#and his season 7 scenes especially would be *interesting* with that
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What I love is how well tdp shows how good Aaravos is at masking.
We're introduced to Aaravos as a mysterious figure who is confident and, while claiming to serve Viren, is clearly the one in control.
But the truth is, a lot of people with severe depression hide their emotions by smiling (or in Aaravos' case, smirking) and laughing, just as Aaravos does.
But arc 2 gives us more of an insight into his true feelings and personality, especially season 7.
"It is an instrument of pain of pain, of torment. To exist within this world is to suffer, even death is no reprieve."
Finally you get an insight into his true feelings, how he truly feels on the inside. He even says that Claudia is his last light in the world, meaning he feels there is nothing else left for him. Other then Claudia and taking down the unjust Order, there is no reason to live. Its really tragic and sad to think about. The person he shows vs the person he is makes for a really interesting dynamic.
Aaravos has severe depression. But he hides it by masking as a different, more confident person.
And lets not forget: "You see, as she dies, all she can think about is her hatchlings. Her sweet tiny babies, sitting safe and cozy somewhere in a nest. And how she has failed them. She would do ANYTHING to return to them but she can’t. It’s over."
This scene is amazing because he is self internalizing. He sees himself as the mother bird and how he feels he failed Leola by not being able to save her.
But in terms of his real self, we also know by his father-daughter dynamic that Aaravos is actually quite dorky and sweet deep down.
His reaction to Claudia throwing him the Primal Stone says so much with so little. As Claudia throws the ball to him, he smiles and laughs. Aaravos is now vulnerable and has now let down his guard around Claudia. We are introduced to the real Aaravos. The person he is when he isn't masking.
His character is so well done and so interesting. I love him so much 🥺💖
#the dragon prince#aaravos#sorry if this isnt well explained#ive not been too well lately#but his character is SO good#needed to get this out
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how do i make my writing more ‘mature’? i always feel like no matter how sophisticated i write and no matter every which way i change it up it always has a sense of being childish or juvenile.
Making Writing Sound More Mature
1 - Better Plot and Story Structure - One of the telltale signs of juvenile writing is a story that meanders, has no obvious plot or structure, has no conflict or has a protagonist with no goal. So, make sure you have a well fleshed out plot, with a conflict, protagonist goal, and which hits the beats specific to your story's genre.
2 - Three-Dimensional Characters - If you're writing plot-driven fiction, make sure your main characters have a fleshed out personality, stakes, motivation, goal, and compelling relationships with other characters. If you're writing fully or partially character-driven fiction, do all of the above, but also make sure your main characters have a relevant internal conflict and a thoughtful character arc.
3 - Well-Developed Setting and World - One common hallmark of juvenile writing is a lack of "sense of place" and under-developed world building. So, make sure you put a lot of thought into where your story takes place... not just the immediate setting of each scene, but the overall world of the story, or at least the parts of it that are relevant.
4 - Incorporate Literary Devices - Juvenile writing tends to be lacking in the use of metaphor, simile, symbolism, irony, themes, and motifs. So, make sure to include those, but also take the time to make them relevant to your story.
5 - Include a Broad Range of Vocabulary - One common element of juvenile writing is a reliance on limited, simple vocabulary. Don't be afraid to use a thesaurus to find more interesting word choices--just be absolutely certain to crosscheck your choices with a dictionary to make sure they are the right choice. Online thesauruses in particular are bad about offering up bad suggestions. Also, make sure to learn and use special vocabulary that is relevant to your story, genre, or setting. For example, if your character is a retired police detective trying to solve a murder on his stalled cruise to Alaska, you need to make sure you know the proper investigative terminology, because he will definitely use it. And, by that same token, you'd want to make sure you know cruise ship lingo as well. And, part of this, too, is getting better at description and the inclusion of emotional and sensory detail.
6 - Use Varied Sentence Structure - This is a big one... juvenile writing tends to use repetitive sentence structure, such as simple sentences (she stood up, she went to the window, she waved at the man), lack of subordinate clauses (Tad Smith, who was a seasoned and retired investigator, had looked forward to this cruise his whole life...), repetitive starts (every sentence begins with a pronoun, for example), uniform length (all short sentences, for example.) So, make sure your sentences are varied. If you read them out loud, you don't want it to sound rhythmic, but more like a complex melody.
7 - Show, Don't Tell... Most of the Time - Telling definitely has its place, but most of the time you want to show rather than tell, meaning that instead of stating things simply and directly (the sun was shining) you want to paint a clear but indirect image (dappled sunlight shone through the trees.)
8 - Avoid Cliche Phrases - Human language is littered with everyday phrases like "to each their own" or "better late than never." Generally-speaking, you want to avoid these phrases in your story, especially in exposition. If you include them anywhere, they're best spoken as dialogue by a character who it makes sense would say something like that. Likewise, be careful of cliche genre or character-type phrases. For example, villains who say things like "we're not so different, you and I..." or "I finally have you right where I want you!" These overused phrases tend to make stories sound juvenile and unpolished.
9 - Avoid Cliche Tropes - Another type of cliche to avoid if you want more mature-sounding writing is cliches of various tropes. Tropes on their own are a good thing, but when tropes are used the same way over and over again in a genre or type of story, they become predictable. For example, the super gorgeous protagonist who everyone is in love with, but they view themselves as plain and not special. Or the broken/hopeless/addict mentor character. It's not that you can't use any cliche tropes at all, just make sure your story isn't riddled with them, and do what you can to put your own spin on the ones you do use.
10 - Read, Read, Read - And I can't stress this enough... the absolute best way to improve your writing style and take your writing from juvenile to polished is to make sure you're reading a lot of fiction, in a lot of genres, by a lot of authors. Audio books, short stories, and poetry count, too. The more you read, the more you begin to: understand plot and story structure, recognize well-developed characters, easily envision complex settings and worlds, learn vocabulary and literary devices, become attuned to varied sentence structure, and learn to recognize cliche phrases and tropes.
Happy writing!
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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!
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The energy in the 9-1-1 fandom space as of ep.8x06 has been off.
The 9-1-1 official page not posting much about any of this episode (specifically the disingenuous ending of an anticipated queer r/ship) is weird... especially considering how much traction the show got when they introduced AND MARKETED the Bisexual Buck-GayTommy relationship for even more traction.
Oliver just posting some random photos from bts (i know he's had no electricity due to fires) -but then posting & deleting a story of his bizarre response to fans criticism of his latest comments on Buck's sexual habits....
I personally think the main criticism for me is how poorly both he and Tim handled this plot, and the character of Tommy. They yapped so much about being respectful about queer relationships and bisexual representation and then just ended it with a lame, disingenuous conflict after NEVER making a genuine attempt to develop said relationship after season 7. The fact that they never included Buck & Tommy's relationship as a main plot for a single episode tells me that they were NEVER going to treat this queer relationship with genuine care or respect.
Ryan just posted stuff about Eddie (kudos to him, love me some Ryan content)
Aisha posting absolutely NOTHING
Kenny hasn't posted either
Lou just saying it was an honour & dipping. (I DO NOT blame him with the bullying he's faced from buddie stans)
It could very well be the elections & how absolutely insane the world is right now. And it could be stuff that went down bts (we'llneverknow). And trust me, this isnt sour grapes, if they were going to break up eventually, im fine with it. But all I know is, it was made clear that the Buck & Tommy queer relationship would be handled with genuine care & class (Tim) and that they'd "work through their hurdles" & "working out if their relationship [barely developed by the writers/show] was worth fighting to stay together for" (Oliver) and NONE OF THAT HAPPENED.
While the Eddie scenes were amazing & I love that Ryan's getting to explore more of his character, the Buck & Tommy scenes were made to look hopeful & promising, then they lazily scraped a "It's not you it's me" bs plotline &ended it abruptly.
It's NOT queerbaiting, but it's giving, "Yes we know we sold y'all a promising queer r/ship, here it is for 2 episodes, & now, it's done. Gone. Vanished into nothing. Thanks for your invested interest in s7&8a." [Maybe it's like an advanced level queer-stringing-along- ALQSA💀😭🤣]
#evan buckley#911 abc#eddie diaz#bucktommy#lou ferrigno jr#oliver stark#ryan guzman#aisha hinds#kenny choi#tim minear
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I haven’t really made a post about my feelings on this season, other than i do like it and i do like the finale.
However, i do have a theory on this season that ive had for awhile but i felt like it was controversial to say.
I do think this season did feel slightly off but not in a bad way. Let me explain.
First, I want to say i like a lot of the ideas for this season.
I liked Guillermo “moving out” officially and “getting his own place.” I thought him living in the wank shed was funny and also getting a job in the human world was a good move. I hyperventilated when i saw he worked at Panera again.
I liked that the writers wrote in Natasia’s pregnancy with the Rosemary’s Baby bit. Nadja got to be around humans which i think she wanted to always do more of. She even became more sensitive to human issues even if she doesn’t experience those feelings exactly like humans herself.
I like when Laszlo invents and I’m glad he was able to do something that wasn’t really connected to the main plot. I like that seanie came back with Laszlo, although i missed seeing him in the finale (i did like the alt version with him.) I like the vampires getting their own side adventures and he got to do this with Colin, which was a plus. I like that we got some of his background with his dad.
I liked that Colin was feeling alone with the changing dynamics and how he came to get closer to the monster since both of them are different to the vampires.
I liked that they did bring up Nandor’s search for love again. I honestly never thought they would bring it up again. The batcave was fun and the janitor bit was funny. I liked Nandor’s army and I’m glad we could see his old warrior side again.
I like that Nandor and Guillermo reconnected and that Guillermo doesn’t leave forever. I always worried that would end the show with Guillermo saying goodbye to the vampires for good. I liked the fake-out ending where if someone wanted that ending, they got it. That was bittersweet enough for some people, and could have worked. But, i liked that he came back and that it showed us, the audience, that Guillermo is so aware of the cameras that he does hide things on camera. I like seeing Nandor and Guillermo’s first meeting.
I liked that the last scene was Nandor inviting Guillermo into his coffin and that the Newhart alternate ending is the one they use on streaming. I like that they were the married couple featured in it when it could have easily been any pairing on the show like Laszlo and Nadja or Charmaine and Seanie or even the monster and I don’t know…Jerry?? lol.
I did wish The Guide had more onscreen plot than Nandor’s kinda love interest and working with Jerry mostly offscreen, even though I’m glad they did show her love. I think i really missed her being involved in the main cast.
I would have loved if the gang had an arc together. I don’t believe the main A plot involved everyone until the end. There was a lot of side adventures (which is fun), which gets me to my theory…
I don’t think the show was supposed to end with season 6.
Yeah, I’m one of those that believes that the show was cancelled. I think they wrote season 6 with the intention to have a season 7.
I think Harvey and Kayvan’s interviews since the news broke convinced me. Especially Harvey being so heartbroken on Instagram and Kayvan mentioning a season 7 constantly. And now that they are both talking about a spin-off, it all makes sense.
I think this was just a normal season that they already wrote and when FX pulled the plug, the writers went back in and added a few things here and there.
So, yeah. Season 6 would have been their friendship era and then season 7 would’ve worked towards the romance era. Episode 10 does work as a season finale, but not a series finale.
The documentary crew ending the documentary IS SUCH A GOOD PLOT. I think it was funny that they just ended the documentary, but thought it would be funnier if they started that plot from the beginning of season 6. Imagine the vampires fighting over how to end the documentary.
Jerry could have been an episode later and he could have been killed off in the second to last episode.
I think the writers did write episode 11 as an add-on to finish the show, but it didn’t really connect with the rest of the season.
I don’t think the finale had a surprise twist at all. And this show is actually good at season finale twists. Guillermo is actually a vampire slayer?! Colin was dying and came back as a baby?! Guillermo turned into a vampire?!
Yeah, their arcs and twists are honestly really good and thought out.
But, i think whatever twist ending they had was written out. Which leads me to my old theory:
The Guillermo is an energy vampire theory.
I still actually believe this was true, or at least a version of it. Watching it with the lens of Guillermo becoming a/an (energy) vampire again makes sense as the surprise twist. Enough was laid out that it could have connected so easily.
But ending the show that way might not have worked well since i do think they needed a bit more time, and i think that’s why any vampire!Guillermo stuff was removed. Because they didn’t have time to finish it properly.
And it would have tied up Colin’s arc of loneliness. I didn’t mind him connecting with the monster (i liked it a lot actually!). It felt like they were gearing up for Colin and Guillermo to connect on some level, and connecting to Guillermo becoming an energy vampire would’ve worked pretty well. That would have connected those plots together.
I do believe they wanted to do more with Guillermo’s arc but starting too much would’ve made the season really really full.
Actually ending everyone’s arc probably would have done that, too. I want more energy vampire lore. I want more Nadja connecting to her roots. I want to know why The Guide is really magical and what’s her name??
I think they truly needed one or two more seasons for that to be honest.
Which leads me back to the Nandermo of it all, too.
I think season 6 was about Nandermo reconnection arc after season 5’s Nandermo breakup arc.
I think they wanted to have Nandor and Guillermo make up first and then work towards their romantic arc going forward.
And that makes sense to me. They spent the season making them equals. And that feels earned to me. They ended the season together as equals.
And by The Finale, it seems like the writers knew they couldn’t add enough to finish every arc. And I respect that tbh.
I would have wanted a little more time with Nandor and Guillermo reconnecting before they kissed.
I do think that was the reason for the Newhart ending. It was a fun little homage but it was a Nandermo nod without having to skip over the important romantic arc they didn’t have time for.
It left the series open enough that if they don’t do a spinoff, we can fill in the rest.
And that explains the Guillermo’s “secret affair” and “the secret Nandermo batcave” and Nandor caring about the cameras being gone.
However, I think they left it open so that if they had the chance, they could do a proper spin-off to work toward the Nandermo romance arc we deserve instead of closing that door forever.
TLDR: I like season 6, but i do think the show was cancelled by FX and that’s why it felt a little different. Hopefully we do get the Nandor and Guillermo spin-off and potentially another What We Do in the Shadows movie to wrap it up completely.
It doesn’t feel like the end, but a new beginning.
#some critique#wwdits#nandermo#nandor the relentless#nadja of antipaxos#lazslo cravensworth#guillermo de la cruz#Colin Robinson
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The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7
So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.
This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.
But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.
So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.
Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness
Season 3: Wetwired (right before Talitha Cumi)
This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)
Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.
What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)
I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)
Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.
Season 4: Demons (before Gethsemane)
From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was.
Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.
In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.)
There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully.
I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.
Season 5: Folie a Deux (before The End)
This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.
As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two.
It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either.
And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six.
Season 6: Field Trip (before Biogenesis)
Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period.
This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.
Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.
This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.
The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real.
Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.
Season 7: Je Souhaite (before Requiem)
Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important.
Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.
So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.
Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.
Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8.
The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)
However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes.
So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).
#the x files#x files meta#penultimate partner episodes#wetwired#x files#demons#season 3 x files#season 4 x files#folie à deux#season 5 X files#field trip#season 6 x files#je souhaite#season 7 x files#mulder and scully#fox mulder#dana scully#MSR
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If not Buddie, why Buddie shaped? #2
Following my theory that season 7 and 8 are new seasons 1 and 2 on abc, where the writers revisits the big events from character’s pasts and retells them (you can read it here) I want to look closer at new episode 8x06 “Confessions”.
This is all fresh in my mind, I watched the episode like 4h ago, there is a chance I’ll miss something.
Like I said, I think we’re going to see at least 4 more big moments revisited (or rather the emotional state those events invoked) from previous seasons before Buddie goes canon. Kitchen scene, well, will and shooting arc. And one of those happened in this episode! But also so many other things!
EDDIE:
Starting with Eddie in the confessional. I can’t help but see his fight club era here (call me bias, I love season 3 Eddie so much!). An attempt to find a healthy outlet to his emotions. He’s struggling and fighting with his inner demons, this time instead of rage it’s sadness and loneliness.
And he is doing it with an outsider's help. Father Brian is like Lena Bosko. Why Lena and not Frank? I think Eddie would just shut on therapy at this point. He needs someone to talk to, someone with opinions and advice, caring enough to want to help but also not afraid to go straight to the point and call his bs - Lena and Father Brian did just that.
Ok. Time to revisit a big event from Eddie’s past - the well. ABC put the call with the little boy trapped in a pipe in episode promo as the red herring. The real purpose of this call was to remind us about the Eddie Begins episode. The important thing from Eddie Begins is that Eddie was alone in the dark pit - and in the end he saved himself.
So the real connection between those two episodes is not in the call where 118 saves the little boy, but between Eddie coming out from underwater, drawing a deep breath and Eddie shaving a mustache, shedding his mask and dancing, breathing fully again.
sorry for the meme, I'm tired
It’s also interesting that the moment Eddie allowed himself to feel joy Buck knocked at his door.
BUCK:
This one is pretty straight forward. Like I said before, Tommy represents Abby - a transformative relationship - like Buck said himself. The fact that Tommy was engaged with Abby is a really beautiful way to further connect and close both relationships. What leads to the break up from Tommy’s side is also similar. Tommy knows he would fall deeply for Buck, and Abby didn’t come back because she knew she would lose herself in Buck. They were both protecting themselves.
And here is also a little parallel to Ali. Like her, Tommy offers Buck a proper and honest break up, showing maturity, understanding and clear reason why. And yes, Ali was also protecting herself, ending their relationship before they broke each other's hearts.
And one more thing from Buck’s side. The whole Abby thing throws him off. Maddie tells him it’s not a big thing, Josh tells him not to judge Tommy (honestly, Josh’s speech is amazing!) - this calms him down in the end, dating the same woman doesn’t feel awkward anymore. But the questions Josh is asking leave Buck confused. Taking the next step, moving in together - it’s like Buck is trying to prove he really feels those things Josh was talking about (or maybe even compensate for his “freak out”, confirm he’s fully into this relationship). And on some level Buck has those feelings, he cares about Tommy, but more than that, he simply feels he should be on the level Josh suggested and he wants this to work. It’s Buck’s impulsiveness coming to play, an action that causes reaction in a form of big gesture to confirm his feelings - a nod to his relationship with Taylor.
Fortunately Tommy explains those feelings to Buck (and to the audience) in a very kind way.
Honestly, their relationship (the last two episodes especially) was handled beautifully, without unnecessary drama, without too much spotlight. It started with fireworks, naturally progressed and faded gently.
The cherry on top: Evan meant something more, something special for Tommy. Ending his goodbye with Buck means “we’re friends now”.
BUDDIE:
There are two things here I want to mention.
Ever since Gerrard separated Buck and Eddie this is the episode where we can see them working together as partners again. And this finally wraps up the divorce era.
The ending scene represents different scenes for each of them, ending different arcs.
For Buck the couch scene represents Abby’s comeback in season 3. He watched her ride off in the ambulance with her fiance (with Eddie solid by his side), and later he got closure from her.
For Eddie this scene represents him being embraced by the 118 after he dug himself out from the well. He’s connected again, no longer alone.
And of course, the most obvious and sweetest thing - it’s the right couch (and they finally drink that beer).
Bonus MADNEY:
Couldn’t help but notice some revisits here. Maddie’s postpartum depression is addressed very clearly, nothing to add here. During the pandemic Chimney stayed at Buck’s place, afraid to put pregnant Maddie in danger of catching the virus. Something happened on a call that changed his mind, made him overcome his fear and enjoy the future with his family. The same in this episode. But there is a little twist here and it involves brothers. In season 7 the new audience learned about Kevin. Guess who wasn’t yet introduced (and also took care of Maddie during the pandemic)... yes, I believe this season we will see Albert again.
That’s it for now. Let me know if you want more posts like this. Feel free to contact me if you want some clarification or just to talk.
Tagging some people who may be interested (if you want me to remove you from this post let me know): @buddiebeginz @stagefoureddiediaz @lemotmo @inell
#if not buddie why buddie shaped?#buddie#eddie diaz#evan buck buckely#911 abc#my stuff#911 meta#911 spoilers#911 analysis#911 season 8
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About the ham/pink sausage thing I'd love to know if you think bucking up at ur partner(Assuming jkk are couple or have romantic feelings for e/o) like that in front of other ppl can happen btw couples...... friends? Yes. Siblings? Yes. But couples? I wonder......if my partner does that (jk was kinda pissed because they questioned his knowledge of food or wtv that is) in front of other ppl I'd feel disrespectful maybe not by siblings and friends but definitely by my partner. Of course i don't believe any of the members have that kinda nature where they hit someone that's completely false I believe that. Can you imagine you and your partner in their place? Your partner bucking up at you like that in public? You won't feel disrespected? And i know you'll say jk was joking, he joked when he did it second time but the first time was his honest reaction. It irritated him that they didn't belive he was right.
Hi anon,
Short answer to your question is yes, it can happen. I’ve seen so many people give so many takes about the pink sausage/ham moment but I refrained from saying anything about it until I got my thoughts in order. So many times when people judge other’s actions they look at it from a perspective that they are used to or through a particular lens that makes sense to them forgetting that in this big world with over 7 billion people, there are different people, different cultures and ways of life so what might mean one thing to you, might mean something else to a different person.
I don’t understand why that was a big deal to people ( I mean I do kinda but…) because anyone who has watched even one kdrama or knows even a little bit about Koreans in general knows that koreans do that alot when they are mad or irritated. They buck at other people like they are going to hit them with no intention of actually hitting them. Parents do it to kids, siblings do it to each other and even people in seasoned relationships relationships do it as well. Jk wasn’t going to hit Jimin, that’s for sure. It’s just that was a knee jerk reaction at that point and from the reactions of Tae and Jimin, that wasn’t something Jungkook did often because Jimin didn’t seem used to it judging from his reaction.
I understand what you mean about feeling disrespected especially if that is something that happens in public but I doubt some koreans will see it that way mostly because it is something they are used to. Plus, sometimes people could be intentionally or unintentionally disrespectful to their partners, that isn’t news.
While that moment left a bad taste in some people’s mouths, I actually found it cute….not necessarily because Jungkook bucked at Jimin but because when you watch that scene, you notice that Tae was the one who started saying it was ham and he was also the one who kept insisting it was while Jimin only said it once but that one time Jimin said it was the only time Jungkook doubted himself about it. I also found it interesting that even though Tae was the one who repeatedly insisted that it wasn’t pink sausage, we only saw Jk’s emotions towards Jimin and nothing towards Tae. Now, most people whom I like to call shallow or fickle would rejoice at the fact that Tae didn’t react to Tae who was the instigator but reacted to Jimin who only said it once but to anyone who understands human emotions and knows a little bit of something about life, that single moment right there was more than enough to tell whom among the two Jungkook is emotionally closer to.
That moment to me will go down in history as one of the biggest moments that showed just how close and comfortable Jikook are with each other.
Typically, you are more likely to get annoyed at someone you are closer to because you have more expectations of them than the ones you are not as close to. There is also an emotional investment. Being closer to someone usually means you care more about their opinions and actions so when they do something that bothers you, it impacts you more deeply. You generally also feel more comfortable expressing or showing your frustration at someone you feel closest to because your relationship with them feels secure so you are not worried about how you might come off because you both know each other extremely well, while with a friend you are not as close to, you tend to be more forgiving or less affected by their behavior because your emotional investment is lower, and your expectations might not be as high. Anyone who watches that clip would wonder why on earth Jk only expressed his annoyance at Jimin and not Tae who actually started and instigated the whole thing and this is not to say Taekook aren’t close because we know they are but Jikook just have an insanely deeper emotional connection and bond.
Some people think Jungkook was just joking but I think he was truly annoyed and maybe even a little hurt, and his annoyance (though might sound abit silly) probably came from the fact that he expected Jimin to side with him but Jimin didn’t or expected Jimin to trust his judgement more. To so many people it might have just been a silly argument about ham and pink sausage bit to Jungkook, it was probably more and some might to relate or understand his annoyance but that doesn’t mean his feelings about the whole thing shouldn’t be respected.
Jimin’s reaction was also very telling and even though he handled things in a funny and dramatic way, I think Jungkook’s actions shocked him to a certain extent and he probably felt bad about it but he must have understood at some point why Jungkook reacted so intensely. Jimin’s actions also shows how much he knows and is emotionally close to Jungkook because if that were another person, Jimin would have probably cussed them out but he had this extra patience with Jungkook probably because he understood why Jungkook got like that. Compare the way Tae reacted after Jungkook made a statement about him being weak to Jimin’s reaction. One of them was clearly the reaction of a friend (Tae straight up warned Jungkook not to take things far else someone would see blood) but Jimin’s reaction was more….emotional. Jungkook’s reaction in the two cases too were telling. With Tae he was quick to say “yes sir” when Tae called him out but with Jimin, he didn’t look like he was ready to let go of the annoyance yet and even after they finished eating he kept glaring at Jimin till Jimin apologized.
Reminds me of that Live from May 2019 in Newjersey where Jimin and Jin turned off the Live before Jk arrived and Jk was so pissed he went to start his own Live. All Jin had to do to get Jk’s forgiveness was apologize once while Jimin had to follow him to his room apologizing yet Jk still didn’t let him off easy. These are things that could seem very trivial to people but that shows you that Jungkook might just have more expectations when it comes to Jimin while he doesn’t really get that affected by other’s actions. The rainy day story is also a good example that shows how Jimin’s opinions affect Jungkook differently. He has mentioned so many times that he tries to emulate Jimin’s actions so that already says alot about how much he values Jimin’s opinions and how much expectations he generally has when it comes to him so when he feels disappointed, it just triggers a more emotional response. It also gets a little weirder when you remember that Jimin is actually Jungkook’s hyung which means that Jimin could have easily scolded him like Tae did with Jk realizing that he had just been disrespectful to someone older and ready to apologize yet that is not the reaction we got from them at all.
So anon, I can see why you would see things the way you do but you always have to consider context and the context here would be that, different things are acceptable in different cultures or societies and things have different meanings to different people. And yes, if Jimin is Jungkook’s lover he might have felt disrespected sometimes things like that happen in relationships anyway so it’s nothing new imo.
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Everything Wrong With Umbrella Academy Season 4 (Characters)
The way it felt like someone who had never seen the show wrote this season????
The characters were AWFUL and were almost entirely new characters with all their previous character development forgotten.
Allison - Honestly, I don't like Allison (after watching THAT scene w Luther), so I really didn't care what happened with her this season. I think it does suck that she wasn't able to be happy with Ray, they were nice together. Also, no rumours? Her power was one of the most interesting out of the family.
Luther - People were commenting about how childish and positive he was being this season and how it was out of character from him being so serious. Honestly? I love silly Luther, he's such a breath of fresh air. I also like to believe that because Luther was assigned the leader of the family (being number 1 and all), he's able to enjoy himself without that pressure. Also, I also love to believe that Luther is using being positive and silly as a coping mechanism as to not be overwhelmed by the sadness of losing Sloane and also his current living situation. Giving him his gorilla body back was so unnecessary and makes no sense cause it wasn't the marigold that gave him the body.
Ben - He sucked. I hate that Sparrow Ben was the one that was dragged with them because it meant that we had to deal with him sulking and being angsty the whole time. Also, the character development we witnessed 1-2 just disappeared instantly cause of Sparrow Ben. Also, his friendship with Klaus was the best thing in the show and I hate that we never get to see that in season 3.
Klaus - I was actually so happy for him being sober, even if he wasn't living the best life because of his paranoia with death and germs. So it really sucked when that immediately went down the drain the second his body got the marigold.
Diego - He deserved better. Yeah, his constant complaining about his "belly" (which wasn't even that big of a difference??) and wanting to go back to his old super spy life did affect his and Lila's marriage, but when he realised that he immediately accepted that he was at fault and was willing to improve their marriage to make Lila happy.
Lila - I liked Lila before season 4. I don't know what they were thinking honestly by changing her entire character. Yes, she and Five were stuck for 7 years together, but seriously? That plot added NOTHING to the story because in the end, Lila chose Diego and then they all DIED like 10 minutes later!!
Viktor - Honestly? Viktor didn't really stand out this season for me. Sure, he got kidnapped by Ian Hawk. I thought the idea of him trying to remove the marigold from Ben was a really cool idea but then it just didn't happen. I thought his interactions with Reginald were decent, since it's interesting to see how this Reginald thinks about Viktor compared to the original timeline Reginald.
Five - It's honestly kind of impressive how the writers were able to make the best character in the show the worst character by the end of it. They completely changed his whole character. First, his personality is duller than a door nail. He's so emotionless and so boring. Where's the excessive facial expressions and movements? Second, changing his motivations. For the past 3 seasons we have watched him with one goal in his mind; "Save the world and his siblings". So why would Five ever possibly consider both giving that up for Lila of all people. Third, giving Five a love interest was so useless and lazy. Why would he choose a girl over his siblings? Especially one literally MARRIED to his BROTHER. Fourth, him being all pouty and jealous over Lila choosing Diego (her husband and father of her kids - no shit she was gonna pick him over Five, literally have no idea why Five even thought he had a chance) to the point where he plans to just ditch his family in the middle of a big fight. Five, him fighting Diego in the middle of said big fight. THEN, Five just gives up??? Yeah, that's probably all he could do but seriously, this is Five we're talking about, the guy who survived in 45 years in the apocalypse to try and get back to his family and save the world. Do you really believe that he would just give up?
BONUS:
Jennifer - They could introduce a new character/love interest for Ben but they didn't do the same for Five so they just gave him the only other woman who wasn't his sister???? LAZY. Also, the amount of plot holes with Jennifer's character makes me queasy.
#umbrella academy#umbrella academy season 4#tua s4#tua season 4#hargreeves siblings#luther hargreeves#ben hargreeves#allison hargreeves#five hargreeves#klaus hargreeves#diego hargreeves#lila pitts#tua jennifer#viktor hargreeves
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What would you want to see in a TOWL season 2?
Ooh definitely had fun thinking about this question. 😊 Thank you for asking! First, I love that Danai and Andy have expressed the importance of returning only if the story they tell next feels necessary and irresistible. With a franchise that’s been making content for almost 15 years now, it’s tough to avoid doing something that feels repetitive or superfluous. But it’s certainly not impossible. And if anyone can find the right future story to tell for Richonne it’s the Andy, Danai, and Scott band. I wrote out the rest of my thoughts and what I would want to see in season 2 right below. 💗⬇️
Part of why TOWL worked so well is because the story truly did feel necessary. With how Rick and Michonne left TWD, their story was unfinished, and so TOWL came to give such deserving characters a deserving conclusion.
And TOWL felt fresh because it put Rick and Michonne in situations we had never seen them in before. We’d never seen Rick go that long without family and naturally, the damage from that took a serious toll on him. And we’d never really seen Michonne have to try and downplay the competent woman she is to survive in a new territory. We also had never seen Rick and Michonne have this much conflict between them, which made their beautiful reconciliation all the more moving and rewarding.
The Ones Who Live also remembered that one of the most enticing aspects of the golden era of TWD was interpersonal conflict and relationships. So making Rick and Michonne’s incredible, compelling, and authentic relationship the driving force of the plot was great and it really grounded TOWL, making it focused and captivating.
There are a lot of things I’d love to see in season two. I go back and forth because, on one hand, TOWL’s closing family reunion scene feels like such a fitting final moment for Rick and Michonne’s arc, both together and as individuals. Especially with Rick starting TWD as a man looking for his family, it’s beautiful that his story ends wrapped in the embrace of the wife and kids who love him and who he loves with everything in him. Rick finding his family and he and Michonne finding peace feels like the natural endpoint.
Then on the other hand, I of course would love to see what life looks like for the Grimes family post-reunion. We can always imagine different scenarios in our head, and sometimes future stories are better left imagined, but if they can find a way to show us what came next in the Grimes family’s life without it feeling just like an epilogue that would be nice. If TOWL Season One’s theme was ‘Reunion’, then I could see TOWL Season Two’s theme being ‘Recovery,’ on both a personal and grander scale.
My main thing is I just want them to come back if the quality will be on par with season one or better because I don't want anything to tarnish TOWL after the achievement of Season One. I do think it’s highly likely we’ll see Rick and Michonne again in some capacity, even if brief. So all that being said, these are 7 things I’d like to see if we’re blessed with a season two:
#1: Rick Bonding with RJ & Judith & the Moment Rick Truly Becomes Dad
I would absolutely love to see how Rick and RJ build their tight bond and get to know each other. And Rick being a girl dad with Judith would be great to see too. Whenever I envision what Rick’s return to being a dad to his kids could look like, I always think something that would be really heartfelt is seeing the moment when it’s clear his kids see him as dad not just because that’s his title but because they really do have a close father/child relationship now.
#2: Michonne Reconnecting with Judith & RJ
It would be interesting to see Michonne reconnecting with her kids as well. Especially with Judith being a teenager now and RJ not being her little baby in the same way. Michonne getting to see that she really did raise her kids to be smart survivors would be sweet.
#3: Rick and Michonne Living in Their Love Story & Navigating Parenthood Together
I hope a season two would still keep Rick and Michonne’s love story at the forefront because it really never gets old. I’d love to see them still having personal moments to enjoy their love in all the ways and reacclimating to life at home together. Since TOWL season one mostly showed them operating under the high stakes circumstances of the CRM, I’d love a look into how Rick and Michonne have been spending their more normal everyday life and especially how they are navigating parenthood together.
#4: Any and All Grimes Family Content (& Another Richonne Baby)
I’d love every bit of Grimes Family content they can give us. Like the four Grimes out on some type of excursion together where Rick gets to see Judith’s sword skills and gets to teach RJ to use the axe, that Family Fun Day picnic they filmed, a Grimes family dinner because in the post-Rick era of TWD we saw a few Grimes dinner scenes with that empty fourth chair and I’d love to see Rick finally get to fill that chair and have dinner with his family, and just any Domestic Grimes family moments.
Also, I could see the Grimes family expanding and Richonne having one more kid. If we got to see even just a glimpse of Rick with a pregnant Michonne, that would make me happy. I feel like with the right stakes added, this whole domestic family angle could be done in a fresh way without shifting the TWD tone too much.
#5: Rick and Michonne Reintegrating into Their Community and Saving The World For The Final Time
I know every good story needs conflict so I’d like to see how that plays out through Rick and Michonne reintegrating into their community. Rick and Michonne having a reunion with certain family members like Daryl would be nice, even tho I'm not sure how that would play out with Daryl on a whole other continent now. I also could see Richonne perhaps trying to be in ‘retirement’ but then some major threat (perhaps pertaining to things Beale mentioned in the breifing like spies and the potential fast-approaching threat of extinction) pulls them back into leadership to save the world one last time.
#6: Hearing Certain Words & Exchanges
I’d love it if season 2 included some of the stuff we didn’t get to hear in TOWL Season 1. Like Michonne officially being called ‘Michonne Grimes.’ Rick being referred to as Michonne’s ‘husband,’ Rick and Michonne both directly telling each other ‘I Love You.’ And either seeing or at least hearing that Rick and Michonne did go on to have that wedding ceremony like Rick wanted before. (Also, I personally would not be mad if season two wanted to come along and try to match or break the TOWL Season 1 kiss record lol.)
#7: Rick and Michonne Happily Growing Old Together
The most important thing for me would be that Rick and Michonne’s story still concludes with a happy ending in season two. Like I don’t want to visibly see one of them die or anything tragic happen to their kids. While I think Rick and Michonne wrapped in a family embrace is already such a perfect ending image for them, one that I think could be equally perfect is seeing that Rick and Michonne got to live a long happy life and grow old together. I’d love to know that, especially after losing children, they got to see their kids grow up into well-adjusted thriving adults and even start families of their own, making Richonne grandparents.
Two characters making it into old age and living a calm steady life after everything they’ve been through in this uncertain and often unforgiving apocalypse is a triumphant conclusion that we haven’t seen yet for prominent characters in TWD. And so it would warm my heart to know that Rick and Michonne really did get to love on each other and their family as hard as they could for many years and just truly and fully enjoy the peace they fought so hard for throughout this series.
BONUS: If they could find a way that feels natural and right then I’d love if there was somehow a scene that could include Chandler Riggs making an appearance to reprise his role as Carl one more time.
So those are some things I would like to see if TOWL has a second season. Writing this out actually made me even more grateful for TOWL season one though because they made sure to end the show in a way that is so satisfying to where I don’t feel like I need anything more. Like I love and miss Richonne dearly so I'll be glad to have them back on my screen, but I also am so fulfilled by what we got with TOWL. So even all these things on this s2 wishlist would be nice to see but they are in the ‘want’ category rather than feeling like these things are needed for Rick and Michonne’s arc to feel complete.
Thanks to TOWL, Richonne's story already feels whole and complete. But if the gift that keeps on giving wants to give us even more, I’ll welcome it, and I definitely trust the captains can deliver something special if they choose to return to TOWL. 👌🏽😊 Thanks again for asking and reading my extra self's response!
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hi!! I’ve read and loved your color theory and costume metas for a while now. I know the 8x06 stills literally JUST came out like 5 mins ago, but do you have any initial thoughts on them? I thought maybe the black jacket Tommy was wearing while he’s frowning might’ve meant something, but I’m literally clueless about the topic. (What I’m trying to say is, what do you think of them?)
Hope you have a good day! Can’t wait for 8x06
Hey!
How lovely to hear that you enjoy my metas! 🥰
I have so many thoughts on the costumes I’ve seen in these stills!
Firstly - lots of yellow and blue theory going on in t his episode - its literally everywhere we look - the calls are all yellow blue coded from what we can see from the stills - the woman at the first call (which hI’m assuming is the divorcee one) is in yellow and blue, the man is wearing blue trousers and blue plaid patterning on his jacket and she stands in front of a very yellow/blue coded painting. Eddie is sat in front of blue parasols when he talks to Hot priest. The kid who goes into the well to rescue his brother is also wearing yellow and blue and the house they’re in front of has yellow walls, not to mention the tripod the 118 are using is yellow. I’m screaming a little bit about the fact that we have Buck and Eddie both inside the tripod as well - that is not something we see - ever - they’d always one of them on The outside of the tripod or they are both outside of it - and considering we last saw one in 704 - when they were both outside of the tripod and divided by a pole - it feels pretty significant to me!
Bucks brown jacket is making my eyeballs pop out of my head - the two directions of the stripes suggests confusion and the little triangles details where buttons would be feels significant as well, plus its a very orangey brown - which plays very nicely into my theory about the season being orange and brown colour coded - and we’ve seen Buck in far more orange and especially brown this season than we’ve ever seen him before - which I am very intrigued by and also excited for.
We also keep getting him in white shirts this season - it feels like something pretty significant is brewing for him - we’ve not really had the payoff for all the white shirts we’ve seen up to now and they have always meant Buck in danger before this season. I still think this holds true. I just think that we’re going for a build up to something significant for him - what that is I am not yet sure - It’s something I keep meaning to look at a bit more, I just haven’t had the time to yet!
Then we have Buck in green and Tommy in black.
The Buck in green thing is very interesting to me - the tee is slightly on the too large size - which is in keeping with how they have been dressing Buck this season - we’ve had the slow progression over season 7 of his clothes fitting him correctly for the first time since season 3 as he figures out he’s bi, and then as his relationship with tommy had its false start the clothes were ill fitting and then they fit pretty well - up until 801, since then, we’ve seen them generally be on the slightly too large side of things - suggesting that while he’s more comfortable in his own skin, things are still not quite a perfect fit - it’s interesting to me that generally speaking - if Eddie is in the scene then the clothes fit a bit better than if he isn’t! This green shirt is no exception - it’s slightly too big and it’s dark green.
The dark green matches the break up hoodies and jumpers of Ali and Taylor - its not quite the same colour - this one is more of a dark olive green where the other 3 are much more of a bottle green as you can see above - but I actually think this is a good and interesting thing. The most interesting thing is the progression of what Buck is wearing though. We have a zip front hoodie with a blue hood lining when Ali breaks up with him - and it’s worn over a black tee. Then we have a hoodie when buck confesses to kissing Lucy - the fact we go from two layers of clothing (visible) to one is in and of itself interesting the fact that we’re still in a hoodie though is an indication of the fact that Buck is still in a similar place to when Ali broke up with him - expecting Taylor to do the same with the hoodies symbolising self soothing - they are generally representative of giving ones self a hug! Then we move onto the knit sweater in the same green for the actual break up with Taylor - we’ve moved down from thick self soothing hoodies to a much thinner sweater and now we’ve made it to a t-shirt. It’s suggestive of Buck taking an increasing amount of control and confidence of his life and his relationships - and if they’re serving him - that he’s prepared to end things on his terms if he doesn’t think the relationships is worth pursuing because he is sacrificing too much of himself to stay in it.
I don’t think this is going to be the break up scene to be honest - I just think its going to be the scene that makes it clear that the relationship is on a time limit - that this scene will kick start things towards a break up! Part of my reason for that is because Tommy is in black and not in blue!
I do want to point out that behind Tommys head we have a new coat rack - replacing the bike Buck has had hung there before. The departure of the bike without brakes interests me - it again plays into the idea that Buck is more in control of his life - that it isn’t out of control and that he can put the brakes on things if he wants to. But I digress - what I actually want to point out is the fact that on the one side of Tommys head is a pair of jackets hanging up - one green and one blue, and on the other side of his head is a yellow ochre jacket. Now green/blue is the colours of break ups, but its also a colour way we see on Buck and Eddie a fair amount when they’re together - the previous episode is a perfect example of this. Yellow is also the colour of communication, but it is also Eddies colour - the one we’ve only seen him wear once - in the lasagne scene of 601 - those jackets are important. They are creating the idea that the Eddie of it all is always lurking and present in the background!
Tommy being in Black is a play on his general colour theming - he generally wears dark colours and black especially. Not all the time, but generally speaking. I’ll do an updated costume list for him if I have the time in the next few days as I’ve been keeping track of his costumes and it’s pretty telling about when he wears what colours. The shirt is very very similar to Eddies black shirts - the western style pockets and poppers - it’s just more washed out and faded than Eddies have been. This is a deliberate choice - to contrast him with Eddie and also with himself - the washed out nature of the shirt is likely intentional - the black shirt he wore in 805 was not washed out, so this suggests he is both a washed out faded version of Eddie, but also that he is fading out of Bucks life - its all subtle, but in combination, all these small things add up to help with the storytelling and are showing us that Tommy is not likely going to be around for too much longer!
The thing that I’m most fascinated about with the black shirt though, is the fact he is located in the same place we saw a Eddie sitting in 705 - when he talks about having to break up with Marisol, and also where Buck comes out to him. I’m really interested to see if we get a contrast between that scene with Eddie and this one with Tommy. A scene talking about a possible break up - and about just being friends and hanging with the boys and then showing Eddie being a super supportive friend seems like the perfect scene to use to continue to show the contrast between Eddie and Tommy. It perfectly builds on what We’ve already been seeing all season - this ever increasing space between Buck and Tommy and the very loud and clear way they’re are showing how much Buck and Eddie know and trust and accept one another in comparison with the way Buck and Tommy clearly don’t. It’s one of the things I enjoyed most about 805 - the way they showed Tommy only really going near Buck when othered we’re present - then the distance started to grow as soon as he took up residence on the couch overnight - here we have a scene where it appears we’re going to get the vast space of the kitchen counter between them - it parallels the first kiss scene from 704 as well - in the opposite direction - especially interesting as it places Tommy near the door - a place we’ve yet to see him near again since that first kiss in 704 - feels very much like we’re supposed to view it as him heading out of the door and out of Bucks life (remember they did a similar thing with Taylor in the build up to the break up and immediately after it!).
The other thing to point out is the brightness of the lighting - I know these are stills and so generally taken with a different camera and from a different angle, but the fact remains that the set is very brightly lit and it won’t darken that much with whatever filter they have on the camera, so the brightness of the loft when Tommy is there compared with when Eddie is there is pretty telling - the starkness versus the intimate low lighting - the coolness of Tommy versus the warmth of Eddie.
Hope this is interesting for you and that you enjoy it. I can’t wait to see how the scenes play out - How close to the money I am on things and getting to see what direction they’re taking things! Thanks for the ask!
#Kym answers things#joshwritesfics asks#costume asks#911 spoilers#eddie diaz#evan buckley#911 abc#buddie#anti buck tommy#anti tommy kinard#911 costumes#911 costume meta#costume meta#stills meta
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My Favorite Portia Featherington Moments
Throughout all three seasons of Bridgerton, Portia Featherington has been a complicated character. On the surface, she's completely unlikeable. She treats Penelope poorly. Her fashion sense is excessively gaudy. And she seems either unaware or willfully ignorant of the social faux pas she makes from day to day.
But she is also a survivor who was dealt a shit hand in life with her useless husband. And she did what she had to do to ensure the safety and well-being of her daughters in desperate times. So here are a few of my favorite Portia moments.
10- Showing Marina What Her Future Holds
When Portia finds out that Marina is pregnant, her first instinct is to protect her girls and her family's reputation. She wants to send Marina away and back to the country but she can't because of her useless husband's dealings. George hasn't answered Marina's letter telling him about her condition. Without knowing that George's fate has already been sealed, Marina's insistence that George will come for her seems naive--especially to Portia.
When Marina refuses to even entertain the idea of being married off quickly to an older man in need of an heir who won't ask too many questions, Portia, like the Ghost of Christmas Future, shows Marina what her life will be if she continues to hold out for George.
It's a much-needed wake-up call but it does not work on Marina. The forged letter may have seemed cruel at the time, but if I were in Portia's shoes, I would have assumed the worst of George, too.
9- Confronting Her Husband
When Lord Featherington puts a premature end to the courtship between Albion Finch and his middle daughter Philippa, Portia is outraged. A man has taken an interest in one of their daughters, seems besotted with her, and wants to marry her. What possible objections could there be?
When she tries to press him for answers in public, Lord Featherington uses his position as a man and a husband to silence her. But when Portia uncovers that he has gambled away all of their money--including their daughters' dowries--her husband is revealed for the sniveling coward that he is. Outside of the eyes of society, he is a weak man who can't curtail his vices even for the well-being and future of his family.
They may not like each other, but even Portia wasn't expecting this level of betrayal from her husband.
Cry those crocodile tears, Archibald! I don't feel sorry for you whatsoever. I'm Team Portia on this one.
8- "You find things to love, my dear."
Even a blind man could tell that Portia and Archibald were not a love match. She married him for security and he failed to even provide that. But she managed to find silver linings in the many clouds of her marriage.
Her talk with Marina in the final episode of season 1 gives the audience more insight into the kind of woman Portia is and how strong she had to be to endure her marriage with her late husband for so long. It's the kindest and most motherly we've seen her be all season. And her talk gives Marina the final push she needs to do what needs to be done to protect her babies.
Portia, as we'll see, is better off without her deadbeat husband. She has more strength than she gave herself credit for in this scene. And she has the three best things her husband gave her by her side.
7- "I am a MOTHER."
After the death of Archibald, the Featherington women are in financial stasis until the new Lord Featherington finally shows up. When Cousin Jack finally arrives some things are starting to look up. But he is making some questionable decisions right off the bat.
Portia is, once again, at the mercy of a Featherington man who makes piss-poor financial decisions when Cousin Jack comes into the picture.
She navigates the situation as best as she can, even getting into his fraudulent gemstone scheme when she's backed into a corner with no way out. Desperate times, desperate measures.
After Colin uncovers the scheme and Cousin Jack proposes not only running away from the country, but even leaving Prudence and Penelope behind and sending for them later, Portia has had enough. If you think this woman would ever seriously consider abandoning her daughters to save her own skin, then you don't know her at all.
Portia doesn't always make the right decisions. Portia doesn't always say the right things. Portia is far from a perfect mother. But she'll ALWAYS choose her daughters over mediocre men who only care for themselves, and for that, I'll love her forever for showing Cousin Jack the door.
6- Sex-Ed With Philippa and Prudence
The moment Philippa said that she and Albion were "very passionate" I KNEW that we were in for some comedic gold.
And I was RIGHT.
At first, Portia thinks her biggest problem with the Featherington Heir Race is Prudence. But at least she can relate to Prudence's problem of not enjoying the marital act. Poor Portia's not even aware that it can be enjoyable for both parties.
But to her horror, BOTH of her married daughters are the problem. Prudence isn't having sex because she doesn't like it and Philippa isn't having sex because she has no idea what it is.
You can see the wheels turning in both Prudence's and Portia's heads when Philippa asks that infamous question.
If Lady Featherington went home that night and screamed into her pillows, I wouldn't blame her.
5- Chaperoning Polin
Portia's finally realized that she's been a little lax with chaperoning Penelope over the years. No matter, she'll make up for it now and chaperone her daughter when her fiancee comes for a visit!
Colin and Penelope are just not used to having a chaperone and they have no idea how to conduct themselves with one in the room. Colin looks downright annoyed every time he sees Portia out of the corner of his eye. Penelope's staring at his lips the whole time and probably wants Colin to compromise her again right there on the window seat.
But the real comedy of this scene is knowing that Penelope is already pregnant. So the chaperoning was too little, too late.
4- Finally Bonding With Violet
For most of the series, Portia and Violet have gotten along like oil and water. They're not great friends like Penelope, Colin, and Eloise. They don't hang out at social events. Portia is envious of the Bridgertons and their social clout. Violet barely tolerates Portia on a good day. And as much as Violet loves Penelope, you can tell in 3x05 and 3x06 that she's not looking forward to having Portia as an in-law.
But when Colin and Penelope are on the outs just before their wedding, the two mothers have finally found some common ground.
3- Handling Lady Whistledown
I was not expecting Cressida to actually tell Portia that Penelope was Lady Whistledown. I thought she'd make a vague comment that Penelope would have to play off as nothing and then she would work with Colin and Eloise to overcome the Cressida threat.
But no, Cressida really tells Portia.
The threat of Cressida's blackmail hanging over her daughter's head and what this could mean for the Polin marriage is enough for Portia's protective mother instincts to kick in and she teams up with Colin and Eloise to find a solution and protect Penelope.
And she gets extra brownie points from me because one of her first reactions to learning about Whistledown is to point out that Penelope was the one to write horrible things about herself. ("The things you wrote! About your family! About yourself!")
Yes, Portia's angry about Penelope's secret and what she's done as Whistledown, but she puts that anger on the back burner for a short time while she tries to navigate her family through their latest crisis. To paraphrase what she said to Cousin Jack at the end of last season: she and Penelope are on the same team.
2- Portia and Penelope Finally Talk
Portia might have put her anger to the side when she found out about Whistledown, but it returns when Penelope finds out that Portia kept the money Cousin Jack had embezzled from the ton.
Portia and Penelope finally have it out and mother and daughter realize that they are more alike than they had previously realized or were even willing to admit.
1- Portia as a Grandmother
Portia started out the season anxious that none of her daughters would have a son and secure their family's future. By the end of the season, she's a grandmother to two granddaughters and one grandson--the new Lord Featherington. Her family's future is finally secure at last.
Now that she has her grandchildren, Portia will finally be able to relax a little. It must have been hard being in survival mode for so long. Now she can enjoy her life and watch all three of her daughters have marriages filled with love and happiness.
#bridgerton#bridgerton s1#bridgerton s2#bridgerton s3#this is a portia featherington appreciation post#portia featherington#my favorite portia moments#the featheringtons#penelope featherington#colin bridgerton#polin#polin baby#philippa featherington#prudence featherington#violet bridgerton#marina thompson
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It’s the end of an era: Sophie Skelton has starred as Brianna in Starz’s Scottish historical fantasy drama, Outlander, for 10 years. How does she feel about it all coming to an end? Mixed emotions, from the five stages of grief to feeling positive about ending on a high. For us viewers at home, however, there’s still plenty of time to say goodbye: the season 7B finale will air on 17 January 2025, while season 8 is slated to air in the second half of 2025. We sat down with Sophie to hear all about it – plus what the actress will star in next.
Interview: Sophie Skelton
Hi Sophie, how’s life going at the moment?
Good, thank you. I’m still processing 10 years of the end of an era! Caitríona [Balfe] and I have been talking about it for a while, because you go through the five stages of grief a little bit when you finish something like this. It’s such a rare occurrence for TV to go that long, and there’s no manual of how to deal with the end, so I think it was quite a roller coaster of, well, the grief process. But we’re both feeling quite at peace now. I for one feel like I’m in a good place – just winding down for Christmas so I can hit the ground running in 2025!
It’s the end of an era! How did it feel when you kind of got the news that Outlander season eight would be the end?
I think originally season 7 was going to be the end, and I’m just speculating here, but maybe part of the reason they split it into two is because they knew that season 8 was going to come. Maybe they were trying to bridge a gap with the strikes… I don’t know! But I feel like Brianna is in a really good place. I feel like I’ve done everything I can do with that character. She has been through more than most people would go through in multiple lifetimes.
I think it’s always good to tap out while you’re ahead and not to milk something, so hopefully we’re ending on a high. Season 7B is great, but season 8 is honestly the best season – so I think it’s good to leave it there.
Are you all wrapped on season 8, too, then?
Officially, yeah. We were holding on by an emotional thread for a while, because we were sort of finishing, and then there was a second unit going, and then we had press, and then we had reshoots. But we are officially done. I think we’ve all had three wrap days, but the last one was really sweet. Caitríona wrapped and then she came in for my final scene, and then she hugged me, and that made me break down crying. Then she and I went to the next stage over for Sam [Heughan]’s final scene, which was the last one. Then we had a little hug, the three of us, so it was a really nice way to close it off. It felt very peaceful in the end.
How would you describe Outlander season 7b?
For Brianna, honestly, quite lonely. It was an interesting season for me. We shot it about two years ago, so thinking back, I spent a large amount of the time with the kids. As they say, acting with animals and children are the two most challenging bits, and on Outlander we have a plethora of that going on! In terms of storyline, it’s one of the sides of Brianna that I really admire. She’s really come into herself as a mother, and seeing her click into action mode and the lengths she’ll go to to save her children is really admirable. Sometimes when she has to defend herself, she’s not as brazen, but as soon as it’s for someone else, especially her children, we see a side of Brianna that we haven’t seen before.
Rosa Morris (“Mandy”) and Sophie Skelton (“Brianna Fraser MacKenzie”) in Outlander season 7. (Starz)
You’ve played Brianna for a decade now. Is there anything special you do to get into character?
One thing we’re lucky with on Outlander is that the sets are so magnificent and vast. Whether we’re on location or they’ve built a fake village, as soon as you’re on set, you feel halfway into it. It’s the same with me having an American accent and the wig and the clothing – you’re halfway in already, so that does a bit of your prep for you. I know Brianna inside out now, so honestly, it’s quite easy to just stream into set. But to stop myself from coasting, I do research. And there were a lot of things I felt I could channel from my own life into Bri this season, so that helped.
Is there anything in season 7B you’re really excited for people to see?
I really enjoyed the scenes with Chris [Fulton], who plays Rob Cameron. That was a really fun dynamic. And as I say, because I spent a large amount of the second part with the kids, it was nice to have some adult energy. I really like his way of working. He’s quite similar to me in that you just don’t know what you’re going to get, and every take could be completely different. We really bounced off each other, and it kind of felt like being in a play, especially because some of our scenes were quite physical. There are a few more modern day action sequences from Brianna, too, which was a different form of stunts than we’ve done before. So I’m sure people will enjoy a little injection of 80s fight scenes.
Is there anything you can tease about Outlander season 8?
As ever with Outlander, there will be some reunions. There are probably going to be some deaths. The heartstrings are going to be a little bit torn… One of the most exciting things about it is that you’ve got so many old and new faces back. It just feels like a really big ensemble, and I think that that’s such a magnificent way to go out. It’s like a big bang.
Any standout moments from rehearsals or filming?
It’s quite rare that a lot of us get to do scenes together, so the dinner scenes where we have a large amount of the principal cast together are really fun. It always feels quite sentimental because they’re rare, and we never know if that’s going to be the last one. That wasn’t necessarily different, but season 8 had the extra layer of upcoming loss. But they’re always just lovely because Outlander is heavy, you know! We work in really tough weather conditions. We do long hours, we do long weeks, and we’re pretty much just in the dark, wind and rain of Scotland all the time. So when we get these indoor scenes where it’s really intimate, there’s candles, it’s all of us together, they’re really fond moments. It feels like you can really just relax and enjoy the day a little bit more, as opposed to battling all the elements constantly.
Are there any locations from filming that have stood out as a favorite, or anything that you would go back to in your own time?
The Clava Cairns are so beautiful. When you go there, honestly, it sounds quite corny, but you can feel the weight of the land. The air is dense. Not in a heavy way, but you can almost feel the energy of the history there. And the land is just so quiet. There’s always a beautiful moon or a beautiful sunrise. We actually had one scene there where the moon looked too fake. The real moon looked too fake! They had to blot it out and put a fake moon in, because they were like, ‘no one will believe this is real’. It’s always windy and icy cold and it’s brutal, but it’s absolutely stunning. Especially when we do night shoots there, the calm and the quiet and the stars… It’s just surreal.
Outlander is coming to an end, but the universe is going to continue in a different series. Are you excited to watch it? How did you feel about that when you heard the news?
It’s a funny thing with the prequel coming out, because we were on our final season when they filmed, so it was very different energies, having the two side by side. They’re all coming in fresh, whereas we’ve done 10 years of this. We want to make sure that we see it through and do it justice. We really wanted to make sure that our attention wasn’t split, so I don’t know too much about the prequel.
I know that there are rumors of some other spin off series, too, and I know Diana might have written some other spin off books. It’s one of the biggest shows in the world, so I’m sure that those series will do super well. It’ll be exciting to see if there are any mini Briannas that spin off. It would be very interesting to see who takes her over at some point.
Sophie Skelton (“Brianna Fraser MacKenzie”) in Outlander season 7. (Starz)
Looking at future projects, are there any genres you’re craving?
It’s not necessarily about genre for me; I think it’s more that I’m looking for completely different characters. A different accent, a completely different time period for a while, let’s get rid of the corset for a bit! But honestly, loads of different things. I started in musical theater on stage, so to do something in that realm would be amazing. I also love really gritty dramas – psychological stuff. Something like Black Swan would be the perfect merge of everything.
Have any of your other projects stood out to you as a career highlight?
I just finished quite a tricky shoot during the strike, a small independent movie called Row. It’s about the first team crossing the Atlantic Ocean, and semi based on a true story before it goes a lot more thriller-y. I’m playing this blonde hippie-ish girl from Surrey and filming was going to be in Malta, so I was like, ‘Yeah, cool, this is different to Outlander. Different accent, I’m on a boat in the middle of nowhere, but it’s Malta, great!’ There’s one scene where she’s in a bikini on the boat. Sounds fantastic! Then a couple of weeks before shooting, they said, ‘because of the strikes and everything else, we’re actually going to film it in John o’ Groats’ – which is pretty much the most northerly part of the UK. We had super bad weather – 100 mile per hour winds – so we had to stop shooting a lot and we got behind. We were just on a rowing boat in the middle of a water tank right next to the ocean on a cliff. It was intense. But honestly, I think the film is going to be beautiful. It looks really gritty. It’s so fun to play something different. I’m excited to see it.
Who has been your favourite actor to work with in the past?
I worked with Nick Cage ages ago, which was great. He was so lovely to me; that was a good shoot. On Outlander, working with Tobias Menzies was amazing. It was great to work with quite a lot of seasoned actors like Maria Doyle Kennedy, too.
Which co-star did you learn the most from?
Caitríona is amazing. She knows how to fight for her cast and crew, she will make sure that everyone’s looked after. There’s often a lot of hierarchy in TV and film. She’s number one, and she could easily stomp that around, but she doesn’t. She puts everybody on a level playing field and treats everyone the same. I really respect that.
Do you have a dream role?
I love biopics. I love going down a rabbit hole of research and having to perfect little tics that the real person has. I was thinking about La Vie en Rose the other day, the Edith Black one with Marion Cotillard. Something along that route would be really cool. And hey, if there’s ever an Audrey Hepburn biopic, I would love to do that.
Who is a writer or director you’d love to work with?
Jesse Armstong and the Duffer Brothers. I think their writing is just so smart. It flows beautifully, and it’s just so gritty.
How do you find balance in your personal and work lives?
Not sure if I’ve mastered that yet! I’ve always been a very hard worker. Even as a kid, I’d be in ballet every day, and 1000 hobbies. I’ve always managed to fit more in a day than most people. I’m not very good if I’m not busy, so I am trying to manage the shut off between the two now by writing music, doing art and playing piano.
How can we all live a little bit better?
Do small acts of self care for yourself all the time. Someone said it to me recently, and I hadn’t really realised it was a thing. They were like, ‘you’re very good at doing little things that set you up for success for your future self’. It sounds so silly, but it’s the smallest things, like putting stuff away the night before so you don’t wake up to a dirty kitchen in the morning, or just biting the bullet sometimes because you know that it’s going to matter more to your future self than it might do now. Small acts of kindness to yourself. Career wise, it’s so easy now to look on Instagram, for example, compare yourself and just feel shit, frankly. I just have this daily reminder: put on your blinkers and win your own race.
Sophie Skelton Recommends…
I’m currently watching… Shrinking
What I’m reading… The Best Minds by Jonathan Rosen
The last thing I watched (and loved) was… Poor Things
What I’m most looking forward to seeing… Gladiator II and Conclave
Favourite film of all time… Good Will Hunting and Uptown Girls
Band/singer I always have on repeat… Taylor Swift
My ultimate cultural recommendation… Talking to different cultures about how they celebrate the festive season.
Cultural guilty pleasure… Going to the pub for a roast every Sunday – the bottle of red with it is the guilty part!
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thoughts on the presence of marius’ painting in dubai in the show? ive been thinking about this since episode 7 aired because louis threw a bowl of blood at a painting in one scene which wasn’t marius’, yet made me think it should have been. but its interesting that its there at all? of course they’re art collectors and dealers in 2022 but god. i feel like the painting might end up being a chekov’s gun. it cant be there for nothing, right?
(also the scene of “rashid” armand in s1 telling daniel about it keeps coming back. how did he FEEL about that especially if daniel is indeed someone he loves and has loved for years)
AHHH OMG!!! LOVE THIS QUESTION!! I’ve been thinking about this constantly since s1, which believe it or not spurned some theories about Armand’s relationship with Louis that ended up being surprisingly accurate 😭. I can’t tell u how many times I rewatched the Rashid-mand tells Daniel about marius’s painting scene before s2 aired (definitely more than any other scene in the first season 💀💀). Ughhh!! omg!! U r so right 😭😭 the painting Louis threw the blood at should have been Marius’s. The thematic implications!!! The impact!! The way Armand would feel!! It’s making me crazy thinking about it
I speculate that Armand is trying to seek out and reclaim as many of Marius’s painting as possible. I imagine that Armand acquired the painting in the dining room by searching intently for any paintings of Marius’s that survived the fire. Part of him likely feels entitled to them. Legally he’s just Marius’s slave, but the way he sees it it’s so much deeper than that. Marius is his father, his husband. He should be given his possessions, his works of art, after he’s died. And I think the fact that Armand, by both historical records, and by anyone he knows, will always be viewed as Marius’s slave, his victim, before he is Marius’s closest loved one, feels disempowering and invalidating. Technically, if they weren’t vampires and legal consideration was given to who Marius’s possessions should be given to after his death, as a slave Armand likely wouldn’t be considered. But, Armand believes that because of the role Marius had in his life, he is rightfully owed that inheritance. And the symbolic value of that fact is important to him.
I think sometimes the show fandom doesn’t realize how attached to Marius Armand actually is 😭. If they’re going by the books, Armand is longing for Marius and for Venice. Marius is the love of his life the same way Lestat is the love of Louis’s life (maybe even more so considering he’s not just his lover but his father 😭 Marius played every major role in Armand’s life, he was his father, his lover, his maker and his god). Armand is stuck on him, he is always longing for him, never able to move on. So I think for Armand owning paintings of Marius’s is partly an assertion and a reclamation of the way he perceives his relationship with him. By owning them and displaying them on his wall, not only is he allowing himself to live with a comforting reminder of Venice (which I’ll get to), but hes also asserting that Marius loved him, and he was important to Marius, and he deserves to and is entitled to owning his paintings after Marius has died because he is the person who these things should go to, he is displaying that he is the most important person to Marius, that he is the person who would be in his will.
on the Venice note, Armand is also indulging in a small little fantasy by putting Marius’s paintings on his wall. He lived with those paintings, his father likely painted them while he was in the room. He saw them in the halls in the palazzo, maybe even in his lavish old dining room. In the books Venice was and continues to be Armand’s perceived “best part of his life”. Venice was his childhood, the only time in his life he remembers being taken care of, well fed, spoiled, loved. And from our perspective it was horrible, he was being sexually abused and beaten regularly, literally pimped out and enslaved. But think about how Armand told his story to Louis, he was smiling wistfully, longing despite it all. And I think even in Dubai Armand misses Venice, feels comforted by the memory of it. So it makes sense that he would hang Marius’s painting on the wall, as a small comfort, so that maybe sometimes he can stare at it and picture he is back there, in his master’s studio, basking in the sunlight, loved.
The scene where Armand as Rashid shows the painting to Daniel is so so loaded. Daniel initiates the conversation, but Armand definitely indulges in it more than he needs to. That scene is the first time we rlly see Armand using his Rashid persona to tap into his past. He says, “I serve a God, it’s my honor to serve” which is fucking weird 😭 and no one but Armand would say that (real rashid wouldn’t💀 he definitely sees the vampires in a way that is more grounded and empathy based then god like). He’s clearly tapping into how he felt as Amadeo, a servant to Marius, rather than playing his part. It seems like Daniels interest in the painting and him talking about + bringing attention to it brought Armand back to that Venice mindset in a way. Even with this, he’s definitely pushing Daniel away, trying to change the topic as quickly as possible while remaining in character. Which makes me think that Armand wasn’t happy at the prospect of being so vulnerable with Daniel so soon. The impression I get (especially from season one) is that despite his past and current love for him, Armand sees a different person in old Daniel, and is very hesitant to open himself up to him. Considering how different (and mean) he is, and how painful and loaded their past was, it’s a very hard thing for Armand to approach, and it doesn’t seem currently on his agenda.
What I rlly am curious about is how Louis feels about Armand keeping Marius’s paintings in their home, displaying them on their wall. I imagine it would be uncomfortable for him, if not upsetting, in a similar way to how Armand feels about the presence of ghost Lestat, if not more complicated with the layer of how extremely abusive Marius was. But how can Louis judge? Who is he to give push back on smth like this when he is still actively hallucinating his dead, abusive ex husband 😭🙏there’s a lot going on there.
I rlly hope this painting thing gets explored in depth bcus omg I can not stop thinking about it either. Thank u SO MUCH for the ask I love this topic so much omg!!! Hope my response scratches the painting itch in ur brain<3
#armand#the vampire chronicles#the vampire armand#amc iwtv#interview with the vampire#iwtv#Iwtv amc#iwtv meta#amc interview with the vampire#vampire chronicles#Armand iwtv#vampire armand#Daniel molloy#loumand#iwtv season 2#iwtv s2
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Hi, I put this anonymous so it would let me ask from my 911 account instead of my main account. I wanted to ask a question about your yellow and blue color code post.
"They're also in the wrong colors during the will reveal, which is interesting if they follow through it this particular symbolism the way I'm expecting them to."
Do you think the colors are wrong or connected in any way with the original intention of bringing both Eddie and Buck out of the closet post 4.13 and 4.14? Further, do you think that they also originally intended Eddie to come out first in season 7 may have played a role in the wrong colors?
Asking from @justchillandshipit
link to the meta in question
Hi, darling! Yes for the first one, not exactly for the second one. They have been playing with Buck and Eddie and blue and yellow in the background since under pressure, so the will reveal is deliberately blue and yellow and I believe it is because of the romantic connotations surrounding the aborted love confession that conversation is.
I was actually thinking about making a post about this, so thank you, because during the will reveal Buck is in a yellow that's close to the shade I expect Eddie to reach. They are basically the same color.
That's not true for the blue, but I believe that the choice to make Buck's blue closer to the color of Oliver's eyes to make that particular shot as harmonic as it is affected the shade and made it a bit more teal than expected, because it is close to the blue Buck is wearing during 706, that is the second part of Buck's coming out.
So I believe they are intentionally switched during the will reveal, because while that is a major movement, it's not the climax of the situation, is the setup. They aren't really saying what they need to get together. So I think the plan has always been Buck as blue and Eddie as yellow.
I also think that because Buck in general is a lot more blue than Eddie, so the color feels a lot more natural on Buck than it does on Eddie. There's also the way that they use that burnt yellow color with Buck. Especially the therapy connotations, I feel like it was supposed to be used as a discovery color, but not as the destination color, so Buck would reach the blue anyway, just through a different route.
And if we consider the locker room scene as something that stayed the way they intended when the plan was for Eddie to come out first, they could've made Buck yellow anyway, because the way they used the sun on Eddie could've easily been done with Buck, and he's already yellow in this context, they could've just kept building on it. They decided against it, and I think it's because that was never something they wanted to go that way.
But actually my major proof here, is actually the couch theory dinner in 601. Because assuming a bunch of things, including that they knew s6 was gonna be their last season with fox, and that they were gonna try and force fox to let them get them together before the show ended and they changed plans once abc bought the show and gave them the space to do it with the full glory, I feel like Buck's blueish grey and Eddie's yellowish cream are on purpose and the base of the beginning of the color theory with them, especially because all signs of the couch pointed to Eddie.
I feel like if they were allowed to do what they wanted with s6 with the threat of cancelation but without someone on fox telling them they couldn't, buddie would move to the brighter color together, since there would be no time for them to do two separate queer arcs. In this world, the lighting actually triggers something, and they get together during the s6 finale, which would be the series finale, bringing the conclusion to this conversation during the closing arc.
But the switch to abc allowed them to expand on that more, and now we are here. I think the colors are supposed to be switched while they are on the wrong path, and that was always the plan.
taglist (interact with this post if you wanna be tagged, or send me a message, just let me know):
@sparkedblaze @hermioneindisguise @eddiedisasterdiaz @mosaicstardust @stagefoureddiediaz @kejfeblintz @glasscities @angelcamael @sparkedblaze @caw-salem @dreamofsomepiphany @100ceruleaneyes @linus-lucy @chaosqueery @gina-spike @chimchiminie98 @elvensorceress @dangerpronebuddie @ijustdontlikepeople @182daysof @steadfastsaturnsrings @sparklespiff @inell @joshwritesfics @lunarsolar1 @dingdongfries @wolfdeans @jesuisici33 @miles--to--go @hopefuldreamers-world
#911#911 spoilers#911 speculation#911 meta#this got long oaksaoksa#i really need a tag for asks#buddie#anon 😌#i hope it makes sense#blue and yellow#color theory
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Some controversial thoughts about the Peachyville Horror
I've been seeing how everyone is reacting to Francis's moment in the bathroom in this latest episode (episode 7) and I thought I might as well add one more.
Francis is someone who is mentally unstable, yes. I think this is something we can all agree with. He's surrounded by people who seem to either enable his actions in one way or another or they're on a list of people he keeps which we can only assume is something like a hit list. He's been looked down on by his parents, bullied by his peers, and generally just beat down by everyone around him including himself at this point. Then he won that trophy. That's where everything shifts. He's the one to take it home and it's obvious that by how Will was describing that trophy, something about it had negative energy.
⚠️Now I get into some gory details in this next part so fair warning ⚠️
Now, Francis had his dream and suddenly became violent to an extent that he would joke about it and people would feel threatened. Relistening to episode 5, he threatened a man after scooping his eyes out with an ice cream scoop by kicking him in the balls and then grabbing his eyeballs and threatening to squeeze them. Now, I get it this is a horror comedy podcast but if we are gonna analyze a character I'm taking everything into account and really this is the first and really an extremely violent thing for a person to do, especially when this is the first actions he's been known to take.
Getting the gun and instantly he seemed to know exactly what he "needed" to do. On a dime, the Francis we knew just a few episodes ago was already so different.
Now that brings us to the bathroom scene. People have been saying it was a mental "snap" or "break" which doesn't line up, like how most others have pointed out that this was something that was premeditated. He planned out this whole thing and followed through with it. And to those who think he did this so Shane wouldn't bother him anymore, he didn't see Francis at all through the whole attack, which yes, Francis could go back and claim he did it but I still this it's important to note we don't know if Shane will believe him.
That being said, with every increasingly violent act that Francis had done up to that point it made sense within the confines of his world. It was in his character that things have played out this way so far. And really I think it's going to make for a really interesting character arc. He isn't going to to be a character that we have seen before, which when we just had a season of teens that were just coming into themselves Anthony is getting his chance to get his character in, and it is a horror series. This doesn't make any of the actions acceptable by any means and this should not encourage people to romanticize any of the actions he does. There is a way to like a character and not romanticize their actions, some of these posts remind me of posts of people romanticizing real murderers and shooters, which is rather disturbing.
TLDR
Francis suddenly got violent after bringing the trophy home, having a dream after being under his teacher's bed for 4 hours, and now he's suddenly he's on a bloody rampage and those around him are either enablers or in his line of fire and that's an interesting new character to think about. But don't romanticize that shit.
Extra
• Another idea I saw floating around was that Francis got switched with his reflection in the trophy, which I love the idea of this one. It can keep the idea of mental health slightly but it brings the story back into it. But, I understand that even without evil trophies, people like Francis exist in our world.
• Also having him practice with his bully's face as the target was really the warning. I personally didn't know the scene was going to be that graphic but now looking back I get the horror side of the podcast now. As someone who lives in America it was something that shocked me the first time listening to it, knowing that the usual stuff that the guys bring up I can laugh off. This scene most definitely felt different and I'm sure that it's going to be a huge turning point for a lot of things.
#peachyville spoilers#the peachyville horror#peachyville horror#peachyville#dndads the peachyville horror#dndads#dungeons and daddies#dndaddies#dndads s3#francis farnsworth#I just wanted to talk about him I think tbh#I have thoughts on the other three too but this post was already too long#Francis is gonna be really interesting but I can already tell I'm gonna be so traumatized by him 😭#give the kid a hug#take his gun away too 😭#and maybe some therapy#anyways#thanks for reading#ok have a good day
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ok I am in fact using this as an excuse to make a long post about this thank you thank you asjksdjfaljdf
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Interpreting Yuri as asexual is my very very favorite type of headcanon, which is one that 1. is compellingly coded in the source material (even if that wasn't the creator's intent), 2. is thematically relevant to what the piece of media is Trying To Do as a whole, and 3. just means a lot to me, personally, because I said so.
Coded in the source material
Yuri’s short program is “eros”, aka desire (you can interpret what “eros” means in various ways, but YOI itself explicitly refers to sexual love, at least in the English translations). Yuri struggles with this. Hard. He can’t come up with an answer when asked what eros means to him. His big revelatory moment about desire is that it’s how he feels about wanting to eat his favorite food (omg… boy). Even as the season goes on and the way he views the Eros program changes, the program doesn’t ever really embody the idea of eros as sexuality or romance (which was how the other characters expect him to interpret it) but rather as a desire to keep Victor in his life.
Like look. I’m obviously not going to say that the creator intended any kind of ace subtext to be there. I kind of doubt it was her intent. But goddamn is the subtext there.
2. Thematic relevance
The central theme throughout YOI is “love”, and especially loving people in a way that inspires you both to be your best selves: Yuri learning that the people in his life truly love and support him; Victor finding someone who makes him feel joy about skating again.
Like, Yuri’s whole skating theme for the Grand Prix is literally about him exploring what love looks like to him, even when it takes a form that other people don’t totally understand. Viewing all this through a lens of him being ace is really compelling. It adds depth to the idea of learning how to express the way you feel love even when it looks different than what other people expect. I think it’s a really delicious layer that adds even more nuance to what the show is getting at.
Besides, it’s an interesting way of viewing the criticism of the show that occurred for it not being 100% explicit about them being a couple (aka people getting mad because the kiss in ep 7 is blocked by Victor’s arm lmaooo). Like, ok, did you see the ending scene of ep 9? Did you see ep 10??? They definitely, definitely love each other, in whatever way that means for them. Their relationship takes a form that’s pretty different than the other way people in the show are going about romantic relationships, but that doesn’t mean it isn’t real for them. That is very much in line with the main themes of the show.
3. Means a lot to me
In the final scene of the penultimate episode, Yuri tells Victor that they should end their coaching relationship after the Grand Prix ends. This is because he thinks he’s holding Victor back, that Victor would be happier being free to go back to skating on his own instead of being Yuri’s coach. When I watched this (and, I’ll be honest, this is completely me projecting here) I REALLY interpreted this as an ace thing. I think it’s pretty easy to internalize the idea when you’re asexual that you just won’t be… enough, for other people. In my case I ended up a strong impulse to self-sabotage relationships because I would rather be the one to end things than to let someone else tell me that who I am as a person is fundamentally lacking. Yuri destroying a connection he desperately wants because he thinks there’s something about him that is holding Victor back from a life he’d be truly happy with? Oh yeah. I can fucking relate to that.
Also: YOI came out in 2016, which was the absolute peak of hostility to ace people I was seeing on this site. It was bad here. At the same time Tumblr was going wild over this show. Everyone was watching it. Seeing a whole site of people absolutely adore a character I very deeply in my heart believed to be ace? Extremely vindicating.
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In conclusion Yuri is asexual because it is fun and interesting that way, and also because of this:
#like it adds so much to the show if you view it through this lens! it's really good!#same reason for why I hc zuko as gay like ->#yeah ok you don't *have* to see it this way... but don't you want to live deliciously (in your media analysis)???#yoi#yuri on ice#thank u for giving me the excuse to finally post about this lol this has been building in my head for literally the last 8 years
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