suicide threats over police scanners and a huge swath of these don't happen because they're depressed or because people are mean to them on the Internet. They're punishment. A person with an enormous amount of entitlement towards people around them gets backed into a corner and they punish the people closest to them by killing themselves or threatening to kill themselves.

No one wants to talk about this feature of suicide because...you want to help people who are struggling and guide them away from this path and being blunt about the fact that sometimes people die of suicide as a consequence of their own shittiness towards the world does not really help actively suicidal people. But suicide rates are higher in men not just because they have higher rates of untreated mental illness (a societal issue we must address for the sake of all) but because some people, often men, use suicide (but more often the threat of suicide) as a tool of abuse and control.

I'm not saying somerton is like, an icky abuser bad guy, he's just a run of the mill grifter scumbag, but his actions in the past show a clear pattern of escalating behavior that aligns with this.

Somerton gets called out -> somerton alleges physical threats of violence against himself and his fans rally around him supportively -> Harry calls somerton out in a bigger way -> Somerton says he's hospitalized but there are inconsistencies with the story but no one wants to talk about that because you wanna be nice-ish about a guy who just tried to kill himself and now he's trying to be framed as tragic but it doesn't really stick -> somerton apologizes again but his apology is rightly called out for lies and manipulative framing as well as his continuing attempts to profit off the community he betrayed -> James posts a suicide note publicly putting the onus of his own suicide on the loss of his friend Nick who he repeatedly threw under the bus and now everyone is rallying to say nice-ish shit and wring their hands in concern over poor james -> indefinitely repeat this vicious cycle forever until he actually does die or finally gives up and gets real, intensive therapy and a day job.

Thats not to say anyone's concern is misplaced, it's 100% better for him to be a living scumbag than a dead one. He deserves the chance to grow and learn and have a life outside of youtube.

But you don't have to portray this as the action of a sad depressed man who got bullied off the Internet. It's manipulation, whether he intended to go through with it or not and whether someone intervened or not. Not denying that internet bullying is a thing, I'm sure there were some people who were shitty directly to James but he made the choice to not unplug from this and to try and keep being a public figure rather than taking care of himself. He could have deleted Twitter, blocked anyone who was an asshole, gone to therapy and tried to move on with his life but if he'd deleted his channel he'd have lost monetization... Can't have that, right? So he posts some apology videos so his channel stays active and then complains about how ruinous this is while never trying to take real accountability.

But the reality is that people would have forgotten about him so quickly and maybe his job prospects would've been impacted but...that's on him, and that's for him to figure out but it's not actually life ruining. He chose to continue to engage knowing he'd get backlash and hate and he'd feel worse and worse and things would never get better without the time and space for people to forget.

He made the choice to make a public spectacle of his own alleged suicide. That is the action of someone who wants to put the weight of their suicide on someone else's shoulders and is morally wrong. He can be held to account for that, alive or dead.

[lace-chocolate]

Hi friends, happy 2023 🤍

[cyberm4n]

HI I LOVED UR HYPERSEXUAL FEM READER HEADCANONS UR WRITING IS SO GOOD

Soo I'm here to request the vees (mainly vox but idc) x hypersexual Fem reader pleasee 😭🙏

if not that's okay and I hope you have a nice day/night!! feel free to delete this lol

-xoxo, Ari

THANK YOU <3333 i love the vees and ive been looking for an excuse to write them so this is perfect

vees with hypersexul reader

going with the same scenario as last time- you've just finished a round and (char) is spent but you're already ready to go again

《— vox —》

■ he seems like a 2 rounds kinda guy so after that second round and yall are just laying there he is SPENT

■ so when you roll over to lay on his chest like "one more time?" with a little smile on your face, as if yall did not just violently fuck it takes him a moment

■ he's spent, so spent. but he really wants to please you

■ he'd get used to it tbh. like he's mentally prepared everytime now but maybe sometimes he can do a round 3

■ he'd resort to toys i think, only the best for his girl <3

■ there's also something he loves about getting to hold you and watch you writhe in pleasure and he just gets to watch

■ he'd always take your preferences into mind with toys too. like if you want smth specific he's got it for you

■ i feel like he might prefer if yall are spent at the same time so the foreplay goes CRAZY

■ like it's not just foreplay it's actual rounds of getting you to cum before the main event yk

■ or sometimes he'll just ask if it'd be okay to be done for the night when he is

■ he doesn't mind either way but he'd definitely want to communicate about it

■ so yeah it might take him a little bit to adjust bit he'd be just fine!

《— valentino —》

■ okay let's be real this man fucks A LOT so he can probably do like. 3 or 4 lengthy rounds before he's tapped out

■ it's making me giggle about it but like okay val is a kinky guy, and like especially if the first time yall do anything it's a little bit rougher he is SHOCKED when you're down for more

■ he's prly into something like overstim where normally you kinda gotta reel from it after so when he's done and it takes you like. a minute or two to be like "do you wanna do it again?" he judt looks down at you so confused

■ he takes a moment, blinking. he'd definitely ask if you're kidding or smth and then finding out you're not he has to take a moment

■ like, he finds it fucking awesome but jesus christ he's finally met hsi match

■ he might use toys on you or go down on you, depends how he's feeling tbh

■ i think he'd lean towards going down on you, idk he just seems like he'd be a bit of a munch.

■ and if you're okay with it when yall fuck in the future he's constantly just seeing how far you can go before you're spent

■ long story short he's totally chill abt it when he gets used to it and thinks it's fucking great

《— velvette —》

■ okay im literally giggling and kicking my feet while typing this

■ she seems like a 2 or 3 round kind of gal

■ idk femxfem sex doesn't really go in rounds ime but like. yk.

■ so after she's spent, she's like so ready to cuddle up and sleep. but then you're caressing her cheek, nuzzling into her neck. "again?" you murmur and she has to take a moment

■ cause like, she's just super surprised you're still ready for another.

■ she'd ask the most questions abt it. like she'd want to just know more so she can support you better

■ she'd go down on you tho! anytime! she definitely has toys but she seems like the type to be more inclined to eat you out

■ if she gets tired of that she'd use a toy on you. but she stays engaged the whole time, super attentive.

■ she's a service switch so like getting to keep you pleased like this makes her feel good and she doesn't mind at all

■ once again, all of them would embrace it and they do not mind at all!

■ if you guys with the poly hc for the vees i think it just makes it so much better for them to know it's really hard to burn you out

■ i loved this request ty <3

taglist: @reaper-of-light-12 @mxxny-lupin @wisteria-songs @t3llas @concentratedconcrete @pansexual-opera-house @dionysusismypatrongod

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[vaspider]

How are you a lesbian if you go by “he?” Lesbians are exclusively women

Assuming you are asking this in good faith - which doesn't make it appropriate, but we'll get to that in a minute:

1. No, lesbians are not exclusively women, and this has never been the case. A great deal of lesbian writing going back decades upon decades posits lesbian as a separate gender - certainly we are not nor have ever been seen by society at large as "proper and correct women."

1a. My gender is butch lesbian. The end.

2. Pronouns aren't gender. Also, see above.

2a. He/Him, They/Them and neopronouns as pronouns for butch lesbians (who consider themselves women or any other gender) has at least a hundred years of history behind it, as does butch lesbians referring to themselves as Husband or Daddy.

2b. Have you read Stone Butch Blues? Like, ever? Leslie Feinberg (z''l) was not a woman. Zie made that very clear over decades.

3. And this is the most important, so I need you to listen very very closely:

ACAB INCLUDES POLICING OTHER PEOPLE'S IDENTITIES.

I hope that clears things up for you, as other people's identities are not matters for debate or for you to police. I am setting a firm end to this conversation; I will not engage further with you on it. If you would like to request more information from someone on gender theory and lesbianism to clear up your very clearly lacking education, including me, ask about the theory and don't involve the other person's identity.

Once you've read Stone Butch Blues - which is free online by the terms of the author's last wishes - if you'd like to return and discuss the long history of gender variance and gender freedom within the lesbian community, you may do so. But - and I'm totally serious - I'm not talking with you about this again until you've read at least that one totally free book and killed the cop in your head that makes you think you can come into someone's inbox and ... do this.

Would you walk up to someone on the street and say this? If so, who raised you? If not, why do you think it's okay to do to someone online?

[risuola]

ENTRY #12 ♡ F. READER X GOJO SATORU // In a room full of other people, blindly I'd find you.

contents: arranged marriage!au, jealousy (duh!) — wc. 1463

a/n: little experiment, let's see how it goes. please let me know what do you think of this chapter! also, we're getting closer to the nsfw entry, i hope you guys are as excited as i am!!

series masterlist

“You are breathtaking. I did not deserve an honor of your presence.”

Satoru hates it.

“The pleasure is mine,” you reply, a sweet smile adorning your face in a way that makes your husband narrow his eyes. A hand dances along your spine, caressing the bare skin that you decided to expose in a dress with a low cut on the back. You are breathtaking. You are a sight that should cost money to be looked at, you are stealing the show, like a magnet attracting both men and women around the wide ballroom.

He hates it so much.

You seem polite, overly so and accepting too — a little too much for Gojo’s liking. You move along the man — not him — with grace, with fluidity and the long layer of smooth fabric dances around your legs. The dress you wear makes him salivate, it makes him think thoughts that are ungodly, that are unallowed. Silk that wraps around your body in an expensive, luxurious embrace causes Satoru to curse himself for buying that very dress for you few days before. It is beautiful, tailored to your shapes and edges. It’s soft, but with enough body to flow gracefully along your movements. It hugs your chest and loosens up below your hips, it’s a dream, you are a dream.

But you are dancing with someone else.

It’s a job unlike the others. An order from higher ups required you and him to attend a ball — an event as fancy as it can get because there has been a rumor that said the circles of people, filthy and rich, were contracting curse users for entertainment, causing chaos and harm. It would be easy to just get all of them, interrogate, torture, but this time the means are different. This time, it’s you who plays the main role, swiftly engaging with influential men and pulling their tongues until they slip.

It was easy.

Men there were dogs and a sight of a woman — as beautiful as you — laced with a silent promise is enough to make them spill their secrets. They were eating from your hands, wrapping themselves around your pinkie, voluntarily telling you more than you asked. Easy.

But Satoru hates it.

He’s there with you, your plus one, your partner and an entry card for a party as luxurious as it is. You didn’t know how he got the invitation, but the sight of it didn’t surprise you. He is rich, he is Gojo, you are Gojo.

And you are annoyed.

You don’t like the job. You got what you wanted, it was a child’s play but then, you hate how good your husband looks. You hate how other women are looking at him, ogling him, undressing him, eating him alive. The lady that clings to him — onto him — seems too old, too eager. Her greedy hands cannot settle for one place, wandering over Satoru’s broad shoulders, his chest hidden beneath a crisp, white shirt, his sides. The obnoxiously manicured fingers are dragging themselves across his body, examining, exploring, consuming. They are underneath his suit jacket; they are in his hair and near his face and you wish to break them one by one.

Satoru is smiling, working his features into a sight of an angel, using his eyes to hypnotize, whispering sweet little nothings and promising more than he’s willing to give, just to get what he wants in exchange. He has it easy, you think. Your husband is blessed with not only strength but also looks, unfairly, but god do seem to have favorites.

He catches you looking. You catch him looking. A silent communication that makes it through the distance of the ballroom, and then you’re focused on the man beside you again. Suddenly aware of hands that roam your curves, of traces of unwanted heat that his fingertips are leaving at their wake, a breath against your neck. An invitation that whispered right to your ear causes you to flinch involuntarily and a shiver that runs down your spine makes you take a step back.

“Excuse me,” you smile, a fake gesture wrapped in fake politeness. Your hands press against his chest and his own slip over the silk of your dress. He lets go of you, nearly, and you’re close to leaving when you feel his fingers digging into the soft flesh above your hipbones. The entire front of your torso hits the hard chest, knocking the air of your lungs for a split of a second.

“Don’t leave me yet, darling,” he murmurs, his mouth brushing against your earlobe. There’s a shift in his tone, the sweet and flirty undertones are suddenly much darker, greedier. His grip grows harsh against your skin, forcefully intimate.

“Oh, it’s time for me,” you say, a smirk tugging at your lips. With a corner of your eye, you notice Satoru getting closer, but you have no intention of waiting for him to save you like you’re a damsel in distress. “Let go,” you warn, sneaking one of your hands underneath the suit jacket of the man. Swiftly you move it to the top of his shoulder, a little more to his back and you squeeze, digging your fingers harshly into the one, very sensitive spot right above his shoulder blade. The vulnerable muscle tense underneath your assault and the man winces, cursing under his breath and calling you names that are far from elegant. “Hands off. Or you’ll say goodbye to your right hand and I bet you need it.”

He growls, like an animal under attack, hisses almost and you smile in victory when his hold on you falters, allowing you to step back. You smooth your dress, fix the straps on your shoulders, and blow a strand of hair from your eyes before Satoru reaches you, effectively cutting short any attempts of biting back that the man could have had.

“Anything you wish to say?” He asks, narrowing his eyes, lowering his tone. It’s cold enough to make you shiver, scary almost, and inside it makes you giddy. He is so very jealous it’s written all over his face and yet, you’re certain, he would never admit it even if burned and tortured. “No? I thought so.” He closes the conversation before it begins, cuts the discussion short and turns to you.

“Hello, handsome,” you greet him, suddenly possessive and it surprises you as much as it does surprise him, because a short oh slips through his lips when you reach up to lock your fingers together at the nape of his neck.

“Hello to you too, beautiful,” he replies, the words foreign on his tongue but feeling so right and then, his hands follow the curves of your hips and waist until he finds the spot to rest one of them — the other moves further, circling behind you and planting itself on your bare back. The touch burns your skin, sending waves and waves of heat throughout your entire system and to your face.

You feel the eyes on you, much more threatening than before. The stares of women present around you are drilling holes in your body and if they could kill, you’d lay cold already.

“I’ve never seen you jealous,” Satoru purrs against your lips right after you pull him down, pressing a kiss to his mouth — possessive, proving, claiming.

“Goes both ways,” you tease and he rolls his eyes, but drops his head lower, sucking a spot on the side of your neck. A mark to show everyone that you belong to him, a signature etched onto your delicate skin, a bite of nothing but unspoken love.

“I’m not jealous,” he protests, just for the sake of it because he knows it’s false just as well as you know it. His voice vibrates against your flesh and his breath tickles you, his eyelashes do too.

Satoru inhales, filling his lungs with the subtle scent of your skin and perfume, the one with sweet vanilla undertone that he likes so much on you. It suits you, makes you seem delicious, makes him want to taste you. It calms him — your presence — it makes him relax underneath the sturdy hold of your hands. It teases him. The way your thumbs are brushing against the very sensitive spots on his nape, it makes him want to whimper and so, he pulls you closer, flush to himself, hungry for your touch and presence.

“We should leave this place,” you murmur quietly, running the tips of your fingernails across his scalp, sending shivers that run down his spine.

“Yeah,” he inhales again, bracing himself to leave the comfortable spot in the between your shoulder and neck, and before you know it, he’s pulling your hand, pulling you somewhere only he knows.

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