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thevindicativevordan · 3 years

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Why isn't Nightwing a bigger deal? He has all of Batman's skills and Superman's faith in humanity and is arguably the most beloved hero in the DCU, but most people seem to know him either as the leader of the N̶o̶t̶ ̶J̶L̶ Teen Ttians or just Robin.

Thank you for asking me about Nightwing, I've been wanting to write a piece about him for a while now. The short version is that everyone who claims Dick becoming Nightwing was him "moving out of Batman's shadow and becoming his own man" is completely wrong.

Dick Grayson is a fantastic character, someone who saved Bruce Wayne in-universe both by forcing Batman to grow up a bit, and the countless times he saved Batman's life as his partner whether as Robin or Nightwing. Dick saved Batman in the real world as well, hard to believe but Batman was actually in danger of being cancelled due to poor sales early on. Enter Robin, a young daredevil audience stand in the creators hoped would get kids interested in reading Batman. And it worked! Sales on Batman doubled once Robin showed up which is crazy to think about, but Dick Grayson has always been a popular character. Cartoons like Teen Titans, Batman: The Animated Series, and The Batman only helped grow his audience.

Character-wise, Dick Grayson really does fill a number of crucial roles in the DCU. For Batman, Dick is proof that Batman is a positive force. Meeting Batman helped change Dick for the better, helped him heal after his parents died. With Dick, Batman can take comfort in knowing that yes, he has made a difference in the world for at least one orphan boy, which is all he wanted when he lost his parents himself. To the wider DCU, Dick is a friendly face who convinces others that Batman is competent and not a complete asshole. He took this kid in, trained him to be one of the best heroes the DCU has seen, and did it all out of the kindness of his heart. That someone like Dick can confront the evils of Gotham and not break means there's still hope for that city. As Robin, Dick has led the Titans and is an icon in his own right as The Sidekick, the original, the one every other Robin is built around copying or contrasting. The one all other superhero sidekicks are drawing on as a basis. As Robin Dick Grayson is very much on Batman's level.

Just not as Nightwing. As Nightwing, Dick has been a second rate Daredevil which means he's a third rate Batman (fully prepared to get hate for this but I've read and enjoyed the Miller and Bendis DD runs so I feel entitled to my opinion). A typical Nightwing run tends to go like this: Moving to Bludhaven (which is Gotham... but WORSE!), Dick Grayson usually enrolls in a pointless job we don't care about in order to provide some meaningless soap opera drama that doesn't go anywhere. Patrolling the city as Nightwing, he fights a variety of bad guys who are usually rather lame and unthreatening, with his big bad being a Kingpin knockoff called Blockbuster. Villains are fought, long running plotlines are set up, then everything is abandoned because it's Batfamily event time, and Dick has to run back to Gotham in order to play sidekick again. Usually his involvement is completely superfluous and it would've been better if the writer had gotten to opt out. By the time we finally get back to Nightwing's solo plotlines, the audience has usually ceased to care and the run gets cut short.

That's how Nightwing has been since the New 52 at least. Anyone who thinks that's "becoming their own man" is out of their mind. Dick is so thoroughly in Batman's shadow that he got shot in the head and spent a longer time as "Ric" which everyone fucking hated and sold like shit, than he did as Agent Grayson which was extremely well-received. Reiterating: Ric went on longer than Grayson because of a fucking Batman plotpoint Tom King wanted where Bruce was sad and cut off from the Batfamily because of Dick getting shot. Not just calling out King either, how many times was Kyle Higgins Nightwing run derailed because of Scott Snyder's crossovers? Or how about that entire run getting dumped to the side because Johns wanted to out Dick during Forever Evil, a Justice League/Lex Luthor story? DC has repeatedly made their contempt for Nightwing clear, he's Batman's sidekick still in their eyes, and he serves whatever story role the Batman writer wants.

Hell his best stories tend to have been the ones where he's not Nightwing. He was Robin in a good chunk of the Wolfman/Perez New Teen Titans run. Morrison really showcased his depth as a character when they wrote him as Batman, their time with Dick under the cowl was actually one of the first Batman runs I ever read, and no Nightwing run has ever matched it in terms of quality in my humble opinion. Scott Snyder's work with DickBats also was a high point for the character, showing Dick as competent and examining his relationship with Gotham and the Gordons. King and Seeley gave him one of the best comic runs with Grayson, a series where he wasn't even a "superhero" technically! When it comes to actual pre-New 52 Nightwing runs that are highly recommended where he *is* Nightwing, there's Chuck Dixon and uhhhhhhh... Tomasi's brief run before Dick became Batman? It's not exactly an overwhelming list.

Look there has been good work done with Nightwing, I'm not claiming there hasn't been. Tim Seeley wrote a great run with Nightwing Rebirth. Seeley fleshed out Dick's Rogues Gallery with cool new ones like Raptor, he brought back old foes like Dr. Hurt (why oh why couldn't you have brought back Flamingo too?), he gave Dick's world some character it solely needed. Bludhaven under Seeley is pretty much the only time I've really felt like it lived up to being Dick's city.

The problem with fictional cities is you have to put in the work to give them the character of real cities. You have to make the cities feel like characters in their own right. Gotham is the best example of this, it's a character all it's own, one that tells you a lot about Batman and his cast. In contrast Bludhaven is usually one of the worst. Any place that wants to claim to be worse than the city that is built over the gate to hell and gets wrecked every other month by the Arkham freaks has to really put in the work to compete. Simply put, Bludhaven typically fails utterly. There's nothing about it that makes you really buy it's worse than Gotham, I mean does anyone really think Nightwing's Rogues wouldn't get their lunches eaten by Batman's? No, no one genuinely buys that. When Bludhaven claims to be worse, it just comes across as tryhard, an attribute that does end up telling you about Nightwing in unintentional ways.

So Seeley didn't do that. Instead he created a city built for a hero like Dick Grayson. Someone who is bright and flashy, but does have an element of darkness to him. Someone who loves the spotlight, but often uses it to obscure. Seeley turned Bludhaven into Las Vegas, and that was the fucking best concept for Bludhaven I have ever seen, it makes so much sense. Las Vegas is the "Entertainment Capital of the World" and isn't that the perfect city for a hero who got their start working in the circus? Isn't the aesthetics of the gleaming casinos, the glamorous sex appeal of the performers, and the spectacle of the shows, all being used to cover up the seediness of mob bosses meeting backstage perfect for Nightwing? It's so utterly unlike New York City, yet Las Vegas is still dangerous, it's got a crime culture all it's own. Seeley used it to great effect, as did Humphries during his brief run, and I will always be pissed that DC didn't continue to use it. That should have stuck around and been the definitive look for Bludhaven.

How Seeley's take on Bludhaven was treated feels like a small scale version of how Nightwing in general gets treated. Whenever creators pitched ideas for him, if editorial thought there was potential to break big, they asked for those ideas to be repurposed for Batman instead. Anything big or good gets repurposed for Batman or tossed to the side so Nightwing can go back to his default: having irrelevant adventures in a city that is supposedly worse than Gotham but can't live up to it. Just like how Nightwing is supposedly better than Batman but never gets to show it. Goddamn it's so frustrating seeing his potential get wasted like that.

The Nightwing book should be one of DC's most ambitious books in terms of storytelling. You can go from traditional superhero stories, to romantic soap opera, to spy stories, to crime noir, to horror, to cosmic adventures, and ALL of them would fit because Nightwing is someone who has a foot in both Gotham and Metropolis. He's got friends everywhere on every team, and has been a hero longer than most Leaguers have at this point. No reason DC should still be afraid to let him loose and insisting on hewing close to what Dixon established almost over 30 years ago is only holding him back. At the very least get him some better Rogues, why the hell didn't he get to keep Professor Pyg? That's Dick's villain not Bruce's! Bullshit that they didn't let Dick keep him. Hopefully Flamingo comes back, with a slight revamp I think he'd make a great reoccurring Nightwing Rogue.

Luckily it does look somewhat like Nightwing fans have reason to be optimistic. While Taylor isn't to my taste, DC clearly views him as a "big" writer, and that they put him on Nightwing says a lot. Taylor has been selling well so far, so hopefully he gets to tell his story, hilarious that even he lampshaded having to write Dick running over to Gotham for another tie-in after Taylor's big opening arc was all about Dick committing himself and his money to Bludhaven. Scott Snyder is apparently working on a Black Label Nightwing book which will explore how he's a different detective than Bruce. The Gotham Knights video game has him as one of the main stars, and while Titans is... controversial, it's one of the most popular streaming shows and Dick is the main character. There's a lot of content coming that features him in the starring role, and that will only help his star rise further.

For the first time in, well, ever it feels like DC may be serious about elevating him. Time will tell if it pays off, but I for one choose to be optimistic that the 2020s will be a turning point for Dick Grayson where Nightwing becomes hugely popular in his own right. Not just as Batman's sidekick.

#nightwing #dick grayson #batman #gotham knights #titans #dc comics

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basic-otaku · 3 years

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My thoughts on Xue Yang's character (based on the drama and novel)

Xue Yang is a character I didn’t fully understand until I finished The Untamed. I looked back on him with a bit of pity but little understanding. It wasn’t until I listened to his character song that I truly began to dissect his character. Reading those lyrics completely flipped my perspective on him, and I went back to watch the Yi City arc again. I was shocked by how much I had missed. Xue Yang has since become one of my favorite characters of the series. I’ve spent so much time thinking about him and his motives that I finally decided to write down my thoughts. This analysis comes mostly from what I perceived, so it may differ from other people’s opinions. You are free to disagree with me.

Let’s start with what we know: Xue Yang was a street kid with a hard childhood. We know he was abandoned at a young age, but we don’t know how young. However, he must have been old enough to survive, so he couldn’t have been younger than four when he started fending for himself. We don’t know who his parents are because he doesn’t remember them, nor does he remember anyone else who had potentially taken care of him. His parents could be dead for all we know, or they could have dumped him somewhere when they no longer wanted to take care of him. It’s all up to speculation. He also has a very high pain tolerance, probably due to constant beatings as a child.

When you’re all alone in the world, you have to learn to put yourself first. There’s no one to care for you, so only you can care for yourself. I believe that Xue Yang wasn’t always a bad person because no one is inherently evil. However, because he was alone, there was no one to nurture him and teach him right from wrong. When all you experience is violence and hatred, that becomes your response to similar situations; you don’t expect kindness or want to give it in return.

One of Xue Yang’s flaws as a child was his naivety — he was much too quick to trust. That’s how he got himself into such a bad situation. He was eager to have something he was never able to have (candy), so he immediately trusted that shopkeeper when he said he could have some as a reward for running an errand. What he got in return wasn’t candy, but a brutal beating and a severed pinky. If Xue Yang had still had any faith left in humanity, this is the point where it would have left him. The remaining childhood innocence in him was gone. This brings me to an interesting piece of dialogue. In Yi City, when Xue Yang confronts Song Lan and tells him what he’s been up to, Song Lan curses at him, calling him an animal. Xue Yang laughs at him and says, “I quit using those words when I was seven.” And what happened to Xue Yang’s finger? “One finger was ground into battered flesh on the spot. The child was seven.” Even Xue Yang himself knows that moment was when everything changed, and he still carries the resentment with him now.

Back to the cart incident. This event scarred him for life and was the primary reason he became a sociopath. Now he’s bent on revenge. He was powerless as a child; just another street rat who shouldn’t be treated like a human being nor spared any pity. So, when he realizes he can do the same to those that hurt him, he takes it much further. When he was old enough and strong enough, he exacts his revenge. He wanted to make the Chang Clan feel his pain — not only for the finger he had lost but for his whole miserable life up to that point. If no one deigned to understand him, then he’d make them understand in the only way he knew how. With violence.

Xue Yang was only fifteen or sixteen when he slaughtered the Chang Clan, killing more than fifty people. This is where he meets Xiao Xingchen and Song Lan. From the first moment, Xue Yang hates Xiao Xingchen. He’s so righteous, so full of light. He thinks he makes the world better just by doing a little good. What a hypocrite. Where was he when he was needed? Where was he when Xue Yang was a seven-year-old boy left crying in the streets after having his finger ground to a pulp? No, nobody can be that good.

When Xue Yang is captured by Wei Wuxian and the others, Xiao Xingchen takes him back to Qinghe to be apprehended, and Xue Yang vows to get his revenge on Xiao Xingchen for it. It isn’t long after he escapes from Qinghe that Xue Yang slaughters Baixue Temple, blinding Song Lan in the process. According to Xue Yang’s logic, hurting Xiao Xingchen’s friend is just as bad as hurting Xiao Xingchen himself. This is what causes the rift between Xiao Xingchen and Song Lan. Without this incident, Xue Yang and Xiao Xingchen may never have met again.

A few years have likely passed while Xue Yang was working for Jin Guangyao. He is probably closer to eighteen or nineteen when Jin Guangyao injures him and throws him out, which is how Xiao Xingchen and A-Qing find him. Xiao Xingchen doesn’t hesitate in bringing Xue Yang back to Yi City with him and A-Qing and caring for his wounds. Xue Yang wakes up pained and disoriented, but he immediately tries to back away when he realizes who is tending to him. He doesn’t know Xiao Xingchen is unaware of his identity, and probably thinks that Xiao Xingchen is getting ready to take him to face justice or something. But Xiao Xingchen insists that he doesn’t need to know who Xue Yang is and that he’s only doing what’s right. Xue Yang is clearly shocked by this admission. He truly cannot comprehend kindness, and this is the first time he’s ever experienced it.

This is also the first time we get to see his genuine smile. It’s shocked and incredulous, like he can’t believe this is happening, but it’s there. Throughout the series, Xue Yang’s snarky words and sly smirk are a token of his character, but now we know they are just a mask he uses to hide the small, broken child inside of him. If no one can see the hurt he hides, then no one can hurt him further. But with just one kind gesture, Xiao Xingchen was able to bring out the young boy who just wanted love and comfort.

This kindness is such a foreign concept to Xue Yang that he doesn’t think it’s genuine for a long time. But as the years pass, Xue Yang comes to realize that Xiao Xingchen isn’t a threat. This is something he scoffs at. Xiao Xingchen is ridiculously naïve; so stupid. If he knew who he was living with, who he was eating with, he wouldn’t act like this. He would treat Xue Yang the same way everyone else had. So, Xue Yang decides to trick Xiao Xingchen into murdering innocent people for revenge. Xue Yang can’t wait for Xiao Xingchen to find out what Xue Yang has made him do because it’ll break him. What this revenge is for is up to interpretation. Maybe he’s still angry about being captured and sent to Qinghe. Maybe he’s angry at the world for treating him so badly. Maybe Xue Yang wants to show Xiao Xingchen that his worldview is stupid and that there are no good or pure people in the world. I choose to believe that it’s the last one.

At least, this is his motivation at first — he slowly loses the will to harm Xiao Xingchen. This brings me to another interesting point. In episode three, Xue Yang says he doesn’t fear death, he fears boredom. But isn’t this domestic life he’s living with Xiao Xingchen and A-Qing considered boring by his standards? I think the boredom he speaks of is really the fear of being alone and having nothing at all. Now he’s happy, however reluctantly he’s willing to admit it. He wouldn’t have put up with A-Qing’s petulant behavior if he didn’t enjoy the time they spent together. Although they didn’t get along at first, Xue Yang protects A-Qing and takes care of her like an annoying older brother. He teases her, sure, but he also cuts her apple slices in the shape of rabbits and gives her advice on how to scare away the people who bully her (even though killing them isn’t great advice). Xiao Xingchen and A-Qing were the family he never had. Now he would do anything to preserve the life he is living.

After about a year, Xue Yang’s plan stopped being about revenge. I’m not completely sure how he justified this change of heart, but I like to think he told himself he was still biding his time and that he’d get back to it eventually (even if he had stopped thinking about hurting Xiao Xingchen). Based on what A-Qing told Song Lan when he arrived at Yi City, Xue Yang hadn’t taken Xiao Xingchen out on one of those night hunts in a long time. And most of the people that Xue Yang made Xiao Xingchen kill were the merchants that made fun of his blindness and cheated him with bad vegetables and high prices. It was a messed-up way to get revenge for Xiao Xingchen. Xue Yang hates being looked down on, so shouldn’t Xiao Xingchen feel the same way?

Nevertheless, the time they spent in Yi City was probably the only time Xue Yang had been happy in his entire life. Xiao Xingchen was so in tune with what Xue Yang needed that Xue Yang came to care for him deeply. Whether those feelings were romantic or platonic in nature is up to the viewer, but I believe Xue Yang had fallen in love with Xiao Xingchen in the only sick and twisted way he could. Xiao Xingchen understood him more than anyone ever had, going so far as to listen to his idle ramblings and bring him a piece of candy every day after hearing that he had loved sweets as a child but could never have any. He managed to tame the savage beast in Xue Yang’s heart with only his presence and basic human decency. Xue Yang’s bloodlust was satiated as long as he had Xiao Xingchen to take care of him. At this point, I don’t think he would ever actually kill Xiao Xingchen. He had stopped wanting to hurt him a long time ago. A-Qing? Sure. She’s expendable, but Xiao Xingchen is irreplaceable. Even if Xue Yang reluctantly came to care about her, it wasn’t the same kind of bond. She had never shown him the same kindness that Xiao Xingchen had. He wouldn’t hesitate to hurt her if she betrayed him, but she was important to Xiao Xingchen, which meant he couldn’t do her any harm if he didn’t want to disrupt their happy life.

If Song Lan hadn’t found them, how long would Xue Yang have stayed? I don’t even think he knew. He just knew that he didn’t want to leave anymore. Xiao Xingchen gave him too much for him to want that. The viewer can easily see the happiness in his eyes when he looks at Xiao Xingchen. Xue Yang acts like a kid around him — playing games, joking around, making him laugh with childish remarks. Even in the quiet moments, he’s happy. This was especially noticeable in the campfire scene. It wasn’t shown in the original drama, but in the special edition, Xue Yang smiled at Xiao Xingchen from across the fire, and the look in his eyes as he gazed at his daozhang was so tender that it honestly caught me off guard. It seemed to catch Xue Yang off guard too because he caught himself, and the smile slowly fell. It’s like he realized what he’s doing and remembered that this should be about revenge.

Where in the past, Xue Yang hated Xiao Xingchen for his righteousness, he now loves him for his naivety. Without it, Xue Yang knows that Xiao Xingchen would be disgusted with himself. There would be no more laughs, no more games, and no more smiles. Then Xue Yang would lose the one person who didn’t treat him like dirt. So, when Song Lan finds them, Xue Yang immediately perceives it as a threat to their domestic life. He knows how important Song Lan is to Xiao Xingchen, and there’s no doubt in his mind that Xiao Xingchen won’t hesitate to leave with Song Lan when he discovers Xue Yang’s identity.

Furthermore, Xue Yang resents Song Lan for taking Xiao Xingchen’s eyes (even though it was voluntary on Xiao Xingchen’s part and was essentially Xue Yang’s fault). His logic tells him that having Xiao Xingchen kill Song Lan would be the perfect way for Xiao Xingchen to get his revenge. What Xue Yang doesn’t understand is that not everyone thinks about things in the context of revenge. I don’t believe Xiao Xingchen ever truly regretted giving up his sight. But Xue Yang can’t comprehend how someone could be that selfless.

This is where it all falls apart. A-Qing sees what happened to Song Lan, and she runs to Xiao Xingchen and tells him everything. When Xiao Xingchen comes back to confront him, Xue Yang spills it all. There’s nothing left for him to lose. His mask falls again, and he basically bares his soul to Xiao Xingchen. This is probably the first time he’s told the story about his finger, and I think he genuinely thought Xiao Xingchen was going to understand him; that if he knew what Xue Yang went through, he’d sympathize with him and justify his action (thereby justifying his feelings). Instead of that, however, Xiao Xingchen calls him disgusting, and it flips a switch inside of Xue Yang. How can Xiao Xingchen call him disgusting when he’s killed people too?

I think one of the reasons Xue Yang led Xiao Xingchen to kill those people was to bring Xiao Xingchen down to his level. Xue Yang doesn’t think that anyone can be as good as Xiao Xingchen claimed to be, so he had to taint his perfect record. Maybe if he killed people, Xiao Xingchen would understand him. Xue Yang thought that when Xiao Xingchen found out, he’d stay with him. Now he’s not the same righteous person he used to be, so how could he be good enough to travel the world with Song Lan? No, he should stay with Xue Yang instead and live a happy life together.

So, when Xiao Xingchen calls him disgusting, Xue Yang was probably confused and upset, which made him instinctively put his mask back up. Being vulnerable only hurt him again, so he’s back to harsh words and smirks, telling Xiao Xingchen that this is why he’s always hated him and that all of this was fun. Fun in every sense of the word: the killing and the happiness.

Xiao Xingchen finding out that he killed Song Lan was the last straw. Xue Yang is still laughing as Xiao Xingchen slits his own throat. It takes a moment for the realization to set in, but as it does, the smile falls from Xue Yang’s lips, and his hands begin to shake. This is the third time his mask has fallen. His eyes begin to well with tears, but he tries to keep up his act, saying that dead ones are easier to control, but the only one he’s acting for is himself.

The next scene is the one that really solidified Xue Yang’s feelings for me. He cleans the blood from Xiao Xingchen’s skin with the same care that Xiao Xingchen had shown him when he first found Xue Yang in that ditch. Xue Yang clearly thinks that Xiao Xingchen is going to come back and that the ritual will work, that he staves off his tears and sets out food for both of them. He considers eating his candy but then decides he should wait until Xiao Xingchen comes back. If he’s back, then Xue Yang is sure to get another piece.

When he realizes that the ritual isn’t working and Xiao Xingchen isn’t coming back, he breaks down. The tantrum he throws is so full of rage and anguish that it really shows the depth of his feelings for Xiao Xingchen. Again, he goes back to acting, trying to guilt Xiao Xingchen’s dead body into coming back to life by telling him all the terrible things he’ll do to Song Lan and A-Qing if he doesn’t reawaken. Obviously, Xiao Xingchen can’t hear him, and Xue Yang knows this, even if he doesn’t want to admit it. He finally dissolves into tears, screaming and crying over Xiao Xingchen’s corpse. This may have been the first time he’s cried since he lost his finger. Crying is for innocent, naïve children, and it doesn’t help anybody. But now Xue Yang has had a taste of pure sweetness and doesn’t want to go back to the bitter life he has known, so he finally lets himself weep for all the things he could have had.

Xue Yang spent the next seven years trying to bring Xiao Xingchen back to life with no success. We don’t know much about his activities after Yi City, but we have gotten information through rumors that Shuanghua was being used to kill innocents. It seems like Xue Yang wanted to keep a part of Xiao Xingchen with him. He even continued his sick revenge plot after Xiao Xingchen’s death by gouging out the eyes of and killing the remains of the Chang Clan, including their leader, Chang Ping, by lingchi. Xue Yang doesn’t blame himself in the slightest; he just thinks that Xiao Xingchen’s death was an unfortunate consequence of the situation. He will put the blame on anyone and everyone other than himself. Thus, instead of performing lingchi on himself like Wei Wuxian suggested, he takes out his anger on the remains of the Chang Clan.

Everything Xue Yang does in the present is tied to Xiao Xingchen, yet he still can’t bring him back. So, when he heard that the Yiling Patriarch had suddenly come back to life, Xue Yang knew it was his last chance. The sword ghost/ghost arm is what led Wei Wuxian and Lan Wangji to Yi City. It was pointing to its murderer. I’m sure Xue Yang could have avoided a confrontation if he wanted, but this was intentional. As for the juniors, I have a feeling that Xue Yang was behind the cat corpses that led them to meet up with Wei Wuxian. This is still unclear though because Xue Yang doesn’t have a real reason to get them involved. The only person he needs is Wei Wuxian.

Xue Yang has tried everything at this point. So, when Wei Wuxian finds him in Yi City, pretending to be Xiao Xingchen, he is completely desperate. I do wonder if that is something he has done more than once. Did he often go around dressed as Xiao Xingchen? Was he playing with the life they had in Yi City? Pretending he was still there? Or was it a one-time thing to trick Wei Wuxian into dropping his guard? I also wonder how often he used his own sword because only after Lan Zhan took Shuanghua from him did he pull out Jiangzai. That could be because he was acting as Xiao Xingchen, but we can’t be sure. However, that isn’t the point. Right now, Wei Wuxian was Xue Yang’s only option because the Yiling Patriarch surely knew things he didn’t. Xue Yang had lived with Xiao Xingchen’s corpse for those seven years, keeping him in pristine condition. I’m pretty sure the only way Xue Yang could have done this was by giving him spiritual energy every day, which would be incredibly draining. I don’t think Xue Yang had an exceptionally strong golden core to begin with either. He is primarily a demonic cultivator, which means he doesn’t use his golden core often. It must have taken most of his strength to keep Xiao Xingchen’s body in such good condition. But anything for daozhang, right? Xue Yang needed Xiao Xingchen’s body to be perfect when he returned. He also put aside his pride and used Song Lan for protection all those years. He kept the one person he continued to hate with a burning passion around him for so long.

When Wei Wuxian tells Xue Yang he can’t bring Xiao Xingchen back to life because his soul is too broken, Xue Yang refuses to believe it. It’s been seven years already; he can’t give up now. Deep down, I believe Xue Yang knows Xiao Xingchen wouldn’t want anything to do with him even if he did come back, but he can’t figure out why. Because nothing was his fault, of course.

Something Wei Wuxian said really struck me as I went back to rewatch episode 39. Before the fight, Wei Wuxian turns to Xue Yang and says, “you disgust him to the core, yet you still want to pull him back to play this stupid game.” Xue Yang responds with “I want nothing of the kind.” And he’s being honest. He doesn’t want a stupid game — he wants something real. He wants a life where Xiao Xingchen knows his identity and stays with him in spite of it. He just wants one person to accept him as he is, but that will never, nor could ever, happen —not with all the crimes he has committed.

When Lan Wangji cut off his arm, leaving Xue Yang bleeding on the ground, I think he knew it was over. There was nothing left for him now. He was never getting Xiao Xingchen back. He never had him in the first place, not in any way that counted. So he laughs, blood spilling from his lips, to cover up the tears he wishes he could cry.

He’s ready when Song Lan stabs him, dying with a smile on his face as he gazes at the last piece of candy Xiao Xingchen had ever given him. It’s blackened and inedible, yet Xue Yang held on to it for so long; it was a reminder of his daozhang and of why he was fighting so hard. Like his character song said, he was “too determined to let go.”

It’s kind of sad that even in death, he was never respected by anyone other than Xiao Xingchen, and all of that was built on a lie. He didn’t even get a proper burial, although I suppose he kind of deserved it. Xue Yang is the character I pity the most in this series. He isn’t a good person, nowhere near it, and he deserved the end he got, but I wish things could have been different. What hurts is that it just as easily could have been Wei Wuxian. If Xue Yang had been taken in as a child; if he’d had his own Jiang Fengmian, his own Jiang Cheng and Jiang Yanli, he could have been happier. Maybe none of this would have happened. Maybe he would have met Xiao Xingchen and Song Lan and started a sect with them. Realistically, he and Xiao Xingchen would never be lovers because Xiao Xingchen was so strongly connected to Song Lan, but I think they could have been friends.

However, one question I still have is did Xue Yang fall in love with Xiao Xingchen because of how he treated him or because of the person Xiao Xingchen really was? If they had met under different circumstances (and if Xue Yang had had a support system when he was young), would Xue Yang have still fallen in love with him? I guess that’s up to the viewer to decide.

Ultimately, Xue Yang is still a sociopath who can’t understand empathy or feel remorse, so I don’t think he regretted any of his crimes. However, I do believe that Xue Yang regretted the consequences of his actions in Yi City. He didn’t want Xiao Xingchen to die, but his actions were what caused his death. It’s more of a dissatisfaction with where things ended up than feeling guilty for his death. Although I don’t think Xue Yang felt remorseful, that doesn’t mean he wasn’t grieving, nor does it mean his feelings for Xiao Xingchen weren’t as genuine as they could have been.

I don’t know where Xue Yang or Xiao Xingchen will end up now, but I hope they’ll both be happy in their next lives. The same goes for A-Qing and Song Lan (when he finally meets his true end). There are so many things that contributed to Xue Yang’s unstable mind, but I think the moral of the story is that it pays to be kind. If just one person had taken pity on him as a child — had shown him that there was good in the world — I wonder what kind of person he would have become.

I already know how cruel fate is

Not looking, not asking, not grieving, not hating

Waiting to relive my life just for a single person

Ups and downs in life

I would leave no regrets

I tried searching in the darkness of night

When I am trapped in the past

I still hope that a flicker of light will appear in my heart

The legend of this lonely city

Who came here before?

And gifted to me my karma

I am waiting for this karma to liberate spirits, liberate souls, and liberate me

Even though I am already too determined to let go

If I get rid of these inner demons

Would you forgive me?

Gaining freedom from destiny, starting all over again

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enneamage · 2 years

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"if I’ve got my read on him right, Wilbur likes how accommodating and flexible Ranboo is. He’s very socially aware, caring and susceptible to guilt. Frankly, Wilbur can manipulate him, and Ranboo seems special enough to Wilbur to be worth manipulating."

I agree with that read, and I've been thinking about that for months in relation to their dynamic and both of their individual psyches. Ranboo prides himself on being adaptable, sensitive, and accommodating. He likes that he's able to handle being pushed around without much strife, sees it as a strength of his. Conversely, Wilbur really enjoys being able to have control over others, and you can see that very clearly in how he reacts to clingyduo.

He cares about Tommy a lot, but you can also tell that he enjoys that if he dislikes something that Tommy likes, he knows Tommy will bend to his opinion and modify his own, likes that Tommy puts so much weight on his words and idolizes him in some aspects. Most of the friction between Wilbur and Tubbo in their friendship (besides that Tubbo reminds Wilbur of him as a child, and Wilbur dislikes how Tubbo's life path differed from his), is Tubbo has made it very clear that he is willing to put his foot down, doesn't really idolize a person, and won't fit perfectly into Wilbur's worldview and perceptions of others, and Wilbur resents that. Sometimes that resentment leaks out and is very obvious, despite the fact that Wilbur does genuinely care for Tubbo.

Another interesting discussion to be had, is that Wilbur and Ranboo's DSMP characters mirror a very similar (albeit more intense and uncomfortable) dynamic- c!Wilbur manipulates c!Ranboo into doing something very disconcerting- setting TNT under Las Nevadas, therefore implicating Ranboo in conflict and aggression. c!Wilbur pushes and pushes until Ranboo gives in- and rubs salt in the wound by praising him for "choosing sides", something that c!Ranboo hates and avoids at all costs. and then when he's alone, c!Wilbur gloats and celebrates about how much he "loves that guy", but it's clear that his glee comes from being able to make c!Ranboo do something that is so against his very nature. The interesting thing, is Wilbur helped Ranboo work on c!Ranboo, and wrote out most of that piece of lore.

Yeah, Wilbur likes having the leverage that age and fame give him over his younger peers. It sounds bad and I’m sure hearing it out loud or even thinking it would mortify him, but it keeps proving to be true. There’s really no way of softening it.

Tubbo wanted to be his own person, and I definitely saw the friction it caused between them when he wouldn’t bend to Wilbur’s vision. Tubbo’s stubborn streak comes in handy when he’s facing down people who get invasive.

As the saying goes, Minecraft roleplay is real actually. C!Wilbur liked having a fresh start with someone that he hadn’t ruined his reputation with yet, and he clung to him. C!Wilbur wanted to be a mentor to C!Ranboo in the way he was with C!Tommy, but they were not the same people so he never established that blind faith. C!Ranboo likes being needed but he doesn’t need someone to stabilise himself like C!Tommy does. That last bit mirrors real life—Ranboo can accommodate Wilbur and likes being around him, but he doesn’t really *need* him as a mentor the same way that Tommy does. Ranboo is the primary caretaker in ‘tallerduo,’ and while Wilbur still gives advice (solicited and unsolicited) Ranboo processes it differently than Tommy.

Wilbur... wants to influence Ranboo. This is multifaceted, but a lot of signs point to it.

#Anon bringing the heat tonight thank you for the quality post #let us share in the Deep Discomfort #mageposting #Ranboo as a Tommy that Wilbur doesn't have to take care of and can just lean on and lead when he wants #fellas this is dark territory #gen wlbr tag #gen rnbo tag

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hellyeahheroes · 3 years

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Robin(2021) #1 Review

Opening this comic with an assessment of a character that I have no choice but to agree with is a cheap way to score points with me.

Anyways, we caught heat for being unfair to this story since it was announced because all of us wanted it to be a Cass story since forever. And it became yet another thing Damian absorbs. I mostly ignored it because I’ve always been open about my disdain for the character and his fandom for nearly a decade. I never liked Damian because put these characteristics on a non-white passing character, they’d be dead inside of year. Then again I hate almost all of Grant Morrison monstrosities.

Regardless, new story who dis is in full effect here. We open this bad boy up with Damian gone missing and the Batfamily searching for him. Nightwing tried asking Damian’s old Teen Titans team and they obviously don’t know and probably hope Damian is dead. Tim checked Arkham Ruins(???) and Damian wasn’t there. I honestly don’t think Tim was trying to find Damian. Steph and Cass checked Damian’s farm and Steph concluded Damian has been there at least because while Damian may be a little shit, he loves his dog and pet bat dragon. Barbara checked facial recognition pings and his transactions and dude is an IRS nightmare.

Damian is missing. Bruce is worried that maybe making a violent murderous preteen Robin raised in a cabal of killers to be chief murderer was a bad idea and is worried. Barbara ensures him that they will find his son and we cut to Damian fighting Snake guy in some musty ass fight put somewhere. Because of course it’s a musty ass fight pit because while the story is well drawn, it never claimed to be not cliche.

Damian hands the scrub his ass and it turns out Damian is trying to earn a marker to participate in some tournament. I liked this panel.

Not because of the artist flex of changing the art style, but it establishes Damian with a relatable hobby, reading manga. And not just a Shounen as you expect him to read but a slice of life manga which kind of puts his life in perspective. Also the lesson in the manga is reflective of what happens in the comic. Damian’s mastery is reflective of how he sees Hana. Hana decides to go beyond what her masters taught her. She decides to innovate and make her art her own. And that’s indicative of another flaw of Damian: Damian leans of the prestige of his teachers. He is the student that replicates the style 1:1. He wants to inherit Batman’s mantle, but doesn’t want to shed his teachings that he is proud of. And it comes down to this idea that Damian refuses to innovate and adapt because he is hiding behind his masters.

This panel saved the story so good job.

And after a talk with dead Alfred, it’s revealed that Damian is on this journey as a way to mirror Bruce’s journey into becoming Batman. It’s his way to iron his resolve without a catalyst to find a need to. It highlights his naïveté. He thinks that he can just simply copy the steps and get the same results.

Regardless what happens next simultaneously undermines the story or the impact of it.

Okay, when you think of Martial artists in DC, you immediately think Batman, Shiva, Deathstroke, Black Canary, Bronze Tiger, Richard Dragon, and Shiva. Why I said Shiva twice? Because Shiva is the pinnacle.

So to reveal that three premier martial artists in the universe are not only not participating but they were paid off to not participate, cheated out, or were subbed in as an entry replacement, it undermines the promotion. It’s like going to a Beyonce Concert only to find out that between the words in small print Beyonce and Concert was ‘s Sister’s and now you are watching Grammy award winning Solange. Sure, it’s an unique experience but it ain’t Beyonce.

And also, there is no amount in the world that would keep Shiva away from this tournament if it’s as prestigious as it’s led to be. Let’s be real. If anything, it’s far more likely that she saw the roster of scrubs and decided to make some scratch.

There are two characters that I recognize: Connor Hawke and Rose Wilson. I am not familiar with Connor so I am not sure if he is out of place. Rose is fine but y’know, scrub. I’m sorry Rose Wilson got her ass handed to her by Cass in the previous universe. There is no universe where I take her seriously in a fighting tournament to crown greatest fighter because the ass stomp was so thorough that Cass was beating Slade’s ego by proxy.

Back to the comic, Damian interrupts the host and basically is the fighting tournament trope of overly confident disrespectful guy with too many accolades which he will proudly tell you about them. What I like about this is the nice nod to the previous manga panel. Damian is not a great fighter. There I said it. Damian’s ability hinges on the idea that he was trained by the greatest killers and Batman but the issue is that name prestige doesn’t make great fighters. Too many times, comic books overly rely on this idea of fighting being a what you know and not being a game of not getting hit and getting hits in. It does not matter if Damian is trained by the League and Batman and it’s questionable as to how much Batman taught him in the first place. Hence why we see Damian with a sword or staff to compliment his lack of range. Damian can’t read muscle twitches like a Cass or Shiva so he has a normal reactive response and comics never highlighted his ability. The most impressive thing I’ve seen Damian do is catch a Batarang which is something I’ve seen Tim do. Damian overly relies on the idea that his teachers taught him to be the best when they simply taught him to survive in a fight.

“But why does Cass get away with it?,” you ask. Cass has this broken hax that is reading muscle twitch and immediately knowing the instant of what you are going to do before you do it or decide to do. Cass doesn’t need range because to her, you are screaming your intentions. She doesn’t need to block an attack when she can just parry. She doesn’t need to step back when she can just step forward while slipping all attacks. She is an autistic savant at fighting with an absolute defense. Damian is just another badass teen in a world of badass adults.

And the humbling of Damian begins...again.

Pros:

-Damian’s new costume. I like that he is branching out and starting to own his own colors. It’s nice.

-Using a character flaw to make it a theme. I like Chekhov’s gun via teachable moment. In tournament arcs, what separates the good ones and the bad ones is the idea that the hero simply must overcome their opponents and not their own self. This is why Yuyu Hakusho is awesome.

- Great art and nice continuity. It’s nice that Damian’s past wasn’t ignored for once and they didn’t just throw his Teen Titans characterization down the tubes. Say what you want, but it was arguably Damian’s longest run in spite of his fans hating it. And contrary to what they believe, it was very much in character for him. My fear going into this that Damian would not face any fallout and lo and behold he ran away.

- it’s a good start for a Damian story. Say what you want, but it’s unique in that the little shit gets his comeuppance immediately. And not that just by losing, but by dying. Damian has killed before and readily justifies it because he never realizes the weight of taking someone’s life. He’s been killed before but those were painted in a way that he is valiant. Here, this is death caused by his own arrogance. He mocks a fighter for talking shit and gets murked while talking shit. He spouts names of his own teachers and expects people to care or be weary as if Rose Wilson and Connor aren’t there. It’s a tournament sponsored by the League of Assassins, Damian. They have been taught by the league too.

Cons:

-Look I get promotion. No promoter is going to undermine their product but the fact that this tournament reeks like ABA is killing my interest to give a shit. It’s a convenient caveat to say that, “Well, a character won this so they can have the title but the title doesn’t mean anything.” I know of regardless of whom wins this, they aren’t the best. Go ham or don’t at all.

-not enough emphasis of the importance of this arc. Why even have this tournament? What’s the prize? What’s even the point?

-While the art is nice, the action is framed poorly. I like physical action like this to be nearly choreographed in a way I can see and piece movement in my head. The two fight scenes we get are somewhat disjointed in that it’s just poses. For example, Flatline’s first kick makes no sense at all and I don’t get her follow up. Trying to picture the movement hurts my head and in an action concept like this, it’s best to frame action scenes as more than doing poses. Here is a good example:

This only emphasizes the action and gets the reader to acknowledge that this a tournament of great fighters or at least a great fighting story.

All in all, do I think this story is off to a good start? Yes. Is it going to change my opinion on Damian? Hell no. My reaction to Damian getting his ass handed to him was this.

The issue is that it never sticks. Damian can learn and be a better person but the development never sticks. It becomes a cyclical series of events because whoever writes him next will just keep writing him as this shitty entitled murder rich kid who never learns anything and gets validated somehow. It’s been over a decade and I’m tired of the same excuses of his shitty behavior. I am tired of writers validating it or excusing it.

Damian losing isn’t an outcome I care for because it’s wasted on him. Honestly I am more interested in Connor and Rose being there. I have no faith that it will stick nor does it undo the shitty idea of the character. I have never wanted to see Damian fight. It’s never been fun to read about nor has the impetus of his character emphasized the ability or style. Placing Damian in an Enter the Dragon style tournament lacks the pizzazz of Cass doing the same thing. For example, let’s try Marvel.

Let’s say someone pitches an idea of a tournament arc styled after Game of Death. Immediately you think Martial Artists non-powered. Danny Rand, Daredevil, Elektra, Shang-Chi, Pei and Colleen Wing. Okay, instead of giving those characters the honor, you give the story to Black Cat. Honestly, I’d read it because Felicia could sell me a documentary on grass and I’d buy it but the point stands, why does Damian have this Bruce Lee inspired Martial Arts story versus the actual Chinese or East Asian Martial Arts focused member of the Batfamily, Cassandra Cain?

But this has nothing to do with what could have been. It’s a fun beginning of a possibly fun arc. In that regard, it delivers but what’s the point?

Like I said, fun story.

@ubernegro

#dc #robin #damian wayne #batman and robin #batman #tim drake #stephanie brown #cassandra cain #batgirl #barbara gordon #oracle #dick grayson #batfamily

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anthonycrowleymoved · 4 years

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I know this is old discourse but in light of destiel becoming canon, what are your thoughts on neil gaiman not allowing Crowley and Aziraphale to be gay lovers? He said that they're angels, not men, so is that supposed to imply that they're not gay simply cuz they're non-binary (so they're asexual)? I just wanna know if they'e in love or not lol. I ship them so much.

yeah okay this is gonna have to be tagged neil discourse because thinking about this over a year later i’m still mad huh

so like. i know very well what he said at the time. he was basically like, and i’m paraphrasing but that’s because i simply do not care enough to give a direct quote but on twitter he was like ‘oh well angels don’t UNDERSTAND human concepts like GENDER and SEXUAL ATTRACTION so NO they’re NOT GAY’ and then someone was like ‘but they’re in love right?’ and he was like ‘of course.’ right? everyone agrees that’s what happened right after the show aired? and like, okay, i’m not going to begrudge people seeing this as representative of themselves if they’re nb and/or ace, that’s cool and fine, and you do you. i find it interesting that i saw a ton more criticism about it on here than on twitter, but that’s probably just more indicative of who i’m following and how much i’m on here than anything else. anyway.

let’s break this bullshit down and explain piece by piece why i think neil’s quote unquote representation in gomens is a hot garbage fire and why it kind of rubbed me the wrong way from the moment i saw it.

1. he posted it on twitter. he wrote the script and could have like, you know, put it into the show, if them being In Love was like, actually part of the story. he had the ability to do that. gomens was already going to piss off right wing groups because of how it treats religion, this wasn’t something i legitimately think amazon/the beeb would have just said ‘no’ to if neil was serious about it. mean, maybe that’s a bit far into conspiracy territory, but i truly believe if they really wanted to make azcrow canon the one person who could have managed getting a scene would have been the author/showrunner. and because he didn’t if you’re a casual viewer who’s not fucking following his goddamned twitter seeing gay representation is now a rorschach test

‘they don’t adhere to human ways of thinking about gender and sexuality’ MANY THOUGHTS HERE but let’s start with

2. i think hallie originally said this and neil i know you wrote the book but like. did you read the book neil. because i thought one of the main points of it was that aziraphale and crowley had effectively ‘gone native’ and saw themselves more like humans than like celestial beings. and they’d been on earth for all of human history. it’s a bad take i’m sorry i know he literally wrote it but like really. really.

3. look i’m nb and i’d love some nb rep. but that was not nb rep. those were two cis male actors playing (largely) male presenting characters with absolutely no in-text indications that they aren’t cis. there’s one (a few? god it’s been a minute since i watched the show) character referred to by singular ‘they’ and it’s not aziraphale or crowley. and like, look, i get that in real life there’s nb people who don’t go by gender neutral pronouns and that’s cool and fine because that’s what those people feel inside. but, like, this isn’t real life, it’s a tv show, and referring to male presenting characters as he/him and then occasionally putting them in feminine clothing isn’t representation because people who aren’t looking for that kind of representation aren’t going to see it, they’re going to see a joke about a man in a dress

4. and i’m not ace so i can’t speak on that, but i do remember at the time ace people being like ‘that....was not ace rep’ so like, make of that what you will. again, i’m not going to tell you you can’t see them as nb and/or ace, but like, i’m just asking you, was that really representation? like, was it? in your heart like, would you have been happy with that representation if neil didn’t tell you it was representation? because if you’re just starved for content, that’s FINE, you’re ALLOWED, all i’m asking you is to not praise the creator for doing fuck all.

5. ‘of course [they’re in love]’ again where??? where??? where is it neil. where is it in the actual text of the show. like there’s in text evidence that they love each other platonically and there’s lots of jokes made by other characters but like. i hate to say that but that’s it. i don’t know why this off the cusp response still makes my blood boil but boy does it

6. i don’t want to go looking for it because i’ve done that like six times but there’s a post on neil’s tumblr from before the show dropped about how there would be moments that people who ship it would be happy with but it wouldn’t become canon. you can look it up i swear he said that in like....december of 2018ish? something like that. which, again, is fine on its own, but combined with the fact that after he was like ‘lmao that’s what i was going for’......not my favorite look

what i’m saying is like, if he wanted to create an actual queer narrative he could have but he just like, chose not to and then when he realized he could have people watching his show just because they’re thirsty for representation that isn’t there i think he went ‘oh i’ll jk rowling this’ i don’t KNOW that that’s what happened but, like, that’s what it looks like to me.

i used to regularly refer to the “representation” in gomens as nu-queerbaiting, which i still like as a term, because to me it’s the person in charge (not the actors, usually, unless they have some say in the writing process) going, oh no they’re totally in love with each other totally trust me :) and then like, they’re not, not really, not to the people who like, watch the show but don’t fucking follow the author on twitter. and that’s. i’m sorry, that’s not canon to me.

and, to be honest, how this is presented honestly makes me more angry than if it was just maybe in-universe wink wink nudge nudge, because i’m USED to queerbaiting and i know that like, almost nothing ever ever ever comes of it and i get it and i like having fun anyways, so i deal. and like, i was a book fan before the show came out. the book was written in the late 80s, and i knew that it wasn’t going to be anywhere near as gay as the fandom has made that work for thirty goddamned years, and i was fine with that. like, going into it, i joked, but it was fine because it was a relatively faithful adaption of a book i like. i wasn’t looking for gay representation, even though i ship aziraphale and crowley.

but like, there was this wave of people who came looking for representation, and the show is so vague on that concept that they saw it, but it’s like. it’s not actually really there. there’s no one saying ‘yes they’re really irl in love.’ there’s two male-presenting characters who COULD be in love, if you choose to view it like that, but maybe aren’t. and like, that’s FINE, on it’s own, but i hate that someone in a position of power said ‘no you’re right lmao’ even though he didn’t do shit. it was made in 2019. queer representation should be better than that. i’m not patting neil on the back for doing literally nothing.

so like, tldr: yeah the rep is bad in my opinion!!! it’s not good!!!! i don’t like how neil handled it and it’s gross!!!! i hope this answers your question!!!!

anyway that being said azcrow is such a good ship anyway, so like, why does it matter if they’re canon? ship em anyways no one can stop me from doing it even though how it was handled by the actual creator is a garbage fire when you look at it for more than like, thirty seconds. like......why must a ship be ‘canon’? is it not enough to read a book and see two celestial beings, in love with humanity?

#neil if you're searching your name again and see this no you didn't #neil discourse #go #go tv #nonny mouse #inquiries

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kaizokuou-ni-naru · 4 years

Text

The Voyage So Far: Enies Lobby

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

this is still one of my very favorite nami panels. i think she’s really great through all of water 7 and enies lobby in general, actually, even though she isn’t really one of the characters in focus for a lot of it- like zoro and sanji, she stays pretty steadfast and very badass even though everything that happens, and never gives up on robin for a moment despite being one of the ‘weaker’ members of the crew. and it’s always fun to see her playing with lightning.

one of my favorite jokes from the first half or so of enies lobby is the strawhats both being completely unsurprised that luffy charges in ahead of them as soon as they arrive AND being able to find him immediately by following the explosions. they know him so well.

luffy’s never been scared of dying, going all the way back to when he told coby he was fine with dying for his dream back in chapter two or three. that conversation is what his exchange with blueno here reminds me of- blueno asks him how long he intends to keep fighting, and luffy says until he dies, like there’s nothing to it.

it’s always been a trait of his to face death unflinching with a grin, so long as it’s for the sake of something he cares about, be it his crew or his brother or his dream, and i just really like that about him.

i’ll go into it in the dressrosa post too, but i think it’s really impressive just how long oda held off on giving luffy any sort of significant power-up. he gets his first big power boost in the whole series here, forty volumes in. i’ve always liked that oda is very conservative with power boosts like this, because it both keeps the series’ powerscaling in check and makes the times it does happen much weightier. this is a monumental moment, and it feels like it.

also, i love the way gear two is drawn pre-timeskip, especially with the steam. it looks very cool and atmospheric.

i really like how united the strawhat crew feels throughout enies lobby, after all the internal turmoil and discord of water seven. even though the matter of usopp leaving the crew is still unresolved, they’ll all together once more, on the same page, and fully united in the goal of saving robin, whatever consequences it might bring.

the tree of knowledge has such a cool design- it looks massive, and even more than that, it looks old. you look at that tree and you know its been there for easily thousands of years. its seen entire eras of history, and it would be priceless even without the countless books stored inside it.

and then it burns.

i’m so endlessly sad about the tragedy that is robin’s relationship with her mother. they never even got to see each other until their world was ending, and even then only for a couple minutes.

olvia is a very interesting character, because she’s someone who chose her dream over the people she loved. that’s not an inherently good or bad choice, but it is a choice she made, and it’s what led to the ending she and robin had to have. i’ve wondered a lot what might have happened if she chose the other way, if she never left or if she came back sooner or if she chose to flee the buster call with robin, and how different (and almost certainly better) robin’s life would have been if she had.

in a way, olvia reminds me a lot of kouzuki toki. they both die in order to fling a light of knowledge and hope into the future, and they both send their children away and choose to stay behind to choke on ash for the sake of a better tomorrow.

i didn’t really notice until putting these panels together, but a lot of things burn in enies lobby. ohara burns, and the pluton plans and the world government flag, and enies lobby itself, and at the end, the going merry burns, too. if you extend it back to water seven, there’s the galley-la headquarters, too. in an arc that deals so much with the preservation and destruction of history and knowledge, it’s a fitting motif.

the world government flag burning is still to this day one of the most striking panels out of a series full of them, in my opinion. in one act, the strawhats proclaim their absolute defiance against the world government, and their willingness to make enemies of the greatest power in the world for the sake of their friend.

it’s also another one of those moments that’s interesting to think about in the context of luffy’s past. it was a ship flying that same flag that shot sabo down, and while luffy wasn’t there to see it, i don’t think he’s oblivious to that fact, especially given how he says just before this he understands robin’s enemies perfectly.

dadan told him and ace that there was nothing they could do against the whole world, and luffy went and did it anyways.

sometimes i just think about how scary it must have been for robin, someone who’s been weighed down by the shackles of her past with no escape in sight for so very long, to open herself up and let herself hope, for life and freedom and a dream that’s always been out of reach.

franky has a lot of really great moments between this arc and water seven- his conversation with usopp as usopp is working on merry and his talk with robin on the sea train are two others. it’s almost impressive how quickly he becomes an immensely likable character once we start getting to know him, given how he’s first introduced as an absolute piece of shit.

his burning of the pluton plans is a favorite of mine, and i think it might be because, like so many people before and after him, he’s choosing here to stake all his hopes on the strawhats, on luffy’s ability to pull off the impossible and on robin’s goodness. when robin’s only ever been chased and hated and called a demon by the world, franky chooses to trust her and luffy with the legacy his dad died for, and neither of them let him down.

monster point looks SO FUCKING TERRIFYING in enies lobby, and i LOVE it. look at that. franky is seven and half feet tall, and in front of monster point he’s tiny. monster point is huge, and dead-eyed, and a force of absolute destruction. i do kind of wish we got to see chopper go completely feral like this more often. he deserves to be terrifying!

i love how much FAITH all the rest of the strawhats continue to have in usopp throughout enies lobby. he left the crew and they really would have a right to be angry at him if they chose to, but it doesn’t even seem to cross any of their minds. they’re just happy he’s okay, and they include him again without missing a beat, because he’s still their friend and they know down to their bones they can trust him, even after everything.

i’ve always really loved zoro and kaku’s little moment of post-battle banter here- zoro relays paulie’s message about cp9 being fired, kaku says he’s out of a job, zoro tells him to try the zoo, and kaku cracks up.

it feels very real to me for whatever reason, and i think part of it ties back into how well one piece handles morality with its characters- zoro and kaku are genuinely pretty similar people who get along decently, it just happens that they wound up on opposite sides. there are series where you’d never see moments like this due to the lines between good and bad being so firmly drawn, and i love how one piece blurs those lines so much they may as well not exist a lot of the time.

this is the other sequence, along with luffy climbing the drum rockies barehanded, that always makes me physically cringe to look at. it looks so painful. robin is so nearly powerless here, but not quite- she can still buy time for her crew to catch up, even if it’s only seconds, even if she risks shattering her teeth or even her jaw in the process. she’s spent so long giving up and has only just started daring to hope- she’s not about to go gentle.

there aren’t many panels that give me catharsis like this one. there really aren’t.

oda’s villains are usually complicated and awful and often a little admirable, if only for how clever or how terrifyingly powerful they are, but every now and then he comes up with someone who’s just pathetic and cowardly and pointlessly cruel. spandam is like this, obviously, and so is orochi, and the celestial dragons, and i’d argue flampe from whole cake island as well. and there’s nothing like seeing characters like them- weak, cruel people so assured in their own power and rightness- get obliterated.

one of the things i really like about enies lobby is that nobody really gets sidelined- everybody gets multiple chances to shine. luffy, usopp, and obviously robin are the most in focus, obviously, but zoro, sanji, nami, chopper, and even franky all get a bunch of individual awesome moments. oda’s ability to handle his cast satisfyingly is consistently really impressive (if sometimes strained in huge ensemble arcs like dressrosa or wano) and it really shows here, i think.

i just really love the entire climax of enies lobby. much like the arc as a whole, it just feels triumphant, even though the situation is extremely dire. luffy unlocking gear three, robin’s cuffs getting unlocked, usopp shooting spandam and the marines all the way from the tower of justice- it’s all just good, a long chain of much-needed victories and catharses, and it feels very good to read.

i’ll always be impressed by just how much characterization oda manages to give merry, a boat. she’s only really a character in water seven and the end of enies lobby, only about two chapters of which she actually speaks in. and yet i don’t think you’d find a single one piece fan who disagrees that merry’s death is easily one of the most heartwrenching in the entire series.

i love the reactions of the strawhats to robin’s thanks. they’ve just gone through hell to save her, most of them are beat to shit and they all risked their lives, and yet they all just smile, or brush it off, because to them there’s nothing else they could have done. it’s all worth it, so long as they got her back, so long as she’s safe and happy.

merry’s funeral just hits me in the chest every single time i read it. it’s tragic, of course, but there’s also something almost lovely about it, something peaceful about her getting to go out on her own terms, carrying her crew to safety one last time, defying every rule of the universe to do it. just like a strawhat pirate.

oda’s ability to communicate emotion through expressions really comes through here, too. merry has the only lines in this scene, fitting for her death in the limelight, but the shots of every other crewmate’s face let us know at a glance just what they’re all feeling and just how strongly they’re feeling it.

you know, i’d forgotten we only learn the name of the new world after enies lobby. we only get proper exposition about the revolutionary army and the yonkou here, too, despite them being set up since loguetown and jaya (or alabasta, or even chapter one if you count from shanks’s introduction) respectively. oda’s ability to parse out exposition and explanation so we always have just the right amount of information is really impressive- we always have more questions, but we also always have the feeling that those questions have answers, and that sooner or later they’ll be revealed.

points at shanks. i just think he’s neat.

it’s my opinion that one of the great joys of one piece is seeing luffy and the crew rise up in the world, and seeing them gain more and more notoriety. i love nothing they do ever happens in a vacuum- everything has impacts, and there are always outside eyes watching, and often those impacts are things that they never could have predicted.

ace and blackbeard is still, i think, definitely one of the coolest looking fights in the whole series. it’s not all that often we get to see two people with extremely flashy and showy abilities go all-out against each other, and the resulting fireworks are still really something to behold, despite how badly it all ends.

#the voyage so far #one piece #opmeta #long post #arc: enies lobby #arc: post enies lobby #not japanese

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theoreticalli · 3 years

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tma and unreliable narration

you know in thinking so much about melanie and jon and helen and jon (and to an extent georgie and basira and martin too) I just keep coming back to how good an example of unreliable narration tma is (spoilers thru 160 and for 187, as well as a link to a post abt the finale).

because jon is our pov character, right? for the vast majority of the series, outside of statements, everything we experience is implied to be through his perspective. we start out with him and him alone, we return to him again and again-- alone in the tunnels, alone in America, alone after the Unknowing, alone as the apocalypse swirls around him. we let him entrust us, an unseen confidante, with things he won’t tell anyone else. we are intimately familiar with his experiences and his personality, and we see every little moment of development he goes through. we spend so much time with him.

but jon... is wrong sometimes. like, objectively, we know that. his paranoia spiral in s2 is the first major indicator that this character, who is functionally our narrator, is not objective. he makes decisions based on prior experiences and the information he has and assumptions from both, like we all do. it’s just good character building! it makes him feel more real if he’s wrong sometimes, if he has flaws and blind spots!

and sometimes he is wrong. the most signposted and indisputable moment is the web table, when he just straight-up puts the clues together and comes to the wrong conclusion, or when he spends a whole season being suspicious of tim and martin (and elias) when not!sasha’s right there. basically, He Is Not Immune To Propaganda

so that’s our sign that this is not the kind of character who is always or even usually Objectively right or in the right. he’s not frequently outright wrong, either, but his view of things is always limited, and the other characters are carefully placed to be foils to his perspective, to highlight things he isn’t thinking about or illustrate contrasts or just other opinions. again, It’s Good Character Building! it’s smart writing to have all your characters exist first and foremost as bundles of principles and priorities informed by certain key backstory events, because then you can rely on that to figure out how they’ll react to any given situation, and personalities and quirks tend to fall into place from there. my brain is not moving on the frequency to illustrate exactly what all these foils are right now but I’m sure there’s other posts about that so moving on

most of jon’s conflicts with his allies are not because either of them are wrong, but because they each have distinct and conflicting perspectives. and there’s some posts I see that just... frustrate me because they only take into consideration the context for jon’s actions, and don’t extend the same analysis to any other characters involved. there’s no thought put into why georgie might feel the need to draw the boundaries she does, why melanie goes off on jon at the specific times she does, or god forbid when either of them try to reconcile with him at various points. jon is sympathetic to us as the audience in his shoes, but the actions he takes don’t always have positive effects on those around him in the same way that other people severely hurt him without really meaning to. really, my first reaction to posts like these is always to want to just point out 5 different moments of context that show that most of jon’s allies are never being malicious to him because they’re bad people, or heartless. they have their reasons, and are not being cruel for cruelty’s sake like many of the avatars. they aren’t required to agree with him to still be taken in good faith.

(I have a post about this wrt the end of s5 that I’ll link here to make this stay mostly spoiler free so feel free to go read that but anyways)

and there’s also the things jon directly says about other characters, which again, should not always be taken at face value! and this bit is partly a personal grievance with the way helen’s arc ended, so ymmv, but I think that leaving the exact nature of the distortion (esp how it meshes with its host of sorts) more vague is much more effective in terms of her function in the story. so to my interpretation, even though jon says a lot of things about what the distortion is, that doesn’t necessarily mean any of them are entirely accurate! that’s a point helen made repeatedly, and her role as a foil is to make it clear that the truth is never one thing, no matter how the eye likes to pretend it can find objective reality. she wiggles her way out of the liar’s paradox because reality is complicated, and there are many statements that lie in that grey area between true and false while still sounding very sure. so even though jon states a lot of things in a very certain tone, that doesn’t mean any of them reflect the nature of the distortion any more than anything helen said before. it’s just one more piece of information to put together with everything we’ve seen about the character’s words and actions up to that point and come to our own conclusion!

to me, that’s a much more fun and interesting way of engaging with this story than only looking at things through jon’s pov and taking the things he says without a grain of salt, and I think jonny’s done a really good job of having a lot of characters with specific traits and clear histories that pretty consistently inform how they engage with any given situation. of course, there’s a lot of characters and a lot of extrapolations one can make, especially for more minor or intentionally mysterious characters, so there’s no one right way of understanding a given person. but it’s fun to mess around with, to discover new bits that you’d forgotten about that inform your interpretations, to fill in the gaps.

that’s all no I will not shut up about melanie king if you read this far thank you so much you have my affection and pls reblog w your thoughts!! xoxo

#theo.txt #tma #the magnus archives #jonathan sims #melanie king #tma meta #hoo boy I have a lot of thoughts about this #also like... could make a point that people tend to be more willing to look into martin's and tim's backstories #than into georgie's or melanie's #but I feel like the fandom misogyny hornet's nest is one that I've kicked enough times #it may or may not be intentional but I do see some of yall #and every time I make a post like this I am just. violently aware that I only see a small fraction of the posts in this fandom #and I'm sure there's ones that do the exact opposite and look at the girls' perspectives above all else #so I want to make it clear that my idea is that we do this for All The Characters #up to and including jon #they are all pretty well written if you look past your first impressions yall #like I'm not saying you have to like any given character god knows there are certain ones who I Do Not #but I'm very aware that that's for personal reasons #and I've tried to pinpoint exactly why #and still try to look at the character as a whole #esp when said character is Generally Beloved. I don't wanna go ruining people's fun or just stewing in my feelings #better to work through it I think!#anyways I like this podcast a lot

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comfy-whumpee · 4 years

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Whumping Safely 101

Many people in this community have mental health problems, face various types of discrimination, and have complicated relationships with some parts or types of whump. In particular, I aim this at people who care about the experience of survivors and others with triggers – partially because I am an abuse survivor who often flirts with triggering content as part of my love of whump.

Keeping your blog safe is difficult, takes effort, and is never a perfect process. But as the community grows and grows, it’s really important that we hold ourselves to a high standard. I would argue that this is a responsibility of all content creators, but especially those of us in the messy playground of whump.

I’ve got three sections in here: content warnings, writing with care, and community interaction. I’ve tried to make it navigable. It’s about 1.8k words. Shorter than a lot of drabbles! I welcome good-faith criticism on this topic and further questions on my own views.

Content Warnings

The biggest responsibility, in my opinion, is empowering your reader to make their own decision on whether they want to expose themselves to your writing. This also happens to be by far the easiest way to help people whump safely.

What to warn

This is a big and ever-changing topic. Some things you should warn for as a rule of thumb are anything NSFW, pet whump and box boy whump, drugs and alcohol, medical and hospital content, graphic gore, intimate partner violence, and animal harm. It can be tricky to draw the line of what counts – what needs a warning? If you’re in doubt, just warn it anyway. It doesn’t hurt.

If someone requests a trigger be warned for, even if it’s something that feels obscure or tame, show compassion and agree to the request. This is someone who cares enough about being able to read your writing that they wrote in! They want to be able to read it and enjoy it. You’re being complimented.

Otherwise, look at what other blogs tag for. You’ll see some variation in styles and levels of detail, but it’s a good way to gauge what people think is warn-worthy, when we’re often writing stuff that would already be R-rated in mainstream media.

The easiest way to make sure people don’t see your triggering content is to use a cut. Tumblr is not a very functional website and likes to delete cuts, but a cursory check of your posted content will usually tell you whether it’s worked. With asks, cuts are very spotty, so don’t be afraid to post an ask response separately with a screengrab of the original question. People often then respond to the ask itself with a link to the post, especially if it’s a whole drabble. Tumblr is weird and bad so just do your best.

Content notices

I.e., a quick summary before the drabble, usually in bold, to state what will be coming. I like to distinguish between using content notes (CN) and trigger warnings (TW) to indicate severity. Others might use the old phrase ‘dead dove do not eat’ to indicate this is a heavy piece, and often you will see qualifiers like ‘intense’, ‘mild’, ‘mention’, ‘referenced’ (i.e. it is discussed but not actively happening), and ‘implied’ (as the opposite of ‘explicit’). I’ve also seen a couple of people use ‘vibes’, which is a really nice way of demonstrating that it’s there, but not the focus. A quick paragraph like this, or just a line, lets people make a quick risk assessment on their reading.

This is also important if you’re sending in asks or requests to people. If you want to ask about something triggering, send an inquiry first about whether the blog is okay to hear it.

Tagging

Tagging is a chore, but it’s your primary way of warning people about your content. The main benefit of tagging is that you can be as detailed as you want, because can be tagging for content in general, not just triggers.

In a best case scenario, you’d tag the kind of whump you’re doing, tag triggers, tag characters, and even your ‘verses, because tagging is your index for your blog. If you tag reliably, you help your future self and your readers find stuff, and you also make your blog really dang safe. People who have unusual triggers can blacklist tags, and will pick up on your content tags to help them.

Don’t just tag your own writing. Tag your reblogs, tag your prompts, tag your asks. Yes, edit your asks to add the tags. Tag your images and gifs. Tag your images as images and your gifs as gifs.

If you aren’t up for detailed tagging for whatever reason, just tag for triggering content, and add stuff to that list if you’re asked to. My usual technique is to make a mental note of tags while I’m formatting and editing before posting.

Be aware that your first five tags will be used in search results. If you’re using tags that are associated with kink too, such as ‘shibari’, you might want to rethink your tag order if you don’t want interaction from those blogs. Also think about what tags might come up in non-whump contexts, such as ‘collar’ or ‘PTSD’. Some tactics for getting around this I’ve seen are adding ‘whump’ after the content or writing the tags in past tense (i.e., ‘collared’).

It is also a good idea to watch out for when you might be reblogging something whumpy that is intended as kink / porn / fetish, especially in images. Tagging these as spicy / nsfw / kink is a sensible move.

Writing with Care

Okay, now for the harder stuff.

I mean here to lay out some guidelines for how to write in a way that helps your reader build good faith. This is a much more nuanced topic, and it’s different for everyone. There will always be differing opinions on what should and shouldn’t be written about, what a good depiction of a sensitive topic is, and how to discuss that topic. I tried to strip this back into absolute basics that I hope we can all agree on.

Maybe your whump involves abuse. Maybe it’s gaslighting. Maybe it’s severe mental health problems, or addiction, or slavery, or you write about or analogise real-world issues. Whump deals with the dark stuff, and that’s a big part of its appeal. But don’t ever forget you’re writing the dark stuff.

(Try to) Know what you’re doing

Some of us play fast and loose with plots, medical accuracy, worldbuilding, and other things that get in the way of the pain we crave. This is all well and good, but when we start using whump that speaks true to people’s lived experiences, we shouldn’t be careless with it. I’m particularly talking about things that get represented poorly in mainstream media, such as abusive relationships, issues around marginalisation, mental illness and disability.

Be critical of media that you’ve consumed. Think about how its depicted things that you want to depict in turn. Look for opinions on fictional representations of those issues. Be aware that you might be more ignorant of things than you realise.

Look at how others are writing these issues, particularly if they’re writing from a perspective different to yours. If you haven’t personally experienced what you’re writing about, e.g., if you don’t have PTSD and you want to depict a character who does, seek out stuff written from or with experience. Listen to the experts.

If you’re looking for stuff about representation specifically, I recommend this collection of posts about ‘Braving Diversity’ cultivated by Writing With Colour, who are in themselves a fantastic resource for this topic, and have recommendations for other blogs that deal with intersecting issues.

Listen to others

Missteps are inevitable. Nobody is perfect. If constructive criticism is offered, that’s also a compliment to your writing. Someone read your work and thought about it, and thought you’d care about improving it. They’re offering themselves as a resource for helping you see your work in a new light.

Criticism is hard and sometimes hurtful, but even if we don’t think it’s accurate, there’s often a grain of truth in it. If someone tells you that your writing is harmful, think about why they’ve said that, not whether or not they’re correct. This is an opinion! Opinions are subjective! But what drove someone to send that in?

You don’t have to respond to all your criticism and definitely don’t respond straight away. Being respectful to those who are trying to help you means taking the time to consider it properly. Sometimes, they don’t need a response. Others, you might want to learn more about what they think before deciding. You might have already discussed the topic, in which case, you might just want to reblog your previous posts.

If it’s sent in bad faith or is outright hateful, you’re well within your rights to just delete it and move on. You might get the same criticism over and over again, and that’s exhausting, and you don’t have to retrace your steps for everyone.

But if it’s new, even if it puts your hackles up, you can always stop and wonder why someone felt that strongly about your work.

Take a step back

One of my better-known characters is a pet whumper who conditioned his victim to adore and depend on him. It’s not always easy to represent how deeply messed up that is within the text – though I think that’s part of the challenge – but in meta-commentary, I am always describing him as a creeptastic bastard lacking compassion and self-reflection. I hope to always give the reader the confidence that I know just how wrong it is.

This is a really simple thing you can do just to give readers good faith in you. Show that you know what you’re writing is dark and messed up. Show your understanding for the issues you’re handling and that they’re complicated. It might seem self-evident, but when you’re writing the really dark stuff, or unhealthy relationships, or institutionalised whump, you can inadvertently create the impression that you just think it’s fun. The fact that it’s fiction does not automatically absolve you. Show that you care about doing it right.

Community Interaction

I’m going to keep this one short and sweet because I will almost entirely be preaching to the choir here.

Be polite to others. Imagine saying what you’re saying to their face.

Don’t send anon hate. Just don’t. If you can send criticism off anon, do so.

Nobody is obligated to interact with you.

Nobody is obligated to monitor their own reader base.

If someone says do not interact, do not interact.

If someone says do not interact, why they’ve said that is none of your business.

You don’t need to spread the word about someone’s bad politics.

Ask yourself if your input is needed, or if what you’ve said has already been said.

You don’t have to take a side.

Take care of yourself. Take breaks. Remind yourself that whump is a small part of the world.

That’s all from me, folks. Stay safe.

#discourse...adjacent?#whump community #whump etiquette

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wiypt-writes · 4 years

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Riding High

Ch20: When The Bough Breaks

Chapter Summary: Fliss finds herself in an impossible position…and her decision tips Frank’s world upside down.

Chapter Warnings: Bad Language words.

Chapter Pairings: Frank Adler x OFC Fliss Gallagher

A/N: Don’t hate me…

Disclaimer: This is a pure work of fiction and classified as 18+. Please respect this and do not read if you are underage. I do not own any characters in this series bar Fliss Gallagher and the other OCs. By reading beyond this point you understand and accept the terms of this disclaimer.

Riding High Masterlist // Main Masterlist

Chapter 19

And this day’s ending is the proof of time, killing all the faith I know.

“Was that another one?” Frank asked as Fliss tossed her phone onto the coffee table with an angry snort.

She nodded, pinching the bridge of her nose.

Frank sighed and looked at her “Honey…” “I know, I know…” she looked at him. “Look, I’ve made notes of every time I’ve had one so… its recorded. But again, it’s not like we can prove anything…they happen like twice a day and then nothing…hardly what they’ll call harassment.” Frank shifted slightly “This has been going on for 2 weeks now sweetheart.” “I’m well aware of that.” she snapped, before she shook her head “Sorry, I didn’t mean to get angry…not at you.” “Come here…” he said, opening his arms and she snuggled into him, leaning against his chest as his hand gently ran up and down her arm. “Maybe you should think about changing your number…and not putting the new one on the website.” “Yeah.” she conceded, “It’s not gonna help for work though…” “You can work round it.” he said, “Keep the business line and if you’re not there people will have to leave a message. Then, once you know your clients…you can give them your cell number.”

“Fucking ass hole is still making my life awkward.”

“Only if you let him. It’s a minor inconvenience to change your number but, if in the grand scheme of things all he has in his back pocket is sending you some dumbass birthday card and silent phone calls then…he’s just a pathetic fucking loser that’s trying to bully you into being scared.” “I’m not scared, just pissed off.” she shook her head “I know he’s a chicken shit, he wouldn’t dare come near me not when you’re on the scene…or my dad for that matter.” “Good, because if he did I’m not sure I’d be able to control myself.” Frank said softly.

“Maybe we should just pay someone to kill him.” Fliss said after a moment’s pause and Frank let out a snort “Bullet straight between the eyes.”

“Nah, too quick.” Frank sniffed, reaching for his beer “I’d dangle him over a tank of hungry sharks and lower him in inch by inch…”

“Or we could feed him to pigs, like in Hannibal.” Fliss mused.

“That’s also an option…no trace” he nodded taking a mouthful of beer.

“You know they should teach this shit at schools” Fliss reached for her own drink “How to get rid of bodies. I feel it is something everyone should be educated in.” “Maybe you should mention it to Bonnie. Tell her you feel it is an educational rite of passage or some other inspiring shit like that…”

Fliss laughed, placing her wine glass down and shifting so that she was led on her front, half on-half off Frank, looking up at him as her chin rest on his chest.

“On a scale of 1 to 10 how much of a meltdown are we facing with Mary on tomorrow morning?”

“From her current mood I’d suspect a good 4 and a half, maybe a 5.” he mused, before he looked at Fliss “I don’t much care, she’s going whether she wants to or not.” “When do the University Classes start again?”

“Not till second week in October.” Frank replied “Which reminds me, I need to submit that funding form tomorrow…” “It’s on the table.” Fliss said, as she correctly guessed from the look on his face he was pondering where he had put it.”

“What would I do without you?” he grinned down at her.

“I have absolutely no idea.” she shrugged and he smiled and leaned down pressing a kiss to her lips.

“Did you speak to Evelyn before?” Fliss asked him and he nodded.

“She’s coming down this weekend.” Frank said, “She’s still on about Mary going to Boston for a weekend.” “You still not comfortable about her going?” Fliss asked.

Frank wrinkled his nose “I don’t know if I trust her fully yet.” “You’ll never know you can unless you give her a chance.” Fliss reasoned

“You think I should let her go?” Frank said, slightly surprised.

“That’s not my decision to make, Frank” Fliss shook her head.

“No, but I value your opinion.” Frank looked at her. “Go on, tell me what you think.” Fliss hesitated for a moment before she sat up and turned her body so she was facing him, her legs tucked underneath her on the sofa. “If it was me in your position, I’d give Evelyn a chance. She’s played ball so far, done everything you’ve asked her to. You’ve got legal guardianship of Mary so she can’t pull any stupid stunts, and if Mary comes back and tells you something she did that you don’t like, well, you cut the visits.” Frank looked at Fliss before he took another drink from his beer bottle. He was torn in two. In one respect he wanted Mary to be happy and it certainly seemed that she enjoyed seeing Evelyn, but on flip side he was still more than comfortable with keeping his Mother at arm’s length.

“I’ll think about it.” he shrugged, non-committedly.

“Well, you should also ask Mary.” Fliss said “She might not even want to go.” “She will.” Frank said, “Evelyn has a piano.” Fliss laughed “Yeah, but she’s also bossy, remember?”

“Yeah, I had heard that.” Frank said, and Fliss chuckled again.

“Well, can you not think about it right now?” she said, taking the beer bottle out of his hand.

“Hey…” he pouted as she put it down on the table, his pout soon turned into a smirk as Fliss moved so she was straddling him on the sofa, his t-shirt that she’d been lounging around in rode up her thighs slightly and his hands rubbed up the side of her bare skin. “Something on your mind baby girl?”

“What makes you think that?” she asked, sliding her hands up his chest, over the soft material of his top.

“Just a hunch…” he mumbled, as he reached up and gently gripped the back of her neck, pulling her head down to meet his.

****** “Hey Frank…”

Frank looked up and smiled at Alan as he walked into the work shop.

“Hey Alan, not seen you in a while, how you doing?” “Good…I’m good. I was just wondering if I could have a word in my office.”

“Sure.” Frank frowned “Is err, everything ok?” “Oh, yeah, it’s nothing to worry about…quite the opposite in fact…” “Alright, well me just finish piecing this oil filter together and I’ll be with you.”

“Sure.” Alan said, “No rush.”

Frank quickly tightened the filter back up, gave it the once over before he set down his tools and hopped off the boat, wiping his hands on a rag before he walked through the door at the back of the workshop and down the small corridor that led to the main office at the rear of the shop. He knocked sharply on the door and then swung it open as Alan looked at him, gesturing for him to take a seat whilst he finished up his call. Eventually, he bid the person on the other end good bye and placed the receiver down.

“Relax, Frank…” Alan chuckled as Frank adjusted his jeans for what felt like the 30th time since sitting down.

“Sorry.” Frank nodded, scratching at his temple. “So errr, do you need me to do something or...” “In a manner of speaking, yes.” Alan said “As you know Paul is retiring at the end of the year, which means the Head Mechanic role is up for grabs…and I was wondering if you’d be interesting in taking the position.” “Me?” Frank’s eyes widened slightly

Alan nodded “I know in the grand scheme of things you haven’t been here long but you’ve impressed me, just like Bill said you would. You knuckle down, you do the overtime if needed, you don’t complain…I like you Frank, and the team does to.” “I err…” Frank scratched the back of his neck. “I’m flattered…but I’ve never managed a team before or…”

“You were an Assistant Professor at one stage right?” Alan eyed him and Frank sighed, nodding “You must have had a research team…” “Yeah, but…” “It’s no different.” Alan shook his head, “And I’m here to help and give you some guidance. I’m not quite ready to retire fully yet. Not like Bill, only so much golf I can play before I go fucking nuts.” Frank snorted “Yeah, not gonna lie, it’s not my thing…” Alan looked at him “The duties won’t be that much different Frank. You’ll just be in charge of booking the jobs in, allocating them to the guys, keeping on top of deadlines and general management of the team…means a little less time spent actually getting your hands dirty but…well, you can manage that yourself. You wanna take a job you take it.”

“Can I take a bit of time to think it over?” he asked.

“Sure. Take a few days, let me know. I’d like to have whoever is taking over in a position to start the handover by the start of October if possible so…” “Thanks.” Frank nodded “I’ll give it some thought.” “Oh, and it also comes with a Ten thou a year raise…” Alan casually dropped in as Frank stood up “Plus a bonus each year of up to 20 percent, depending on how well you’ve done on your targets” “Just a minor detail you forgot to tell me.” Frank arched an eyebrow.

“Well, I wanted to make sure you’d consider it for the right reasons not merely the financial incentive.” Alan shrugged “Another reason I’m convinced you’re perfect for the job.” Frank nodded and with that he left the office. Given that it was almost lunch time he took his break 15 or so minutes earlier and headed out into the September sun, pulling out his phone.

“Hey Sailor.” Fliss greeted him.

“Hey Cowgirl.” he smiled, leaning against the hood of his truck sipping a bottle of water “You got a sec.” “For you, always. What’s up?”

“Nothing, nothing bad anyway…I just got offered a promotion.”

“Frankie that’s amazing!” She gushed “You sound surprised though.” “I am, a little.” he said, before he launched into an explanation of what Alan had told him and what the job would entail, plus the financial incentives.

“Wow!” she said as he finished talking “Baby, that’s fantastic. I’m so proud of you!”

Frank felt himself blushing at her praise, and despite the fact he couldn’t even see her he rubbed at his neck slightly. “So, you think I should take it?” “Of course I do. But at the same time, if you don’t want to then…you don’t have to. This is a great position to be in honey, Alan’s clearly seen your potential.”

“Just not sure If I’m cut out to be management.” he said, biting his lip.

“I had the same thoughts about my business you know.” she spoke gently “I wasn’t sure if setting up on my own after everything that happened was gonna work but then Dad told me that I’d never know unless I took the plunge. Have a little faith in yourself. The only person who doubts your capability is you.”

Frank smiled at her words and looked up and out over the Marina “You always know exactly what to say.” “Not really, I make most of it up as a go along.” she said and Frank laughed. “But, just think, with the extra money you can get a new car…” “There’s nothing wrong with my truck.” “Frank, it’s died on you 4 times in the last 2 weeks. Dad reckons his ride on lawnmower has more power under the hood than that thing”

“Ok, I’ll admit…she’s getting a little clunky…but she is into her twenties now….” Fliss snorted “You could get yourself a nice Audi…”

“Fuck off.” Frank said and she laughed

“I like Simon’s car…” “You like it so much you get one.”

“Would never fit Thor in the back.” she said and Frank had to concede she had a point “But now you’re freelancing…you don’t actually need a truck do you?” “No, but…it’s handy…” “Handy, baby it only has three seats…” “And a flatbed…” Frank pouted slihglty. “So get one with five seats.” she shrugged. “You can buy trucks with a full cab…”

“This is not a good enough reason to get me to take the promotion…”

“You want a better reason?” She said. “Ok, well here’s some food for thought…when the lease is up on our place maybe we could look into buying. You know I don’t wanna rent forever, I want us to have something for the future that’s ours, and the extra money you get a year would make a difference in what we can borrow towards it.” And just like that, as always, she’d managed to sideswipe him. He’d be lying if he hadn’t considered getting back on the property market, he had savings after all…but he’d given it no more thought than a fleeting idea every now and then when he drove past places with real estate signs in the front yards

“This mean you’re coming round to the idea of marrying me and having baby Franks and Flisses?” She snorted “You’re such a dick…although that’s the only time you’ve ever mentioned that when you’re sober.” “So you’re saying that if I ask you when I’m not drunk you’d say yes?” he teased. “Goodbye Frank…” She teased in an airy voice, before she cut the call.

Chuckling to himself he slid the phone back into his pocket and headed back inside to grab his lunch from the fridge in the kitchen. As he did so he passed Paul who was heading out with a fresh cup of coffee.

“Oh, erm…Alan…” Frank looked at him. “So, turns out I don’t need as much time to think about it as I thought I did. I’ll take the job.” Alan smiled at him and pat him on the shoulder “Good man. I’ll get the wheels in motion and then we can work out how we start to transfer Paul’s responsibilities over.”

Frank nodded at him as he walked off.

“Oh…” Alan called after him, “We’ll also need to pick your car.”

“My car…” Frank frowned.

“Yeah, did I not mention? Paul’s BM…that’s a company car. I’m gonna let him keep it as a retirement present so we’ll need to order you another one. Not least because I don’t want my Head Mechanic driving around in that heap of shit you have. Looks like we don’t pay you enough…” Frank stood there, eyebrows raised as Alan simply smirked at him and left. Shaking his head, he gave a little groan, already imagining Fliss’ face when he told her.

*****

Fliss had reacted exactly how he had thought she would, laughing hysterically and then teasing him about how he had no alternative now than to get rid of the heap of shit he was ridiculously attached to. She’d then spent the evening looking at cars on her phone, showing him ridiculously pimped out vehicles in various vile colours, the final straw being a hot-rod red for Mustang with gold rims and flames painted down the side. At that point he’d snatched the phone out of her hand, grabbed her hips and pulled her down under him on the couch and given her something else to think about for half an hour or so.

September ticked by, in the usual speed by which time seemed to be flying for Frank and he found himself thrown into his job, soaking up Paul’s experience of managing the team as much as he could. He was also extremely grateful for both Fliss and Bill’s input, both of them having dealt with managing staff and rotas so he was able to ask them both questions as well. Naturally, when V heard about it she insisted on cooking him a special dinner, and even Evelyn presented him with a very nice bottle of Scotch when she came to visit as a Congratulations.

Another bit of good news for them was that once Fliss changed her phone number the calls stopped as well. Frank was glad about that, because it meant that once again they’d thwarted the ass holes attempts to intimidate her. She’d made a blog, however, of every call she had gotten which now sat in Greg’s files along with the Card. Just in case.

Nope, on the whole life seemed to be going well for the pair of them.

“Someone’s looking smug…” Greg teased Frank as he leaned back in the chair around Greg’s large outdoor table. It was a Saturday at the start of October and they’d finally got round to having that cook out and gathering that the Circle of Truth had been attempting to organise round everyone’s schedule for the last 3 months.

“Well, you know…life’s pretty good.” Frank smiled, sipping his beer, his eyes straying to Fliss who was stood around the bar area to the right of the garden with Bonnie, Zara and Lisa. She was dressed in a simple pair of jeans and a tie-died off the shoulder sweater but as usual, she looked stunning.

“You got a ring yet?” Jake asked, dropping down into a seat next to him.

“Oh don’t you start as well.” Frank groaned as Simon and Greg both laughed. “We’re happy as we are…besides, we’ve not even been together a year yet…” “Not far off.” Jake shrugged “Man, when you know you know…” “He’s just scared she’ll say no.” Simon teased. Frank stilled for a moment and then turned to glare at the man. “Shit, you are?” Simon frowned “No, not especially but…” Frank shook his head, trying to find the words to explain “I’m absolutely, totally convinced I want to spend the rest of my life with her, and I know she feels the same but…well she’s been married before and I don’t want to ask until I know she’s ready to do it again.”

Greg looked at him, nodding “I get that.”

“That’s gotta be the most grown up think you’ve ever said…” Jake looked at Frank who flipped him off but deep down he had to admit, it wasn’t wrong. He knew that both he and Fliss had come a long way from the people they had been just over 14 months ago when they had first met. Fliss had come alive, flourished even in herself, and he…well, he’d learnt that there was more to life than the meaningless cycle of one night stands and that flying by the seat of his pants wasn’t always the most productive thing to do. Both of them had been broken in their own way, had their own guards and walls around themselves which the other had managed to smash straight through. He stole another glance at Fliss and smiled, he knew there was no other woman for him, but in the same breath…what was the rush? They had a life time. And a ring and a piece of paper wasn’t going to change any of that.

“Man you grew up…” Simon grinned and Frank rolled his eyes.

“Look, I’ll have you know I’ve brought up a kid since the age of 6 months…all this shit about me being a man child…It’s crap…”

“Whatever man…we all know you’re not a grown up until you have scatter cushions on your sofa…” Simon teased, referencing the previous week when he and Bonnie had come over for drinks and Fliss and Frank had had a jokey argument about said cushions. Frank threw his head back in a huge bout of laugher, shaking his head.

“Fuck you!” he said, looking at him as Simon grinned.

“Anyway, man…speaking of weddings…” Greg turned to Jake “You’ve been engaged for what? Three years now…when you gonna set a date?”

“He has a point…” Simon looked at him.

“Well, you can all shut the fuck up because for your information we have.”

“Shut the front door!” Greg grinned

Jake nodded and took a large mouthful of his beer.

“So you gonna tell any of us or…” Jake glanced over at Lisa before he yelled her name and she looked over at him, the other women also looking up.

“Can we tell them now babe?” he called. Lisa grinned and nodded, and then made her way over followed by Zara. Fliss looked at Bonnie who shrugged, and the two of them picked up their drinks and followed.

Fliss perched on Frank’s knee and he slid one hand round her waist the other dropped to her thigh.

“So, we have set a date for the wedding.” Lisa smiled to a huge shriek from Zara. Frank spotted Fliss looking at Bonnie, the two of them sharing a significant smirk and he squeezed her thigh.

“Stop being a bitch.” he said in a low voice.

“Rude…” she mumbled, grinning into her gin. “6th April next year…” Jake grinned. “At Hardemans Secret Garden in Dover, Tampa.” “Well unless you invented a time machine, it ain’t gonna be this year is it?” Simon looked at him, before he gave a yell as Bonnie slapped him round the back of the head.

“Obviously you’re all invited.” Jake said, “Except for Simon.” “Hang on, if he isn’t coming does that mean I can’t?” Bonnie pouted.

“You can be my plus one.” Fliss nodded.

“Oi…” Frank nipped her thigh gently. She grinned at him, ruffling his hair slightly. He jerked his head out of her reach and looked at her over his aviators. She stuck her tongue out at him and he grinned.

“Guys this is great news…” Greg said, nodding “Best dig the suit out.” “You wear a suit to work every day.” Zara looked at him.

“And you won’t need to.” Jake shook his head. “In fact none of you will…my brother is best man, obviously, but I’d like you guys there as my Groomsmen…that is, if you’re up for it.” Frank smiled at Greg, then Simon before they all shrugged.

“Yeah, I’m in…” Greg smiled.

“Me too pal, I’m honoured.” Frank smiled, tipping his beer bottle in Jake’s direction.

“Does this mean we get to plan the Batchelor party?” Simon asked. Jake nodded with a grin and Simon leaned back “Oh this is gonna be beautiful….”

***** “You’re fucking mental.” Frank looked at Fliss as she shrugged, circling Cap back round to the jump which Joanne had just hiked up another foot. He shook his head and turned away “I can’t watch.” “Don’t’ be a chicken Frank.” Mary grinned up at him, “It’s cool…I wanna do that some day.” “Over my dead body.” Frank looked down at her.

“Yeah you said that about me going to Boston.” “No, that’s not what I said.” Frank sighed, looking at her “I said over my dead body were you going to live with Evelyn….and did you?” “No…” Mary conceded “But you’re letting me go back for a weekend.”

“Yes, because you’re going for 2 nights and coming home” he said, and despite himself he turned his head to see Fliss sail Cap over the huge jump.

“See….” Fliss said, pulling the horse up to a stop “Easy…” “Whatever you say sweetheart.” he shook his head.

“Can I jump Monty soon?” Mary asked, and Fliss smiled.

“Yeah we can do a little cross pole…” “I give in…” Frank groaned, throwing his hands out to the side “The pair of you are nuts.”

“Says the guy who almost cried when he had to order a new car.” Fliss looked at him and Frank rolled his eyes “I mean who does that?” “Yeah Frank…” Mary said, swinging off the fence to the paddock, leaning back to look at him. “You get to swap a rust bucket for a shiny new Mitsubishi and you were like heartbroken.” “Hey, me and that truck have seen a lot of action-“ “I don’t wanna know…” Fliss started.

“Of which you’ve been part of…” he smirked her and she flushed a little, grinning. “I’m kinda attached to it.” “It’s a lump of metal.” Fliss looked at him.

“How dare you.” Frank scoffed, feigning offence.

“Well now you can have new adventures in the new truck.” Mary shrugged “Simples.” “When you do get it I vote the first thing we do is load it up and head off for a picnic somewhere.” Fliss said, hopping off Cap.

“I can go with that.” Frank nodded as she turned and walked towards the gate, letting her out.

“Can I take him?” Mary asked, hopping down off the fence.

“Sure…” Fliss said, handing her the reins. Mary led the horse away to the barn as Fliss removed her hat and pulled out her bobble, shaking her long hair free before she tied it back up again.

“I really do like it that colour.” Frank mused after a second, watching her. She blushed a little, and he knew why. A week ago she’d come back from the salon, her usually bright auburn hair was a lot more demure, having had caramel put through the ends. When Frank had complimented her on the change she’d gotten a little shy and said that she used to have it like that when she was younger, but John had always wanted her to keep it her natural colour. Now she felt like she fancied a change. Her admission had once again, knocked Frank for, how simple little things like that were so huge for her.

She pulled off her riding gloves, shoved them into her back pocket and they walked into the barn as Mary opened Cap’s stable and led him inside. As always, the large horse bowed his head gently to allow Mary to undo his bridle and Fliss smiled. Cap was secretly her favourite after Heidi. He was such a loving animal, despite his size always being so gentle and careful around people, especially Mary. Most animals were like that around her, she just had this aura that they seemed to like. But then again, everyone said that animals were a good judge of character.

“Can we go to the shack for dinner?” Mary spoke up, looking at Frank “It is Saturday…”

“Oh, I dunno…” Frank sighed, “Not sure my heap of shit truck will get us there.” “No but Fliss’ jeep will.” Mary shrugged and Frank shook his head with a snort.

“You literally have an answer for everything.”

“Wonder where she gets that from…” Fliss looked at him and he nudged her gently with his elbow.

“So can we go or not?”

“Yes, ok we can go to the shack.” Frank said “But the deal is you tidy your room when you get home. It’s a disgrace.” Mary pondered this for a moment as Fliss undid the girth on Cap’s saddle, pulling it off.

“Deal.” she nodded “Only Fliss said she was gonna help me sort my clothes out…some of them don’t fit anymore.”

“Yeah we do that tomorrow morning.” Fliss smiled, “Then we can look at ordering you some warm stuff for New York.” “Are we still getting matching sweaters when we get there?” “No.” Frank said, at the same time Fliss nodded.

“Yes.” “No, we’re not.” Frank looked at her.

“Errr 2 vs 1 Sailor, you’re outvoted.” she shrugged, pushing past him with the saddle on her arms. “But if you’re a good boy we’ll let you pick them right Mary?” “I dunno.” Mary frowned “Have you seen his shirts?” Fliss let out a roar of laughter and turned to face her, before she looked at Frank, laughing even harder at the pure indignation on his face.

“I hate you both.” he said sullenly, folding his arms.

The Shack was busy by the time they arrived but given that it wasn’t too cold they managed to find a small table outside and ordered their food, Mary getting through an astonishing amount considering but the Frank had noticed she was going through a bit of a growth spurt which he mentioned to Fliss when they were snuggled up on the sofa later.

“Not sure getting her any stuff for New York yet is wise.” he mused “If she carries on like she is it won’t fit her.”

“Well we can wait…Fliss said shrugging, her hand rubbing at Frank’s stomach under his shirt. “You have no idea how excited I am…” “Really?” Frank snorted “You never mentioned it.” “Oh piss off” she laughed, before she sighed happily “It’s the one thing I miss about home and Boston…you know this time of year the leaves would be changing colour and falling,…”

“I know what you mean.” he said, his hands carding through her hair “You don’t really Seasons here.”

“Well you do…” Fliss said, “Hurricane and Summer.” Frank let out a laugh as she looked up at him. “You know you’re my hurricane.”

“What?” he looked at her

“Came into my life, blew it all upside down…” “Jesus you talk some shit!” he laughed, shaking his head as she grinned.

“You know there was actually a hurricane Frank back in 2010. So I’m not talking complete shit…” “Whatever Sweetheart…” he snorted, leaning back as her nails scratched against his stomach. He gave a twitch and grabbed her wrist, and looked down at her as she flashed him a coy look. “Stop it.”

“What, this?” she moved and used her other hand, and Frank let out a hiss as he shifted and grabbed that one too.

“You know what that does to me…” he looked at her, his voice low.

“Yup.” she nodded, grinning.

With a jerk of his arms he pulled her forward so she fell onto him fully, drawing a giggle from her as her nose bumped against his.

“I fuckin’ love you.” he smiled at her, and she grinned, giving him a soft kiss.

“Yeah, you’ve told me once or twice…” she smirked, her lips locking onto his.

******

“Fliss?”

“Office…” she called back, and a second or so later Joanne popped her head into the room.

“Everything’s done.” she said, “I was gonna lock up…you’re not normally here this late.”

“Yeah I know but I have some paper work to sort. Need to file a couple of things and, well, thought it would be easier to do it here than take everything home. Frank’s taken Mary bowling so…” “And you’d rather be here doing paper work?” Joanne teased.

“Sadly, it needs doing…besides, last time we went I kicked his ass, again, he sulked for hours.” Fliss snorted “Maybe he stands more of a chance against Mary.”

“Won’t he let her win?” Joanne asked “I mean, she is only eight…”

“No chance.” Fliss looked at Jo. “He says that she needs reminding every now and then that she’s not a genius at everything…” Joanne let out a laugh “Fair enough. Ok, well I’ll see you tomorrow.”

“Yeah, bye Jo…”

Fliss set about getting to work, filing the various bills and disclaimers she’d had signed and started then sifting through the list of clients and payments, checking who owed what and typing out the bills for the month. Once they were printed and placed in envelopes, ready to be tacked to the stable doors in the morning she glanced at the clock and realised it was almost 8 pm. Frank and Mary should be home now.

She was just about to pack up when she realised she hadn’t gone through the post for the day. For a second she debated leaving it for the morning, but decided she would get it over with. There wasn’t much- mostly a couple of letters from various equestrian societies around the area about a few events going on, but the last one she reached was a manila envelope with the address typed out on the front.

She turned it over, opened it and then pulled out the contents and immediately felt her blood run cold as she looked at the paper in front of her. It was a copy of the photo of her and Mary, taken from the first Blog that Mary had written over the summer. Underneath it was typed a simple message- I always knew you’d suit motherhood.

Fliss swallowed, it didn’t take a genius to work out who it was from but for the first time since his ridiculous campaign now she was actually frightened as to the meaning behind this. Up until now it he’d been nothing more than annoying but this was designed to be more than an aggravation.

It was a threat. A direct threat telling her he knew about Mary.

Whilst Fliss wasn’t Mary’s mother, and would never claim to be she loved that girl like she was her own and the fact that John was even brining her into this made her feel physically sick, so much so that she felt the bile rising in her throat and with a sharp heave she lurched to the side, grabbing the waste paper basket and hocking up the bitter substance. Coughing she wiped the back of her mouth with a shaking hand, reaching for the bottle of water on her desk.

She folded the photo up and stuck it back in the envelope, shoving it in the drawer before she stood up and locked her office, heading to her jeep. Her mind was reeling, now it wasn’t just her he was focussing on, this changed everything. Did she tell Frank? She knew she should, she couldn’t leave Mary in danger. Not that she believed any harm would come to her, not really, especially not under Frank’s care but that was another worry she had. That if she told Frank this, it was really going to push him over that edge into blind rage, and he’d been on the first plane out to Boston, hunting the fucker down…and then what?

He ended up in jail himself because Fliss knew Frank well enough to understand that if that blind rage took hold, he wouldn’t stop.

She had no answer to this, nothing. She sat in her jeep, staring out of the window, trying to force the thoughts and mumbles and voices in her heat to quiet, so she could think clearly, get some form of grasp on what it was she needed to do. And then one voice was screamed at her, clearly, giving her a solution…the only one she could viably see working.

With a loud sob, Fliss covered her face in her hands, unable to see an alternative to the decision she had just reached. A decision that was going to break her heart more than anything had ever done before.

******

“Hey, you’re late…” Frank looked up, immediately frowning as he saw Fliss’ face. “Honey…what…” “Where’s Mary?” she asked instantly.

“She nipped to Roberta’s” Frank said “I know it’s late but we saw her as we were headed out of the car and she wanted to collect something for Show and Tell tomorrow…why?”

“We need to talk.” Fliss said.

Frank stood up off the sofa and walked towards her, he reached for her and she took a step back.

“Ok, Fliss, you’re scaring me now…what…”

“I think…” Fliss looked down at her hands “I think that we need to stop seeing each other.”

Frank blinked, not sure he had heard her right, but when he looked at her he saw a tear trickling down her face and she was avoiding his gaze. The world around him began to fade and a dull buzzing filled his head and rang around his ears as a horrible cold feeling washed over him.

“Lissy…” he swallowed, his words sticking in his throat “What’s brought this on? Did I do something? Are you not happy? I don’t understand…” “I just…it isn’t working for me…” she took a deep breath and looked up at him.

“You’re lying.” he said instantly, he could see it written all over her face “Fliss, what’s going on?” “Nothing, I’m sorry. I just…I need to leave, I need space.” she said “I’m so sorry Frank…” Frank took a deep breath, and watched as she turned to leave. After a second he hurried after her into the hallway, shaking his head.

“Lissy, please…talk to me…” he all but begged as she walked to the door. She made to open it but Frank was behind her and placed his hand firmly on the top of the PVC, causing it to shut. She spun round and looked up at him, the tears now pouring down her face.

“Please, Frank…don’t make this any harder than it is…” her voice was broken, and she shook her head. “I don’t understand what THIS is?” he looked at her, running a hand through his hair as he felt the stinging of tears in his own eyes “Last month we were talking about buying a house together and now you just wanna break it off, for no reason? Honey, just…whatever is going on, we can work through it, just talk to me.”

“I’m so sorry…” she whispered, “Just…let me out…please…”

He looked at her again, her eyes bouncing across his and he knew instantly he couldn’t stop her, and would never do that to her either, no matter how much he so desperately wanted to lock the door and force her to tell him what the fuck was going on. So with a sniff he forced himself to step back and her hand went to the door knob, her shoulders shaking.

“Liss, please…” his voice cracked. “Don’t do this…”

She took a deep breath and opened the door, the warm air from outside hit him in the face, tears stinging his eyes slightly before click of the latch hit his ears as the door shut behind her, leaving him stood alone in the hallway, stunned and utterly, utterly broken.

**** Chapter 21

#riding high #frank adler #frank adler x ofc #frank adler x original female character #gifted #gifted fan fic #chris evans #chris evans characters

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thevindicativevordan · 3 years

Text

On Livewire

You know Leslie is probably the most popular and well known female Superman Rogue mainly because they use her so heavily in outside media.

Which makes sense given her debut in Superman: The Animated Series, but it still kind of fascinates me. They didn't bring her into comics continuity until 2006 apparently, with Gail Simone and John Byrne (Byrne of all the creators!) being the ones to finally fold her in. Even after they brought her in, they still have never given her that much attention or focus which is a disappointment for me frankly, because Livewire is honestly fantastic in Scott McCloud and later Mark Millar's Superman Adventures runs, and I would say with complete sincerity that those two are probably her best writers. "Millar writing a female character well?" you scoff at in disbelief. I know, I was shocked too! But she's funny, clever, and a huge pain in the ass for Supes. Reading how she was used there, and rewatching her STAS incarnation recently, really made a big realization for the character hit me like a lightning bolt (couldn't resist):

She's basically an evil superpowered Lois Lane! I know I can't have been the first one to realize that, although I haven't seen anyone else actually outright state it anywhere, but c'mon it's so obvious! She's a reporter of a sorts as well thanks to being a disc jockey, her debut in STAS even has her interviewing Lois and Clark! She's got strong opinions on Superman that conflict with the general opinion about him (Lois being pro-Superman when everyone else is more hostile towards him at first, Livewire being anti-Superman when everyone else has embraced him as their hero). She's rude and abrasive, and doesn't care if her opinions offend people, which sure does remind me of Lois at her meanest.

Livewire to me is an examination of what Lois would be like if she abandoned her morals or never really had them in the first place. Leslie doesn't care about the "truth" which is the big difference between her and Lois. Lois can be headstrong, willful, and outright rude, but it's all in service of her pursuit of higher ideals. Livewire doesn't care about that, she carries about getting people to pay attention to her, and getting the recognition and wealth she believes she's owed.

What I'd Do With Livewire

It wasn't until I had that big realization about Leslie that I figured out what role she should play with regards to Clark: She should be Clark's old college ex who was the one who got him into journalism in the first place.

Clark's college years are unexplored territory narratively, typically we jump from his childhood in Smallville right into his debut in Metropolis. Now I know Clark dated Lori that mermaid back in Pre-Crisis during his college years, and while that's a fun bit of trivia, it doesn't really add anything meaningful in the same way that I think Leslie and Clark dating could. So I'd rather go with Leslie because I think she makes for a better foil for Clark and because the two of them would benefit from having a deeper connection established, plus Leslie could get fleshed out as a character more.

I like the explanation that Clark chose journalism in part because it challenges him in ways his powers can't, but in the comics they've rarely bothered to explain how he chose that field in the first place. I would have meeting Leslie at college be that big moment where he starts to figure himself out. She's assertive and confident, and Clark is attracted to that for similar reasons he's attracted to Lois. Leslie would start out as an optimist and idealist in the same way Clark is, and the two would bond and go into journalism together, with Leslie being the one who really believes in the field initially. They'd both be big believers in the duty of the press to inform and the presses ability to shape public opinion, with Clark attracted to investigative journalism and Leslie attracted more to broadcast and digital journalism. They start to date and for a moment, Clark seriously wonders if this is the one.

The big break between them comes when Clark and Leslie go on a trip around the world during their senior year of college. That trip would be where both of them learn how crappy the world is. Clark always had some idea of how bad things were because of his powers, but the trip is where he really starts to realize that there is a real need for someone of his powers to step up, and that there are hard limits to just how much he can accomplish as a member of the press. That same realization is what shatters Leslie's idealism and optimism. She loses faith in the ability to make a difference, to punch through the wall of public indifference, and as a result she gives up that dream. Instead she decides that if you can't beat them, join them: she switches instead to telling the masses what the powers that be want them to hear in exchange for money, to saying whatever the masses will give her attention and prestige for, embracing tabloid journalism that prioritizes clicks and engagement over information. Ultimately it destroys the relationship between Leslie and Clark with her viewing him as a sap and him viewing her as a sellout.

I think that origin really would help flesh out her worldview and motivation a lot more. She's a former idealist who has been broken by the world in a similar way to Poison Ivy. Leslie thus acts as a foil to Clark and Lois in that she's someone who let the world rob her of her idealism and sold out on the truth in exchange for material success. She's what Clark or Lois could've been if they took Lex's offer to work for him, and they should recognize that to some degree. Clark should have conflicting feelings for her, not romantically that relationship is dead, but in terms of sometimes he wonders if he's just wasting his life trying to fight for truth and justice. So few people seem to care about those principles, why hold on so tight to them? Why not just look out for his own self-interest the way everyone else seems to? It's the refusal to give up even when it looks pointless that makes the two of them different, and makes Clark a hero and Livewire a villain.

How I'd Like Livewire To Operate

There's a lack of imagination in how Livewire is used on the comic side as I see it.

Like most Superman Rogues the typical Superman writer doesn't seem to have a clue what to do with her beyond generic "villain" stuff, but that does a disservice to what Livewire brings to the table. Livewire does want to fry Superman to a crisp, but that's not what her daily goal is to accomplish. More importantly, she wants respect and she wants money, and the way she gets both is not by trying to rob banks, it's by leaning into her background as a media personality combined with her new powers. Unleashing electric bolts is honestly the least impressive part of her powerset in terms of her ability to manipulate anything and everything technology.

The Internet? Livewire can crash the entire thing with ease, or restrict access to portions of it. She can do the reverse and smash through firewalls and encryption like it's made of paper. Imagine Livewire shutting off the power grid or causing it to explode, secretly using your "smart" tech to record your every move, uploading ransomware to every piece of technology in Metropolis, emptying the bank accounts of anyone who annoys her, or bringing Metropolis to it's knees thanks to the "City of Tomorrow" being a test ground for the Internet of Things, so everything is connected and thus easily manipulated. Smart cars crash into each other, elevators randomly drop, trains are unable to stop and simply accelerate onward unceasingly, plans attempting to land find their instruments on the fritz, anything and everything is Livewire's to control. But terrorism, while entertaining and occasionally profitable, isn't Livewire's main focus either.

One of my favorite Superman Adventures stories with her had Livewire manipulating TV broadcast signals so that any time there was a male news reporter on screen, the signal wouldn't come through. Stuff like that, where Livewire is making life hell for people in a way that isn't immediately life-threatening is what I envision as her day to day operations, but her bread and butter is fake news. What Livewire is REALLY good at doing is manipulating the public due to her journalism background plus her powers. She can make fake videos that look totally authentic, fake articles that seem to come from credible sources, fake voice recordings, she can make anyone appear to do or say anything through the Internet, and then she can upload that to the devices of every single person in Metropolis.

You can get stories about the mayor being framed for taking bribes, local activists cast as grifters, and supposed upstanding citizens such as Lois Lane and Clark Kent appearing to take orders from criminals like Intergang on what stories to run. Basically you lean into the journalism aspect for Livewire stories where Clark and Lois have to investigate to see whether what Livewire is putting out there is fake or legit, with peoples lives and reputations at stake (including frequently their own).

And when Superman and Livewire actually do clash physically? I don't care how it gets justified, Livewire simply being that powerful, her lightning being "special", she has the ability to manipulate Superman's bioelectric field, whatever: she can hurt him. When she hits Supes with lightning, it burns. It's painful as all hell. Livewire needs to be a threat and I'd like her to be treated as a powerhouse since I don't see a reason why that shouldn't be the case. Livewire is a really cool Rogue, there's a reason she's managed to keep getting used long after the DCAU ended. I hope the comics creators start utilizing her to her full potential.

#superman #livewire #lois lane #dc comics

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loreolympusanalysisforfunsies · 4 years

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How to put this-

What are the ethics of using queer coded characters and themes in a narrative that has no explicitly queer characters?

Welp, that question can be asked of many stories in media. Like, a metric shit ton. A lot. But since Lore Olympus is the flavour of the week (month? year?) for my brain, that's what I'll be applying this question to. And right away, asap, I'm talking critically about Lore Olympus. Critically as in taking a subject and thinking about what themes are in it and what those themes mean to me as a reader, not critically as in badmouthing it. Also, I'm no expert and I've only read my favourite chapters fifty million times, the other chapters maybe three times. So there's stuff I could have missed, please feel free to correct me. Also also I will be using the word queer a lot because that's what I am and what I'm talking about.

Just wanted to make that crystal queer.

Alrighty, queer-coded characters in Lore Olympus. Hello Eros, nice to be talking about you again. He's a fan favourite for some pretty good reasons. Compelling romantic sideplot, clear adversary to the asshat, and he's just plain fun. There can be plenty of heavy content when he's around, but he's also the guy that lightens the mood. Some of the faces he makes-fucking priceless. And hoo boy does he come off as the gay best friend. Romantic advice, shopping trips, make overs, the squeeing, those are some very old tropes. But he's not the gay best friend. Or at least, so vaguely bi/pan/etc that it can be written off as none of the above. The only hint we get that he's not straight is that orgy mentioned waaay back in the beginning. After that we get his backstory with Psyche and no mention of other interests since. The gay best friend trope was made when hollywood and equivalents stopped being quite so nasty to the LGBTQ+ community, but not quite to the point of queer positivity. It took signifiers that were used maliciously in the past (feminine aspects and interests) and put a humerous spin on them. Ah look, it's a guy that can expertly apply make up, how funny and nonthreatening he is. Maybe it was that funny and nonthreatening bit that the author was going for. Both Persephone and the readers just endured some pretty awful shit, so here's a new person for her support system that isn't threatening at all and brings along some lighter atmosphere. Super flamboyant and never shown to be sexually attracted to her-that's perfect, in you go.

And honestly, seeing a man that's in a relationship with a woman whose also in touch with his emotions and feminine side, that's pretty great. But it comes in a narrative completely without queer characters. When I first saw him I was pretty sure he was a stereotype. Now that I know he isn't, I feel mixed. Straight dudes should be able to be soft. But a story with so many characters, that talks seriously about their complicated inner lives, with all these romantic relationships, all that with no queer representation? Ehhhhhhh-

Getting to the endpoint a little early there, so onto the other queer coded characters. Most notable are Athena and Artemis. Athena is very androgynous in her design. And Artemis has a very telling moment with Persephone in which she tries to push the conversation away from the danger zone of her personal feelings. A loud, embarrassed exclamation that she isn't attracted to anyone? Yeah I've seen that one before. And here's where I'd like to think somewhat positively, because this is going somewhere. It might just be a similar line as Persephone, being torn about her membership with the eternal maidens. Or Lore Olympus Artemis may very well be a lesbian or asexual as her mythic counterpart has been. There's a lot of potential in her storyline.

Heck, there's a lot of potential all over this story. Greek mythology is filled to the brim with LGBTQ+ people. Skip Zeus and Apollo, because fuck those guys. We've got Achilles and Patroclus as the most well-known, but to be fair the mortals don't heavily feature in this one. Athena was bi, Hermes was bi, Dionysus isn't born yet but again, super bi. Aphrodite and Poseidon are both in open relationships within the story, and oh hey bi the way in the myths. Just saying, the greeks were very very gay.

But even if they weren't. Guess what. When you write a story of your very own, you can make your characters be anything. Case and point with Hera. This is a very, very different version of Hera. Sure, she can be capricious and act on a whim. But this isn't the same goddess that committed cruelties against women that Zeus forced himself on. At least to our knowledge. Nerp, this author has reinterpreted her to be a very sympathetic woman, and that's without changing what she went through. Hera was always someone that endured a lot of crap from her husband, but I didn't feel bad for her when I read her stories in class because hey, she was a vindictive shrew. By changing the patriarchal perspective that has some pretty strong opinions on women scorned, to the perspective of a woman author sympathetic to the woman character who is constantly shit on by everyone around her, the author has improved on the original subject material. Change, it's a good thing.

Ok, queer themes. Again I'd like to make a point right away, and the point here is the themes I'm about to talk about don't just affect queer people. These are lived experiences for many. But being kept naive of an outside world, being unable to explore your sexuality, people trying to override you when you tell them what's best for you and your body, are all things that deeply affect the queer community. There's a very good reason this fandom has so many LGBTQ+ members. Many moments in this story are affirming to us, and that's a good thing. This story also has a lot to say about gender roles. Persephone is the most recent of women that people are looking to use for their own selfish advancement. Hera has a very powerful line about sacrificing her power and potential to make Zeus feel comfortable and happy. And boy is that a line that fits millions of women and afabs throughout history. Making people comfortable by keeping a part of yourself shoved down, whether it's your ability in a field of work or your identity. Or maybe your disability. Or your religion. Your background. Lore Olympus hits pretty hard with a very real feeling of sacrificing bits of yourself to make what people see more palatable, easier for them to deal with. Hera and Persephone have breakdowns over these forced versions of themselves, the facade that's too much to keep up.

These problems don't exist in a bubble. They are problems that weave through many different subcultures and peoples. And unfortunately, some affected people can be excluded when such problems are addressed. I don't think the author decided to be exclusive on purpose. The kindest interpretation is that this simply isn't something that affected her directly, so she either didn't think to include it or didn't feel comfortable writing from a pov she doesn't share. The less kind interpretation is that she wanted to appeal to as broad a demographic as possible, and decided this was the way to do it. I'm not inclined to think that way of her, because she's showed herself to be very empathetic and thoughtful with pretty much every other aspect. But when we become so close with a piece of media, a story that touches us so deeply, one that strives to be realistic in themes like abuse and trauma, the question comes up. What about us? Do we exist? Are our problems seen? The end result of a narrative using queer-coded characters and themes without explicitly being queer is a disconnect. A feeling of separation from a story and characters that I otherwise feel very close to. A worry that these problems are only seen by, only affecting, heterosexual and cisgendered peoples. And I realize this would be hard to cover for someone who hasn't written queer characters in this story yet, someone who may or may not be LGBTQ+ themselves. But even so, even though there would be mistakes and bad faith critics and all else, I would rather she try. I would rather be seen.

#lore olympus #lo #lgbtq+#long post #tw abuse #lo persephone #lo hera #lo artemis #lo athena #lo apollo

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ghostmartyr · 3 years

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Are you still watching RWBY? What did you think of Volume 8 overall

VOLUME 9 NEVERLAND SAGA WHERE NO ONE CAN HIDE FROM THEIR TRAUMA OR THEIR FRIENDS BY TRYING TO STOP IRONWOOD FROM BLOWING UP HALF THE KINGDOM HE’S SUPPOSEDLY PROTECTING WHILE ALL THEIR OTHER FRIENDS AND ALLIES THINK THEY’RE DEAD.

POGCHAMP.

I enjoyed Volume 8, but I think it stumbles at the end enough to look back at its time management and feel not totally great about it.

Cinder’s development is solid. I’m still not very attached to her, but she has attained my interest at long last. Good for you, Cinder. Solve your emotional problems with murder. Kill Watts. Give Neo a reason to go back to trying to kill you. Make yet another mortal enemy. I support these actions.

Emerald’s flip means she won’t have sad eyes over all the atrocities she’s playing witness to while the timer goes down on her defection anymore, and that’s cool.

Ironwood’s everything is... well. Yeah. Great. Nothing like watch someone destroy themself. Oh, and everything else around them in the process. Once he got started, it was pretty clear where he was going, and that’s just sad. He goes from hugging Qrow and finding relief in his allies to shooting all of them. Shooting Jacques along the way does not even that out.

The Ace-Ops felt too cluttered for the final parts. They’re the cautionary tales, obviously, but I don’t think we get enough time detailing them for them to be on the same stage as Winter coming into her own and RWBY falling into oblivion. Qrow and Robyn get the slow burn and then the panicked call to immediate action, but for the Ace-Ops, Marrow and Harriet are the only ones who the narrative actively does something with. Marrow’s problems are obvious from the start, and Harriet’s emotional heat hints, and then reveals, a depth of trauma that this system has been crap at handling. But Vine and Elm, the critical pieces in talking her down, and centerpieces of keeping Mantle from blowing up, aren’t prominent enough in the narrative for their place in its resolution to feel quite earned. I think if we’d gotten an extra episode it would have worked a little better. As it was, I was left wanting more focus on the central cast.

Which is kind of why I’m so thrilled that RWBY+J are maybe stuck spending some quality time together. The macro plot matters, obviously, but they’ve been moving so fast. Atlas feels like a speedrun of a kingdom falling, and a little more interplay between my faves would be very welcome.

Then there’s the obvious.

Oh, Penny.

I can’t feel good about Penny’s handling in the end.

The Winter Maiden, as soon as we’re introduced, is waiting to die and offer her power to the next one in line. Winter was intended for that, but Penny interrupts.

Two days later, Winter has the power, and Penny’s dead.

This is necessary so that Winter has time to center what she actually believes before she’s upgraded to demigodhood. Winter as the Winter Maiden leading into Volume 8 would have kept her on Ironwood’s script. The disruption of expectations that leaves her vulnerable forces her to respond to what is going on, not what her side believes should be going on.

It makes sense to delay Winter’s ascension, because it gives Winter perspective that she can’t access as long as she’s in her chain of established command.

Making Penny’s value tie entirely back to supporting someone else’s story. She’s allowed to be a real girl, she’s allowed to fight for what she believes in, she’s allowed to have friends, but becoming the Winter Maiden serves Winter’s storyline more than it serves Penny’s.

Which isn’t to say they do nothing with her. Obviously, the virus making the vault look good creates a variety of opportunities. Sure, they could have filled in another domino without Penny specifically, but she’s an instrumental part of getting them inside that vault in how the story goes.

Creating a new body for her is a complicated thing. Penny’s a real girl no matter what her form is, but if you say that while cutting out the nuts and bolts -- it’s a little mixed. In the most benign way I can put my preferences, I like Penny being a robot. I’m thrilled she knows how warm a hug can feel (Pietro, patch notes, get on it), but...

Before Watts causes problems on purpose, Penny shows a little hesitance about not being your standard model of girl, but unless I’ve been worse about my watching comprehension than I thought, she doesn’t have any burning need for flesh. Changing her body is the best solution they can up with in response to her agency being violated.

It’s not my favorite thing in the world. I don’t think it’s entirely good faith to pin all of the possible unfortunate implications on it, but they exist, and they are there. And on the flip side, being granted a body that is created through nothing but who you are is a sentiment that I’m sure resonates with a lot of people. I think there’s a lot to observe in what Penny’s going through, and it’s worth discussion more than angry words.

Except before there’s a chance to collect opinion polls on that, we once again have her asking for death before she hurts her friends.

I believe there’s a post on LotR somewhere that explains why people are okay with it being a mood shift from The Hobbit. People aren’t huge fans of media they consume invalidating media they previously invested in.

Penny dies, then she comes back. Then she dies.

Penny interrupts the inevitability of Winter becoming the Winter Maiden. Then Winter becomes the Winter Maiden.

It feels like a zero sum game, but a zero sum game where our emotions were torqued around for the sake of it, and the object of said torquing is being utilized as a plot object prior to being a character.

Penny obviously has a lot of personality, and a lot of established emotional ties. She’s not just a lamp standing in a corner.

But to use the apt metaphor, you can see the strings. Penny’s trajectory seems to be moving under its own velocity -- but then that ending hits. Despite going through all of the steps to make sure that Penny doesn’t have to sacrifice herself to keep the people she loves safe, despite actually being really creative and clever about doing everything possible to keep her alive --

The plot demands her death.

It isn’t good enough to fix the pressing issue that made sacrifice look good. Sacrifice is still the ultimate answer.

Thematically, that doesn’t jive with the story we’ve been getting.

Emotionally, what the fuck, could we not.

(What’s better than the cute robot girl begging for death? Doing it twice!)

People who are in a more optimistic state about fiction at the moment have noted that Pinocchio does do a lot of dying, and I do like the read of Penny as Jiminy Cricket. Considering the full context of the world, there’s more to justify a return than a lot of characters get. It wouldn’t be the most shocking thing ever.

It’s still kind of fucked up. Penny doesn’t kill herself, but she asks others to kill her, and that’s her being a good girl.

The National Suicide Hotline gets its number placed in the summary of the episode.

Obviously there’s more to it than that, but the implications are there, and a very painful thorn when looking over the rest of her. Creating an environment where it makes sense for this character to kill themself, it’s noble, even --

I don’t think that’s a route of story that the available material handles gracefully.

It’s the “twice” that really hammers the point down into the coffin. It creates a pattern of behavior in Penny. Once, and okay. Heroic sacrifice plays are always a major source of drama, exemplifying how Good the person making the sacrifice is, and how Tragic it is that we’re losing such a good person, all because they have principles and just love these other people so much.

Only if you have a character asking someone to kill them twice in relatively quick succession, the callback isn’t to feats of heroics. It’s suicidal tendencies.

If you’re not prepared to deal with implications of that magnitude, you’ve got to make the link a lot less suggestive. Otherwise you’re telling a new story whether you like it or not, and it’s not one you’re ready for, drastically upping the odds that it’s not going to be the most polished thing ever.

What the issue becomes then, in my personal opinion, is pacing (’hey self why is the answer always pacing’ ‘because shut up’). Penny’s joy of life is a blip in between her asking for death. The heroic nature of her desire for death mixed with the awful despair of her actual death makes this endpoint of her story saturated with a darkness that sours the entire experience.

Complicating it further is the issue of trust.

The writers killed her and brought her back just to kill her again. If they do bring her back again, the faith is kind of broken. Once you show that you’re willing to move a character around like a piece on a chessboard, your audience isn’t going to trust the story enough to invest. They’re going to be looking for the strings. For a complicated special effect that takes a lot of strings, that’s a pain, because the agreement with stories is supposed to be that yes, there are strings, that’s our medium.

If you don’t trust the writers, you are not going to believe in the story.

For my personal taste, if the writers are doing something more with Penny, their presentation has made it difficult for me to see value in the journey, even if the destination happens to be something I ultimately approve of.

Anyway Robyn needs to officially adopt Qrow. He has been a bad guy bandit, now he can be a good guy bandit.

He can be the Happy Huntresses’ cute animal mascot.

That is all that matters.

That is my one, solitary thought on the entire volume.

Thanks for the ask!

#RWBY #fndm asks #why is all my meta about suicide

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jackstarbrightisaqueen · 4 years

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Thoughts on the Alex Rider TV show...

Some background: I’ve been reading the books since Point Blanc came out, so we are going back a few years (actually quite a few more years than I care to credit). I thought the Stormbreaker movie was a pretty awful adaptation all round. Definitely lacked the grit of the book series. Imagine my fear of what they were going to do to Point Blanc, one of my favourite books of the series...

So, thoughts (in no particular order):

1. Otto Farrant is brilliantly cast. OK, one can nitpick. He’s been aged up, but I think that works - the TV series has tried to go grittier than the movie, and if we’re honest, a 14 year old being treated the way Alex is would just be extremely uncomfortable viewing. The books are written for children - they put up with a lot more than adults. And Farrant manages to strike an excellent balance between being old enough to make the whole thing believable, and young enough to provoke the right amount of outrage. His portrayal of Alex is really very good - the unwillingness to let something drop when he’s curious about it, the coldness, the desire to just be a schoolboy, the fundamental streak of doing what’s right. Sorry, Alex Pettyfer, but no matter how good looking you were, you weren’t Alex Rider for me. Otto Farrant has nailed it.

2. Alex generally. The writing is pretty faithful to his character. There are a few tweaks - he’s a bit more of a rebel than he is in the books. The foam party - one can see Alex doing that in the book because it’s part of the bad-boy act he’s supposed to be putting on, but I’m not sure that was the motivation for the foam party; I think he did it because it was fun and he’s someone who likes to rock the boat a bit. But I liked this Alex. It made his snarkiness and impulsiveness that much more believable. And, let’s be honest, what kid is taught to withstand interrogation techniques without becoming a bit of a loose cannon? One thing that was changed that I’m still not sure about was his determination to go back to Point Blanc. Book Alex didn’t want to go back; TV Alex says he’s going with or without MI6′s help because he’s got friends there. This was admirable, and I think probably the right move (I don’t think “leaving it to the professionals” would have come off well on screen when he’d made such good friends), but I did miss the scene from the book where Jones more or less manipulates him into going back in.

3. Jack. I love Jack as a character. It’s a bit more of recent phenomenon - I think since I became about the age that Jack is and suddenly woke up to what she must have felt - but the book Jack puts up with so much without complaint. The thing is, she’s a very tricky character to portray, because it’s a fine balance between making her powerless and useless. I think they did a good job here. They’ve changed things - Jack gets her degree at the start, and hints to Ian that it might be time for her to think about leaving. It’s not faithful to the book, but it’s a brilliant move, because as soon as Ian dies and she sticks around, you think - wow. She’s just given up her plans for this kid. She really cares. And that’s what the book series hints at throughout but has only addressed explicitly in recent books. I also like that they showed her having a bit more agency, which is realistic. I mean, she’s got a law degree. She’s not helpless. Ronkẹ Adékoluẹjo does a good job here. OK, she’s not the red haired Jack we know of the series. But so what? Representation matters (on a side point of which, good job in making Alex’s crush at school black too). And didn’t that thing about Immigration strike just a bit harder because Jack was black? Didn’t it make it that much more realistic and scary? This shit happens, people.

4.Ian. I didn’t have strong views about this. I’ve seen that others didn’t like how his death was changed. I’d argue they wanted to get away from what had already been done in the Stormbreaker movie, and, anyway, it set up the mystery of Scorpia’s involvement and the MI6 leak quite effectively. I don’t care about the speeding/seatbelt change. They probably did it because these days any decent car (like Ian’s was) screams at the driver if they’ve not got their seatbelt on.

5. K Unit generally. We didn’t get too much of Fox, Eagle and Snake, but we got a bit, and what I saw, I really liked. I liked that two of them were women (one of them an excellent sniper!). This show generally handles women much better than the book series - far more balance. I liked the introduction of K Unit - the whole interrogation scene was really well done, from K Unit following orders but being quite uncomfortable with the whole thing, to Alex’s reaction to it, to his escape. I think the lack of SAS training camp was again an attempt to shift away from the Stormbreaker movie and, although it has spawned a lot of fanfiction, it doesn’t actually serve any purpose that couldn’t be addressed elsewhere. For K Unit lovers, I think this move was a good thing. It is pretty difficult to justify K Unit’s attitude towards Alex at Brecon Beacons, and translating that situation to one of trust between Alex and Wolf would be very difficult. This approach worked because, although K Unit was introduced in circumstances where you think they’re acting badly (following orders to interrogate Alex), you’re immediately introduced to the idea they’re not comfortable about it - so they might be good guys after all.

6. Wolf. So this gave us ALL the feels (the apology, the blanket wrap at the end...), but I (possibly controversially) think they could have done more here. I would have liked to have seen a bit more of what we saw in the book - Wolf not liking Alex, and then them turning that around. Don’t get me wrong - obviously, the more Alex/Wolf trust, the better. But I thought they made Wolf into a bit more of a softie than they really needed to. They had 8 episodes - they had time to build more of a character arc for him.

7. Jones. Mixed feelings. Vicky McClure is really good, and I think the way they’ve set it up, there’s room for a good character arc here; at the moment, the Department is portrayed as basically being under Alan Blunt’s rule, with others disagreeing with his approach but getting overruled. If they make it far enough, Mrs Jones is going to need to have adopted some of his ruthlessness by the time Blunt gets the sack at the end of Scorpia Rising. A bit like Wolf, I thought Mrs Jones could have been a bit more complex than she was. But I’m happy to wait and see what they do in (hopefully) future seasons.

8. Setting. Generally pretty well done. Thank GOD they were wearing proper school uniform (what were the directors of the Stormbreaker movie thinking...this is Britain, y’all). The Point Blanc academy was suitably creepy and isolated. My only criticism re setting was that the “Department” was in a basement. I can see why they did it (dark and mysterious setting, OK), but it didn’t strike me as a particularly realistic place to run a Government department from. Even MI6 has a decent building in Vauxhall.

9. Kyra. I didn’t want to like this deviation in principle - I was really suspicious they were just setting up a love interest (the same way as in the Stormbreaker movie, where they elevated Sabina’s character in a way that just wasn’t appropriate). But Kyra was a brilliant addition. Complex but good-hearted. And nothing cringey happened - even that nearly kiss before Alex leaves Point Blanc was actually pretty believable and went just far enough. Be interesting to see if she comes back - that hanging ending, man. Poor Kyra. On a side point, I think for the purposes of the TV series it was quite important to give Alex a good friend at the academy. Solitary spying works well on the page, but not so much on screen - viewers need dialogue. I thought the way they did it worked well.

10. Plot. Yes, there were tweaks. But I thought the way it was put together was well done. There was no dramatic baddie revealing all at the end. I liked the way it gradually unfolded, and that although MI6 had managed to piece some of it together, it was ultimately Alex who solved it through the spying he’d done. Interesting that they have decided to introduce Scorpia so early on, but it’s given us something to drive the series forward rather than it just being one mission after another, so probably a good move.

11. Tom. The relationship between Tom and Alex was well done (when Alex comes to Tom’s rescue at the end!). O’Connor is good (though, please, PLEASE can we ditch what my husband and I have dubbed the gnome hat?). I thought he got slightly too much air time at this stage, personally - and turning up at the Friends’ house was a bridge too far for me. But I can forgive this. I liked the way they targeted Tom because he and Alex are such best friends. This bromance was something missing from the series and it was a welcome introduction.

I could go on, but I think this is long enough. If anyone has anything they’d like to chat about or to hear my opinion on, do PM me or comment on this post. Meanwhile, I’m off to rewatch the series.

#alex rider #alex rider tv #otto farrant

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