#and calls him by the wrong name? yes | Explore Tumblr posts and blogs

nomsfaultau · 1 year ago

Text

SBI SCP AU character playlists

Tommy:

Rose by The Oh Hellos (I mean I'm doing an entire animatic wip, it fits and I have essays to prove it. Anyway violence, the power of names/narratives, truth, hypocrisy, how sacrifice and love tie together.)

Sunken City by David Wirsig (Tubbo associations, mostly symbolic/vibes past the prison break. The euphoria of escaping and how the world beyond is confusing and unrecognizable. The idea of journeying with a friend to the ruins of what was once your life. 6th verse as finding a new home in found family. 'God free me from the burden of my thoughts')

Never Love an Anchor by The Crane Wives (Tubbo, and how Tommy tries to distance himself to protect them/is the only reason Tubbo stays in a group with people they abhor. Touch starvation, hands as dangerous, seeing himself as a monster/burden. Again. Did an animatic for this one.)

Wilbur (yes they're all by Will Wood for the bit):

Misanthrapologist by Will Wood (Philza, for their light/dark dynamic and untangling of Wilbur's loathing of society and himself. WHiT Constellations interlude. I imagine 'can't keep a straight face while I'm praying' as Phil trying to get Wil to meditate but they end up laughing + 'don't you revolve around someone else' as a chide to Philza post Anderson's death)

Love Me, Normally (If he were honest with himself. Wilbur is wracked with jealousy for humanity that he disguises as hatred. Die young mentality, insomnia, bridge 2 addressed to the void, 'Is it courageous or escapist to leave the quarantine when you’re contagious?' as a comment on the danger of anomalies and if they should be contained)

BlackBoxWarrior (An entire life spent running from the Foundation and their experiments + trauma, repressing the past, general void madness, 'a map to every victim of his love' as the scars the void has left)

The Blade:

Red Water Dreams by Aviators (The sea motif of the voices, being a vessel for The Blood God, finding blame in those who unleashed his apocalyptic revenge. The entire chorus fits so well. 'Vicious thoughts are stirring/And I hunger for their power')

Paralyzed by Aviators (He's just an Aviators boy, what can I say, it's the violence and upbeat tempos man. Really this is The Blood God's song. His challengers as a duty to cull, as he's forced to hunt down every last foe that laid a hand upon his vessel. The thrill of battle, impending doom, 'I will give you one fair chance' because he really does seek a good fight. The Blade is the one paralyzed, unable to do anything but watch as his body is used for destruction)

Turn Out the Lights by The Crane Wives (Because The Blade does actually handle The Blood God/voices pretty well. I feel this song captures the way he just sorta rolls his eyes and shrugs off the intrusive thoughts most of the time)

Philza:

Rule #9 - Child of the Stars by Fish in a Birdcage (Wilbur as a wanderer, but works for any Collected for fostering their growth. Father vibes. Philza raising his children to be strong, independent people. A gentle expectation of greatness, because he picks out the exceptional among humanity)

Hot Tea by Half Alive (His sheer adoration of his Collected, also fun to swap the roles so that it is the god showing devotion. The pure warmth and sweetness matches Philza. In retrospect I need a song about protective violence but eh I set a 3 song limit.)

Time Machine by Miracle Musical (Amnestic arc. Particularly with loneliness and the vehemence in 'look at what you've done now to me', as well as 'I'm leaving��today, today' with his confused insistence that he leaves at the end of the week. The way Philza is dragged in and out of grief at the whims of the Foundation, left free floating and disorientated)

Tubbo:

Soap by The Oh Hellos (Actual perfect Tubbo song. WHiT Croplands interlude. Themes of pacifism, how Tubbo is made of pieces, the separation between humans and anomalies and how the Hivemind can cross that barrier. Learning when to let go/hold on with the Tommy, Hive members, Willow. The 2nd chorus as Rhodes trying to convince Tubbo to leave Tommy in Jasper, with the response of 'I think that you’re worth (keeping around/holding onto)' to both Rhodes and Tommy's Never Love an Anchor. And imagining Tubbo saying the last stanza to Tommy makes me so soft)

Escapism by Rebecca Sugar (Dissociation. Grey chapter in general, specifically Pewter for being firm in convictions: 'shouldn't show a trace of doubt' and telling Rosalind the sacrifice won't hurt them, as well as trying to force a dissociative episode when their hand is sawed off)

Saint Bernard by Lincoln (ok this is a troll but also fits well for Cinnabar and Old Gauze. The guilt of failing one's morals. Technically Tubbo is in Indiana satanic and chained up, but I'll let it slide. The Saint Calvin verse is so good for the Rhodes-Tommy tension + Foundation destroying families. Also the way Tubbo blames their self-loathing on Rosalind, making the chorus apt for the Hivemind mess) (but also its funny to give Tubbo the classic edgy character song)

(Bonus) Dr. Blake:

Take Me to War by The Crane Wives (She sees herself as forced to be ruthless to survive against powerful anomalies. 'And I'll rankle the beasts with words' for her manipulation. Also epithets in the dehumanizing way the Foundation avoids names. Verse 3 is Tubbo 'corrupting' the guards when they saved humans from Philza)

Solaria, Kevin / End-World Normopathy by GHOST (Tommy, with religious themes and verse 5/Kevin understood as The Blood God. The cold cruelty of the Foundation, sentience as a failure/flaw in a tool (Tommy), Dr. Blake completely separating her personal and professional selves because to have humanity is only a weakness anomalies will exploit. 'Though you’ll never die, you’ve found that/All eyes are staring at your hands' is an absolutely perfect line for summoning sessions)

#did I actually put an npc named david wirsig in Fault and have Wilbur eat his arm. Yes. It's called admiration.#moving on.#using never love an anchor feels so over done but i mean #would've been hilarious to use exclusively wilbur soot songs for Wil but frankly i don't listen to him enough to over analyze song lyrics #balancing the blade's edgy fight songs with a sweet upbeat song abt mental health was fun #was thinking both sugar pills and razzmatazz (idkhbtfm) for Phil #but time machine was better for amnestics even if it missed the obsession aspect #and. idk man i can hella read razzmatazz for the hallway but its also fundamentally about fame #also didn't include Ribs for Wil bc the lonely + accepting darkness worked well but it felt too connected to femininity #felt like it took the teeth out of the song to give to a male character #also i had enough crane wives songs already. They just make good character songs #tubbo was an utter pain to find songs for until I realized I was looking at the wrong artists #I keep saying rhodes-tommy tension like its obvious that Rhodes is behind the morals that try to hold Tubbo back from their friend #still snickering at giving tub- 'moral heart of the group' -bo the DARK EDGY IM SO EVIL song #yeah i over analyze everything way too much wahoo im so normal #fault au #sbi scp au #scp philza #scp tommyinnit #scp wilbur #scp technoblade #scp tubbo #scp oc #character playlist #technoblade #tommyinnit #philza #wilbur soot #tubbo #sleepy bois inc

26 notes · View notes

eastofedean · 9 months ago

Text

okay, but writing this stanford fic is actually so much fun!

#cas is a late night radio show host #he doesn't know much about music and it's kinda annoying but dean enjoys the way jimmy (cas doesn't go by his real name)#can talk about anything and it calms him in a weird way #and one day dean decides to call the hotline cas does once a month to tell him that it's fucking infuriating how he ALWAYS gets the release #dates of albums wrong and how he thinks ABBA is a rock band (like what's wrong with the dude??)#and they start talking and it's easy and dean for the first time in a long time feels less alone #because yes his brother left and his dad is busy with his own revenge #but listening to cas' late night show calms him and lets him forget about the monsters and nightmares that are following wherever he goes #txt.#anyway i think this one could turn out really good!

12 notes · View notes

ninkaku · 3 months ago

Text

i could talk all day about mori's treatment of dazai and the way he abused his power over him but i'd rather talk about the ways in which he is still doing it, despite dazai having left the mafia. as we know, dazai left the mafia under oda's instruction, a promise he made to his dying friend in which he said he would become a good person, and be on the side that saves people. oda said, the sides make no difference to you, so he knows for a fact that dazai has no reason to do these things, when good and evil are mere concepts for him and not something he feels drawn to either way. a take i've seen often and one that i quite like is not only did mori have oda killed for the mafia's own personal gain (the deal struck so that they could operate under legal means), but it falls back on mori grooming dazai to one day take his seat. up until this point, dazai has never had anything worth protecting, has never lost anything, has never grieved anything and never experienced the emotional call to despair.

odasaku's death and thus dazai's push into the light, which ends up being with the ada, is the final piece that mori needed to solidify that dazai would one day be able to take his place. they talk about it, dazai says you were afraid of me, weren't you? and in more ways than one, the statement is true. mori had always known that he would and always wanted for dazai to surpass him, but the husk that dazai had become by never wanting anything, never protecting anything scared him if dazai was to dispose of him and assume his seat, because although dazai is a genius, he was callous and didn't value anything. he wouldn't value the mafia like mori does, he wouldn't protect yokohama like mori does. during the guild arc, mori says if dazai was still my right-hand man, the guild would stand no chance. dazai inside of the mafia and outside of it exists as a powerful adversary to whomever he stands against, and i think this is one of many reasons why the ada and the port mafia exist somewhat in tandem. the port mafia and the ada overstep their boundaries from time to time with each other, but the truth lies in mori knowing that dazai could ruin them if he intended to.

in something of a tldr mori aims to push dazai out of the mafia just as much as he intends to keep him within it. he needs dazai to experience loss, needs him to experience what it feels like to protect something, what it feels like to want to protect something. the fact that after dazai left, mori has not replaced his seat as an executive. has not replaced dazai as his right-hand with someone else, continuously offers him his position back means he fully intends to have him back under his wing again, someday. means he fully expects, once dazai has experienced what he needs him to, that he will take over his position, and he will drive dazai back to him. yosano and dazai serve as two prizes that mori currently does not have on his mantle, and in the deal struck with the president of the agency, those are the two he is most likely to pluck out of their ranks to put right back into his own.

#abuse /#like we don't need to talk about how yes - dazai explains he exposed HIMSELF to violence and death and gore in order to feel #but who was the first person to expose him to these things? who was the person that implicated him in a murder labelled a death by illness?#“you will be my witness” - that night mori signed dazai's name on a contract dazai had no clue he had even drawn #mori made a fifteen year old boy the head of the port mafia's guerrilla squad ...#dazai was a child that needed guidance and he got the WRONG kind .. and im actually tired of people calling mori and dazai father/son #in a serious sense ... or in a GOOD sense. in a lot of ways you can pin that kind of DYNAMIC and not RELATIONSHIP on them #in the way a father raises his children to one day take over his own legacy. in the way a father moulds his children in his own image #in the way a father takes away the things his child loves most to punish him. to teach him a lesson.#mori wanted dazai to experience loss and grief and wanted to push him out of the mafia so that he would come back stronger #there are so many instances in which mori could have had dazai killed after he left and joined the ada and he didnt #dazai is an OPPONENT ... he is IN THE WAY if he isn't with the port mafia and so it serves that mori has and #HAS ALWAYS HAD more planned for him than this.#also like haha WEEIIRRRDDD that mori is allowed to take one member of the ada and he sends chuuya to mersault to .. some would say #to collect dazai. take it as a favour owed. your boss said i could have you AND the port mafia just saved your life.#and if not you - WHO? (if people survive this post arc) like WHO ELSE? is fit for the mafia?#dazai is self sacrificing. and it serves the GOOD side of him to go back. so that someone else doesn't have to suffer it.#anyway ramble over sorry everyone :p

6 notes · View notes

phoenixkaptain · 2 years ago

Text

Have you ever noticed that while we have a bunch of evidence that William explicitly told Elizabeth not to go near the Circus Baby animatronic, and the implication of the lines is that he said this multiple times and was very insistent on it, and the Fredbear plush (no matter who you think is speaking through it) told the Crying Child not to go near the animatronics in general, the lines here also suggest that it has given this advice multiple times, we don’t actually have any evidence that Michael was ever told not to go near any of the animatronics?

In fact, in regard to Michael, the only evidence we do have is Michael being explicitly told to go mess around with animatronics. “It was right where you said it would be.” “I put her back together, just like you asked me to.” These both tell us that 1. Unlike the other children, Michael was not only encouraged to go hang out with animatronics but was also encouraged to go mess around with animatronics and 2. Michael’s tone of speaking could imply that this is the first time he’s been told to go mess around with animatronics.

Now, I’m not saying that William, from the very start, took a baby Michael and just handed him over to Fredbear without worrying about it, but I do think William tried to get Michael invested in some aspect of the business. I believe this because Michael’s the oldest son. And while Utah doesn’t have heir apparent to the family title, it did, back in the seventies and eighties, have a common idea that young men should follow in their fathers’ footsteps. Or, at the very least, the oldest son should bond with his father through a shared knowledge of the father’s job.

This was exceptionally common everywhere, but especially in Utah, where the people have always been (as we will diplomatically call it) traditional.

(But, of course, the Aftons probably are not originally from Utah. That doesn’t actually have much of a sway in form of argument in this particular case, because Mormons have a long history of outcasting people they considered “other.” If you smoked, if you drank to excessively, if you didn’t go to church, if you did go to church but not the “correct” way (I have no fucking clue what the correct way is, I only know that I, personally, did not do it correctly as a four-year-old, I know, baffles the mind), you were other and therefore, nobody would speak to you. And, more importantly to my case, nobody would go to your business.

William, being the one who spoke to more people (if we trust the books) had to at least play at being charmingly British enough that his neighbours wouldn’t think he’s a bad person. In fact, they would probably accept that he doesn’t want to go to church if he just used being from another country to get out of it (but they would probably suggest it everytime he spoke to them anyway) but William would have to fit in in other ways so he didn’t come across as too other. Enter Michael.

His relationship with Michael, if it mimicked the common relationship of father-and-son at the time, would be enough to charm people into believing he’s a family man and going to his diner anyway. Having three children was already going to boost people’s opinions of him, but if, on top of that, his oldest son “helped” with animatronics or paperwork or even if he just occasionally wiped tables, that would add more to the public image of the business being a family operation, just this one included two families.)

Admittedly, we don’t know much about how Michael acts. But, since it’s a similar case to Ethan Winters from the Resident Evil series (1. Both first person. 2. Both keeping the face out of view from the viewer, even going as far as obscuring mirrors or leaving mirrors out entirely. 3. Both of them get taken over by an outside entity (Ennard and Mold, respectively). 4. Both seem to do incredibly stupid things (“I think I’ll go see my wife in this ominous house I was given the address to multiple years after her disappearane and assumed death. I want my dearest darlingest baby girl back so I am going to fight hell monsters with whatever weapons aren’t nailed down and if I have to fight a god, then I guess I have to fight a god. I inexplicably know how to put together a functioning flamethrower.” “Well, Dad told me to go down in his weird undergroudn bunker that he keeps behind the house where my sister who has been missing for some amount of time is apparently hanging out, so I guess I’ll head down there on the nightly.” “I will not make any noise of complaint or annoyance or fear or even pain as I am inconvenienced and hurt and even murdered.” “I inexplicably consider being used as a flesh suit by the possessed wires of multiple animatronics a win because I’m pretty sure my sister was in there somewhere, so great news, Old Man, I’ve succeeded in the task.”) 5. I like comparing media that technically is very different but is similar in key ways and that’s what I’m currently doing. Shh, go with it, my child, go with it) I’m going to assume that Michael’s face does the same thing Ethan’s does. As in, if you wait long enough, even in situations where Ethan should reasonably be terrified, he just looks sort of like he’s wondering if he left the oven on. I like to think that’s how Michael’s face looks. Like: “Oh no, Ballora could catch me at any moment and kill me! …I wonder if that bird I saw last week is having any luck finding worms? It’s been a bit of a dry year.”

Michael certainly seems determined, but he only seems determined if we assume that he’s in more than one game. Like, if we think Michael isn’t the guy running the pizzeria in Pizzeria Simulator, then Michael said “I’m going to come find you” to his father and didn’t do anything? If we assume he isn’t the nightguard of the first game, if we assume he isn’t the second nightguard in the second game, if we assume he is only the protagonist of Sister Location, then Michael is the funniest character of all time. Because he literally said “Father, I am going to come find you” and then went back inside and enjoyed a quiet life? Maybe he did look around but didn’t go to any of the obvious places, the restaurants his father worked and killed at? Maybe he knew exactly where William was and just said “Ah, fock it, I’m going back to my tele-novella, tell me when you’re dead, Father.” It also makes William screaming for Michael a lot funnier because oh my God, William, do you think he’ll just teleport there?

(Sorry, that was a tangent. I saw someone complain about the night guards all being the same person or related to the events of the game in some way and it kind of annoyed me. “Why must they be the same person?” you ask? Because that’s just basic storytelling. The characters have to be related to the plot in some way, or the storytelling is nonexistent. And besides, from a narrative perspective, it makes a more satisfying story if Michael is the night guard of at least one location, because it means that Michael isn’t the stupidest man alive. He’s looking for his father. If I was in Michael Afton’s shoes, looking for my father who I knew was a tad obsessive about robots, I would go to the robot restaurant. It makes sense. (I’m sorry, I went on a tangent within my apology for going on a tangent. I will get back to the actual point now.))

We know that William told Elizabeth not to go near animatronics (or at least not to go near one animatronic). We know that someone told the Crying Child not to go near any animatronics. But we don’t have any evidence that Michael was ever told any of the animatronics were dangerous. In fact, evidence suggests that he was not only told to hang around animatronics, but he’s basically used to them. He finds his brother’s fear of animatronics amusing, which, to me, suggests that he finds the animatronics to be the opposite of scary. It suggests that he’s around them enough (because apparently Crying Child and Michael just hung out at the robot restaurant nearly every day of their lives, for some reason) that he’s either ignored any warnings that they’re dangerous or he was never told they could be dangerous in the first place.

Why does any of this matter?

Because I am sick and tired of people complaining about Michael killing his brother. They say it makes him an asshole big brother, I’ve seen some suggest it makes him just like his father, and I respectfully disagree. Michael is certainly not winning any Brother of the Year awards, don’t get me wrong, but I don’t find his relationship with his brother to be unrealistically cruel.

Michael doesn’t hurt his brother. He only scares him. That’s his entire goal. He’s a dick, yes, but he doesn’t seem to actively pursue harmjng his little brother.

Michael was never told the animatronics were dangerous. Michael was never told to stay away from them, and even if he was, it wasn’t terribly convincing. (“Son, the robot performers are super duper dangerous and you should never ever not once go near any of them. Now, here’s a dollar, go play near the robot performers.”)

Michael, if anything, is trying to get his brother to see that he’s overreacting. He’s trying to prove that they aren’t dangerous. He’s trying to show his brother that the animatronics won’t hurt him. He’s making fun of his brother, yes, but the fact that he gets him so close to the stage and goes so far as to put his head in Fredbear’s mouth tells me that he was basically doing something similar to shoving a worm in someone’s face. He was trying to scare him, yes, but then his brother would, we assume, see that nothing happened and would be shaken, but ultimately admit that Michael was right, the animatronics aren’t dangerous.

This, obviously, isn’t what happens. But I’m pretty sure Michael didn’t purposefully kill his brother and I’m even more sure that he wasn’t even trying to hurt him.

I have three older brothers. And, it was a similar situation in that the four of us were left to watch each other a lot while our parents were at work. And while I know my brothers are not the mold for all brothers, I also know that there’s a reason people talk about the “Cain Instinct.” Boys roughhouse. And, while not actively encouraged in Utah, it’s certainly not discouraged either.

Michael was being a dick, yes. But, the behaviour is similar to a child who doesn’t think that guns are dangerous, whether because they’re not told or because they’re left unsupervised with access to guns. This sort of incident is not without precedent. And while it was certainly stupid, Michael didn’t do anything that a dumb big brother wouldn’t do.

#fnaf #five nights at freddy's #michael afton #crying child #cc afton #i like when people call him cc #it’s technically a name or at least a nickname #but also it sounds like a band #‘up next: cc afton and spectacular sea otters’#somethin like that #anyway #do i think michael afton is a bad brother?#no #do i think he’s a dumb kid?#yes #i don’t think michael did anything morally objectionable #in fact i’m gonna say it #i don’t think michael did anything wrong #he was effectively smearing mud on a germaphobe #he was being a dick #but he was also being a brother #there’s a reason bothers and brothers are only a letter apart #and it’s because brothers r bothers #the inane ramblings of a madman #long post #can you believe this post was just gonna be a little thing #haha like i can make an essay under five paragraphs long

108 notes · View notes