#and i dont really want him to suffer...

[undermine-the-instinct]

I have...a very fucked up idea for a Mahito/Reader insert/Yuji fic....Very fucked up considering the past few episodes....

[medicalunprofessional]

sorry guys they finally showed me peak fiction . Its called “phantom of the paradise”

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[popdrop]

I STILL CAN'T GET OVER HOW IN THE BEGINNING, CALE PUSHED EVERYONE AWAY. You may say it's because of how "dangerous" and "trouble packed" their journey will be in the story later on— BUT. I JUST CANT HELP BUT FEEL LIKE MAYBE , JUST MAYBE. He didn't want them to be affected by his "curse" (side effect of WS) whether he knew about it or not. Just consider the fact that he KNOWS what will happen to them and how they'll be fighting for a better world and it'd be MUCH better if he's not there. Just in case he worsens whatever will happen.

He's such an unreliable narrator <3 the Worst Kind Ever.

[wonderlandhour]

Ok, call me crazy, but I have a theory. And it might not necessarily be a theory, maybe just an observance, but I noticed something with Malleus Overblot.

Warning - Spoilers for Book 7

So as we all know, the main plot point that leads up to Malleus overblotting is Lilia leaving NRC due to a loss of his magic. But over the books, I've noticed something. In Book 6 we learn that overblots are less a sudden intense outpouring of blot and negative emotion, and more like the tipping point of an amalgamation of years of buildup. I find that made a lot of sense with what I'd noticed, because with the blot gathering cut scenes, even in parts where it seems like things are going pretty well (like with Azul, Jamil, and Leona all having the upper hand until almost the very last moment), it gives a sense of dread and things taking a darker turn.

And while some of them make a lot of sense (Vil's ever growing obsession and losses to Neige or Riddle's constant fights with the main gang and his own dorm), in the instances where the blot buildup doesn't makes sense, Book 6 fave it clarity.

But I noticed that there's always a tipping point. A snap where you can see the character in question starts acting differently or odd. Riddle was violent and sudden, all of them were. But Azul was the first and most obvious example of this snap that I noticed. Leona destroys everything he worked so hard for, it cuts back to us and the tweels, and when we get back to Octanivelle, Azul's gone batshit. Literally. He snapped in every sense of the word. Riddle's snap wasn't obvious to me aside from the absurdity of Ace punching him, until I looked back. Riddle's snap was Trey going against him. Leona's was finding out he not only got found out, but got foiled. Jamil's was thinking the whole world saw his plans (which I believe was actually less just his own plans getting fucked but also a reaction to the fact that if he got found out by thr Asim's, his family might not survive their wrath but that's for another time.) Vil's snap wasn't even what lead up to him attempting to poison Neige, because he acts normal right after when Rook takes the juice. His snap is Kalim stopping him from hurting Rook with said poison. Idia's snap, I don't think was in the underworld talking to the original Ortho. I think Idia's snap was hearing Ortho call him Idy.

But Malleus? While the lead up is all about Lilia's impending leave, his loss of one of his only people. The only person who's been there his whole life. His dad. He's no where near Lilia when he snaps. He's already snapped when he shows up in the party with Silver and talks Maleficent monologuing. You can so easily spot his snap, because similar to Azul, he goes batshit. Silver notices it right away with Malleus laughing suddenly.

The begs the question, why did he snap with Silver. They were talking about Lilia, and Silver was crying, but to me. It didn't feel like that snap was about Lilia. It felt like it was about Silver. I'm one of those people who believes that Malleus and Silver are like brothers. They have a bond like that, even if they don't act on it in cannon. They're supposed to be a prince and bodyguard, those are their roles, and they're good at playing them for a reason. But that's the thing. If that's all they were, why would Silver, who doesn't show that much emotion is general, who's calm and collected, who runs out in what seems like a near panicked state to find Mallsus before Lilia leaves, start bawling his eyes out in front of Malleus. With barely a nudge?

They were both essentially raised by the same man. They are brothers through Lilia. Malleus has almost no one, he clings to Yuu because they treat him as if he were just another person. Just as Lilia does. Just as Silver often does. Sebek is the only one of the group who treats Malleus the way we could expect someone from Briar Valley might. Sebek is a whole other thing, but wouldn't Silver, who was raised by Lilia, who was taken in by his grandmother the queen, who guarded his and acted as her general, treat him similarly?

He does! We see it in events like the Glorious Masquerade, he is still Malleus's bodyguard for a reason! But if Lilia's relationship with Melanor was like Silver's with Malleus, it makes sense that their relationship would reflect that of their parents. And it has the added effect of Malleus being an orphan as well, and as far as I can tell (and an eng player trying to not get too many spoilers), Lilia takes a major role in Malleus's youth. He might not have been there constantly when he was younger, but he was there. And he was the only one who (besides probably his very busy grandmother) didnt treat Malleus as something to be feared or revered.

But what does this all have to do with Malleus snapping and overblotting? Malleus and Silver have a very specific relationship in cannon. Its professional decently often, but it's also soft. Silver will absolutely protect Malleus, but he knows that he doesn't always want or need it. He doesn't need to be observed like a hawk 24/7 if something goes sideways. (Seen in how quickly he and Sebek check on Malleus after the attack in book 6, and how calm Silver is while Sebek is panicking over a missing Malleus he wouldn't leave alone later on).

Malleus barely has to say anything to Silver before he breaks down in tears about everything with Lilia. I know as someone who be very private with what's bothering me, the only person who could get me to break down that hard and that fast would be someone I consider family. Silver so inherently trusts Malleus that he'll sob and cry in front of him with so little. He's desperate and shattering. The only person he let see that was Malleus.

Then Malleus laughs, and Silver's caught of guard. That basically proved that this is his snap, because it pretty much fully implies that this is out of character for the prince. Silver would take the laughter and the teleporation is sride. Instead he's shocked and bewildered through both of those things, confused when they show up at Diasomnia.

Malleus only goes back and quickly overblots because he'd already hit the point of overblotting. But it required blot, and he hadn't used any magic for that blot like everyone else until he got back and everyone started fighting him. He overblotted because losing Lilia killed him. But he didn't Overblot until the only other person beside the newcomer Yuu (who was also trying to figure out how to leave him) who treated him like a normal person expressed his exact feelings.

Neither brother wanted their dad to leave, but Lilia was leaving, and it broke Silver. And thus, Malleus snapped and overblotted because of Silver.

Anyways I'm not very good at articulating myself sometimes but this is just a long-winded way of saying I think malleus actually only fully overblotted because his little brother sobbed for their dad leaving them and his need for the few people he has was combined with his need to protect them (aka the sweet dreams and forcefullness of them) and Silver's breakdown was just the final straw. He kept Lilia and everyone else via their dreams safe because it meant they were all together and happy.

[morninkim]

the son becomes his father or something

[moeblob]

explaining to a coworker I don't socialize out of work bc of The Anxiety. then later explaining why i have gray in my hair.... it's... still The Anxieties...... goin' gray since my early 20s........

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[thebirdandhersong]

romantically, this girl is on sabbatical. literally can't take any more emotional damage this year lol I've run out of any capacity for nonsense :-) if anyone is interested, they'd have to be willing to wait, because -- and I cannot emphasize this enough -- my heart is so exhausted. SO exhausted.

[urpersonalpublicgalaxy]

small sketch

[cuubism]

hello friends. despite my 9 million existing dreamling wips i'm feeling the need to branch out a bit for the sake of my mental variety. what pairing other than dreamling should i write a little something for? could be romantic or platonic

other way of phrasing i guess: any pairings you really want to see more fics for in the fandom?

[restinpeacesensei]

suggesting something,,

[doodlebloo]

Nothing will ever rewire my brain like c!Schlatt screaming "Make it hurt!" at c!Tubbo's execution

[dangans-ur-ronpas]

Chapter 23

ohhh baby we back in it now

SEE HERE FOR GENERAL WARNINGS AND FIC SUMMARY

Some pre-chapter notes:

byakuya pov finally

bonus headcanon coming into play here: byakuya being Wasian

shoutout @digitaldollsworld for helping me conceptualize byakuya's mom! both of us are Sick about her

Content warning tags: wall-punching, grieving/mourning, unreality (dreaming)

< previous - from start - next >

There’s a woman standing in his office.

Byakuya stands behind the cracked-open doorway, peeking through - though, part of him does rile up with the indignity of having to spy into his own office - at the intruder, standing in front of his desk, back facing the door.

He can’t see her face. But he can see her flax-yellow hair, tied back with a wrinkled, silken scarf that’s probably the most expensive thing she’s wearing. Her cotton jumpsuit is so stained and faded that hardly any of the original blue is still there. Her canvas shoes are discolored with mud.

She would look more out of place, if the shabbiness of her hadn’t seeped into her surroundings. The carpet is splattered with crusted clay, and shards of stone stick out of the plush threads like thorns. The mahogany surface of his desk is creaking and bent under the weight of a large cube of fleshy, white marble, splintering under the lacquer.

As he watches, she lifts her bare hands - ugly, roughened, thickly muscled fingers, nails cracked and filthy - like a conductor before an orchestra. She pauses, head tilted like a bird, thinking, and Byakuya inexplicably finds himself holding his breath; and then, she places her palms against the stone.

The surface of it warps and distends beneath her touch, first like a swollen balloon, and then like clay, twisting and following her hands like a swimming fish. And he watches, fascinated despite himself, as she bends and shapes it, twisting pieces off, smoothing edges down. She pinches out a piece in the middle for a nose, smoothes down a sharp edge for a sloping curve of a cheek, flicks her nail sharply beneath the brow to pull out a crease for an eyelid.

It’s magic. In seemingly no time at all, there on his desk is a bust; the head of a man brought to life, caught in a soft, gentle expression. The sculptor pauses, and steps backwards to take in her work.

There’s something reverent about it, and Byakuya suddenly has the feeling that he’s witnessing something not meant for him to see.

But he creaks the door open slightly more to get a better look, finding it strange how he was more curious than angry, even despite the intrusion. As he approaches, the bust’s eyes suddenly flick towards him, and immediately the serenity is replaced by a solemn, pinched brow, the smile replaced by a severe slash of a frown. And Byaukuya realizes he recognizes this face.

The marble-wrought head of Kijo Togami is sitting on his desk, scowling at him.

“Byakuya?”

He turns to the woman. She’s facing him now, though she has no face to speak of - it is blurred and unfocused, like a distant background character of an impressionist oil painting, the features mere shifting smears against a flat plane - but he knows her. He knows her.

“Byakuya,” She repeats, the syllables awkward on her tongue. She’s speaking French, and she sounds distant. Muted, underwater. But her voice still has the same, oddly musical quality to it that he remembers, making everything she said sound like a lullaby. “Bijou. Did I not tell you to stay out of my studio?”

Her studio?

“This is my office.” He protests back. He can’t tell if he’s speaking Japanese or not; every word feels clumsy and foreign, like he’s just learned how to talk. “What are you doing here, Mother?”

She just sighs. Shakes her head, her featureless face. There’s no anger in it, no loving exasperation either; just a neutral disapproval of his presence. His unwanted existence in her space. “Bijou,” She says again, and the nickname irritates him. A sweet-sounding endearment that was ultimately empty, a placeholder for her to refer to him by, because his own name was too clumsy to speak with her accent. “When did you become so grown? When will you stop being so cold?”

The stone Kijo Togami is still frowning at him. In this instant, both the man he calls ‘Father’ and the woman who had birthed him - one painfully-detailed stone, the other indistinct flesh - stand before him. One silent and forever displeased, the other sweet but hollow-sounding and entirely uncaring that they shared any blood at all.

“How strange it is, that you look so much like me,” She sighs, raising a hand to his face. He flinches away from it, the sandpaper sharpness of her palms, the filth that stains the creases of her skin, the heat that comes off of it like a kiln. “And yet, you are so much like him.”

—

He wakes up with a gasp, eyes snapping open.

He’s greeted with the pitch darkness of his ceiling, cut through with a thin slash of white from his bathroom light, streaming through the cracked-open door. A reminder he had taken to preparing for himself before he went to bed, that his eyes were still there, and he sighs and presses a palm to his chest as he stares up at it. Feeling his heart pounding beneath his fingertips, then slowing, in time with his breaths.

A dream. He can’t remember the last time he dreamed so vividly, but he had been subjected to some unpleasantly…shocking events the last few days (he won’t call them traumatic, he’s witnessed far worse in his life). The details of the dream are already slipping away as he tries to recall it, like sand between his fingers. It’s hardly important.

He lies in bed a moment longer, trying to see if sleep will come, but even with the adrenaline fading he’s wide-awake. Annoying, but not surprising, considering how he had spent much of the day before napping in short, fitful bursts. He pushes himself upright, reaching under his pillow for his handbook; may as well make use of the time.

The clock on his handbook reads: three AM. His neglected stomach gurgles as he squints at the dim glow of the screen, and he sighs. He hasn’t eaten since Celeste’s little tea party the day before, and he might as well go to the kitchen now. There likely wouldn’t be anyone wandering around to disturb him. And with Ishimaru gone, there was no one left to seriously uphold the nightly curfew; he drags himself out of bed with a grunt, grabbing his bathrobe off the end of his bedpost as he goes.

He’s not expecting the trap that he finds when he opens the door, however. The first step he takes past the threshold is accompanied by a loud, startling crunch, and he jumps backwards, just barely stifling a shriek. He throws his hand against the light switch, digging it into his palm as he flicks in on, and at once the yellow glow streaming from his room illuminates the something round, brown, and somewhat deflated sitting in the hallway.

For a moment, he thinks it's some kind of rodent, dead and trodden under his foot. But closer inspection reveals it to be packaged bread, only slightly crushed in its plastic wrapper. There’s no note, but he can guess who the offering is from.

He sighs, picks it up by the corner, and tosses it behind him towards his trash can as he leaves.

The hallways are dim, and almost silent if not for the dull hum of the school’s inner machinery. The whoosh of air conditioning, the muffled clang of pipes. None of the construction that Hagakure had reported days ago, not even when he strains his ears.

But he does catch the quiet murmur of conversation as he passes the bathhouse, and he pauses, staring at the light that streams from behind the curtain, the quick-flicker of shadows moving from inside.

���It wasn’t your fault!”

He freezes, standing just outside. That was Chihiro’s - no, Alter Ego’s - voice. 

“I know Master wouldn’t resent you.” It continues, earnest and bright. “And based on my data…I don’t think Kiyotaka would blame you either!”

“But it was my fault,” Mondo’s voice is strained and hollow, grieving still. “If I hadn’t left them alone - if I’d tried to just talk to him -”

Byakuya shifts slightly. He doesn’t want to be here, to have to witness Mondo’s continued breakdown. He still hasn’t forgiven the other boy, but having to see him stuck in the depths of misery was…unpleasant. And he’s not so petty to want retribution while the target of his ire was in such a state.

He tiptoes past, giving the bathhouse entrance a wide berth. From inside, he hears more indistinct voices, one low and gravelly from crying, the other electronic and gentle. And then-

“Brother, what are you looking so down for?” This one was new, but chillingly familiar. Loud and overeager and belonging to someone who was supposed to be dead. “You-”

Crash.

The sound of crunching metal. In the quiet of the hallway, it’s as loud as an explosion, and it makes Byakuya jump. Before he can reconsider, he’s sprinting into the bathhouse, throwing aside the curtain.

It takes him a moment to process what he’s seeing. Owada is standing, partly-hunched, one hand punching against the wall of lockers hard enough to warp the thin metal door. Someone is standing beneath him hands raised in self-defense - it takes Byakuya a moment to recognize that it’s Makoto, dressed in the white and dark blue of his pajamas, lacking the signature green of his jacket - and from somewhere behind Makoto, there’s a dim, neon-green glow, and a confused, worried voice.

“I’m sorry, I didn’t mean-!” 

“Don’t do that,” Owada snarls, drowning out Alter Ego’s stuttered apology. The locker door rattles where his fist is pressed into it. “Don’t just- wear his face, don’t you dare-”

“M-Mondo, it didn’t mean to! It was just trying-” Makoto breaks off, apparently noticing Byakuya. “B-Byakuya-?!”

Byakuya was immediately beginning to regret his decision to involve himself in the first place. “What is going on here?” He demands, crossing his arms and glaring imperiously.

Instead of replying, Owada pulls away, withdrawing his hand and retreating to slump over on the bench, despondent and unresponsive once more. Makoto twitches, turning between Owada, then Alter Ego, and back to Byakuya. “Um…”

“It’s not their fault!” Alter Ego pipes up hurriedly, its voice echoing tinnily from inside its locker, and Byakuya could feel a corresponding vibration from the handbook tucked in his shirt pocket. “It seems Mondo wanted to ask me a question, and Makoto was just helping to convey that-”

“I don’t care.” He snaps, and Alter Ego falls silent. “Neither of them are supposed to be here in the first place, and especially not after hours. Are the two of you trying to draw Monokuma’s suspicion? Endanger Alter Ego?” Makoto flinches a bit at that. Owada doesn’t even move. “Don’t you care about getting out of here at all?”

He’s not really expecting a reply, so he’s surprised when Owada speaks up. “ ‘Course not.” He rasps, so low and hollow that it was like he was speaking from the depths of a pit. Or maybe he was the pit, swelling with black-matter misery. “I…don’t care about anything anymore.”

Well. That’s to be expected. But even despite that, he finds himself a bit rattled. He’s been at the receiving end of anger, venom, screaming anguish and even vehement hate at this point. But this emptiness Owada is exhibiting was new; It seems like this school is insistent on teaching me new things, he thinks, and feels his lip curling up with the bitter irony.

“So you’re content to waste away? Throw away that anger that you were so proud of?” He raises a scathing eyebrow. “Go ahead and do that, then. I won’t stop you. But at the very least, spare the rest of us the dramatics of your little episode.”

“Byakuya!”

He twitches a bit, irritated. Makoto’s voice is shrill despite being hushed, and laced with anger; he’s standing stiffly next to Alter Ego’s open locker, hands trembling at his sides.

“What, Makoto.” He snaps, and only belatedly realizes that this was the first time he’s actually spoken to the other boy since the trial; in his irritation, he went and broke his own self-imposed vow of silence against him.

He doesn’t respond immediately, but doesn’t immediately shrink away either at the acidity of Byakuya’s tone. If anything he stands up a little straighter. “It’s only been a day since…you know.” He says, and his words are slow and careful, meticulously chosen. Like he’s in a trial again, trying to soothe skittish tempers - though Byakuya feels the exact opposite of ‘soothed’ by it - “Mondo asked to talk to Alter Ego. I went with him. It got a little heated-”

“A little? Is that what you call this?” He points at the locker next to his head; the one that Mondo had punched, the dent a clear, dark blotch of shadow in the middle of the flat green surface.

“That -” Makoto winces slightly. “We weren’t really expecting-”

“No, clearly not. And not thinking either, I imagine.”

“I-”

“I suppose safety and logic took second priority over trying to be helpful, hm? Since that’s all that’s important to you?” He’s not sure where these words are coming from, filled with acid. But it feels good to talk, to spit out every miserable thing that he’s feeling, that he’s felt because of Makoto. “You were so very kind to help me during that trial, after all.”

“Okay, that’s not-”

“That must be why you’re here now, I imagine. Sneaking out at this late hour past Kyoko, just so you could babysit this useless mess.” He sneers. “Did you decide to make Mondo your next pet project, trying to be his little assistant like you were mine?”

“Oh, for-” Makoto takes a deep breath, presses his hands to his eyes. “Can you shut the fuck up?! For one second?”

Whatever else Byakuya was about to say, dissipates like smoke out of his slack-jawed mouth. Even Owada seems to twitch up at this, the only sign of surprise he could give, compared to Byakuya’s shock.

Makoto is quiet for a few seconds, and the only sound is the quiet hum of pipes, and the sound of his breathing, shaky but slow. He pulls his hands away from his face after one more shuddering breath. “Okay. I’m okay now.” He says this part quietly, as if it were more for himself than anyone else. Then:

“It’s not fair,” He addresses Byakuya, and his voice is almost steady. “I’m trying my best, I’m trying to keep us all alive.”

“Yes, and you’re doing-”

“No! Shut up! Just listen!” He snaps, and Byakuya’s teeth click as he shuts his mouth, effectively cutting off the rest of his sarcastic remark. “Right now, the best thing we can do is to survive together. We’re just going to play into the mastermind’s hands if we can’t trust each other. Why doesn’t anyone get that?!”

His voice actually cracks on the last syllable, and he sounds close to hysterics. Byakuya simply stares, dumbfounded for a moment, before:

“...You’re going to say that? After what just happened?” It’s so ridiculous he could almost laugh. Trust? In this school, in this game? After everything that’s happened? “We all trusted Ishimaru. Where did that get us? Where did that get Chihiro?”

No sooner has that name left his mouth, does he try to bite it back. Feeling all at once mortified that he would stoop so low, that he would let himself be pushed to such a level. But it’s too late to take it back - at the sound of those names, Owada jerks again, and Makoto actually takes a step backwards, as if struck - so Byakuya keeps going. “This isn’t some-some fairy tale where everyone can learn to get along by talking about our feelings. None of us have any unity left - if even Ishimaru can snap, then there’s no telling who might strike next.”

“Stop,” Makoto grits out. “Taka - it was an accident. Just a stupid accident.” And that was the worst part, wasn’t it? That none of this was supposed to happen at all; if the coincidences hadn’t lined up terribly, horribly perfectly. “He didn’t mean for Chihiro to die!”

And Chihiro didn’t mean to get killed either. But he manages to swallow that thought, bitter and heavy in his throat. “His intentions didn’t change the outcome.” He says instead, cold and flat and utterly, completely empty.

Silence falls on the room. The lights buzz, the pipes hiss; the old, outdated screen of Alter Ego’s computer hums softly, contemplatively. There’s the muted, metallic thump of the water heater, somewhere inside the wall.

And then Owada speaks up.

“What should I do?” He asks hollowly. He’s looking up now, directly at him. His hair is limp, pompadour undone and falling over his face, obscuring it in streaks of dirty yellow. “I…they’re dead. I couldn’t-” He takes a slow, shuddering breath. “It was my fault. But I don’t know what to do.”

His words are pleading and genuine, as if Byakuya could give a proper answer; he hesitates, still uncertain of what to do with this…empty shell of a punk.

He glances towards Makoto, and then the dim green glow still emanating from the open locker. “Do you care what you do with your life at this point?”

“Byakuya…” Makoto starts warningly, but Owada interrupts him.

“No.”

“Then use it to protect Alter Ego.” If Owada has any sort of misgivings or protest about this, Byakuya ignores them. “That’s Chihiro’s last work, after all. It’s the least you can do to guard it.”

“Is…” Owada’s head turns towards the locker, then back. “Is that…okay?”

His hesitation is understandable. Even if Alter Ego was nothing more than a clever program, it did still wear the face of the boy who Owada’s friend inadvertently killed, and whose corpse Owada had tried to conceal. And that wasn’t even considering if Alter Ego would be cooperative in being protected by him, though there wasn’t much it could do about it.

But Alter Ego is the one who speaks up. “I hope we get along well, Mondo!” It chirps, a smile clear on its voice. And Mondo simply stares for a moment, before burying his face in his palms, and begins to cry.

__

“Are you going back to your room?”

He stops, and turns. They’ve left the bathhouse, Mondo departing first after sobbing his eyes out, and Makoto insisting he go rest in his room - though he probably would’ve ended up staying in the bathhouse all night if he could’ve gotten away with it - and Byakuya, having ended up spending an hour more than he wanted to dealing with it all, is tired once more..

“Where else would I be going?” He scoffs. Makoto is standing just in front of the bahthouse curtains, his face entirely concealed by shadow.

“I…” He takes a deep breath, as if steeling himself. “I noticed you didn’t really…eat a proper meal yesterday. I could go make you something?”

It’s tempting, for a moment. Byakuya clenches a hand in his robe, pressed against his stomach to stifle any unwarranted growls. “No.” He says firmly. “I’m going to sleep.”

“Oh…are you sure? Because-”

“Makoto.” He falls silent. “I told you that there’s no need for us to uphold the deal we made. Your assistance is no longer needed.”

“...But, this isn’t because of the deal, I just-”

“I’m not so low that I’d need charity from you.”

He goes quiet again. Quiet and still, and there’s something off-putting about how he looks. Outlined by the yellow lights of the bathhouse but otherwise completely in darkness, his silhouette sharpened without his jacket. “...Is it really that hard, trusting someone?”

For as angry as he’d been in the bathhouse, now he’s more like his usual self. Quieter, and unsure. The one person out of place in this school, designated unremarkable and then made remarkable because of that.

An unremarkable life. No wonder he couldn’t understand.

“You’ve never had to worry about it before,” He says. “I imagine your life is like a sheep’s. Completely oblivious to the danger around you, as long as you stay inside the fence.

“But the world isn’t as kind as you think it is. And people can always be swayed, no matter how much you trust them, or how much you think they trust you.” He’s seen it happen. He’s exploited it himself, even. “At this point, it would be safest to stop associating with anyone. If you had any brains at all, you would do the same.”

Makoto lets out a sigh that’s almost a laugh, though it’s bitter and mirthless. “Kyoko said the same thing,” He mutters, half to himself. “So you won’t feel safe unless you’re alone? Even though there’s only ten of us left?” He shakes his head, and the motion is a little dizzying, the messy shape of his hair blurring into a dark mass. “How many more people need to die for you to feel safe?”

He sounds angry again, but it’s a colder kind of anger. Resentful and resigned. When did you become so cold?

“...I won’t be safe until I’m out of here.” Byakuya replies steadily, though the hand clenched in his robe tightens slightly. “Even if I could keep everyone in my sight, it’s not like it’d be easy to tell if they were holding a weapon.”

Silently, he adds: And thanks to you, they know that as well.

Makoto doesn’t say anything in reply, so Byakuya leaves. Quickly, in case his stomach threatens to grumble again; his hand doesn’t leave his robe until he’s safely inside his room, door locked behind him.

He almost treads on the bread again, stepping on a corner of the packaging and jumping at the sharp, crinkling sound. It takes a little bit of fumbling in the dark until he finds it, squeezing it through the plastic.

He’s tempted, for a moment, his fingers already searching for the serrated edge to tear it open. But the image of Makoto standing at the bathhouse entrance jumps to his mind; still and shrouded in darkness. A strange, statuesque parody of his usual self.

He throws the bread across the room and climbs back into bed.

< previous - from start - next >

[aroaceleovaldez]

Every description about Nico (especially the canon ones) describing him as “cold” can personally fight me. Nico is jaded, yes, and often closed-off and sometimes stand-offish and defensive but he is not "cold”. He cares SO SO SO MUCH about EVERYONE. He loves and cares with his entire heart constantly and that is a core part of his character. He doesn’t often make public shows of his affection but he takes care to be kind when it matters and doesn’t hide that he does care (usually, the only exception really being him being in the closet, but even then he only hid his crush specifically and not the fact that Percy is important to him). He fine with hugging his friends in front of a crowd and will sit with strangers at a campfire just so they’re not alone. I mean, heck, he’s an extrovert! We know this! He actively seeks out people and gets lonely very quickly and easily! If he can’t talk to living people he will chat with the dead! That’s how much he thrives on being social!

The only time Nico has ever been actively “cold” was the couple of months between TTC and BoTL when he was actively mourning Bianca. Nico is not “cold.” He loves so much and he does show it, just in his own way.

[simcardiac-arrested]

no actually I’d like to hear your thoughts on the isat ending

Like i said it felt really tropey and by that i meant that it’s just Everything Good Happens forever and…..that’s it ? like idk we were building up to this huge catharsis sort of thing and then we got to it and it was so sudden and not a good payoff and just kind of nothingburger of an ending . the fact that everyone just forgives siffrin bothers me, or at least the fact that they don’t confront them about the shit they’ve said and done. call me a mental illness villainizer but i think if you’re a fucking asshole and doing the most insensitive things to the people you care about then hey, i think those ppl have a right to fucking tell you off for it. likeeee idk being at your lowest point …… not an excuse …. not feeling it chief ……. like sure the message is to move past your mistakes or whatever but ? that doesn’t mean just getting away with it ??? and i just really don’t understand Why everyone forgives him. honestly at the end of the day the ending is just one problem, the root of which are the characters. everyone feels like trope cardboard cutouts. oh, this is the smart one. this is the smol bean. this is the himbo. and they all care for each other btw. Did u hear that? they all care for each other. we’re not really going to explain to you why these people are so close or what they went through together but just trust me man they’re sooo found famy. like …. okay. i’ve played 30 hours of this game and not once did i buy that any of the characters really cared about each other. like??? why???? You’re telling me everyone super cares about siffrin even though they barely know them?? you’re telling me siffrin cares about everyone sooo much even though he never even bothered to find out their problems before ? Wat ? and this just breaks the ending more because literally whyyy do these people care about him so bad. and then it’s just whyyy does siffrin Have to tell them anything he doesn’t even seem to know them that well. everyone feels like colleagues and Just Friends at best. and so the ending just seems really forced. like it was written by that type of tumblr user who’s always talking about aww why does the found family have to break up after the end of the journey :( which is like fiiiiine. i guess. but u guys know that u have to build up to it right?? you can’t just tell me they’re Family Members(tm) 102829 times and that they super care about each other source: trust. you can’t just do that and then expect me to believe it ….. It feels unearned. the ending feels unearned and i don’ttttt understand what i’m supposed to take away from it . that it’s ok to fuck people up because you’re traumatized and insecure?? that you have to talk about your deepest problems with people you barely know??? i just dont know. Like i said if im being honest the problems with this game’s writing are more than just the ending, it just stands out so much because there’s a lot of build up and then just …… That