#and i feel like i can't really speak on a lot of this because i'm white | Explore Tumblr posts and blogs

zepskies · 23 hours ago

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Aww yay!! I'm so happy to hear that. 🥹💗

so far what I love the most about this series-verse is how, authentic and genuine dean and mila’s relationship is <3 I think maybe I mentioned it when reviewing THC but truly their love feels so sincere 🤍🤍

Omg thank you!! What an amazing compliment, and now I'm blushing. 🥰🥰 With everything these two went through in THC, I wanted their connection to feel real and natural now as they continue learning each other.

I feel like in today’s day & age relationships can be so complicated because there are too many trivial outside factors, but for them in this universe, it’s really just as simple as two people who care a lot for each other making it work. and i absolutely love that 😭💗

Oh God yes, totally agree. 🙃 And there are complications around Mila and Dean, but when it's just the two of them, Dean gets her to remember that them choosing to be together can be as simple or complicated as they allow it to be. It's a choice, day by day, working together. 💕💕

they’re so sweet to each other :’)🫶🏽 even when he puts his foot in his mouth; as soon as he made that comment when learning about the chief I shook my head lol, oh dean 😂

Ahaha he's trying his best. Oh Dean. 😝

But he's so damn charming and adorable, she can't help but let him back into her good graces.

mystery dude better back up!🤺 I do not trust that man at all so far, he gave me such a bad vibe :/ for his sake he better not try anything because not only will dean protect his wife, mila is clearly not to be messed with 🤣 which brings me back to how much I admire her strength! I love that she will speak up for what matters.

He's being sneaky about it, isn't he? 😒 But YES, if Mila doesn't mess him up first, Dean definitely will. 💞 Mila's not one to take things sitting down either.

the thought of dean getting picked on makes me so sad because it’s like, classic bullying :((( I wanna hug him so bad. especially since it’s already been so hard leaving everything and everyone he had behind — the weight of hazing & hard judgement on top of adjusting to everything new must be draining :( honestly I admire his strength too i’m glad she’s providing him with the support he deserves 🫶🏽 because yeah even though he can handle it, he shouldn’t have to ✋🏽😔

Ikr? 😭😭 Dean doesn't deserve this at all, considering how hard he's working to be respectful to their customs, but it's kind of par for the course (he's honestly lucky they let him live). It will get better for him (eventually), but you're right, it is draining for him, even if he doesn't want to admit it to Mila. She's doing her best to be his support system. 💞

also, I did not expect baby x mato but you know what, i’m here for it 😭🙂‍↕️

omgg I was hoping someone would like that part. 😂😂 I honestly didn't plan it when I was writing THC, but it came out when I started developing Outlander. I thought it was a cute lil' tidbit, and it's actually going to play more into the plot later. 😉💗

I'm so excited for you guys to see what's coming for this little series!!

Outlander - Part 1

Pairing: Dean Winchester x OFC

Summary: Dean Winchester has been stripped of his military rank, but he’s living happier with his new wife, trying to adjust to a new life in her tribe. What will it take for her people to accept him, especially when the battle for her heart might not be completely won?

AN: Ready for some more Cowboy Dean? Here we go with Outlander Part 1! This is a sequel story directly following The Honorable Choice, where Dean not only saves the member of a Native American tribe, but falls in love with her. (She saves him a lot in return.) Now, he’ll have to learn how to live in her world if he wants to stay with her.

This sequel series will be 4 parts! 💜

Disclaimer: I first got inspired to write The Honorable Choice for @jacklesversebingo after a recent rewatch of Spirit: The Stallion of the Cimarron (with a tinge of Yellowstone in the mix). I’ve done a fair bit of research for this now ongoing series, both on the Native American Lakota tribe, and on American history during this time in the late 1800s; AKA: the Old West, during the American Indian Wars.

Jacklesverse Bingo24 Prompt: Western AU

Word Count: 5.3K

Tags/Warnings: 18+ only. Suggestiveness/implied smut and spice, hunting (in the more traditional sense), angst, hurt/comfort, and romantic fluff. **Pronunciation guide at the end!

🐎 Series Masterlist || Bingo Masterlist

Part 1: Two Worlds

Her people call this river Little Cheyenne. It’s because Big Cheyenne cuts through the land of the Sioux Indians by half, but Little Cheyenne almost meets it in the south, stretching all the way up to the Black Hills.

Mila’s tribe has always lived near this river. Its waters have bled red during battles with other tribes, and sometimes during battles with White Men.

The White Men’s fort, the one her husband came from, lies farther down in the south. The tribe had to move their village higher north along the river after Mila returned with Dean Winchester, just to be safe.

On a cloudy afternoon, Mila scrubs at a bundle of dirty clothes until they’re clean. She rinses them off in the river and is thorough about her work, but she knows she can’t be here much longer. She has a stew simmering on hot coals in her tipi…

Well, the one she now shares with her husband.

Unconsciously, she smiles. She remembers leading Dean through the tribe, to the place where she hoped he would find rest. They stopped at the foot of her tipi.

“This one’s yours?” he asked.

She paused, giving him another small smile.

“Ours.”

Mila continues scrubbing, though she frowns when her fingers slip through a tear in one of the new tunics she made for him (even though he keeps calling it a shirt). The tear was made by a blade, or maybe an arrowhead, she realizes.

The crunch of feet on the riverbed’s gravel makes her raise her head and look over her shoulder. Unease prickles down her spine. She braces herself for a familiar shadow, come to disturb her peace.

But then she relaxes. She’s being joined by two of the older women in her tribe. Mila has known them her whole life, and so she calls them tunwin. Aunt. They both greet her kindly and kneel beside her with their own bundles of clothes for washing, but Eyota, the older one, has a sharper eye. She is their tribe’s medicine woman.

“Your husband wears out his clothes,” she remarks.

“He’s been working hard training with Šóta and the other men,” Mila explains.

“He seems to be learning quickly,” says Misae. She has a more playful glint in her eyes. “Who knew that you could catch and tame a White Man. Looks like they are no different from wild horses.”

Mila smiles slightly, but it’s not genuine. She nods in agreement. “He’s learning quickly.”

She holds her tongue from saying anything else, even though she wants to. Dean isn’t a man to be tamed, any more than she was, in his people’s eyes. She aims to change the subject.

“Do you have any good herbs or spices for wahonpi? I’ve had the stew simmering all morning,” she asks Eyota. Not only is she a gifted healer, but Eyota is also one of the best cooks, and she knows it. She nods and straightens her shoulders the way she always does when someone asks her for advice—and even when they don’t ask for it.

“Of course, child. What you need is…”

“Goddamn it,” Dean huffs under his breath.

The jackrabbit flees from him again, or more accurately, from his terribly aimed arrow. He’s an excellent marksman…just not with a bow, it seems.

He doesn’t know what he’s doing wrong here, and he’s not likely to figure it out. Not by the way Takoda, Šóta, and the other men are laughing at him.

Dean resists the urge to roll his eyes. He knows when he’s being hazed.

These men are bare-chested warriors, each of them richly tanned under the sun. Most of them wear their hair long, half of it gathered high on their heads, or braided in some way. Šóta is his wife’s cousin, and as the Chief’s son, he wears a small adornment of eagle feathers threaded into his hair. His closest friends are Takoda and Otaktay. Both of them laugh at Dean the most, and in their language, using just enough gestures and body language that Dean knows he’s being talked about. They point at his boots and his brown Stetson hat—two of the only things he’s kept of his own that make him feel comfortable in his own skin.

Finally, Šóta goes over to him. “Good try,” he says, in his usual patronizing tone.

Dean knows he can’t punch out Mila’s cousin, no matter how bad he’s asking for it. Somehow, Dean manages to hold onto his temper.

“What’re they saying?” he asks lowly, gesturing at the two chuckle brothers.

Šóta’s lips twitch. He glances down at Dean’s feet. “They say your…shoes are loud on the earth. You give yourself away before the animal even catches your scent.”

Dean’s given up a lot of things, but his boots won’t be one of them. He wants to learn. He wants to belong here, in Mila’s world, but he also wants to stay himself.

So the men move on, mounting their horses. Dean rides with Baby at a plodding clip. Her black coat ripples with a healthy sheen. He thinks she’s come to enjoy the more natural surroundings and freer pasture of the grasslands, and he can’t deny, this part of it all feels right. The sun peeks through between the dappled leaves of oak trees, painting the ground in red, green, and gold. It’s quiet and beautiful here as Šóta leads the pack through the forest, just southwest of the village.

Eventually, he stops them between a denser thatch of trees and shrub. He raises a hand signal that Dean’s come to recognize. He raises his bow belatedly after the others though. He follows Šóta’s line of vision, and there is a deer grazing in a small clearing. A young buck.

Šóta signals at Dean. Try again, his eyes say.

Dean takes in a deep, quiet breath through his nose, and he takes aim.

He really misses his damn rifle.

Dean shoulders the sting of failure while he makes his way through the camp, leading Baby by the reigns. He drops her off at the large horse pen. There he feeds her and brushes her long coat, all while murmuring soft affectionate things. She’s still one of his only friends here.

But even she leaves him short to join her new friend, Mato. The two have become thick as thieves. Mato greets the black mare with a friendly whinny. Their noses touch in affection, and Mato playfully nips at her ear.

Dean raises his brows. “Well, that’s a little more friendly than usual. You guys start courting when I wasn’t looking?”

He walks over to Mato, who’s softened up to him in recent weeks.

“You sly dog,” Dean remarks, smirking. “Didn’t even ask me for her hand.”

Mato blows a hot breath through his nose at Dean, who has to blink, wiping his face.

“Now that’s just rude.” Still, he offers the mustang an apple from his pocket. Mato takes it from his palm, letting Dean rub his neck while he munches on his snack. “As fathers-in-law go, you lucked out, pal. See? I’m a delight.”

He wouldn’t be surprised if Baby had her first foal by spring. Dean grins at the thought, but it soon falls. If only his father-in-law were so easy to please.

His mind dwells on it as he starts making his way back to the heart of the village. Chatan, Mila’s father, hasn’t warmed up to him any better than Šóta or the other men. Tahatan is the only one of them who treats Dean civilly, and overall, he seems to be a good leader.

Dean has that thought, just when he sees the older man himself walking with a woman Dean sort of recognizes. She wears a long necklace made of blue beads and seashells. Tahatan goes into her tipi, even though Dean knows…that woman isn’t the Chief’s wife.

Dean raises his brows, but he subtly pivots on his heel and takes a different route back to his own tipi. Whatever he just saw, it’s definitely not his business.

“Honey, I’m home,” he teases.

She welcomes him into her arms, her hands traveling warmly up his shoulders. He bends to kiss her, soft and slow at first. And then deeper, sucking on her lower lip and teasing her with a sensuous tongue. She hums in surprise into his mouth, making him smile.

He’s exhausted and feeling low, but he doesn’t want to let on to her. He just wants to forget about his day, and hopefully recharge with a better night.

“How did it go today?” she asks, after he allows her to breathe.

Dean nods (and lies). “Pretty good.”

She waits for him to continue. When he just continues to hold her, she raises her brows up at him.

“Dean?”

“What? I’m workin’ on archery. Lots of progress.”

She eyes him in suspicion, and he knows he doesn’t have her fooled. Actually, she looks like she’s going to press him about it, so he releases her from his hold and goes to change out of his dirty clothes to avoid her gaze.

“Hey, uh, maybe it’s none of my business, but I saw the Chief go into some other woman’s tent today. Holding hands, bedroom eyes, the whole deal,” he says while he changes. He glances back at her and waggles his brows. Mila smiles slightly.

“Did she wear her hair in a half-braid, or did she wear a necklace made of seashells?” she asks.

Dean’s surprised that she doesn’t seem surprised, but he thinks back to what he saw.

“Uh, seashells. Yeah, she wore seashells,” he says.

Mila nods. “Yes, that woman is also his…the chiefs of my people are known to take more than one wife.”

At that, Dean becomes even more surprised. He finishes dressing and leaves his boots by the tipi’s entrance. His raised brows even out into a smirk.

“Well, okay. Guess it’s good to be Chief,” he says.

Mila’s lips purse as she eyes him narrowly. She goes back to stirring the stew with a wide, wooden spoon. Dean doesn’t see her reaction, but he does notices that something’s missing from his side of the bedding. He frowns.

“Hey, where’s my gun?” He asks Mila, who shakes her head without looking at him.

“I moved it,” she curtly replies.

Dean’s frown deepens. He touches her arm to get her attention.

“I’d rather you didn’t do that, baby,” he says. He’s made sure that she knows the basics of a gun well enough, but he doesn’t want to take the chance of her hurting herself.

“Don’t leave it out, then,” she snips back. “It shouldn’t go where we sleep.”

Dean tilts his head at her. He’s a bit confused at her tone, especially because they’ve had this conversation before.

“I have it there just in case something happens at night,” he reminds her. His pistol is really just for emergencies though. There are only three bullets left in it, and he can’t exactly go shopping for more.

Dean realizes then that Mila’s mood has shifted. He approaches her from behind.

“What’s wrong, huh?” His hands find familiar purchase along the curve of her waist. He swipes her braid away and presses a kiss where her neck meets her shoulder. More teasingly, he asks, “What’d I do now?”

Mila remains tight-lipped, until she glances at him over her shoulder.

“Do you want another woman?” she asks.

It’s a simple question, but it succeeds in completely tripping him up. He blinks at her, incredulous and bewildered.

“What?”

She continues shredding another herb to put into the stew. Somehow, it makes the broth smell a bit worse.

“You seem to admire the Chief for having three wives, so you must want another one too,” she says.

Holy shit, three wives? Dean wonders. The man must be a saint. Look at the hell I’m catching with one.

He can’t help but laugh, a deep belly chuckle that does nothing to take away Mila’s ire. She glares at him now, genuinely upset, and Dean knows he’s starting to shit the bed on this one. He sobers up and raises his hands in surrender.

“Sweetheart,” he says, in a placating tone.

Despite her annoyance, she allows him to hold her again. He plies her with more tantalizing kisses along her neck. He breathes in the sweet-smelling oil she uses on her hair.

“You’re more than enough woman for me. You know that, right?” he whispers against her skin. It earns her slight shudder, and he smiles. He teases the spot just under her ear, grazing with his teeth, then soothing with his tongue. She can’t help but writhe against him a bit. It stirs a well of desire in his lower belly, especially when he squeezes her hips, pressing himself to her from behind.

She tries to remain strong as she clears her throat, no doubt feeling his growing hardness against her. She starts to blush hotly.

“It’s all I can do just to make sure you stay sweet for me,” Dean says, a hint of teasing returned to his voice.

Mila finally breaks into a laugh. She reaches back to swat him on the head, but his ministrations work. Once she manages to escape from his grasp with a teasing smile of her own, she more happily serves him a bowl of stew.

Dean smirks. Fine, he can be patient. He’ll just have to wait until dessert, then. After a moment to calm himself, he sits down on the ground beside her and brings a large spoonful of stew to his lips. There, he pauses. The strange taste that assaults his tongue nearly makes him choke, but he does his best to swallow it down. The meat’s tough as nails, for Christ’s sake…

Hearing a spoon clatter against the bowl, he chances glancing at Mila. She sits stock still, her brows furrowed as she frowns. Slowly, she sets the bowl down and says,

“Stop eating.”

She looks angry at herself. Dean feels bad for her, his sympathy striking at his chest.

“What do you mean? I’m hungry,” he says, and gamely takes another couple of bites.

She just watches him. Her upset worsens while he tries and fails to cover up a hacking cough.

Finally, Mila can stand no more. She takes the bowl from him, making some of the foul broth slosh over their hands and onto the ground. She tried to make wahonpi, one of the most basic soups in her people’s culture, made from bison, potatoes, corn, and carrots stewed in the broth.

Eyota told me it was simple! she thinks in dismay. How did it go so wrong?

“It’s no good,” she says, her voice hard. “I will go to my mother and see what she cooked. She may have extra for us.”

She rises to her feet, and Dean quickly follows her. He catches sight of her tears, even though she turns her face away from him to grab her shoes. He reaches out and stops her with a hand on her arm. He tugs her back to face him.

“Hey, it’s okay. Why’re you getting so upset?” he says. “I’m not picky. I’ll eat whatever you make.”

Or maybe next time, I’ll try doing the cooking, he thinks.

“Because!” she blurts. Tears well up in her eyes and begin to slip down her cheeks, no matter how much she tries to brush them away. “Because you shouldn’t have to eat it. Because it should be good. You deserve to eat something good!”

Mila finally realizes why her mother tried so hard to teach her these things. She’s embarrassed, feeling sorry for herself, but it’s also far worse than that. Her heart hurts knowing what Dean has gone through, and what he continues to go through for her sake. The least she could do is make sure he eats well, and it seems she can’t even do that.

“Mila,” he says with a sigh. He guides her into his embrace. “It’s okay, sweetheart.”

She can’t allow herself to be comforted. She pushes at his chest to look up at him.

“You think I don’t know what happens outside?” she says. “It’s a small village, and people talk when they think I’m not listening. I know what the men are doing to you.”

Dean shakes his head stubbornly. “It’s fine. I can handle it.”

“You should not have to,” she insists, resting a hand over his heart. “You have proven yourself to be a man of honor. Tahatan said it himself. They should not be this way.”

Dean smiles ruefully. “I can handle it.”

He bows his head and captures her lips, plying her with a deeper kiss. The heat of it grows and becomes more than a distraction, more than comfort. It strips everything else away, until it’s just the two of them again, like the night she found him at the riverbank and held him until he woke up in her arms.

What they eat doesn’t matter. Other people don’t matter. All that matters is this.

He squeezes her hips and presses her harder against him, so she can feel every part of his desire. She moans into his mouth, curling her fingers into his shirt. So he guides her down to the bedding, where he shows her what he’d rather get a taste of.

Later that evening, Mila and Dean have dinner with her parents. Her mother, Weaya, is a gracious host, treating Dean both like a guest and a proper son-in-law. She gives him a special cut of braised bison meat, not to mention extra corn and potato hash. Chatan says nothing to him and eats in gruff, stoic silence.

Dean can tell it both hurts and annoys his wife, but he has to focus on answering Weaya’s many questions about his life—mainly about his family and the farm he grew up on. In some ways, raising crops and rearing up cows, chickens, and horses there isn’t so different from the Lakota village.

“You must miss that place. Your home,” she says. Dean meets his mother-in-law’s eyes, pausing in polishing off the meat sauce on his plate with a piece of bread. Chatan looks up from his meal, and so does Mila, who hesitates too. He sees the thread of her concern there, behind her eyes, so Dean hides the stab of sadness that hits him every time he thinks of Lawrence.

“Sometimes,” he admits. He looks over at Mila. “But I’m not alone. That’s what matters.”

She smiles at him softly. Dean has the urge to take her hand, maybe raise it up to his lips, but he’ll leave that for when they’re alone. He doesn’t want to upset her father any more than he has just by sitting in Chatan’s house. Tent…whatever.

He’s glad when, after almost another hour and a round of hot tea, Mila finishes chatting with her mother and stands. It means they can finally get the hell out of here. No disrespect to her parents, but with so much change happening so quickly, Dean had been able to put Lawrence out of his mind for a while. Tonight he thinks about his mom and his brother more than makes him comfortable on their way through the village. He follows Mila inside their tipi, then starts up a candle while she gets ready to rest for the evening.

Living here is like going back in time—before the lantern, before indoor plumbing and the water heater. It’s not a huge hardship for Dean, who’s spent a lot of his life sleeping on hard, dusty ground, or military bases with less than most modern amenities, but it’s still another adjustment.

He undresses down to his pants and settles down to the bedding and furs, waiting for his wife. She kneels beside him after undressing down to just her shift. He lays on his back with an arm tucked behind his head, and he watches her unbind her long, dark hair, undoing the braid from the bottom strands. She has this concentrated look on her face, like her mind is far away, even though she’s right here next to him. He threads his fingers through her loose hair while she works, giving her a smile.

“You okay?” he asks.

Mila pauses. She lets her tresses escape from her fingers and reaches for him, laying her hand on his chest. Dean holds it there and finally allows himself to press a kiss into her palm.

I’m sorry, is what she wants to say, but she knows he’ll only reply, For what?

So she lowers down and slips into his warm embrace, as if this can make them both forget the day. She rests her cheek over his beating heart.

“You will never be alone,” she promises.

Dean quirks a smile. Instead of answering, he brushes her cheek tenderly with his hand, and he closes his eyes. A few deep breaths later, and he finds sleep.

The candle slowly flickers out.

On most nights, Mila falls asleep before Dean, and so his light snores don’t bother her. Tonight, even though she’s tried, she can’t tune out his rumbles. Or maybe it’s her own mind she can’t tune out.

She carefully maneuvers out of his hold and slips on her shoes. Maybe the moon will give her clarity tonight.

She pushes open the front flap of the tent and steps out into the cooler air. She looks up at the moon’s white-blue glow, a wide crescent peeking out from between two large clouds. A strong breeze tugs at her hair and flutters her lashes when she closes her eyes. She crosses her arms when goosebumps spread across her tan skin.

“What troubles you, Kimmímila?”

The voice is steady and male, and all too familiar. Still, the intrusion startles her. Her eyes fly open wide and she jolts, inhaling sharply. She frowns when she realizes it’s him.

“What are you doing? It’s late,” she says.

He steps out from the shadows with his pipe in hand. He smells strongly of tobacco. Her father and uncle smoke as well, but she doesn’t like it herself. She’s glad Dean doesn’t either.

“Easing my mind,” he says, raising his pipe. “I see you’re up to the same thing.”

Mila shakes her head. She returns her attention to the moon. “Go. You shouldn’t be here.”

“Are we not friends, Mila?” he says. “Can’t we talk and share like we used to?”

His voice is disheartened enough that it earns her gaze. She sighs at him.

“I am sorry, but I can’t give you what you want,” she says. “Don’t test me anymore.”

He pauses with his pipe in hand. It drops to his side, and he takes measured steps closer, until he’s looking down at her. Even with the litheness of his form, he’s still taller and broader than her. His long, dark hair is half pulled onto the top of his head, threaded together with a beaded leather string she made for him when they were children. He has used it ever since. The rest of his hair lays loose down his back, brushing his arms.

“If you actually loved him, it wouldn’t be a test,” he teases.

He tries to touch her cheek, but she guides his hand down. She shakes her head and steps away from him.

“This isn’t a game,” she says. “You know I mean what I say.”

His anger and frustration surfaces, with a sharp exhale of breath and the crunch of his dark brows.

“You would choose the Outlander over your own people,” he accuses.

Mila’s gaze is firm as she heads back to her tipi. If he will not be reasonable, then she will make it clear enough to hurt.

“I choose him over you,” she says.

Then, she slips back inside.

The shadow outside remains, just long enough for the moon to become clear past the moving clouds.

In the morning, Mila goes to her uncle, Chief Tahatan. She finds her parents there in his tipi as well, all of them sharing breakfast. Her aunt passes around more bread and wojapi, a sweet mixed berry sauce, while her father is resting a broken ankle. He’s complaining again, even though it happened over a week ago now.

“If you hadn’t let the horse buck you off, you wouldn’t be hurting,” she says sharply now. She’s become annoyed with his griping. “Or better yet, you can finally admit that you’re beyond the years of breaking young stallions.”

Chatan is the Horsemaster of their tribe, and has been since Mila was a little girl, inheriting the position from her great uncle, the former chief’s younger brother. Mila knows, however, that Chatan is getting too old to do the harder work. Many years have meant many battles too, and they’ve taken their toll on his bones.

An idea grows in her mind, and she goes to sit beside her father. She applies the poultice Eyota gives Weaya for him, before rewrapping his ankle.

“Father,” she begins, imploring him gently, “perhaps Dean could help you care for the horses.”

Chatan eyes her with a frown. “Your husband already has his hands filled with training.”

“Šóta and Takoda can’t do it all themselves, and Dean has experience with breaking young horses,” she reasons.

Chatan ignores her and hefts himself to his feet without her or his wife’s help. He leaves with her mother on his heels, even though she looks back at her daughter apologetically. You know your father, her eyes say.

Mila frowns at his back, both frustrated and upset. When they’re gone, she heaves a sigh. She remains determined though.

She goes to Chief Tahatan next. He sits in his chair of whicker and wood while he smokes his pipe. Her aunt has gone to help the other women harvesting chokeberries and wild onions. Mila will go there soon, but first, she has business here.

“Uncle,” she says.

He makes a sound of acknowledgement, crossed between a grunt and a groan. He knows what's coming. She kneels at his feet and touches his hand in a sign of humbleness, reverence, and familial love all at once.

“Uncle,” she repeats. “Dean has done nothing but try to please Father, but still, he’s being stubborn…will you talk to him? Please?”

Tahatan sighs deeply. “You must understand your father, child. The decision you’ve made affects us all.”

“I do understand, Uncle. But the truth of it is, none of you have given Dean a chance to prove himself.”

“His chance is right now,” Tahatan says, his tone more stern. “Have I not been gracious? Did I not allow him to stay and live among us?”

“Yes, but you continue to judge him in your mind, like everyone else,” she says. The Chief remains quiet. She moves to stand before him, holding his gaze directly. “Let us perform the Huŋkápi.”

Huŋkápi. The Making of Relatives. Her people first created the tradition to make peace between Lakota and rival tribes, like the Ree. It can even be used to unite extended families within the tribe, especially in times of marriage. There is no better time for it, she thinks.

The Chief shakes his head. “Kimmímila.”

“Is he not my husband?” she says. “In the eyes of our people, this is the joining of two families, and accepting an outsider into our tribe. That is exactly what the ceremony is for.”

“He has no family,” Tahatan snaps. “It is not exactly the tradition.”

“Then let us make it new,” she argues.

Tahatan hesitates. He shakes his head and rubs at his chin in a gesture of long-suffering. He thanks the spirits that he never had daughters. While he loves his niece, he has never envied his brother.

“I will think on it,” he says.

Mila frowns, but she tries her best to accept this, for now. She thanks him respectfully and leans in to kiss his cheek. Tahatan grunts an acknowledgement and watches her go with another shake of his head, despite a small smile. Between her and his sons, they will keep adding years to his life.

On her way out of the Chief’s tipi, she runs into her cousin, Šóta. He walks with all the comfortable cockiness of a rooster among his harem.

“Good morning, sister,” he greets, even as he playfully pulls at her braid and tosses it into her face.

She flicks it away and meets him with an irritated frown. She’s in no mood to be teased, especially by him. “You’re still a child.”

“Ho-ho, hey now,” he chuckles, and he cuts off her path by standing in her way, crossing his arms. “Watch it. When I become Chief, don’t think I’ll let you talk to me so disrespectfully, my sister.”

“Just because you will be Chief one day does not make you wise,” she says. Her voice is as sharp as the snap of a blackberry vine. “And don’t call me sister. You have lost that right.”

Šóta finally becomes serious; he realizes that she means what she says.

“What are you talking about? What have I done?” he asks, more earnestly.

“It’s what you haven’t done,” Mila snaps. “If you were a good leader, you would take your father’s words to heart when he accepted my husband into our tribe. If you were my brother, you wouldn’t let the men mock him. If you were a man at all, you would do what is right. You would be guiding him right now, instead of letting the others ‘train’ him.”

She storms away from him, leaving Šóta feeling irritated, but also with an uncomfortable feeling beginning to churn in his gut.

Mila moves brusquely through the camp until she reaches the clearing edged by the forest. There the horses are fenced in. They’ve been given their food and water for the morning, so they’re rather frisky as they clop around and graze.

She looks for Mato. Baby is no doubt with Dean today, so the Kiger mustang keeps to himself underneath a large sycamore tree. His tail flicks when she approaches, and he turns to her with a sound of greeting. She allows her hand to run along his dun-colored coat as she draws closer.

“I need you, my friend,” she whispers.

She holds his snout, pressing her forehead against his as she squeezes her eyes shut against the burn of frustrated tears. Mato bumps her shoulder with his nose, softly whinnying. She smiles, sniffling, and rubs his cheek.

“Let’s go for a ride.”

AN: Well, here we go! Sorry for ending on some angst, but here we've got the pieces in motion for a fun-filled, four-part sequel. 😂💜 Dean and Mila are both struggling in their own ways while he tries to navigate this new world he's trying to live in.

And how do you think he's gonna react to the "mystery man" trying to win her back? 😬

Pronunciation Guide:

Šóta ("sho-tah") Chatan ("chat-tan") Tahatan ("ta-hat-tann") Otaktay ("ogh-tac-tay") Weaya ("we-ayy-ya") Takoda ("ta-koda") Mato ("matt-toe") Misae ("mee-sah-eh")

Next Time:

But she feels a shadow at her feet as she ventures through the village. They are getting bigger as a tribe, harder to move when they need to, and it’s more mouths to feed, but it’s also a good thing. Despite all the challenges the past few decades have brought, their people are enduring.

However, she pushes these thoughts to the back of her mind when she feels a prickling down the back of her neck. It’s followed shortly by the strong hand that closes on her wrist, and the man that calls her name.

She gasps and whips around. He is there, gently shushing her. She glares at him and tries to pull her hand out of his grip.

Read Part 2 now on Patreon! (Coming next Friday)

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Series Tag List (Part 1)

(Going back to the regular Dean tag list, plus those who said they'd like to be tagged on this series!)

@hobby27 @kazsrm67 @jacklesbrainworms @foxyjwls007 @mostlymarvelgirl

@thebiggerbear @roseblue373 @this-is-me19 @emily-winchester @deans-spinster-witch

@deans-baby-momma @sanscas @kaleldobrev @spnwoman @samanddeaninatrenchcoat

@globetrotter28 @adoringanakin @midnightmadwoman @chevroletdean @iprobablyshipit91

@chriszgirl92 @lyarr24 @ladysparkles78 @spnfamily-j2 @pieandmonsters

@deansbbyx @sarahgracej @chernayawidow @mimaria420 @stoneyggirl2

@fics-pics-andotherthings-i-like @waywardxwords @waynes-multiverse @twinkleinadiamondsky @mxltifxnd0m

@my-stories-vault @kayleighwinchester @rizlowwritessortof @samslvrgirl @tortureddarkstar

@tmb510 @syrma-sensei @artemys-ackles @malindacath @mrsjenniferwinchester

@jc-winchester @charmed-asylum @fromcaintodean @k-slla

#lovely review!! 💗💗#reader appreciation #lovely mutuals #outlander feedback

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genderqueerdykes · 1 day ago

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Oh my god, the music thing is so relatable. I also have misophonia and the music I can stand is very limited. People always say I have no soul and call me a sociopath (i am, but that's hardly relevant here) when I'm simply being honest that I don't like the same music as them. Oh, and they also make fun of the few things that don't make my ears bleed. It's incredibly infuriating.

?????? how the hell would not liking music make someone a sociopath what the hell does that mean. not that being a sociopath is a bad thing, it's just another way someone's brain can be formatted. you're not in control of whether or not you are one. we really haven't gotten past using mental health conditions as insults and slurs, huh?

i'm sorry that you relate, but it makes me feel better to know someone else understands. that's so shitty that people make fun of the things that you actually enjoy/can listen to. i really don't think it's healthy how personally people take media. like you could go the rest of your life not listening to music and it wouldn't hurt you as a person. it's not a requirement to be alive

my neighbors all play really loud music at almost all hours of the day. i wouldn't mind it if it were rap because i can handle most and enjoy some rap. but it's never that. it's very loud and i've had to walk over to my neighbors' homes to tell them to turn down their music because it was so loud it was rattling my windows. unfortunately a lot of my neighbors don't speak english, so the language barrier makes it even harder. a lot of the time i have to stay inside with noise cancelling earbuds because otherwise the sound will literally drive me insane

i actually really hate the fact that music HAS to be playing in public places and stores. if there's no music, there's a TV (with the sound on). it's all capitalist nonsense. you don't literally *need* a store to have music in it. we're just being taught to consume 24/7. like honestly when i come across people who literally can't do anything without listening to music it concerns me deeply because... we used to not. have. recorded music as a species. like. for most of our lives up until this point. people even 200 years ago didn't have music they could just turn on whenever they want to. this is a privilege we're taking for granted

i also really wish that personal speakers weren't a thing, or at least, that people wouldn't use them in public. i can't describe the amount of people who walk past me on a given day when i'm outside who are just blasting music over a speaker while walking down a sidewalk next to an extremely busy road. like as if the traffic weren't enough noise pollution, somehow, we needed more. like i really wish people understood that this is a form of noise pollution. we have had headphones for a lot longer than we've had bluetooth speakers.

as a disabled person: please wear headphones in public or wait until you return to somewhere private to play music or videos. this is so disrespectful to the people around you. going to the store is getting increasingly more difficult because of the amount of kids who are playing videos on their iPads and phones. it's just getting to be too much. we're getting to be too dependent on media

#asks #answers #misophonia

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genericpuff · 2 days ago

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Do you have any big plans for Rekindled this year? Like specific moments/events/developments? Also, would you ever consider going back to a weekly upload schedule?

welllll as for stuff that's like, in the immediate near future, we're gonna be tackling a VERY famous scene in LO that I have some fun ideas for that will hopefully make it feel familiar but with its own twists for y'all to enjoy. Considering the current roadmap the story is on and what's been established over the past few "days" within the story, I'm sure y'all will figure out pretty quick which scene I'm talking about ;333

But in the long-term over the course of this year... I don't wanna speak too soon, but I think this is the year that we're finally gonna enter the biggest turning point of the story, so big that it literally diverts LR's plot away from the blueprint of LO and we end up in truly new territory. Granted, there are still some elements of the original LO present after that point, but what we do with those elements is entirely different. I think it's gonna parallel well, because while LO's S2 era took a massive turn away from everything it had been building up towards throughout S1, LR's "second season" will be taking a massive turn towards those setups and outcomes that were clearly abandoned (or just not thought of entirely, even the stuff that was like... plainly obvious to anyone who was paying attention lmao).

I'm hoping that after we've reached that point, the path that LR walks will feel way more satisfying for the readers like myself who felt that everything beyond S2 of LO was a complete misfire and lost potential. Again, it will hopefully feel familiar to those who remember that era of LO - but still refreshing and interesting to really drive home how this is meant to be an interpretative rewrite of what could have happened if LO hadn't gotten distracted and had actually stuck with its original plotlines and themes. I think the biggest one of those themes that was present in LO but never fully realized will be everything concerning "Persephone" herself, the Act of Wrath, and everything that led up to her moving to Olympus.

It is a little nerve-wracking, because it'll be at that turning point where I truly have to carry this story's progression for real and can't use LO quite as much to guide me through the dark, but I'm also excited because it's where I finally get to loosen a lot of the limitations that were set from the foundation of LO and really go wild with everything that I had been hoping LO would be. It's when I'll really get to write some proper payoffs to the things that I've been building up to from the foundation of the original comic as my starting point. It's where things are really gonna start to feel truly "new", at least in my opinion!

As for what that massive "turning point" is... I'm not gonna say specifically what happens, but you will absolutely know it when you'll see it. Obviously there are already a lot of differences between LR and LO in terms of the plot threads and how everything is being progressed, but this one turning point in particular is a huge one that fundamentally opposes one of the biggest flaws of LO that would define its downhill decline in its storytelling for the rest of its publication.

But for now, until we get there, I'll leave the rest up to your imagination ;3

---

As for the update schedule, I would honestly love to be able to return to the weekly schedule again, but currently my work-life balance is just not gonna allow for it :'0 For those unaware, when I'm not making Rekindled, I'm also working my day job as a contracted tattoo artist which comes with its own load of responsibilities and obligations, many of which are what I need to fulfill in order to do things like pay my rent and, y'know, not die LOL In terms of the work-life balance, even when I'm not working on Rekindled, there's still a lot of work taking up my life LMAO (including a second retail job that I've been doing a seasonal position for, though it's wrapping up at the end of the month~)

While I love making Rekindled and spend as much time as I can each week working on it (and I wish it could be like, the only thing I had to worry about LOL) it is still just a fanfiction project that I create for free, and so it just can't be at the top of my priority list, at least not without sacrifices from those other obligations - but those other obligations are, again, what I need to do in order to not only survive, but to ensure that I can afford to keep making Rekindled, even if it's at a slower pace than I would like.

That said, Rekindled is still a very high priority for me! It's just a matter of balance, and changing to a bi-weekly schedule was part of maintaining that balance. It was either that, or stick to weekly and make the episodes shorter, but I ultimately settled on the former option because it allowed for a healthier work-life balance (which is still not even super healthy but I'm working on it lmao) and because the rhythm of my writing wouldn't have worked as well in shorter doses, especially not with many of the plotlines we've been tackling as of late. It can be a drag to wait every two weeks, but it means I can bring y'all episodes that are fully realized to their full potential, rather than hacking them up into tinier portions that might not read as well and would require a drawing schedule that wouldn't fit well with my current circumstances.

All in all, while I do wish I could be back to making episodes on that weekly schedule, it's really only because I would love to bring you all more of the story more often, because there's a lot that I'm really excited to show you all! But the bi-weekly schedule is currently more viable for both myself, Banshriek, and the comic as a whole, because it means we get the time we really need to make every episode feel special with every update <3

#ask me anything #ama #anon ama #anon ask me anything #lore rekindled ama

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haleigh-sloth · 3 days ago

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I am having a hard time pinning down what exactly is concerning about Isagi's personality right now. Like I feel something but I don't quite see it. He's becoming somewhat self-destructive but not in the same way Rin was. When he went off on Loki that was warranted because of Loki's shitty comment about Japan as a whole. Going off on Noa was...well, maybe not great but also seemed to be a manipulated scenario that Jinpachi wanted to happen from the get go. If that's the turning point for him I'd believe it, but even after doing that he seemed to stay within safe grounds of his thinking, just robotic (which I mean, is that what I should be worried about I really can't tell tbh). And really a big part of me wonders if Isagi's ego is actually becoming like...an issue or if it's because of the fact that Kaiser and Rin are making Isagi their personal villain and the story is just hella emphasizing it for their part of the story.

Every time Kaiser and Rin, or hell even anybody does something impressive Isagi still acknowledges it and even encourages it. The way he is deep down is still the same, but all this nasty back and forth is coming out because it's being thrown at him (by fucking Kaiser and Rin!) and so he's spitting it back. But damn, he looks evil as shit from their POVs:

Kaiser is doing what Rin was doing and misplacing a lot of his fear onto Isagi...like I get it's coming from the pressure and stress Isagi is putting on him on the soccer field and it's triggering his fear of his father, but Isagi is not actually going to steal anything away. And Kaiser even said it's not material things he's worried about losing, he's worried about losing his sense of self:

Which...objectively speaking is not something Isagi is actually responsible for, which is why Kaiser is being forced to figure this out on his own and why Isagi isn't being narratively punished on Kaiser's behalf.

I think Isagi is baring his fangs more but I also think the POVs Rin and Kaiser have of him are biased, and that's what we've been getting this entire France vs. Germany match.

I'd argue that Rin's POV even shifted here when Isagi tore away Sae's phantom:

Like...shining eyes, a declaration that he'll fight to the death with him, Rin's face changing. All good things, thank you Isagi.

So idk...I'm not super convinced of Isagi's Dark Arc right now. Maybe later or maybe never, considering that a lot of characters are Going Through It right now (except Bachira lmao, living his best buzzy bee life) and this may be Isagi Going Through It.

I feel kinda stuck without more Kaiser content to figure this out right now.

#bllk #blue lock #michael kaiser #isagi yoichi #itoshi rin #blue lock meta

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knockyasocksoff2022 · 3 days ago

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Ideal No. 15

(7,119 words)

(A/N: Is this the longest chapter yet? LMAO, eat up! I had it mostly done before now, so IDK why it took me so long, if I didn't procrastinate, the total writing time was like three days, maybe. Plot bunnies are bitches, I guess. The moral of the story is: yell at me more in the comments! Only one or two more chapters to go!)

Thanks once again to @fyodorsushankaaa for all the encouragement!

He looks like a scared puppy, readying to bolt. I have to act fast.

It's impulsive, I know, but I'm not sure what else I can do, so I grab his bloodied hand. He flinches, hard, but I don't let go. I can't, too scared he'll slip away again.

"Dazai, you're hurt." Well, that much is obvious. I mentally scold myself. "What happened?"

He probably won't tell me if it's self-inflicted or not, but I need to know what sort of injury it is at least. The blood is spreading in a pattern that suggests a wound less controlled than razor lines. And Dazai doesn't cut himself, as far as I know. He kills himself with neglect.

He opens his mouth, then closes it, then again, then once more. Then he jolts up, trying to twist away. He makes a sound of pain so startling that surprise makes me let go when it should be my instinct to grip him tighter.

Without the support of my arms, he tumbles out of the booth. I rush to help him.

"I'm okay. I'm just a bit out of it because of the weather change, is all." His voice is raspy. He isn't even trying to fool me anymore. I won't complain. His admitting that something at all is wrong is a start.

I'll just do what I always do. Go along with it.

"If you were under the weather you should have let someone know."

"'M fine."

Suppressing a sigh, I try a different tactic. "It only causes everyone more trouble if you wait until you can't stand."

His wince makes me regret the words, but I have to say something to make him see sense.

"I-I'm sorry."

What does he have to be sorry for? I don't have time for that at the moment. He needs medical attention, but knowing him he won't let me bring him anywhere near a hospital. "I hardly care about that now. Come on, I'm going to take you back to the office. Yosano-sensei will treat you."

"No!"

He's hyperventilating, the first sign of a panic attack. Okay. I have to calm him down. What would calm him down?

Jokes!

"Dazai, your bandages are yellow. I will not allow you to let your writing hand rot off simply because you don't want to do paperwork. How am I to get you to do work, then?"

It doesn't work. Or, well, it does, but not the way I intended. He stops hyperventilating but then lapses into silence. "Sorry." He wilts.

We both sit awkwardly on the floor for a moment considering the situation. He has been eating more, lunch at least, but I can tell I'll still be able to lift him, easily. It scares me a bit, but I'm grateful for it now. It is easier to focus on his alarmingly skinny stature than the fact that he is, practically, in my lap.

His quiet voice comes from beside me, "T-the food . . ."

I don't want to ask him to speak up, but he's so quiet and his words are so slurred that I really am having trouble hearing him.

"I'm sorry?"

"The food, we shouldn't waste."

I want to shake him. That's what you care about? But I'm afraid he'll break.

"Of course, let me, uh, just."

He tries to leap away, I think, from my lap, but he just ends up rolling to the side a bit, his hand twisting further.

I hurry to the counter, give our order number, and inform her of the mess we made.

"Yes, it's almost done. Don't worry about the tea. It happens a lot. We'll be happy to pack your food in takeaway boxes for you, sir. But, may I ask why you're leaving so soon? Your order was marked as dine-in, was that incorrect? Was your experience not okay?"

The woman is so sweet, but what do I tell her? No, you're restaurant is lovely my colleague is just a bit suicidal. "Oh, it was fine, ma'am. . . . My partner is just feeling a bit under the weather."

She coos, glancing worriedly behind me, probably at Dazai, who must still be lying on the floor. "Oh my, I see. The noodles should help then. I hope he feels better soon. You two boys take care."

"Thank you, ma'am."

Dazai is indeed still on the floor. I look at him for a moment. There's no way he'll be able to stand long enough to get to the car. Given his state, what would be the most efficient and most dignified way (for both of us) to pick him up?

After looking at his tender hand hanging limply, I go with the cradle carry.

(A/N: The cradle carry is more commonly known as the Bridal or Princess carry, lmao)

"I'm going to pick you up, is that alright?"

He blinks, taking a moment to comprehend the words. He must be more ill than I thought. But, to my relief, he nods.

He's warm in my arms. Not like the warmth of a lover, but feverish warmth.

"Keep these steady, Dazai," I say just to break the silence.

He nods, not objecting to my using him as a shelf for the noodles. In fact, he crunches them as if they're far more important than tea-house takeaway.

The walk to the car feels long and short at the same time. Dazai isn't heavy, not at all, but I'm so worried I'll drop him.

As I lay him across the backseat, he grabs my arm. "No . . . Yosano."

"Dazai, you need a doctor."

He doesn't seem to get it.

"Please."

It's his eyes that get me. They're wide and round with innocence and fear, like a child's, like a stray cat's. He reminds me so much of Yozo that I can't possibly ignore his request. It would feel like abuse.

"Okay. I'll take you to my house, but you're getting first aid either way. I'm not going to watch whatever injury you have fester. Understand?"

The drive takes a bit longer because I'm so careful not to go too fast or hit the brakes too hard. I even avoid steep downhills, given that he wears no safety belt.

He sits up as soon as I park, indicating that he was not asleep as I'd hoped. I shouldn't let my disappointment show. I don't need him apologising for I don't know what, again. So while I fix my face, I carry the noodles in.

Of course, Yozoz makes her escape as I open the door. It made me a bit sad to see her go, but then I knew she'd have to leave eventually, and with the noodles in my hands I was in no position to stop her.

They fit nicely in my mostly empty fridge. I haven't had much time to shop due to my extended hours. This is not ideal at all.

I'm also lacking in bandages. I have plenty for Dazai's wound, but I have no doubt that the ones he wears like a bodysuit need changing and I don't have enough. I never thought he'd be here, at my residence. Oh . . . what am I doing? I'll need to order groceries.

Mourning Yozo's absence, but with new determination, I step outside.

To my surprise, the cat hasn't gone far. She paws at my car door, jumping up to the window. The relief I feel is more than should be warranted, considering she's a feral cat, but I feel it anyway.

"Move, Yozo. I need to open the door."

I don't expect her to, but she obeys. Trotting curiously to the left.

Dazai is even more out of it than before. He's like a child when they somehow make themselves heavier, only it's hardly his fault. Yozo watches me curiously as I carefully handle my colleague. She trails my steps, fascinated by the newcomer.

Once inside, I lay dazai on the counter and wash my hands at the sink. I have to swat soapy water at Yozo to prevent her from licking Dazai's wounded hand. She yowls in response. It's interesting how she acts with him as if he's a fellow cat in danger, not a human. Or maybe she thinks she's human too.

I want to start with the first aid right away, better while he's out of it, but his bandages are the one part of his body he keeps off-limits and I would never cross such a personal boundary.

I'll have to wake him, but I can wait a bit longer.

This is where preparedness comes in handy. I have an ear thermometer I bought but have never used. I take it out now, rubbing it with an alcohol swab and sticking it in Dazai's ear. He twitches but makes no move to stop me.

The device beeps, flashing a yellow 39 C. Not Ideal, but not life-threatening.

Hmm, another dilemma. Medication will help his fever and pain, but he hasn't eaten yet. There's no way anything is making it to his stomach right now, so medication will have to wait.

"Dazai, wake up."

" . . . 'nikida?"

"Yes. How do you feel."

He just shakes his head.

"You're running a mid-grade fever, so that's probably why you feel so poorly. Now, I need to take your bandages off to get to your hand-" He shakes his head before I finish, I can feel him trembling. I'm not sure how much of it is chills and how much is fear at the prospect of revealing what's underneath that he keeps so carefully hidden. "Please, Dazai, your wound is infected. It needs treatment. I won't go above the elbow, I promise. I swear on my Ideals."

He stops trembling, stilling completely, as stiff as a board.

"It's okay?"

An almost imperceptible nod.

There's disposable plastic on the counter, my sleeves are rolled, my hands are washed and protected by latex gloves, and I have everything I could possibly need save for surgical tools, and yet, I don't feel ready. But when am I ready for Dazai Osamu? Since when does it matter if I am or not? I just have to do it.

The bandages are wrapped so tight his hand must be purple underneath. I take the miniature scissors from the kit and begin cutting. The bandages come loose, but I have to peel them away from each other.

"Fuck me." I try not to swear, but the deeper I go, the tighter they're stuck with blood, plasma, and other bodily fluids that result from the inner layers of skin being exposed to the outside world. The bottom most bandages are closer to brown than white.

"M' trying."

"What?" What did he just say? He didn't mean- surely not . . .

"Said m' trying to fuck you, kun-i-ki-da~" His voice is strained with pain and slurred with fever.

Wh- Oh. He's delirious. Of course. As much as the returns of his clownery relive me, this is NOT what I had in mind.

"I'd do it so well, Kuni-kun."

Suddenly I feel as if I'm the one with the fever, the what creeping into my face, hands sweaty.

"Please, go to sleep, Dazai. You're not well."

"That's what the lady at the cafe said too."

"I'm sure."

I focus all my energy on tuning him out. Thankfully there's no smell, which means the infection isn't too bad. I sigh.

On the last layer, I hesitate. The bandages are still opaque enough that I can't see the skin underneath.

Dazai's other hand raises up in a sloppy thumbs up, then falls back down. He's exhausted, but I'm glad for his approval, and that he seems to be back to his silly persona.

I took a formal first aid course in High School, so the rest of the process will be easy, the most tedious part is cleaning until the water runs clear instead of red.

The skin is blistered, if he does have any self-harm scars, I can't see them. I'm not sure if that's a good thing. Some of the blisters have burst but the skin is still pink, not charred or brown. This looks to be a superficial 2nd-degree burn. Thankfully these can be treated at home.

Because this isn't exactly a fresh wound it isn't bleeding and I don't need to cool the burn, since it's at least a day old, which is good because it means I can treat it with less delay.

Given that the wound was covered, I suspect that the infection came mainly from not cooling the wound properly or allowing it to breathe, and the lack of antibiotic ointment, and choking his circulation did no favours. Scolding him would do nothing.

Once the wound is clean, I apply antibiotic cream and begin dressing it. Dazai doesn't flinch, he must be out.

I lean down, examining my work. I almost wish I hadn't done it. A cool bath would've helped his fever and the sweating, but now I don't want to wet the dressing, and he'd never allow anyone to see what's underneath his bandages. (Even if I thought I could handle him naked. As unprofessional as that sounds, I know my limitations.) With all the weeping, perhaps I should change it anyway. I have doubt that he'll do it himself even if he's capable.

I bin my gloves and the plastic sheet and wash my hands perhaps a little harder than necessary.

His fever isn't sustainable either, but I'll let him sleep for now, just to recover from the shock of it all.

Still, he can't sleep on my counter. I lift him as carefully as possible, he doesn't stir. I tell myself not to worry as I set him down on the sofa.

Yozoz climbs my leg, jumping onto Dazai's limp form.

"Off!" I whisper, but she doesn't move.

I have a spare bedroom, but I'm not putting him there until he's had a bath and some fresh clothes. I'll do that as soon as I can.

His face isn't relaxed as he sleeps, he frowns, his nose and eyebrows scrunched, still, I can't deny that he's handsome. And cute with Yozoz lying protectively on his chest, letting him use her to elevate his hand.

He twitches and shifts uncomfortably. He'll need pain medication soon, which means he'll need to eat.

Instead of staring at him, I need to order groceries . . . And I need to call in.

How do I even explain this? Better yet, how do I explain this without betraying Dazai's trust and alerting Yosano-sensei to the fact that he's injured?

I mean, do I even need to? He cuts work all the time . . . or he used to. Yeah, I'd better call.

I swear for the second time today and dial the president directly.

"Fukuzawa-sensei, this is Kunikida."

"Yes, Kunikida, what do you need?"

"Nothing. I was just calling to inform you that Dazai and I are on a private case and we won't be back for a couple of days. You can cut the time from my pay if you like. But I just wanted you to know that nothing is wrong, no one needs to come looking for us."

"Ah, I see. Did you pick up this case during lunch? Will you be reachable in the case of an emergency?"

I look at Dazai. I can't leave him, not like this. "Yes . . . and no."

"Are you out of the city?"

"No."

"Alright. Seeing as your paperwork is complete. I will bother you no longer. But please do call again if you two plan to be on the case for more than a week."

"Of course, sir."

He hangs up. I rest in relief for a moment. Now that that's cleared up there's the matter of my almost empty refrigerator.

Dazai wakes at the sound of the groceries being delivered.

"Huh? Kunikida?"

"I ordered groceries."

I don't think he understands me very well, but I'll only be going to the door, so I don't worry.

Yozoz hisses at the delivery man. I nudge her back, and she gives one final look of utter disapproval before retreating. I tip the man and take the bags inside.

When I come back Dazai has gotten into a halfway upright position, using his uninjured hand to pet Yozo.

"Be careful." The warning is a habit at this point.

"When did Kunikida-kun get a cat?"

I don't let his use of the third person worry me, it wasn't uncommon for him a few months ago."Recently. She was a stray."

"My, how charitable!"

I have to remind myself not to be relieved. He's only acting this way because of the fever.

"Helping the less fortunate when I can is in my Ideals. And right now, that includes you, Dazai."

He gasps theatrically, "Me?"

"Yes, you. You have a fever. You need to take medication. It'll help with the pain as well, but you need to eat first. Now come on."

"My, who knew the prime minister of meeting procedure land would make such a good doctor, and handsome too~"

I can't deal with this right now, him saying all these things. They say fevers make you honest, but he's clearly spouting, pardon me, utter bullshit. "Yes, first aid training is quite useful."

He frowns at my lack of reaction.

I set the groceries on the counter, and go to help him.

"Ahh, I'm so weak Kunikida-kun! I couldn't possibly move! Carry me!"

Ugh. Now that he's more alert, carrying him feels less like a medical necessity and more awkward, without the adrenaline from seeing him so hurt, but I'd take this over him sobbing on the floor any day.

I must admit I've had daydreams about having him in my arms before, but never like this.

He won't be able to handle chopsticks, so it'll have to be broth. I can make a simple one in under thirty minutes. As soon as I finish stocking the refrigerator and cupboards, I turn to find Dazai sitting at the counter. His newly dressed hand is splayed out on the countertop. He lifts it, flexing his finger. He makes no sound, but I've known him long enough to see that he's in pain.

He abhors pain. It doesn't make sense. This must not have been part of a suicide attempt. He'd never do something as painful as burning or boiling alive, so how did it happen?

I don't look at him, not wanting to invade at the moment. Instead, I focus on readying the ingredients for the broth, falling into the rhythm of chopping vegetables.

"How are you feeling? Does it hurt?" I ask, still not looking. If it were anyone else I wouldn't count on a coherent answer, and I don't with Dazai, not really. He would never admit the extent of his pain, but I know he's aware, at least. This man is a cockroach. He's come to work with temperatures like this and higher before and none of us noticed until he passed out dramatically on the sofa.

"It's fine."

"It is" not "I am". A clear lie.

He's as stubborn as an ox, more stubborn than I myself can be at times. I have no choice but to go along. I place the vegetables in the pan with the stock and set the temperature. "Good. You have to eat before you take medication. The broth should be done soon."

He goes silent for a moment, then, "Mmm, Kunikida is so kind, getting all worked up over nothing." His words are soft, a gentle smile, almost . . . reassuring. His voice sends a wave of warmth down my spine.

Still, the sudden return of his demureness is a bit surprising.

"This is not nothing."

"Well you could have simply taken me to hospital, it wasn't necessary to bring me all the way to your home. I'm sure I've caused quite a hassle. I'm not sure how I can repay you for all of this."

"You mentioned before that you dislike hospitals, so I thought-"

"It hardly matters. There was no need for you to trouble yourself, I feel guilty now."

"Don't, you're my partner, it was no trouble at all." The words feel forbidden. It's immature, but my feelings make calling him my partner feel more meaningful than it should. He's so observant, can he see my guilt? Hear my heartbeat?

"That's impossible. I wish I hadn't troubled you at all." He looks down as he says it, picking the his new bandages. He sounds genuine, bitter and upset. Like many of today's events, it doesn't make sense. After all he's done to pester me so far, how can he feel so guilty for this? Or is it something else? Is this for all he's done in the past? That would be ridiculous, but somehow I believe it. Nothing he ever did was that horrible, it's all forgiven now.

"Dazai . . ." I don't know what I should say, what I could say. He doesn't look up anyway.

"I won't trouble you anymore, Kunikida-san." It sounds so . . . final.

"Dazai, it wasn't-"

He's standing before I can stop him. I want to reach out to him, to stop him, but I know I shouldn't touch him much more, I doubt his aversion to contact has changed. Even with all his external polish and warmth, all those smiles, something frozen still resides within him, I know it. At times, I can feel its cold, like a gust of shivering wind, sudden, shocking . . . then gone.

And yet I find myself moving ever closer. Something deep in my gut knows I can't let him leave. I feel that if I do I may never see him again.

He sways, and sways and sways, and then . . . tips.

This time, though, I'm here to catch him. Again, he's too warm in my arms.

"Dazai, stop! You're in no condition to go anywhere. Please, sit, . . . stay. At least until you take medication. Then you can go as you please. But as your partner, it would be an abdication of my duties to allow anything to happen to you." There's that word again. Partner.

He whispers so softly, that I swear I mishear him, but it's quiet enough that I'm sure I don't. "Partner." Then he looks up. "Abdication, such a big word." The words are thoughtful, yet careless. He looks dazed. "Of course, you're just doing your job. Fine, but at least let me pay you."

Is he out of his damn mind? "P-pay me, what, you-?!" No. I can't lose my cool now. This isn't an office shenanigan. But then again . . . perhaps my scolding will be as grounding to him as his clownery is to me (am I the delirious one?)

"This is a favour, you will do no such thing. Now, stop talking nonsense!" I can't make myself call him an idiot, he still looks too fragile for that.

It seems to work, to my relief, he backs down. "Sorry." I don't like the bashful tone, but if it means he'll let me care for him without fighting, I'll take what I can get.

We sit, once again, in silence.

I'm relieved when the broth is done, busying myself with readying the bowl and placing it in front of him.

When I set it down, he looks at me for a long moment, then says a quiet "Thank you." and takes the spoon.

His hand shakes a little.

Right. I was so distracted by his attitude that I forgot a spoon might still be hard for him. What to do? For once, I don't know, there is nothing in my Ideals that tells me how to deal with an injured, delirious, Dazai Osamu in my kitchen.

"W-would you like some help?"

He looks up with wide eyes. Neither of us says anything.

A moment passes, and I can't bear to wait, so I take the spoon from his shaky hand.

He opens his mouth wordlessly and closes it the same.

We repeat the process, still silent, working like a machine, efficient. Both of us, I'm sure, are trying to distance ourselves from the reality of what we are doing. Before I know it the bowl is down to the dregs of vegetables.

Dazai nods once. "Your soup is very delicious, Kunikida-san."

"Thank you." The phrase is brief, almost curt, but I don't know how else to respond. My brain won't form words appropriate for this situation. I turn away, typing the last drops of broth into the plastic bowl the vet sent home for Yozo.

She laps eagerly, while I prepare the correct dosage of medication.

Dazai takes it without a hint of disgust, handing the cup back to me, then pushes himself up. It's too fast and he wobbles. I reach out but then retract my hands. He's not my charge, he's a grown man. He's fine. And he dislikes being touched.

I can't stand to see him go. Who knew I could be so selfish?

"Dazai, wait."

He halts but doesn't turn. His shoulders are tense. I shouldn't keep him longer.

"Just wait a bit. I will call you a taxi cab once the medication takes effect. Just for an hour, rest . . . please."

He turns so slowly I'm worried he's dizzy again, but he seems perfectly steady when he faces me. Then again, he seemed fine until he collapsed in the tea house.

"Alright. Where would you like me to sit?"

Anywhere.

"Wherever you feel most comfortable."

He nods, clearly uncomfortable again. Guilt makes my chest ache, I should let him go. He's made it this far. I'm sure he can handle himself.

"The sofa will be more than fine."

"Okay," I have to leave, I should. I have no business hovering like we're anything more than colleagues. "I'll be in the kitchen, cleaning, if you need anything at all."

"Don't worry. I won't."

I can't make myself stay away.

So here I sit, mere inches away from Dazai. He fell asleep almost as soon as he sat down, despite his insurance on feeling fine.

His breathing is even, but I can see him shivering against the fever. I leave him for a moment, just to get him a blanket.

When I put it over him he still for a moment, then rolls over, still fully asleep and pulls it tight around himself. The trembling stops, and I breathe a sigh of relief. He'll be alright.

But I won't.

Watching him like this feels wrong, a guilty pleasure. This was never meant for me to see. I feel like a pervert, even though watching him like this brings no sexual pleasure, only a warmth in my chest.

I can only stare as his chest rises and falls. His hair fans out over my pillows making them look like they don't belong here, no, not that. They, and he look like they belong, but under his head, they look like something novel even when I've had them for years.

After many hours of fitful tossing and turning, he really stirs. And I've done nothing but watch him this whole time. How much working time have I lost? And why does it not seem to matter at all?

I don't think he meant to sleep so long. It's dark out now, and he'll surely need more medication if he even wishes to attempt a full night's sleep.

I jump up when he twitches, hurrying away, lest he think my intentions are anything other than platonic.

"Kunikida?" He calls out.

"Yes, Dazai," I answer, strolling in like I didn't just bolt from the room. How many times have I lied in the past day?

"Thank you very much for letting me stay, and for the food, both here and at the tea house. You can keep my noodles. I'll catch a cab now."

He's up, standing on shaky legs before I can stop him.

"What?" The words fall out, clumsy and desperate. I hope he doesn't hear it.

He looks at me, appropriately confused. "Did I leave something, Kunikida-kun?"

My saving grace. The one thing I actually did besides watching him sleep."Your coat, it's in the dryer. There was some blood on the cuff, so I washed it." The perfectly reasonable explanation feels awkward.

"Oh, thank you again." He sounds so grateful it makes me uncomfortable.

"Please, don't thank me. You aren't troubling me. Your coat should be done in just a few minutes." I want him to stay longer, "Would you mind if I checked your bandages until then, I heard you tossing in your sleep." A small lie.

"I'm yours."

We both freeze.

"I-I'm sorry?" I sound like I'm choking.

His cheeks reddened, embarrassed that I made something out of that, no doubt. Especially when I've probably said similar things in reference to our partnership.

"I simply meant that you are the expert and are free to do what you want, er, need to."

"Ah, yes."

What do I do now?

Neither of us moves for a moment, like when you get stuck trying to pass someone in a door or corridor and do an awkward little dance. I don't want him to pass me. I don't want him to go.

Then he moves, walking to the counter, and placing his arm on it. I follow him, busying myself with readying the plastic sheeting.

He's in the same position when I come back, but lifts his arm and allows me to put the small section of sheeting under it.

I examine the bandages. I was right. As much as this is to keep him here, they do need changing. The wound is still weeping a lot.

"I'll need to clean and change it again," I tell him, but I think he may have guessed based on the way he eyes his arm.

The experience is completely different now that he's coherent. But he doesn't fight me on the removal of the bandages, I watch his face, his beautiful face, and on cue, he gives his silent permission.

He doesn't flinch as I unwrap it, eyes scanning the wound analytically.

He leans in, so close that I would barely have to lean down to kiss him. I'd never, of course, I could never. But the thought is very much there.

"I have seen far worse, usually I was the cause." He explains.

Right, the mafia.

Here, in this house, I could forget. But, I realise suddenly, that it doesn't matter at all, not when it comes to him.

The process goes so much more quickly this time. I hate that I wish it didn't, but before I know it, my hands are on autopilot, and he's in fresh bandages . . . and ready to go.

Where's he going to go? Surely not the agency dormitories? He doesn't want anyone to know he's injured. Or will he just hole up inside? Or does he have somewhere else? A street corner? I shiver at the thought.

He needs another dosage of medications since it's been so long. He must be in pain, but if he's driving, he should wait to take it until he gets back. I still don't trust him with a whole bottle. But I can send him with enough to get him through the night until tomorrow morning when I see him again. I'd best pick him up and take him here in the morning. Someone might see me and know I lied if I stay too long, and his dormitory isn't exactly sterile. (Maybe he's cleaned it? I've only seen it in glimpses.)

"You should take another dose of medication in about an hour. I'll send you home with a pill, you can pick up another one tomorrow when I change your bandages. It helps with the pain as well. Actually, I should take your temperature before you go. If you're still feverish, I'll drive you."

He nods, then cocks his head. "Come here? I appreciate it, but won't we be at the agency?"

Right, he doesn't know.

I told the President that we'd be out for a couple of days, just because I'd be in charge of caring for the wound since Dazai refused to go to a hospital or Yosano, but maybe that's changed now that he's not feverish.

"I was under the impression that you wanted the injury hidden. You told me you didn't want to go to the hospital or to Yosano, so I told the President that we were out on a case. He won't expect us back." It feels shameful and stupid as I say it now, but I press on. He needs to know. "I was actually wondering where you were going. You can't exactly go to the dorms, and I'd prefer to change your bandages here where I have my supplies . . . Or, of course, I could tell him we finish early if you would rather!"

He's just standing there, frozen. I can't read him.

After a while he says quietly, "You lied to the president?" The words are shocking. Of course, they are, I'm the last person one would expect to do that, I know.

"You seemed highly uncomfortable at the thought of anyone knowing so I . . . I just did."

He looks down. Even without a fever, I can see he still feels that way. "No, no, I won't make you lie further. I'll find a place to stay. An old mafia safe house should do just fine."

"Oh, Dazai, I didn't mean to-"

"You've done so much. I am fine now. I don't need luxury, just a quiet place to sleep." He looks pale.

He's not fine.

And I'm still not ready for him to leave, not ready to be alone with my thoughts.

He sits like a dutiful patient while I fetch his freshly dry coat. I'm not so deceitful as to wet it again.

He takes it, standing up once again.

"Let's do this again sometime, eh, Kunikida-kun?" The statement carries just a trace of his previous humour. His eyes are far away, the deep brown irises glassy.

Just as he reaches the door, I remember. I didn't take his temperature! Or give him the pills! I grab his wrist. He whirls around, startled, looking again like a caught animal. I wish he wouldn't, but I have to admit, what I'm doing is quite creepy.

"Wait. I need to make sure your temperature is down before you go. I don't want someone kidnapping you, eh?" The joke, like most of mine, falls flat.

Something sparks in his eyes . . . and then they go cold.

"Kunikida-san, I understand that you're just doing your job . . . but last I checked it's not your job to stop me from killing myself. Don't pretend to care so much, I am not your poor little charity case!"

Killing- who said anything about suicide? Is he planning to- Now? After he's done all this? Well, now there's no way I can let him go!

It looks like he's also realised his mistake. His eyes are stuck between wide open and narrowed to slits, it's odd. I take advantage of it.

"Dazai, please. I just wish to help."

He says nothing, to my relief, no sour words about my ideals, or my having a saviour complex. (I don't. I'm just ever so foolishly in love.)

I'm afraid that if I step away to get the thermometer, he'll run, so instead, I step forward, placing my hand under his fringe. The contact sends a spark through me, and it occurs to me that I've never really touched him before, a brush of the hand, maybe, and of course carrying him, but never this. He's still warm. Of course, he is. In my haste, I overlooked something important.

I learnt very quickly of Dazai Osamu's inhuman metabolism. It's how he processes all the junk food and alcohol so quickly. The medication must have worn off at least an hour ago. Has he been in pain all this time?

Oh, damn me!

"Dazai, I'm so sorry."

He doesn't look like he's heard me. He sways again . . . and then he's in my arms.

He weighs almost nothing against me, but I can't worry about that now.

"You know, Kunikida-kun?" he mumbles into my chest, "I think I'm still a bit tired from the medication. Maybe I will stay."

"Why did you not tell me?" But the question is more for myself. I know why.

I'm a task-oriented person. I need goals or I'll fall apart, I know this. So I make a list.

Check his temperature.

Make him eat something (somehow).

Give medication.

Attempt a cool bath.

Fresh clothes.

Sleep.

He's completely out. I can feel his breathing, slow and shallow.

Taking his temperature is easy, getting him medicated won't be. I ought to try a cool bath first before he can protest. It will help the most before the medication kicks in. I hate to cross his boundaries like that . . . then again, he seemed to give me permission when he agreed to stay.

Fortunately, I don't have to decide. He wakes when I move him, his breathing shifting into quick gasps. I want to tell him he's okay, but what use would that have?

"I'm going to give you a cool bath. You can keep your undershirt and pants on, but I need to get your temperature down, alright?"

He nods.

Thankfully, this bathroom was designed with two people in mind, so there's plenty of room for him on the counter. He mutters something that includes my name and the words "undress me". I think he's trying to be cheeky, but it falls flatter than any of my jokes ever have.

Getting into the bathtub is easy. He weighs much less than he should. I prop him up, but with the way he flops to the side, like a fish, I can't possibly leave him. He'll drown.

What to do, what to do? I can stay with him a bit, but I need to make more broth so he can take more pills. I'll think about it.

"Hey, you're just going to soak in here for a bit, so your body can cool down. May I wash your hair?" He's sweaty, so I may as well.

He nods, so I do.

The process is like nothing I've ever done. He "hmms" softly and I can feel him slipping into sleep under my touch. I thought that seeing him undressed (or in this case in just his pants) would be hard for me, but it isn't. All I can feel is concern, not pity, I don't see him as below me or anything, he remains my equal and as handsome as ever, but right now he just needs to be taken care of. He is not riddled with scars as I'd thought, but there is one, a large gash along his chest and other various small ones. It's hard to see them, though. In reality, the scars are perfectly visible, but when I look at him I don't see them, just those warm brown eyes.

The bath is working, and he feels much less hot than before. He's more alert as well. If he just stays in a bit longer he might return to a normal temperature, at least temporarily which would help until I can get medication in him, but I still have to cook . . .

"Okay. Here's a towel, you have to get out now."

He shakes his head, confused as if just having woken up. Did he really go to sleep just like that? He used to complain of insomnia. How ill is he?

"Don't wanna." His tone isn't clownish, but tired, so very tired.

"Dazai, I can't- you're not in a complete state of mind, you could hurt yourself."

"What if you could make sure I didn't?"

What's he got up his sleeves now? I make my scepticism clear on my face. "Perhaps, what do you have in mind?"

"I could sing to you . . . like in that movie with the little girl who's really an adult."

"What?" I'm not even going to ask.

"Like this" He hums a note, then another. I don't recognise the melody, but it's pretty.

"Fine. But If you stop, I will come right back in here, so don't try anything."

"Got it, Kunikida-san."

True to his word, he keeps humming as I start in the kitchen. The song is very nice. I'll have to ask him what it is when he feels better.

The broth, a slightly different recipe, to keep things interesting, finishes quickly. All that's left is for it to cool to an edible temperature, and to get Dazai into some clothes.

I'm only 8 centimetres taller than Dazai, so my clothes should fit him well enough. I pull out a pyjama set from the back of my drawer, it was a gag gift from Katai when I went to university, with a little nightcap and all. I leave the cap and take the folded set into the bathroom.

He looks so soft in the matching top and bottom that I can do nothing but stare. He sneezes, snapping me out of the trace. Right, his hair is still a bit wet. The last thing he needs is a cold.

He manages to stand, albeit with most of his weight on me, and follows me to the kitchen.

"Why are you doing this?" He asks as I set down the spoon. I helped him again. He didn't ask me to, even as a joke, and I wasn't sure he would if I didn't just- so I just did it . . . It would appear that, in some way, somehow I'm in this even deeper than I thought.

What can I say? Oh, I could say so much. What can I say that would be professionally acceptable?

"It's my job." AH, if there was an award for shit answers.

He sighs, "AH, right, duty-bound Kunikida-kun. Poor thing." The words are teasing, but I know him better than that.

He makes himself at home in the spare bedroom, out practically as soon as his head hits the pillow. When was the last time he slept in a real bed?

What do I do now? It's not that late, so I can't go to bed, but I can't go back to work, and there's now ay I'd let myself leave. I can't think of anything, so, as always, I stay.

He looks so peaceful, his breathing even, face relaxed. I gave him twice the normal dosage of medication.

Despite his apparent calm I can't help thinking that he should be in my bed. I want to hold him, to keep him warm and safe. I want him to know someone needs him, someone wants him. At first, I wasn't sure this new him even needed that anymore, but his behaviour today . . . I want to wake up and see his smile, a real one. I want to be the reason for it. I want to give him so, so many reasons to smile. And when he can't smile, I want to be there for him.

Looking at him like this, a sudden courage fills me. The courage to put pen to paper. I pull out my notebook and start writing, looking up every so often at Dazai's sleeping face, just to amke sure I phrase this thing I'm feeling right (if there's any way to physically capture it. I'd try even if I knew for sure there wasn't).

When I'm finally pleased, I close the book. It's dark out now. I must have been writing for much longer than I thought. Well, I guess I should get to sleep.

IDEALS [kunikidazai]

(A/N: I've been palying around with ship names for these two and came up with Ideal Human because together these two make one perfectly functioning person. Kind of like how Tachizaki is Midwinter Snow because if their abilities)

SUMMARY:

Dazai Osamu is the farthest possible thing from the ideal woman Kunikida Doppo has written so much about in his notebook.

And yet . . . Kunikida is hoplessly in love with him anyway. Kunikida doesn't belive he has a chance with his coworker, I mean, have you seen the way he flirts with women? Straight as the rulers Kunikida used to use in his maths class.

Dazai meanwhile is also inlove with uptight but still charming coworker. But how can Dazai ever come close to the woman Kunikida has in mind?

Will these two damn idiots figure their shit out or not? God, I hope they do, for all our sanity!

(Summary sponsered by Edogawa Ranpo)

Categories: angst, fluff, getting together

Warnings: N/A

Thank you to @wildroseroguefor inspiring me to write Kunikidazai for the first time. Rose has lots of Kunikida content on her blog, check it out.

#bungou stray dogs #bungo stray dogs #bsd #kunikidazai #kunidazai #Ideal Human #No Longer Ideal #knkdz #kunikidazai fic #kunikidazai fanfiction #kunikidazai fanfic #kunikidazai angst #kunidazai fanfic #kunikidazai fluff #kunidazai fic #kunidazai fanfiction #kunidazai fluff #kunidazai angst

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icewindandboringhorror · 3 months ago

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I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently

#facebook always does that 'here's a post from this day 8 years ago' thing. and I see old comments interacting #with people and it's so like.. OOOOO~~ where are they now?? what's going on? how much have they changed as people?#how much are they the same? this is fascinating. i should contact them!!' but then it's like... take that to it's logical conclusion though #you would contact them and then IF they even responded it would take you 80 years to respond and then they would #think there was something wrong or that you were trying to be insulting or something. To contact anyone I need to include an 85 page #disclaimer of all of my social issues & mental illness things. 'If i take 3 weeks to reply I promise it has nothing to do with u' etc lol #THIS is why more people need to be into phone calls/voice calls/some form of audio real time communication/etc.#I think one of the main things that's hard about messaging through text for me is it's so unscheduled and open ended #(plus it takes forever if you're talking about anything in detail and gets very long very quickly)#because like you can send a message and then just get a reply whenever. and then you're expected to reply back whenever #so it's like you never know when the response will come or when a new obligation to reply can come up? so it's like this sudden thing with #no outline?? if that makes sense. whereas a phone call is very like 'hello let's schedule a call from 10am - 2pm on thursday'. And you know #EXACTLY when the interaction will start and EXACTLY when it will end and you can plan around it in your schedule easily.#I have the reverse thing of a lot of people (how people don't pick up phone calls/hate calls/only text)#I would literally talk on the phone with a stranger. I would have a discord voice chat with someone I barely know.#if someone I hardly even remember from elementary school asked to have a voice call with me out of nowhere I would do it.#but if a stranger MESSAGED me?? or someone I barely know sent me a TEXT or something?? I will never reply probably #It's just too vague and weird. and you can't read voice tone over text. and the interaction could last forever with no clear end #point and etc. etc. But a call is like. set. established. clear boundaries. you can read the flow of conversation better. rapport. etc. etc #I get that I guess people feel more anonymous or distanced over text?? but you can have fake phone numbers on the computer. or do like disc #rd calls. or zoom without a camera or etc. etc. Also the distance that's present in text is BAD distance because it just means that tone is #not conveyed properly and you will never truly get a sense of the person's conversational vibe or mannerisms or how well you really click.#ANYWAY ghgjh...... I'm so so so interested in concepts of like.. How did that one kid I used to talk to in elementary school #but then they moved away in 5th grade - how did they end up? what are they doing now?? etc. etc. Like despite the severe social anhedonia #and general lack of connection with others I'm just really fascinated in like.. idk. the human development of it all and like #the concept of how we're actually a million different people through the course of our lives ever evolving in different iterations and etc.#PLUS again. i love nostalgia. sometimes old peple you know might remember a shared memory or can tell you about something you forgot #or etc. like it's SUCH A COOL THING in CONCEPT but I am too socially inept generally speaking lol. which people I still talk to today are #familiar with my 'phone call once every few months' communication style. but strangers would just be like... wtf. And I don't blame them #Sure I literally cannot change the physical health + brain issues i have - but also I know enough to not put others through that lol

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thedreadvampy · 1 year ago

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btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.

having said which

as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"

which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.

like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.

like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer

and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.

but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.

personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.

idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.

#red said #not to Cancel Culture this but isabelle fall springs to mind in a lot of how folks talk about stuff like this #like she wrote a transgressive piece exploring her own negative feelings about transness and her anger around a transphobic trope #and she made something which i found really resonant and interesting #and she got torn apart for it because it Might From Some Angles Agree With Transphobia #and I'm not making a direct comparison. because i think attack helicopter is a really GOOD story and i think SGA is gratuitous and hack #but that's the thing right? transgression and discomfort and speaking about unpleasant things in an openended way are KEY #to making art that engages directly with your own pains and angers and discomforts #and that's hard to mediate tbh. but it's also very necessary.#i think as well thinking about Gaiman this is also a thought I've often had about Amanda Palmer #who over the years has written a lot of songs about things i find genuinely uncomfortable or offensive.#and i can engage with 'it's fucked up to tell your ex they transed their gender At You' or 'your partner's suicide is not about you' bc yeah #but #you can't celebrate someone for making confessional music then get mad because you don't like everything they confess #if you only take about your socially acceptable thoughts it's not really confessional is it?#if you only talk about discomforting things that people are comfortable hearing about its not really discomforting #and you can only really discern what's Good Transgressive and what's Damaging Transgressive through doing i think #so if you want challenging art you are going to have to get some art which challenges you and you go hmm no i still disagree #is what i think #so yeah you can hate the artwork but when an artist is specifically setting out to make challenging art it's weird to hate them #for making 50 pieces of art you like and 1 you hate

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goldenpinof · 6 months ago

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#long talk in tags incoming i guess #i don't understand why people keep following me when everything i do is complaining lately #and not about dnp per se. but about how the work is done and how their team *coughs* martyn *coughs* is handling stuff #i'm just looking at all this mess and i can't agree with basically anything #everything goes against my beliefs when it comes to work organisation. customer focus and etc.#and i'm trying SO hard to mildly help for free. and i'm just getting ignored. but that's like.. basic fixing and shit #any decent company would do it and say thank you for noticing and letting us know #but not irl merch lmao #and it all feels and looks like a massive joke #and i'm so so tired to basically pay for existence of this mess #i'm rethinking a lot of tour related decisions i made. and i know the reason i made them was about travelling more than the show itself #so i don't completely regret it #i'm just so tired of being spat in the face (figuratively speaking) over and over again #and tired of no one taking their job seriously ffs #neither martyn nor dnp nor their fucking editors #and i'm doing all that not for attention or whatever. but because I really care for the words to be correct and for the fucking text..#.. to be in the middle. like idc about the credit or WHO i need to ask for it to be fixed. i just want it to be fixed #so it looks good and how it should look #like. it's not that hard to put a little care into the things you do and getting paid for #I don't understand how it became so normalized. how being a bad manager is okay if you work with a fanbase and you're a 'small company'#a small company who has more than enough money to hire people to check things btw. if only anyone cared #i'm just so so tired of caring. because apparently it's not something everyone else does.#and i can let it slide when it comes to dnp. they are not being literally hired to do it. but others..... yeah #today was a moment when i thought 'that's a perfect opportunity to leave. enough.'#but the tour is in 1.5 months and i have tickets so i can't leave lmao #what kind of joke that is? oh and i know i'm fully responsible for this mild breakdown #personal

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shatcey · 2 days ago

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Hi, I do not know if you are still here or if you have already returned to the real world (it sounds like you are a bird in a cage), but either way, I think I need to say a few words to you. Some might say "a lot", but for me it's "a few".

I know exactly what you mean. I also translate using apps, and it's really tough. I use a lot of apps and rephrase sentences so many times to make them sound "pretty." It indeed took a lot of time. And sometimes it seems that I'm not translating from Japanese, but from a very strange language that no one except us who read mechanical translations even aware of. It's a really odd language. But I'm only translating screenshots. I'm really impressed with how you managed to translate an entire chapter in 4 hours. You must be a magician.

I think that translators, no matter what they use, knowledge of the language or applications, do a hell of a job. It's incredibly hard and absolutely ungrateful work. So they are SAINTS by definition. And it's very difficult when you spend hours and days on something, put a lot of yourself into it, and people don't notice it. The desire to do something serious disappears. What's the point, right?.. If this happens to me, I think there are people who really like what I do and who are waiting for it. There aren't many of them, but there are such people. And I don't wanna disappoint them. It's not about numbers. Even if I'm doing something for one person, it's already a lot, because I'm not just doing it for myself. I got emotional, sorry.

What you're experiencing right now is emotional burnout. It seems that many of us feel the same way these days. I think it's something like winter depression (is it a thing?) or vitamin deficiency (don't forget to eat fruits and vegetables!). I feel tired myself, and sometimes I really wonder why I even spend so much time on this. But I can't stop. It's like I'm running on the surface of the water: if I stop, I'll drown. But YOU CAN stop. You can go back to real life. For a few weeks, even months, look around, get some fresh air, so to speak. You can try to remember why you started this in the first place. This is a HUGE project. You knew from the very beginning that it would be difficult. What was the reason that inspire you to start? What motivated you to continue? And maybe if you remember that, you'll find the answer to your question, whether you want to continue or not.

No one is forcing you to do anything. You may or may not complete this project. It's up to you. The most important thing is that you enjoy the process. So take your time and be free to do what you want (isn't that too much sound like William?).

In conclusion, I want to say that you have done a lot and you have done it splendidly. And I want to say thank you very much, because I am sure that many are just shy or forgot to say it.

Maybe it's because I'm in a really bad mood currently but I'm really not sure if it's even worth it posting my translations anymore. I know I've been slow and I know it's machine translated but I still put a lot of work into it. Using several translators to get the truest meaning possible, changing the flow of words, looking up english terms because it's not my main language. I need about 3-4 hours for one chapter, that's a lot considering I've got work and school and a high need for sleep.

I know people surely got their reasons for not interacting with my translations anymore. Anymore because when I started with Ellis' main route tl, I was swarmed and now the interactions have gone down to about 5 likes per tl. I'm aware that I have 2 or 3 people who basically hit the like button right after I post and I'm truly grateful I've got at least these few people but it still kinda hurts, you know? Putting in so much time, all for naught basically.

I could only keep myself kind of motivated to continue translating by focusing on specific parts of Ellis' route where I wanted to know what was actually going on. But now that I've reached the last avatar story of the blind end, I basically know the gist of his story.

Maybe some of you wonder now 'wait, blind end? you only posted up to chapter 14.' Yes, you read that right. My motivation is so low that I ask myself 'why even bother posting fast anymore?' It's not like that's going to change anything.

Am I fishing for compliments here? I guess I am. I'm a person who needs positive, supportive words to continue. You know, some kind of recognition. I'm not saying that likes aren't enough, but compared to reblogs or even a little 'thank you' or 'I hope you're doing good, don't pressure yourself', posts with only likes simply get lost in the vast world of tumblr.

For anyone who has read that far, I hope you aren't put off by me. I'm simply a person who always works their ass off because that's the only way for me to feel valid in this world.

#ikevil #ikemen villains #ikevil translations #Ikevil JP #support for fellow translators

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absolutelybatty · 4 months ago

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It's fun being unable to tell if I have religious trauma or if I worry about hell the normal amount

#batty speaks #I hate saying religious trauma about myself because I feel guilty #like I'm fine about religion i just can't always handle jokes about the religion i was raised in and I worry a lot about hell and damnation #I wasn't abused or anything I'm just scared #and it did not help with my really bad paranoia when I was on different meds #anyway how much is the normal amount of existential dread and fear of torture #vent #religion tw

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sciderman · 1 year ago

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we need to see more non dp spidey pairings

just read the comics man! they're everywhere!

(also, please, be the change you want to see in the world, anon.)

#sci speaks #i feel great that i could introduce a lot of people to a lot of more niche ships #but also i'm just one guy and i can't feed everyone. and sometimes i like to be fed too. please. sometimes.#also i happen to really like spideypool a lot. in case you didn't notice.#sometimes it bugs my head when people say that compared to other ships spideypool is somehow inferior #like i get why people say it. i completely understand why people say it. it doesn't have the same groundwork as other ships do #but that's kind of why i liked it so much and why i have such a good time with it. all the hard work that goes into it.#spideypool will always be the One That Takes Most Brain Space for me. just because it keeps my brain working. i have to put the thought in.#scratches my brain itch like no other.#i love all of peter's other relationships i really really do. like i adore them. every single one is so good and delicious.#and i want to introduce everyone to all those relationships because they're Important. and they're entertaining and so good.#but also my heart belongs to spideypool... i'll always come back to her.#deadpool and spider-man are both my muses and i couldn't leave either one of them. so i must smoosh them together.

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jullbnt · 1 day ago

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Thank you!! That cake sounds amazing! I ate way too much during the holidays and I don't regret anything haha

As an OoT fan I enjoy my share of tragedy, but I have come to associate SS with canon happy Zelink and I really want it to stay that way ^^

I also feel like such a sad ending doesn't really fit in SS. In OoT for example the tragic ending feels earned because the entire game revolves around this idea that "the flow of time is always cruel" and Link and Zelda are carrying the guilt of letting Ganon into the Sacred Realm. This isn't present in SS in my opinion, and Zelda already makes her sacrifice by sealing herself for thousands of years. It also feels unfair that one Zelda would pay such a high price and not the other. But otherwise yes imagining this second Zelda watching Link leave with another version of herself is heartbreaking and would make a memorable ending!

Nayru could be the Goddess of Time, true! But she's already known as the Goddess of Wisdom and she created the fundamental laws of the world, which doesn't limit her to time. The way I see it Hylia inherited her time powers from Nayru, which lead to her being known as the Goddess of Time. And then it makes sense that the Goddesses would leave the Triforce in the hands of a deity who can foresee the future and plan accordingly. Other things to consider:

To me the Gate of Time looks more violet than blue, like Zelda's bracelets and hair accessories.

It can be activated by the Master Sword, a weapon created by the Goddess Hylia, and the Gates play a huge role in Hylia's plan.

Hylia speaks to Link "from the edge of time" according to Fi.

TotK Zelda is the Sage of Time and I believe OoT Zelda is as well.

OoT Zelda is also able to send OoT Link to a new timeline, which is a lot more than what Sages are usually able to do.

Hylia is known to create very complicated plans that involve time travel.

These are some of the reasons why I believe Hylia is the Goddess of Time, but Nayru makes sense as well. I just think it's a bit restrictive for her.

I know that was not your argument, I was just thinking while writing, sorry haha. I don't expect to get an explanation either, and I like being able to search for one myself!

Rauru making dad puns would be hilarious! I'm sure Link would answer with even worse puns 😆

Honestly I don't have very interesting ideas for Malon's mom, I never thought she was much of a mystery. I like the idea that Talon could have married a Gerudo (though I'm not sure they would suffer such a lazy husband 😅), but in my understanding the children of Gerudo are always Gerudo and can't be Hylians with red hair. But maybe that's just me, I'm not even sure that was ever confirmed. Otherwise I think Malon's mom probably was hard working, she could even be the one who founded the ranch (cause Talon doesn't seem that invested in it). He either inherited it or did what his wife wanted him to do in my opinion.

Oh a Rito using the Roc's Feather/Cape is such a fun idea! I'd love to see that 😆

Same for the Sheikah researchers! They could share their knowledge about technology with the other races and welcome new scientists.

Glad you like this idea!! I thought the towers wouldn't only be protected by Sheikah warriors but that the different races would cooperate. Like the Gerudo would protect their tower, same for the Gorons, and so on. And then Link could recruit new fighters and send them to any tower as the Yiga threat increases. Something like that.

If they ever do a sequel to the Wild games I hope it will be either what you described with sea travel and visiting other countries or an entirely rebuilt Hyrule. I think sea travel would be a bit much in my version, but it sure would be cool if Link could steal the pirate ship and start exploring.

You can go with brasserie or bar à vin! Bar à dégustation can work but I'd say it's not used as often as bar à vin. Vin à dégustation isn't something we would say though. I've also seen some restaurants call themselves "cave à manger" (but it's not widely used and I find it doesn't sound so nice), meaning that they're both a cave à vin and a place that serves food while a bar à vin isn't necessarily a restaurant.

You could also use the name of the place to convey what you're trying to say, like I would expect a place called "Restaurant/Brasserie du Vignoble" (vineyard) to serve local food paired with the wine produced there.

Thank you so much! I'll keep that in mind if I need help with something! :D

@aikoiya The post was getting too long so I’m replying here, hope that’s okay! If anyone is looking for the beginning of this discussion, it's here.

Your extended pantheon is amazing! I just knew that Gàlondo would end up being Demise haha. I'd say I prefer not to associate Demise with any race in particular (and the Gerudo already have quite a heavy burden with Ganondorf), but otherwise I like that backstory you came up with. So what's Hylia's role in your version then if he’s the guardian of the Triforce? I'm curious ^^

I'd say my reasoning isn't so much "I hate this" but rather "this doesn't make sense/contradicts something else" or "previous games did this better". I also want to show that it's still possible to create stories without ignoring everything that was established previously because to me this idea that the timeline is too restrictive doesn't stand. In fact I tend to believe being a bit restricted and working inside a frame can trigger more creativity (after all they did wild stuff like flooding Hyrule before and it fits perfectly in the timeline). I also would prefer to see the existing lore extended or clarified instead of them adding new confusing stuff and leaving it extremely vague.

Oh I LOVE your Outset Timeline!! Though the ending is indeed very bittersweet. It always makes me so happy when someone else points out the inconsistencies in Skyward Sword's story. That's exactly my reasoning for my fourth timeline, it exists because of Ghirahim and Link's victory over Demise in the distant past. Though you are right, adding a timeline split while keeping the Master Sword in the official timeline requires some gymnastics! At the moment I'm going with a lazy theory about the Sealed Temple being the future Temple of Time, so the Temple's magic somehow allows the Master Sword to exist in both timelines (I said it was lazy haha). Impa’s bracelet is another story though. In my timeline the Goddess Sword is also left untouched in Skyloft because Skyward Sword doesn't happen, which could be useful in case someone accidentally broke the actual Master Sword 😁 It's very intriguing to me that Sky left the sword in the past when he had no reason to (and it shouldn't even be possible since it's in the exact same spot as Zelda's crystal). It's probably just a mistake on Nintendo's part but I like to think there could be something else there, and that Fi had a reason to stay in the past.

About the DLC items the thing is that most sets are found in the Depths in random Zonai chests if I remember correctly, or in the coliseums, and there was no explanation as to how they got there. In Misko's little shrines we find the Fierce Deity set and the LA set, but also the barbarian armor, the shock-resistant outfit and the climbing gear. I can understand building shrines for the Fierce Deity or LA Link following what you said, but then for three random armor sets? Not to mention that Link already owned them in BotW, so making us look for them a second time was kind of a joke. I like this shintai/yorishiro idea, but I think it would work a lot better if there were only a few items to collect and not… the outfits of all the Links ever INCLUDING WILD'S (how!!). It feels really meaningless and more like a catalogue for you to choose from so you can look like your favorite Link (which is a bit insulting to Wild, you can just replace him at this point and go as far as changing his hair or even his entire appearance with the LA set). I also didn't really believe they were the actual items from past games, it made no sense (the same way Link wouldn't actually wear a red Nintendo Switch t-shirt or something from Xenoblade). It just really felt like fanservice.

The dictionary thing might help, but I think the story should be explicit enough on its own and I don't really want to study Buddhism/Shintoism in depth so that I can play Zelda games and understand what's happening haha. I mean of course it's fine if knowing a bit about it adds new context and all, but if you can't understand things like malice vs. gloom without it then I think it's a bit of a problem. Speaking of Fujibayashi I feel like this wasn't really an issue before he was in charge.

Yes the French translation for Demise is very misleading, that's another problem: depending on your language things are sometimes interpreted very differently.

I really like the English names for the three dragons, I think they're so much better than what we got in French. Nedrac, Ordrac and Rhordrac, really?? At first I didn't even understand the link with the Goddesses, and then the last two sound way too similar. Btw I remember from my very basic Japanese courses that it's common in Japanese to create new words by mixing a few syllables of other words together. For example "rimokon" means remote controller (remo + con), or there's the well known Pokemon = pocket monsters. So naturally we end up with stuff like Ordinn + dragon etc.

I thought as well about the dragons going by names given to them by mortals instead of their true names. The thing is, I don't really want to create new names because I'm already changing so many things and my timeline stuff can be a bit complicated, so I need to keep at least a few things familiar. And I really like Dinraal, Farosh and Naydra :D

I agree about Farore being more associated to wind and plants than thunder (I mean she's kind of Link's patron goddess and he has nothing to do with thunder). What's even more confusing in BotW/TotK is that the Gerudo are now also related to thunder for some reason, but they're definitely more Din than Farore in my mind.

Maybe I should give you some context about my dragons haha. The beginning of my story is quite similar to TotK, though I still made some changes. Ganondorf completely destroys the Master Sword, Link looses his arm (except here Rauru isn't there to replace it), and Zelda still travels through time (but not because of a Secret Stone since I got rid of everything Zonai). She arrives in ancient Hyrule one century after Sky killed Demise (because this is set in my alternate timeline), and she's stuck there so she needs to find a way back home. Before that she learns a lot about SS, the Triforce, the timeline split and Hyrule's past. After meeting various characters and most importantly Sonia (who's still a priestess, the Sage of Time and her ancestor), Zelda learns that this era has two Master Swords: the one left by Sky in the Sealed Temple, and the Goddess Sword that is still somewhere above the clouds. She understands then that she needs to retrieve the Goddess Sword in Skyloft and forge a second Master Sword in order to help her Link in the future, and to do so she needs the three Sacred Flames. Where are the flames? The dragons "swallowed" them since they weren't needed anymore after Sky left his own Master Sword, which turned them into the giant immortal dragons we see in BotW/TotK. So that's Zelda's quest: find a way to go to Skyloft and then get the dragons to lend her their power. Along the way she'll also meet the ancient Sages, who can help her return to her own time by using the Triforce (but of course this won't work because of Ganondorf, and Link will have to fight him in the present and bring her back himself).

I'm trying to make this both a story I could adapt in comic form and something that could work as a game. The idea is that Zelda's memories would be playable sequences with places to explore, fights and maybe even mini-dungeons and bosses. And of course there's an entire story for Link as well. At the moment I'm trying to come up with interesting arcs and quests for each race/Sage, both in the past and the present.

Anyway, that's why I'm so focused on the dragons. Zelda (and Link) will need their help and they will talk this time. And since they will remember being apointed by Hylia and they're supposed to absorb their respective sacred flames, I need things to make sense. This is also a timeline without climate change in Lanayru (here it's the same province as in BotW with the addition of Mount Lanayru and a good part of central Hyrule), so the thunder dragon has no business being up there. That's why the swap would make sense.

No need to apologise! I appreciate your perspective and that you're interested enough to share your own ideas! :D

I agree on Zelda's magic being her own and what you said makes sense! Love the part about her only thinking about how she's a failure (though I guess it's only natural if she's been trying for 10 years without result). I don't know if she would have had the same reaction had she witnessed her father's death though. AoC isn't canon but Zelda doesn't unlock her power when Rhoam "dies" in front of her and Link forces her to run. The memory where's she's crying in Link's arms in BotW also shows that she knows everyone is dead, it's even possible that she saw some of it happen (maybe in the same way as AoC for Rhoam, or they saw what happened to the Divine Beasts from afar). I guess they must also have seen some terrible things on the roads, so she could have unlocked her power trying to save her people. But it only happened when Link was about to die.

Haha yes, I'm probably one of the most obsessed Zelink shipper there is and even I can't stand that power of love trope. It really has no place in a LoZ game. In my headcanon Zelda wouldn't access her power only because of her love for Link, though it definitely helps, but rather because the Hero dying is kind of an emergency situation and would trigger her divine magic even if the necessary conditions were not met. I don't know if that makes sense to anyone but me though 😆

Yeah I'm okay with the women of the royal family having some sort of power though not as powerful as Zelda. I think some part of it could also be attributed to their Sage of Time abilities. And the gift of prophecy being inherited from Sky is such a cute idea!!

I don't know about Terrako, I only remember that Zelda built it when she was just a child?

I'd send you an ask to rant about TotK but I'm not sure about the character limit and I fear it would just turn into a second wall of text haha! Here are some thoughts:

– I could live with new lore that contradicts older games, if only things made sense and were sufficiently fleshed out. Then I could just enjoy the story and accept that this is a different continuity. But here everything is so vague and sometimes even confusing. Like if we're going to meet the Zonai and make them such central figures in Hyrule's history, then I want to know more about them and learn about their culture. What's the point if we're only going to see two of them and have no clue about how they created all that technology, mined the Depth, lived with the Hylians, and then disappeared? Same for ancient Hyrule: if the different tribes were at war, I want to see it, and I want to learn more about them. Ganondorf also had so much potential for an interesting backstory. What kind of king is he? How did the Gerudo feel about him becoming the Demon King? What about the Gerudo Sage? And so on. It feels like this could be so much more.

– Other things I would love to see explained: where is the Master Sword in ancient Hyrule and why does no one seem to know anything about it or the Hero? How does it travel through time to reach Zelda? What about Rauru and Sonia's descendants? Also what was the point of the fake Zelda, and why did Ganondorf stay in his bathtub the entire game instead of rehydrating himself right away and getting stuff done? There's also everything I said about the secret stones the other day, but I know you don't see it as a problem ^^ (Also I just rewatched the memories and I had completely forgotten what Rauru tells Zelda in front of Sonia's grave: "Remember, that was a future where you never appeared in this world". So does this mean this is a new timeline that kind of retcons BotW? If not then where did all the Sheikah tech go and how were the shrines replaced by the Zonai ones? I really need an explanation for all of that!!)

– The game also barely mentions what happened in BotW, except for the history class about the Calamity in Hateno, the statues in Zora's Domain, and the memorials left by Zelda to honor the dead. I wanted to see Hyrule starting to rebuild and to get some sort of follow-up on the story. Did Link regain all his memories? Was Zelda planning to take the throne? Does she have some sort of trauma after her century-long battle against Ganon at Hyrule Castle? Why does she react to Ganondorf's name, but doesn't link him to Calamity Ganon? Why did the Sheikah tech that was so central in BotW disappear, especially the Divine Beasts? I care about this world and its characters, I want it to feel like a real place and to see it evolve. But then stuff like this really reminds you that this is just a video game world, and that Nintendo doesn't really seem to care. And if things can be retconned any moment even in a direct sequel, then… why should I feel invested?

– There was a real waste of potential with the Light Dragon and Zelda just transforming back thanks to Rauru and Sonia (btw couldn't they have helped if they could appear anytime and still had that kind of power?). I find it so disappointing that Link doesn't have to do anything to help Zelda, it almost happens by accident. Mineru also said it was irreversible, but in the end it's no big deal (they shouldn't establish something and then ignore it like that). If only Link had to use the Triforce or something. I didn't want Zelda to stay a dragon but sometimes I wonder if it wouldn't have been a better ending.

– It also really doesn't help that Link feels so disconnected from the main story. In BotW he was also experimenting the story through flashbacks but at least they were his own memories and they fleshed out his relationship with Zelda and the other Champions. Here Zelda is the one experimenting the best part of the story, and to make it worse you can find the memories in any order and get badly spoiled. It could have been so cool if Link also time traveled at some point and could explore ancient Hyrule (and they could have done something crazy like Link and Zelda being the ones to seal Ganondorf in the past, which would lead to his transformation into Calamity Ganon). Link is also so expressionless (except when cooking and all) that I find it hard to care when he doesn't seem to. Imagine how different Zelda sealing herself would feel in Skyward Sword if Sky didn't act so distraught. In the same way TotK would hit a lot harder if Link did stuff like falling to his knees after seeing Zelda's last memory.

– I also think that the hands/cooperation theme the devs talked about in interviews is a bit weak and cliché (with characters reminding Link and Rauru that they don't have to do things alone and that they're stronger together, stuff like that). First I don't find it very interesting compared to what games such as OoT, MM or Wind Waker did, and then Link being able to fight Ganondorf alone from the start kind of throws it out the window (and Rauru also ends up sealing Ganondorf on his own). The Sages are not even with Link outside of the dungeons, they just create creepy copies of themselves (and I found them so annoying I never activated them, except for Tulin when flying). But yeah sure they shake hands and vow to help Link. I still think him being accompanied by the Champion's spirits in BotW worked a lot better, and their powers were also more useful. I guess seeing everyone working together to rebuild Hyrule would have made that theme more meaningful. The thing I really liked about this though was Link finally catching Zelda in the end after failing at the beginning of the game, that was a really beautiful scene.

– Also I said it above but I don’t want everything to be explained by Buddhism/Shintoism parallels, especially if the game just expects you to get it without providing context. Let Hyrule be it’s own thing.

So I know this isn't only about lore, but these are the main reasons why I'm not very interested in TotK. To sum up I'd say that the game lacks some kind of depth and has a lot of wasted potential, and it also makes it clear that it's pointless to care about continuity. BotW Hyrule was interesting and I think a lot of things could have been done about existing races instead of adding a new one but not bothering to do much with it. Just bringing Ganondorf back in this version of Hyrule and see how the Gerudo react to him could be so interesting!! Some concepts were also excellent but didn't really go anywhere, like the Depths and the Sky Islands.

Honestly I haven't thought about all these side quests and minor characters yet, I'm still trying to sort things out with the main story ^^ But I don't think I'll touch the ones you mentioned, they were fine. I liked the thing with the Eighth Heroine as well, I've seen a lot of people complaining about it but it's one of the only things in the game I actually found interesting. I just can't unsee the parallel with Link and the Seven Sages (of course).

What I'll be doing for sure is making some of the quests and events more serious, I'm kind of aiming for a darker tone. Most of the quests are quite fun (especially the "potential princess sightings" ones), but I feel like this game really lacks some sense of danger and urgency. For example couldn't the people in Hateno have more pressing problems than making cheese or choosing between Cece and Reede? Or was it really a good idea to make lighthearted little quests about misanderstandings with Zelda when her disappearance should be driving Link mad? (I should have included that in my little rant above haha)

I'd also love to make the pirates in Lurelin something more interesting than just a bunch of Bokoblins, but I'm not there yet. And rebuilding the exact same village was kind of meh.

About the Gerudo questioning their traditions, I'm actually planning for my Ganondorf to be a lot more active and go to Gerudo Town in order to meet his people (I want him to care about them, so he wouldn't attack them the same way he targets the others). I don't have all the details yet but I'm pretty sure there will be a conflict between Riju's supporters and other Gerudo who believe he's their rightful ruler (at first they wouldn't know he's actually that one king who turned into Calamity Ganon). So that's another tradition for them to question.

The consequences of Ganondorf being the only Gerudo male are something I've been wondering about as well. Add to that the fact that he's raised to be king because he's male (and maybe even kind of worshiped by his people) and you get something that can turn nasty real quick. Though I also wonder if Gerudo aren't different from Hylians. You said you hc that the Gerudo are only women because they were cursed so it makes sense that you would view it this way, but on my part I believe that's just how they were created. For that reason I think this is natural for them, so it's possible that it doesn't cause exactly the same problems it would for us or for Hylians.

About Demise, yes of course Ganondorf is more than just Demise's hatred. But in this game it doesn't seem to matter, he kind of turns into a second Demise as soon as he gets his secret stone and his motivations instantly go from conquering/ruling to destroying everything and everyone. They could have done something a lot more nuanced or at least shown a more gradual transition, with him being more and more consumed by his hatred and loosing control for example. I don't know, anything that would look less like a comically caricatural villain riding a demon unicorn.

Also about Demise's curse, I always thought it sounded more like a warning than an actual curse, and I remember reading somewhere that this was the intention in the original Japanese text. In French Demise even says something like "you must never forget, history will repeat itself" instead of "I will rise again", and he and speaks of the curse of the demon tribe (implying that it existed before). Even in English it doesn't sound like Demise himself is casting a curse: "Those like you… Those who share the blood of the Goddess and the spirit of the Hero… They are eternally bound to this curse". He doesn't say "I curse you" or "I bound you to this curse". I feel like this makes a difference (the curse already exists). This is why I interpret it as him basically saying that evil will not die with him and that Link and Zelda/the Hylians as a whole will always have to fight the demon tribe, but not necessarily his reincarnation. So I don't even believe that Demise himself is influencing Ganondorf in any way.

About the Zonai Zelda explains she studied them at the beginning of TotK and recognizes what's depicted on the murals, so it seems strange that sky beings could get mixed with a tribe of barbarians living in the woods. But yeah history getting lost and mixed is the only explanation for this.

Oh you're completely right about the Mogma, I got the same vibe from them! And a Mogma mafia sounds hilarious ^^ I love the Rocktato, Link would definitely eat something like that 😆

I need to take some time to read through your master list, it all looks very promising!

#sorry this took forever #aikoiya #loz #zelda #zelda lore #zelda theory

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