#and i have another richard one i haven't posted

[silverflirts]

just finished the definition & greeting for one of my bunny bots i love him <33

[allthegothihopgirls]

alfred, who writes in a journal every day unbeknownst to the bats.

alfred, who's journals aren't marked by a period of time, or his own age, instead by the names of those he looks after. when dick is first adopted, and he knows this change is permanent, he puchases a new journal, despite his existing one being only 2/3 full. this one has a simple 'richard' written with a gold accent on the cover, a change from the last 8, titled 'bruce'.

alfred, who somehow makes journaling more of a logbook, albeit still personal. he's writing about himself, sure. memories of old friends, his travels, stories he's heard, things he has experienced.

but he mainly writes of them, the things they do, how they act. their character quirks that they haven't even picked up on yet themselves. the things he wishes he could tell them as a parent, instead of butler. the things they should know about those who've come before them. the regrets he has, and changes he's making. how they've molded him into a new person.

alfred, who will take all this information to the grave. until then, they stay packed in their respective boxes, some dustier than others, in the back of his wardrobe in the manor.

the contents of those journals aren't specific to each kid. everyone's within those pages. in tim's there's a lot about jason, and damian's has a lot about bruce. nothing's overly invasive in them, and the furthest it strays from the truth is when sometimes alfred admits to believing a different set of events to whatever he's been told, and even then he's probably right.

jason, who receives his journals prematurely. there's only 2, there should have been more. it's painfully obvious the cutoff, how it wasn't supposed to end there, but still it did. he receives them post-resurrection, convinced he doesn't belong in the world. his memories of robin growing fogged and becoming twisted.

he reads them and he cries, maybe it's because he forgot how much good there was in those times, or maybe it's because that's the determining moment in his new life where he decides that he really deserves and wants to live, because his existence runs deeper than being the robin who died.

frankly it's quite jarring for jason, to read about himself from another's perspective. as much as i love the idea of him and alfred getting along the best out of all the kids, he definitely distances himself for a while to process everything. he slowly creeps back though.

no one else gets to read their share until alfred's gone, and when they do it goes unspoken, no one pries to know anything outside of their dedicated journals.

jason, after hesitance and much internal conflict, drops off his own on dick's nightstand one night. receiving them back, two weeks later, is a silent affair face-to-face.

tim, similarly, on no one's accord but his own, gives jason his, to keep. he says something about how he doesn't think they were ever about him, and they seemed much more like a sequel. he also apologises, and mentions how he almost felt like he was intruding on something. but he understands now, he doesn't clarify about what.

[starry-bi-sky]

i've mentioned in a few past posts about an au where Danny is a variant of Jason Todd. I haven't made a post about it yet because I need a good rhythm flowing however i've been listening to Gladiator by Jann and I have been having thoughts.

but first, let me set the au:

Danny Fenton is Jason Todd, or at least, a variant of him. A him from a universe separate to the major Batman timeline - but still Jason Todd, down to the structure of his face and his name itself. The only thing that changes, is who picks him up - and, that he follows old Batman canon, and was an orphan. Jason Todd steals the tires off the batmobile and wallops Batman with his tirejack, and then runs off. Shortly after, he gets picked up by the Fentons.

(Customary line break,,,, word count check: 5k)

And his name changes from Jason Todd to Danny Fenton. He doesn't care much for the new name change, it stems from his mute refusal to share his name to the people that picked him up; an attempt to make him untraceable should he get away from them, and to keep something of his to himself. So they name him something new. He grows to like it enough as he acclimates to his new family.

(He hangs onto the name Jason Todd like a secret - he may be 'Danny Fenton' now, but he'll never forget his time on Gotham's streets. He'll always be Jason Todd.)

(Jazz is the only one who he tells his name to in the family - she affectionately calls him Jay whenever she wants.)

He becomes friends with Sam and Tucker and deals with Dash and his bullying. And when Danny steps in during a fight between Dash and another student, Dash gives him a bleeding nose and mockingly says, "Do you think you're Robin just because you're from Gotham, Fenton?"

Jason looks him in the eyes and he bares his teeth, "Why not?" he asks, spitting blood, "being Robin gives me magic."

The nickname sticks. It's supposed to be an insult; Daniel Fenton is not Robin, he'll never be Robin. Not now, not in a million years. Jason Todd has always wanted to be Robin, so he takes the insult and wears it proudly. He buys a school varsity jacket and painstakingly undos the stitching of all the school's motif on it. On the breast of it, he embroiders in a black circle with the Boy Wonder "R" on it instead. It's not good stitching, but the next day Danny wears it down to breakfast and into school.

In normal au canon, Daniel Jason Todd-Fenton (its a mouthful, just call him Danny) only meets the Waynes after he becomes Phantom - an event that leans more towards Daniel Fenton's accident than Jason Todd's death, but traumatizes him all the same. (Is it too much to want to be mourned? His best friends like to deny that he died - and Danny - Jason? - wishes they wouldn't, even if he did come back.)

(The accident embitters him, even more when his parents don't seem to pick up on it. He stops calling himself Danny Fenton - he's always been Jason Todd. It shows itself in his ghostly form. He doesn't want to wear the thing he died in, not in something that belongs to the Fentons, and his suit reflects that.)

In this timeline, Daniel Jason Todd-Fenton, aged 13, meets Dick Grayson and Bruce Wayne after a mishap with magic on the other end of the reality sends the three of them careening through time and space, and spat back out on the other end, in a world not their own. And together.

Danny is paired with a very confused Bruce Wayne and Richard Grayson. Luckily, there's a few heroes there to help them. Danny can hardly comprehend the idea that he's in another universe - he doesn't know why Dick Grayson and Bruce Wayne are seemingly handling it well.

On their way to a secondary base with the heroes, Danny turns to Bruce Wayne and asks, "So, is it part of rich-person training that you're just totally chill with being sent into another universe, or are you just weird?"

Bruce Wayne huffs at him, rather than get offended, and he smiles that dumb lopsided billionaire smile that Danny's seen on every vogue magazine he's been in. "I'm not so worried with these skilled heroes here to help us get home."

Danny silently concludes that he's just weird. At least Dick Grayson is biting back a smile behind him. "Riiiight..." He says, dragging the vowel out dryly.

When they get to that secondary location -- a safehouse that one of the heroes had set up -- the three of them are sat in a living room-like room while one hero, Zatanna, goes and calls someone from the Justice League. The other two heroes stay with the three of them.

Within a few hours, Danny is face to face with Batman - someone who he hasn't seen since he whacked him in the stomach with a tire iron - and Nightwing. For a moment, Danny swears that the both of them look almost spooked by him.

Batman stares at him for a moment when he enters, and then he goes to speak with Bruce Wayne. Danny doesn't care enough to hear what they're talking about, he pulls out his phone as Nightwing goes to speak with Dick Grayson.

"Are you a fan of Robin, little man?" Someone says, and when Danny looks up he locks eyes with Dick Grayson -- who is leaning around Nightwing to talk to him, the both of them are smiling. And considering who Nightwing was, Danny finds himself turning pink to the ears.

But he will not hide his jacket. He forces a grin through his embarrassment, "Hell yeah, man, Robin's cool." He says, and pushes his arms down to pull out the hem of his letterman, showing off the emblem. "I made it m'self out of a school varsity after the A-Listers started callin' me Robin."

"A-Listers?"

"Popular kids," Danny corrects, loosing his hold on the hem and brushing invisible wrinkles out of the embroidery. "They didn't like that I kept stepping in when they were bullying. Dash asked me if i thought I was Robin because I was from Gotham."

Dick Grayson looks intrigued -- and concerned, and he leans forward onto his knees and raises an eyebrow. "What did you say?"

And Danny grins a shark-like thing, straightening back his shoulders with a burning sort of smug pride and all the sharpness of broken glass left in Crime Alley. "I told him being Robin gave me magic, and then I punched him."

Dick Grayson's smile widens, splitting into showing teeth as he leans back into his seat. Danny isn't sure why he's so delighted - but Nightwing looks incredibly amused, and he suddenly remembers that the Robin himself was there in front of him.

Danny's face burns anew and his arms fold themselves in front of him once again.

"I don't think I ever caught your name, Robin." Dick Grayson goes, his voice thick with laughter, and Nightwing steps off to the side as Batman and Bruce Wayne walk over to join them both. They're just close enough that Danny can see Bruce Wayne raise an eyebrow at them both.

"It's Jason." Danny says before he can think about it, and barely stops himself from frowning at himself for the slip. He amends himself, glancing over at Batman and Bruce as they get closer. "But everyone calls me Danny."

Dick Grayson's head recoils slightly, and he looks a little surprised. "Why Danny?" He asks.

"Why Dick?" He shoots back, and Bruce and Dick both smile at him, with Dick Grayson shrugging with an expression that looks like 'you've got a point.'

In the end, the three of them - yes, three - get sent to this world's Wayne Manor, and Danny is bewildered by that decision to include himself -- he's not a Wayne. Why not just send him to the Fentons?

Batman tells him that the Fentons don't exist in this world, and Danny falls silent. "Oh." He says quietly, a pit growing in his stomach with an ill-kind of dread. He can't keep Batman's gaze, looking away with unease.

No Fentons in this world. No Fentons. Where was he then, in the grand scheme of things? Where was he in this world? What happened to Jason Todd? Was he even alive? He can't keep the worry off his face, and he jumps when a hand lands on his shoulder. When he looks up, Dick Grayson squeezes him gently.

Dick Grayson is steadily beginning to remind him of his sister.

-

They end up driving back in the Batmobile. It's such a shock to Danny that he momentarily forgets the lack of Fentons. He makes a laugh sound, actually, and immediately he covers his hand with his mouth and stares at the car -- tank? with his teeth sunk into his lower lip.

"Jason?" Dick says, and hearing his name being spoken feels like someone touched him with a livewire. It's weird, it's foreign - he hates, in some way, that it's foreign - and it's so nice. Yes, that's me.

He drops his hand immediately. "Sorry." He says, realizing he'd stopped in his tracks, "I -uh, was just surprised."

"It's not every day someone sees the Batmobile." Dick agrees. Nightwing has his back to them but Danny swears he sees his shoulders shaking a little.

"Yeah," Danny nods slowly, dragging his eyes over the batmobile as Batman opens the driver's side and gets in. He thinks for a moment, of what he should say next - whether to admit that he's seen it before, or to pretend that he's seeing it for the first time. Snd as Nightwing opens the door for him, Bruce, and Dick, he chooses the funnier option; "The last time I saw it, I was stealing its tires."

To his surprise and unsurprise, Danny only gets two pairs of eyes on him. Nightwing gets into the passenger seat as both Bruce and Dick turn their gaze onto him; Dick's eyes big like they were going to bulge out of his head.

"You what!?"

So Danny tells an amazed Dick Grayson that he hit Batman with a tire iron after he stole his tires - something he is very proud about and also incredibly embarrassed about when he retells what happened in the backseat of the batmobile, with Batman and Nightwing listening in from the front seat.

(Bruce Wayne doesn't ever tell Dick shit, he's going to lord this over Bruce's head the moment they are alone.)

"Please tell me this didn't happen in this world." Danny groans behind his palms as he sinks into his seat. Dick Grayson is killing himself laughing on his left, and he saw Bruce Wayne stifling a smile before he obscured his vision with his hands.

Much to his luck, its Batman himself who speaks next, (Danny was being mostly rhetorical). "It did." He says, and his voice sounds like the rumble of the earth before a stampede. It will never not throw Danny off every time he hears it. "It takes quite a lot of spunk to steal the tires off the batmobile."

He can't believe it. Batman is making fun of him. Fucking, Batman.

He wants to die with embarrassment. He groans even louder as Dick Grayson's laughter crescendoes. Danny risks a peak through his fingers, he doesn't know whether to regret it or not because he can just barely see Batman smirk very faintly from his position in the middle.

(His world axis tilts five degree leftways seeing it; like someone dunked a bucket of ice water on him.)

"He ended up being adopted by the Bruce Wayne of this world."

Danny's hands drop with his jaw into his lap. Dick Grayson on his left chokes on his laughter and careens into a coughing fit. Bruce Wayne on his right chokes on air, and quickly recovers himself with a cough behind a closed fist.

"What?" Danny croaks.

-

Apparently, Bruce Wayne's family is much larger in this world than it is in his. Danny can barely wrap his head around the idea that he ends up adopted by the man, but now he has to learn that Wayne had several children in this world?

He's still not wrapped his head around it when the three of them wind up at Wayne Manor, finally, or even when he's standing in front of him himself. For his effort, Bruce Wayne does a good job at looking unruffled by it.

God, he's weird. Danny's starting to quite like it, actually. How human of him.

He still can't wrap his head around it when he meets the rest of Bruce Wayne's children, all of whom are already aware of the three of them. Danny thinks that someone from the Justice League might've alerted them before they got here.

It makes sense, he supposes.

It helps that they are just as weirded out as he is. A boy named Tim Drake sees him for the first time and blurts out; "Oh wow, you're tiny." In a tone like he's just seen a two-headed snake burst out of the ground.

Danny is still offended. He's still growing. It's not his fault he spent twelve years of his life malnourished. "I'm gonna be taller than you," he tells him seriously, "and when I do I'm gonna kick your ass."

Tim snorts at him.

The other Bruce Wayne -- Mr. Wayne's -- youngest looks at him up and down with a face of carefully controlled judgement. His name is Damian, he's Bruce Wayne's only biological son. Danny can't believe that there's only one.

If anything, Bruce Wayne himself looks surprised too.

"Todd, yes?" Damian says, his green eyes narrowed at him.

Danny feels like the specimen under his parents' microscope, he feels like he's standing on a platform that's being slowly spun by scientists. He looks over at Bruce Wayne in confusion, and then back at Damian. "I- yes?"

Damian Wayne nods, and then leaves.

Danny does not once see himself. That is unsettling in and of itself - surely Jason Todd would have been told about another version of himself in this world, wouldn't he? How old is he here? An adult, probably. Danny doesn't know if he wants to see him. What does he look like when he's grown up? He pulls his Robin jacket around him a little tighter, like a cocoon, like a shield.

"It's weird to hear them call me Jason Todd." He says aloud to himself, and it leaves a weight behind in his chest that shouldn't hurt the way it does. It shouldn't be weird to be called your name. It shouldn't cobweb up your throat to hear your name being said. It was his name. It was his.

-

Danny acclimates to the manor slowly. The house is big, massive. He's never been in a house so large before, he feels like a stray cat being taken in for the first time, again. He and Bruce and Dick Grayson are all given their own separate rooms - one of many inside this mansion - and the sheer size of his bedroom is bigger than his living room and kitchen combined.

it's daunting. Danny sits outside on the balcony and stares at the stars he can see - Wayne Manor is far enough away from Gotham that its light pollution doesn't obscure the sky here like it did in the heart of it.

Danny finds the constellations he can find and wishes he had his books with him. He finds the library the next day and buries himself in the back, curling up into a comfy armchair next and inhaling each book he can get his hands on.

Tim Drake wanders past him at some point, Danny would have missed him if it weren't for the fact that Drake stared at him strangely when he saw him. He walks away when he realizes Danny was staring back.

It's a rinse and repeat for the next few days. Danny doesn't go to meals, he sneaks food from the kitchen afterwards, and then buries himself in hundreds of books in the library.

Dick Grayson, the one from his world, goes and finds him three days later. Danny's eyes hurt with strain by then, but he is furiously halfway through a Jane Austen novel when Dick sits down across from him.

"Have you been here all day?" Dick asks, he drapes himself across the side of his chair, contorting himself into a position that Danny doesn't think is comfortable when he looks up at him.

Not that he looks up at him long - he hums absently and goes back to reading. Frowning when he realizes he lost his place on the page.

Dick Grayson raises an eyebrow, "Have you at least eaten anything?"

Danny hums. No, he hasn't, and he hadn't thought about eating all day. Until now that is, his frown ever deepening as his stomach pangs with a deep hunger.

"That's not healthy."

"Mhm."

"Are you going to eat something?"

"Mhhh."

And this gets Dick to frown. He straightens himself up, propping onto his elbows to stare at Danny. "Jason." He says strongly. And it's that that gets Danny to finally look up from his page, jumping like he'd again been poked with a live wire as he stares at Dick with wide eyes.

"Yes?"

"Put the book down." Dick orders, gesturing towards the side table next to Danny with a nod. "And come eat something." There's very little room for argument in his voice, he sounds like Jazz when she's trying to parent him, but instead he actually sounds authoritative. Not bossy.

Danny still frowns at him. "You're not the boss of me." He says, sinking back into his chair with a thumb bookmarking his page.

Dick gives him a look and makes a decisive noise, swaggling his head side to side while he does. "I'm pretty sure that for as long as we're here, me and B actually are the boss of you."

He's never really liked authority figures, not ones that tried to boss him around, that is. Danny doubles down, his lips curling into a shadow of a scowl. "Just because you're my brother in another world doesn't mean you can act like it."

"That's not what I mean and you know it."

"I don't want to go eat."

"It's not good for you to skip meals."

"Quit talking like Jazz."

"Danny."

Danny sinks his teeth into his lip and scowls darkly at him, shrinking into the back of his armchair in hopes that it'll swallow him whole. The idea of going into that large fucking dining room fills him with a dread that makes him completely forget his appetite.

"Your fucking- dining room is- it's too big." He grits out, finally closing his book and hugging it tightly to his chest.

Dick blinks at him. "What?"

"You heard me! It's too big. This whole place is too big. It's- what do you even do with this much space? I don't know how this- other me ever lived here."

Dick Grayson surprises him, and his expression softens. "Oh," he says, "I get it."

"You do?" The tension bleeds slowly out of Danny's shoulders

"Yeah, I felt the same way when I first moved in with Bruce. I lived with the circus for most of my life, but I slept in a trailer." He says. And he talks more.

The end result of their conversation ends with Dick Grayson offering to let Danny sit across or next to him during mealtimes, and that he can talk to him if he starts getting uneasy. But he can't keep skipping meals - it was making them all worried.

Danny agrees, and Dick takes him down to the kitchens for food.

"They look at me weirdly too." He grumbles as they leave the library, Danny's book returned to the shelf where it belonged. When Dick looks at him curiously, he scrunches his nose up. "The - your other siblings. They look at me like I'm- I'm someone else. S'weird."

"Isn't that a good thing?" Dick asks, "You are someone else."

Dany shrugs, staring at the ground with a heavy frown. "I don't know."

-

Danny seeks out Dick more after that. And vice versa. Dick reminds Danny of Jazz, and he latches onto the familiarity like a leech. If Dick is bothered by it, he doesn't show it, whether he's talking to his other world's self, to the Bruce's, or to one of the other Wayne kids.

Damian Wayne seems particularly keen to seek him out, Danny finds. He thinks it means that they're close in this world, and that Damian wants to see more of what a young Dick is like. That's what he would do, at least.

He takes up on Dick's offer of seating near him during dinner, and finds an open spot across from him. Unless he has something to show him, then he sits next to him.

("You can call me Jason." He tells him one day when they're in the Wayne's massive, fuck-off gym and they're both climbing over the jungle gym. Dick's showing him how to be more flexible. It's the most Danny's worked out ever, he likes the burn it gives him.

Dick looks at him in surprise, "Really?" he's doing a handstand on the bars and Danny's more than a little jealous at his balance.

"Yeah, dipshit," he says, rolling his eyes, "I'll even let you call me Jay, it's my nickname."

Dick happily takes him up on that offer, and much to Danny's embarrassment, starts calling him Jaybird. All because of his stupid Robin jacket.)

Danny has yet to meet his other self still, it's scaring him a little. Where was he? And matter of fact, how long until he could go back to his home dimension? The three of them hadn't gotten any updates since they arrived.

Speaking of, he was starting to talk to Bruce more, it was just... strange. Even stranger than talking to Dick. Bruce Wayne in another life would have been his adoptive father, Danny can't wrap his head around it for the life of him.

Whatever did Bruce Wayne see in Jason Todd that made him worth adopting? He's too afraid of the answer to ask. They start talking more after they run into each other late at night. Danny had been hit with a bout of insomnia and was going to the library.

He ran into Bruce on the way. He was just.. staring, out the window, with a faraway look in his eye. He didn't even look startled to see Danny standing there.

Danny asks him if he wants to go to the library with him. It was out of panic. He isn't expecting Bruce Wayne to agree, and they walk there in suffocating silence. Danny keeps looking at him from the corner of his eye.

("You're staring?" Bruce doesn't sound upset, Danny jumps anyway.

"Yeah, sorry." his voice sounds stilted, "it's just..." his jaw wires itself shut for a spell, "...you looked like you were about to disappear."

"Ah.")

When they reach the library, Danny leads Bruce Wayne into the science section and takes out books upon books about stars. He leads him over to the armchair and fire and they both sit down on the ground.

"When I lived in Gotham I would stargaze." Danny says, it's the first thing he can think of. Bruce Wayne looks at him quizzically. "Well, I would try to. The sky's too polluted for that. Mostly I would just watch the skyline and try and spot Batman and Robin, was the same thing."

That cracks a smile out of Bruce. It's a small one, barely there. "I hardly think the two are comparable."

Danny is still serious. "Not to me."

He goes on, talking about how after he was adopted he got his hands on every star book he could find. He loves english and he loves to read, but something about the stars drew him in like a song. He rambles about every star fact he knows with Bruce Wayne.

Bruce Wayne surprises him by telling him facts he didn't know. Danny soaks it up like a sponge, listening intently to him speak. And when they run out of star books to talk about, Danny tells Bruce that it was his turn to find something for them to talk about.

Bruce Wayne smiles again at him, a sly little thing like Danny's challenged him, and gets up. He comes back with a stack of film books, and they spend the next few hours going through them. Bruce Wayne rattles off every single movie fun fact he knows, and there is so much that he knows.

Danny is in awe, and moves to press against Bruce's side to see the stuff he points at in his books.

"You're smarter than people give you credit for." He says at some point, when his eyes hurt from being open for too long and his head leans against Bruce's arm for support. It follows with a jaw-cracking yawn that he tries and fails to stifle.

"Thank you, Danny." Bruce says, his voice soft and soothing and not helping with Danny's weighing exhaustion. His eyes drift, and then jerk open. "Do you want to go back to your room? You look tired, chum."

He bites back a smile at the nickname, and fails to keep it bitten. "No, no, I'm awake." He mumbles, shaking his head slowly. "I wanna hear-" he yawns again, "-hear you talking."

Danny swears he can hear the smile in Bruce's voice as he speaks; "Alright. Now, where was I?"

In the end, Danny falls asleep on the floor of the library next to Bruce Wayne. He doesn't even realize it until he wakes up the next morning. But it's not to worry, Bruce Wayne fell asleep too, an arm thrown around Danny protectively like he was his own kid.

This becomes a thing for them soon enough. When neither of them can sleep, they go to the library and talk and talk about whatever comes to mind.

There comes the dreaded night after they've finished whatever book they were looking at when Bruce, the little shit, turns to Danny and goes; "You never mentioned what happened after you hit Batman with a tire iron."

Danny groans, big and dramatic, burying his head in his arms, and ignores the low chuckle. "I thought he was gonna chase me down for sure." He complains, his voice muffled by his arms.

"Why did you hit him with a tire iron?"

The look Bruce gets is one of pure disbelief. "If Mothman suddenly showed up behind you while you were taking the wheels off his ride, you'd hit him too!"

"Last time I checked, Mothman isn't real." Bruce told him amusedly, and Danny flops over onto his back to stare him down. His arms sprawl out like a starfish, intentionally hitting Bruce in the shoulder.

"You don't know that, Batman's a cryptid and he's real."

Bruce roars with laughter, and Danny preens like a bird.

That next morning when Bruce passes by him for breakfast, he reaches over and ruffles his hair. It's the same thing he does for Dick every morning. It's the first of many, and it gets many stares from the surrounding family.

Bruce has a newspaper tucked under his arm, and when he sits down Danny stands up and skedaddles over to him, leaning over the side of his chair to peer at the paper.

"Any cryptids spotted, Buzz?" He asks, getting a startled laugh out of Bruce, who looks up at him.

"Buzz?"

"Well, yeah," and Danny states it as matter-of-fact. He gestures his head at Dick Grayson. "Dick calls you 'B', and B is for bees, and I can't just call you Bees, that's dumb. So; Buzz."

He grins triumphantly when Bruce laughs quietly, his shoulders shaking imperceptibly. "I know," he tilts his head up proudly, "I'm a genius."

Now he's actually laughing, dropping his head into one of his hands and trying to quiet himself as much as possible. Danny is positively beaming, ignoring the stares of the other Waynes as he flounces back to his seat just as the other Mister Wayne enters the room.

-

When Jason Daniel Fenton Todd meets Jason Todd for the first time, they both just stare at each other.

Danny recognizes himself immediately in the library, and he freezes up. His tongue ties to the roof of his mouth, and he's unsure of what to say.

He doesn't need to say anything at all, because when Jason Todd looks up and they lock eyes, they both just stare. And stare. Jason Todd is a large, hulk of a man, built like a brick shithouse, with a tired, traumatized look in his eyes and a white streak in his black curls. The same black curls that Danny himself has.

He has no idea what to say. Or if he should turn back around and leave.

Jason Todd sighs at him, "I know they told me you and another world's Bruce and Dickie were here," he says, but it sounds like he's talking to himself. Even moreso when he mutters half-heartedly, "-but I was hoping I wouldn't run into you."

Danny feels small next to him. He doesn't know why. "Sorry." He says lamely, his one foot skips back, "I can leave if you want." It's unlike him to be meek, he thinks. Not after years of Gotham living and dealing with the likes of Dash and his Jerk Jocks.

But this also isn't the streets, and this isn't other kids being dicks. Jason Todd shakes his head, and gestures with one large arm for Danny to come over. "You don't need to do that, you were coming to read, right?"

He nods, and tentatively makes his way over. When Jason looks at him, he sees him cast his eyes over his Robin jacket - he wears it everyday. Danny sees him narrow his eyes, just slightly. But he says nothing.

It's... a strange conversation. Interaction. Jason Todd doesn't talk to him much, and if he does it's stilted and awkward, like he doesn't know how to treat him. Like he's holding him at arm's length.

Jason's getting tired of being treated like a ghost.

They talk about their books. They compare lives. Jason Todd was picked up a few days after he stole the wheels of the batmobile. He wasn't an orphan, he lived with his mom and his stepdad before he lived with Bruce. They both like to read, only Danny has an interest in the stars.

("What do your adoptive parents do?" Jason Todd asks him, one arm slung over the back of the armchair, he looks relaxed. He looks tense. Danny feels like he's back in Crime Alley again.

"They're 'ectologists'." He says, making air quotes over the word. He rolls his eyes, "Ghost hunters. They study the dead and all things afterlife."

Jason Todd makes a dry laugh huff, a sarcastic half-smile on his face. He doesn't explain why he does, Danny doesn't ask why. It doesn't seem like his business.)

Danny wants to ask him where he got that white streak in his hair. It doesn't feel right. It feels like his parents' lab, and that isn't right. Nothing ever feels like his parents' lab.

Jason Todd leaves first after giving him a few book recommendations. Danny isn't sure how to rate the experience. Being in Jason Todd's presence was like standing in a liminal space. An empty parking lot at night. When he leaves it feels like much the same thing.

He struggles to read his books afterwards, unable to shake the feeling of being haunted.

[soracities]

what are your suggestions for starter poetry for people who dont have strong reading/analysis backgrounds

I've answered this a few times so I'm going to compile and expand them all into one post here.

I think if you haven't read much poetry before or aren't sure of your own tastes yet, then poetry anthologies are a great place to start: many of them will have a unifying theme so you can hone in based on a subject that interests you, or pick your way through something more general. I haven't read all of the ones below, but I have read most of them; the rest I came across in my own readings and added to my list either because I like the concept or am familiar with the editor(s) / their work:

Staying Alive: Real Poems for Unreal Times (ed. Nick Astley) & Being Alive: The Sequel to Staying Alive (there's two more books in this series, but I'm recommending these two just because it's where I started)

The Rattlebag (ed. Seamus Heaney and Ted Hughes)

The Ecco Anthology of International Poetry (ed. Ilya Kaminsky & Susan Harris)

The Essential Haiku, Versions of Basho, Buson and Issa (ed. Robert Hass)

A Book of Luminous Things (ed. Czesław Miłosz )

Now and Then: The Poet's Choice Columns by Robert Hass (this may be a good place to start if you're also looking for commentary on the poems themselves)

Poetry Unbound: 50 Poems to Open Your World(ed. Pádraig Ó'Tuama)

African American Poetry: 250 Years of Struggle and Song (ed. Kevin Young)

The Art of Losing: Poems of Grief and Healing (ed. Kevin Young)

Lifelines: Letters from Famous People about their Favourite Poems

The following lists are authors I love in one regard or another and is a small mix of different styles / time periods which I think are still fairly accessible regardless of what your reading background is! It's be no means exhaustice but hopefully it gives you even just a small glimpse of the range that's available so you can branch off and explore for yourself if any particular work speaks to you.

But in any case, for individual collections, I would try:

anything by Sara Teasdale

Devotions / Wild Geese / Felicity by Mary Oliver

Selected Poems and Prose by Christina Rossetti

Collected Poems by Langston Hughes

Where the Sidewalk Endsby Shel Silverstein

Morning Haiku by Sonia Sanchez

Revolutionary Letters, Diane di Prima

Concerning the Book That Is the Body of the Beloved by Gregory Orr

Rose: Poems by Li-Young Lee

A Red Cherry on a White-Tiled Floor / Barefoot Souls by Maram al-Masri

Deaf Republic by Ilya Kaminsky

Tell Me: Poems / What is This Thing Called Love? by Kim Addonizio

The Trouble with Poetry by Billy Collins (Billy Collins is THE go-to for accessible / beginner poetry in my view so I think any of his collections would probably do)

Crush by Richard Siken

Rapture / The World's Wife by Carol Ann Duffy

The War Works Hard by Dunya Mikhail

Selected Poems by Walt Whitman

View with a Grain of Sand by Wislawa Szymborska

Collected Poems by Vasko Popa

Under Milkwood by Dylan Thomas (this is a play, but Thomas is a poet and the language & structure is definitely poetic to me)

Bright Dead Things: Poems by Ada Limón

Teaching My Mother How to Give Birth by Warsan Shire,

Nostalgia, My Enemy: Selected Poems by Saadi Youssef

As for individual poems:

“Wild Geese” by Mary Oliver

[Dear The Vatican] erasure poem by Pádraig Ó'Tuama // "The Pedagogy of Conflict"

"Good Bones" by Maggie Smith

"The Author Writes the First Draft of His Weddings Vows (An erasure of Virginia Woolf's suicide letter to her husband, Leonard)" by Hanif Abdurraqib

"I Can Tell You a Story" by Chuck Carlise

"The Sciences Sing a Lullabye" by Albert Goldbarth

"One Last Poem for Richard" by Sandra Cisneros

"We Lived Happily During the War" by Ilya Kaminsky

“I’m Explaining a Few Things”by Pablo Neruda

"Stopping By Woods on a Snowy Evening" //"Nothing Gold Can Stay"//"Out, Out--" by Robert Frost

"Tablets: I // II // III"by Dunya Mikhail

"What Were They Like?" by Denise Levertov

"Those Winter Sundays" by Robert Hayden,

"The Patience of Ordinary Things" by Pat Schneider

“I, too” // "The Negro Speaks of Rivers” // "Harlem” // “Theme for English B” by Langston Hughes

“The Mower” // "The Trees" // "High Windows" by Philip Larkin

“The Leash” // “Love Poem with Apologies for My Appearance” // "Downhearted" by Ada Limón

“The Flea” by John Donne

"The Last Rose of Summer" by Thomas Moore

"Beauty" // "Please don't" // "How it Adds Up" by Tony Hoagland

“My Friend Yeshi” by Alice Walker

"De Humanis Corporis Fabrica"byJohn Burnside

“What Do Women Want?” // “For Desire” // "Stolen Moments" // "The Numbers" by Kim Addonizio

“Hummingbird” // "For Tess" by Raymond Carver

"The Two-Headed Calf" by Laura Gilpin

“Bleecker Street, Summer” by Derek Walcott

“Dirge Without Music” // "What Lips My Lips Have Kissed" by Edna St. Vincent Millay

“Digging” // “Mid-Term Break” // “The Rain Stick” // "Blackberry Picking" // "Twice Shy" by Seamus Heaney

“Dulce Et Decorum Est”by Wilfred Owen

“Notes from a Nonexistent Himalayan Expedition”by Wislawa Szymborska

"Hour" //"Medusa" byCarol Ann Duffy

“The More Loving One” // “Musée des Beaux Arts” by W.H. Auden

“Small Kindnesses” // "Feeding the Worms" by Danusha Laméris

"Down by the Salley Gardens” // “The Stolen Child” by W.B. Yeats

"The Thing Is" by Ellen Bass

"The Last Love Letter from an Entymologist" by Jared Singer

"[i like my body when it is with your]" by e.e. cummings

"Try to Praise the Mutilated World" by Adam Zagajewski

"The Cinnamon Peeler" by Michael Ondaatje

"Last Night I Dreamed I Made Myself" by Paige Lewis

"A Dream Within a Dream" // "The Raven" by Edgar Allan Poe (highly recommend reading the last one out loud or listening to it recited)

"Ars Poetica?" // "Encounter" // "A Song on the End of the World"by Czeslaw Milosz

"Wandering Around an Albequerque Airport Terminal” // "Two Countries” // "Kindness” by Naoimi Shihab Nye

"Slow Dance” by Matthew Dickman

"The Archipelago of Kisses" // "The Quiet World" by Jeffrey McDaniel

"Mimesis" by Fady Joudah

"The Great Fires" // "The Forgotten Dialect of the Heart" // "Failing and Flying" by Jack Gilbert

"The Mermaid" // "Virtuosi" by Lisel Mueller

"Macrophobia (Fear of Waiting)" by Jamaal May

"Someday I'll Love Ocean Vuong" by Ocean Vuong

"Still I Rise" by Maya Angelou

I would also recommend spending some times with essays, interviews, or other non-fiction, creative or otherwise (especially by other poets) if you want to broaden and improve how you read poetry; they can help give you a wider idea of the landscape behind and beyond the actual poems themselves, or even just let you acquaint yourself with how particular writers see and describe things in the world around them. The following are some of my favourites:

Upstream: Essays by Mary Oliver

"Theory and Play of the Duende" by Federico García Lorca

"The White Bird" and "Some Notes on Song" by John Berger

In That Great River: A Notebook by Anna Kamienska

A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib

The Book of Delights by Ross Gay

"Of Strangeness That Wakes Us" and "Still Dancing: An Interview with Ilya Kaminsky" by Ilya Kaminsky

"The Sentence is a Lonely Place" by Garielle Lutz

Still Life with Oysters and Lemon by Mark Doty

Paris, When It's Naked by Etel Adnan

[fivelila]

The other side of everything

I think all of you have read the repeated sentences about what's wrong with Fivelila. So I thought I'd write my thoughts on it and maybe some of my headcanon.

1) Age gap

Problem: Ritu is 15 years older than Aidan. Five and Lila have an age difference in both directions, mentally he is much older and physically she is older.

My take: About the age of the actors, I'll say this much - the opposite is so common and many people don't find it strange. For example, did you know that Julia Roberts was 23 when her film Pretty Woman came out and that Richard Gere is 19 years older than her? And I haven't noticed anyone being disgusted by how that's possible. I could find some more extreme differences, but I don't think I want to.

Aidan is 21 and yes, he did TUA when he was younger, but a lot of people still think he's a kid. But no, he's not. Deal with it.

My headcanon: Lila is older than she looks. And that's thanks to the Handler and the work she does for the Commissions. Does any of us know how long has she lived somewhere outside of time? Sounds like another possible parallel to me.

2) Lila was cheating on Diego

Problem: Lila was unfaithful to her husband.

My take: Lila made it clear that she wanted a break with Diego and wanted to reconsider their marriage. Yes, the circumstances ended up being pretty wild, but it was more than obvious that she wasn't happy in the marriage. Among other things, it was over six and a half years for her before anything happened with Five. There are countries where such a long separation between spouses could also help to bring about an immediate divorce if necessary.

I also think that the only thing that connected them the most was their children and not that they were compatible as partners. A completely natural thing that happens really often in real life when someone builds a relationship on desire, which they mistake with love.

3) Five is homewrecker

Problem: Five is the reasons why his brother's family fell apart.

My take: It's not true. Five was not the reason that Lila and Diego had problems in their marriage. Yes, she was still his brother's wife and that's a bit morally grey, but their situation was complicated enough (as I wrote in the previous point) and it's completely understandable. By the way, don't people like this family precisely because their morals are often a bit grey? I guess that's probably only true sometimes, huh?

4) Five cheated on Dolores

Problem: Five was unfaithful to Dolores

My take: Sorry, but this is the biggest piece of shit ever. If someone prefers a relationship that Five made up in his mind just to keep himself from going crazy and heal his trauma, then our fandom isn't the one that's wrong. By the way, if Dolores was real and played by Rachel Delduca, she's definitely older too! I couldn't find the exact age, but it's pretty obvious that she's older than Aidan.

5) Five killed Lila's parents

Problem: Five was the killer of Lila's family and Handler could have kidnapped her. Her family may be alive, but it won't change the past.

My take: Yes, this is about the only thing that could never work in another story. Lila gets her family back, but it doesn't change what happened to her. Still, I think even she knows very well what it's like to work for the Commission and what it was like when an order came down. Handler bears most of the blame, even though she wasn't the one who killed them.

My headcanon: I don't think Lila had clean hands either, though we never really saw that much in the story. Still, even she could have been the murderer of some random parents of some random kids because that was her job. For example, she killed several people on the Commission to get access to past records in the barn, so it would be a bit hypocritical for her to blame others for actions that she herself had done before.

If you have any other thing I should discuss, please post it in the comments, I'll do another post about it.

[forthegothicheroine]

My 12 best fanfics

Multiple people have tagged me to post my 10 best fanfics! I did 12 so that I could easily format a bunch of Penguin Classics covers for them. If you write fic and haven't done this yet, consider yourself tagged!

Darkest Timeline: My infamous Evil Lancelot series which I wrote in a quarantine-induced brain spiral, for which I am still expecting the Arthuriana fandom to excommunicate me. Please read the warnings, this is an emotional Dead Dove Do Not Eat.

Bride of Thorns: Morticia the gothic heroine marries Gomez the brooding hero.

The Most Poetical Topic: Jonathan "Scarecrow" Crane makes a date with a cute bookseller. Original Character Do Not Steal!

The Mel Brooks Cameo in Twin Peaks: Audrey Horne visits an old Jewish gangster. Mel Brooks worked with David Lynch on The Elephant Man, so what if they had continued their partnership?

Sir Wishbone and the Bad Day: A Wishbone episode about Sir Gawain and the Green Knight. Joe getting his first detention is just like having to meet a guy to get your head cut off!

Opera Fantastique: Christine's bad reincarnation memories from the 1989 Phantom of the Opera film are just beginning.

Et in Arcadia Ego: A folk horror episode of The Prisoner. Is Six in the sway of black magic or just hallucinogens and manipulation?

Beware the Beetle: Batman has to read The Beetle by Richard Marsh when someone starts doing Beetle-themed crimes. Written for @bluestockingbaby's wonderful idea!

Gentle Wolves: A fairy tale-style confrontation between Vulpes Inculta, Craig Boone and the Courier. A fan favorite on the Fallout Kink Meme.

The Dream Journal of Lucy Westenra: Lucy has pleasant dreams of a romantic visitor which soon turn much less pleasant. My response to the idea that Lucy was 'asking for it'.

Alice in Camelot: Reading Arthurian legends can feel like reading Alice in Wonderland. Alice herself questions the logic.

Nyarlathotep: A Midrash: Moses's Pharaoh was Nyarlathotep, and Moses's miracles were dark and strange. One way or another, his people will be freed.

[bekolxeram]

What's really going on with 911twt, i usually keep up through tumblr, but haven't seen what actually happened, only comments from bts, but understandable if you don't really want to get into it, thanks anyway :)

I'm the last person you should ask. I don't do twitter, and by the time I woke up this morning the drama was well on the way.

But you know those journalists who get screeners in advance for review writing purposes? They have a habit of vague posting about the upcoming episode after watching the screener, but this time they seem eerily silent.

@houseofevanbuckley posted this screenshot of one of the usual suspects liking a tweet guessing the episode is probably awful. And that's it, I haven't seen her posting anything about the show since then, other than a vague tweet beefing with cheese blog.

Another journo posted this, then later clarified that it wasn't about the show, but about someone. It's just a hunch but I feel like this tweet is also about cheese blog. (Also could be about the Richard Siken incident, but I don't know if she's involved) Again, nothing more about the upcoming fall finale other than joking about ABC giving us nothing but stills from the very first scene of the episode.

The weirdest one is from him. He simply announced that he wouldn't be covering this episode at all, and instead opted to follow JLH's new movie. He usually has a lot of thoughts about the upcoming episode and would post his reactions generously, but this time, nothing at all.

This is weird, I've never seen any of them act like that. There's been rumor of screener receivers allegedly leaking major info to some group chats. I don't know if it's true, and I certainly don't know if that side of the fandom know something we don't about this midseason finale, but the general mood there is the most pessimistic I've ever seen. It ranges from "it's that bad huh?" to "we're so over".

The extremely limited amount of stills seems to indicate major plot twist(s) in the episode itself. Adding it to the fact that the usually chatty journalists have decided to beef with cheese blog instead of talking about the show, I think they've probably seen something they really didn't like.

[49436]

Taking on @batmanisagatewaydrug 's 2025 Book Bingo (along with my wife & housemate, so it's now on our fridge. Taking me back to summer reading lists from the library)

I tend to work down my to-read list in order, unless there's something I really want to get to, so most of this list is 'what's the first thing I'll hit that fills the criteria'. But some books earn the right to skip the line, for one reason or another.

Going for a full board, which means actual bingo might take a minute lol

List below-

Literary Fiction - TBD

Short Story Collection - Friday Black by Nana Kwame Adjei-Brenyah. Chain-Gang All Stars was on my top 10 from 2024 so even though short stories and I don't tend to get along, this one I'm excited about. Will also try Drinking From Graveyard Wells by Yvette Lisa Ndlovu

Sequel - Either A Victory of Eagles by Naomi Novik or Heavenly Tyrant by Xiran Jay Zhao. A matter of which one I get first; My library doesn't have physical copies of Heavenly Tyrant yet, and my wife owns all of Temeraire, so it might win.

Childhood Favorite - Might be Watership Down by Richard Adams, which is always a banger, but I reread Watership just a couple years ago, so it might be The Book of Three by Lloyd Alexander instead, which I read many times with my mom and still have the whole series of.

20th Century Speculative Fiction - TBD

Fantasy - A Taste of Honey by Kai Ashante Wilson. I read so much fantasy, BUT I already have A Taste Of Honey on my side table. So here we are.

Published Pre-1950 - The Iliad (and The Odyssey) translated by Emily Wilson. Heard a lot of noise about her translation, and haven't read these two since... idk but it's been over a decade. Also going to hop on the Rebecca by Daphne du Maurier train.

Indie Publisher - The Hundred Thousand Kingdoms trilogy by N.K. Jemisin. I read a LOT of indie publishers and Jemisin if one of my all-time favorite writers. I've been putting off this series for a time I can really get into it and burn down all three.

Graphic Novel - Dorohedoro by Q Hyashida. Currently on volume 8, will probably finish the series in the next week or two. Love love love Hyashida's work

Animal on the cover - Plague Dogs by Richard Adams. Despite my aforementioned childhood obsession with Watership Down I never got around to Plague Dogs. Looking forward to it!

Set in a country I've never visited - TBD

Sci-Fi - Another genre I'll read a thousand of in a year. Currently I have Ancillary Justice by Ann Leckie on my side table (which I fear may be mid, but time will tell) I'm also VERY excited to read The Spare Man by Mary Robinette Kowal

2025 Debut Author - TBD

Memoir - Love Is An Ex-Country by Randa Jarrar. Memoirs aren't usually my thing, but this one made it's way onto my to-read list last year so this is good motivation.

Zine - TBD. Browsing all the other posts from people doing this challenge for recs

Essay Collection - How To Read Now by Elaine Castillo. Literally the only essay collection on my to-read list and it jump scared me. Thought for sure this would a TBD, but How To Read Now should be interesting.

2024 Award Winner - TBD. Will trawl award lists when I have time

Non-Fiction - Facing the Wave: A Journey in the Wake of the Tsunami by Gretel Ehrlich. Specifically chose something that doesn't also count as social justice/activism, which is most of my non-fiction reads. I've found a real appreciation for good non-fiction the last few years (Everyone go read Swimming to Antarctica by Lynne Cox). Learning stuff is cool!

Social Justice/Activism - Everything you Love Will Burn: Inside the Rebirth of White Nationalism in America by Vegas Tenold. Excited for this one.

Romance - TBD. Tend to read romance that's also another genre (romantasy side eye at myself) so I've inevitably got one on my list. But maybe Akwaeke Emezi will write another romance and sweep me off my feet.

Recipe - Steak wrap pinwheels. My wife has been watching Food Truck Race (lol. lmao even) and one of the contestants made these. Stealing the idea with impunity.

Horror - Fever House by Keith Rosson. I've got a rich vein of horror novels on my to-read list, but this will be one of the first.

Published in the Aughts - TBD I'm old. I read of lot of 00's work.

Historical Fiction - Velvet Was The Night by Silvia Moreno-Garcia. Is the 70's historical? I think the 70's is historical now. One of the final 3 books of Moreno-Garcia's I haven't read, and she's never let me down. Might read another Phryne Fisher Mystery or two as well, because they're quick and fun.

Librarian recommendation - TBD. I love my library and there's a few librarians who know me, will have to ask their opinions. Talking to a person! Not just taking one off the recommended shelf! Wild!

[butchhamlet]

are there any shakespeare retellings you recommend? i really enjoy retellings but it's also difficult to find ones that like. actually understand the source material... i've read your novella duodecimal and really liked it btw! excellent take on twelfth night :-)

THANK YOU SO MUCH WAH... yes, i can recommend some retellings! i keep intending to make a big post with my recs, actually, but there are so many out there that i haven't read yet... so for now here's an incomplete list:

a thousand acres by jane smiley: the first one that came to my mind seeing this ask. it's a retelling of lear set on an american farmstead, and the adaptation is done beautifully and smoothly--it's just distinct enough from OG Lear that you can judge it as a book on its own but also as a lear retelling. and it's sooooo good. it starts a little slow, but the character work is so excellent and it almost made me cry (i will note that there's a pretty hefty cw on this one but... saying what it is is technically spoilers? but feel free to send another ask or message if you want to know up-front)

the last true poets of the sea by julia drake: books that made me have to turn my camera off in zoom class so i could bawl properly. books written for me specifically. this is a loose YA retelling of twelfth night (looser than some of the other retellings on this list) and it's like. perfect. the teenage dialogue actually sounds like teenagers. every emotional beat clubbed me over the head. the love triangle is present--and done really well; it's not present for drama but because sometimes being a teenager is confusing--but more than that this is a book about the relationship between violet and her sibling, and about mental health, and god it makes me CRAZY. also girls kiss in this one

rosencrantz and guildenstern are dead by tom stoppard: i mean. i think most people into shakespeare know r&gad. but in case you haven't read it yet, it's an absurdist play from the point of view of rosencrantz and guildenstern and it's absolutely fucking brilliant. not sure what else to say about this; you've really just gotta read it

teenage dick by mike lew: another play, this one on the modern side--a retelling of richard iii set in a high school, focusing explicitly on disability issues. kind of more a reimagining than a retelling, honestly, but i really like the exploration of r3's themes and also it's fucking hysterical. although i will say there's a kind of jarring tonal shift in this one near the end, so don't go to it for something 100% comedic

american moor by keith hamilton cobb: okay this isn't exactly a retelling but if you've ever read othello you have to read it. you just have to. please god if you've ever read a shakespeare PLEASE. it's a monologue from the perspective of a black man trying out for the role of othello, half-resigned to being pigeonholed into playing that specific role in a very specific way as directed by a white director, but also half-chafing against that resignation, and also exploring the complexities of loving shakespeare as a black man, and it's soooooo so good

exit, pursued by a bear by e.k. johnston: this one is kind of cheating because it's not really a retelling, in that it has next to nothing to do with the winter's tale except that there is a hermione character and a leontes character and a paulina character. i still think it's a very very well-done YA book, though, and one of the only ones i've read that deals head-on with abortion

foul is fair by hannah capin: okay, i will admit i read this one some years ago when i was more into YA, so i'm not sure i would still go crazy over it now, but the plot of this book is that the modern lady macbeth character gets assaulted by a guy at a party and decides to kill everyone who let that happen. and then she does. and idk i read it in two days it felt like being on crack

the wednesday wars by gary schmidt: this one is DEFINITELY cheating, because this isn't a retelling of anything. but if you like shakespeare and you're open to reading historical fiction about a kid in the 60s using shakespeare as a lens through which to understand the chaos of his life (from the vietnam war to his school crush)... it's so good. it made me nearly sob. beautiful book

i'm also a fan of ryan north's shakespeare choose-your-own-adventure books, but those aren't exactly retellings and also the humor will probably not work for everyone. but i like em <3

and finally, i would be remiss not to shout out the fact that @suits-of-woe wrote an INCREDIBLE retelling of the two gentlemen of verona that, like, redeemed the fact that that play exists. if you've read that play and you thought, "wow, i wish this were explicitly homoerotic, or not a rape apologia, or good in any way," you will LOVE macy's book. unfortunately it isn't fucking published yet but WITH YOUR HELP--

[greenhaired-gremlin]

Okay very serious post time

TW: school shooting, Apalachee HS shooting

I live and go to achool an hour away from Apalachee. The shock and fear that one experiences when you find out a school an hour away has a shooting is so indescribable to anyone who hasn't experienced it. Today my school has our normal security officer and THREE others, a state trooper, a sheriff, and another who I can't read the car of.

I, a 16 year old, shouldn't have to go to school thinking "what if today's the day?" I should not have to have a plan for every room and every section of my school for if (inevitably, when) something happens. CHILDREN shouldn't have to worry about this. We deserve to be protected. Metal detectors help a little bit, but it's far too easy to slip things past.

At Apalachee two teachers, Richard Aspinwall and Christina Irimie, both of which who had families, were killed. Two students, Mason Schermerhorn and Christian Angulo, both of which were 14, were also killed. By a 14 year old with an AR-style gun. Colt Gray had access to this weapon through his father, who claimed Colt "did not have unsupervised access to his hunting guns." Colt Gray has been on an FBI watchlist since last year in suspected relation to school shooting threats and social media posts about guns, but they didn't have enough evidence to arrest him. Now 4 people are dead and another 9 are injured, one of which had to be airlifted to Atlanta (Taylor unknown-lastname). David Phoenix (sh0t in the hip and foot according to his daughter) was also injured. All 9 are expected to survive thankfully. (the other 8 victims names haven't been disclosed as they were all students and therefore, minors)

WHEN are the adults who run this godforsaken country going to ACTUALLY do something about this? School started a fucking MONTH ago and there's already been one school shooting with major coverage and who knows how many others.

My mom said to me last night "And I though, at least she only has about a year and a half left, and then I was like nope these things happen at colleges too." I had so many people ask me if I was alright. I'm lucky enough to have never been in a county eith an active shooter but what about those who are? Apalachee has a student population of around 1910, plus their staff. Those are 1910+ families who will never be the same. 1910+ people who will never be the same.

I've seen so many posts of ELEMENTARY SCHOOL teachers talking about how their students told them "they wanted the light up shoes but couldn't get them just in case we have to hide" or something along that line. LITERAL CHILDREN. Everyday my little sisters go to school and I worry about them too. They are 9 and 4.

Protect our children.

Protect us.

Please.

Talk about the victims. Talk about the injured victims. Don't give all the attention to Gray. They had families too.

[marimayscarlett]

Hi! I absolutely love all of your detailed posts about Richard, they make my day when you post them, I was wondering if you could make a compilation of very wholesome moments with fans? I'm afraid that Rammstein will never come back to the US and I'll miss my chance of meeting him in person and I'd love to see some sweet fan interactions ❤️ Dankeschön ❤️❤️

Hi 🤍

Please excuse my late reply to this, but I love this ask! It's known that Richard can be very warmhearted towards fans and gives out bone-crushing hugs left and right - I found several accounts of fans who met him and will accumulate these in the following post 😊 (sources are linked at the end of the post.)

First some stories of fans who shared their experiences on the internet:

One fan met him before a concert, he gave the fan a hug and they say that to this day, they haven't forgotten the feeling of this hug.

Here's an account of a fan who met Richard at a resort in Mexico: "Richard never acted like we were imposing on his time or being a hindrance, even though he was with a table of friends. As soon as we were in eye contact range, his entire demeanor changed. He lit up like a Christmas tree and stood to shake our hands, stood close to us to chat for a few minutes - five minutes, tops, and gave us hugs as we left before shaking our hands again."

After a concert: "The hug I got was bone crushing. I was right in front of him. Cried my way through Frühling [...]. He checked on me and asked me if I was ok. Said i was fine and even the amount of times I'd seen them play, i got so caught up in the emotion. Richard told me they were the most moving moments for him at least and pulled me into a huge hug that if i think about it, i can still feel. Sounds weird but when you get a hug like that you dont forget it."

Richard seems to be a bit camera-shy while being out and about (declining selfies most of the time), but offers/asks for hugs himself as a return, as told by a fan who met him at the Chicago Airport. The fan apologized after asking for a selfie, yet Richard immediately asked her to give him a hug afterwards.

At a concert at the Palace of Auburn Hills in Detroit back, May 2012: "For some reason, I thought of making a sign that said "Pick für mich, bitte". We were right at the barricade and I decided to flash the sign. I don't even know what I expected out of it. Well, Richard fucking Kruspe went to his mic stand, got a pick, went to the security guard in front of the railing and told him to give me the pick. The guard and I had chatted prior to their performance, so he looked at me with a "way to go, kid" look. People around me cheered. Best concert memory ever. Nothing but a class act."

Another fan reports him being quite talkative and attentive during parties - apparently really listening to the other person and showing real interest. He really likes to talk about music and guitars and seemingly likes hearing the opinions of fans.

Meeting the band in front of their hotel: "His hug was the tightest, and he smells SO GOOD, I wanted to ask what was his perfume. I told him I loved Emigrate, he gave me the biggest smile and thanked me."

Then we have voice from withing the fandom on here - the lovely and helpful @anwiel13 said this about meeting him at a Meet&Greet (thank you again for sharing this! 🤍):

"Once he entered the room, we immediately know it. Not that he did something, but he really has this big personality, in very good way. He was smiling all the time, unless taking photos, than we was all his gothic deep stare self. He was also super nice to two girls, who were absolutely nervous, telling him how much they love him. We all know he hear this all the time, but he really looked like he is listening them and make them feel not like crazy fangirls annoying him with their feelings. If that's make sense. He hugged one girl when she asked him and again, did not looked like she's annoying him with this. He left very quickly after taking photos and signed our things. Overall, he was very nice and caring. I heard somebody complain about him being all snobby and annoyed during some M&G, but he was nothing like this during the one in Prague."

Plus I have found two 'essay'-posts on here describing fan-experiences at Meet&Greets and afterparties:

Here Richard is described as really warmhearted, smiling and patient with the fans:

A very wholesome interaction (with a cute Paulchard momet) with a fan who brought selfmade fan art with her:

And since of course I found some experiences with other band members on my research-way, here are my favourites of some of the other guys 😊:

At an afterparty: "I spent a long time talking to Flake who is beautifully underappreciated. He's such a wise man with an incredibly dark sense of humour. [...] Flakes English isn't great but he seemed to really appreciate that someone would talk to him in German and happy to help me figure out words I wasn't familiar with and vice versa. I really appreciated it as he did slow down his natural German speaking speed to help me continue a conversation in German as native speaking speed was just a little too fast."

At a meet and greet: "Schneider gave me such Dom-Daddy vibes that I would have got on my knees if he asked. He was so friendly, asked about myself and I was able to give him a letter from my best friend who had spoken to him years before, and he was so happy to take it."

At an afterparty of Till's solo tour (London concert): "I went to see Lindemann in London and was invited to the after party and ended up trying to open a bottle of wine with a set of keys with Till and then ended up drinking vodka and chatting to him for a few hours. Such a humble human and one of my biggest role models in life - he made me want to become a fire performer and he said I looked great doing what I do."

"Did a meet & greet on the 2019 tour and a bunch of the after parties. Doom is an incredible dancer and Paul and Richard give the best hugs." (I've read several times that Schneider seemingly kills it on the dance floor 👀)

Sources: 1 2 3 4 5 6

All in all, it's always amazing reading about fans having nice experiences with them - but let's not forget (since some people do exactly this), the band members are also just human beings like you and me, don't owe the fans smiles and good moods, and it's not a crime to have a bad day once in a while (with less enthusiastic interaction with fans) or just wanting some peace or being in a hurry, since they all do have private lives🤝🏼

[racefortheironthrone]

Which federal laws and policies would you get rid of or modify in order to help the American labor movement.

I was looking through the labor law tag on my blog and your ask reminded me I haven't actually written a comprehensive post about this on Tumblr. (Indeed, you'd have to go back to my old, old policy blog from 2009...it's been a while.)

One silver lining of the Sisyphean struggle to restore American labor law that's been going on since the 1970s is that the labor movement and their allies in Congress, academia, think tanks, and progressive media have been thinking through this very issue of "what reforms would make a real difference" for a long time. I'm not going to say it's a solved question, but the research literature is pretty robust.

For the purposes of this post, I'm going to focus on the three most recent reform packages: the Employee Free Choice Act that was the main vehicle during the Obama years, Bernie Sanders' Workplace Democracy Act (which was introduced repeatedly between 1992 and 2018), and the Richard L. Trumka Protecting the Right to Organize Act (PRO Act) that is the current proposal of the Democratic legislative caucuses. There's going to be quite a bit of overlap between these proposals, because it's very much an iterative process where allies in the same movement are trading ideas with one another and trying to stay abreast of new developments, but I'll try to tease out some of the similarities and differences.

EFCA

While EFCA contained a number of provisions that sought to close various loopholes in U.S labor law, the three main provisions largely target the flaws that have made it extremely difficult to win a union through the National Labor Relations Act process devised in 1935 that has turned into a Saw-style gauntlet thanks to the professionalization of union-busting and the Federalist Society's strategy of death-by-a-thousand-cuts:

"Card check." Probably the most common pattern of union-busting in the workplace today is a war of attrition by management waged by an industry of specialized law firms. Generally what happens is that the union files for election with a super-majority of ~70% workers having signed union cards, then management delays the vote as long as possible to give their hired "union-avoidance" firm to systematically intimidate, surveil, propagandize, and divide workers, up to and including illegally firing pro-union workers pour encouragez les autres. Over several months, what happens is that the initial 70% of pro-union support starts to erode as workers decide it's just too dangerous to stick their necks out, until the vote happens and the union loses either by a squeaker or a landslide.

Card check short-circuits this process by just saying that if the union files with a majority of cards, you skip the election and the union is recognized. And for all the pearl-clutching by the right, this is actually how labor law works in many democratic countries, because the idea of a fair election that lets management participate is an oxymoron.

Arbitrated first contract. In the event that enough workers keep the faith and actually vote for a union, management's next move is to draw out collective bargaining for a year or more. After a year, the original vote is no longer considered binding and employers can push for a "decertification" vote, which they usually win because workers either give up hope or change jobs. So this provision says that if the two sides can't reach an agreement on a first contract within 120 days, a Federal arbitrator will just impose one, so that at least for two years there will be a union contract no matter what management wants.

Strengthening enforcement. As I said above, one of the problems with existing labor law is that there are basically no penalties for management knowingly breaking the law; companies literally just budget in a line-item and do it anyway. This provision would allow unions to file an injunction against employers for unfair labor practices or ULPs (at present, injunctions are only required for violations done by unions), and would add triple back pay for illegal firings and fines of $20,000 for each ULP. This would make union-busting much more expensive, because companies routinely rack up hundreds and hundreds of them during a campaign.

Workplace Democracy Act

Sanders' proposal includes the main proposals from EFCA, and adds a bunch of additional reforms, like mis-classifying workers as independent contractors, banning captive audience meetings, making "joint employers" liable for labor law violations by franchisees, legalizing secondary boycotts, and requiring employers to report to the NLRB on all anti-union expenditures during a campaign and barring anyone convicted of an unfair labor practice from being hired for anti-union campaigns and making "union-avoidance" consultants liable for fines for ULPs (which would kill the "union-avoidance" industry, because they commit ULPs for a living).

PRO Act

The PRO Act is very much an updating of the previous efforts we've talked about. It bans captive audience meetings, allows for secondary strikes and boycotts, massively increases fines and allows for compensatory damages, ends mis-classification, speeds up the election process, etc.

It also contains a couple new and ambitious proposals:

it allows unions to sue management in court instead of having to complain to the NLRB, which opens management up to a very expensive legal proceeding and discovery.

it bans "right-to-work" as established by the Taft-Hartley Act.

it requires that any worker who's fired for pro-union activity be immediately reinstated while their unfair labor practice process or civil lawsuit is going through the process. This would be enormous just on its own, because it changes the entire veto structure of illegal firing. As it stands, employers fire people and maybe maybe have to pay some back wages in a couple years when the worker has found another job and is unlikely to come back. This would reverse the balance of power, such that the worker is immediately back and other workers can see that they can speak up without getting fired, which makes illegal firings a giant waste of time and money for management.

In terms of stuff that's not on this list that I would add, I would say that an enormous difference could be made by simply making it illegal for management to lock-out their workers or hire scabs. You do that, and unions can win almost every strike.

[ghouly-boiiiii]

Hey, y'all! Sorry I haven't been around much this month. I've been dealing with some personal stuff, but I'm working on the last chapter of My Name Is Cooper and it should be ready to post soon!

On another note, I've been watching a lot of Fallout lore videos lately and it's been really fascinating! (Spoilers for Fallout 1, New Vegas and the show ahead!) Even though I've been playing the games for years, there's a lot I didn't know. Like the story of The Master / Richard Grey in Fallout 1. First off, what a design! He's gotta be one of the most grotesque and horrifying character designs and concepts in any video game I've seen. And all the different voices. It's chilling! I didn't know the original Fallout game was so disturbing. And I love it! Also, I've just always loved the look of these old games. I used to love Baldur's Gate 2, which Interplay also worked on (or rather a division of it), so it's kinda nostalgic looking at the old Fallout graphics, which are very similar. Very cool! I might have to give it a playthrough some day!

Second, I found it interesting how the show kind of takes things from the games and mirrors them. Like it's not the same characters or circumstances, but the themes remain the same. For example, in the show, Vault-Tec's solution to end war is to eliminate everyone else so that they are the only faction left. Which is exactly what The Master tried to do as well, but with super mutants. I think it's pretty cool how they went full circle, using this recurring theme, (because they aren't the only two factions with this philosophy either in the lore) pulling that idea from the very first game and working it into the show as one of Vault-Tec's primary motivations.

I also found out that Bethesda brought back many of the original creators for New Vegas, so it makes a lot of sense why people say it's the best Fallout! I'm currently playing through New Vegas on my YouTube channel. (I have one full video and a bunch of shorts, but I took a break because, well, I became a little Ghoul obsessed, hehe. But now that I'm almost done with my first fic, I'm gonna start doing more videos again!) So come check it out if you want! I kinda spoiled some things for myself when it comes to Mr. House, but it's also made me want to play the game even more! Also, with the second season apparently taking place in New Vegas, it's basically a necessity at this point!

And! I have also discovered yet more instances of Ghoul / Human relationships in the Fallout universe. If I remember correctly (I can't remember the specific video now, and it would take forever to go back and find it, so bear with me lol) there's a female ghoul prostitute your character can sleep with in New Vegas. And also a ghoul named Gob in Fallout 3 (whom I vaguely remember from way back when I played it, but forgot his story) who appears to be in a secret relationship with a woman he works with, who is also a prostitute (but not a ghoul lol).

SOOOOOOOOOOOOOOOOO yes, Ghoulcy is absolutely %100 on brand for Fallout. People be fuckin' ghouls all over the place. So if Fallout's gonna have a romance of any kind, it's gonna be with the hot ghoul character and his narrative foil, y'all. Yup. That's just how it is. It's canon peeps, case closed!

[yeehawpim]

i am so sorry for bothering you but. i have a few questions. Do you have any tips or books/youtube videos to help people interested in making comics or webcomics? and, also, how big do you make your canvas & is it the same size on your site (to read your comic)?

ayyy not at all 👌(side note sorry to the ppl I don't get to, I read all my asks even if I can't answer all of them and they cheer me up)

I've answered comic-making related stuff in my q&a tag somewhere, if you want to go digging 🤔

here's one of them

but as for books and youtube videos hmm

supereyepatchwolf on youtube has a few vids talking about manga, I especially like the chainsaw man one where he talks about how the author doesn't have the most polished style but the layout/composition/panelling is insane. There's another one he does about gantz where he talks about empty space can be used to make a lonely feeling. Those are more about the specific titles than comic making 😅but they defs inspired me haha

I watch a lot of video essays about movies and shows and they make me wanna go out and tell more stories 😤🫶 (breadsword, ladyknighhtthebrave, hazel... etc)

I haven't read any specific comic-making advice books? I just read a lot of manga/comics and stare at the things I like in them. Off the top of my head, One Piece, Anya's Ghost, and The Adventures Of Dr. Mcninja are all fun.

A more succinct advice book I think is The Animator's Survival Kit by Richard Williams. It's about animation, but comics has always felt kind of like a cousin. You're still making movement and timing look good, but it's in more select snapshots. (Though the advice about not listening to music while you're working is not for me 😂)

Also Griz and Norm have this really cool book of drawing tips that I want to get one day, but I think you can find everything as individual posts online too.

I usually work with 1650x2550px 72ppi for digital stuff, and 300ppi for print stuff. This is coming from a rube in all computer matters though, so take it with a grain of salt. It should be the same size on my site unless posting it somehow altered it w/o me knowing 😅

[a34trgv2]

Why It Worked: The Bad Guys

SPOILER WARNING: This post contains majors spoilers for The Bad Guys. If You haven't seen this film, you might want to before reading further. You've been warned.

Introduction: The Bad Guys is an animated action, comedy, heist film based on the children's book series by Adam Blabey. Directed by Pierre Perifel, the film stars Sam Rockwell, Marc Marron, Awkwafina, Anthony Ramos, Craig Robinson, Zazi Beets, Alex Borstein, Richard Ayode, and Lilly Singh as Mr. Wolf, Mr. Snake, Ms. Tarantula, Mr. Piranha, Mr. Shark, Diane Foxington, Police Chief Misty Luggins, Prof. Marmalade, and Tiffany Fluffit. Produced by DreamWorks Animation and distributed by Universal Pictures, the film was released on April 22, 2022. Critics were very receptive to it as 88% of 172 reviews on Rotten Tomatoes gave an average rating of 6.9/10. The film was also a massive success, even by pre-pandemic standards, as it made $250 million on a budget of $69-80 million. When I first saw the trailer, I thought it looked super dope and upon watching it on Blu-ray I was absolutely blown away. This film excelled at all the aspects of it's filmmaking and I'm more than happy to talk about it on Why It Worked.

The Plot: Set in a world where humans and anthropomorphic animals coexist, a group of convicted felons plot to pose as good samaritans to pull off the biggest heist of all time. Things start to go awry when Wolf, the leader of the group, starts to find that being good actually feels really good. This puts his friendship with the guys, particularly Snake, to the test and uncovers a conspiracy that puts all of LA in great danger. Right out of the gate, this film hooks you with an amazing opening chase sequence that brilliantly introduces the characters, the world they inhabit, and the main conflict at hand. In addition to witty dialogue and hilarious jokes, the opening showcases what the tone of the film is and why we sympathize with these characters. The best part? The film keeps the momentum of the first 7 minutes going for the rest of the picture! This film has exquisite pacing with each scene showcasing wonderful use of show, dont tell, clever jokes, and excellent camaraderie between the characters. The greatest highlight of the film's story is its happy marriage of 2D and 3D animation, clearly taking a page from Sony's Spider-Man: Into the Spider-Verse. The film brings these characters to life with remarkable cel-shading, unique body types based on their personalities, and very expressive facial features. LA also looks gorgeous with vibrant warm colors in the daytime, contrasting with soothing cool colors at night. The city also feels lived in with an abundance of people populating the backgrounds and the city feeling like a huge playground for the Bad Guys. The biggest highlights of the animation are the action scenes, which best showcase the speed, veracity, and vibrant colors the film offers. This film's story was already funny and unique, but the filmmakers went above and beyond in making this a masterclass of visual storytelling.

Cast and Characters: This has got to be among DreamWorks' best casted films! Everybody brings their A game to their roles, and they all have such great chemistry with one another. Our leading pickpocket and chief, Wolf, is such a swave, charismatic and funny leader who at first enjoys the life of crime he's chosen, but grows so fond of doing good he starts to drift from his original beliefs and becomes a really complex character. Major props to Sam Rockwell for delivering such an authentic and funny performance. His best friend, Snake, is a crusty, deadpan python who relishes his crime life more than Wolf, and they become at odds as the film progresses, and Wolf gradually becomes a different person. Marc Marron gave a very nuanced performance, making him sound crusty but also funny and fleshed out. Shark is a big, lovable master of disguise who adds extra comedy to the film thanks in large part to Craig Robinson's performance. Tarantula is the sassy, tech-savvy arachnid that serves as the group's hacker and is played brilliantly by Awkwafina. Piranha is a psychotic fish that acts first and thinks never and has some really good singing chops thanks to Anthony Ramos. Governor Diane Foxington is a sly, sassy, and clever public official who makes for a great foil for Wolf and is played wonderfully by Zazie Beets. Family Guy alum, Alex Borstein, absolutely kills it as Police Chief Misty Luggins, making her sound boisterous and manic in her pursuit of the Bad Guys. Lilly Singh did a really good job as Tiffany Fluffit, making her sound like an eccentric and bubbly news reporter. Then there's the film's surprise villain, Professor Marmalade. I honestly never saw the twist coming because, at first, he seemed like a genuinely good person who believes the Bad Guys can change, and everyone deserves a second chance. Once his true colors are revealed, that's when it all clicked. All this time, Marmalade was using the Bad Guys as a ruse to keep everyone's eyes off him so he could take the meteorite and harness its power to pull the biggest heist the world has ever known: using mind controlled guinea pigs to steal $1 billion dollars that was going to charity! Wow, now THAT'S evil! Richard Ayode provided such a brilliant performance, perfectly playing the kind, optimistic, good-hearted Marmalade while also devouring the scenery when his true colors are revealed. This is such a wonderful cast of characters, and everyone deserves a round of applause for their voice work.

Where It Falters: 👏I👏want👏more! No seriously, this film is a 10/10 and the only gripe I have is I want more. The film is 100 minutes long and it very much feels like this is the beginning of DreamWorks' next big franchise. So I definitely expect a sequel to be made at some point. Yes, I know there's a holiday prequel on Netflix, but I saw the trailer for it and it looked like a very pale imitation of this film. Might as well just watch The Bad Guys again, which I did.

Conclusion: The Bad Guys is now among my all time favorite DreamWorks Animation movies, right next to Kung Fu Panda 2 and The Prince Of Egypt! With a fast paced and hilarious story, well developed characters, excellent vocal performances, amazing animation, and a killer sound track, this film didn't meet my expectations: it EXCEEDED them! I can't recommend this film enough, especially if you're a fan of heist movies. This film should also be studied for aspiring storytellers on how to brilliantly showcase visual storytelling and how to write clever and witty dialogue. Thank you all so much for reading and I'll see you soon 😉

[modmad]

ok so! I know you probably haven't thought of this for a long time but through your recent post about Jervis Tetch (I was intrigued by that character tag on your blog in the first place since I used to follow an askblog featuring the residents of Arkham Asylum and that version of Jervis along with Jonathan Crane were my favorite characters, despite not knowing a whole lot about the Batman universe at the time) and through that character's tag I discovered the Teen Titans villain Mad Mod and the askblog/livejournal sessions you used to run for him, which led to me watching the two episodes of Teen Titans that he was a main threat in.

I really see the appeal of his character, especially the way you wrote him (can't go wrong with a smug bastard troll who always has the upper hand until he doesn't through the use of trickery and deception), and wish he'd gotten at least another episode in the show. The idea you had of him being a living hologram (and the backstory you created for him as well in the livejournals) is especially fascinating and fits the character already established for him very well. His relationships with the other characters being RP'd in the livejournals were established and fleshed out especially well also - the "Alice in Wonderland"-themed session where Mod played the Cheshire Cat and the final RP session where we discover his backstory were major highlights for me in that department.

I think you mentioned in one of the posts on his character tag that you "created a whole altiverse" (I'm paraphrasing here but it was something like that) of your version of the character where he was a living hologram, by that did you mean the livejournals/askblog, or were there other pieces of media involved with that? If they've since been lost to time or you have your personal reasons to not share them, you may disregard this part of the ask.

GOOD HEAVENS someone who remembers the askblog days, and livejournal! rip lj rp you were actually my education in creative writing thank you for those years <3

re: the last question yeah idk it all became a bit of a smush I just enjoyed the version I'd made and wished they'd done more with him in the canon! I still in my heart of hearts hope we could get more of the original Teen Titans show one day, as the voice actors certainly are still around and active! astonished that you remember all of this but I do and the Curse of Neil Richards is one that haunts me (affectionately) to this day