Worst things GOT did casting wise:
- making Dany too beautiful (+ styling her in a way that she never has a hair out of place, always wears BLUE - which makes her look peaceful and soft and angelic, not making her burn her hair off etc). I just think of that one official art piece that's in the illustrated AGOT book where dany is bald, with the dragons and sparks and frames around her and its so striking instead of the "beautiful angelic blonde women stand empowered with her tits out" scene we got
- casting Iain Glen as Jorah and not like. a random Lannister (like. Come on. He is a burly and ugly man... why are you casting one of the most beautiful men to play him.... this is how we ended up with dany/jorah shippers)
-making Joffrey too unattractive (this is not meant to disparage JG who is a great actor and seems like a really cool dude and i'm not saying he's ugly but I think from his very first scene Joffrey looks very punchable and it would have been so much smarter to make the audience .. relate to Sansa's infatuation with his golden looks. In my head (and in all the official art) Joffrey looks like a male version of cersei/a younger version of Jaime.)
- making Dany, Jon, Robb, Marg, Brienne etc 10+ years older than Sansa and the younger starklings .... It's not "the main characters and arya (who is so cool and can kill people) + the little children" it's ONE AGE group of equally important characters
Like I know people are upset at Ned/Jon etc being too attractive, WHICH I GET, but I feel like those were very vibe based casting decisions and i'm ultimately fine with that (I also think it's easier for the audience to root for someone if they're attractive so like. I guess they had to do it) but these other things resulated in people's perception of the characters being so wildly different from what they're supposed to be. The real reason people get so angry whenever someone says they wish tamzin had stayed is because they don't like the idea of daenerys not being this ethereal beauty (TM is beautiful but not in a conventional way) that they can fully root for without issue.
1. NO YOU ARE SOOOOOO RIGHT ABOUT THEM REFUSING TO LET DANY LOOK UGLY. it’s not to say tamzin isn’t clearly beautiful, but i think she’s beautiful in the same way gwendoline christie is, which is that she’s very striking and she has a strong presence but she’s not exactly what people picture when they say “typical hot lady” (which is Crazy these are all able bodied white women, like the definition of “beauty” is soooooo fuckijg narrow that tamzin merchant is ~atypically beautiful) vs emilia definitely is, and YES like everything from not burning her hair off to emilia being,,,,,fuller in figure than dany as a fourteen year old would be is just very clear that they saw dany different than the way she is On The Page. i mean i know people whack george for saying that she’s like a sexy funny lady or whatever but george never lets go of the fact that she’s incredibly young whereas d&d completely miss that part of her character.
i will say i Get the criticism of tamzin perhaps not picking up on the conlangs easily because one thing you can say for emilia is that she had a decent head for the conlangs, she’s even still partially fluent in dothraki lmaooo. but all the other stuff they said about why they recast dany it’s like. hmmmmmmmmmm.
2. absolutely right about iain especially because he’s similar to idk paddy in that he’s got CHARISMA but unlike viserys, they didn’t intent to portray him as a deeply flawed, antagonistic character they went in portraying him as like an objectively Good Guy dedicated to dany. he’s just so much less creepy and pushy in the show and has several scenes where he shows some moral backbone - that “yet here you stand” “yet here i stand” scene is sooooooo good for example, the fact that he actually apologizes for spying on dany, giving him the greyscale story & not having him fuck a valyrian looking woman in a brothel 💀, etc etc - and you also just lose some of the creepiness here because emilia is clearly a grown if young woman and ian is handsome, so it’s like. welll of Course you want to root for them to be together! and never mind that this is a Massive departure from their book characterizations!! again, they have this idea of jorah in their head that doesn’t match up with what’s on the page even a little.
3. i do get your point re: joffrey and i think this is my problem with aidan as littlefucker too - they’re too obviously villains and it makes ned and sansa look stupid. like, in the books we have that moment where robb almost decks joffrey which does seem to signal something bad but the crown prince being full of himself doesn’t mean he’s going to threaten his betrothed’s sister with a sword then get his ass handed to him by a toddler. in the show we get QUITE a number of scenes where joffrey is shown to be a brat AND as you say, just like aidan, jack has a Certain Look, he looks like a shitty jock who has allegations against him ajsjdj like irl when jack smiles he’s so adorable!! but in the show they REALLY play up his ability to channel a greasy aura ya know aksjd. when the point of asoiaf is often that villains don’t LOOK like villains, but some of our Main Villains clearly resemble typical villains in the show.
4. “it’s ONE age group of characters” NO YOU ARE SO RIGHT. like, there’s several years difference from robert to ned to cat to the twins to tyrion but they’re all the same generation of characters. there’s that exact same age difference from brienne to robb, dany, jon to sansa, arya, bran, with theon kind of similar to characters like jorah, who are old enough to remember The Before Times but aren’t quite in either generation. but because they wanted dany, brienne, jon, robb, and margaery to be more of a Typical archetype rather than an exploration of that archetype, they aged everyone up and essentially invented another generation between the “adult” characters and the “kid” characters. not to be super nerdy here but one of my favorite worked shoots in wrestling is one cody rhodes did where he was ranting about the way young wrestlers get put through the grinder and he has this amazing line where he sums it up as “old men talking, young men dying” and it’s not to say there aren’t a lot of old dudes Also dying lmao but you really see this where young leaders are often unprepared for their responsibilities and used as puppets by older men and you just MISS THAT when that whole generation is so grown!
it’s like they looked at those themes of war being terrible and all consuming and brutal no matter how justified you feel you are and went “wow war is brutal 😍” LIKE PLEASE????
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okay does anyone else find it very icky that immediately after finding out kurogiri is a nomu and a victim of nonconsensual medical experimentation and malpractice. the pros n hpsc ppl immediately transfer him to a hospital for their docters to do nonconsensual medical experimentation on him to try and both see if they can turn them back into oboro and also just to see how the nomus tick. like maybe its cause i am a firm Kurogiri Should Be Allowed To Be Their Own Person And Should Actually Be Allowed Agency In Their Story believer but genuinely even if you think kurogiri is just amnesiac oboro this still feels shady on SO many levels.
also the fact we get NO comment from Mic or Aizawa. ik grief and anguish over the fact your dead highschool friend is an undead villainess butler now but they are the only vector we ever get updates on kurogiri so them never bringing it up just makes it feel like they dont care. let our dead best friends reanimated corpse be poked and prodded by a team of random government doctors. who cares what the actual person made from him says as long as theres some small vain hope they might get their long dead friend back.
this could all be very interesting and explore the hypocrisy of the heros/hpsc and give Mic n Aizawas relationship with kurogiri some genuine depth, but we don't get that because the kurogiri-oboro plot was inserted in for extra angst and an excuse to make aizawa extra pissed at and resentful of shigaraki and was just left there when it was time to chase another big shonen boss fight. i hope they actually manage to address any of this when the kurogiri-mic-aizawa plot actually shows up again but with how things are going. i severely doubt it. and after spinner and dabi i severely doubt they are actually going to find a genuinely satisfying conclusion to this arc. which is honestly just so fucking disappointing.
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Ignoring the entire shitshow around Eurovision this year, it was pretty solid for music.
Switzerland absolutely deserved to win. The Code is a bop and their performance was my favourite of the evening.
Croatia also was really good. Baby Lasagna has a really strong voice and I really liked the vibes of it overall. Also, he's apparently an Electric Callboy fan, so that's a plus in my book.
Ireland was solid. I don't think I like the song as much as other people, but their staging and the screamo parts of the song were perfection.
On the other hand, Israel got way too many points. I kind of expected it, but it still stings. Like, even if the votes were unpolitical (which is highly doubtful), the song wasn't that good. Lativa had a way better ballad.
A thing I definitely didn't expect though, was Germany being in 12th place. It feels wrong to see us on the left side of the scoreboard. Though it is also funny, because Isaak told a newspaper: "who would want to end up on place 12?" He really jinxed himself with that one.
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Speaking of Tyrest. A lot of people forget that he treated Pharma with absolute disdain, not only using him as a test subject for a clearly painful mass murder machine, but talking to Pharma like he saw him as nothing but some henchman to order around that was nothing more than a 'diseased cripple' if Tyrest hadn't come to rescue him.
Like it really is an interesting background dynamic with some curious implications, but when you look at fandom posts from around that issue/the years after, for some reason people just saw "Pharma worked with Tyrest" and concluded Pharma is a card carrying bigot ksjfnskxkd. Like yeah Pharma didn't do anything to stop Tyrest but it seems his main beef with the Autobots was with Ratchet in particular and maybe a general disdain for his ex-comrades. As well as continuing to hate Decepticons which like, not even the "good Autobots" are immune to (even in Pharma's introduction, First Aid says in his journal something like "yeah we all hate Decepticons, but Pharma REALLY hates them"). And despite what fandom likes to construe there's really no evidence in IDW1 that Autobots and Decepticons are different "races" or "types" of Cybertronians, so Pharma hating Decepticons really isn't a bigotry/robot racism thing. And instead probably has something to do with, idk, the 4 million year long galaxy-spanning blood feud war, or maybe being blackmailed and tortured into insanity by the Biggest and Most Decepticon-y of Decepticons.
Tyrest treated Pharma like trash, the other Decepticons working for Tyrest (how come no one ever brings that up btw) also hated him, so if anything it seems that Pharma was more of a rogue element only staying with Tyrest bc he was his best option and probably had no way to even escape.
I'm glad that at least in recent years the fandom has acquired a keen reading eye and good taste to finally recognize Pharma as the (accidentally) complex character he is instead of making him some posh, racist Starscream clone SHSJDGSGDH
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"Among their complaints [in 1460, the Yorkists] specifically blamed the earls of Wiltshire and Shrewsbury and Viscount Beaumont for ‘stirring’ the king [Henry VI] to hold a parliament at Coventry that would attaint them and for keeping them from the king’s presence and likely mercy, asserting that this was done against [the king's] will. To this they added the charge that these evil counselors were also tyrannizing other true men* without the king’s knowledge. Such claims of malfeasance obliquely raised the question of Henry’s fitness as a king, for how could he be deemed competent if such things happened without his knowledge and against his wishes? They also tied in rumors circulating somewhat earlier in the southern counties and likely to have originated in Calais that Henry was really ‘good and gracious Lord to the [Yorkists] since, it was alleged, he had not known of or assented to their attainders. On 11 June the king was compelled to issue a proclamation stating that they were indeed traitors and that assertions to the contrary were to be ignored."
- Helen Maurer, "Margaret of Anjou: "Queenship and Power in Late Medieval England"
Three things that we can surmise from this:
We know where the "Henry was an innocent helpless king being controlled and manipulated by his Evil™ advisors" rhetoric came from**.
The Yorkists were deliberately trying to downplay Henry VI's actual role and involvement in politics and the Wars of the Roses. They cast him as a "statue of a king", blamed all royal policies and decisions on others*** (claiming that Henry wasn't even aware of them), and framed themselves as righteous and misunderstood counselors who remained loyal to the crown. We should keep this in mind when we look at chronicles' comments of Henry's alleged passivity and the so-called "role reversal" between him and Queen Margaret.
Henry VI's actual agency and involvement is nevertheless proven by his own actions. We know what he thought of the Yorkists, and we know he took the effort to publicly counter their claims through a proclamation of his own. That speaks louder than the politically motivated narrative of his enemies, don't you think?
*There was some truth to these criticisms. For example, Wiltshire (ie: one of the men named in the pamphlet) was reportedly involved in a horrible situation in June which included hangings and imprisonments for tax resistance in Newbury. The best propagandists always contain a degree of truth, etc.
**I've seen some theories on why Margaret of Anjou wasn't mentioned in these pamphlets alongside the others even though she was clearly being vilified during that time as well, and honestly, I think those speculations are mostly unnecessary. Margaret was absent because it was regarded as very unseemly to target queens in such an officially public manner. We see a similar situation a decade later: Elizabeth Woodville was vilified and her whole family - popularly and administratively known as "the queen's kin" - was disparaged in Warwick and Clarence's pamphlets. This would have inevitably associated her with their official complaints far more than Margaret had been, but she was also not directly mentioned. It was simply not considered appropriate.
***This narrative was begun by the Duke of York & Warwick and was - demonstrably - already widespread by the end of 1460. When Edward IV came to power, there seems to have been a slight shift in how he spoke of Henry (he referred to Henry as their "great enemy and adversary"; his envoys were clearly willing to acknowledge Henry's role in Lancastrian resistance to Yorkist rule; etc), but he nevertheless continued the former narrative for the most part. I think this was because 1) it was already well-established and widespread by his father, and 2) downplaying Henry's authority would have served to emphasize Edward's own kingship, which was probably advantageous for a usurper whose deposed rival was still alive and out of reach. In some sense, the Lancastrians did the same thing with their own propaganda across the 1460s, which was clearly not as effective in terms of garnering support and is too long to get into right now, but was still very relevant when it came to emphasizing their own right to the throne while disparaging the Yorkists' claim.
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