#and changed the entire color palette

[gyroshrike]

If I didn't get this posted in time for Valentine's Day I was going to lose it. So, Happy Valentine's day! Here's some pain!

[Video version]

[orphanedsource]

kinda forgot to upload on here. It’s my durge again

[shitpostingkats]

INSANE INSANE INSANE INSANE

[wanderer-clarisse]

Fingon

[bilbao-song]

sorry for being nosy but could you elaborate the fake animal thing? 😭

i 🩷 ancient crusty virtual pet game series

[synonymroll648]

Keefitz att?????

wip :3 (i have no clue how many times i'm gonna change their proportions and styles and outfits once we reach the final. if we reach the final at all)

[softgrungeprophet]

me designing characters: turquoise! purple! black! red and gold!

[motheatencrow]

hahahehe main sona redesign

[catgirlkirigiri]

Everyone's favorite sad 12 year old finally got the new ref he deserved <3

[cometrose]

so they leaked guizhong’s outfit they can lie to themselves on twitter but that shit is so ugly

[ratsonas]

using premade color palettes is fine but i feel like if u want to actual understand color u should learn how to make palettes urself

[4th-d-slipped]

📁📂 THERE SORRY

ITS OK!!!!!!!!!!

mara of "that mgai gang i never shut up about" fame had a black n yellow striped shirt for a while, based off one i used to own irl that i really liked! i outgrew it tho & in a perfect world id say i kept the shirt in memory, but it made her design too topheavy with yellow so i changed it. rip shirt

[miss-allsundays]

ace was almosg my pfp..... but the gays won THIS time

[trashyjester]

Short thread of Ozzie using his powers when performing/helping Fizz during his own performance

We saw in “Ozzie” that the venue of the club has a specific color palette, that changes when Ozzie appears to perform with Fizz, creating blue smoke and shifting the entire scenario to his predominant colors

All the light/color effects we see after his appearance are very probably there thanks to him influencing the whole place to create the right atmosphere for the show and this stops when Fizz gets hit by Millie

Fizz appears for his final performance getting out from the same blue smoke, Ozzie’s blue fire lights the cigarette, the colors reminds a lot the ones of his club and the Mammon’s ‘shadows’ seems a bit much to be stage effects

Also, am I tripping hard or the two central blue shadows near Fizz look a lot like Ozzie’s heads, ram and bull? Him giving Fizz his fire, knowing that the Hellish green fire is a big NO, same for the blue fireworks

You can’t tell me that the big sign 👉🏻👌🏻 isn’t Ozzie’s work. Also the light on Fizz now is blue and not green. And from the look they exchange at the end is clear he helped, not bcs Fizz couldn’t do it alone, but bcs he wanted to fully support him

These two are the best and healthiest couple in Helluva, they are perfect for each other and you can't change my mind 💙💚

[meanbossart]

Do you have any advice for people looking to learn how to do color like you? I've been drawing for nearly 13 years but I've never been good with color and feel like my pieces always look rather over blended or that I can't pick good color pallettes.

Just to preface: coloring was fairly new to me just up until recently. I've always done color here and there but it was never my favorite (I very much felt like I had the same problem you're describing) and for a long time my style was largely based around grayscale because of it. When I started doing BG3 art it kind of felt like a necessity to learn, though, since its such a colorful game. So, take my advice with a grain of salt!

My biggest struggle with color was that the style I wanted to do never seemed to match my lineart. I eventually realized that was because my style itself wasn't done with color in mind at all - like I mentioned above, I mostly did grayscale and let the linework carry the art entirely. This also skewed the way I distributed my efforts; I would get really exact and over-detail things with the lineart like I was used to doing, and then felt like I also had to overdo the coloring as well, because the slightly "rougher" rendering I was striving for didn't seem to match the style.

The solution I arrived at was changing the way I approach lineart entirely, purposefully making it sketchier and less "exact", not letting myself be boggled down with details. In this way, I feel like I have far more freedom in how I apply colors and approach the rendering. It has also been extremely beneficial to learn how to push simplification (both in regards to lines AND color) as far as I can before the art stops looking good to me, and that has allowed me to backtrack into more detail again while feeling far more in control of their application. The more you breach out and experiment, the more ways you will have to approach your work when you feel as if you've hit a wall.

Obviously, I don't know if any of this applies to you 😅 but it's info that's been super valuable for me to realize.

Something else that might help is hunting down for tools that don't let you be precise - staying away from sharp liners and brushes and picking stuff that looks more graphical.

Also, not letting yourself zoom into your work too much so you're forced to achieve the shapes you're trying to achieve with rougher strokes and lines, and hence avoiding overworking small details that will ultimately get lost in the final picture anyway.

And assuming you have a good grasp on the basics - put a cap on your rendering time. Try drawing as fast as possible so you're forced to look for alternative solutions for making stuff look good without spending days on it. (I do NOT suggest doing this regularly if you're just starting off learning things like anatomy and perspective though; take your time!)

As for color palettes - I feel like I have a horrible eye for color LOL so I can't offer much wisdom there. I will often be adjusting hues and depth well into the finalization of the piece and ultimately just throw my hands up and say GOOD ENOUGH before sending it off. Taking breaks from looking at the screen so you can take it in with slightly fresher eyes tends to help me, though.

[smelt-starverse]

On the Amphibia Timeskip Designs

Hi! I know I normally don't do analysis posts like these, but I got into an interesting conversation (read: infodumped hard to a couple of unsuspecting friends) about the subject on Discord earlier and I felt like it might be enjoyed by you all. Anyways, to begin...

I think the best place to start is Marcy. The thing that jumps out to me about her new design the most to me is her color scheme.

Across the board, everything is brighter and more saturated. Her dark blue coat has been swapped for a bright blue jacket, her dull green skirt has been traded for some vibrant green pants, her shirt has gone from a light gray to an off-white, and her debatably brown boots have been replaced with light brown, almost orange shoes.

Through the entire series, her hair is neat, properly combed (when not messed up by water or helmet-hair, anyways), and it's got this layer of gloss to it. It's a pretty innocuous set of details...

...but I think the picture comes together better when we compare it to her hair in the finale. It's less neat, it's messy in places, but it's not greasy anymore. It's not constrained at all, it's healthy and doing its own thing. And I think, in a way, that applies to her outfit as a whole. Throughout the "present" of Amphibia, Marcy is nearly always wearing a uniform of some kind; her school uniform, the Newtopian Night Guard uniform, the Core's greaves, it's always a look forced on her. In the finale, though, she finally gets to make her own decision on what to wear. It's casual, but it's her, emphasized by the personal touches like the pins on her jacket and the figures on her bag that expand out from little expressions of freedom on her original design. She's even got ear piercings, something typically associated with rebellion and freedom. She's finally allowed to be her own person. Not anybody else's, just... herself.

My thoughts on Sasha and Anne are a bit less in-depth, but there's definitely interesting stuff to mention regardless.

It might not seem like Sasha's changed much visually during the timeskip. Her hair is cut pretty much the same way, she still has a pink accessory on her head, she's still wearing a skirt and a jacket (like she did over her school uniform), and... I think that's intentional. It's a subtle sign that most of Sasha's growth wasn't off-screen during a ten-year time jump...

...it was during Season 3. With every redesign she got from her Barrel's Warhammer redesign onwards, her design got softer. Less spikes, more rounded edges, less rigidity. She even undid her ponytail, not holding her hair back anymore. Her reds got less area on her design, until on the timeskip look they were pretty much replaced entirely with a simple purple skirt. All that aggressiveness is gone, replaced with a comparatively soft design...

...and with the addition of a blue shirt to her color palette. It comes off as a little random, but considering her new profession as a therapist, I think a light and soft color palette featuring hues that are easy on the eyes is an important part of that. It's subtle, but I think it helps a lot.

And finally... Anne.

I find Anne's timeskip design to be the most difficult to talk about in this context, because it's mostly just a regular uniform. The green polo, beige shorts, white undershirt, and lanyard are just what she has to wear to work, and I find it a little difficult to find meaning from it... but that doesn't mean there's nothing there.

Let's get the obvious one out of the way. The leaf scrunchy is a cute way to call back to Anne's hair leaves, a pretty defining aspect of her original design dating all the way back to the first episode of the show that followed her all through her journey in Amphibia. It's a fun little way to reminisce on her past... but it's not the only part of her outfit dedicated to reminiscing.

That little blue flower band on her wrist is also easy to miss, but pretty obvious what it's referencing once you notice it.

It's most obviously a callback to the blue flower crown from earlier in the same episode, but Anne's almost always been associated with blue and flowers, with even her energy aura in her Calamity form taking the shape of blue flower petals.

But those are just simple callbacks. I think the two things that tell us the most about Anne's growth and who she is now... are these.

For her entire exodus in Amphibia, Anne's had one ragged shoe to keep her company. She wasn't ready for an adventure in the swamp. Now, she has proper rain boots, something designed to actually withstand the kind of work she does now. She's fully become comfortable with where she is and who she wants to be. And, of course, there's that little bandage on her leg. Perhaps it's a sign that she's still going out there, undergoing little adventures, taking risks and getting into trouble. Maybe it's a sign that that spirit we come to know so well over the course of the show is still alive and well... or maybe it's where she takes her estrogen shots