#and i am struggling to find them

[roronoa-luffy]

i totally get why artists dont want to use etsy anymore but as someone who used to buy from fan artists on there a lot, I really, really feel its absence. there really isnt a single place where I can search for that kind of stuff now and the instagram and twitter search algorithms make it really difficult to find stuff and that plus the fact that a lot of artists now avoid outright mentioning fandom or character names to avoid getting in trouble, it just really makes searching for this stuff really hard. honestly feels like most of the artists i've bought from or followed i found out about through other peoples reblogs or just word of mouth

[katsinspats]

I think my copy of the game is broken they've been doing this for 30 minutes

Crop of the Biolizard edit I did bc it makes me laugh:

[crumbpigeon]

[obstinateson]

visit

[midwinterwings]

RULES OF BEING OTHERKIN #1

Being authentic and true to yourself is the only way you are 'supposed to be/act like' (insert entity). If anyone else disagrees it only tells you about them.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[forgettable-au]

What would each of the science gangs theme songs be? like ignoring the existence of the undertale OST

Oh...that is a hard question...

OKAY, I'VE BEEN THINKING ABOUT THIS A LOT AND IT'S VERY HARD TO DECIDE!!!!!!!!!!!!!! Uhm

I don't know if I can choose one definitive theme song for them tbh... because I ALWAY change what songs remind me of them

But I'll try to mention some songs that remind me of them rn (theme songs are such a big responsibility)

Okay so you all know "Slipping through my fingers" by ABBA reminds me of Sans

"I'M SANE" by AXIE reminds me of Wingdings ( IN VIBES and changing what certain lyrics mean to something else )

But... uh, not current wingdings, more like, later on Wingdings

For Alphys' song, it doesn't apply right now either, but "Taking what's not yours" reminds me slightly of her c:

(BUT PRETEND IT'S NOT A ROMANTIC SONG! It's so hard finding songs about relationships that aren't romantic guys... it's a struggle...friendships are underrated, says me being aromantic)

Okay, so, not the science gang! But!

Right now "Language of the lost" by Riproducer reminds me a lot of Papyrus c:

I don't have a song for Flowey in this AU,, (Sorry buddy...)

[the-kingshound]

For reasons i will not divulge into, can u tell me what armor aesthetic/historical accuracy you have in mind for the hound?

While I do take inspiration from some historical settings (in particular, 5th, 6th century), TKH is not meant to be historically accurate at all. It has fantasy elements that not only include magic, but also many magical creatures, traditions and a whole continent that I completely made up.

So, with that in mind, this is kind of the armor aesthetic I imagine (note: you are very free to headcanon or imagine story elements different from my references):

[cinnamonsly]

i don’t think there is anything worse in this entire world than desperately clinging onto a hyperfixation you’ve had forever that you know is slowly fading away from you

[datura-tea]

people don't know how to make cohesive fanmixes/character playlists anymore... it's just 30+ random songs with no regard for genre or mood or lyrical themes... the most jarring combinations of artists together with the songs in no particular order... where is the generation raised on 8tracks!! come back to me!!!

[arttsuka]

How does one know about their sexuality? How do you figure it out?

[thisisntreaver]

Theres something about the idea of Sparrow and Logan's birth thats really hitting me.

Sparrow has been fighting their entire life, even in their childhood we see them having to resort to violence. They've spent their entire adult life stuck in the past, fighting entirely for the goal of avenging Rose. The future has never mattered as much as the past does, no matter how much Theresa whispered about it.

But now theres Logan.

For the first time, they do have a future that matters, Logans future.

Not the future Theresa tells her of, not the violence they've always known, not the weight of the world of the world on his shoulders.

Violence is an integral part of them thats so intimately woven into who they are as a person.

They don't want it to be like that for Logan.

I think thats clear in the way that Logan seems to idolize them, the fact that he chose to go on expeditions outside of Albion as opposed to being forced to. The fact that he seemingly was unaware of the darkness and the destiny laid for him and the hobw to try and stop it before meeting it.

According to Theresa one of their children is meant to save the world, but Sparrow has their first child, sees their son, innocent and yet to be hurt like they have, and chooses a different path, even if only temporarily.

In a way its finally avenging themselves, the child in them that was killed with Rose and replaced with a hero tormented by all thats happened. As long as they're alive, they'll keep their children safe from that same fate. They allow them to have a life outside of being a hero, unlike them. They allow them to have a childhood. They free them from the expectations that were held on them.

Logans birth is a huge moment for Sparrow for so many reasons, it's not just the birth of the first child, the one they get to be with the longest, but its arguably the birth of a new Sparrow.

[slipperysheep]

[artifeast]

some more telesphore :3

[alexkablob]

not to wade into discourse about shows online which I swore to stop doing but I think some of you need to recognize that not every piece of media is about you, and that focusing only on the themes that you personally identify with while erasing the ones you don't is Not Great

[vaguely-concerned]

one thing I have to keep reremembering every time I'm playing a soulslike/similar kind of difficult game -- and that I wish I could internalize elsewhere in my life as well -- is that you always, always have to suffer through the long dark of an inexplicable failcringe era before you can emerge into a fresh new dawn of competence. faceplanting into humiliating failure in ways you hadn't even conceived of before on a loop can sometimes be the herald of great and wondrous things to come soon. don't be so quick to abandon yourself in the early murk of daybreak because you think you just suck!!!