#and i have rants about the writing for my child

[haunted-headset]

he looks just like a dream ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆

summary: dating headcanons w/ remus lupin

a/n: hello!! this is my most recent fic on this account and my first Marauders fic, so sorry if this is bad!! also, please keep in mind that even though i'm writing a fic about something tied to the Harry Potter universe, this does NOT AT ALL mean i like JK Rowling. i've liked her books since i was a child and have been separating the art from the artist for quite some time when it comes to this. also, i've written Remus in more of a modern situation, so keep that in mind :)

tags: @back-totheoldhouse @daemontargaryennn @o-kye @unbeleevable @mochamuff1n @call-me-frosting-or-not-idc @dangerouslyyour (this is me just guessing who would be interested in this, please let me know if you would like to be removed/added from the taglist!!)

warnings: nicknames with "girl" in them but otherwise gn!reader, mentions of crying, mentions of scars

boyfriend!remus who's memorized how you like your coffee or tea. or if you don't like either, he's memorized your favorite drink and has perfected it every time he makes it. you tell him it's not needed, that you can make drinks yourself, but he says it's worth it just to see the smile on your face.

boyfriend!remus who wouldn't dare tell you to cover up with a dress or outfit you're wearing when you go out ("any guy who tells their girlfriend/partner to cover up because it makes him uncomfortable or insecure instantly just proves he has a fragile ego accompanied by a micropenis.") and he'll only suggest a jacket if he knows it'll be cold outside. if you're happy in what you're wearing, why should he stop you?

boyfriend!remus who reads the books you're reading to have an extra thing to talk to you about and to ensure he understands what you're describing when you rant about how much you either love it or hate it. "yeah I know, I can't believe he did that!" "seriously, the way the writer set up the plot is terrific." "what was the author thinking? the plot makes no sense."

boyfriend!remus who always gives you his clothes. his soft beige knit sweater? of course you can wear it to our date. you need to borrow his beanie because it's cold outside? please do. you want to wear his shirt to bed? just keep it, he thinks it looks 10x better on you.

boyfriend!remus who takes you on all sorts of dates. library dates, lego building dates (which turn into laughing hysterically because one of you doesn't understand the instructions and the other one does understand, but can't find the right piece), cafe dates, aquarium dates, baking/cooking dates, late night walk/drives dates...the list goes on (i will happily elaborate on any of these if asked). he may or may not stalk your pinterest to find out what dates you like

boyfriend!remus who subtly shows you off to the marauders. he's usually a little bit touchy with you in public (a hand on the small of your back or intertwined with yours, his arms around your waist or shoulders, etc.), but he does it more around his friends. it's not any sort of intentional possessive thing (like "grrr my bbg is mine you can't have her raaah"), he just likes people knowing he has a gorgeous partner :)

boyfriend!remus whose room is littered in random trinkets, some of which he'll randomly gift to you. a silver pocket watch he found with intricate details because he thinks you'd like it. a rock or crystal he says looks like your eyes. a flower that he found because he remembered the one time you said "what a pretty flower" when you accompanied him on a walk. a stuffed animal he found at a yard sale because it was your favorite animal. the list goes on.

boyfriend!remus who mainly shows love through acts of service and physical touch. your shoe's untied? he's getting down on his knee to tie it. your books are a bit heavy? he'll carry all of them for you. you're not feeling good? he's doing your homework.

boyfriend!remus whose nicknames for you are mainly "dove/dovey", "baby", and "darling". he calls you "sweet girl/pretty girl" when you're sick, under the weather, or sad, "my love/my dearest" when he knows you're upset, and "sweetheart" when you're in an argument.

boyfriend!remus who would be terrified of showing a lot of skin around you because of his scars mainly because he doesn't want you to be disgusted. he knows deep down that you wouldn't, but it's a deeply-rooted fear for him.

"Remus, your friends have scars. Does that make them ugly or bad people?"

"No."

"Some of the teachers you like have scars. Does that make them ugly or bad people?"

"No."

"I have scars. Does that make me ugly?"

"Of course not, dove."

"So then why do you think scars make you ugly if they don't make anyone else you care about ugly?"

[opalite-curiosities]

Tkatb theories-

A/n: I normally don't post my thoughts on things because I'm nervous but I couldn't help it. I really enjoyed the update and wanted to know if anyone was theorizing like I was 😅. Hope my slightly organized ranting is enjoyable.

Also slight spoilers for the update/rewrite

Crowe-

Marie antoinette

1.a- forms a scenario about the queen and the MC being friends while they write their essays

1.b- Light is absent from his eyes as he asks and listens to their answers

1.c- Emphasis on Tyrant

There is obviously more to this scenario than meets the eye. Automatically it seems like hes talking about his family, as Dyrel mentions he doesn’t seem to get along with his family. The only family that is mentioned (by Dyrel) is his mother. She is a highly successful business woman and it’s likely that Crowe lives with her on the other side of the city.

Given how he frames the scenario, it’s likely his mother was similar to the queen. In this case the role MC plays would actually be Crowe. Saying that the queen gave them gifts and invited them to parties. likely reflects what his childhood was like. Business parties with the higher class or lower class, along with his mother likely giving him anything. The second half of the scenario may take place in his later years. As a child he probably had an idolized image of his mum. Given her success and prowess, Crowe probably looked up to her in some way. However, that opens up the possibility for him seeing what she was or is really like.

This is where the second half of the scenario comes in where he asks the MC if they would believe the rumors or the queen. The answer matters a lot to him as it, without the MC’s knowledge, relates to his own personal experience. When picking the option of still trusting the queen, Crowe tears up. Despite quickly returning to his prior playful and light mood, it’s clear that the answer impacted him greatly. He also says that the MC is too trusting and is opening themselves up to potential danger. I feel like this is the option Crowe himself chose, to believe his mother. To trust in her and the version he knew as opposed to what he had heard. The danger he speaks of to the MC is probably the danger he found himself in.

Similar to how Geo’s family is involved in some way with the founders of the city, there's a possibility that Crowe’s mum was to and could be the reason for his deep hatred of the system. Her business may involve the city officials in some way and with the unrest within the city, it’s not a stretch to say the rumors about her were probably true. Crowe finding out about all of it probably made him begin to question his mother even if he so desperately wanted to believe her.

Eventually, they probably had a falling out. Whether Crowe started believing the rumors or saw what was happening for himself isn’t that important but it may change how severely his opinion changed. How old he was when this happened also no doubt played a role. The main thing is, he started seeing his mum in a different light, a more negative one. This is probably why he isn’t close with his family or at least his mother. It also could be a reason he and Geo are so close, as they both can relate to having family problems relating to the hierarchy.

At the end of day 2, when you choose to stay with the group, Crowe decides to leave after staying at the MC’s apartment to get out of the rain. As he’s leaving we get a photo of him almost glaring at his phone. He also says that she is back, possibly meaning his mother.

[sundogsandrainbows]

Hi, I'm sorry to write to you out of the blue, but Of Elves and Humans was the first DA longfic that got me hooked back in 2011 when I, as a dumb teen, happened to pick up DAO. Ever since then, the DA universe has been a constant fixation of mine and my admiration for you as a writer as well as someone who isn’t afraid to call out the franchise's flaws has never wavered. Now that Bioware decided to take a massive shit on everything pre-DAV and their oldest fans specifically, I'm really devastated and feel like a fool for having been so invested in DA and its lore for those past 13 years. It’s incredibly encouraging, however, to see you keep on keeping on. "So since they spat in my face like this I ignore this atrocity of a game even exists" is where I hope to be at soon, too. Thank you.

(First of all apologies for the late reply, I put it in my drafts when i was too tired to complete it, and then my adhd brain forgot it existed due to being distracted by new shinies 😂☠)

But aww omg i cannot believe i was the gateway drug into dragon age, or rather the old version of my story on FFN was. I am so very honored <3 And nonnie, I feel you. I am invested in DA as a series since DA:O's release in 2009, like I bought it on a whim for XBox because I liked Mass Effect 1 sm. So that is 15 yrs of my life i spent loving and discussing a thing while still being critical of the thing, but now i feel so very protective of the world, lore and its characters that "New Bioware" has decided to take a massive dump of shit on, and not only the games but the old fans I feel are treated with disdain too and do not matter to them any longer.

Long, subjective rant about current bioware aka the shambling corpse of its former self and talent incoming. Spoilers for Veilguard bc i don't give a fuck to avoid them :D You (general you, not you in particular dearest nonny <3) should use your time better than to play this shit anyhow 😂

It feels like calculated malice of new Bioware to apply the scorched earth tactics to offscreen destroy everything that old fans and fans of the other games in general held dear, and was supposed to suck out the enjoyment of DAO, DA2 and DAI. Like it is obvious they plan to create a sequel on DA's scorched bones, but jfc, you can do so story-wise without spitting everyone loving what old bioware has built in the face after dropkicking them. But to me that is part of the problem, since if i remember correctly and i wish i could find the bit... they praised Veilguard as "The best Dragon Age game ever", with the most interesting companions and best most improved combat system, comparing it to the other three games in a near smug fashion. There is marketing and there is putting the other games down to prop up your most favorite and only child mattering and they were definitely doing the latter. And don't get me started on the whole "Who is Zevran" debacle or we are gonna here all day.

Bottom line is new/current devs and writer do not give a shit about and very possibly have never played any other game than Inquisition, and you cannot tell me otherwise. And since a lot of devs/writer have left since the start of this project that would become this abysmal game, I also have the impression that there is a lot of underlying resentment toward what these former colleagues have created and so they piss on it in order to make it fully theirs now. Like dogs marking their territory, and well that did not work out, imo. At all.

Ever since they announced respecting our past choices by ignoring them (????) it was clear to me that I would not play Veilguard but just watch a playthrough and all spoilers and then move on. And everything i saw before release was shocking... like i was flabbergasted at how baaaad the dialogue was, which as a writer myself is super important to me in my story. There was no subtext, characters just blurt out everything they think and feel, like a lifeless doll you squeeze and words tumbling out and just as natural. It is stilted, awkward and 80% of it exists for info dump or info dumb rather as they keep repeating the same shit they just told you a few seconds ago as if you as the player are braindead. Here is a good example of what i mean.

Jfc, who edited this crap? There is so much superfluous dialogue that adds nothing to a scene but annoyance for the player and says nothing at all. Just pure senseless yapping in the most cringy way. Why was no one there to trim this nonsense as you should as a writer/editor? Hell, they really disregarded every simple and basic writing rule (everything is told never SHOWN for example especially in dialogue) which really made me question their competence in what they were doing and thus the quality of the upcoming game but i still held out hope for it to not be that bad.

Well shit, it was even worse. In all regards. Especially the writing that cringed this writer into a new dimension with its incoherent incompetence. Jfc. they got paid for that? I'm convinced the majority of fandom writer can do much better, even unpaid. Hell my cat just by walking over the keyboard can manage a better draft and script...💀

But I digress. That is a rant for another time. Point is, nonny, despite my defiant words, I struggled too for days after i got to know the full extent of Bioware's spiteful fuckery to even look at anything da related, in my case my Alistair/Mahariel longfic. I was really down for a few days, ngl. Then again, there is nothing better than spite fueling my creativity to prove "i can write better" soooo in the end and with the help of the much better first version of DA4 in the artbook, I was able to exorcise the demons and feverdream-mindfuck of mediocrity sold to me as a turd with gold-glitter that is this game.

I have successfully now rejected its existence, filled the void with the version that should have been from the artbook and vowed to give no fucks what bioware is doing or saying and infinitely more fucks when writing my own version of thedas and the version of DA4 that should be. REWRITES BBY hell yeah. So OEAH:R is just the beginning of a verse-wise rewrite. But if you need a pick me up, nonny, you are very much welcome to take a trip down memory lane to Dragon 9:30 and see how much this iteration of the story differs from my first one back in the days. Because in this house of mine, we grow and learn as writers, unlike bioware where writer ego reigns surpreme (oh boy and does it ever show in VG) aka eating their own turds and tell themselves it is the finest chocolate 💀

There is still a lot of good about DA out there, but we have to accept it does not come from Bioware any longer. Instead it came, comes and will come from the fans and creators of art and texts and words defying their bullshit with their love and respect for the world, its lore and characters. Also very unlike Bioware.

As we should <3

[starsweepers]

the quality of the first film makes all my icons look like rubbish from that one but this smile is worth it

[nightmarearian]

blood dripped from Poseidon's mouth, red.

red.

the day they overthrew Kronos, child-eater (stomach acid crawling around them, after maw of teeth grazing his small, child body), his golden ichor bled red.

god blood, degraded into a mortal's.

the day Typhon, father of monsters (as big as their father was, as big as the Titans with sharp claws and teeth) ripped out Zeus' tendons, his blood was red.

Poseidon, god of the tides, son of Kronos, looked up at the dark shape stood above him, his own golden trident in his hand, the teeth like prongs drenched in red.

Odysseus is a mortal. was a human.

sharp webbed ears spread out on the side of their head, scales grew around their neck and arms, shining like a coral reef, illuminated by their growing red eyes, that were shrunken to slits.

Odysseus' teeth glinted in the lightning, showing their unnaturally sharp point.

monster.

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[myokk]

“She’s tolerable, but not handsome enough to tempt me”😤😤😤

(Regency AU with Eloise and Sebastian inspired by my slow trek through Bridgerton these days & @bassicallymaestra ‘s AMAZING regency inspired art😮‍💨😇🙏)

[wellzofyouth]

Here's how we can still save DC (reboot via another crisis)

[meat-pvppet]

May all those youtubers who made series where they just dissed beginner artists' ocs and labeled them as marysues a very i will find you

[nobodysdaydreams]

Giving a complicated tragic childhood backstory to your favorite character is all fun and games, until you realize you need to account for how old all the other adult characters would have been at the time and realize that scenes that would work perfectly if one character was twenty three and the other was fourteen stop working when you need other characters who are played by adult actors clearly younger than they are to be in college at the same time so your story beats line up thematically.

[nearestend]

sorry but i'm going to need everyone to stop writing autistic / "gifted" (in quotes because i hate that term) characters who were little baby geniuses that skipped grades and graduated as valedictorian and were every teacher's pet because it's the most unrealistic shit ever and kind of just perpetuates this ableist misconception when in reality most autistic / gifted kids are more likely to be abused and exploited and bullied (both by peers and teachers), especially if they are not rich and especially if they are not white

[danzainosolitude]

Once again I read fanfiction that seems to have been precisely written to deal psychic damage to me.

[philosophiums]

there's a conversation happening on tiktok right now about why there has been such a sharp rise in people wanting to watch female-led anime instead of being so focused on shonen and the girl who posted the video listed her reasoning as shonen constantly fucking up "power creep" (her words but i'm pretty sure she meant power scaling).

anyway i'm going to subject you all to my thoughts on this because i refuse to post anything on tiktok. (i'm also putting this under a read more because it got longer than i thought it would SKJDBVKJDBVJ).

now, i don't think complaints of power scaling in shonen is a bad thing, but i also don't think it's actually the problem with shonen (nor do i think it's the reason that there's an increase in interest for female leads bc i think that's literally just people wanting to see more female main characters which is not new or surprising or weird, but that's not the point of this rn).

i think the problem with shonen (most of the time) is the lack of actual story content - like fucking... plots and themes and motifs.

her two examples were mha and jjk because to her they sit on opposite sides of the spectrum in regards to power scaling (in mha the villains are so weak that children can defeat them, and in jjk the villains are so strong that no one can defeat them), so i'm also going to work off of these two examples.

mha's problem is not that the children are the only ones who can fight the big bads, it's that we don't get to see proof that the kids are actually stronger than the adults. sure there's evidence of adults fighting the villains and losing vs the kids fighting the villains and winning, but there's no setup for like a mentor/mentee moment of the mentee finally besting their mentor and us the audience getting to see that they're finally stronger. in fact it's... typically the opposite.

mha shows us multiple times that even the strongest characters in the main cast of kids are not stronger than, say, kids who are two years older than them or their teachers, let alone the best and strongest professional heroes in the verse. and that's not a power scaling issue, that's a storytelling issue. because you can set up stories where kids are stronger than the adults in their verse, and you can write it in a way that makes sense, but mha does not do that.

and of course mha has multiple other storytelling problems, not the least of them being the fact that it set itself up to be one of those "if you believe in yourself and try hard enough you can do anything" stories only to immediately undermine itself by giving the mc the most powerful ability in the verse free of charge, making the entire opening sequence have zero emotional payoff (a problem that continues on and on forever in the anime/manga).

jjk, on the other hand, set itself up to be a story about cycles, about the past repeating itself, about the inevitability of curses and hardship and never learning from past mistakes, but all of that was completely abandoned somewhere in the middle of the shibuya arc and was never touched on again.

all of the main characters in jjk have direct mirrors within the main cast - yuji & geto, fushiguro & gojo, nobara & shoko, maki & toji, nanami & mei mei, the list goes on - and it had the perfect opportunity to either be a story about the inevitability of trauma cycles OR a story about breaking those cycles, but instead half the cast is now dead and it's become a manga that's just about cool-looking fights.

the problem with jjk is not that the villains are too strong/unbeatable (i actually think there could have been merit to making jjk a story where the villains win, but that would have required focusing on the theme of cycles which, again, has unfortunately been lost) - it's just that there's no fucking plot anymore. there's no meat. there's no point. even if the goal of jjk from the beginning was to subvert a lot of typical shonen tropes, it's so so hard to care about that anymore because there's no reason. the plot is gone, the themes have vanished, the emotion is no longer in the room with us, and it has absolutely nothing to do with (im)balances of power within the verse.

but of course this is not a new problem in shonen. it's so incredibly rare for shonen to have a good story that maintains from start to finish in a satisfying arc, and that's almost a staple of the genre now - training arcs and a war arcs and lots of fighting and very little actual substance. the ones that do have it are gold mines. but again, this is not a new problem and it's not a new conversation, and i don't think it's the heart of why that girl posted that video or why all those people agree with her.

i truly think the actual reason this conversation is happening is because there's a new set of people who have recently turned twenty-something and are realizing that they don't identify with shonen protagonists anymore because they're no longer teenagers. and i think those people are upset that the characters/stories aren't aging with them and are finally looking at all the shows they like and are realizing that they're constructed around a trope of, essentially, child soldiers fighting battles that the adults in their verses cannot. and these people are realizing that they maybe don't like that anymore.

because when you're a teenager, shonen is escapism or a power fantasy or both. it's more relatable because it's made for that age group. but when you're an adult you start going "hey... where are these kids' parents?" because you realize that it's unfair and unreasonable in real life to put so much pressure on literal children. (i always think of that post that went around tumblr a few years ago that was a gif of this character in a tv show saying something like "i'm 13. i'm practically an adult." - bc when you're a 10 year old watching that, you go Yeah That's Right She's So Old, but when you're 30 watching that, you're just internally groaning because you have been a full legal adult for this child's entire life and they're barely older than a baby to you).

but of course shonen (and YA lit and superhero cartoons/comics and the list goes on) is not meant to be "realistic."

but just because it's not crafted as realism doesn't mean it shouldn't have story elements or themes that can reflect reality and/or be applied to real life. it also doesn't mean it can't have a fucking plot SKJDBVJKDVB

[trashcanwithsprinkles]

so since chen zhongli didn't have a connection to raniya, would he have one with venti? they're traditionally seen more often together (i joined like ~1.5-2 years ago i think it's because of last years lantern rite they're seen together but they're could be more i'm missing) and they're dynamic is always so funny i think it'd be a shame if they didn't know each other somehow

(but also knowing venti he probably would've blown up zhongli's phone by now lmao)

also as a second thought what is going on in like inazuma and fontaine if it isn't too like spoiler? do they have something mirroring the sokoku decree since there's no visions? is ei still in government to help the closed borders policy?

would neuvi have a position similar to his in teyvat? or is he just a dragon of myth like how rex lapis is?

sorry if that's too much i just love the aus you create and i love fleshing universes out

honestly? venti and zhongli have only appeared together in like one lantern rite scene and one poetry event and that's literally it, so i wouldn't say they're 'traditionally more often together'. on both times it was hu tao's fault anyway? so i don't think we've had zhongli expressly seek venti out like ever. but the reason why they have indeed interacted the most when it comes to inter-archon relationships (which isn't saying much because the only other ones who've interacted are furina and zhongli so like. venti doesn't seem like an outlier if he only has one extra instance over her) is because they're the only original two. so they know the other the most out of the rest, because again. only original two

so as for zhongli not having a connection to rukkha in this au and not having one to venti either; the only reason they know each other in-game is because of the archon war.

there's- there's no archon war in this au, at least not one that involves them. so like-

no. idk how to justify any of the archons having met each other imma be honest, which is why they haven't

as for the other nations- since zhongli isn't anything remotely resembling an authority figure in liyue, then neither are any of the rest, so no, ei isn't in office. ei and makoto are probably living normal lives as like- the descendants of a fabled samurai clan who now run a kendo dojo together after their father died or something idk. i could absolutely see their dojo and their sword arts being like- the same ones the shogunate's men use? so ei and makoto would be like the official sword art teachers of the entire military. that way we can keep sara a simp in any timeline LMAO also inazuma probably did have a closed borders policy but like in the past. so now they're all about trying to catch up for time lost in getting to know other nations and having other nations enjoy their culture. so the kamisatos are thriving is what i'm saying

neuvillette is a bit of a spoiler imma be real. not in that neuvillette is going to appear and matter (sorry), but in that if i try to tell you what's up with him i'm going into spoiler territory bc you can extrapolate that to other things, so no. but i CAN say that he's like- a judge. like of the justice system. maybe a lawyer? but i think judge fits better bc you know. he's a normal human guy, same with chen zhongli. furina is a famous actress but she does have a law degree bc i think it's interesting that she was essentially the prosecutor of fontaine, from what we saw.

[roboyomo]

about to go sleepyy but. Insane Kenix Thoughts (Again! An Another Time!) (How Many Fucking Times!— ^_^)

Something about Kenix comforting Sora the day she joined the sins crew while she was full on crying and confused at everything surrounding her. Something about him Resonating with a child's helplessness, offer a warm embrace to hold onto. Did you see your own past self in that girl? The days where you were left all alone in the dark, being able to only weep and wonder why everything around you was like this. Yet you had no one's shoulder to cry onto. You had no one by your side, and now you have decided to be that someone for an another lost kid. Have you seen your own desperation in that child, wanting to help her because deep down you know how scarring this situation is for her? To seek comfort despite the unknown environment, because you wanted someone to let you know it is safe?

Have you wanted to save someone from what you had to endure yourself because you just knew how deeply terrifying it must all be to experience such loneliness at a young age? Have you just wanted to not let someone else go through what you had to? Have you just wanted to show the lost child that compassion that you didn't get yourself when you needed it the most.

[natelia-aldelliz]

Guys... Listen I know I said I'd draw something for valentine's day but I had a bit of a rough week sooooo I'm just going to write it out instead, maybe I'll finish drawing it some day, maybe not. It's behind a show more because it's long.

(also there's talks about having sex but no actual sex, and like, general warnings about Ghost's backstory but it's very vague here).

Soap was hanging around outside, trying to bring himself to do something, anything. But the weather was nice for a February day, and the sun was out, and it was making him feel like a cat basking in the heat.

An arm wrapped itself around his shoulders, a huge body suddenly weighing on him. Ghost.

Soap hummed comfortably. This day was getting better by the minute. Any chill he might have felt from being outside in a tank top out of pure Scottish spite was instantly soothed.

Simon often times saw himself as a cold man, freezing to the touch, hidden behind a layer of ice. A proper little Elsa, Soap almost snorted out loud. The truth was that while yes, his fingers and toes' temperature was sometimes abysmal, especially in bed, the rest of him was the warmest place Johnny had ever been.

"I've got something for you in our room," Ghost whispered against his throat, making Soap shiver.

Simon had begun calling Soap's room theirs a few weeks ago and Johnny couldn't have enough of it. He was so in love it genuinely hurt sometimes to restrain himself from squeezing him to death.

"Is that so?" he purrs, knowing how Ghost likes that. If this day didn't end in sex he'd be very surprised. He'd long learned to recognize when Simon wanted sex and when he didn't, and the way he squeezed his pec in response to his voice was a very easy tell.

But then again Simon was way less subtle than he thought he was.

They made their way back to their room, and there it was, a repurposed shoebox, badly wrapped with cheap wrapping paper. Johnny couldn't be more excited, he had never received any gift from a significant other. To be fair he adored gifting but always felt awkward receiving.

But this was Simon. Something that Simon had chosen to give him.

He sat on the bed, leaving enough space behind him for Ghost to sit there so he could use him as a very comfortable backrest. When he did, he grabbed the gift and began opening it.

He knew that Ghost liked to tear the wrapping paper, liked the sound of it and liked tearing it into the smallest pieces possible after, but he himself loved carefully unwrapping it and folding it flat so he could later maybe do an origami with it or put a piece in his journal. Probably both.

This one was full of tape but he still very much enjoyed himself, considered it a challenge. He enjoyed the chase, wanted to drag it on. Ghost huffed impatiently behind him, a bit tense, probably nervous.

Inside the box was a weird old fashioned clunky thing. It was bright red, looked slightly like binoculars, definitely from the 70's, with a wheel of tiny pictures wedged in the top of it. Memories hit him all at once.

"Oh my god ah remember, my Ma had one of these when ah was a child! My sister and I loved it, it had pretty landscapes in!"

He put it against his eyes, excited to see what this one came with. At his biggest surprise, it was a picture of them. Simon had customised it.

The picture showed the back of himself a bit further away from the camera, pointing at something while in full gear, in a dilapidated town, Ghost's face in the foreground looking at the camera. It looked like Soap was talking to someone, but that person was cut by the framing.

"Wait, ah remember that mission, it's when ah saved Gaz from a landmine just to be shot seconds later," he laughed. "ah spent two fucking weeks in the hospital, ah was miserable. Ye kept joking ah should hiv left Gaz explode while staring at him, he was convinced ye actually wanted him dead!"

Then the next picture was indeed him in his hospital bed, unconscious but the state of his injuries told him he was probably just sleeping at least a few days after his admission, his life no longer in danger. In this one, Ghost was sleeping too, head in his elbow near Soap's head and his other hand holding Soap's hand.

"Who took this one?" Soap asked, moved by the tenderness of Ghost's hold on him in the picture. It would have been right after Johnny had admitted to maybe liking him more than friends, before they were officially dating.

"The hospital one?"

Soap hummed.

"Price did. Said it was for blackmail. Should have seen him, he looked like his child had just married the person of their dreams and had ridden off into a rainbow on a unicorn or some shit. Old man's sentimental as fuck, but I didn't call him on his bullshit, he's already old, that's punishment enough."

Soap giggled in response. The next few pictures were all of them together but each time he was either turning his back or asleep.

"Why the fuck am ah never looking at the camera?" he whined. He wanted some cute couple pictures, dammit!

"Couldn't have you suspecting what I was planning," Simon said, kissing his shoulder soothingly. Only then Soap noticed that he had taken his mask off at some point and turned to ask for a proper kiss, which he immediately got.

"Keep going, there's more pictures," Simon whispered against his lips when he tried to turn around to kiss him some more. His pouting only got him a smirk in response, so he got comfortable again and brought the slide viewer back against his eyes.

He was happy he did. The next picture waiting for him was just Simon in the mirror, almost in full gear, but with one gloveless hand dragging his trousers down so the camera could see the bottom of his stomach, follow along his happy trail and reaching the very top of his pubic hair. The picture cut of his head, but he could see that his mouth was uncovered and he was holding the glove with his teeth.

Soap groaned. "Steaming Jesus, love, you're so hot."

He felt Simon hide his face in the back of his neck, warmer than usual, and chuckled a bit. He loved him so fucking much.

There were four more pictures of Simon, in various suggestive poses and states of undress, some almost showing his cock but never quite committing, making Johnny feel like he was being teased.

He was getting hard though and so ready to be done with the pictures and access the real thing. But Simon was still tense behind him. In fact, he had only gotten tenser and tenser with each click.

Soap was unsure why. They never had a problem with their sexual life, Simon had already changed his mind about having sex after starting and Soap had absolutely no problem with that, was glad to hug him instead and reassure him when he had tried to apologize.

Simon knew that there was no pressure, ever, to have sex. Hell, Johnny would still be happy even if Simon decided that he never wanted to have sex again, and he had made sure to make Simon understand that.

Then he got to the last picture and immediately understood.

It wasn't a picture of either of them, just a little bit of paper, with a few words written in Ghost's awful handwriting.

Just a few words that made Johnny drop the viewer on the covers and turn around to grab Simon's face, worriedly looking in his eyes.

"Are you sure?" he asked, looking for any trace of Simon forcing himself. "Baby, ah'm happy to bottom for the rest of mah life, there's no pressure, okay?"

Simon looked at him with warmth in his eyes and his cheeks completely red, a wrapping bow added on top of his head. "I know," he said simply. "I just want to. I don't want to be haunted by memories anymore. I used to like it, and I want to like it again. With you. Just.... Be gentle, okay?"

Johnny kissed his forehead. "Ah dinnae think ah ken how no tae be gentle with ye, love."