#and i don't know his personal life
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obxfiles · 2 years ago
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jimin’s growth from “people will think i’m strange if i call jungkook cute” to “i used to have an idea of what it meant to be a man but now i know i can just be me” ; and “guys don’t kiss” to “what the heck is men?!” ; and tearing up looking at an old photo of himself saying “you tried so hard....my heart breaks for you” just makes me want to wrap him in the softest blanket and keep him safe and tucked in my heart for always
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bixels · 1 month ago
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In the past, people in the Animal Crossing community would make fun of Tom Nook as a sleazy landlord. Since then, he's really rehabilitated his image as this 'heart of gold' businessman (he's the one who puts bells and furniture in trees for you to find! he adopted orphans! he donates to charity!), but New Horizons genuinely paints the most devious version of him.
He's successfully privatized settler colonialism: you pay HIM to move to a "deserted island" (which apparently the oceans in the AC world are just full of) and start a colony that he is directly invested in. At best he's running a weird vacation package scam (you arrive on the island with no money and in debt for "using his services"). At worst, he's using you to set up company towns. For god's sake, he literally has his own fake currency that he forces you to use to pay off your debt. But don't worry, he's repackaged it in a way that definitely doesn't sound like an MLM scam: the Nook Mileage Program!
You're no longer just his tenant or his temporary part-timer, you're his business lackey. The entire tutorial section of the game has you spending actual weeks running around completing tasks and doing hard labor to set up his colony. You're even tasked with preparing his properties and finding buyers for them. No, you aren't a tenant anymore. You work for the landlord. You are directly responsible for finding tenants for him. And he doesn't even fucking pay you. Not for setting up town hall and museum, or his nephew's shop –– which is the ONLY store on the entire island that sells necessities –– or bringing KK Slider to town, or helping populate his town. Not a single cent. No, actually, you have to pay HIM to BUY infrastructure like bridges and stairs and park benches. And all the while, he's telling you're the "resident representative"; you get to call the shots! That the reward is the community's progress. That what you're doing is in everyone's best interest (but most importantly, his).
Since NH's release, people have done a lot of legwork to say that Tom Nook isn't a capitalist while the game shows him at his very worst. He owns the only general store in town. You're forced to use a phone that he modified and branded as his own. Buy Nook-branded furniture and merchandise at the self-serve kiosk in the town hall, a governmental building! There's no conflict of interest here!
But hey, if you're tired of being the landlord/business mogul's goon, you can also find work as a deluxe resort home designer for a company that also pays you in their special company currency that can only be used to buy their products instead of a real salary! Because that's what the Animal Crossing franchise needs! More vacation homes!!!
#this is a really long winded way to say i really really really really hate new horizon's storyline and player role#i really hate that not only your house but the entire TOWN. the whole COMMUNITY you're a part of is owed to tom nook's business#i really hate the “vacation getaway package” angle because it shows just how commercialized the entire premise of nh is#and how lost the game is in its original core concept#animal crossing is about the experience of moving to a new town and becoming a part of that community#just to compare: all past ac games have a similar opening#you're on a bus or train or taxi to someplace new. a stranger strikes up a conversation and you get to know them before arriving#new horizons opens with you at customer service desk filling out an client application before a flight.#in prev games working for nook in the tutorial is meant to be demeaning. you want it to be over with so you can actually start living life#but in new horizons working for tom nook IS your life. and it's so rewarding! don't you feel rewarded?#you aren't a person. you aren't a new neighbor. you're tom nook's client. and then his unpaid employee. and the game insists it's fun to be#that's how void the game is#because it's bad enough that a rpg life sim got turned into a sandbox game where you have to build the town yourself#but the only reason why you're building it is because the landlord who you're in debt to TOLD you to build it.#everything is a rewards program! everything is a tour service! be sure to do your daily tasks to earn nook bucks to spend on nook merch!#that really sucks imo.#i mean. the entire game is based around the vacationing industry. of course it all feels fake and temporary. it's only a vacation.#long post#rant#not art#god the fact that your starter villagers can't even decide where to live you have to decide for them#i've never played a game that does the opposite of handholding#where instead it's the PLAYER who has to handhold the npcs through everything. and newsflash!! it's really exhausting and boring
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poorly-drawn-mdzs · 3 months ago
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Ghouls night out
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#Scopophobia#Don't be mean Lan Wangji - the dead girl aesthetic is a curated one. Support women's rights to look dead!#I have been waiting for this scene for ages...the ghost girl entourage is such a good look for WWX.#And by gods does the audio drama actually do something interesting with one of them.#Namely that we actually get to see WWX talk with them and learn about who they were and what they left behind.#I love necromancer characters but it's way too common for them to be like “Go! Ghost no.145!” like they're a pokemon#and not...you know...someone who had a whole life that they left behind.#I love me a necromancer who has an awareness to whose soul/body they are using. It adds a lot of flavour!#MDZS is a little hit or miss with this. I think the fans do a lot of the work with making Mo Xuanyu a bigger character.#Yi City has this in spades. Even though we don't individually get character backstories#We get many painful reminders about how these 'corpses' were people.#We also get a few lines about how WWX used whatever corpses he could get his hands on (including grandparents - Woof!)#MDZS often (but not always) likes to remind us that every sacrifice and every ghost was a person.#It is so close to nailing the landing regarding the deconstruction of the necromancer character.#Anyhow. You may have noticed the uptick in quality in the last two comics. Rule of three means next one is going to be a treat B*)#See you all very soon!
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egophiliac · 17 days ago
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heeey guess what, I'm obsessed with this idiot flamingo now
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agendercryptidlev · 8 months ago
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Thinking about how Riz is the one who first used he/him pronouns for Baron & what it's like being AroAce is a queer space. Thinking about Riz seeing the kinship that Raugh and Kristen formed over both being gay and wanting that connection, that sense of community, but holding himself back because while he wasn't "normal" he also wasn't like them. When you're gay you're family and when you're straight you fit in but what happens when you're neither? How do you categorize that.
Riz isn't afraid of his orientation because he's different by societal standards. It's not being queer that scares him no, it's the isolation of not knowing if anyone else feels the way he does. He knows that if he were gay or bi or pan his friends would understand, he'd be like them and be surrounded by people like him. But he's not like them, he is different in a way that seems entirely unique to himself.
So maybe he kind of wished he was gay, and that Baron existed because that was what he was afraid to admit. It'd be a lot less lonely than the truth.
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terrorgirls · 2 months ago
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Armand + "Bad Faith"
Sartre explained: From bad faith to authenticity, David Detmer // Interview with the Vampire // Being and Nothingness, Jean-Paul Sartre
[part one]
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yorshie · 3 months ago
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zivazivc · 8 months ago
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the morning (afternoon?) after this messy stunt. Floyd got off too easy in my opinion, but it's hard for Les to stay mad at him when he makes those sad pouting faces... 🤦
If you think Floyd's being really dumb at the start of this comic before getting a reality check, you have to take into account that he's madly lovesick and was feeling very smug atm; he's also a 15yo pop troll who thinks making out with someone means they're together now; and he assumed Les's sour mood was entirely the result of a nasty hangover...
P.S. They forgot about Hed lol (I almost forgot about him too, drew him just before posting lmao)
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autisticandroids · 1 year ago
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FAMINE: That's one deep, dark nothing you've got there, Dean.
[youtube with closed captions]
dean and his father. dean and his family. dean and how bad it is.
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(via @closetoyou1970)
#spn#vid#mind the warnings on this one for real#woe! fruit of my rewatch be upon ye.#pallas calls this my 'deangirl coming out vid' which honestly. true. but those who paid attention know i've always been a deangirl.#also. after this no more deanwinchester rilo kiley amvs I Pwomise#anyway. i'm not gonna give a full commentary here but a big reason why i chose this song is that the narrator#is essentially dismissing her own problems and instead watching the problems of someone else#and i kind of wanted to play with that theme. this is the parallels show so let's do some parallels. lots of things happen to characters#that are Like Dean somehow. either in personality or circumstance. that we know or can infer happen to him. but we don't see it bc it's#not sayable. not speakable. so like for an easy one. we see meg being tortured in caged heat. she also talks about apprenticing under#alastair just like dean. so i show her being tortured [in a way that is sexualized and demon-specific] and reacting how she does#because i invite the audience to imagine or interpret that this has also happened to dean at some point. we just don't see it#so there are many dean parallels in this video. some obvious. some subtle but textual. some products of my twisted mind. but that's the way#i am using them to make my argument.#oh also: dean voice sam's eyes going black is JUST like when he used to fight with dad and wouldn't listen to me when i told him not to.#i guess also the point is that because it's unsayable. dean can't say it. dean can't even acknowledge it. and so it bleeds through#into everything in his life#that's why it's important that the song narrator doesn't take her own problems seriously. dean doesn't either.
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canisalbus · 11 months ago
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To me, Machete kind of has the energy of a secondary villain/coldhearted side character in someone else's story that a lot of fans latch onto, moreso than the protagonist. Question is, would he be the villain in anyone's story?
Why, thank you! I'm actually glad to hear he gives off that vibe. I don't think he set out to become a villain but a lot of people certainly view him as one.
#in the 16th century canon he starts out as an introverted but sincerely well meaning guy that never quite manages to find his social niche#he was a sensitive kid and when subjected to enough pressure#his insecurity fearfulness and powerlessness mutate into distrust resentment aggression suffocating repression and self-restraint#I don't think he's a bad person in fact he consistently tries very hard to do the right thing#do his job properly avoid letting people down and get through life with a sense of dignity#but he is supposed to come across kind of cold impersonable and difficult to be around if you don't know him personally (and very few do)#people can sense there's something wrong with him and are put off by it#Vatican is a nest of vipers and as the stakes rise he retreats deeper into his coldblooded untouchable work persona#he has no choice but to start lying scheming blackmailing and eliminating his enemies#in order to maintain his position keep Vasco safe their relationship under wraps and his own head above water#essentially playing by the same rules everyone else in the holy see has been playing with for centuries#eventually he loses his spot as the secretary of state and is manipulated/forced to take on a role in the roman inquisition#and if people were sort of iffy about him before being the authority overseeing trials torture excommunications and executions doesn't help#and since he has so few allies and such an infamous reputation he's an easy target for scapegoating whenever necessary#towards the end it dawns on him that he's become the kind of twisted cruel corrupt person he used to fear and despise#and the guilt moral injury and abject self-loathing had largely sapped him of his will to live by the time the final assassin gets him#answered#anonymous#Machete#Vaschete lore#he thought his dream of priesthood would make him a better person more worthy of admiration safety and love but he climbed too high#and got roped up in the dangerous games that take place under god's nose and slowly got strangled to death
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vaguely-concerned · 6 days ago
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lucanis truly has a near terminal case of burned out golden child syndrome. caterina fucked both of these kids over so incredibly bad with the dynamic she enforced there, with illario being labled the perpetual fuckup kid where lucanis 'could do no (would never be allowed to do) wrong'. the way he admits in the first coffee date scene that the only thing that happened when he showed he could carry the weight of expectation was that more weight was added makes me so sad. you can hear it in caterina's voice in his intro mission that she's incredibly proud of him, but this is clearly a leandra and hawke situation where that pride never translates into relief or resolution or unconditional warmth or understanding or anything that really helps.
#you messed up an excellent little autistic dude caterina look at him he has no personal life and his only friend is his scar-ass cousin!!#because that's what you told him he has to be and he believed you!!!#all that and you wouldn't even let him have a wyvern dagger just for fun and b/c it makes him SO happy? when i get you caterina dellamorte#I'm finding the crow family drama so compelling in this game I'm just hanging around treviso Observing haha#I wish they'd given illario a bit more nuance in this (as I feel he does have in the wigmaker job)#b/c with the sheer pantomime susness he's got going on they really don't want you to engage with him deeply haha#also teia mvp as always but I think that goes without saying (and happily all these lads around her seem to know it)#both lucanis and viago like 'thank you teia you're the best 🥺' and she's like 'yeah I know'#protective big sis of the remaining crow family haha. and she's got to be barely thirty years old at this point. I'm love her so much#'*annoyed voice* MAKER HELP US' she's saying what we're all thinking#dragon age#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#lucanis dellamorte#I think my rook is having some uncomfortable moments of realizing some parallels here with their own relationship to the watchers haha#like 'buddy you're so much more than just a tool for your family to use. I however have a sacred duty I was banished from#the fulfilment of which determines my entire worth and that I am low-key mourning behind the levity b/c that's what I was made for. ...wait#I feel like rye was more the illario & lucanis combo only child tho. wants so much to be good but keeps getting into Shenanigans#chaotic underachiever with frankly upsetting potential when they actually get their act together and they WANT to so bad#but also. shenanigans keep happening. releasing blighted gods is only barely the wildest of them
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stardust-moth · 19 days ago
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In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.
Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.
1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.
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Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.
He has to watch helplessly as she disappears.
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He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.
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2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.
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In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.
Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.
He has to watch helplessly as she drives away.
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3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.
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For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.
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He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?
He has to watch helplessly as she drives away.
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It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.
3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.
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The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.
Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.
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She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.
He has to watch helplessly as she drives away.
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4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.
Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.
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4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.
On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.
He's helpless to save her, again.
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4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...
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El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.
Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...
Once again, he has to watch helplessly as she drives away.
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4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...
There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.
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Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.
She's losing. She's choking. She's dying. He's helpless.
He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.
She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.
Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.
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The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.
He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.
And it works. It's music to her ears.
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poorly-drawn-mdzs · 21 days ago
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LUO BINGHE CASUAL SENSHI COSPLAYER
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OH, ABSOLUTELY.
(context)
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autisticrosewilson · 5 months ago
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Um if you write Jason having to get drugs for Catherine I want you dead btw. Not only does it tell me you assume the average drug dealer would give the hard shit to a very small child and then not supervise them at all (classist stereotype that all drug dealers are inherently evil + lazy writing with no grasp on reality) and you genuinely think that Catherine was CONSTANTLY high, as if that's even possible without overdosing far sooner than she did. That's without even getting into the bad mom Catherine propaganda.
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tadfools · 11 months ago
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I don’t want to say this where this comment was added because while it was rb’ed from me, the root post isn’t mine and I don’t want to drag op in a circus tent. Do we really need to put homophobic on the highest shelf up from the tik tok folks?
This is about Kethric and ????? Homophobic coded??? Statistically and logically speaking, there are going to be queer people that you do not get along with and that you don't like in real life. That's just the way people are. And it's not because we're queer, it's because we're human
Kethric doesn’t hate Aylin because she’s a lesbian. He despises her because she is the child of Selûna, because he believes that she corrupted Isobel - not with queer cooties but with the love of a goddess who he felt betrayed him
If Aylin was a man, the hatred would not be diluted at all
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normystical · 6 months ago
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ATTENTION ALL ALASTOR SHIPPERS: 
uniromantic 
THANK YOU FOR YOUR TIME. PROCEED
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