#and have explicitly said as such

[lemmaeof]

getting really fucking tired of people who don't know how generative AI works comparing AI "training" to how people learn as an artist because they're jus not even remotely the same thing on any level

artists take inspiration and learn by seeing something, going "I want to do something like that", and practicing that specific thing until they're satisfied with it, while AI are "trained" by force-feeding them five billion images (including literal child pornography, it turns out) to build a statistical model of what certain things "look like"

there's no intentionality to AI - even if you're feeding stable diffusion source pics to tune it, it was already pre-trained on the laion data set - at most you're amplifying noise

just get the concept of people's problem with AI being copyright out of your head, the problem is that it's an inauditable black box that's designed from the ground up to destroy the concept of intentionality in art in order to generate infinite """content""" sludge for capitalists

[biggest-gaudiest-patronuses]

Glinda really had an entire musical number expounding on the theme of "success in life is not about being highly qualified or even competent, but manipulating people's superficial perception of you." and then she went into POLITICS. truly the #girlboss representation the world has earned

[idolomantises]

i never liked the idea that good trans rep has to be so subtle its easy to miss. nothing wrong with a character saying "im trans" or dealing with their experiences as a trans person.

just let them have a personality too, don't tokenize them. And make them a weird freak. we need more trans characters that are weird freaks.

[enderpawu]

walking through the city and dying inside ! (hes so real for that)

this time wanted to make more of a comic cus i am silly like that :3 also for anyone who doesnt know, this is for my hc au! its called "time magic" and if u like this then consider checking out my page, still a work in progress but arent we all.

[skuntank]

Samantha Béart: yeah so Karlach isn't like. A totally good person. She's certainly not evil, but she's definitely flawed. There is a dark side to her that she doesn't want you to know about, and not only has she done heinous things in the past, she's still fully capable of doing heinous things now. Her happy-go-lucky attitude is 1000% a trauma response and this woman absolutely NEEDS to go to therapy because her mental health? It's in shambles

People online: puppy :)

[lucabyte]

Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*

But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.

They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.

My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.

As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.

Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.

*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)

Anyway.

[ace-and-the-rpg-horrors]

if you ever feel stupid please remember that there's people out there who think that there's "queerbaiting" in DEAD BOY DETECTIVES

[orykorioart]

Putting my silly, grubby hands all over a stupid shirt I saw

[thewhizzyhead]

also side ramble time, it has already been established that misogyny has seeped through the other gangs' treatment of the warriors (I.e. "late night cosmetology class", repeated use of "girls" rather than calling them women, etc.). with that in mind, I find it very interesting and rather culturally relevant of the writers to have the hurricanes, the one and only gang that lets the warriors off the hook, to be a VOGUE-themed gang that explicitly features black queer individuals! It speaks volumes that amidst the animosity of most of the new york gangs, it was a gang with explicit african-american and latino queer culture through the ballroom scene-themes at the forefront that encourages the main diversion of the warriors (2024) from its predecessors: the recontextualization of the warriors fighting back ESPECIALLY NOW THAT THEY ARE WOMEN and that same changed thread leading to changed motivations and actions from ajax, fox, and hell even mercy as they go through the show.

like, it's a very very fucking nice thing to have the cultures and histories of resistance from the POC queer communities of NYC become the fuel for immense character (and thematic) growth in our version of warriors. Truly a song of resilience and solidarity amongst marginalized sectors

[saguaroooo]

[hughmanbean]

Crimes Against Existence

The High Queen Phantom has expressed concerns about the state of law within the Mortal Realms.

Walker, sensing a chance to redeem himself in her eyes, volunteers to go out and report the state of the lands to the Queen. She seems pensive, but agrees. Under strict conditions that Walker must NOT detain nor arrest any mortals that would not have been taken into custody or otherwise punished by mortal authorities in the same situation.

She hands him an addendum to his book the Duke has written up for him to use as reference while he operates in the Mortal Realms.

He reluctantly agrees and makes his way to a mortal settlement with that he can sense has strong criminal influence.

He follows the trail to one of most crime-infested cities on Earth: Gotham. His guards clean out an old office, and he sits himself down into a desk.

He turns on the TV and tunes into a random channel. A man who seems like he'd fit with the Far Frozen is locked in combat with a skilled mortal in some sort of outfit. After a bit of research, Walker learns these are the rogues and vigilantes.

Well, this explained quite a few of the High Queen's problems. Though she doesn't know of them just yet.

Now, how do we rectify that?

[aroaceleovaldez]

having been in the fandom for awhile, one interesting shift I remember seeing was around when BoO came out and people realized solangelo was implied to be a future thing, people were kind of scrambling to remember literally anything about Will cause of how minor of a character he had been up until that point.

And one of the things they were looking at with Will was that previously to BoO, people thought Will was a lot older. Because he was a cabin counselor (and generally how he was usually interacting with characters like Percy, Annabeth, and Clarisse - all 16+ish, or Leo - 15/16), most people assumed he was closer to 16 at least, if not actually older than Percy. It wasn't uncommon to see HoO!Will being 17 or so (this is also why there's a decent amount of hcs of him being at CHB pre-BoTL despite not existing until TLO). After BoO happened, it wasn't uncommon to see Solangelo content with a significantly older Will.

Like, it has always been implied in the series that Will is on the younger side (since Michael Yew joined CHB in SoM and Will is younger than him/would have joined BoTL at the earliest) and it's just the entire Apollo cabin keeling over in TLO that made Will counselor. But I just think it's interesting to remember that for awhile Will was not confirmed to be 13 in HoO/14 in TOA when solangelo first became a thing/people started paying attention to Will, and the fandom very widely thought he was older.

[chessb0r3d]

i cracked the code.

[alchely]

I think we all fundamentally take Ian and Mickey's final episode in S2 wrong...

If we just take the "warm mouth" scene alone at face value then sure, Mickey is absolutely being deliberately cruel to Ian.

But let's look at how Ian takes it in the wake of that exchange, he talks about it only once in the next few episodes, and he says to Mandy that "Mickey thinks I pussied out" [on killing Frank] and he thinks he 'kinda' did.

This is Ian and Mickey soulmatism "we just get each other on a molecular level", so their thought process is somewhat inscrutable to us on the outside, but I think, in a way, that Mickey was already pretty serious about his relationship with Ian in season 2 and seeing Ian not willing to "fight" for them to be together felt like the ultimate betrayal.

Let's not forget that in that initial scene right after Frank discovered them Mickey was talking in plural, 'we do this, we do that'.

Seeing Ian refusing to help him the way he needed to be helped was definitely something that hit Mickey hard and caused him to lash out.

And it's not like Ian wasn't trying in his way! He was going through what he thought was the safest route to keep Mickey around cause he also cares a great deal about his not-boyfriend (let's not forget that the point of not killing Frank isn't that he turns his nose up at patricide but that he didn't want Mickey to go to juvie).

By misunderstanding his actions and not giving him time to explain Mickey jumps the gun and says what he says, and he's only able to see reason months later when nothing happens from the safety of prison.

There's obviously that other layer to the conversation, that Ian fundamentally doesn't understand the severity of the risk for Mickey and just how afraid he is ('we've got nothing to be ashamed of' 'what fucking world do you live in') because their families are so different, which will bite him in the ass later.

Mickey coming back to Ian in S3 the way he did, I know some people found it weird that Ian was immediately on board when their last interaction was what it was (cause we're fixated on the "you're nothing but a warm mouth"), but what they don't get is that this is Mickey forgiving Ian and giving him another chance, not the other way around.

Edit: I also don't think that that whole situation was swept under the rug either, Mickey learns pretty quickly that Ian isn't at his beck and call anymore at the beginning of S3, despite what their initial reunion suggests, that he's got "options" (yes Ian was doing it to make him jealous, but he doesn't know that) and I think that was him learning that in S2 he had pushed Ian too far away, that his words and actions had consequences in the relationship.

[agnesandhilda]

watched a (pirated) mr. birchum episode out of curiosity and in it the asshole conservative protagonist has a homoerotic daydream about the other teacher who's a stand in for the ""woke left"" that he hates, which is the opener for the episode and is also never referred to again, gets his sleeve caught in a machine in his woodshop at work and spends days contemplating his life and regrets while he's trapped (or so he thinks). this montage includes how he met his current wife who he doesn't respect and who isn't honest with him (the b-plot expands on this), how his ex-partner left him after coming out as a lesbian and was repulsed after he tried to persuade her to stay with him, reasoning that her being queer meant they could just share a girlfriend now (that was not what it meant), and culminating in a marlboro man-esque image of commercialized rugged usamerican masculinity telling him to chew his own arm off to escape, before one of his students comes along and frees him by just cutting off his sleeve. all that and he thought to chew his own arm off before he considered just tearing his sleeve. and it's all played as a comedy. fever dream episode

[emsartwork]

Barbie Girls: Ro(sella)