#I find it a very fun concept to play around with I mean come on!

[siggiedraws]

Hello! In one of your recent posts, you've mentioned that

There are little hints here and there that point towards the symbolism of his origins, like his folded boots being inspired by Santa Claus, which is why they're red and white with a buckle! I find that such a cool detail.

and it stood out to me because "the symbolism of his origins" is very fascinating. Could you elaborate? What other hints like this are there? Thank you in advance! ^^

Of course!

What I meant by what I said is that, despite us not knowing of Sonic's past, what very little we do know about it also happens to tie into the concept of Christmas/Santa Claus, that being his red and white boots that he's been wearing since the beginning and his birthplace literally being Christmas Island.

To understand where I want to go with this, I need to get into the important context behind the presence of Christmas in the Sonic series, which is that Naoto Ohshima loves the holiday. To the extent that he would dress up as Santa Claus in public and give gifts to people.

(SOURCE)

The reason behind Ohshima's passion for the character of Santa is that he was inspired by Santa and wanted to be like him. He's always wanted to create things for children to enjoy, or things that would delight people, much like how Santa spreads joy around the world by delivering gifts.

(SOURCE)

(SOURCE)

What I meant by the "symbolism of [Sonic's] origins" is that they are literally symbolic. Sonic was the gift Ohshima created for children all over the world.

I will say that this can come off as an especially Doylist perspective on the matter, because surely Sonic's past must exist within the fictional context of the Sonic universe, and we just don't know about it. I agree with this! Looking at it within the fictional universe, it's fun to speculate on what his birthplace could be like based on what limited information we have. If he got his boots from there, it might be a Christmas-themed island where it snows a lot. Alternatively, it might bear a striking resemblance to the real Christmas Island, since the Sonic universe already has many places that are analogous to real life, like Dragon Road being inspired by the Great Wall of China.

Sonic as he was originally conceived plays with the concept of blurring the lines between fiction and reality, so I would argue a more Doylist perspective is valid when we're discussing the symbolism behind Sonic's origins. If you're aware of the Marie Granette stories, that's a great example. There's a metafictional story about how Sonic, the fictional character from a fairytale, comes to life within reality (another fictional universe in our reality, but is meant to represent reality all the same), and saves a woman from a fire. Then, he's gone again, like he was never there.

This story depicts Sonic as a character who brings joy to people, as Meg (the woman who Sonic saves) recognizes him on a flight jacket as the character from her childhood that brought her so much joy over the years. When she wears the jacket, it makes her feel safe and comforted. No one would believe her if she said she saw him. Similar to a certain jolly fellow, donned in red and white.

Perhaps Sonic was never born; not through conventional means, that is. Maybe someone needed him, and he appeared. Maybe the rest was history.

Thanks for your ask!

[hughmanbean]

Crimes Against Existence

The High Queen Phantom has expressed concerns about the state of law within the Mortal Realms.

Walker, sensing a chance to redeem himself in her eyes, volunteers to go out and report the state of the lands to the Queen. She seems pensive, but agrees. Under strict conditions that Walker must NOT detain nor arrest any mortals that would not have been taken into custody or otherwise punished by mortal authorities in the same situation.

She hands him an addendum to his book the Duke has written up for him to use as reference while he operates in the Mortal Realms.

He reluctantly agrees and makes his way to a mortal settlement with that he can sense has strong criminal influence.

He follows the trail to one of most crime-infested cities on Earth: Gotham. His guards clean out an old office, and he sits himself down into a desk.

He turns on the TV and tunes into a random channel. A man who seems like he'd fit with the Far Frozen is locked in combat with a skilled mortal in some sort of outfit. After a bit of research, Walker learns these are the rogues and vigilantes.

Well, this explained quite a few of the High Queen's problems. Though she doesn't know of them just yet.

Now, how do we rectify that?

[erwinsvow]

GOT WHAT YOU WANTED

summary: you're rafe's best friend—kelce and top's too, but there's always been something more between the two of you. neither of you will do anything about it. clearly, the solution is to become friends with benefits.

now spinning: too many nights by metro & future

word count: 11.5k

warning/tags: kook trio reader, using jj to make rafe jealous, mentions of drugs/partying, jealous/possessive rafe and reader, smut !, rafe deals coke. tysm to @zyafics for beta’ing & helping me so muchh & @inimamea for being so lovely and supportive. tysm to all the lovely anons who have been supporting and loving this concept from the start, i hope u all love this ♡ (but sorry in advance if u don’t)

truth be told, you didn’t like making rafe angry. 

it wasn’t fun for you, like other things were—watching your boys play golf while you lounged in the cart with the cold drinks, picking out a pretty outfit for the day, crashing on the couch at tannyhill with your head in rafe’s lap and feet over kelce’s legs. 

those were fun things. what you were doing now, with jj, was something borne of necessity. you’re not a mean girl. you find it tough to be mean to anyone except rafe, actually, and only because he dishes it back and you know his feelings aren’t really hurt, but right now you were being mean.

to jj that is. 

you smile at the blond boy seated next to you, the golden glow of the bonfire casting its warmth onto both of you. you laugh at another joke he makes, but only half-hearted, taking another sip of the beer he’d gotten you from the keg.

jj’s funny, he’s sweet too. it’s not his fault you wish you were seated next to your best friend instead of him, drinking a strawberry seltzer from the case that rafe keeps in the back of his truck specially for you. 

“so?” jj asks, and you turn from staring at your shoes to look up at him. he’s looking at you with a smile, a very charming smile that you could have a lot of fun with, except you’re starting to feel bad about toying with him like this. 

“so?” you repeat back, softly. he leans in a little to hear you. you feel a little warm at the action, but it could just as easily be from the fire. 

jj’s nice—and you’ve always liked nice, preferred it to almost anything. every boy you had ever introduced to your trio had been nice, though rafe hadn’t ever cared. he’d hated them from the moment he’d laid eyes on them. you wonder now when you let him seep into your mind like this, with every other thought about rafe rafe rafe. somewhere in between accepting jj’s invitation to come to the bonfire with him and getting jealous over the fact that rafe was seeing some random girl.

“you didn’t tell your other boy about this, did’ya?” you look up at jj with eyebrows knitted, puzzled.

“other.. boy?”

“cameron.” now you really flush—you certainly don’t want jj to think rafe is your other anything.

“no, no. we’re not dating. we’re just friends.”

“right, okay. you tell him about tonight?”

“no. it didn’t come up.”

“ah. got it.”

“why?” you ask, and before you can look around, jj stares into the distance, gesturing with his eyes to a blurry figure.

“nothin’. he’s just been starin’ at us since we sat down, so i figured, but-” you stand up, looking into the distance where rafe was. you can feel yourself turning green with envy, red with rage, watching him stand next to the same girl he’s been with, her looking at rafe while rafe looks at you.

you sit back down on the log, wrapping a hand around jj’s arm and pulling him down to sit beside you. from this angle, rafe can’t make out anything but your backs, and maybe the lack of any real distance between you and jj.

“sorry,” you say, sweetly, almost having regained your wrath the second you saw the two of them standing together. “he’s crazy.”

“s’okay. not news to me, princess.” jj takes a pause, and you chew your cheek, trying to decide how far you were willing to take this. “you okay?”

“yes. why wouldn’t i be?”

“well, uh, it doesn’t take a genius. even though, y’know, i am one, to know somethin’s up.” “no, jj, i promise, we’re ju-” “just friends, yeah, i got it. i mean, i don’t know what type of friends exactly, but uh, i like you. and i’ll like you even if he has a problem with it. so up to you, really.” you glance up at jj, who is being nicer to you right now than you deserve. 

and you hate it, hate every second of it. you hate how rafe makes you feel, how angry and jealous you get, the fact that you even started talking to jj when in the back of your mind you knew it was because rafe would get upset over it.

but you also hate what rafe’s doing, the girl he’s with and the way he’s with her, the fact that he brought her here and still won’t stop shooting daggers into jj’s head. in short, you hate all of it. 

you lean in, resting your head against jj’s shoulder. 

“i’m sorry. i don’t know what’s going on with him. but, he’s here with a girl.”

“and you’re here with me.” jj wraps an arm around you. 

“yes, but not because-well, i don’t know.” it feels stupid coming out, but if jj thinks that, he doesn’t show any signs of it.

“s’okay. don’t always have to know.” you keep your head on his shoulder, enjoying the warmth he brings. “by the way, he’s still watching.” you smile, though you can’t tell which boy elicited it. “i mean, not gonna complain if i get to be your boy toy for a little but, nice to know you care-” you giggle, pulling away to put your drink on the sandy ground.

“you’re telling me you don’t want a sugar mama?” he laughs at your words and you relish in it. 

it could be picture perfect—waves crashing in the back, the fire flickering in front of you, stars sparkling above. jj keeps his hand on your cheek and leans in for a kiss, and you find yourself leaning too, when the voice of your best friend breaks the silence. you pull away from jj to look up at rafe standing behind you.

“hey. we’re goin’. c’mon.”

“rafe-” you start, but you get interrupted. jj stands, facing rafe.

“hey buddy, we’re a little busy. but uh, i’ll make sure she gets home safe-”

“guys-”

“wasn’t fuckin’ talkin’ to you, pogue-”

“tuck her into bed, and everything. don’t worry your little head ‘bout it-”

“m’gonna knock your little head out if you don’t get the fuck away from-” having heard enough, you drag rafe away by his arm, your pretty nails digging in harshly.

“what the fuck was that, rafe?” you ask, though you feel the bitterness coursing through your veins. how’s that fair—that he parades his girlfriend around you, at the club and here at the bonfire, but you can’t so much as spend a moment alone with jj. 

whatever reservations you had just held about using jj to make rafe jealous seem to have gone far away. instead you’re just angry—he wants his own girlfriend and he wants you without a boyfriend too. you turn to look back at the boy you left behind at the fire. jj gives you a thumbs up.

“how many times do i have to fuckin’ tell you to-to stay away from that pogue-”

“he has a name,” you counter, so defensive because jj was being nice to you even when he didn’t have to be, helping you even with no gain for himself. “and you can’t order me around, okay? you brought a girl here but i can’t talk to jayj? how does that make any sense?”

“stop yellin’,” he barks, grabbing you by the arm now, and guiding you away.

“why? afraid someone might hear us? like your little girlfriend? where’d she go, by the way, i bet she’s missing you right about now-”

“shut up. shut it.” you don’t realize how far rafe’s dragged you until you shake out of his tight grip, standing next to his truck on the street.

“i’m sick of this rafe.” it comes out quieter than you intend, tears prickling up. you hate crying, especially infront of the boys but even more so infront of rafe. “i’m not stopping my life and boys that i wanna see, and relationships i want to have because you’re not okay with it. not when you have your own girlfriend. it’s not fair.” 

“i don’t. i don’t have a girlfriend.” you roll your eyes, he watches it happen with a tight fist, jaw clenching.

“yes, you do.”

“no, i don’t.”

“you don’t?” you question, unbelieving. “you just.. walk around with the same girl for weeks. take her everywhere. but she’s not your girlfriend?” you’re snarky like always—you still don’t know if he likes it or not.

“no, she’s not.” 

“bullshit. at least get your fucking story straight, rafe. that girl’s probably half in love with you-” “m’not dating her. and if it bothered you so much how come you didn’t say something, huh? you pull this shit with fuckin’ maybank instead?”

“i’m not pulling anything with jj.” you lie through your teeth, hoping rafe bites. “i-i like him.”

“no you fuckin’ don’t.”

“who are you to tell me-”

“you don’t like him. what you like is makin’ me fuckin’ angry. well, it worked. stay the fuck away from him. and get in the goddamn truck.”

you groan loudly, the noise almost a scream and filling the quiet street. but you comply, getting into the passenger seat and letting rafe drive you home—to your house, not tannyhill like every other night. when he pulls up to your house, you resist the urge to get out without saying anything at all.

“i’ll see you tomorrow, kid.” you sigh, looking back up at rafe.

“that’s it? you’ll see me tomorrow?”

“what else do you want me to say, huh?”

“are you just gonna ignore all of that? what the hell was that?”

“m’not ignoring anything-”

“so, i can’t see jj anymore. are you still seeing her? who am i allowed to date then? kelce? top? do you have a pre-approved list for me?”

“shut up.”

“rafe,” you sound serious, as serious as he’s ever heard you, shifting in your seat to look right at him. he looks back, his knuckles white on the steering wheel at the mention of you dating kelce or top or anyone. “i’m not gonna stay single forever. i know your alpha-male tendencies don’t agree with it, but girls have needs too. i want-”

“what? what do you want?”

“the possibility of getting laid without you screaming at every boy i talk to would be nice.”

“don’t talk like that.”

“rafe.” 

exasperated, you unlock the door and climb out, not turning back to say goodnight. the last twelve hours seem like a blur, between texting jj and actually seeing him and rafe’s reaction to it. you’re not sure what kind of reaction you really wanted out of him, but you’re not happy with the one you got. you don’t know what, if anything, would have pleased you. 

that night, you go to bed angry and wake up sad. jj texted you something but you can’t find the heart to look at his message yet. 

you’re sure the boys have something planned for today, like they always do, but the idea of opening the groupchat to look at what they decided on makes you feel sick. so you stay home instead, showering off yesterday’s anger and wondering why rafe thinks you don’t deserve to have a boy in your life to fool around with, to date, to do anything with. 

the answer, sharp and painful like the jagged end of a piece of glass, hovers in your mind. you try to push it away.

rafe’s wrong—like always. you really don’t like making him angry, like it even less that your routine is disrupted and that for the first time in a long time, you don’t want to see your best friends today. brushing your hair, the sound of your bedroom door opening snaps you out of your thoughts.

“c’mon kid. get dressed. top’s got tee time at two and we booked lunch before.” you turn to look at rafe but don’t budge. he takes a look at you—dressed in one of his old frat shirts and plaid shorts that barely peak out. 

you look pretty all the time but it feels the worst, the hardest to deal with, when it’s just the two of you alone like this, none of the shit that you do for other people, for outside the house—the makeup, the hair, the nice clothes. when you’re pretty like this it’s just for him, since no one else gets to see you, no one but him. you probably didn’t even notice you were wearing one of his shirts—something that leaves him feeling more pleased than he should be. but like always, he’s not gonna tell you any of that.

“are you adding deaf to stupid?” he asks, and you roll your eyes, letting out an irritated huff.

“i’m not coming. go away.” you turn around on your vanity chair to face your mirror, continuing brushing your hair. rafe walks up behind you, staring at you in the mirror.

“c’mon. lunch is at the place you like. i’ll even talk to you when kelce and top are up.”

“is that your way of apologizing?”

“it’s not an apology.”

“of course it’s not. why would you say sorry? you probably don’t think you did anything wrong.”

“i didn’t.”

“mm-hm. when does rafe cameron ever do anything wrong?” you keep brushing your hair, staring at yourself in the mirror instead of at him. “psycho.”

rafe yanks the brush from your hand, spinning your chair around to face him. he boxes you in, his hands resting on the armrests. he’s too close to you, it makes his head spin. you wish he’d stop, you know he’s not going to. you watch with bated breath, wondering what’s coming next.

“i… didn’t mean to make you upset.” you keep staring up at rafe, blinking fast. “and i didn’t see it from your side. so, m’sorry. about that part. nothin’ else.” you can’t help the slow smile that grows on your face—rafe, apologizing, and to you of all people. you thought you’d never see the day.

“thanks rafe.”

“alright. get ready. truck’s still runnin’.” he pulls himself upright, freeing you of the restraint. you can hear the bass of the music in his car, the future song audible from your open window. 

“that’s bad for the environment. and i didn’t say i forgave you.” snatching the hairbrush back, you resume your motions. you hear rafe groan and it’s hard to hold back the smile. maybe you did like making him angry.

“kid.” 

“what? i heard your apology, and i don’t accept it. hope you girls have fun at golf-” rafe leans back in, holding your jaw shut between his fingers.

“do you ever shut up?” you shake your head from your position, though you can’t really move. “what’s it gonna take, huh? you want my permission to fuck ‘round? sleep with some, some fuckin’ nobody? some pogue? tough shit. you’re not gettin’ it.” he lets you go, and you rub your jaw tenderly.

“but you get to do it?” 

“that’s different-”

“no it’s not! you’re just a dick. and sexist. who am i supposed to sleep with, then?” you shoot back.

“i don’t fuckin’ know, kid. me, i guess. at this point-”

“ha-ha funny. you’re an-” when you finally get up and look at him, he’s staring at you. “what?”

“yeah. that’s fine.” he shrugs, like he’s just decided something trivial, like what to order at lunch or which iron to use. “you can sleep with me.”

“excuse me?”

“yeah. yeah, it’s a good solution. that way you can stay the fuck away from maybank and any other asshole.”

“rafe. shut up.”

“think about it,” he says, and you fall silent to listen, though this is the worst idea  you’ve ever heard in your life. “you get what you want. i get what i want. it works out.”

“how is being your pity-fuck remotely close to what i want?”

“sheesh, kid m’tryna help you right now. offerin’ you a solution-”

“rafe?” “yeah?”

“get out.” you walk over the door, swining it open and waiting for him to step out.

“just think ‘bout it,” rafe says, standing by the door but not leaving just yet. “alright?”

“goodbye, rafe.” 

you listen to the sounds—him walking down the staircase, the front door closing, his truck taking off. after you’re sure he’s gone, you let out a breath you didn’t realize you’d been holding inside.

sleeping with rafe had been nothing more than a drunken thought that occasionally slipped into your mind when he’d be nice to you after some party. curling up next to him at tannyhill every other night certainly didn’t help, but that’s all it was—a thought, not reality. 

then you wonder if it’s really such a bad idea. maybe if you just got out all of this pent up energy with rafe, and then worked on finding someone he actually approved of, it would be easier for both of you. 

key word: maybe.

the idea that he’s still seeing that girl, the one he keeps denying is his girlfriend, makes you want to puke. he’d have to stop that, that would be part of your agreement. 

maybe rafe’s right, maybe you both get what you want out of this, as messed up as it seems. it can’t be the worst idea in the world—kelce and top always joke the two of you are half a couple already.

you go to your closet to pick out an outfit for golf, hoping you weren’t about to ruin your friendship with your best friend.

.☘︎ ݁˖

rafe’s leaning against the bar at the club when you find him. you think he’s got a weird sixth sense, he always knows when you’re around, and he looks up before you’re even near him. 

“i knew you wouldn’t pass on lunch. top owes me five bucks.”

“yeah. sure.” you put a hand on the counter to steady yourself—this is harder than you thought it would be. rafe takes a sip of his drink. you want to chastise him, tell him it’s only twelve-thirty and too early for drinking, but nothing comes out. your mouth feels dry and you almost want to chug the rest of his scotch. surprisingly, you refrain.

“what?” rafe asks, and you glance up at him, eyes locked.

“i thought about what you said this morning. what you offered.”

“and?” the bastard looks so smug. you should the slap the smirk off his face but you know what he’s thinking—proud of coming up with the idea himself, thinking he’s doing such a service.

“and.. better the devil you know and all that.” you wait for the other shoe to drop for a moment, for rafe to admit it was all a big prank and you fell for it, and now the boys owe him money or something.

“good. i agree. so should we get outta here, or what?”

“right now?” you question, eyes widening. “what about tee time?”

“you’re the only who’s so horny you’re on the verge of jumping pogues. m’just tryna help you-”

“shut up!”your face heats, looking around to make sure no one heard him. “by the way, between the two of us you’re the only one jumping pogues.”

“yeah, yeah. so not now, then?”

“a gentlemen as always, rafe. no, really, thank you, for showing me chivalry’s not dead.” you roll your eyes again, staring ahead at the bottles behind the bar. you don’t want to turn and look at rafe again, but you do.

“at this rate m’gonna have to show you what friends with benefits means too.”

“shut up.” it comes out like a hiss this time, narrowed eyes focusing in on your best friend and apparently, new fuck buddy.

“yeah, yeah. they’re at the table near the window.” 

“thanks.” you walk in that direction, catching a glimpse of top and kelce, but your feet pause for a moment. you stay still, but glance back at rafe.

he’s not leaning against the bar anymore—he’s facing you, staring at you. blue eyes rake over your skin top to bottom, focusing on the pretty sandals and polished white toes, smooth lotioned skin, your short white skirt and tight golf shirt, with one too many buttons popped. 

when you’re talking without ever shutting up, it’s hard for him to focus on anything but your glossy lips or long eyelashes fluttering when you roll your eyes. but now he’s taking it in—how easily you agreed to this little idea, how you talk a big game but you don’t seem as hesitant or upset as you were this morning. 

you turn back and keep walking towards the table—rafe can tell you’re flushed. he’s fine with it, prefers it this way. anything’s better than you going on dates with strangers, showing them looks and emotions and other things that belong to him.

if you’re horny, all you had to do was tell him. downing the rest of his drink, he goes back to the table and like always, sits next to you. 

kelce and top talk about the same old shit, until they focus their attention on you. you’re being quiet, not nearly as talkative or snippy as usual, and you haven’t said a word to rafe the whole time.

“and where’d you two go off to last night?” kelce asks, pointedly looking at rafe while he asks you the question.

“you guys know you left us stranded, right? we all came together. i mean i’m not saying self-absorbed but-” topper adds, but you cut him off.

“you’re really not one to talk about self-absorbed, are you top?” you shoot back, and kelce chokes on his water. 

“easy,” rafe says, and normally you’d fire away something at him too, but this time you don’t. “we had somethin’ to take care of. but you got home didn’t you?”

“yes, but-” topper says, but rafe cuts him off again. you hold back a laugh.

“then shut up ‘bout it.”

“kelce’s mom had to pick us up. it was humiliating.” you snort into your lemonade, all four of you bursting into laughter. you turn to ask kelce a follow up question, and rafe’s staring at you while you laugh. something low in your stomach twists, like a butterfly trying to fly out and away.

when kelce and rafe start talking about the course today, topper leans in to say something to you.

“you’re getting mean. y’know that means you’re spending too much time with him.” you transfer your gaze from top to rafe, staring at the boy next to you. 

the idea of what you would normally say floats through your head—something funny and earnest but still making top feel better, not saying sorry but making him laugh instead. nothing comes to mind.

“yeah. i guess i am.”

you sit through golf, reading your book in the cart while the boys play nine holes. your phone rings with a call from your parents about an hour in, and when you step away to take it, rafe follows you. the boys protest from the distance—it must have been his turn.

“you goin’ home?” rafe questions, and you jolt at the sound, not realizing he was right behind you.

“god. you scared me.” he doesn’t say anything, just keeps staring down at you. “yes, uh, mom wants me home for something.”

“you need a ride?”

“no, i drove here, remember?” 

“oh. yeah. am i gonna see you tonight?” the words make you flush—stupidly, no matter how hard you try to fight it, knowing that they shouldn’t. the two of you are going to be terrible at this. “kid?”

“careful, rafe. you’re starting to sound like a boyfriend.” “yeah. and we wouldn’t want that, now would we?” 

sucking in a breath, tearing your gaze away with pretty blue eyes that are looking at you like maybe that wouldn’t be the worst idea in the world, you’re at a loss for words again. before all of this drama, you could count the amount of times you had been rendered speechless by rafe with no hands—since it had never happened. still with nothing to say, you turn around and start to walk away. foot steps follow you.

“hey, hey. m’joking, it’s just.. a joke. how about i come over later? and we’ll talk about it.” you spin on your heels to face him.

“talk about it? talk about what?”

“our.. arrangement. y’know talk about it..” he tilts his head stupidly and you can’t decide if you want to slap him or kiss him. “..fuck about it.”

“okay! that’s it. bye, rafe.” storming away, you almost wish you hadn’t heard what he called out after you.

“bye, kid. i’ll see you later.”

.☘︎ ݁˖

at ten pm that night, freshly showered and somehow in another one of rafe’s shirts, you were back to where you were this morning—brushing your hair. rafe doesn’t knock on your door, just barges in.

“oh my god-”

“hello to you too.” he steps in, shutting the door behind him and taking a seat on your bed. you spin on your chair to face him.

“how the hell do you keep getting in here?”

“what? your mom let me in.”

“you didn’t even text-”

“i told you at the club. you have selective memory, kid.” he looks you over again. “nice shirt.”

“oh shut up.” you turn away for a moment, setting the hairbrush down, biting your cheek. “so?”

“so?” he repeats. he’s smiling, you can just tell.

“aren’t we gonna talk about our arrangement? that’s what you told me at the club-” you finish in a mocking voice.

“what else is there to talk about? you wanna get laid, i don’t wanna see you with random guys.”

“i still don’t understand what’s wrong with the guys that i-” rafe cuts you off, and he sounds angry.

“of course you don’t understand. you don’t have’t think about this shit, because i think about it for you. what’d you gonna do when some guy starts sleepin’ with you ‘cause me and top pissed him off once? or one of those pogues, huh? to get back at us? take some video of you and send it to everyone? brag and show it off to everyone?”

“oh.”

“exactly. so m’lookin’ out for you. this is better, trust me.” the thing rafe’s saying are making sense. you were on board anyways, but you feel better that there’s a real reason behind it.

“but what about that girl-” you ask, though you don’t know what kind of answer you’re expecting. rafe sighs.

“what about that girl?”

“are-are you gonna sleep with other people too?”

“no. m’too busy anyways. works out for both of us.”

“oh. okay. promise?”

“when have i ever lied to you?” you sigh, about to protest, when he finishes his sentence. “promise.” you feel strangely reassured, like this is a good idea.

“okay. thanks.” you dodge his gaze, playing with your manicured nails, pink this time.

“alright. get on the bed.”

“rafe-”

“what? i just said-”

“you’re not even gonna, like, take me out for dinner first?”

“who the hell d’you think paid for your lunch?”

“i don’t know.. kelce? he got lunch last week. should i go sleep with him next?”

“ha-ha. get on the bed.”

“ugh. you’re so crass. i don’t even know how you get any girls-”

“yeah, yeah. are you gonna shut up now or what?”

you can’t think of anything to say, so you finally follow his instructions, crawling into your bed and sitting up against your pillows to look at rafe. 

you’ve see him naked before. he’s seen you naked before. with all the time you spent together on the druthers or at the beach, you should be used to seeing him like this. he yanks off his shirt, pulling it off with a fist in the back over his head. 

the first sign that this idea wasn’t going to go as planned should have been now—feeling your breath catch in your throat at the sight in front of you. your best friend shirtless, getting closer to your bed. your eyes rake over tan, muscled skin and the silver chain glimmering around his neck. you don’t realize you moved, body sliding down and back flat against your mattress while rafe starts to lean across the bed, his hand planted next to your head.

rafe’s hovering over you. your breathing shakes for a moment, wondering if it would be this easy for him to do this with any other girl. you dismiss the thought when rafe leans in to kiss you, but it almost seems too wrong to let it happen.

“wait-” you move your head a little so your lips are away from rafe’s. “are you sure? you don’t think it’s gonna be weird?”

“stop bugging out, kid.” he says it low and quiet, and your entire body quivers from the sound.

“answer the question, asshole.” rafe laughs, his hot breath fanning across your cheek. you can’t help it, you laugh too, turning to look at him. you think he’ll be grinning like something’s funny, but your smile dies the second you lock eyes.

he’s not smiling, he looks as serious as you’ve ever seen him. he licks his lips, moving his eyes over your body, his shirt and your bare legs.

“you wearin’ anything under this?” 

he moves one of his hands from your knee to your thigh, stroking the soft skin. you curl your leg automatically, head lifting to watch his hands and your entire body trembling under his touch—it’s hot and electric, making your heart beat faster and the hairs on your arm stand up. he looks up from your legs to your face, watches you shake your head to answer no. 

“good girl.” 

your head falls back onto the pillow when the words leave his mouth. a chuckle leaves his mouth, but still he’s not smiling, it’s more just a noise of pleasure than anything else. rafe sits up between your legs, hands grabbing onto both of your legs and stroking again. he makes his way all the way to your hips, fingers dancing over the waistband of your panties. 

you think he’ll stop, maybe at least answer your earlier question, though you can’t remember what you had even asked him. he doesn’t, fingers swiftly hooking around the fabric and pulling them down your legs. you suck in another breath, angling your foot so they fall onto the bed while you keep your eyes locked on him.

“y’ready?” he asks, and you nod, though you’re not sure what you’re agreeing to. his hands go back to your thighs, pushing his t-shirt up to expose more skin. you tense up, but he keeps a palm on your knee. “relax.”

before you can anticipate anything else, he strokes your pussy, which is shamefully wet already, with two fingers, prodding the sensitive skin and gathering wetness. he does that laugh again, like he can’t believe what he’s looking at, and you try to shut your trembling thighs in embarassment, but rafe holds them open.

“rafe-” but before you can finish your sentence, two thick fingers plunge inside you, “oh my god—!” 

“hah. good.” when he pushes his fingers out, just to slam them back in, your eyes roll all the way back, another loud moan emitting from your mouth, sounds he’s thought about a hundred times before but still can’t compare to the real thing. but of course, you don’t need to know any of that. “don’t get too loud. y’folks are downstairs, remember?”

you don’t seem to remember. when he picks up the pace, really just wanting to test you and see how much you could take, you start moaning even louder, sweet breathy sounds filling the room. they’re just for him, and normally he’d want you screaming, but he can’t arouse too much suspicious, or your parents won’t ever let him back in the house. his other hand, the one holding your legs open, moves to your mouth, clamping his palm over your lips to keep your noises quiet.

you must like it, you clench around his fingers and your walls flutter when he locks eyes with you, almost hunched over you to keep you quiet while still fucking his fingers—now three, though he didn’t realize when he’d added another—into you. 

rafe’s hard, and he can’t remember the last time he was patient enough to wait to get his dick wet, but he likes you like this, not just shutting up for once, but eyes shut and face twisted with pleasure, whimpering into his hand, legs shaking in his grip while you’re wet around his fingers. 

“rafe-” you mumble, the sound all muffled. “m’gonna, ohh-” he picks up the pace, shushing you while battering into your pussy, listening to the gasps and whimpers through his palm while you cum all over his hand. 

limbs like jelly and throat dry, you lay there, catching your breath. your skin’s hot and flushed, and you stare at rafe while he stares at you.

“what?” you question, and it comes out quiet, soft, like you’ve done something you shouldn’t have. he’s thinking a couple of things, some of which have no business being in his head at all. do you always get this wet? who else has seen you like this? who’s gonna get to hear you moan the way you just did for him some day?

“nothin’.” 

“oh. okay.” you sit up against your headboard, pulling your—his—shirt down to cover up a little. “well, thank you.”

“yeah. no problem.” for a second he hestiates—briefly concerned you want him to leave now. “well? come on.” you’re trying to sound like you always do, a little irritated at him, a little snarky. he can see through it this time.

“what?” 

“get the condom. you’re the one who said we’re doing it today.” rafe watches for a second, wondering if he should laugh or yell at you, when you pull off his shirt. he stares at you, not moving, wondering why he thought this would be a good idea. 

he’s seen you naked before, changing in the same room or when you two lost all boundaries and started walking into bathrooms while the other’s showering, but this seems different. propped against your headboard naked, with your cum on his fingers, asking him to get a condom. now that he’s seen you like this, he has a new life mission of making sure no one else ever gets to. 

“god, you’re such a boy.”

“shut up.” 

“you shut up. you talked such a big game and now you’re just staring at my boobs-” he moves quickly, fingers on your jaw, actually shutting you up.

“lie down.” biting your lip, you comply, sliding down so rafe was on top of you. “spread your legs.” you move to do so, but rafe uses his hands on your thighs to pull them apart before you can. you can’t look at his face, it almost feels too weird, so you decide to stare at his dick instead, watching him roll the condom on with a puzzled face.

“what?” he’s been looking at your face the whole time.

“nothing. if i had known you were this big i would’ve asked a while ago-” rafe starts laughing, a real one this time, and you burst into giggles too.

“stop-” and he gets closer to you, lining himself up with your wet cunt, “-making me laugh. shut up.”

“you’ve said shut up like thirty times but you won’t stop talking eithe-oh!” he pushes in all at once, and all the breath leaves your lungs. you gasp instead, toes curling, feeling incredibly full, the disbelief that you’re full of rafe quickly fading away. 

you should have known he’d be good at this, good enough to actually get you to shut up. he starts a slow pace, thrusting in and out and you look up to see your best friend’s face contorted with pleasure, heavy breaths in your ears and the scent of his cologne overwhelming everything. his chain dangles on your neck, tickling you, and you try to permanently engrain the feeling into your memory.

you attempt to stay quiet, though the slam of the headboard against the wall is a dead giveaway. rafe pushes all the way out and then all the way back in with another slam, and there’s nothing you can do but take it, clamping your hand over your mouth now.

he manhandles your legs into place, pressing them to your chest while he continues the exhausting pace. you can’t discern anything but rafe’s quiet groans and heavy breaths. you’ve just cum but it doesn’t take long for that hot feeling to wind up again in your stomach, toes curling and eyes getting watery. your moans are still muffled, but the way rafe’s looking at you is only making them get louder. 

your bottom lip must be bleeding from the way your teeth have been abusing it. rafe moves your hand out of the way and leans in for a hot kiss, his tongue in your mouth and swallowing all of your noises.

with a final oh god, oh god, oh god, moaned into rafe’s mouth, you cum hard around his dick, eyes pressing shut and stray tears falling down, rafe’s lips not leaving yours. 

you don’t know why—but you wrap your arms around his neck, keeping the kiss going. rafe pulls away for a moment to breathe and you open your eyes, staring up at him through wet lashes, licking your swollen lips, while he looks back down at you.

he leans in for a final kiss, groaning into your mouth while he spills into the condom, still thrusting in and out of your sore pussy. 

rafe rolls off of you, resting on your sheets beside you. you try to catch your breath.

“you didn’t last very long.” 

“and how long did it take ya to cum all over my fingers?”

“oh, whatever. where’s my shirt?”

“it’s my shirt,” rafe says back, finding the discarded clothing on the ground and tossing it on your chest. you sit up, sliding his shirt back on. rafe’s standing, pulling on his shorts.

“are you leaving?” you ask, and you regret it the second it comes out, quiet and soft like you want him to stay. 

you do want him to stay, but you don’t want him to know that you do. it all feels very complicated and your thighs are aching, your throat dry. 

“no.” he sits back down next to you, swinging an arm over your shoulder like he always does. you lean into his chest. 

“you kissed me,” you say quietly. you’re glad your face is pressed into his side, you don’t think you could handle looking at his face right now. “and you were quiet. i didn’t expect that.”

“your parents are downstairs, remember?”

“oh. i forgot.” you realize after that you don’t want him to know he fucked you so hard you forgot where you were and who was home.

“is kissing off limits?” rafe asks, and you almost choke processing the sentence. things you never thought rafe would say to you.”

“no.. it was nice.” you pause, listening to the silence of the room and the thud of rafe’s chest in your ear. you’re no expert—though you fear you’re about to become one—but it seems faster than normal. “you want ice cream? or cookies? i made some yesterday.”

“no, kid. it’s fine.” you chew your cheek nervously. you want rafe to want to stay, not just because you asked.

“you can go.. if you need to.” you look up at him and then look back down when he meets your eyes. 

“why? got nowhere else to be.”

“oh. okay.”

“turn the tv on. we’ll watch your stupid movie”

“really?” your face lights up, grabbing the remote on your nightstand. you open up the blanket at the foot of the bed, covering both of you while you try to find you’ve got mail. you go back to your position and lean against rafe’s warm body, and he presses a kiss to your forehead. it’s not unusual, he’s done it before, but you don’t miss the fact that he’s decided to do it now. you try to push away the warm feeling blooming in your chest.

“don’t ever make a joke about sleeping with kelce or top again.”

.☘︎ ݁˖

your tired muscles wake up to the sun pouring into your bedroom. the light shines on rafe’s still-asleep figure, but you knew it wouldn’t wake him up, nothing ever does. you don’t remember falling asleep, barely remember anything after rafe showing up.

and the part where you slept with your best friend.

a guilt-trip dangles on the edge, about to take over, when you push it away and focus on the text messages on your phone instead.

top: rafe can’t believe u bailed on cod. u better be dead in a ditch somewhere

kelce: maybe princess finally killed him

top: stop hanging out without us

kelce: top lets just pull up next time

you laugh, and rafe stirs at the sound. you give his arm a shove.

“you ditched playing video games for me? i’m so flattered, rafey.” 

“shut up.” he grumbles. “go back to bed. s’too early for this shit.”

“it’s nine in the morning. and i have pilates in an hour.”

rafe turns over, and you can’t deny it’s nice to have him in your bed for once—it seems like you’re always sleeping at tannyhill.

“didn’t get enough exercise last night? you need more?”

you fake a yawn, covering your mouth.

“exercise? what exercise? i don’t remember that. you mean the boring sex?”

rafe sits up, facing you. you choke back a laugh.

“you wanna say that again?”

“uhh-”

“in fact, why don’t you try and get up? ten bucks says you can’t even walk to the door.”

“i can’t believe the two of us even fit on this bed with your gigantic ego-”

“don’t see you walking. m’waiting.” you toss one of your throw pillows at him.

“get out!”

“alright. i’ll say good morning to your parents on my way-”

“okay! wait, stay.”

“s’what i thought.”

“some way to say good morning,” you mumble, scrolling through your other messages—a text from your other friends about a party tomorrow and a reminder for your pilates class.

“you woke me up.” 

“oh whatever. i was just surprised you skipped a video game for this. but i guess most boys would.”

“there’s not much i wouldn’t skip for you.” you smile at rafe, misunderstanding him.

“that’s so nice. are you saying i’m a great lay?” he rolls his eyes.

“i’m trying to- shut up. what’d they say?” he picks up his phone. 

about twenty minutes later, after checking the hallway (and that too on wobbly legs, just like the smug idiot had predicted) rafe leaves. like always, he says he’ll see you later.

you fall on your bed and dwell on the fact that rafe kissed you last night. it’s hard to focus on anything else, and with every passing second, you think this whole thing was a worse and worse idea.

but he doesn’t seem to think that way. he seemed fine. he’s better at the no-strings-attached thing than you, and you don’t think he would have suggested it if he didn’t think you could handle it. 

with that thought lingering, you get dressed for pilates and hope it’s easier to walk before you see the boys again. you find out that it’s really not. 

after your class, you check your phone, finding messages from top and kelce. game night and pizza at kelce’s house. you’re invited, of course, but you shoot them a message saying you’re staying home with your parents instead. 

the second you press send, rafe’s contact photo lights up your screen.

“rafe?” you answer it without even waiting.

“what, not comin’ tonight? you always come.”

“oh, um-” you pace around your room, trying to think of a lie on your feet. “mom and dad wanted to stay in. you know. game night.” the words feel stupid, though you hope he’ll believe it.

“okay. you gonna swing ‘round after?”

“no, probably not. um, i’ll see you tomorrow?”

“yeah, tomorrow. have fun, kid.”

“you too. tell them i say hi.”

the rest of your day flies by and it’s not long before you’re curling up in bed with a tub of ice cream. your parents went out to dinner with some friends, while you contemplated what the hell you were doing with your own friends.

you four always had a standing date on saturday mornings in the summer—snacks and a spin on the boat. if you don’t go, it’s going to be incredibly obvious something was going on with you. 

you call topper while you pack your boat bag—grabbing the necessities the boys always completely forget about; spray sunscreen, an extra baseball cap, a book for you when you inevitably get bored of listening to them talk.

“what’s up?” top says, and you’ve made your way into the kitchen, pulling out fruit to wash and cut.

“what time are we going on the boat? and i’m bringing strawberries and mangoes, is that fine?” topper is the pickiest when it comes to the fruit—kelce and rafe will eat whatever you bring.

“uh, i think noon. call rafe, we’re taking the druthers today.” crap. that’s what you were trying to avoid. it feels crazy the second you think it—trying to avoid rafe. you need to get it together. acting like some love sick girl over your best friend feels like the stupidest thing you’ve ever tried to do. he must bring it out in you. “do you have any of those oranges? the little ones?”

“i’ll bring ‘em. listen, i need to get ready, do you know the time? i’ll just meet you there.” your self-realization is going to have to wait for another day.

“noon, yeah. i’ll text it.”

“thanks top.” 

you start an internal monologue on repeat—stop being weird about it. he’s still your best friend. be normal. he is not your boyfriend. you repeat it, but still pick out the prettiest bikini you own, yellow gingham and held together entirely by straps you’ve tied into pretty bows. you throw on one of the boys’ button-ups that’s ended up in your closet somehow on top. 

walking onto the pier, you hesitate in front of the druthers. you don’t hear any of the boys, and though nothing’s stopped you from getting on and making yourself comfortable, you wait for a second.

it’s like he knows. rafe steps out from the bridge, and takes one look at you, eyes flicking up and down your body and taking in the yellow fabric that’s barely covering anything, before offering you his hand to get on. 

“hey.”

“hey.” you look around. “nice weather.”

“yeah.”

“kelce and top running late? he told me noon.”

“those two are always late.” he’s staring at you, and this time it becomes clear, that he’s looking at you the way a boy who has been inside of you looks at you.

“i packed mangoes. you liked them last time.”

“yeah, i did.”

“i just hope they’re sweet.”

“yeah. they probably are. sweet.” rafe keeps looking, and you turn around to set your bag down. “listen, kid-”

“it’s a great day. good weather.” 

“you already said that.”

“oh.”

“would you stop and look at me?”

“no, um,” you start, emptying out your bag onto one of the seats. “sorry, i’m busy.” you feel rafe grab your shoulder, turning you around. he’s not as rough as he could be, like he usually is.

“you okay?” he asks, and you feel stupid.

“i’m fine.. are you okay?”

“yeah. but you’re actin’ weird.”

“well yeah, rafe. we slept together. it’s weird.”

“you were on board-”

“i was. i am,” you clarify. surprising even to yourself, you think you still are. “doesn’t make it not weird. imagine if you and kelce slept together. wouldn’t it be weird?” rafe’s face twists into a mixture of disgust and concern. “okay. bad example. sorry.”

“yeah. m’just saying, i wanna make sure you’re okay. but i don’t regret it if that’s what you’re afraid of. and nothin’ has to change.” hearing him say it makes you feel better. you repeat the words, tasting the feel of it on your tongue.

“right. nothing’s changed. you’re still rafe. i’m still me.”

“it doesn’t have to happen again, if you don’t want it to.” you stare up at him with crossed arms.

“why are you being so nice about it?”

“jeez, kid. what, you-you want me to be a dick ‘bout it? sounds like you’d prefer that.”

“no, just. it’s weird when you’re nice.” you look at him for a second before the two of you start laughing. “y’know what i mean.”

“alright. i’ll stop being nice.”

“thank you. now where are these two? i wanna read my book.”

“probably still sleepin’. played until-” rafe keeps talking, but you realize you’re only half paying attention. he takes his shirt off, and at the very sight of his chain sparkling in the sun, you realize you’re no better than the girls who chase after him. “what?”

“hm?” a little dazed, you look up from his abs to his face.

“you’re starin’.”

“oh. you think we have enough time before they show up?”

“time for what?” rafe stares at you while you stare at him. “oh.”

turns out he thought you did have enough time. you end up with your cheek pressed against the tan sofa in the cabin, body folded with your head down and ass up. rafe’s slamming into you from behind, and though it’s only the second time with him, you think there’s no pleasure in the world comparable.

from this angle he feels even bigger than yesterday. you feel tighter, or maybe it’s just the way your cunt is sucking him in, he thinks, thrusting in and out with his hands grabbing the fat of your ass, watching it bounce with every one of his motions. he has an urge to untie your bikini top, just so he can look at the expanse of the bare skin of your back, but he knows you’ll fuss if he does. he settles for shoving the thin yellow fabric of your bottoms to the side, yanking it so hard that you’re scared it’ll rip.

“be—oh—careful,” you get out in between moans, louder than the first time and louder still than he thought you’d be. he likes it more than he should. you already came once, but he wants to see if he can get another out of you.

“shut up,” rafe groans, eyes fixated on your perky ass, the one he’s stared at in hundreds of short dresses and tiny skirts, bikinis that he shouldn’t let you wear and panties he gets an eyeful of when you’re asleep in his bed. “jus’ take it-”

you keep moaning against the couch, head shoved in to muffle what you can, but it’s when you look back at him, turning your head to watch rafe slam into you with wet, lustful eyes, tired from how hard he had just made you cum, that he really can’t take it, finishing hard and fast while you let out pretty mewls that are still ringing in his ear. 

he pulls out, adjusting your bikini bottoms to cover you up, though there’s visible wetness staining them. your inner thighs are shiny where your juices glisten. rafe has to tear his eyes away, you keep your legs clamped shut.

“you okay?” he asks, trying to catch his breath. you don’t speak, just nod. “c’mon.” rafe offers you a hand, again, and you accept, following him outside and into the sun, even though you’re so tired you could fall asleep where you were.

“thanks.” you say, wiping your neck of the sweat that has collected there. he watches you do it. “sorry, i don’t have a tip or anything. how about some fruit instead? call it even?” “shut up, kid. m’not a hooker, you fuckin’ weirdo.”

“no, of course not,” you gasp, like you’d never suggest such a thing. “the correct term is escort, rafe. it’s all very american gigolo.”

“you watch too many movies.” but you still hear him laugh when the two of you step onto the deck. 

“what’s so funny?” you hear top’s voice, freezing up. you catch rafe’s eye, before looking away

“nothin’, man-” rafe starts, but you start talking over him.

“just debatin’ how long it would take you idiots to get ready. got enough gel there, top?” rafe and kelce laugh while topper narrows his eyes at you.

your days are on the boat are always fun—the boys steer while you enjoy the breeze and the sun. you pass the fruit around and read your book—another romance beach read, of course. this one’s about two best friends falling in love. you can’t find the will to keep reading.

you tune in a conversation about a party tonight.

“are we going?” you ask, looking expectantly at the three boys in front of you.

“yeah. why wouldn’t we?” kelce says. you shift your gaze to rafe, who gestures to your thighs with his eyes. you clamp your legs shut, flushing.

“fun. what time?”

.☘︎ ݁˖

finding a little hard to walk straight after your little tryst on the boat, you switch your heeled sandals for a pair of sneakers for tonight. you smooth out your pretty blue dress in the back of top’s jeep. him and kelce are in the front, you and rafe in the back, pulling up to whichever family that was off-island’s mansion for the evening. the music was blaring, audible from even down the street, with two boys carring a keg into the house while top parked.

“are they celebrating something?” you question, staring at the crowds of people inside.

“yeah. the fact that it’s saturday night,” kelce answers, and you shove the back of his head from the backseat. 

you hear rafe and top talking about something, though you can’t make it out. yesterday you thought, dreading when the boys swung by your house to get you, that it would be awkward to sit next to rafe and act like nothing had happened. surprisingly after the conversation this morning, you find that it’s not. he leaned over to open the door for you to get in, asked you how your class was, did the things he always did.

topper’s an idiot for boosting his wheels, and you’d told him as much when he showed you guys for the first time. getting down is a nightmare, even more in your sore state (which you are attributing to the pilates and not the boy sitting next to you right now). 

you turn to look at rafe again but he’s not there, and instead you see him in your window, opening the door and offering you a hand to get down. rafe’s probably helped you down a dozen times. this feels different, you admit to yourself, holding onto his hand to get down and keenly aware of his other hand hovering around your waist.

inside, the party is in full swing, one corner by the windows with billows of smoke and a group of boys in another corner mixing drinks. 

the four of you end up like always—divided into half on opposite ends of a painted pong table from someone’s old frat house. some girl top’s been talking to makes her way over, hanging off his arm before long. rafe watches you toss the white ball, your nose scrunching up in concentration. you cheer when it goes in, turning to hug kelce. you’ve only had two cups but you’re getting tipsy already, he can tell.

“top. top!” rafe shouts over the music, but he’s too busy talking to the girl to notice.

“man, he’s clearly busy,” kelce says with a laugh.

“i agree. looks like that one’s for you, rafe.” you look at him with a giddy smile, leaning forward on the table, palms pressed flat. he wishes you wouldn’t—he can see down the front of your dress from this angle. you cheer when rafe chugs the cup of cheap beer.

he should make the next one just to get back at you, but he doesn’t want you to get too drunk. instead he misses, the ball falling right into kelce’s hands. 

if you were sober, you’d roll your eyes—you’d recognize that rafe missed on purpose. he’s better at this than all of you combined.

“give me five,” rafe says to top, casting one more glance back at you and kelce before walking towards a group of people on the couches and fishing something out of his pocket.

he’s gone, at most, ten minutes, and returns to find kelce missing. his place is taken by some brunette boy, who is currently trying to show you the best way to toss the ball. he’s standing awful close, a hand on your shoulder, his gaze on your exposed skin while you stare at the red cups.

“who the fuck is this?” rafe barks, though with the music blasting, only topper can hear him.

“i dunno, kelce ran off with that chick he’s been hooking up with-” the white ping pong ball lands in the red cup closest to rafe. he hopes he doesn’t look up to see something that’s gonna piss him off, but it’s dashed in seconds—you hugging the stranger in glee that you made another shot. 

he swings around the table, shooting a glare at the boy while putting himself in between the two of you. he faces the boy first.

“get lost.” the boy tries to say something, but rafe interrupts before he can get a word out. “get. lost.” you watch him scramble away, rafe turning to face you.

“c’mon. we’re done with pong.”

“but i made the last one!”

“i said we’re done. y’lucky i don’t take your ass home.”

“we just got here. why would you take me home?” you question.

for all the big talk, all the jokes and banter and emotions you’re trying to bury, you still don’t understand the simple truth known to everyone that’s ever met you and rafe—he’s never going to be happy seeing you with any boy besides himself.

“what’s wrong?” you question softly, looking up at him with big, confused, drunk eyes, not snarky like he thought you might be.

“no. just.. stop talkin’ to strangers, s’all.”

“but he was nice!” you yell over the music, picking up another cup from the table and taking a sip. you hate beer, but they took top’s jeep and not rafe’s truck, so there’s no spiked seltzer here for you. 

“no he wasn’t.” he takes the cup from your hand, pouring half the beer out into another cup before shoving it back in your hand.

“yeah he was! don’t you want that? the sooner i find a nice guy we can stop all of this, right?” you look at him earnestly, before chugging the rest of your beer. 

“alright, you’re cut off.”

the rest of the night goes by the same as all the others—kelce and top into a competition to see who can get more drunk, you tipsy enough to talk loudly about anything that comes to mind and rafe scaring away any guy who stares at you for too long. you stare at rafe’s back when he goes to sell, watching a pretty girl touch his arm when he’s counting the cash she’s handed him. 

you look away since you feel the beer coming back up, anger bubbling. you focus on topper, trying to follow along with his nonsensical conversation about his ex-girlfriend.

“don’t worry,” kelce says, and you turn your gaze on him, confused. “he didn’t even look at her.”

“what?” but his eyes aren’t on you, glancing behind you. you turn, though you shouldn’t, looking at rafe, two girls laughing at something while he opens the little white packet for them. glancing at kelce, and then at top, who is keeled over on the sofa, nursing a half-empty bottle of tequila just by himself, you walk over to where rafe is.

“wait, don’t-” kelce calls out after you, but you don’t listen.

“rafe, i think top’s ready to go. are you?” you interrupt his conversation with the two girls, and though you despise the fact that you’re doing this, you realize kelce was right. he wasn’t even looking at them. you gesture at your two other best friends on the couch, kelce trying to yank the bottle from top’s grip.

“yeah, kid. c’mon, this place is dead anyways.” you smile, though you shouldn’t let rafe see it. no, your smile is for the girls. you feel an unparalled joy when rafe swings his arm around you, guiding you back to the couch. 

you shouldn’t look back, but you do. the girls look mad and you feel happy.

this is fucked—the very thought sobers you. you shouldn’t be happy that those girls think there’s something between you and rafe, but you are. 

rafe manhandles topper into standing up, while kelce turns to talk to you. he’s drunk, and it comes out like a laugh. you smile, thinking he’s going to make some joke about top and tequila.

“you’re just as toxic as he is. hah. and i thought rafe was bad-”

“what?” you ask, but rafe cuts you off before you can figure out what kelce means.

“kelce, it’s your job to make sure he doesn’t puke in the back.”

“man, why am i always on top watch-”

in the car, you pick the music while rafe drives. you notice he keeps an eye out in the backseat, with top’s head half out the window and kelce texting on his phone.

“did you sell a lot?” you ask. you’ve never really mentioned it before, so rafe didn’t expect it tonight.

kelce’s words linger in your head. if you weren’t sober before he said that, you certainly are now. 

“enough. why?”

“just wondering. i saw you before we left, that’s all.” you look at the road ahead, listening to the quiet tune of the bryson tiller song you’d put on.

“you saw me?”

“with the pretty girl throwing herself at you? hard not to see.” you regret the words as soon as they leave your mouth—you sound bitter and angry, two things you truly are, but you don’t want rafe to know already.

“what, you jealous, kid?”

“why would i be jealous? you’re not my boyfriend.” it comes out louder than you expected, trying to talk over top and kelce’s voices in the backseat.

“no, m’not.” 

you bite your cheek and stare out the window. 

“not to interrupt, or anything, but i think top’s gonna puke-” you jolt when rafe slams on the brakes.

tannyhill is fifteen minutes from where the party was, but it takes fifty minutes to get back. rafe pulled over twice to let topper puke on the side of the road, so it’s three am before the four of you get back.

you want to go home—the alcohol in your system and unfinished conversation with rafe have left you feeling queasy too, but it’s three in the morning. top and kelce are too drunk to drive you, and you don’t want to ask rafe.

you decide that you don’t want to be alone with rafe either, changing into one of the shirts you’d brought from home and stupidly looking down realizing it’s one of rafe’s. did you own a single t-shirt that wasn’t from his closet? where had all of your clothes gone?

grumpy that you’re in his clothes, upset that he had pretty much admitted he wasn’t your boyfriend, and riddled with the assumption that he meant he would never be your boyfriend, you collect a pillow and one of the blankets from his bed, walking out the door when you hear rafe’s voice saying your name.

“where the hell are you goin’?” facing him, you stare at your feet.

“the couch.”

“when have you ever slept on the couch here?”

“i’m starting something new.”

“get in bed before i drag you there.” you groan, thumping both feet on the ground before stalking into the room. rafe exhales loudly, loud enough that you hear it, before muttering something under his breath and following you inside, closing the door.

you sit on the bed, but before you can think about what you’ve done, you bunch up a pillow in your hand.

“you-” you throw the pillow at rafe, which misses him completely. “suck!” the second thuds against his chest, before falling on the ground. you huff from your position on the bed.

rafe picks up both pillows, dropping them on the bed.

“what the hell was that?”

“this whole thing was a mistake.”

“it’s been two days.”

“well i’m an emotional fuck!”

“yeah, i can tell.” you pick up the pillow again, whacking rafe’s side with it.

“ugh! you can’t just-” your hands falter, dropping next to you while you look up at rafe through wet eyes. “-just say that us sleeping together is a good idea because you don’t want me with any other guys. what the fuck am i supposed to do with that?” 

“i don’t know! you’re the fuckin’ clueless one. what’d you think that means?”

“stop! just tell me! stop making me think, i’m so drunk and everything is mental gymastics with you-”

“well stop throwin’ my own pillows at me!”

“you suck, rafe. all of this and you can’t just tell me whether you like me or not?” 

in hindsight, you don’t know where the question came from. maybe a small part of you that wasn’t willfully ignorant suspected a long time ago that the way rafe acts towards you is more than just overprotective friendship. you had buried the thought the second it emerged—rafe cameron doesn’t have girlfriends, doesn’t do relationships. the rafe that’s been your best friend was your best friend for that very reason, because you weren’t in love with him.

or at least you thought you weren’t in love with him. and at least, he thought you weren’t in love with him.

the truth, you’re beginning to realize, watching rafe grab the pillow you’re about to hit him with out of your hands and set it down, is that rafe only acts the way he does with you, and no one else. the drinks you like in the back of his car, his shirts in your closet, the bed you share and all the time you two spend alone. you thought it was a great friendship, and maybe it was. but all along there’s been something bubbling underneath the surface, the feeling in the pit of your stomach when he started talking to that girl, how angry you get when you see him with any girl that’s not you. 

you thought rafe’s a dick for giving you such a hard time about any boy you try to talk to. he is a dick, but you’re the bitch that can’t stand seeing him with another girl.

and as the thoughts rush through your head, rafe looks at you in his bed, in his shirt, and realizes the answer to your question is that there’s no one in the world he likes more than you.

“you should have told me ‘bout the emotional fuck part.”

“you should have just confessed.”

“nah, not really my thing.” he sits down on the bed next to you, and you stare up at blue eyes that are looking at you, a smile on his lips. “this whole thing was a bad idea.”

“it’s been two days,” you mock.

“yeah, well, we tried it.”

“do you regret it?” you hold your breath for the moment of truth.

“c’mon kid. yeah, i do. ‘cause i’m not letting you out of my sight after this. you’re dating me or no one at all.”

“so if we break up-”

“straight to the convent for you. don’t worry, i’ll send you a care package. strawberry seltzer and those porno books-”

“shut up.”

“you shut up. and get the fuck into bed. it’s late.”

“you don’t want one last emotional fuck? on your last day as a single man?” you tease, crawling under the sheets. “learn how to read a clock. it’s past midnight.”

“oh. whatever, you know what i mean.”

“i guess i can be convinced-” he leans in for a kiss, and you hold your breath waiting for it, when there’s a sharp knock on the door.

“guys. sorry to interrupt whatever the hell this is, but i think top needs to get his stomach pumped.”

[ssahotchnerr]

Hello, I have a request. How about Aaron going costume shopping and Aaron loses her FOR A MINUTE before he finds her where all the princess and fairy costumes are. Like she is completely mesmerized by costumes that she doesn’t notice Aaron picking her up and saying “I’m reconsidering making you a leash kid, you know” but he doesn’t really mean it and she’s just pointing at a costume “I want this one, daddy!”

jumpscares

i changed this up a tiny bit but the overall concept is still there <33 cw; fem!reader, protective girl dad!aaron (small angst), jack calls reader mom, references to your usual cm violence, halloween and fluff!! wc; 1k

"Dad, c'mon." Jack whined in slight impatience and excitement, prying the door open and hanging back slightly on the handle.

"We can only move so fast bud." Aaron responded, maintaining his current pace. We as in Ellie. Her tiny legs limited her speed, she was practically skipping to keep up with just him. "The costumes aren't going anywhere."

With the holiday quickly approaching and Jack's insistent worries the cool costumes will be gone soon - while you ran necessary errands of your own, he had been tasked with taking the kids to the Halloween store.

Upon entering, Aaron lost Ellie's hand almost immediately as she halted, causing it to slip abruptly from his grasp.

She was frozen in place with her gaze directed forward, keeping a generous distance from the frightful animatronics greeting the three of them at the entrance.

A scowl was on her face; it didn't appear she wasn't necessarily scared, but a mix of disgust and worry were vividly present instead.

"They're not real sweetheart." Aaron tried to reassure, his gaze softening. "They're just decorations."

"I don't like that one." Ellie grabbed his hand, using her other to point at the menacing, horrific clown. "He looks mean."

"He does, doesn't he?" Aaron agreed, his mouth drawing into a pensive line as he played along. "But that's okay. They're meant to be for fun."

"They're not very fun."

The three began wandering through the display of frightful animatronics, led by Jack, a good idea in theory. Jack disciplinarily left Aaron's mouth a few times, as he attempted to get his sister to step on the sensors in order to get spooked.

Ellie ended up in his hold, gripping onto the collar of his t-shirt while Jack indulged himself in getting delightfully jumpscared. She merely watched, each burst of sound causing her to scoot closer into her father, more like her shield.

"Alright, let's find what we came here for." Aaron placed Ellie down, Jack beginning to browse as they reached the costumes. "It is a school night. We can't be out too late."

Selecting a costume, or even brainstorming an idea was bound to a lengthy task, the two of them utterly indecisive. Ellie adored every costume they passed, had to stop, look and point it out. Jack, on the other hand, was pursuing a more silent, observational strategy.

"Anything sticking out?"

"Maybe Spiderman?"

"You never stick to Spiderman." Aaron reminded him with a small smile, the fond memory of when Jack dressed up as him coming to mind - easily within his top five Dad moments of all time.

"Yeah... so maybe not that." Jack breathed out a huff, his eyes continuing to peer around. "Or we can all be superheroes." He poked an adult Batman costume, causing it to sway. "You can be this, and then Mom can be Wonder Woman or something."

Aaron nodded slowly, although he personally didn't plan on dressing up. But could he be persuaded by you and the kids? Maybe. "That could be fun."

"And then Ellie could be Spidergirl-"

Speaking of Ellie, she had grown suspiciously quiet - her chatter stopping altogether. Aaron's eyes shot down, only to find Ellie not besides him.

Jack was the one who verbalized it, his eyebrows crinkling in confusion. "Where'd Ellie go?"

Panic immediately swept through him, his heart rate heightening and his body succumbing to a numbing freeze. Fuck.

Suddenly, he didn't know whether or not his knowledge of child abductions were an advantage or disadvantage; knowing how to act quickly, but also the unfortunate outcomes.

his mind instantly shot to the conversations he had with victim's familiies with what felt like daily. The scenario had turned- he was in their shoes. And just as they all stated in their interviews: He should've been paying closer attention. He only looked away for a minute. He knew these things - why did he look away?

Attempting to push the statistics in the back of his mind, he was on the move, Jack following right at his heels.

"Ellie?"

Luckily the fear was short lived; she was two aisles over, captivated by the girliest costumes one could imagine, very Ellie-esque.

"Eleanor." Aaron breathed out in relief as he saw his piggytail-headed daughter, sweeping her right off her feet again. "You know better than to wander off."

"I wanna be this." Ellie pried a princess costume off the rack, Aaron paused as he lifted her so she could remove it successfully. "Can I Daddy? I really wanna."

"Well, let's make sure it's your size." He took it, doublechecking and allowing his heart rate to calm down. Upon confirmation, his eyebrows furrowed. "Are you sure you want to be this? Or do you want to be a superhero with Jack?"

"I wanna be a princess." Ellie insisted, a pleading tone within her voice. "Pretty please?"

"Sure, if that's what you want. We'll have to find you a crown too, or use one from home, it doesn't seem to be included." She nodded as Aaron tucked the packaging under his elbow, allowing him to hold both it and her. However, his demeanor switched over to one more serious. "But hey, look at me please."

Her adjacent brown eyes met his own; a touch of fault, and sincereness. She knew she had disobeyed in one way or another. And whenever she did, it was written all over on her face.

"No running off, okay?" He instructed sternly, but gently. "It's really important I can always see you, and you can always see me. We don't want you getting lost, yeah?"

She shook her head. "That would be bad."

"Very bad. Mom would not be happy with me if I came home without you." Aaron affirmed, eyebrows raised. "Do we have an understanding?"

"Yes we do." She replied cheerily, oblivious to the heart attack she had just given her father. "No running away."

"Thank you." He pressed a kiss to the top of her head, exhaling and the tension in his shoulders alleviating. Ellie was fine. No need for further panicking. Everything was fine.

And Jack, ever the dear, comically inputted, a witty grin plastered on his face. "Maybe Ellie should be the Flash instead."

[lactoseintolerentswag]

Rise Characterizations

Last month I did an in-depth re-watch of rottmnt s1 to take some notes on writing the characters of rise from their perspective and such. Figured I'd share what I found, but I'm also posting this bc my docs have a nasty habit of blipping out of existence.

We'll start with Raph bc he's the oldest of course, but I'll post the others sep. bc this is gonna get long!!

Raph Character Notes

Language Habits:

Catchphrases: "like a boss", "smash"

Verbalizes his attacks such as "smash", "knuckle sandwich", "power smash jitsu", "tonfa power jitsu", "mystic punch jitsu"

Uses older song titles for surprised exclamations or in place of cursing, most notably "jumping jack flash!"

Uses aave/bae, For example: 'em instead of them, 'ey instead of they, 'cause instead of because, forgoes the g in ing words (going becomes goin')

Uses less and less grammar the more he's stressed, and his voice will come to a higher pitch

Will speak in a softer tone to his little brothers if he's concerned about hurting their feelings. Aka babying them

Mixes up both metaphors and idioms. Would be one to say how the turn tables unironically

Does say "hero" a lot, lost count, especially in phrases like "hero town"

Refers to his brothers as "boys" or "fellas"

Refers to Splinter as "pop(s)" most often

Refers to strangers he's directly talking to as "bubs" or "hoss"

Personality:

Protective of his family

Plays up the hero act/has a strong sense of duty and justice

Impatient, rushes in without a plan (pre-movie), doesn't finish books until the end, falls asleep during "boring movies"

Oblivious, doesn't read into things beyond surface level. Struggles with empathy when something is beyond his understanding, but is still very emotional

Center of responsibility for his brothers, but also has a reckless sense of fun. As long as it's him doing the stupid unsafe thing it's fine

Carries the weight, in a literal sense he piggy backs his brothers, but will also use his body as a shield from danger. Unfortunately this also means he takes his brothers a little less seriously (Mikey the most common victim), and will try and either protect them from everything or as an oldest sibling everything has go "his way"

Doesn't do well in solitude. Needs to be looking after people to feel functional, and needs to be around people to feel safe

Clumsy, "takes horrible pictures", isn't very good at hiding, he's a big guy so it probably took a lot of time to find balance

A sweet guy who still won't shy from making fun of his family. Leo tends to be the brunt of his teasing since he is the most annoying, but he will also poke Donnie on his dramatics

Likes cute things!!! Has a teddy bear collection and loves animals. It's so cool how this isn't played off as a joke and he's still just as masculine for liking pink and cutesy stuff

Likes fighting!!! Gets a lot of energy out defeating bad guys (where he directs his anger towards), the one who is shown to train the most, and also weight lifts in his spare time

Doesn't do well under pressure, here the anger comes out the most. He gets stressed when it's all on him, especially since he tends to mess up the most in these moments

Miscellaneous:

Second to unlock mystic powers

Nicknames/codenames: "raph-a-doodle" by leo, "red rover" by april, "red king" by donnie

Teddy bear names: Doctor Huggenstein, Captain Snuggles, Cheech

Stinks: fear stink, amazement stink, sneaking up on people stink, victory stink

Seems to be less afraid of rabbits and more afraid of puppets

Went on his first solo mission at 13

Cannot lift a bus, at age 15

Thought about discussing fighting style, but I'm not as familiar with that concept and I've seen a couple posts dissecting such topic. So we'll end here for now. Hope this was helpful!!! I'll post the rest of the boys later and link here

Leo is up!!

Donnie is up!!

Mikey is up!!

Splinter is up!!

April is up!!

Cassandra is up!!

Baron Draxum is up!!

[triptychgardener]

What does becoming a furry in Homestuck mean? (In reference to your recent Nepeta post)

Okay so the thing is the way that Homestuck treats furries is honestly kind of equivalent to how it treats queerness. As in, Homestuck initially treats it like a joke or a thing to mostly sneer at. Homestuck was very much part of the wave of disaffected ironic assholes of the Newgrounds and Something Awful type, especially to start with, and that sort of relied on shitting on demographics that were seen as weird and permissible to find cringe and make fun of.

Jade comes onto the scene, and a lot of people sort of groan at her whole furry shtick. Jade is largely, however, just a pretty sincere character, and even though she feels some embarassment over the idea of BEING a furry (i.e. her distaste for the idea of actually wearing a fursuit) she nonetheless begins the admirable refrain of combining the finest qualities of humanity with the elegance and nobility of the animal kingdom.

Her earnest affection for all things anthropomorphic sets up more than just her excellent taste. And as much as she is a bit of a pattern-breaker, one pattern she doesn't break is that of having a Signature Animal.

The four beta kids have a bunch of different things associated with them: the four elements, four items, four musical instruments. But the animals are practically integral to who they are as people and characters.

John's attachment to the bunny is obvious, and helps to spur on one of the most emotional scenes in the comic. (For him. Him specifically.)

It's also something deeply precious to him, as it's a gift from every single one of his friends in a very roundabout fashion!

For Rose, Jaspers is half the reason she decided to play the game in the first place. She missed her dead cat so dearly she was willing to play a game that might end the world for it.

(Pictured above, Rose lying about her feelings, water is wet.)

Dave seems to at least feel some affection for crows, or at least shame when he kills them.

And his fusing to become Davesprite is what allows him to survive as a "copy" of the original Dave. Once again, Dave's disaffected irony giving way to the necessity of becoming a furry to save the world.

And for Jade, of course, Bec.

And it's notable that, by the end of the comic, at least THREE of our main beta kids have merged with their animals, and, in a way, become the best versions of themselves.

Jade obviously gets to achieve her dream of becoming a furry, and in doing so gaining power and agency that she was always denied due to her position in the story.

Davepeta, as I stated in a previous post, is the true Final Form of Dave, the pawn that made it to the end of the board, the only surviving character from Homestuck's "original" timeline, and is truly happy with themselves.

And Jasprose appears to have fully hurled herself through the walls Rose put up around herself to protect her image, and thus absolutely mortifies Rose. She just seems to be having a great time.

Homestuck evolved from a story that was deeply cynical and mean-spirited about furrydom, to a story where three of our four starting protagonists, in their truest most powerful forms, combine the qualities of man and beast to achieve self-actualization. And to bring this back around to queerness, these three characters also happen to be canonically queer. So there's that.

This isn't even to get into how this might relate to Troll Lusii and the concept of "growing up" to be more like one's parent on a planet raised by animals, but that's for another day.

[monster-effer]

Oh okk my wifi been acting up lately💀 I requested hcs with all the l&ds men about how'd they react to finding out reader can secretly pole dance, sfw and nsfw hcs if you do nsfw please! Thank you!!💕

This was a really fun concept to write about!!

It seems I am incapable of describing things concisely because this turned out much longer than I expected LMAO, I hope you enjoy 💗💗💗

Sylus

Funnily enough, this starts from a game of tipsy Truth of Dare with Luke and Kieran. You chose truth and they asked you to tell them one unknown fact about yourself. You are a certified yapper when you’re tipsy so you blabbed about your pole dancing hobby then passed out and forgot about your confession.

Of course this info made its way back to Sylus (most likely that same night). And he was intrigued. He would tease you while asking why you’ve been keeping such an interesting hobby from him.

The very next day he would have a pole installed in one of the spare rooms of his home base.

The room would be decorated with in dark, seductive colors with ceiling lights that  showcase the pole and the immediate area around it.

There is no furniture in the room besides a plush black arm chair and a side table.

Sylus calls you over to the N109 Zone saying that he has a surprise for you.

When you arrive he’s all smirks and being more vague than usual. You also don’t miss the mischievous glint in his eyes.

As he lets you walk into the room first, you are speechless.

“Forgive me if this is too presumptuous kitten, but I couldn’t get the image of you pole dancing out of my mind. I have a request, why don’t you show me what you’ve learned so far?”

“What’s in it for me?”

Sylus chuckles huskily before replying “Have I ever left you empty handed? You know me better than that.”

You gulp at his offer and quickly don the outfit and shoes that are placed neatly near the pole in the room.

Sylus dims the lights in the room, with the ceiling lights over the pole brighter than the rest. He settles into the armchair and pours himself a glass of whiskey. He adjusts himself in his pants, already feeling his cock stiffen from the anticipation.

You stretch and take a few breaths to get yourself in the zone.

You connect your phone to the speaker in the room then play the first song from your pole dancing playlist.

Once you feel confident and ready, you make eye contact with Sylus and begin to sway to the seductive music.

Although you took several classes in person, you have never performed for anyone before.

You begin to slowly whine your hips to the beat and spin while maneuvering around the pole.

With Sylus’ full attention focused on you, you can’t help but feel like a goddess.

Sylus’ gaze is practically searing your skin. You begin to perspire from the effort you’re putting into this performance. Feeling bold, you slide all the way down the pole until your thighs are flush with the floor. Then, you crawl towards Sylus.

Sylus sharply inhales and puts down his emptied glass on the side table as he eagerly awaits what’s to come.

When you reach him, you place your hands on his knees and slowly rise to your feet. You flash a mischievous smile at him before straddling his lap. Then you wind your arms around his neck and look into his eyes as you grind down hard onto his lap.

Your breath intermingles as you hypnotize him with your undulating hips. When your performance ends you are lightly panting, nervously awaiting to hear his thoughts.

Sylus is mesmerized by the gift you’ve just given him. And he can’t help but to cup the right side of your face before pulling you in for a passionate kiss.

Your lips glide against one another before you both have to pull away to catch your breath.

“Does that mean you enjoyed the show?”

“You were exquisite my sweetie,” he says as he places his hands under your thighs and rises from the chair. Your legs instinctively wrap around his waist as he walks towards the door of the room.

“Now, let me give you your prize for that outstanding performance.”

Zayne

Zayne is walking around downtown Linkon when something catches his eye. He sees someone that looks suspiciously like you in the window of a fitness class. He has eyes for no one else as he watched you swing effortlessly around the pole. Not wanting to be mistaken for a pervert, he only watches for a few more moments before continuing on his walk.

He ends up walking past his intended destination because he was lost in thought over what he saw. So many questions pop into his mind. Luckily it is Thursday, and he has plans with you this weekend.

Saturday morning finally arrives, and you are at Zayne’s door holding an assorted box of fruit flavored macaroons.

As you let yourself in with your key, you find Zayne washing dishes in his kitchen. He is lost in his thoughts because he doesn’t immediately notice you’ve come in. You place the macaroons on the kitchen counter before circling his waist with your arms and resting your head on his back.

“I didn’t hear you come in,” he says softly.

“I just arrived. A penny for your thoughts?”

He finishes washing the dish in his hand before he dries his hand on a clean dish towel. He untangles his body from yours so he can face you.

“I saw something interesting when I was taking a stroll in downtown Linkon earlier this week.”

“Oh? And what was so interesting that it’s stayed on your mind until now?”

Zayne pushes his glasses up on the bridge of his nose as a light blush overtakes his cheekbones.

“I saw someone who looked exactly like you a few days ago. They could have been your doppelgänger.”

It doesn’t immediately register in your mind that he’s talking about you yet.

“Oh? And what was my twin doing?”

He clears his throat before continuing. “Pole dancing,” he says in a low tone.

Your eyes widen as you connect the dots.

“O-oh,” you say shakily.”

“It’s a new hobby that I picked up recently. I didn’t think you, my doctor, would complain about me building muscle,” you reply cheekily.

“It seems you misunderstood me. I am far from complaining. I do have a request though.”

“And what is that?”

“I request an encore performance, just for me. Considering your medical condition, it is not advisable to begin a new exercise routine without first consulting your doctor.” He says with the smallest grin on his face.

“When is your next available appointment? I had a pole installed in my apartment a week ago. We can conduct your assessment there.”

Rafayel

Rafayel comes across your knee pads and skimpy outfit when he visits your apartment one day.

“What kind of event calls for this outfit cutie?” He asks while holding up your short shorts and knee pads.

IMO Rafayel would be very curious about your pole dancing skills. He would teasingly request a demonstration of your skills and he’d be adorably flustered as he watches your body wind up, down and around the pole.

The man would be flabbergasted and turned on at this demonstration of strength and the expression of freedom as you perform for him.

The sensual nature of this private show is heavy in the room. He’s never seen you look so confident and carefree before. He lets out a weak moan as he watches you and begins to palm his erection through his dress pants.

As a result of your performance, his libido and creativity are at an all time high.

He would have a pole installed in his studio and call you over one day.

He would request that you to hold various poses for him as he attempts to capture the raw sensuality you exude.

Rafayel would get so worked up while he paints that his ever steady hand begins to shake. Before he is done, he is begging for you to use him for your own pleasure. Whether it be riding his face, his cock or his fingers. Any of those get him off because your pleasure is his.

This develops into a pleasurable cycle.

One, two, three paintings later result in Rafayel being desperate and needy for you. More so than he already was. He is never letting you go.

And the paintings of you begin to pile up in his studio. But they aren’t for sale of course, they are for his eyes only.

Because to Rafayel you are the most captivating work of art he’s ever seen, and he will not share this side of you with the rich schmucks that can afford his art.

Caleb

Caleb finds out about your new hobby during one of his visits to Linkon. Instead of heading to his apartment in Skyhaven, he came over to your apartment for a change of pace.

When he walks into your apartment, he is immediately greeted by the pole you had installed in your living room.

He playfully raises his eyebrow and tilts his head to the side as he says, “I didn’t know you have this in you pipsqueak.”

You shrug and say, “I’m not a kid anymore Caleb.”

He slowly eyes you up and down. “Oh, there’s no doubt about that. How exactly did you start this new hobby?”

As you explain that you got into pole dancing for fun and strength building Caleb is nodding along with your reasoning.

“Strength building huh? Show me what you’ve learned so far princess.”

Your heart feels like it’s going to beat out of your chest. But you eventually agree then go change into the performance outfit that gives you the most confidence.

Caleb is already feeling flustered when he sees the skimpy outfit you changed into. He has tried not to act on his long held crush but today may push him past his limit.

As you stretch you wonder if this is crossing the line for what is acceptable to do with a childhood friend/pseudo brother figure. Although you’ve denied it on multiple occasions, your feelings for Caleb lost their innocence well before this moment.

You grab your bluetooth speaker and turn on some music. As you lock gazes with Caleb you feel like this is the point of no return.

Caleb looks suspiciously comfortable seated on your living room couch, thighs spread wide and arms resting on the back of the sofa.

You gaze trails away from him as you close your eyes to get yourself into the zone. After taking a deep breath, you begin to strut around the pole. You seamlessly transition into a routine that you’ve practiced multiple times. But today it feels different, somehow more intimate because Caleb is watching you.

You lose yourself in the music as you climb the pole and twirl slowly down it. You feel so seductive in this moment as you lock eyes with Caleb and take in his reaction.

Caleb was already attracted to you because how could he not be? But tonight, he is struggling to hold back his possessive urges to stake his claim on you. In his mind, you have always been his and tonight he’s going to make sure you know it.

He doesn’t even wait for you to finish your routine before he activates his evol and pulls you right into his lap. His violet eyes were filled with lust as he takes in the surprised look on your face.

You are shook to say the least. Caleb doesn’t use his evol on you often, and when he has it was never for something like this. The tension between you two is thick as you look into each other’s eyes.

“I take it that you liked the show?”

“I’m sure you can feel how much I enjoyed it princess. From now on think I’ll be crashing at your place whenever I’m in town,” he says before pulling you into a messy kiss.

Xavier

Xavier finds out about your new hobby from overhearing a conversation you were having with Tara and Simone.

From the brief snippets he heard, it seemed like something you were really excited about. It made him wonder why you haven’t mentioned it to him yet. Since you two talk practically every day there have been plenty of opportunities to do so.

A few weeks pass before Xavier feels like he’s given you enough time. He decides to bring it up while you two laze around his apartment.

“I heard you talking to your coworkers about your new hobby.”

You choke on your boba tea.

“Did you now?”

“Yeah,” he answers breezily. “What is it?”

“I’m learning how to pole dance. It utilizes multiple muscle groups and I like how it makes me feel.”

Xavier is shocked but he doesn’t let it show on his face. “How does it make you feel?”

You whisper out “Strong…and beautiful.”

Xavier hums lightly at your answer.

“Are you allowed to record yourself in the classes you take?”

“I would have to check. But, I had a pole installed in my apartment a few days ago.”

A small smile appeared on Xavier’s face. “Can you show me your moves bunny?”

You send a flirtatious smile his way before standing up and walking towards his front door.

Let’s just say that Xavier is mystified by your hips. You show out for him just to see what causes him to lose his composure. It happens to be the moment that you slide down the pole, proceed to stand up and swivel your hips in a figure eight motion that does it.

Xavier flashes over to the pole, grabs you, then sits back on the couch while holding you in his lap. “Continue dancing,” is all he says in the commanding tone that makes your heart quiver. When you look in his eyes you realize you may have pushed him too hard.

You gyrate in his lap as you hold his gaze, charmed by his blue eyes that have darkened with lust.

His thumbs are digging into your hips, holding you in place. As if you’re trying to escape.

Xavier would 100% whisper some nasty shit into your ear while you continue to grind on him. Once he’s had enough let’s just say that your bed frame and pussy never recovered ♡.

[gotta-get-back-to-hatchetfield]

Help! I loved Nerdy Prudes Must Die and am curious about Nightmare Time but don't really have time to commit to watching it all... (a handy guide)

For those of you who don't know Nightmare Time was a series of Hatchetfield one shots that starkid wrote and recorded during lockdown, all of which are of course available for free on YouTube. They go a lot deeper into the lore than the 3 Hatchetfield musicals, including explaining and explore the characters we know and love in more detail, sometimes including shocking revelations.

They also introduce new characters to the Hatchetfield universe, including Stephanie Lauter, Grace Chasity and Pete Spankoffski, who we first met in a Nightmare Time episode.

As they were filmed in lockdown the recording quality is somewhat variable, but Season 2 has a much higher production value than Season 1, and in Season 1 Episode 1 in particular they were very clearly trying to find their feet with it. That being said the actual scripts and content of the episodes is solid throughout.

I've decided to put together this handy guide of which Nightmare Time episodes people might want to check out if they want to learn more about certain things we saw in NPMD.

1) Nibbly - Honey Queen (season 2 episode 1)

If you're curious to learn more about the Lords in Black each of them (bar Wiggly) have an episode of Nightmare Time devoted to them.

For Nibbly, Wiggly's hungriest and pinkest brother that episode is 'Honey Queen' in Season 2 Episode 1.

It explores a very entertaining rivalry between Linda Monroe (from Black Friday) and Zoey (the annoying barista from Beanie's in TGWDLM) that naturally turns very very dark. We also get to meet Linda's husband Gerald who she spends most of Black Friday on the phone to.

As a heads up Nibbly doesn't appear until, shall we say, the end of the episode (with Hatchetfield there's always a twist) and he's not in the super sexy form from NPMD but it's a very strong episode and does give a bit of background to Nibbly's deal.

2) Tinky - Time Bastard (season 1 episode 2 part 2)

If you're curious to learn more about this yellow motherfucker played by Curt then you're in luck because he's in my personal favourite episode and one with a lot of interesting lore surrounding it.

If you're curious about what he means when in NPMD he says 'I could add another Spankoffski to my set', Time Bastard is focused around Pete's brother Ted (from TGWDLM) and the dodgy dealings of CCRP.

It's an extremely clever episode, with lots of really fun twists. It's unfortunately season 1 so has slightly lower production quality, but in terms of raw scripting is just outstanding and has some really interesting reveals about people in the Hatchetfield universe who may not be who we think they are...

Also worth noting that this is in the same episode (Youtube video) as a different Nightmare Time episode 'Forever and Always'. Most episodes work like this where you have two different stories per episode, they absolutely can be watched independently but usually have some sort of thematic link (in this case it's the things we do for love and how they will inevitably be thwarted by CCRP being sketch).

3) Blinky - Watcher World (season 1 episode 1 part 2)

And if you're curious about the one who's always watching you, he's actually the first Lord in Black we meet through Nightmare Time, in the very first episode when Bill and Alice Woodward (TGWDLM) go on an ill fated trip to a spooky theme park.

Again this is from the first episode so production quality is low but it's a really solid episode and a very interesting look into these characters.

While this is our first meeting of a lord in black in Nightmare Time, I don't believe he's actually referred to as such, and the concept of the Lords in Blacks being introduced as Wiggly's brothers comes in at point 5 on this list.

4) Pokey - Yellow Jacket (season 2 episode 4)

You've already met Pokey through TGWDLM (yep that was his blue shit that destroyed the world!), but you won't truly realise how fucking scary he is until you meet his incarnation 'Otho' in Yellow Jacket.

A solid episode exploring Lex, Hannah and Ethan in a lot more detail, and in a world and lives where (at least at the start of the episode) things seem to be a lot more stable for them than in Black Friday.

And yeh as I've already mentioned Pokey is fucking s c a r y in it. Also you remember James Tolbert's character, Charles that gets a little cameo in Hatchetown? Well he's the main human antagonist of this episode!

We also learn a lot of lore about 'the gift', the thing that makes Hannah able to do magic.

5) The concept of the Lords in Black generally - The Witch in the Web (season 2 episode 3 part 2)

If you're curious about why everyone's been posting pictures of those evil teddy bears and now even more confused that you've met them all as fucked up high school students, the Witch in the Web is the episode where we're first introduced to the 'they don't care bears' as a set.

This is a really cool episode, again about Lex and Hannah, but it also exploring Uncle Wiley (from Black Friday) in a lot more detail.

We also first meet two characters called Duke and Miss Holloway who together form the ship Holloduke that if you were following any of Starkid tumblr during lockdown you will definitely have heard of. They're really cool!

Here we also meet Webby, Hannah's imaginary friend in Black Friday, who turns out to be the lord in black's sister: a queen in white. And she's dope.

6) Pete Spankoffski, Stephanie Lauter and Grace Chasity - Abstinence Camp (season 2 episode 2 part 2)

We first meet the now beloved characters of Pete and Steph and the slightly less beloved character of Grace in an evangelical abstinence only camp. The episode centers entirely around these characters and plays excellently with tropes of the horror genre.

It also has the best song in all of Nightmare Time and it's up to you to decide if I'm talking about 'oh my god it's the axe-man' or 'virginity rocks' (it's both, the answer is both).

That's pretty much it in terms of Nightmare Time episodes that cover things from NPMD, but in case you're curious here's a quick run down of what the rest are about:

The Hatchetfield Ape Man - season 1 episode 1 part 1. Hidgens makes Ted pretend to be a Tarzan style half monkey, half man thing to con Angela Giarratanna out of her inheretence.

Watcher World - season 1 episode 1 part 2. See bullet 3 above. Alice and Bill Woodward go to a theme park and shit hits the fan.

Forever and Always - season 2 episode 2 part 1. Paul and Emma get married. Things are not as they seem (there are robots). One of my personal favourites.

Time Bastard - season 2 episode 2 part 2. See bullet 2 above. Ted fucks with time travel and things end very badly for him. Best episode imo.

Jane's a Car - season 2 episode 3 part 1. Turns out the soul of Tom Houston's ex-wife Jane, who died in a car crash, transferred into the car. This somewhat complicates his budding relationship with Becky Barnes.

The Witch in the Web - season 2 episode 3 part 2. See bullet 5 above. Hannah Foster's having nightmares and somehow a witch and Uncle Wiley are involved. Luckily a good witch (Miss Holloway) is there to try and help.

Honey Queen - season 2 episode 1. See bullet 1 above. Linda Monroe and Zoey Chambers compete to win the Hatchetfield honey queen beauty pageant and things spiral wildly out of control. My personal favourite episode from season 2.

Perky's Buds - season 2 episode 2 part 1. Emma's finally achieved her dream of owning her own pot farm. Just her, her non-binary farm hand Ziggs and some very evil birds.

Abstinence Camp - season 2 episode 2 part 2. See bullet 6 above. Pete, Steph and Grace go to a retreat in the very creepy woods to learn one way or another about the perils of pre-marital sex.

Daddy - season 2 episode 3 part 1. Remember Sherman Young (Jamie's weird creepy guy from Black Friday)? Turns out there's something very weird going on with his mum. We also learn a lot about Frank Pricely (owner of toyzone from Black Friday) in this episode, who turns out to be a very interesting character.

Killer Track - season 2 episode 3 part 2. Miss Holloway must take extreme action to save a young girl and then the whole world against an evil song that kills anyone who listens to it. We learn a lot more about Holloway as a character and she is soooo cool. Another favourite episode of mine.

Yellow Jacket - season 2 episode 4. See bullet point 4. Hannah seeing her sister struggling to provide for them financially decides to find a way of using her power to earn some spare cash.

Hey Melissa - episode aired only on a livestream, type it into youtube and it'll come up. If you've ever found yourself asking 'what if Mariah's secretary character from the start of TGWDLM was really into dom pup play and Paul Matthews was her little pup bitch and she was also a horrific out of control serial killer?' then a) are you Matt Lang because if not I'm concerned? and b) by god this is the episode for you!. I personally really enjoy it I think it's super funny, but obviously heavy trigger warnings for abuse and sexual content warnings (there's a reason they didn't put this in the real series). Fucking excellent tho.

[derangedanomaly]

sorry for this request, but I love your writing style and all the info you put in♡♡ Also want you to take a break if you get overwhelmed but here's my request.

Can you do Bad sanses + Epic sans x Death god reader? (Basically the reader but they're a god of death to help the balance with Reaper sans since Reader usually offers to help him)

It's absolutely fine, I feel so touched about the compliment..I'm happy that y'all like my work! Hope you enjoy this one, dear requester! ;)

SANS AUS X READER THAT'S THE GOD OF DEATH

(Nightmare, Dust, Killer, Horror, Cross, Error, Epic, Reaper)

Nightmare:

He's very confused at the start to be honest. There's already a reaper, why is there another one?? Was his question, which he (at the end), finally understood.

Holds respect towards you. I mean, you have the responsibility of every dead person, and you never failed. Respect.

Wants to know more about the whole concept of death, but is too busy to focus on it 😭

Is rather surprised that you don't have the 'touch of death' like Reaper, but instead work...kinda like Hades.

Is very jealous every time you help out Reaper. He literally can't stand it, so he just stays in his room to sulk for the whole day. 😂

Very quickly found out that you're immortal, and that mortal weapons don't do shit to your health.

Feels a little unstoppable now that they have the God of Death on their side. (You don't play on sides though, which he doesn't know 😀)

Would love to see how you work. The concept of death always interested him, so he always asks questions about it whenever he has the chance.

Dust:

Dust is not the type of person to simp over someone so quickly. Unless it's you.

The first time he sees you, he literally can't think straight. Finds you very attractive. (The fact that you're the god of death makes him feel something. 💀)

He feels so disgusted by himself, like... Killer's supposed to be the simp here, not him!

Since he's kind of like a nerd when it comes to monster species, he literally geeks out when you two are alone, but he also can't talk properly to you, because he's so attracted to you. 😭

You once took him to the underworld and he almost combusted right then and there. You found it quite cute how he almost resembled a kid in a toy store.

Dust doesn't like Reaper much, so when he found out that you two work together....things didn't end up very good. 😀

Killer makes fun of Dust constantly whenever you're around, but Dust always makes him regret that decision... (He beats his ass)

He has those heart eyes around you, which is really cute 😭

Killer:

Everyone knows that Killer will flirt with anything that walks. So of course his first thought was to flirt with you.

He's always close by whenever you're working, which you quickly found out that it's because he's following you, and not in a cute way. (Stalker vibes 💀)

Look, he just has nothing to do, and he's curious about your work.

One time threatened Nightmare that he can use your deadly touch on him, which backfired, since your powers don't work like that 💀 (Nightmare chased Killer for a long time after that)

Is confused on why you're even offering your help to Reaper. (Also doesn't like Reaper 😢)

Calls you weird nicknames, like...'Deadly Cutie' or just straight up 'Dead'

Wants to redo that one scene in Puss in boots with you, but you don't have time for that. He never gives up though.

Uses those stupid cringe pick-up lines. "Is it true that you are death? Because I’m hoping you’ll bring me along." 💀

Horror:

His first thought was that if he died if he tried to eat you 💀

Horror, in some aspects, kind of reminds you of your dog, Cerberus, so you can't help but treat him as one sometimes.

He's just a hungry killer...so your solution? Feed him the people that died. 💀

After you first gave him the approval to eat the person that died, he's just following you around whenever.

Him and Cerberus don't quite get along, they're both jealous of one another.

The only way you can make them co-operate is if you call them "My boys". Which is doing some things to Horror. 😏

"Ugh..look, I don't want you to do that, ok?! My boys! Come with me." "YES SIR/MA'AM!"

Doesn't mind the fact that you're working with Reaper. He actually likes him! ^^ (FIRST SKELETON TO EVER LIKE REAPER!!!)

Cross:

He literally runs away, the first time he learns about who you are.

Look, he's just frightened about your position, he doesn't want to die. (For now)

It calms his nerves when he finds out that you don't have the deadly touch. Thank god for that...

Cross takes a little time before he starts to trust someone, so he's very much just keeping his distance at first.

Couldn't help but soften at the sight of you with Cerberus. He's a sucker for dogs, so he lets his guard down, and relaxes while being with you.

This event got you two much closer, as expected, Cerberus like Cross very much! Cross gives Cerberus belly scratches. 🥺

After that, he's always offering himself whenever you need help babysitting Cerberus! He's actually really good, so you let him. ^^

Also doesn't mind that you work with Reaper. Just keeps his distance whenever you two are together.

Error:

Is amazed by the fact that you're the god of death.

Observes your work, behavior, anything! Very closely...

He literally becomes your fanboy. (Him and Dust literally talk about you all the time 💀)

His fanboyism isn't as big as Dust's though. He has his limits

Always showing off around you, to make you impressed. Showing off his powers, past, knowledge... Anything that can make you fall for him!

He's the first one to volunteer to help you out whenever you ask.

Scoffed when he found out you work with Reaper. Literally can't stand him, but also can't destroy him, just cause he's popular 🙄

Is so salty about the fact you hang out with Reaper the most 😂😂

Epic:

Doesn't treat you differently just cause you're a god. Treats you as equals :)

Definitely showed you so many memes about death when you first told him who you are. (He laughed his ass off during it 💀)

Laughed his ass off even more seeing Cross' reaction. Wouldn't stop teasing him after that. Like, you really just ran away bruh?? 😂😂

Enlightened you in the beauty of rubber chicken.

He also flirts with you occasionally, just cause he finds you cute.

He's also the only one that can make you flustered from his flirting, which fuels his ego.

Doesn't even acknowledge the fact that you're working with Reaper. The only thing that matters to him is you bruh. 😏

His pick up lines are actually really good, unlike Killer's 😂

Reaper:

THIS SKELETON IS IN LOVE FOR THE FIRST TIME EVER AND THAT'S. ON. SIGHT!!

Your bond is very strong, cause you know each other for a very long time. It's going to be at least a million years now. 💀

You're not together, but he's oh so romantic and genuine that others would think you two are a thing.

Gives you roses every day, and you keep each and every one of them, safely put.

Loves the fact that he can touch you without killing you. Almost always having an arm around you. (Look, he's just touch starved! He can't touch anyone, so of course he has his needs! 😭)

Cerberus sees you two as basically his parents, his tail starts to wag every time you two are together.

Isn't jealous of anyone that flirts with you, cause he knows that at the end of the day...you go back to him.

The only skeleton that's bothering him is Dust, but that's cause he literally has heart eyes around you 😭😭

I don't write anyone identical to canon! I write everyone how I Hc them, just wanted to clarify this just in case.

Anyways, hope y'all liked this! Thanks for the request! :D

[t34-mt]

tepueh pu, the domesticated que'arsaeb animals of maanuls that act as a "sheperd dog" for them, but for the ocean obviously. more info and images below ->

tepueh pu are a tiny aquatic animal of the que'arsaeb reign meaning it has 6 limbs and its body is segmented in distinct parts, It also means they have a sort of "bone" exo-skeleton with rough skin on top. their front limbs who serve no purpose but to do courting dance and occasionally help themselves to crawl around.

The fur-like things around the eyes and front limbs are purely for courtship, they are not made out of modified feathers as feathers are exclusive to the silieus reign, instead its sort of bristles that are quite rough to the human touch. maanuls do find it entertaining to see them court and as a result of that, they get excited during the part of the year when they court. Creating safe temporary spaces on the beach usually being circle-shaped, all maanuls do is watch them perform and fall over, if they cant get up they come and assist them to put them on their feet again. Tepueh courting consists of them desperately trying to get on their feet (usually being pushing themselves onto a rock to balance on their feet, but more commonly maanuls help them to), then the bright ones will shake their arms. Extending them and vigorously shaking the bits that have the bristles, that when rubbing against each other rapidly, create a sound that can be compared to sand being shaken in a jar. the brighter the bristles, the better the sound, and the bigger the moves is what will attract a partner. Said partners are the dull ones.

I'm not sure if they're a unisex species, they might just be random individuals who get a certain boost of hormones that gives them bright bristles and they have to perform for the others who are dull, or if they're just bright males and dull females.

Like i said they're very pathetic on land, meaning maanuls carry them when they need to be transported on land for a reason. Central north maanuls who need to migrate once a year due to temperature drops in the far north have to carry their Tepueh pu on long distances, thus they use these attire, where they attach 2 tupueh pu per side, transporting 4 in total. While I'm talking about north maanuls, every other maanuls would also use this attire to transport multiple tupueh pu. Although said attire has regional variants in terms of designs, a rough look at what a northern one would look like here ->

as seen in the example, tupueh pu can have different color variations per region, While this is not the final look of northern tupeuh pu there would be light coloration from mutations. Tupueh pu are purely bred to be working species not a pet, so while color mutations are seen as a fun thing its not their priority or what they're searching for. While not a family pet it doesn't mean children do not play with them from time to time in the water. However, tupueh pu can be used as a service "pet" in the water for maanuls with blindness or other disabilities affecting vision that would require a service pet to navigate in waters. tupueh pu are never bred to be fancy but to be useful to maanuls, they're very grateful to have them and treat them with great respect.

While they are not house pets it doesn't mean they cannot be pampered outside of working hours by maanuls, being given treats, groomed daily by owners, and being treated with care for the smallest illness they could catch.

the breathing holes of tupueh pu are on each side of their back, due to being aquatic for quite a while their opperculums had the time to shift to a more convenient place for quick gasp of air at the surface. Their maanul owners however do not, maanuls when wanting to breathe before swimming again need to get on their back once reaching the surface, as their opperculums are placed here. While technically they could push air to enter their vocal vents and redirect it to the lungs its not something they do as they do not inhale enough air using this method to feel comfortable.

ocean shepherd as a concept (final version will be posted separately)

warning The cattle shown here is not the final design, they will not look like this once ocean sheperd as a concept are done and fleshed out in the future. this is just an example

ocean shepherd, or just called shepherd among maanuls, originally i thought of them guarding a group of smaller animals (small fish) tho the idea of one or three large slow domesticated cattle sounds more cool in my opinion and also easier to contain for maanuls overall. their cattle would need maanul assistance to live comfortably, maanul coming near them by canoe or even swimming if they're not so far. usually always have at least one maanul by their side who shifts their guarding job with other fishermen after a period of time. I imagine said cattle to be kept in a shallow kelp forest where it has all the food it needs, and little to no predators around to worry around. Maanuls might even sit on their backs during their shift duty because the cattle is docile and doesn't bother them doing it, plus they also need to get on them when they pamper them (by cleaning them)

this is my rough vision of it for now, while i have tupueh pu (tho its quite bare bones on this post) , i just need to design the cattle now, then write a whole long post about how maanul sheperds works.

- - -

the vague shapes i did to figure out tupueh pu (in chronological order)

heres some fun stuff, i wanted them to be awkward looking, those penguins from subnautica were on the back of my mind while doing them, creature design is just doing vague shapes for me

[mikoyamisheadcanonblog]

Hi! I'm a huge fan of One Piece and I was wondering (if it's possible) that you can write Yandere HCs for the admirals? I'm a big admiral fan. Thanks!

OMG of course no problem. This is the second time I got requested to write the admirals it is such a fun concept and difficult characters to write, I hope I did them justice for you

Ex Admirals

☀️Borsalino (Kizaru)☀️

☀️When he first meets his S/O he seems uninterested in them but in reality, he is studying them and watching them. He sees what his S/O is interested in and lures them slowly to him as he finally gains control over them.

☀️He is more passive with his S/O but that is all a ruse for his S/O to feel more comfortable with him. Let them wander around on the island shop but little does his S/O know he is in complete control of the people his S/O talks to, to where his S/O goes.

☀️He will watch his S/O from a safe distance, sitting on the roof watching them as they chat with someone and making sure the conversation is what he had ordered.

☀️He will train his S/O if they listen and don’t wander too far or stick to the route, he has planned for them he will give them gifts and praises but if they don’t listen to him and talk to someone they aren’t supposed to. He will give them cruel silence and indifference till his S/O comes to him.

☀️If his S/O is in danger or unhappy with someone he will capture said person and punish them. Using his power and influence to torture them and such and using the said person’s family and friends till they understood his power.

☄️Issho (Fujitora)☄️

☄️He first gets interested in his S/O seeing the kindness they have, when their first reaction is to help him when he drops his cane or helping out someone. He starts getting vastly interested in his S/O playing the helpless man.

☄️He starts getting more invested and interested in his S/O the more they are around him and will play the helpless blind man whenever his S/O starts to wander off. He doesn’t like his S/O wandering too far from him as there are dangerous crooks and pirates out there who would take advantage of their kindness.

☄️While he wouldn’t hurt anyone as he does value human life, he isn’t against manipulating his S/O to stay close to him. Or anyone else to keep away from his S/O as his. He is so charming that a lot of innocent people will fall for his charm and help manipulate his S/O.

☄️He never lets off on the innocent blind man. As he holds his S/O to him and never allows them to leave his side. It does come off as a surprise when his S/O finds out how powerful he is it would be already to late for his S/O to get away as everyone around him would manipulate them to stay with Issho.

☄️While he wouldn’t hurt his S/O or innocent it doesn’t mean pirates and other crooks would get his generosity. He is much harsher to pirates that dare hurt his S/O giving them a full extent of his Devil Fruits ability.

🌳Aramaki (Ryokugyu)🌳

🌳He gets obsessed with his S/O  the first time they meet. It could be his S/O said a certain praise he really enjoyed or how his S/O looks either way his S/O is now very interested in them and he will do everything in his power to capture their heart.

🌳At first he is a bit charming if not a little rude and crude with his words insulting his S/O and belittling them but also belittling people around them and giving himself praises so his S/O understands that he is giving them attention that is what makes them special.

🌳If his S/O isn’t impressed with him, he will put his S/O in danger so he can save them and as a form of gratitude, he would demand his S/O stays with him and go on a date and once again he will turn on the charm till his S/O finally does give in and gives him their heart.

🌳He becomes a bit controlling with his S/O wanting them to have the same practices as him but if his S/O can’t live up to them. He will just have them in his presence all the time even on dangerous missions he will have his S/O tied up and on the side thanks to his Devil Fruit, so his S/O isn’t in danger but he also knows where they are at.

🌳If his S/O thinks about getting away from him or asks anyone for help there will be consequences for their actions and those who do help. He loves his S/O and will do everything in his power to keep them by his side even using his Devil Fruit to keep them up tied up tree branches and roots and always be by his side.

[madeby-meru]

I have always seen the argument of "If you don't like it then stop playing" flying around since I have been in gaming communities and I have been thinking on writing a more detailed post on why I personally think that this statement doesn't truly fit in many of the complains about MCL NG.

Just as a heads up, I am not directing this to anyone in specific, honestly I can't even remember who has said this cause I have seen this comment across multiple social medias and various forums. So, to make things clear: I am only discussing the concept behind the argument, that's it.

Leaving it under the cut.

Now,

why do I think this response doesn't apply to (many of) New Gen critiques?

Lets use another free game with microtransactions as an example that I think will make things pretty obvious: the new Nikki game

If I came into that fandom and began complaining about the concept of style battles, of how focused it is on dressup, the storyline being about fashion... That is a me problem, that is my issue alone. I am complaining about the core of the game, about the purpose of it and about what makes the game what it is. I am not the target audience. I should, therefore, simply stop playing cause the game does not align with my taste and I am not gonna enjoy it.

I believe this is not what is happening with New Gen.

The most common critiques I have seen about it are: - The AP system (merging AP and Gold, expensive dialogue choices) - The style contest (unfair competition) - The price of packs (they are not simply cosmetics, they are means of earning more in-game currency, so they create an imbalance in the playerbase between those that can afford them and those that cannot) - The lack of transparency and communication with the company (announcements coming too late, not letting the players know what they will need to spend in events) - The timing of events (the pack event timings, overlapping) - The quality of the writing (inconsistencies, lack of a linear storyline, characters feeling OOC, nonsensical plots)

These complains are not a matter of taste, these complains are a matter of unfair treatment and poor quality (despite the cost of the game).

In this specific case, those of us that complain about these things are the target audience. We have a history of nostalgia, we like the personalization and dressup aspect, we like the adult setting and characters, we like the style of otome, we like the free option to play. And most importantly, I feel like most of us that complain so vehemently want to keep playing. We are still here for a reason, there is still something that keeps us logging in every day. We don't want the bad things to overpower the good ones.

"Don't play the game" feels like a dismissive argument here, it casts aside complains that should be made. You should complain about the poor quality of a product (specially if you have invested money and time in it), you should complain about the poor treatment you are receiving (feeling pushed to make purchases, feeling unlistened, feeling like you are not treated the same as other plaeyers, etc). These types of comments are necessary and beneficial. A critique that is well worded and based helps the game be better, a company should hope to receive those and not simply compliments. A company should what to fix what is wrong.

I think that the negative sentiment many players share its completely understandable and it should not be labelled as simply being hateful for no reason.

Of course I am not including hate for the sake of hate here. That may help vent when you're frustrated (valid) but it does not add anything or help in any way. Obviously, it's very easy to get wrapped up in the negative mindset and not allow yourself to enjoy the parts of the game that you do like and that you can find fun and engaging. It is important to take a step back every now and then and see when you may be being unfair (specially to other players, its unfortunately easy to get heated in a discussion and hurt someone else). And if you feel like the critiques towards the game and company are affecting you in any way, please step away from them. Mute, block, silence, keep your peace in your online experience and cater it to yourself <3

[azrael08]

*Crashes through your fucking window* MIDAM HEADCANONS CAUSE I HAVE INSOMNIA!!!!🤘🤘🤘 (Warning: Some Nsfw)

Michael LOVES roughhousing as a form of showing love because it reminds him of how he used to play fight in heaven with his siblings, when he did it with Adam for the first time and knocked him onto the floor he was scared because he thought that Adam would be scared of him but Adam just smiled and laughed and he was ecstatic!

Adam’s a cuddler. My personal take is that neither of them start out cuddling, they’ll go to bed a comfortable distance away each other but still close enough to know that the other one is there (Abandonment issues) (Maybe there like facing each other?) And then by morning Adam is completely on top of Michael, borderline smothering him with his limbs octopus style. Meanwhile Michael just stays stiff as a board repeating Don’t wake him up Don’t wake him up Don’t wake him up Don’t wake him up DON'T FUCKING- Over and over again in his head as Adam just tucks and nuzzles his face into his neck

Michael never understood the concept of human pleasure. Or more specifically how it felt. He only knew how it was supposed to happen cause that’s all he had been taught and of course during his ‘high and mighty’ days he would never want to watch the earth monkeys go at it, so he just didn’t care. That is until he focused on Adam’s pleasure. I personally believe that they had their whole soul-sex thing going on for a while but at one point Adam asked Michael if they could try it the human way, obviously Michael said yes and he tends to all of Adam needs immediately. But about halfway through Michael notices an overload of hormones in Adam brain and so he’s like “Adam? are you okay?” And Adam just lifts his head with the most Lust-filled zoned-out half-lidded eyes and is like “…huh?” While panting heavily. Michael now understands human pleasure.

Michael is obviously very protective of Adam. I mean he offers to smite anyone that bumps into Adam too harshly on the street. But he's especially protective around other beings that aren't human and could potentially do serious harm to Adam (Demons, other angels, etc.) This all comes to a head when Adam tags along for one of Michael's meetings in heaven. They decided that Adam would look around while Michael did his work and when his meeting was over he'd come find Adam and take them both home. Michael hadn't given a second thought because its Heaven, its his Home, of course Adam would be safe. But when Michael was finished and went searching for Adam he saw a group of younger angels - who had never visited earth and rarely seen humans - holding Adam upside down and prodding him with their wings and limbs while Adam looked visibly uncomfortable but obviously wasn't able to stop the giant angels. Michael R A G E D and seized Adam back as he basically screamed at the group of angels leaving them shaking and cowering behind their primary feathers, all that stopped him from smiting them was the fact that Adam pulled on his feathers and asked to go home, and of course Michael supplied. So, its a pretty well known fact amongst all angels that when the prince of heaven returns with his human that you - under absolutely no circumstances - go anywhere near Adam, not that Michael would ever let you considering he now holds Adam tightly to himself with a minimum of 17 eyes watching him at all times.

They binge watch terrible medical shows with vastly different opinions, Adam finds it fun to point out the medical inaccuracies and laugh at the stupid drama while Michael finds it horrifying as he learns about how many terrifying diseases humans can develop, his grace hold onto Adam a little tighter than usual when they watch, the only reason he keeps watching is because Adam enjoys it and he can't say no to those eyes.

Michael gets lost in pleasure when he and Adam are intimate and he sometimes snarls and growls deep and all angel like. He trys not to because it might freak out Adam. It does freak out Adam, but in a good way :)

[sensei-venus]

i am more than happy to give you karate kid requests! i just thought you would rather write for the cobra kai characters, so i never sent anything in. with that, would you be down to write something young!daniel x female reader where the two of them sneak out of class to make out in the janitor's closet? a bit smutty but not too heavy, mostly just focused on the kissing? it's a concept i find so hot but there aren't any fics out there for it. 😫 let me know if you get this ask because i know tumblr likes to eat them sometimes. take care!

(Unedited) (Support the Writer🌺) (Young!Daniel being…Young!Daniel??,Kissing, Slight Make out, Slight Grouping, Kissing in a closet at school)

Reader narrowed as she looked across the crowded classroom. Eyes falling onto her boyfriend who sat only a row ahead of her. His head was down as he finished working on his class assignment. Daniel always had a thing for trying to finish every single piece of class work before the bell rang. Because he was to lazy to take it home and do it for homework.

She rolled her eyes out of love for the boy and briefly looked away. In that split second her eyes meet the teachers. The older women sat at the front of the class at her over populated desk. Folders and papers where scattered over the dark stained wood. A large stack of book sat on the very corner.

“Reader would you mind running these up to the front office for me? Someone requested them and seeing as we aren’t using them, they need to be returned.”

Reader nodded quickly and studs up from her seat. She walked down the aisle and row of desks and passed some of her peers, no one seemed to take notice. She picked up the stack of books and tried her best to balance them in her grasp. The large stack wobbled a bit in her hold making her jerk a little. For a moment she thought they would tip out of her hands and fall to the floor. Luckily they didn’t as a pair of strong hands held hers steady. She sighed out on relief as she regained her balance of the heavy books.

A few books where removed and she was finally able to see who the person was who helped her. It was Daniel, he grinned her way as he took some of the books.

“Daniel if you could help her to the office with those? They are quiet heavy.”

“Of course miss! Be right back.”

Daniel gave a cheeky smile to the women before leading the way out of the class room. Reader was slow to follow behind him. The books weighing her down a little. They walked side by side as they made their way to the office.

Daniel smirked at her saying “So did you really need help or did you just want to to rush in and save the day.” He wiggled his brows at her. Rolling her eyes she scoffed “Oh yeah because I needed mister save the day to come to my rescue for some text books falling.” She tried to play off the earlier events. He chuckled at her clearly embarrassed expression.

“If it wasn’t for the fact that I love you I would have kicked you in the kneecaps.”

“Baby it’s to late in the day for that kind of violence.”

“Oh lover boy it’s definitely not.”

The trip to the office was quick to say the very least. The front office lady was to busy trying to organize returned piles of text books to even notice them. The two teens just stuffed to each other before setting the books down on the counter and leaving.

The wall back to class was more interesting then the walk up.

Daniel slowly inched closer to her until their shoulders touched. One of his hands snacking around her waist. He was lucky no one was in the hall way because he definitely would have gotten the two of them put into after school detention. He pulled her close, chucking a little and sucked hid front teeth. His lips where right by her ear when he said “How about we make a little detour for a minute. So we can have a little fun~”

Reader wanted to laugh as he tried to pull wool over her eyes. She knew what he wanted pretty clearly.

“We are not doing that in school today-“

“Not that, though I would be down for it. I mean a little kiss, or should I say a little kissing. Plural~”

They looked around for a split second to make sure the hall was still clear before taking off toward the closest janitor closet. Luck for them it was unlocked. Daniel quickly pulled her in and shut the door behind them, he flicked on a old dim light over head. It only brightened the room a bit and put a show of her face as he looked at her. The room was cramped, barely holding them.

Reader grew a little excited as they both tried to stay quiet. Hoping no one would hear them in the closet and get them caught. She had to cover her mouth to stop the small giggle that bubbled out as Daniel looked back at the door for a split second before back to her. He smirks as his hands find her waist again, running up her hips and sides. He bends down a little and moves closer to her. His eyes lidded as he looks down at her.

Their lips meet gently, soft and sweet. Daniel’s lips are soft and warm against hers. Pillowy and sweet and make her melt inside from just their very touch. She wished that she could lie and say he was a bad kisser, but he wasn’t.

Daniel LaRusso was a great kisser. He knew every trick in the book to make her knees week. He used his tricks to silence her every time their lips meet. Playing her like he knew every single button to make she swoon. She feel for it every single time.

Her breath hitched as he felt up her sides and ghosted over her breasts. He smirked into the kiss and swollowed every tiny noice she made. Moans bubbled up from her chest and passsed her lips.

Her eyes fluttering when his tongue slid along her bottom lip asking for entry. She allowed him to part her lips. Their tongues shyly meeting and playing together. Reader gripped onto the boys shoulders as things got more intense. Her nails digging into his shirt as they slam into each other. It’s only a matter of time before they half way part only to go back in. Lips meeting once again.

They are so caught up in each other they they barely register the sound of loud voices out inside the hallway. They jerk back from each other for a moment. Panting out they hold on to each other, a think layer of spit connecting them before it silently snaps. Ending their connection. They both stare at the door intently. Eyes never leaving the light stained wood door.

“Johnny that’s sick man! How did you score that?”

“Shit up man, don’t ask don’t tell. Now come on so we can go smoke this weed. That asshat principle almost caught us the last time we tried to light one up in the bathroom. I want to get one in before pe.”

The sound of Dutch and Johnny slowly faded down the hallway. Only the sound of their shoes lingered in the air.

Daniel coughed lightly, still flustered from the idea of possibly getting caught. Reader zipped her lips tight as she looked up to him. Eyes big and round. Blinking a few times to put on a little charm.

“Man you really try and act all innocent like I didn’t just have my tongue in your mouth.”

“Humm but I think you like that about me don’t you??”

She giggled as the boy sweeper down and smashed his lips to hers.

Starting a sloppy make out session all over again.

[grapejuicestyless]

The Grudge

Harry Styles x fem!reader

The second part to You’re The Winner.

ANGST

Summery: based off of the song The Grudge by Olivia Rodrigo!!

Some nights I still wake up wet from my own cold sweat and salty tears. I rework the script I’ve perfected until my pen runs dry and the pages are crinkled. I scribble out each word and fix it until the cut is so deep it cuts more than just through the page, but to the reader.

I was never someone who believed in doing things so they were merely good enough. No, I always thought things through until they were at their very best points. Each sentence rephrased to make the viewer understand the concept of the conversation but to catch the deeper meanings and let it make more and more sense with each rewatch.

Now I lay awake, terrified of never being enough. Is my success nothing more than a false ego I have in my head? Do these awards that sit on my shelf hold any value if nobody could recognize them? If earning these doesn’t elevate me do they even count as a prestigious award?

I never had these issues, I displayed everything proudly. Aware of how lucky I was to be able to accept these awards so graciously. Body draped in the finest pearls and hair styles to perfection. I was excited to tell the stories when people would ask. Tell them about what I was working on, encourage them to follow their hearts. My insecurities were always just that, small thoughts littered in my head meant to make me doubt my self worth. Now they felt like more.

More than just metaphorical daggers stabbing into my body and mind. I wake up in distress from more than my own voices but his. I still hear Harry’s voice after all these months. It’s the sound of the insults I throw at myself, at everything I’ve done. It’s his voice I hear every time I think I am not enough. And what he had to say about my passions and how I execute them still lingers like a scar. I hold onto every detail of what he thought of me like my life depends on it and I break myself over and over again by finding deeper meanings in his playground insults.

The trust that he betrayed, confusion that still lingers. He took everything I loved, my confidence and my pride and crushed it in between his fingers. He could run circles around me with all his money and resources. He knows it too, be both knew it. I just never believed he would use it as a way to take stabs at me.

I still stay awake fantasizing about his little fucking sorry. How he was in tears when I finally pulled away. The shocked look on his face. I feel tough in the privacy of my room. Able to beat him up in my head and make him feel guilty but never to his face. I try to understand why he would do this all to me. I make up situations to lessen the blow. The fact it was unsolicited and simply something he chose to do for fun. Still, I can not let it go that easily. Not until every ounce of doubt is scrubbed from my mind and the voices in my head no longer belong to him.

……………………………………..…………………………………………

Sitting at the Oscar’s I find my place beside Greta Gerwig and Emma Stone. I feel out of place. I’m friends with them, I know them and their secrets. They’ve led me through the obstacles and the difficulties that come with trying to get into film making. They have been nothing but kind and reassuring over how great they think I am yet I can not push down the feeling that when the cameras flash to us I will be labeled the place holder to make the crowd look more full. No matter how lavish my gown is, no matter how nice my hair is I will never shine like the women who sit beside me. I will never stand out and make my name be known and it is something I can not come to terms with.

To rub salt in the wound I sit there and compare each category I am placed in to everyone else. I read out the nominees on the pamphlet they hand out like we are watching a youth theatre production of a marvelous broadway play. I barely make the cut for best assistant director. I read the names beside mine and I try not to get myself worked up.

I am not Greta Gerwig, I am no Christopher Nolan. I am Y/n Y/l/n. I am a woman who dreams bigger than she can possibly ever achieve. And I try not to get in over my head, but I always do. I strive to be the best and still I get trampled over.

I read the names over and over, flipping through the pages. I read the names under each category. Billie Eilish, Taylor Swift, Adele…I think about if I should’ve taken up music. I can’t sing very well but I have so much to write about. I have so many feelings and so many things to argue that I simply can not relay through film. Not at my level anyway. Joe releasing it must be to put a pen to paper and just write whatever you feel because the darkest emotions write the best songs.

It’s the sickest joke the way the names continue to go down the line. The eleven letter name in bold italics with an invisible circle around it and arrows pointed to make sure I see it. Harry Styles is up for best original song. Not only that, but I’d heard it too. Stayed up with him while we wrote it. He was so sure it wasn’t good enough and I sat there supporting him.

I stayed awake comforting him while he cried over his million dollar piano. Tears ruining the ivory and the clear shine. How idiotic I was to have been so kind to someone who so easily tore me down like I was nothing more than a pawn to remind him of his greatness. I knew the song was beautiful. His name was golden among the others competing for such an important award. One that would recognize his talent and secure his name in Hollywood. A lump formed in my throat. If I didn’t believe him then, I did now. I wasn’t some prophecy. I didn’t have a title to my name to prove. I was someone who got lucky once. My work was nothing compared to his.

………………………………………………………………………………….

They called the nominees for each category, listing off the winners one by one. We grew closer and closer to the major categories that would have the TMZ headlines buzzing by the morning. When it was my turn to be called, I couldn’t help but feel jitters and anxiety pass through my veins.

I’d heard about everyone else. All of their movies staples in my Friday movie night routines I had continued even without Harry there to occupy a portion of the couch. I laughed, I cried, I thought deeply about each movie. I couldn’t help but feel nervous that I was up against people so much stronger than I was.

My picture on the screen showcased my much more recognizable friends shaking my shoulders. We were unprofessional and excited to see how I could be recognized. They made me feel that even if I didn’t win, it was well worth it because the academy, as rigged as we all secretly knew it was, had chosen me of all people to list along with a handful of others. It was an honor for me to be here, beside my best friends and my hero’s.

The name that rang through the microphone didn’t match mine. It wasn’t even close, yet I felt fine. The hands slipped from my shoulders to clap along with the crowd. My photo minimized to showcase the woman who had rightfully won over me. Still, my shoulders were heavy and my heart sunk. How nice it could’ve been to go home with that. Be able to hold it up to the sky and thank my brothers and sisters for helping me get there.

Greta and Emma tried to make me feel better. Nothing hurt worse than working up an excitement only to have it ripped away from you. It worked, for a minute. How blissfully unaware I was that the categories grew closer and closer to the one that involved the one man I couldn’t bare to think about now. I barely registered the way they prepared the stage to announce his category until the talking turned to whispers and the softest sniffles echoed.

He looked handsome on the big screen. His hair was darker than I remember it being, I assumed he dyed it for tonight. His shoulders were broad in his suit and his face was cleanly shaven. If his eyes could speak they would be a jumble of words that expresses different emotions. He bit his lip and toyed with his rings. I caught him picking the skin by his thumb. I wanted to yell at him to stop, it was a bad habit we tried so hard to break. But he wasn’t mine anymore. I no longer existed as a best friend to him, someone else could place their hand over his and silently relay their own thoughts to him.

The sour feeling in my heart curtailed like milk when his picture took up the entire screen. The way he stood and hugged the people around him. He was surrounded by friends and family alike that supported him in ways I used to. If it were a few years ago, that would’ve been me beside him. His plus one to an event I was already attending simply because he was everything to me.

Watching him accept that award was the final straw. How he walked up to the stage in no rush, fixing his coat on the way and running a hand through his hair. He had a lazy smirk on his face that would make anyone weak in the knees. He looked confident and yet so grateful for everything happening to me. I felt confused by his attitude. How cocky he was in private, he was so good at masking the real Harry when it came to keeping a good public image. It was some kind of pathological lier type of bullshit that made my throat close and heart pound.

In his speech he thanked his mom and his dad. He thanked his sister and his friends. His ex-Bandmates and his producers. A full list of names, he went on and on and yet my name never came up. He thanked people who didn’t even know him on the crinkled piece of paper shaking in his hands. They didn’t know his favorite color, how he preferred his eggs. He didn’t like celery but he loved peas. Mushed, soggy, fresh. He would spoon them onto his plate like a mad man. They didn’t know he slept with his socks on because he felt scared something might try to grab at him at the end of the bed even now. He was childish in a mature way. Fears he carried form childhood that he couldn’t shake, they didn’t know that and yet they got the credit I deserved. I couldn’t do it then.

I could sit there and pretend to be tough, but I wanted to scream. I could sit there and say I was fine to everyone, be my professional self but I couldn’t act like it was okay anymore. To tear me down, to rewrite your past to fit the people who chose you based off fame and not on who you are, to get rid of what we once cherished was too far. I could put aside his harsh words for the sake of the night but his blatant disregard for my feelings after he’d cried over my leaving said enough.

When he left the stage I made my exit, mumbling something short of having to use the bathroom. My dress was short enough to not have to gather it between my fingers. I could walk quickly down the aisle and look at my feet on the way. I couldn’t make eye contact with anyone, even though they didn’t know me I felt that the look on my face would reveal it all.

The door opened harshly but had stoppers on it to silence any amount of force pushed on it. It made any angry outburst look accidental. The only indication that the door had been opened was the sliver of light the slipped through the opening of the main lobby and the dimly lighted theatre that held the greatest minds of film alike.

My feet hit the expensive carpet hard, heals digging into each design I wondered if my aggression would permanently dent the fabric, ruin the art in it.

It was colder outside of the room that I sat idly in, more free. The only people out here at this time were the few paparazzi permitted and stray employees cleaning up for the night. Flashes took my vision and I could see the headlines now.

How I would be bashed for simply showing my emotions. How they would paint me as a bitter sore loser who couldn’t even keep it together and act fine. I couldn’t blame them really. How would the world even know of how their favorite pop star had taken a hold of my heart and ruined any perception of love I had for him in a few short months.

The air outside was chilling. My skin was bare and in a way, in my artistic side of my mind I could pretend it was the literal way the world was showing how I felt. Tiny stabbing wounds across my arms creating goosebumps running up and down each exposed part of my body.

My car wasn’t there. I was out so early without warning, I became stranded not only mentally but physically. I didn’t care then. If I had to walk the streets of Los Angeles in high heals and an expensive gown. If I got mugged of all my belongings on my way home I didn’t care. I couldn’t be near anyone anymore. I couldn’t hold it together and I certainly wouldn’t fall apart for everyone to see.

Footsteps slapped against the pavement so quickly, I didn’t process the splashing of puddles or the heavy breathing approaching me. With my luck, I would already become a victim to a robbery before even turning the corner.

The hand on my arm came next. It wasn’t rough but it was firm enough to catch my attention. More than that, it was so familiar, so warm.

I felt the roughness of fingertips brushing under my bicep and the contrasting softness of his palm resting on top. His rings were warmed from his skin already, smooth against my body. I knew who the hand belonged to immediately. It was one I had held, toyed with and admired for years. One attached to a body that I adored, looked up to like a hero.

Turning, his eyes met mine. They were a darker green. I couldn’t see if from how far I was before, but he looked more tired, more sad. His eyes were dark not from anger or all the drinks I had hoped he was downing so he would forget about me, but because something was bothering him. Something heavy. He carried a lot of regret and sadness in his eyes that were once so free and careless. He seemed more calculated in his choice of words, more precise than his usual mess of sentences that came straight from his mind to his mouth.

“You didn’t have to chase after me.” I broke the silence, he was still catching his breath. He shook his head, looking down to gather himself. His pants were wet at the bottom from the pavement and his hair was falling in front of his face. I wanted to reach out and brush it back, but it wasn’t my place. I didn’t have a place in his life anymore.

“I wanted to.” He confessed, searching my face. In my head I’d like to think my expression was stone cold. One that was heartless, expressionless. I didn’t care in my head, but in my heart I did. I felt my lip quiver, I felt my eyebrows furrow. I was an open book for Harry to read.

“Why? So you could fix things? Fix us?” I escalated things quickly. I didn’t want to play his mind games. He was brilliant, people didn’t give him enough credit for it. If I allowed him to sit here and apologize while I was already feeling vulnerable, it wouldn’t matter how sincere it was. I would accept it and cave and by the morning I would hate myself for letting my heart take over my brain.

“No, don’t do that. Y/n, you were the one who walked out on me. I tried to get you to stay, and I regret not trying harder and if I could go back I would’ve begged on my knees but that doesn’t change the fact that you still left. I care about you, Y/n. You’re my best friend.” His voice was sharp, desperate. It felt so real, everything he was saying. I trusted him completely. I understood what he was feeling. Some nights I wish I had stayed. I had just put up with it. It was all the talk of my undying love that I held for Harry. A friendship that may have turned into a small crush in my head without me realizing. My undying love, now, I hold it like a grudge. The reason that forgiving and forgetting is so hard.

“Do you think I deserved it all? Harry tell me, please. Is that what you really think of me? As someone who deserved to be built up just so you could watch me fall? Is that what I was for you?” I begged him to understand what I meant. What I endured was verbally abusive, toxic, venomous. It killed me to know that my best friend thought so low of me. So poorly of the girl he swore to protect with all his heart.

“You know I never meant to.” He tried to defend himself, his hand loosened on my skin, falling down to hold my hand. His fingers intertwining in mine felt like tiny flames bursting out across my hand. It was so soft yet so hard, my body started to shake from more than just the cold.

“You are so selfish.” I shook my head, breathing in to look at the same bewildered face that looked back at me all those weeks ago. I remembered all the arguments I had won in my head against him. In the shower, in the car, in the mirror before bed. I remember all the things I didn’t say that I wish I had, all the ways I could’ve made him hurt like I had. It would’ve made me the smaller person.

The fact he looked lost about where I was coming from made it so much more difficult to not spill my guts to him there on the sidewalk. He made it so hard to not want to rip him apart with his oblivion and gaslighting tendencies. I doubt he even though about all the damage that he did.

“I just-I can’t wrap my head around how anybody could do the things you did so easily? You have everything and you still want more! You must be insecure, you must be so unhappy! I know it more than anything, I’ve lived it. Harry, hurt people, hurt people. We both drew blood but man, those cuts were never equal!” I didn’t touch him but to both of us it felt like I had slapped him in the face. Acknowledging his actions and mine that led us here made it so much more real, the end was so much more destined for our story. I tried to be tough, I tried to be mean, but still standing there after pouring out my heart and feelings I couldn’t help but crumble. A single cry tumbled from my lip. I shook my head and looked to the sky. Harry made no movement.

It was pathetic to be so torn after so much time apart. He should’ve held no weight in my heart, but he always would. He was the most important opinion in my life, even when he wasn’t present. When reworking scripts and giving direction, in the back of my head it became a constant question of if Harry thought it was enough. If it was good enough.

“You could’ve at least given me credit, you know I deserved that much.” My hand ripped from his viciously. It burned the way we separated so quickly. His eyes were stuttering over mine, his mouth tried to move, hand digging through his pocket.

I no longer had time for him, not then not ever. He could pick me apart, rip my heart out and stitch it back together, point daggers at my deepest hurts but he would no longer get these reactions out of me.

My escape was the same as the last. Quick and panicked. My feet hit the pavement harder than before and my arms swung with so much force, I was pushing myself forward with each step. Farther and farther, I couldn’t find the courage to look back like before. I couldn’t stand to think about him crying again. My hatred for his actions could never compare to the love I would always hold for Harry. If he didn’t deserve me, that would be okay. But I could not live with myself knowing I made him cry again. Not even after what he did.

………………………………………………………………………………….

“You could’ve at least given me credit, you know I deserved that much.” Her hand ripped from mine so quickly that it almost burnt my skin. It was like a fresh wound opening to feel her leaving not only mentally again, but physically. How her touch would never be in mine again. How she no longer belonged to me, I no longer belonged to her.

Her words set in after a hesitating moment. She meant my speech. God, how could I have been so stupid? To not realize how hurt she must’ve been to be erased so easily from the narrative. Like the nights spent together and the laughter and tears meant nothing. The piano ruined and her shirt soaked by my tears. The shirt that was really mine. I wondered if she still had it after all this time. It always did look better on her than me. I would give her everything if I could.

I dug through my pockets quickly to find it, the crinkled piece of paper with all the names on it. All the words I wanted to say but knew I would stumble over in my own nerves if I were to win. My hands were shaking so bad, I couldn’t grasp it in time. She was gone.

Something about this time told me that she wasn’t coming back. She wouldn’t stop. Not even the most guttural cry could make her look back. I had hurt her over and over again. Still, I wanted to apologize. I wanted to tell her how sorry I was until the word held no meaning and sounded odd coming from my lips. Like it was no longer real. She owed me none of her time.

So I stood there by myself, in the light rain that fell over Los Angeles, wet and alone. My paper was wrinkled in my hands, creased and bent messily. I looked down at the handwriting that didn’t really look like mine. How even in my excitement to be nominated, the loss of Y/n was so heavy it was hard to do anything. The pen was too heavy. I couldn’t do anything I once loved without her support. I looked down at all the names. My mother, my sister. They weren’t even first on the list. The first name I had written down, Y/n Y/l/n. My best friend.

I hadn’t read it out because I thought she wouldn’t want me to. I didn’t want to take away from an important night for her. Steal the spotlight from her award I was certain she would win by placing her name onto mine.

I was so sure she would win. She would be happy and we could reconnect. I had watched the movie, I watched all of her movies. She was the best of us. Always a talented writer, always having a new idea to jot down. Her napkins were sketch pads and her notes app was a dictionary of her favorite books and inspirations for shots. I know nobody with a mind like hers, one as creative and brilliant. I’m not sure why I tore her down all those days. Made her feel worthless when she was one of the best things in my life.

Even after all of this, she was and would always be everything to me. I could try and try and try to forget her and erase her from my life but she would always carry a piece of me around with her. I would always have hints of her in my home, in my wardrobe. She was everywhere without even being there.

She was my best friend.

[puckpocketed]

Trying to absorb everything there is to know about ice hockey within the shortest amount of time possible really does strange things to a person. You come up against questions such as what do defensemen even do aside from skate backwards and do tummy time to protect their goalie? (Broadcasts aren’t the most informative) What the hell makes defensemen effective? What do the casters mean when they say “gap”? What are defensive details?

I love watching games back, I love trying to understand the game. I love hockey <3 But sometimes it’s nice to have help, and sometimes my favourite writers/podcasters collaborate!!

Here is part 1/3 of a podcast mini-series about defending, putting it here so I can have a copy of it in case it ever gets taken down + wanted to share with everyone some of my findings! (All episodes are available if anyone just wants to listen to them!) Transcript + edits done by me, all mistakes are mine.

Published 6th November 2024, Hockey IQ Podcast: Modern Defensemen (with Will Scouch) Ep #1 - by Hockey's Arsenal, hosted by Greg Revak (apple / spotify / youtube / bonus substack link)

part 2

[START Transcript]

Greg Revak: On the Hockey IQ Podcast today, we open up a new segment: we’re bringing back our favourite Will Scouch. If you’re on the Hockey IQ Newsletter you know his work by now.

Will, good morning. Earlier than most of us probably normally get up, but it’s a good day.

Will Scouch: Yeah, Greg, thanks for having me, it’s a lot of fun. Me and Greg go way back. We’re boys from years ago and I’m excited to hop on the show. I’m a keen listener, keen reader. 

[They exchange pleasantries]

GR: Beautiful. Well, today we’re gonna talk about three concepts. We’re gonna break it into three spots though, so everyone’s gotta come back next week and the week after that.

We’re gonna talk about defensemen, because everyone knows they’re important but how do we actually play the position well?

WS: Yeah, I mean, it’s a position that’s still, to me, being explored; both by, I’d say youth and junior coaches and pro coaches alike. There’s a lot of different ways that you can do it.

I mean, I watch a lot of hockey from around the world, all kinds of different levels. I’ve watched guys develop from 15 to 24 at this point, and just seeing how their games evolve and everything, and how effective various versions of this position is. And I think it’s a very interesting area that’s still being explored in a lot of really interesting ways, for sure.

GR: Yeah, I think back to David Savard; he comes out of the [QMJHL] as this high-flying offensive defenseman, and if we just forgot about the rest of his career and you just saw him today as this great shutdown, defense-first player, you’d be absolutely shocked.

I mean, you think about Rasmus Dahlin — kid didn’t even play full time defenseman until his actual draft year, he was still playing forward a ton. There’s so much to be explored here.

I feel like [to get a lot of] — for you NHL fans — to get a lot of value in the later rounds out of your defensemen, take those offensive players first, and we can find a lot of hidden gems later.

WS: Well, yeah. I mean, actually, I’ve said this a few times but your listeners probably don’t know, but I did a presentation during the pandemic at the Ottawa Hockey Analytics Conference about this topic exactly; how, when you look at the numbers and the defensive value of players in the NHL, I found that there were just as many in the top 50 defensive value of players in the NHL, there were just as many undrafted players as there were second round picks, second and third round picks combined.

So the draft isn’t really a great historical gauge on defensive ability. Offense is a different story from defensive players, which we could probably get into a little bit.

But I find, personally, that evaluating defensemen and projecting defense to the NHL is still really spotty and questionable. And I don’t know, in my line of work, watching a lot of defensemen, a lot of the ones who I think are some of the better defenders kind of go a little unheralded, because a lot of the time you don’t need to be particularly noticeable to be a good defenseman, but scouts are always looking for the noticeable guys.

So it’s a very interesting world and it’s a very interesting thing to pick through, but there’s definitely a lot of case studies you could dig into, and a lot of players you could look at as cases of, “Oh yeah, nobody was really paying a whole lot of attention to them!” or maybe people were thinking about them the wrong way. But if you think about things a little bit outside the box, you might be able to see something really interesting there.

GR: Yeah, so let's dive into why that may be. Classic example would be Lane Hutson, so maybe we'll pick on him a little bit, but I definitely want to talk about Rasmus Ristolainen, because he is an interesting case study that we wrote about on the newsletter.

So where I want to start with this is just modern day defending. How are defensemen defending today versus old times? A lot of times it was the big hit, separate the head from body. The puck’s somewhere, but let's separate the head from the body, and we’ll worry about the puck later — that is going bye-bye.

Every coach I talk to now, they prefer having the puck rather than having a head on a stake. So for me, it comes back to this old saying of, “position before possession.” We're gaining body positioning, we're not so much separating head from body, but puck from player.

All right, so we've got position before possession. It's super valuable in gaining the space that you need to have first whack in a puck or put the puck where you want it, or just push it to a teammate. Just having the idea of owning space and there's no better league at this and no league that values it more than the NHL. If you don't do this well in the NHL, sooner or later, you're going to find yourself out of a job making a heck of a lot less money in a league that probably no one really cares that much about. You want to be in the show, the big lights: you have to value this more than anything.

And this is actually the one thing that I noticed about Hunter McDonald. He's in the Flyers’ system now — he was an overager, but I was like, “This guy is unbelievable!” He’s a huge frame, you can’t miss him out there. He would just get the positioning before possession, and I was like, “Okay, that’s interesting, let me watch him further.”

And I feel like he’s going to be one of those bottom of the lineup guys who, unlikely, made it out of being an overager in the [United States Hockey League], going to college for a few years, but has those little details of a defenseman that you see in modern day play, which is positioning overall, which is an NHL trait to the nth degree.

WS: No, I know. I think I would definitely agree. Those are the players that are always really, really fascinating to me because you look at a guy like Hunter McDonald and the production just isn't amazing. But it doesn't — to me, when you look at defensemen, it almost doesn't really matter. That's kind of a very secondary-slash-bonus style of thing that comes with a player.

I see a lot of defenders every year and it seems like a thing where a lot of them, maybe at the lower levels, there is a little bit more of that “separate the head from the body”-type of player. And I think there are NHL scouts who still gravitate towards those guys but, at the end of the day when it all comes out in the wash, it's a lot of the time the guys that are kind of, I hate to say ”boring”, but just very effective, and just they're always in a good position.

The guy I always reference as a young defenseman who, I think, is just a really, really high-end defensive guy is Kaiden Guhle in Montreal. We're going to talk a little bit about Lane Hutson in a second, but Kaiden Guhle is a guy who, when he was in the junior level, just played such a great, balanced style of defense.

He was a good skater, but he had really good length. He was a guy who didn't just lay the body every single time, but he certainly could if he needed to. It was about his lateral mobility, it was about tracking rushes, keeping inside the dot lines, and preventing chances from inside and leading with his stick, but then finishing with the body if he had the opportunity or the need to do so. And he seemed to have a really good read of just how to do his job really, really well.

And so that's been a lesson for me for sure. He was a really interesting case study a few years ago, and he's become a pretty solid NHL defenseman. I mean, on a team this year that’s kind of struggling defensively I think he’s been one of the brighter spots on that defense group there, [he’s] doing a pretty good job at least suppressing chances against.

GR: I don’t watch as much as you do, prospects, but Guhle I did catch. For me, the play style wasn’t very good. He had elements of it, you could see the flashes, but he was just really brash. His decision making and his reads were quite poor. But the tools were there, and it was like, “Can he adjust?” Which I think he’s done a phenomenal job [of], and I think Montreal is probably the perfect place for him to develop a lot of that.

So I think you're spot on like, “Okay, how does he actually apply?“ Having assets is one thing, having the tools is one thing, but how do we properly apply those assets, those tools that you have in a good way? So I think another piece, for me, is if you do have the speed, is just making sure that you're controlling speed and then you're also keeping small gaps.

And just knowing with my high school team that no one knows what a gap is, let's define that real quick, which is: the difference in space between the forwards and the defensemen. So the space in between, “How much space are you [allowing]?” in hockey term slang. It's underneath you versus on the other side, which is above you or behind you. So, “How much space, what's that gap between D and O?”

(Editor’s note: He says O instead of F here, I assume because the person attacking isn’t always a forward. As in, “How much space between the defenseman and offenceman?”)

So you got the speed, shrink that gap as much as possible. Don't give them the space to operate or work in, or, I even call it the space to think, which [it often becomes] for forwards, especially unsophisticated ones.

WS: Yeah, I mean, that's really the bread and butter of a lot of the position. It's so much of this, like you said, gap control. I actually just did a bit of video work for a really high end player, [an] NHL draft pick playing in Sweden this year, who is producing really well.

But in terms of the defending side of the game, he's not the most incredible skater you've ever seen, he's not the biggest guy in the world. And a big thing that I noticed, that even at the professional level that was kind of a bit of a work in progress, was that gap management. Especially because the footwork wasn't amazing, [he was] keeping his feet a little too stationary, gliding backwards and sort of allowing that gap.

And when you watch the NHL that's the point of the whole exercise, watching the NHL and how they play. Forwards are fast and they're smart, largely. The guys who can score are the guys who know how to get through soft defensive pressure, the guys who know how to find lanes and cross up defensemen, and if you don't have the footwork or the mobility or the reach or all of it — all of the above — to track all that and manage it, then it's going to be a lot tougher to do your job.

But the interesting thing, though, is that there's a lot of different ways that you can get defensive jobs done. That's always been very interesting to me; seeing how different players approach the position in different ways and seeing the efficacy of that come out in the wash, and how their offense balances with their defensive ability. It's a very interesting world to dig into, for sure.

GR: Yeah, I think you've got a rabbit hole there. You just kind of opened up around defensive skating. What do clean feet look like? What does defensive posture look like, that actually allows you to have that kind of mobility?

So we'll leave that for another day. If anyone wants to go check it out on the Hockey IQ Newsletter, they can do so. Just look up defenseman skating development. We've got two good pieces there talking about building and maintaining defensive posture and keeping clean feet, which — actually massive base for anyone.

It allows you to have the proper gap that allows you to kill plays early, and ultimately, it's a lot about just controlling speed. You don't want McDavid building up to full speed. You don't want MacKinnon building up to full speed. You don't want anyone coming up to you at full speed. It's very hard to maintain that kind of speed going backwards [that we] even generate in the first place. 

How do you kill it early? How do you get a hand on someone? Or, my favorite example is just proper pivoting. A guy dumps a puck on you, how are you going back? What does that pivot look like?

I'll let you open that up because at the NHL it's almost too good, where you can't see what a bad example looks like, but you can see it's everywhere.

WS: Yeah, I mean, it's a make or break skill in the NHL. It's where a lot of defensemen die. I mean, it's a cliche at this point to talk about pucks in deep, to talk about [getting] pucks deep in the offensive zone, get below the goal line, dump and chase. People make fun of dump-and-chase kind of stuff. But if your team is built to do it, you can do it.

You can take advantage of defensemen in the NHL who just don't have the speed or the agility or the skating ability that some of your forwards might have. It is a lot easier to skate forwards than it is to skate backwards. That's just, you know, anecdotal, but also pretty factual — you're naturally going forwards.

I think an interesting trend that you're seeing a little bit more of [is] what they would call ‘scooting’. You're the coach; I don't know if that's exactly what the terminology would be, but [it’s getting] your defensemen in the neutral zone, kind of pinching a little bit more and having them skate forwards, tracking play towards the boards.

So it's not necessarily that they're doing their backwards crossovers, it's not necessarily that they're entirely skating backwards, but you see guys who are really talented skaters or do have a lot of quickness driving play to the boards in a more aggressive way than having the play in front of them. It's about them sort of tracking that play laterally, which is an interesting thing I think you're seeing more of now.

I think there are definitely coaches and systems that love to play their defensemen more that way, and the weak side defense can sort of fill between the dot lines for them and sort of leave the weaker side of the ice a little bit more open. That's kind of what I mean. There's a lot of different ways to achieve these kinds of goals, and I think you're seeing a lot of different things popping up to adapt to this. 

In situations where you have a dump and chase or something like that, or just getting pucks in deep or whatever you say, when you have a defenseman who has trouble with their footwork and turning around… Trust me, I'm a defenseman, when I play hockey, I strap on the skates — I play defense myself and that's where I fall apart, when I do fall apart. Which is often. But definitely, when play turns around and I’ve got to change directions or change my area of flow, it can be tricky. And in the NHL, I can only imagine how tricky it can be there. 

GR: Yeah. I mean, a good pivot you're looking at three steps total, like boom-boom-bam and you're there. You watch an amateur game and it could be like five, six, seven, eight chops before [they] finally get going and [it’s] looking like a proper forward stride again. [Or just] getting into a good defensive posture and positioning. It's total scramble mode.

A big one for me, too, is just the direction that you pivot. Do you wait for that offensive player to commit to their lane? It's just a great defensive habit in general, letting the offenceman make the first move. If you're making the first move, you're the one showing your cards. It's kind of like showing your cards first in Poker.

Let them make the decision and then you can pivot into them. Now you can get that position before possession, or at least get a chip on them, slow them down. You can either make it easier for yourself or your partner. So one, there's the clean footwork on the pivot, and two is making sure that we're controlling the speed and we're pivoting properly in the direction that we want to pivot.

There's a ton of times where I see, especially the lower levels, players coming up, they're in a bad spot, they're skating forward, defenseman skating backwards and they just chip it off the boards. And the defenseman is like a dog just following the puck and it ends up in the middle of the ice where the forward actually went. Again, the NHL is the best at this so it's really hard to see bad examples of pivoting into and controlling the space of the opponent.

WS: Yeah. I do a lot of work outside the NHL, and the biggest thing I notice is not necessarily the number of chops it takes, but the amount of time. You can see guys taking two seconds, maybe more, to get themselves turned around, tracking pucks below the goal line.

To me hockey is a game of milliseconds a lot of the time, right? I was working with someone years ago who really shared the idea with me that, in the NHL, generally goals are not scored if you have the puck on your stick for more than either half a second or a second.

I can't remember off the top of my head, but it's so fast in terms of; when you score goals in the NHL, it's when you touch the puck for a very short amount of time in the offensive zone and get a puck on net. And so, if you have guys who take too long — and “too long” might not be very long… If the difference is relatively short at the time you're making those pivots or those changes, but the [opponent has] got a lot more speed than you and you're [taking more] time to then start generating that speed to match the opponent, you're in trouble.

And in my opinion, I think that you want your defensemen to be more assertive. I always fall back on the strategy of; make them make a decision, make them commit. That might imply that you do the committing first, but that's where the importance of footwork and tactics come into question. 

You have to have strong support, whether it's from backchecking forwards or your partner. You want to be able to adapt to quick players who might fake one way, go another, and be able to use your stick or use your feet or both to be a factor regardless of what happens. 

It's very interesting to watch defensemen play. I find it really, really interesting to see the different approaches of different players and especially how they evolve and get into the NHL.

But yeah, I mean, [it’s so pivotal], the skating ability; defensemen who can skate, it unlocks so many doors for their career. If you're an elite level skating defenseman, it just unlocks so many doors that interest me. If you're not, and if that's not a strength of your game, then it can be a big struggle, especially against faster opponents. Even if you're big and physical and pretty good throwing the body or whatever, there's a lot more of the game in the NHL these days. Very, very interesting stuff. 

GR: I think that's actually the perfect segue into someone who, early in his career, threw the body too much and sold out too much on plays that he probably shouldn't: Rasmus Ristolainen.

Great case study, great case study from when [John Tortorella] started working with him to where he is now. Will, I'll send in the link here from the Hockey IQ newsletter so we can track a little bit better with each other. 

I found him to be a fascinating player. High draft pick, 8th overall in 2013. Really pretty, smooth skating, big body — has all of the tools that you would traditionally say, “Yep, that checks [out].” And then you looked at his stat profile and it was just abysmal. His micro stats were terrible. I think the only thing he was good at was D-Zone Retrievals, which, being able to take contact, it was kind of an easy thing for him.

WS: Yeah. I remember watching Ristolainen when he was in junior hockey, because that was the earliest years of me being kind of curious about that side of the game, and I did not really recall that being a premier area of his game.

I remember him being big, but pretty mobile, and has some skill to play around with. He did have a bit of a physical edge to him, but it feels like it was that tail end of an era in the NHL where those big, mean, physical guys were kind of in vogue, and people were kind of curious and needing guys like that. And I guess that's what Buffalo drafted him to be.

I remember being very surprised that he was in the NHL the year he was drafted. It just did not look like it was really working out there. And Buffalo just seems to have been not a great fit for him, they kind of turned him into something that he wasn't, but I do think that he's turned into some sort of serviceable defenseman.

But he, to me, is a great example of one that I always look back on and go, “Man, what if?” Like, what if things went a little bit differently for him? Because there was good stuff there, it's just I feel like the development was focused in the wrong areas.

To me, 65% of the work [is] scouting, and developing — the easy part is drafting good players, the hard part is developing them and bringing them along into being good NHL players.

So to me, if you can find the most amount of things that get in the way of that process being easy, then you're doing a really good job. And with Ristolainen, I feel like in his case they inserted more things to make that journey more difficult and sort of turned him into something that he wasn't, which is always a scary thing for me to think about doing to a player.

But it's not over for him, obviously. He figured it out. Obviously, Tortorella found something for him to do, and he has shown a little bit better. But yeah, he's always been a what-if guy for me.

GR: I always liked how Tortorella, after the 2022-2023 season, was doing his media stuff and he was like “Yeah, he's our most improved player.” You're a guy who's getting paid big bucks — I think he was making five million plus that year, still is, probably — and even him, he was like, “I was just bad the first half. And then around Christmas break, I started getting going. The second half was much better.”

Basically, the first half, they were just trying to rebuild his defensive game, and this is true for anything. Zach Benson's another good example of this. If you can't play defense in the NHL, you're going to be out quick. Benson can play defense despite being — I think they list them at five foot 10, but there's no way.

WS: Yeah, no, no. I know. He's a little guy, but he's another great example of a player where I, in my work, I do not care how big you are. I just care about how you play. Even in the NHL. And I feel like Benson's a really, really good example of that; a guy who, just forechecking alone is a really… The easiest way to defend is if he can cause turnovers in the opposing team's offensive zone, a guy like Zach Benson does that extremely well.

And if he needs to track guys through the neutral zone and backcheck, he'll do it, and he does it really well, and he does it at a speed that I found to be projectable to the NHL. And again, that's another one where I was a little surprised to see him in the NHL so fast, but he didn't really look out of place there.

He's had a bit of a slow start this season, but just a really, really talented player, and one where you kind of do look at and go, “Yeah, these smaller guys can definitely defend.” They just — the expectations are a little bit higher, and maybe for good reason, but he checks all the boxes for sure.

GR: Yeah. So for Rasmus (Ristolainen), there's two big things that, when I dug into this, that Torts was working at. At this point, I was so intrigued [that] I was tracking every single time Torts spoke and Rasmus spoke to the media. So I was like, “I wonder what they're actually doing?” Which, Torts can be tight-lipped, but he gives it away if you follow long enough.

The big one was just inside, like too much, he was finding himself, Rasmus was finding himself on the outside. So whether that be outside the dots, outside on bad ice, for whatever reason, or just finding yourself outside, like losing defensive side positioning to the offensive player.

If you finish contact, but now you're on the wall and your player's got to step to the net, that's trouble. There's a great, great clip the other night featuring, I think it was (Aliaksei) Protas [who] ended up scoring the goal and K’Andre Miller of the New York Islanders. So Caps — Rangers, not Islanders — Rangers… Where [Miller] went in soft, didn't really take positioning, got beat back to net, and Protas just put out a stick and just tapped it in, Igor Shesterkin never had a chance.

A similar idea of; okay, good, maybe you got some contact, you tried to make the stop, but you still need to maintain defensive side positioning. You still need to finish on the inside. So if you're doing contact, you can't overreach.

You just can't do that. You have to stay in good positioning.

And the second piece was just, finishing with contact to get stops, like stopping movement. Offensive play is a lot about movement, and defensive play is about stopping movement, AKA getting stops. So he would maybe make a play, or get a poke check, but the puck was still moving and could be easily on the other team's stick. 

So how do you make sure you're always staying in good positioning? Staying on the inside, as Torts put it. Or the other piece, which is getting stops, or finishing with contact — but smartly, not chasing the contact for contact’s sake? Being tactful in your play.

I feel like Risto really just learned how to play defense smartly. He was actually thinking and being intentional about what he was doing, rather than like, “I see a puck and a player, I'm going to go end that!” And then, boom, in the big scheme of things, it’s a net negative. Even though at the moment, it may have, especially to him — otherwise he wouldn't make the play — seemed like a positive, really it was a negative for the team.

WS: Well, that's the interesting thing too, going back to talking about junior players and the context in the draft and how defensive players might go a little bit underreported or undervalued in a sense.

I see this all the time, especially with North American defensemen, especially with Canadian ones, but there are definitely players who everybody talks about how good they are defensively, everybody talks about how solid they are. They're big, they're physical, they're mean, blah, blah, blah. But then when you watch things in detail, it's this sort of Ristolainen-style thing. You're talking about K’Andre Miller where it's like, they're along the boards, they're doing the thing along the boards, but they're losing.

They're allowing guys to get low on them, get through them, and even in the junior level, right? What good is it if you're trying to pin a guy against the boards and they give you a little shove, crouch down a little bit, chip the puck three feet out from you, you don't adapt to that, they get three feet of space on you, throw it out in front of the net, and boom, you got yourself a scoring chance, right? I see that all the time.

It's the focus on the body and not focus on the turnover, turning that possession back over, that really seems to be a tough lesson for a lot of defensemen to get over. I find that a lot of defensemen from the age of 18 to 23, in the grand scheme of things, their style of play doesn't drastically shift all that often.

And so, when I see things like that happening, I'm going, okay, I gotta either hope that this guy puts in the time in the gym and becomes, just, a strength nut, and pins that guy to the boards so they can't do anything, or they figure out a way to get into those situations, take a step back, chip at the puck. Really battle for the puck rather than focus on the guy.

Because I've seen it so many times with guys who are bigger and more physical, they apply it in a way where I feel like coaches will go, “Wow, look at you go, you're playing hard, you're playing the thing!” But then they escape, this opponent might escape, and create a little bit of space for themselves. And again, this is a game of inches, it's a game of a couple of feet, and every inch matters.

So in some cases, yeah, you get those situations where guys like Ristolainen, yeah, you're doing the thing, people clip the hits, people clip the physical play, but then five seconds later, someone's got some space on you and they generate a scoring chance. And so what do you really value, right? Personally, fewer scoring chances would be ideal.

GR: I love it. Last piece to wrap this up, because I think it'll go well into our next piece, which is point play. Shorting the zone.

I was able to find some phenomenal clips and do some photos of this for the newsletter. But the concept of; if you're watching a game in the NHL, if you can see all five of the people trying to break the puck out, low in the zone… A lot of it, you think about the NHL today, is like a swarm. We're going to do close support. I'm going to try to crowd the puck out.

A good way to respond to that is to short the zone, which basically means your defensemen, instead of hanging out at the blue line, are going to go into the offensive zone. And they're going to start with small gaps, they're going to be [at the] top of the circles, if not a little bit lower.

Tortorella is another big fan of this, so you can see it with the Flyers a lot, too. I would say [Sheldon] Keefe is another example of a coach who does this a ton. So you saw a lot in Toronto, now you'll see a lot more in New Jersey, which is  the perfect d-core to make all of this work. So I think Devils are going to be good for — that's going to be a great fit.

But just the idea of crowding in the space, setting small gaps, so when you do start defending, you can either cut a play off early — it's an easy pinch there if you don't have to go very far — you can cut it off. Or, 2; create a turnover in a much better spot than what is in your own zone. Why not make it in the o-zone? So from a positioning standpoint, phenomenal place to start, good way to kill plays early.

Before they can get going, before the team can build speed, and just being able to put yourself in a good spot to take advantage both from a defensive standpoint, but offensive standpoint.

WS: Yeah, I love when I see this being deployed. I think, again, I'm a geek, like I'm a math guy, and even just thinking about the numbers here, it makes such a difference if you think about it.

The offensive zone from blue line to goal line is 64 feet. So you're looking at the difference between a guy standing at the blue line being maybe 75 feet from the net or at the top of the face-off circle where you might be 20 feet closer, maybe 20, 25 feet closer. So you're cutting down the time at which you give the defense to adapt, the goaltender to adapt. You're cutting that time down by a third-ish, a quarter to a third. I'm ballparking here, but that automatically is just based on where you are on the ice.

If you can compress the offensive zone on your opponent, you're laughing. The second thing I wanted to mention here is this is, again, why skating ability and quickness and speed are so important to me. Because it is objectively a better position to be in when you're in that position — closer to the top of the face-off circles for your defensemen.

But if you do have a situation where the opponent has possession of the puck you have to get set up, you have to cover that gap, you have to cover for yourself, or you have to have some sort of system in place where a winger can cover for you if you're caught in the offensive zone. Ideally, you have your defensemen who can wheel up, get some speed going, get positioned well to counter that attack, and have a system that can swarm whoever has that puck in the offensive zone.

I think it's a really interesting trend for sure. It's a simple little thing, it's a concept that you see definitely a lot more now than you used to, but I'm all about it. It just makes sense mathematically, and it plays into exactly the styles of player that I always look for: guys who do pinch a little bit more aggressively, but have the mobility and the skating ability to cover for themselves.

I would rather have a player who tries something creative, or tries some sort of play that could lead to a high scoring chance, but may relinquish some space on the ice, but has the ability to cover for themselves.

And I can at least as a coach, rely on them — not that I'm a coach — but rely on them to cover for themselves. To go, okay, I can rely on them to try these things, because I know that if it doesn't maybe go their way, which happens in hockey all the time, I'm not going to be upset at this player, but I know that I want them to backcheck, cover for it, because I know they're capable of it.

I think that that's sort of the trade off that you have to live with, but I'm totally cool with it.

GR: All right, so we're going to call this end of the day on some modern day defending, and we'll pick up on point play in episode two.

[END Transcript.]

part 2 <- convenient link at the bottom <3