#and i feel like i can't really speak on a lot of this because i'm white

[ilikeyoshi]

"#yes yes yes!!!! #and ngl it makes me want to read or engage with it more too!"

i hope it's ok to point out these tags bc this is SUCH a huge mood i think deserves a little more explanation!!!! (at least from my perspective as both a creator (writer) and fan (of artists))

i used to have a ton of anxiety when creating and especially sharing my works, and my impulse was always to talk down on it, because a) i* (*my anxiety) believed it to be bad, and b) because i had this idea in my head that if i lowered people's expectations, they wouldn't be as disappointed when reading it.

i want to tell you what i've learned in my years of both being a writer and being a fan of artists, and it's that this is a terrible, terrible anxiety fallacy (like so many ideas/misconceptions borne of anxiety are) that ONLY hurts you, your work, and your potential readers(/fans/etc). it SOUNDS like a good idea when you have really bad anxiety, i know, i used to DEPEND upon this idea just to have the courage to SHARE my writing—and i want to emphasize that it's OKAY if you've done this before, it's an easy, easy trap to fall into, but i also want you to try and stop doing it because there are a lot of reasons you would feel better and do better for doing so.

you are what you practice! if you only ever focus on or speak about the flaws in your art, you WILL feel negatively about your art. my very first therapist explained it in a way that still really resonates with me: you have created a well-beaten, highly trafficked "road" in your brain. it is very easy to take this road because even though it's longer to your destination, it winds and bends, it's walked on so much it's flat and easy to traverse. when you try to build a NEW path—in this case, a path where you focus on what you like about your art—you're starting with no path at all. it's all undergrowth and vines and thorns and it hurts and it's tiring and you feel like this will NEVER be easier or feel better than the old path. but you have to keep taking the new one. you have to beat down the undergrowth until it recedes, cut down the low-hanging branches until you can walk with your back straight, and if you keep at it, if you keep at this thing that feels so pointless and stupid and hard, eventually, the path will be clear, and easy to walk, and you'll make great time getting to your destination because it cuts straight through; no winding or bending. and the old path? it will overgrow, and it will become hard and stupid to take. you have to beat the new path because once it's beaten, it'll be the far superior path in every way, including ways the old path was never superior even when it WAS the one you were always taking.

further—as these tags point out, and as i agree with wholeheartedly—by disparaging your art, you DO lower people's expectations. people don't want to be sad, frustrated, disappointed when they look at art—at least, not unless the art itself is trying to tell a story about that. you get what i mean, i hope—they don't want to go INTO something they already HAVE negative reviews on—your reviews! you, the creator, have already told this person the story/art/whatever is going to be bad, and i know, i KNOW it's not your intention, you're hoping someone will see through what you can't and tell you no, no, this is good, i liked this! and some people do! but you make it a lot harder for them TO do that when you tell them right at the beginning, "this is going to be bad, i don't like it," because what you're unintentionally telling them is, "and you probably won't like it either." the first way i learned this was in people always saying in their fanfic summaries, before you even open the fic, "the summary is bad, i'm bad at writing summaries, the story is better trust me bro." because what this does—again, so unintentionally, i KNOW what you're trying to do because i've been you—is you're telling the reader, "here's my pitch, here's the hook to my entire story, it's the worst part, it's bad, but the rest will be better," and what they KNOW is they've already put the time in reading the summary, and it's hard to commit MORE time to something when you've already told them it's bad, even if you promise the rest is better. it's like biting into a fruit and you hate the taste of the skin; it's harder to try the rest of the fruit when, so far, it's been bad (or you've been made to believe it's bad).

so what's the solution? how do you begin beating that new path? well, it depends on you. everyone's a little different in how they navigate stuff like this. but what worked for me, and what might be a good place to start (and by all means adapt as you figure out what works and what doesn't), is start by just NOT saying anything negative. no, "i don't like this," or "the summary's bad, sorry," or anything. write your artist's comment, author's note, whatever as normal, and REMOVE anything that depicts your art/writing/etc in a bad light. just don't give people any opinion whatsoever on what experiencing your creation is going to be like. this, for me, was easier than jumping straight to, "i'm pretty proud of this," or "i enjoyed working on this," because it wasn't withholding AND replacing, it was JUST withholding. going back to the roads and paths metaphor, i think of this part as the "taking a breather before i get to work on this monumental task of beating this new path" stage.

then, overtime, i started "stretching" my positive comments about my works. if i liked, say, TWO LINES out of a whole piece of writing, i'd say, "i'm really proud of this work!" because i AM proud of ANYTHING AT ALL, NO MATTER HOW SMALL, within the work. it's not a LIE, to anyone including yourself, but it is, perhaps, an EXAGGERATION. that's OKAY. we're trying to teach our brain to look on the bright side, to take the new path, and i've found that treating it a little bit like a dog—giving it a treat for ANY TINY BIT OF PROGRESS, was a good way to encourage myself to start making MORE progress. ESPECIALLY because the tags i reposted above are RIGHT: LOTS of people are MORE interested in a work when their very first impression (YOUR impression!!!) is positive. 'the artist/writer/etc is proud of this? oh, i'm so glad they had a good time creating, let's take a look!" it probably sounds too easy if you're still taking that anxiety-beaten road, i know, but try to think of how you've felt when someone disparages their creations versus uplifts them. were you put off by the negativity? were you sad that your friend worked so hard on something and didn't even like it? conversely, doesn't it make you a little excited when an artist says they really feel good about something they made, especially in a world where so many artists ARE feeling inadequate? i hope you see what i mean.

it's not an overnight thing, of course, this took me YEARS. this took a miracle that doesn't happen to most people: i wrote something i felt SO TERRIFIED people wouldn't like, even though i was secretly very proud of it (but too scared to dare suggest i was proud of it), so i indicated all kinds of things like "i hope you like it, i dunno if it's any good, it's just a little thing i'm chipping away at in my spare time" (it was not, it was a full-blown passion project) and, against the odds, a LOT OF PEOPLE told me they really really really liked it. a couple of friends who were decently popular in the fandom it was for liked and shared it and i got A LOT of encouragement. i basically got to beat my new path with a HORDE of helpers, and it was more like THEY beat the path for me and i chased along like, "what is happening, oh my god, what are you doing???"

i got really lucky. that doesn't always, or even usually happen. in most other areas of my life, i've had to beat the path myself. and it takes a long time if you're doing it on your own. but you should anyway, because it's so fucking worth it dude. yeah, it was awesome to get so much help with my writing confidence specifically, but it's been just as worth it every time i've had to do it alone too. and i have good news! there ARE ways to tell people you're on this journey of making yourself a new path. here are some suggestions:

"i'm new/rusty at this, so please let me know what you think!" - informs potential readers/viewers/etc you are learning and gives them an opportunity to HELP you learn. this is a positive interaction! this allows people to find a GOOD experience EVEN if they didn't enjoy the story much, because they can help, and people DO, MOSTLY, like to help.

"i want to improve at [dialogue]" or "i'd appreciate advice on [lighting]." - similar to the first example, but does 2 things: gives viewers specific instructions that can be really helpful for those that aren't sure how/what to critique (surprisingly common thing; the more specific you are about what you want advice on, the more likely you are to GET advice), AND allows you to, neutrally and non-disparagingly, ask for help in areas you don't feel confident about.

"leave a comment if you liked it!" or "let me know what you liked best!" - listen. i don't think 'fishing for compliments' is bad as long as you're not being manipulative about it. these examples are very clear in what they're asking for, which is compliments, positive reviews, etc. and that's okay!!! first of all, lots of people LOVE praising works they like, i promise, and asking them to DOES make them feel like they have "permission" to (i know that sounds silly but i also know if you have anxiety about creating, you have anxiety about commenting, i see you, i was you). secondly, i have gotten the MOST encouraging, confidence-boosting comments this way, especially with the latter example. there is NOTHING more immediately anxiety-curing than a comment that says "i liked [scene/dialogue/character/etc] specifically." it's AMAZING. (also, if you're looking for advice on commenting, this is a GREAT thing to do. imo, this and "speculating/interpreting the work" are the two coolest comments i get they make me feel AWESOME.)

remind yourself, as many times as you have to, CONSTANTLY if you have to: likes/kudos mean someone enjoyed your work enough to press a button. views mean someone liked your work enough to click through for more. these are POSITIVE interactions, they are not "less positive" than comments or reblogs/reshares. i know those last two things are more obviously gratifying, and depending on if you NEED your work to spread (for exposure/commision prospects/etc), very good, awesome ways to support you, and i don't mean to say you shouldn't WANT comments and reblogs/reshares. but for me, it's helped me a lot to recognize that any bit of effort whatsoever means someone LIKED my work. it's also helped me to think of all the times i've shared a link to an artwork in a discord or something, and know that there is an entire, untangible metric i can't and will never see that, sure, i can choose to believe doesn't exist or isn't very high, but i can ALSO choose to believe it happens quite a lot, and the latter makes me FEEL better about my work and makes me want to create MORE, so i think that's the more productive mindset personally. it doesn't matter what the truth is, you know? we'll never know it and it doesn't harm us to never know it. but it DOES harm us to assume no one quietly, unseen by us, likes our work, and it DOES ENCOURAGE US to assume lots of people do.

here's the thing: anxiety disorders fuck you up by making you believe extremely negative, scary, depressing things. the disorder gets worse the more you allow it to make you believe these things, and the only way out, as stupid and hard and at times impossible as it feels, is to say, "no, i don't like that interpretation, i'm going to replace it with a positive one." anxiety is making paths all throughout your brain, and you have to just, make paths too. anxiety needs YOU to make paths, but YOU don't need anxiety to make paths. your paths WILL be better, safer, easier and happier. you just—and i know that is the biggest "just" ever—have to make them.

but i believe in you. i don't need to know you or your circumstances to believe in you. i believe in the sheer amount of control you have over how you face the world. and it's so much more than anxiety would lead you to believe.

i looooove seeing artists & writers proud of their work!!!!! i looooove captions & authors notes that say things like “i’m quite happy with this” “i love how this turned out” “i had so much fun making this”!!!!!! i loooooove when the act of creation is joyful & we take pride in what we make!!!!!!!!!!

[kookooluvr]

Teach Me How To Love - Part 2

pairing: professor!jungkook x (fem) professor!reader, fwb to lovers

genre: fluff, angst, smut, fwb au, economicsprofessor!jungkook, politicalscienceprofessor!reader, slow burn, some emotional constipation, some sappy moments, lots of sexy moments.

rating: 18+ MINORS DO NOT INTERACT !

warnings: we meet jk's friends and tae makes his first appearance (we'll be seeing a lot more of him in future), oc is sick with a cold, jk is a simp and drops everything to make her feel better, lots of fluff, nothing explicit in this one, we find out some more of oc's rules, SATC mentioned, some marvel talk, talk of jk having a nice ass, mostly just lots of soft feels in this one <3

word count: 2.7k

summary: jeon jungkook, a fellow professor at yonsei university, is your friend, co-worker, and secret bed buddy. you have rules set in place to make sure there are no misunderstandings in your little arrangement. the #1 rule is as clear as day; no catching feelings. simple, right? wrong. let's see how un-simple it gets when a certain economics professor falls for an emotionally unavailable political science professor.

author's note: i'm so happy to see the amount of love part 1 got !!! part 2 is a bit shorter, but i think it's important to see their dynamic outside of the whole fwb thing. i'm aiming for the upcoming parts to be longer, i promise. i hope you enjoy all the feels in this one, and don't be shy to send me your feedback 🫶🏻

find tmhtl masterlist here

Jungkook sits at a table in a rather fancy restaurant, half-listening to his friends as they joke about something over dinner. They've been meaning to get together for a while but they've all been so busy with work and their personal lives that it just never worked out until tonight. Well, it worked out tonight because Taehyung practically forced everyone to come.

"Yo, earth to Jungkook."

He looks over at Jimin with raised eyebrows, realizing he was caught staring at his phone in his lap. He knows he should be paying attention to the conversation happening around him, and he knows that it's rude to be on his phone while he's in company, but he hasn't heard from you all day and usually you would've exchanged words (or funny memes) by now.

It's not that he MUST speak to you all day, every day to survive, but it just happens. If he sees a funny video of a cat on TikTok, he sends it to you. If you forgot how to do something on Excel, you text him and he replies within two minutes to explain how to do it. Sometimes he even goes through the trouble of doing it himself, screen recording it and sending it to you to give you a step-by-step guide. That's just how it goes with the two of you.

"Huh? Sorry, what were you saying?"

"I was just asking if there's a special someone in your life," Jimin says with a little grin, resting his chin in the palm of his hand.

"Actually, what he asked was if you're still on track to die alone," Namjoon quips, Jimin waving him off with a little "eh, same thing".

Jungkook rolls his eyes, flatly denying any romantic relations. It's not like he's lying. He just can't say that he might have started developing feelings for the woman he's casually sleeping with, so he just settles on, "Naah, I'm too busy with work." It's easier.

They know their friend is a terrible liar, but they also know that he would tell them if he really wanted to, so they don't pry. They've heard your name once or twice in passing, a little comment here and there like 'y/n likes that movie' or 'y/n uses this perfume'. As far as they know, you're his work friend. That's it. Even Taehyung doesn't know much about you, and he works at the same university as an English Literature lecturer, which brings us to rule #2.

Rule #2: It stays between us. It's just less complicated if less people know, and Jungkook knows that if his friends knew about it, they'd be pestering him about you all night and he doesn't need that right now, especially when his eyes drift back down to his phone and there's still no text from you.

You're in bed, surrounded by snotty tissues and a sleeping Miso, who really couldn't care less that you just underwent a violent coughing fit. You're about to doze off, when your phone buzzes on the nightstand. You check the notification, and when you see who it's from, you swear you feel your heart rate rise, but maybe it's just from all the coughing.

prof jeon |7:50pm]: hey, you. prof jeon 17:50pm]: haven't heard from you all day... prof jeon [7:51pm]: are you mad at me bc i said sex in the city was boring??? 👀😭😭

You [7:51pm]: first of all, it's sex AND the city 💀 You [7:52pm]: and it's not boring, you're just a nerd who can't watch anything other than marvel

He laughs, knowing he should've expected that response. Your next message comes through shortly after.

You [7:53pm]: sorry for the radio silence You [7:53pm]: i have a nasty cold 😵‍💫 You [7:53pm]: feel like i was hit by a bus You [7:53pm]: took some cough drops and slept for most of the day

He really shouldn't feel the need to immediately rush to your aid, but he does.

prof jeon [7:53pm]: want me to come over?

You [7:54pm]: you don't have to do that, kook You [7:54pm]: i don't wanna get my germs all over you 😕

prof jeon [7:54pm]: don't be silly   prof jeon [7:54pm]: i’ve had your bodily fluids on me before, who cares about a little snot 😂😂😂   prof jeon [7:55pm]: i can be there in a little bit 

You [7:56pm]: you're gross 🙄 You [7:56pm]: and really nice

prof jeon [7:56pm]: see you in a bit x

He excuses himself from dinner with the excuse of a family emergency and promises his friends to hang out again soon. He grabs his coat and heads out to his car, making a stop at your favourite Thai restaurant for some pho before driving over to your place.

You unlocked the door to your apartment and dragged yourself back to bed as soon as he texted you to let you know he's on his way up. You hear the door open and in walks Jungkook, looking very handsome you might add.

"You're dressed awfully fancy to take care of my cold," you tease with a little smile, your eyes drifting down to the plastic bag in his hand, a bag you know all too well due to countless trips to that specific Thai restaurant. "And you brought food?"

He smiles as he removes his coat and walks over to the side of your bed, placing the pho on your nightstand before sitting down on the edge of the bed, clearly not bothered by the array of tissues scattered around the duvet. Miso sees him and gets up from her spot on the bed, sauntering off to the living room, almost as if she knows her mom is about to get folded like a pretzel again. But Jungkook's not here for that tonight.

"I was actually out at dinner with some friends when I texted you. And I thought you might've been too lazy to get up and actually eat dinner, so I brought soup."

The thought of him dropping his plans with his friends just to come over and take care of you fills you with a warm, fuzzy feeling. Maybe it's just your high temperature. Maybe it's the fact that he's just so kind to you. Whatever the reason may be, you're too sick and weak to fight the soft smile tugging at your lips.

"Thank you, Jungkook."

"Don't thank me. I just didn't want you to drown in your own mucus."

Your laugh makes his heart feel funny, even if it barely managed to escape your sore throat.

He opens the lid of the steaming hot pho and holds a spoonful to your lips. If you were your usual healthy self, you would've told him that you're fully capable of feeding yourself, but you're sick and vulnerable and he has that soft look in his eyes, so you let him feed you the soup. It's warm and a little spicy, and it instantly makes you feel better as it slides down your throat. It's just that good. That, and the fact that he bought it for you and drove all this way to feed it to you.

He makes sure you take any necessary medication and even helps you flip over to lay on your stomach so that he can rub some VapoRub on your back, his hands giving you the comfort you didn't know you so desperately needed.

You aren't used to being taken care of by such a gentle man. He blows on your soup for you so that you don't burn your tongue. He wets a cloth with cold water and lays it on your forehead to bring down your temperature. He touches you like you're some delicate porcelain that could break at any moment. When he lays down with you and runs his fingers through your hair, you don't fight it. When he presses a soft kiss to your cheek, you don't protest like you normally would because rule #3 is no kissing outside of sex but you don't even care right now. You let him take care of you when you normally wouldn't. You allow yourself to be taken care of because it feels too good to overthink.

Jungkook feels a bit selfish for relishing in your current state because it allows him to care for you in your time of need. He would do it for any of his friends because that's the type of person he is, but this is different. This is you, and he would drive for hours and hours to get to you if you ever needed him. He would put everything on hold to be there for you. Hell, he would run into a burning building if you were in there. Because it's you.

He props his head up on his elbow and looks down at you, taking in your fevery flushed cheeks, your heavy-lidded eyes, your stuffy nose, and he thinks that no other woman will ever be as beautiful to him as you. He's not Taehyung. He doesn't teach literature and he doesn't have the best way with words, but he could spend hours writing poetry about the sound of your laugh or how animated you get when you're really passionate about something. He could sit and watch paint dry all day if you sat by his side and did it with him.

Jungkook takes the tv remote from the nightstand to turn on Sex and The City, clicking on a random episode from season 6 and getting comfortable next to you.

"What happened to Sex and The City being boring, hm?" you chuckle, giving him a teasingly pointed look.

"What, you want me to turn it off?"

"No, I just thought you didn't like it."

"But you like it."

You turn your attention back to the tv as a smile threatens to break out on your face, your head turned so that he doesn't see how much that simple response affected you.

He barely remembers the characters' names or much of the plot, but you enjoy the show, so he watches it with you, making comments here and there and even asking questions just so he can listen to your voice as you explain why Carrie Bradshaw does what she does. He mentally pats himself on the back for getting through a good handful of episodes before inevitably getting bored.

When you get up to go to the bathroom, he just can't help himself and turns on one of the Avengers movies, offering you a sheepish grin when you come back and see what's on your tv.

You roll your eyes and get back in bed, watching Iron Man perform a monologue for the millionth time. "Captain America's better."

He gives you a look like you just killed his dog or something, and you already know what's coming.

"Are you insane?! Iron Man is so obviously the best Avenger, y/n."

"He doesn't look like Captain America, though."

"He doesn't have to," he scoffs, looking back at the tv. "He's got that whole rich CEO thing going for him. Plus, he's like, a genius."

"Nerds defending nerds, I guess," you tease with a faint smile.

He grins, a hint of smugness in his expression. "Are you saying I'm like Iron Man? Because if you are, that's a huge compliment."

"Iron Man's a bit more of a bad boy," you chuckle, narrowing your eyes at him as you try to think of who he resembles in the Avengers. "You're more...boy next door, kinda like Spider Man."

"Wha- excuse me, I can be a bad boy too if I want," he quips, trying to sound offended, but when you mention Spider Man it kinda makes up for it. "I guess I'll take Spider Man. I do have a nice ass."

You laugh, giving him a puzzled look. "Who said anything about Spider Man's ass?"

"He's like, known for having a great ass. Have you seen him in his suit?"

"So, that's it? That's why you'd make a good superhero? Because you have a nice ass?"

"Well...not just my ass. I'd make a great superhero because...y'know...great power, great responsibility and all that other stuff."

You scoff, shrugging like you can't argue with that.

He's quiet for a while, a full-blown fight scene playing out on the tv, his mind starting to wander a bit.

"You'd be Black Widow. You've got that badass, independent woman vibe," he murmurs, looking over at you with a soft smile.

"You think so?"

"Oh yeah. You're smart, confident, you don't take crap from anyone. Plus, you'd look really hot in the tight outfit." He just can't help himself.

You roll your eyes, softly swatting his bicep. "Of course that's what you think of."

He chuckles, shrugging his shoulders, feigning innocence. "Hey, what can I say? I'm a man, I like what I like."

And I like you. He can't say it out loud, but acknowledging it is enough for now, and when the cough syrup starts taking effect and your eyes slowly start to droop, he feels content with just having your head on his chest.

His phone buzzes and he pulls it out of his pocket to see a text from Taehyung, and your eyes are barely open when they land on the screen. You didn't even mean to look, it was kinda just an instinctive thing, but you're not interested in his private texts from his friends. What catches your eye is the photo on his lock screen. It's a photo of the two of you from a year ago, both of you making silly faces at the camera. It's a cute photo. If anyone else were to see it, they'd think you're a couple.

“I didn't know that’s your lock screen,” you mumble, your voice a lot sleepier than it was an hour ago.

“Are you snooping?” he teases with a little scoff.

“I didn't mean to look, your phone is kinda in my face from this angle,” you murmur through a soft chuckle, looking down at the photo.

“I like this photo of us.” He smiles when you tap the screen after it goes black, wanting to get another look.

“Coulda used one that I actually look pretty in,” you murmur jokingly, and as the cough syrup drains the last of your consciousness, the last thing you hear is a soft, “But you’re always pretty, y/n.”

The next morning, you wake up feeling a little bit disorientated after taking all that cold medicine, blinking a few times to clear your vision. You slowly sit up in bed and check your phone, seeing that it's 10am. You almost think you overslept for work, but you realize it's Sunday. You think back to the night before, the way Jungkook came over and fed you soup, the way he gently put VapoRub on your back and made sure you were well taken care of. You turn your head to find Miso in the spot that Jungkook was in last night, and you would feel disappointed that he’s not there anymore if Miso weren't so damn cute. It's not like you expected him to still be here this morning. After all, staying the night is another boundary you don't cross, and he respects that, which explains why he left a little while after you fell asleep.

You feel that fuzzy feeling in your chest again when you take a better look at what's on your nightstand. Your water bottle stands tall, which Jungkook filled before he left last night, along with a little note from one of the notebooks on your desk.

The note says, 'Hope you're feeling a bit better. Get lots of rest and drink your fluids. Don't worry about falling asleep, Miso made sure I saw myself out. Hope to see you at work tomorrow xx'

You read the note again, and then again. It's simple but thoughtful. He didn't have to write a note. He didn't have to come over last night to tend to your illness, but he did, and you aren't surprised because he's him. That's just what he does.

You think about last night until you have to consciously stop yourself from smiling so much because your cheeks feel a bit stiff. You grab your phone from the nightstand and scroll to his contact, your fingers quickly sliding across the keyboard.

You [10:23am]: thank you for coming over last night, kook You [10:23am]: i owe you fr

prof jeon [10:25am]: you really don't 🙄 prof jeon [10:25am]: i just wanted to be there for you prof jeon [10:26am]: it's what spider man would've done 👀

You [10:26am]: 👁️👄👁️ You [10:26am]: nerd

[buddhistmusings]

Why do you care so much?

I've been asked this question a few times in the past year - why I spend so much time thinking, reading, and reflecting on antisemitism, especially because I am not Jewish myself. There are a few reasons, really. One of them is that I think antisemitism is a hatred that spawns other hatreds, but even if it did not, it would still be worth studying, because the fact that it is a hatred at all is enough. The fact that antisemitism impacts Jewish people is enough of a reason to oppose it.

It's also because it's important to oppose because of the way it damages the thinking habits of people who believe it. I saw somebody say, "Jew-Hate makes you dumb," once. And though I think it was probably an off the cuff statement for them, it stuck with me, and I think they're right. In my religion, we say hatred is one of the three poisons - it can seriously harm your mental well-being in a way that deepens your suffering in all aspects of life. Often, hatred can also be spread like a contagion. It's something that destroys social harmony and causes severe social dysfunction. And right now, I think antisemitism is the most contagious of hatreds - I've seen people in my life fall off the cliff, I've been able to talk some back from it, and I've seen how so many people wander towards it without any idea that that's what they're doing.

Part of the problem is that antisemites consider themselves righteous in a way I think most racists don't. Often, you'll see "I'm not racist but" I almost never see that with antisemitism. They don't add that qualifier. They just say it. Most racists I know will make a tacit acknowledgment of the racist implications of what they're about to say - antisemitic people don't. They often even engage in anti-Jewish racism while invoking anti-racism.

I don't really know any Jewish people in real life, perhaps only two. But I don't need to know them to know that hating them is wrong. I think I also have a debt of gratitude to many people in the Jewish community because of the advances in Buddhist Studies made by Jewish people, which sounds strange - but it's true that many leading voices and researchers, both in academia and within Buddhism itself happen to be Jewish. I'm not sure why this is, but it's absolutely true. The most prolific translator of Pali into English that I can think of is Jewish. The most impactful Vipassana instructor in America I can think of is Jewish. The most impactful voice in Deity Yoga, for Tibetan Buddhism, is Jewish. People who are Jewish, for some reason, contributed probably more than ex-Christian Americans or atheists combined to the proliferation of Buddhism in the United States.

Buddhists and Jewish people are known to have a close relationship. There are a lot of different reasons for this that I would suggest, but none that add up to explain the amazing contributions to Buddhism made by American Jews.

I think another reason I have for being so interested in antisemitism as a non-Jew is the kind of... political disillusionment I've been experiencing? It's been a disturbing few years, and I haven't seen many people elaborate very well on this feeling of abandonment and horror, witnessing people who you thought shared your values become hateful and deeply violent in their beliefs. The only people I've seen consistently speak about it happen to be Jewish.

I think all of this has helped contribute to a feeling of closeness to Jewish people as a group, despite that I don't really know Jewish people in my real life, and only have one or two Jewish friends online. This year has been a horror show of watching people's minds become twisted - it's so scary in a way I can't quite capture with words right now.

I also sometimes have a back and forth with myself about when and if to mention I'm not Jewish when I talk about antisemitism, because I do think it's totally necessary to explain the perspective from which I speak, but to be honest it feels kind of icky to be like "I'm not Jewish, but antisemitism is bad", because antisemitism is bad whether or not the person saying so isn't Jewish, and I think it might be a negative for people to think "not being Jewish" is something which makes it any less valuable to be against antisemitism, and talk about how against it you are. It's very real that people who talk about antisemitism are perceived to be Jewish, and obviously, it's important not to lead people into thinking you're Jewish when you're not, but adding an "I'm not Jewish" qualifier to statements about antisemitism I worry might contribute to the perception that those against antisemitism are Jewish.

Antisemitism is such an insidious ideology. And it's everywhere. I see it daily in so many different spaces. It has the largest impact on Jewish people, but it also impacts non-Jewish people at times. I distinctly remember being mocked throughout school for "looking Jewish." I think about that Greek restaurant which was attacked because they were thought to be Jewish. Or that man in the Amsterdam violence who tried to help and was then accused of being Jewish himself. It's so deluded, violent, and manages to consume people's thoughts like a parasitic worm in their brain.

Anyways, I planned for this post to be more organized. Oops.

[elkian]

More about GGG's finale and core plot (that is, BIG SPOILERS BELOW)

One recurring trend is loneliness. King's actions help connect people, and our protagonist continues in her footsteps, but the loneliness of the characters who play antagonists is especially notable.

The God Awards (which I've mentioned before, the whimsy of them made me totally blip over the red flags and implications) mention Inspekta doing everything for them. What would they be without him, Capochin asks?

"Lonely!"

Inspekta gathered the lonely hearts together. Gave them purpose. Gave them a charismatic leader to follow.

Saul is one of the most antagonistic non-Bizzy humans, and a recurring refrain in Milldread is how lonely everyone is. How gatherings are now somehow either discouraged or outright illegal (hmm, wonder whose idea that was). In fact, most of the Milldread citizens only have good or at least compassionate things to say about him.

(Sometimes I feel like the antagonists are shown a little much compassion given the way this plot goes, but it is also important to remember that deprogramming cultists etc. is based around showing compassion and reminding them that the world is not innately hostile to them. And there's only so much a single game can say in the span of a few hours, so, like, I get it.)

In fact, you have to insult Saul twice to progress in Milldread. How do you do this?

One, you get a dog to make a dog noise, and Saul loses it and comes over to harass the dog (and fail).

Two, after this point, he'll say that he "hates that shaggy little man". This is the line you need to give Budd to progress. When he asks for an insult levied at Saul, you can travel the town... and find that everyone has good things to say about him. He's misled, he's actually very sweet, his friends miss him.

It's very telling that the only way to effectively insult Saul to Budd is to use his own words to do it. Even writing this, I realize that this also implies a bit of a persecution complex with Saul - the people around him don't hate him, or even think he's particularly incompetent. They're worried about him. They understand that he's stressed. He was lead astray by a bad element but he snaps out of it (with help) in time to rejoin his community.

And speaking of throwing words back in faces...

Capochin shows a pretty regular skill for recognizing voices when you fling words at him - it's funny, because a lot of people in this game don't, so he's an outlier and that's amusing. In the battle against him, it means you have to work around him - you can't use his own words against him directly.

Instead, you put words in "Inspekta"'s mouth and bring that to Capo.

He shows an awareness, to a level, that this isn't really Inspekta talking. But this realization is a long time coming, and he can't repress it anymore. He can't deny reality when it's thrown in his face, when he's all alone, when nobody wants to work with him anymore. When even his god is only using him, spending more time with the Godpoke, leading him astray.

The Bizzyboys (and Hector; Yugo Limbo said that all of them come from Drain, hence them looking alike(?) ) evoke a very specific type of person, to me: the incel. Or at least, something adjacent. They're all referred to as "he" as Bizzys (I'm of a mind that Bizzyboys are all he/him while Bizzy, as, like, an honorary gender, mostly because it's just a silly idea; though in retrospect it also meshes with the enforced similarity situation). They're all lonely. They've banded together under a mutual purpose, but they don't really support each other.

And when they start to, between Hobbyhoo and BuzzHuzz? When they begin to collaborate, talk about taking a break from all this fash shit "investigating"?

Capochin shuts them down. Hard.

And Patty says he's scared of Capochin, but the other Bizzies say he would never hurt any of them. But when Capochin blows his top, all of them get really timid.

Capochin not getting involved in the violence until there's literally no one else to hide behind is so cliche that it almost just seems like a joke, until I took in the rest of the story.

Playing this game makes me think a lot of Fallout: New Vegas, a game where you can also destroy fascism and avert a cataclysm as a vaquero-themed courier.

One thing that becomes achingly clear in FNV is how the Legion is a cult of personality: it's not just the Legion, it's Caesar's Legion. Legate Lanius is terrifying, yes, but nobody talks about him as a leader so much as a warrior. Once Caesar dies, it seems obvious to me that the entire thing is going to crumple like a house of cards. Caesar didn't leave any backup plans, any true heirs, because the whole thing was his vanity project. There's no point to the Legion without Caesar, and he never once considered that there should be.

Inspekta and the Bizzyboys work very similarly. The whimsy and goofiness of the setting, which we also see in Smile For Me, lead me to miss some major red flags (I am also just. very dense.), which is a known problem in real fascism - the use of cutesy facades to cast absurdity on any claims of propaganda.

Anyways. My point is that the Bizzyboys seem at first to be a group, but are really more underlings in a cult of personality. Everything falls apart when faith in the system - in Capochin, in Inspekta - is lost. And Capochin is the Joshua Graham to Inspekta's Caesar; both of them culpable, both of them seeming in charge, with Capochin primed to take the fall as soon as things go wrong. But he volunteered for that! He wanted to be Inspekta's #1! The right-hand chump! The prime goon! He's getting everything he ever worked for, so don't question the system, Capo, because that's the same as doubting Inspekta. And doubting Inspekta means you're not a good Bizzyboy. Means you're ungrateful. Means that maybe what you have should go to someone who'll appreciate it.

They literally have their names stripped away - and I think the constant belittling and name-withholding of Patty, who genuinely displays real competence and intelligence at points if you pay attention, is a deliberate ploy. You don't want to be like P. You don't want to be a failure. Look at you, earning your letters! You almost have a full name! Not like that loser at the bottom of the barrel. You're a real winner, here.

And you, P? You need to try harder. Look how Alexei has his whole name back for doing hardly anything! How can you fail to get even a single letter back, compared to him? When Patty asks for his name back in Milldread, Capochin mentions solving mysteries - mysteries of "what does Capochin want for lunch", etc. It's silly, but it's also sinister. It's the most overtly self-centered bit of Bizzy lore we get for maybe the whole game. Capochin outright says he comes first and we laugh because of the delivery.

(The videos are fantastic, because they really set up the reveal in a lot of both subtle and unsubtle ways. Even the very first video, where Capochin insults Patty for asking a scripted question, before moving into the answer, is foreshadowing for the constant emotional abuse all of the Bizzys and Patty in particular are subjected to. There's probably much more I'm forgetting.)

Under the whimsy and humor of the game is a very real statement about cults and fascism and the kinds of people they recruit, and how they do it. They amplify the concerns of the disenfranchised and alone, people who have difficulty connecting with a community. They give those people somewhere to belong, ideals to uphold, and targets to gang up on.

Anyways. Good game.

[call-me-chips]

Alrighty this is gonna be long but I'm bored so HERE WE GOOO

Kyomu Mori questions

1.Are they associated with a certain colour? What colour do they wear the most?

Because if his hair colour, I'd say he's accosiated with light blue. He usually wears more muted-ish colours like grey, dark blue, and white, but he loves wearing yellow

2. What sort of music would they like? Have you thought about what genres or bands do they lean towards? Do they have a favorite song?

He prefers rock music. Basically any music that makes you feel like you can take on the world. He loves vibing to those. And just because I don't have a fav song, neither does he 😅 (my fav songs change within a week)

3. Weapon of choice? Any particular reason they chose their weapon?

Guns. Any kind of gun, though he prefers pistols and other small, handheld ones. He likes guns because he's always been talented with them. That, and that he was raised by Snipe

4. How crafty/resourceful are they?

I'd say about a 7-7.5 out of ten for this one. Not the greatest, but he can conjure up some resourcefulness when he wants to

5. How do they typically dress? Does their wardrobe lean more toward practicality or aesthetics?

Depending on how he's feeling, his clothing choice changes. On a good day, he'll go for a nice-fitting tank top. On a bad day, he night go for a loose-fitting t-shirt. His clothing style is casual, but kinda aesthetic in a sort of steetsy-kinda way(??). Fashion/aesthetics are important for him, but you'll never catch him wearing anything with pockets he can't shove his whole hand into

6. How do they wear their hair? Do they care a lot about how their hair looks?

He almost always wears his hair in a high ponytail. Although he does this to get his hair out of the way, he always makes sure his hair looks presentable. He's the kinda guy to use a bit too much conditioner

7. Favourite animal? Why?

Dogs. Specifically german shepherds. Because he thinks guard dogs are cool af

8. Do they have a nickname? Who gave it to them? If it's not derived from their real name, what's the story behind it?

His nickname is Kyo. Ashido gave him it randomly one day, and Kaminari immediately started using it too

9. Favourite food? Least favourite? Are they a picky eater? Do they have any dietary restrictions?

Fav: Burgers. Specifically bacon burgers. Least fav: Tomatoes. He's not really a picky eater, but he's not even TOUCHING anything woth tomatoes in it. And he doesn't have any dietary restrictions

10. If they wear jewelry, what kind? Do they prefer silver or gold? Do they have a favourite gem?

He wears earrings and has an eyebrow piercing, but he'll toss on a necklace or two if he wants to look presentable when going out

11. What do they have in common with you? How are they different? Would you get along with them?

He doesn't have a lot in common with me. Ig we both question authority?? Also we both live guns. Overall, he's MUCH more confident than me. We are quite different. I'd say I wouldn't get along the greatest with him, mainly cuz he likes physical touch, and that is something I HATE. You touch me randomly and I freeze, as well as shoot you a dirty look XD

12. How long have they been around? Do you know their birthday? Is their birthday the day you made them or another day? What do they think of celebrating birthdays?

He has been around for 16 and a bit years, and his birthday is on April 6th. This is not the day I made him (actually this is the first I'm hearing of making their release date into their actual birthday. I shall do this for another of my ocs :) ). He loves his birthday cuz it gives him attention xD

13. What languages do they speak? How fluently?

He can speak Japanese, English, and Filipino. He speaks Japanese fluently. His English isn't the greatest, but he's learning from school. His Filipino is REALLY rusty, but he can hold a basic conversation. He knows Filipino because his father is from the Philippines, and he learned the language as a kid, but he hasn't really used it since highschool

14. Are they any good with numbers?

Not really sure how to interpret this, but he's not the greatest at math

15. How big or small is their family? Who did they live with growing up? Do they live with anyone now?

His parents died. He lived with Snipe growing up. Currently, he's living in the UA dorms

16. Do they have any pets? What do they call their pets?

He doesn't have any pets, but he wants a dog. He also kinda maybe sorta wants a bird

17. How did they spend their summers/free time as a child?

He spent a lot of his time at the shooting range growing up, and it's always been a place of comfort to him

18. Their opinion on lying, stealing, and killing?

He thinks they're bad, obviously. But,,, he does think they are justified, and even necessary, in many cases

19. Are they quick to anger? What sets them off?

He doesn't really anger quickly. He's more laid back. And although he does get angry when someone hurts/threatens his friends, he also gets angry when many little things go wrong. Like, you know those days where everything seems to go wrong and you're tripping on things and dropping things? Yeah that gets him angy quickly

20. If applicable, can they drive? If they have their own, what colour is their vehicle? Is the inside neat and tidy, or a mess?

The legal driving age in Japan is 18, so he can't drive. But he may or may not fail many a driving test in the future... Also he has sworn that his future car WILL have racing stripes.

21. Their favourite place to be?

The shooting range

22. Do they sleep well at night?

Kyomu sleeps like a little baby, if that baby takes up the whole bed while sleeping and falls off the bed randomly in the night

23. How would you describe their voice? Can they sing?

His voice is on the louder side. I don't have a voice claim yet, but I may find one eventually. Also he can't sing. Granted, it's def not the worst out there, but it couldn't be considered "good"

24. Do they have any creative hobbies? (Art, writing, music, etc.)

He likes doing graffiti, tho he doesn't do it often. Other than that, he likes to listen to music

25. How good/bad is their hearing? What about their eyesight?

His hearing is a little better than what is considered normal, and his eyesight is good. Little fun fact about his eyesight: He sees yellow slightly better than any other colour. Yellow is very slightly more vibrant and bright to him

26. How do they move? Are they clumsy? Light on their feet? Do they use mobility aids?

Because of how his legs are built, he is slightly more light on his feet. His footsteps don't make a lot of noise. He can be a bit clumsy tho. He's not the most careful with his actions

27. If applicable, do they have a favorite sport? Do they play any sports or prefer to watch?

He likes basketball (probably cuz Kyomu has a height advantage over his friends). Watching sports is boring to him, and he prefers to play some friendly basketball with his friends

28. How do they show they care about someone? How do they express that they don't like someone?

Kyomu shows he likes someone by doing things with them and touching them (not like that. Stop it.). He'll ruffle his friends' hair or playfully poke them, and he's always down to give a massage if asked. Sometimes he'll even find his tail involuntarily grazing by the legs of those he loves.

29. Are they accosiated with any particular element (air, earth, fire, water)?

I don't think he's really "accosiated" with an element, but he'd probably be water

30. Do they smell like anything notable?

Nope. The only notable smell-related thing I can think of is that he sometimes uses women's deodorant because it smells better than men's "forest mud deodorant" or whatever it's named xD

31. Do they like receiving gifts? Giving gifts? What is their ideal gift?

He loves receiving gifts, but not giving so much, because he rever really knows what to get people. His ideal gift is any like, small, neat, unique, silly trinket. He loves collecting silly shit his friends give him

32. Do they have any hobbies that aren't particularly self-destructive, just maybe odd?

Not a hobby, but he drinks the pickle juice out of the jar when he finishes all the pickles.

33. If applicable, how would your other characters describe them? I mean specifically the people around them.

I don't have any other Mha ocs as of rn, but I can do this for his friends. Also I'm not gonna go into how each character would describe him, so ima do how the characters see him Kaminari, Ashido, and Sero see him as kinda like a cool older brother, and they live hanging out with him Kirishima and Jirou see him as a wee bit much, but they still love him and love the energy that he brings to class. Bakugou doesn't like him. Especially cuz Kyomu is taller than him and he doesn't like that Others like Iida, Midoriya, and Ochako don't care for his rebellious personality, but they will admit that he brings up the mood of just about whatever situation he finds himself in

(The thing above is being a bitch and is refusing to be coloured blue and now we must all suffer.)

34. How would your character describe themselves? It doesn't have to line up with who they really are.

Kyomu thinks of himself as more or less the "popular kid" that just about everyone likes. He would describe himself as brave, strong, and willing to stick up for what he thinks is right

35. Do they ever return home?

. . . . ?? He never "left" home?? I mean, he is living in the dorms rn, but idk what this question is getting at :/

Tagging @bluespider008 because I found these questions cuz you posted yours, but I didn't want this to take up a ton of space on my blog, so I just reblogged the original post 😅

Idk if you wanna see this, but you're seeing it now!

Also feel free to reblog with your oc :)

i wanted to make an oc ask game 😋 things i like to ask people abt their characters:

are they associated with a certain color? what color do they wear the most?

what sort of music would they like? have you thought about what genres or bands do they lean towards? do they have a favorite song?

weapon of choice? any particular reason they chose their weapon?

how crafty/resourceful are they?

how do they typically dress? does their wardrobe lean more towards practicality or aesthetics?

how do they wear their hair? do they care a lot how their hair looks?

favorite animal? why?

do they have a nickname? who gave it to them? if it's not derived from their real name, what's the story behind it?

favorite food? least favorite? are they a picky eater? do they have any dietary restrictions?

if they wear jewelry, what kind? do they prefer silver or gold? do they have a favorite gem?

what do they have in common with you? how are they different? would you get along with them?

how long have they been around? do you know their birthday? is their birthday the day you made them or another day? what do they think of celebrating birthdays?

what languages do they speak? how fluently?

are they any good with numbers?

how big or small is their family? who did they live with growing up? do they live with anyone now?

do they have any pets? what do they call their pets?

how did they spend their summers/free time as a child?

their opinion on lying, stealing, and killing?

are they quick to anger? what sets them off?

if applicable, can they drive? if they have their own, what color is their vehicle? is the inside neat and tidy, or a mess?

their favorite place to be?

do they sleep well at night?

how would you describe their voice? can they sing?

do they have any creative hobbies? (art, writing, music, etc)

how good/bad is their hearing? what about their eyesight?

how do they move? are they clumsy? light on their feet? do they use mobility aids?

if applicable, do they have a favorite sport? do they play any sports or prefer to watch?

how do they show that they care about someone? how do they express that they don't like someone?

are they associated with any particular element (air, earth, fire, water)?

do they smell like anything notable?

do they like receiving gifts? giving gifts? what is their ideal gift?

do they have any habits that aren't particularly self-destructive, just maybe odd?

if applicable, how would your other characters describe them? i mean specifically the people around them.

how would your character describe themselves? it doesn't have to line up with how they really are.

do they ever return home?

[ghouljams]

Hey Ghoul saw you were doing therapy on your anons so I am here NOT to request therapy but to ask for idk tips, thoughts, opinions

How the fuck do you realise someone's flirting with you? How do you flirt back? I've found myself realising I was in a date while I was IN THE MIDDLE OF THE DATE so clearly my skills need work lmao

People always tell me "Oh, you need to be confident" and like. I'm plenty confident. I'm outgoing, I can talk to a wall, I'm a good storyteller, I like to think I'm quite funny. So it's not that I'm scared to talk to people.

It's just that... Apparently I flirt without realising and then end up in situations because I DIDN'T KNOW

And then when I actually Like™ someone I simply become a wet mop and that's why I've always been single (no, kidding, I've always been single because the people interested in me were not people I was interested in and on top of it they had to explicitly tell me because I didn't realise so it was all very awkward 😭)

Actually this is a wonderful question/looking for tips that you've brought me because I have a real answer to this!

Statistically speaking, and according to the university of Kansas, people are ASS at telling when someone is flirting with them. Genuinely we as humans are so bad at distinguishing what is and isn't flirting that we reliably can't tell who is flirting with us and who isn't. It's truly a wonder the human race has lasted this long.

A lot of it is environmental as well, so in places where people are looking for flirting they're more likely to assume people are flirting with them, and vice versa.

Now in terms of you flirting with other people I have no advice. There's so many tips out there and all of them will feel unnatural to you. The only way to flirt with someone is to have a genuine interest in them, and then you'll just sort of do it subconsciously. I don't think I've ever consciously flirted with Mr. Ghoul but somehow he's in the picture. So idk man.

Uh otherwise men are more likely to assume you're flirting just by being nice to them because they've been socialized to associate attention with interest, and women will never assume other women are flirting with them because they've been raised to see compliments and casual intimacy as natural between friends(which is great but girl I'm trying to fuck u please). So you're really just better off doing what you're doing and being your charming self.

If all else fails it's really flattering to have someone straight up tell you "I'm flirting with you." Also you can always ask for clarification, most people will find it cute.

[dangermousie]

"I don't really watch kdramas as much as I used to (since they went into direction that largely doesn't click for me)"

i'm curious about the direction you're talking about. if it's not personal ofc

Oh, it's not personal at all. I don't have kdrama related trauma (other than all the yummy food I want and can't have when I watch the dramas :P)

Basically, I got into kdramas a very long time ago (my first kdrama was in 2006) and back then, angsty romantic melodramas and adult sageuks were king. (Even romcoms would go into angst inevitably.) And that's the thing - the reason I got into kdramas was because those two types of narratives gave me what I crave and like in fiction.

Fast forward to now. Adult melodrama (I don't mean majkang nuttiness but sort of fancy with A list stars) and adult sageuks are very very rare. When they air, I do go insane (My Dearest or Goryeo Khitan War last year or When The Phone Rings this year are good examples) but they don't air much.

My tastes have not changed but kdramas have. They are now a lot more youth oriented and I am too old for that. They are also a lot more into romcoms (and I mean proper non angsty ones) or procedurals and once again, not my thing. There is also the issue of the ep counts shrinking and I like unhurried storytelling, I think you lose a lot of texture and complexity by cutting (there is a reason I am a fan of lengthy Victorian tomes.) There is the netflixization - and by that I mean a lot of kdramas now feel to me like American shows with Korean actors. And I don't like American shows with American actors and see no reason why that lack of interest for me would change just because it's set in Seoul and they speak Korean instead of English.

My tastes in fiction have been consistent since I was an elementary schooler reading Queen Margot and La Dame de Monsoreau in the corner of my room and experiencing the deliciousness of bawling over doomed fictional characters. I loved kdramas because they used to cater to those tastes a lot and now they don't really. We are almost in December and I have loved a total of 3 kdramas this year - When the Phone Rings (a throwback melo), Lovely Runner (occasionally a youth story is done so well even I bite), and Black Out (which is wonderful but did not feel like a kdrama but more like a prestige BBC production.) That's it. That's kinda bleak tbh.

[aleki-lives-here]

I'm making my way through System Collapse audiobook, and it's much easier both the second time around and than reading. This whole thing still feels too real too much, which makes me kinda passionately hate the book but in a way that I know isn't really hatred. I'm just experiencing a lot of emotions, okay. Listening to them create art, tell a story to make people see things from a new perspective is doing something to me.

I was ten when I decided I wanted to tell stories. I was thirteen when I figured out what kind of stories I wanted to tell, and yes the stories I wrote back then were kinda shitty but I reread half of those recently, at fourteen I already had the same kind of vibe that still appear in everything I ever created afterwards: shit happens, and people do mistakes, and it all just sucks, and you keep living, keep trying, keep holding on to hope.

I was a fucking teen and I knew I wanted to tell stories that would take the darkest most tragic situation and say: there's still kindness there. There's still hope. There's still future. I don't like whump or angst or anything just because I like to torture characters (tho I do, like to torture characters), but because shit sucks. shit sucks, and we keep living, and we keep finding joy in it all, and I want, always wanted, to have someone tell me -- to be the one to tell this to people, that yes. It sucks. It hurts. It's awful, and I see you, and I see the hopelessness, and it isn't hopeless anyway. It's all encompassing now and it's gonna change. If just one person read what I wrote and felt a little better, a little more seen, a little more hopeful, a little kinder -- that was all I wanted to achieve with my writing.

And the thing is: I feel like such a fucking failure.

Like okay. Objectively, rationally speaking, I'm twenty... right, twenty two as of now, which is young, but also it's fucking twenty two and it's longer than I expected myself to be alive, and it feels like I haven't done nothing. It feels like I'm never going to be able to do anything. It feels like it's ridiculous of me to even hope that I could do anything, especially with writing. Achieve something with my stories? Make someone think about new things? Make someone feel better? It's a ridiculous idea to aim for. That's what other people do, somehow, not me. The best I can settle is entertaining myself by torturing characters, which isn't gonna help anyone but hey if it entertains someone for five minutes it has to be worth something. It fucking has to be, I so honestly don't know why the hell I'm still alive, but it has to be worth something otherwise it's too depressing to consider.

But anyway. Then, there's System Collapse. There's this whole series, honestly, with the fairly background exploration of what media and art can mean to people, but here it's loud and impossible to ignore in the front of the narrative, and it resonates with me in ways I can't be comfortable with. It somehow fucking hurts to think about. Too many emotions and thoughts and just ugh. I'm not gonna be normal about this book any time soon, am I.

[padawan-crevette]

YES.

What Jayce says is that Viktor needs healing, not fixing, and I've been having a whole lot of thoughts and feelings about it since the episode came out.

I can't count or even recall the number of times I've felt like a burden or a failure because of my disability, and here we are, with THIS, with something that they wrote so WELL and with so much love. I can't speak for any group, only for myself, but I feel SEEN and LOVED.

Viktor is literally the reason I even did research about the kind of brace he wears, and ended up getting two last year. He is why I haven't needed to use my wheelchair in over a year, and why I'm slowly feeling better about many things related to my health. And the way his internalized ableism shows hits really, really close to home.

And I see people calling Jayce's speech ableist?? Are you joking I am not going to rant more on this post but LISTEN

okay. let’s talk about jayce’s monologue, since people are calling him ableist.

for context, not that it matters: I have a significant mobility disability and a progressive chronic illness which, even when managed, can kill me. I’m not in exactly the same boat as viktor since my disease isn’t terminal, but I’ve had very similar experiences to him. this shapes my perception of him and of this storyline.

this is the monologue:

You’ve always wanted to cure what you thought were weaknesses. Your leg. Your disease. But you were never broken, Viktor. There’s beauty in imperfections. They made you what you are. An inseparable piece of everything I admired about you.

first, it should be noted that “what you thought were weaknesses” is not the same thing as “things that are good.” jayce is not saying that viktor’s disease is or was a good thing. what he is saying is that he admired (loved) everything that viktor was, which included the things viktor thought made him a burden or a problem. remember also that jayce almost doomed the world because he couldn’t let viktor die; he would never imply that viktor dying was a good thing.

the next question, then, is whether viktor sees himself as a burden or not. I think it’s implied that he does — it’s certainly not unrealistic to think that viktor might have come to view himself, or at least his disease, as a burden and a flaw. disabled people often view ourselves that way either because of internalized ableism or because society constantly tells us that we’re burdens and that our bodies are abnormal and wrong. viktor displays behaviors that indicate internalized ableism, including hiding the fact that he’s coughing up blood from jayce the first few times it happens and generally refusing to be in the public eye in a way that is self-effacing and not just him being private. yes, he says in act 1 of season 1 that he believes in himself, but he does also call himself a cripple in a dismissive way in that same scene; also, he doesn’t have the disease at that point. arguably the entire scene where he runs despite clearly being in pain is an example of his internalized ableism, but that’s another post.

more evidence for viktor’s perception of himself being negative is that he clearly has a sense that he doesn’t deserve to be loved (specifically by jayce, but maybe also in general). we see this when he asks jayce why he’s still persisting in saving him. we see this with his generally self-effacing behavior. we see this with the fact that in all of season 1, the only person he allows to touch him is jayce, and that the only person he actively touches in the entire show is jayce. viktor is reserved and not good with his emotions, which is a huge part of his arc this season. all of these behaviors point to him having a negative self-perception.

I think it’s important to really consider how jayce perceives viktor and how viktor perceives himself. I don’t think this season handled everything perfectly, but I think they handled this very well. viktor has been written with a fullness and complexity that most disabled characters don’t ever get. him being morally grey doesn’t mean he’s “problematic” or “bad representation.” obviously I’m only one disabled person, but I really love jayce and viktor and I think their story is beautifully written.

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently

[thedreadvampy]

btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.

having said which

as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"

which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.

like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.

like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer

and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.

but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.

personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.

idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.

[goldenpinof]

.

[schakira]

i think black people being "kicked" out of it, so to speak, is more of a symptom than it is the direct cause. because if we do reinclude black ppl within the queer community, that won't really change the fact that being queer as a whole has been turned into a product? like...

i'm saying that because, if someone shows up showing me a circle of black people at a pride parade, i'll still feel like something is off, like these aren't my people, and that's what i'm gonna get to.

i think around the 2010s, the very battle for queer rights was turned into a battle for marketability. people proved that behaviour that was against queer rights were going to be cancelled, avoided, boycotted and the like. that practice itself wasn't wrong. but then something insidious happened i think. like we really lost the plot.

queer identities became marketable. companies started selling pride flags, talking about inclusivity, but then put "queerness" into palatable little identities, putting the more marginalised ones even more on the side. all for profit.

not only that, but i feel like more and more spaces for us were turned into places blocked by paywalls. bars, events, events, events, services, items, etc... and that very practice already filters a lot of people.

i feel like the battle for queer rights was stronger before because it was a fight against classism; you ran the risk of losing jobs and families, security and even your life just for advocating for queer rights. then, as time went on and we got more "accepted", that entire class struggle started fading out.

there are more points to this and i'm on the bus just typing away what i THINK could be the reasons, and i may very well be wrong.

but it really feels like i can't be gay without consuming something. an album, a show, an event, consume, buy, engage, invest. i feel distanced, you know? because it has become less about rights and more about money. that's why you see people changing their stances as soon as they gain more income. that's why people start distancing themselves from marginalised queer identities as they move up. you know? and black people as a whole, i know we struggle with racism in the work force, and more. hence why we're more of a symptom. and dangerous symptom of a very serious class divide happening right before our eyes, you know?

i don't like how queerness has been mainstreamed and commercialised. even the ballroom scene. like what happened

[absolutelybatty]

It's fun being unable to tell if I have religious trauma or if I worry about hell the normal amount

[sciderman]

we need to see more non dp spidey pairings

just read the comics man! they're everywhere!

(also, please, be the change you want to see in the world, anon.)

[rawliverandgoronspice]

the incredibly delicate tension between: we need art to feed us and connect us and make us feel like things have a purpose, and: art is slowly but surely making us more complacent and cowardly