the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.
sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.
you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.
it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.
but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.
they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.
they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.
barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.
and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.
but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.
they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!
this horrible world they live in. disgusted and also obsessed.
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Further speculation on Shen Yuan transmigrating in some kind of Beast:
Werewolf Shen Qingqiu.
And like, major emphasis on the wolf, in his case. Not wolfman. Every full moon Shen Qingqiu has to make arrangements for himself to turn into a gigantic silvery-white wolf that retains extremely little of his consciousness, and mostly just seems to want to do Wolf Things, though according to PIDW and all information he has on the matter, he ought to be turning into a violent and bloodthirsty predator.
However, it turns out that the wolf form does retain some awareness from the mind/soul of the human, meaning that the reason SJ's wolf was so incredibly unsafe to be around was because it was constantly trying to process SJ's trauma in wild animal terms. So, it was hostile towards the vast majority of humans and in a heightened state of anxiety, always anticipating violence (and reacting accordingly) whenever something unexpected happened. Matters were not helped by SJ's decision to try and lock himself up for every transformation, which of course freaked his wolf out even more (trapped) and resulted in self-harm as it desperately tried to escape. It was just that SJ interpreted the self-harm as a sign that the wolf was so extremely violent that it would cannibalize itself rather than go a single night without the taste of blood.
SY, who is a lot less traumatized, conversely has a much more calm and curious wolf. Like he's extremely cautious and nervous about the whole thing, because he's expecting it to be violent based on his information, and since he doesn't retain much awareness of his transformations he has little idea of what his wolf-self does. But he also isn't great at locking himself up like the original goods did, and he never really seems to wake up covered in blood or anything? Once or twice he thinks he might have hunted a rabbit, but they definitely were rabbits and not like his subconscious somehow going after children in the middle of a wilderness somewhere, because when he came to the wolf had brought the leftover bunny bits along back to the ruined temple he was supposed to be shutting himself up into.
The new Shen Qingqiu consequently gets a bit complacent about the whole thing. He can only blame himself. Maybe he should have anticipated Luo Binghe, with his boundless curiosity and interest in his shizun, would notice the oddities in his schedule and follow him out one night. Everyone's supposed to believe that he's just going to brothels and engaging in purely mundane debauchery, though, so why would Binghe doubt his story?
But he did, and so of course Luo Binghe ends up witnessing his shizun's terrible transformation into a wretched and hated beast. Stunned, the young disciple stands transfixed (no doubt in horror) in the moonlight. The wolf sees him, and though Shen Qingqiu doesn't retain much memory, he recollects the running, the leaping, the... uh... licking...?
Well. Turns out that even Shen Qingqiu's subconscious wolf mind recognizes Luo Binghe as pack, and thank goodness too, because at least he didn't attack him!
Although after that it becomes an extreme challenge to explain to Luo Binghe why he can't accompany Shen Qingqiu for his transformations every month. It's not safe, the wolf is unpredictable and Shen Qingqiu can't promise that he won't startle or suddenly change his tune and lash out, and even though Binghe's cultivation is progressing in leaps and bounds, the wolf also isn't limited to normal mortal strength. It would be able to track his scent and follow him relentlessly, chasing him down to catch and pin him beneath its massive paws, and... Binghe why is your face so red? Are you feeling alright? If it's too frightening, then let's not describe it any further, but the point is that it's dangerous.
Shen Qingqiu has to put his foot down. In the end, he has his suspicions that Binghe is still circumventing him, as he could swear he sometimes remembers running around the wilderness with company. (Binghe is absolutely sneaking out to go spend time with Wolf Shizun.) But there's nothing concrete enough to be certain. Meanwhile, Luo Binghe has at least agreed to keep it secret (for now -- probably not once the time comes for Shen Qingqiu to be put on trial) and fusses over his shizun, helping him keep track of the moon scheduling and always making sure he has a full belly before he goes into wilderness seclusion (Shen Qingqiu never says, but somehow Luo Binghe guesses anyway that he doesn't like waking up to find that the wolf had a snack during the night...)
Another hazard: lycanthropy in the PIDW setting is a curse. Like admittedly it's kind of a kickass one, but it still has tons of negative associations, most commonly befalling impoverished individuals or travelers who get bitten by wild wolf demons, and survive only to find that a piece of the wolf's spirit has gotten stuck to their own. Cultivators with lycanthropy are often associated with demons and disrepute, like Wu Yanzi, and there are countless tales of them turning on their own people or being revealed as violent, depraved criminals. It's only slightly more acceptable than being a demon outright.
In other words it's not a desirable circumstance.
And yet, for some reason, Luo Binghe is reprehensibly lapse in his protections against lycanthropy. Shen Qingqiu has told him all of the precautions he knows against it, and yet it's almost like Binghe keeps doing the exact opposite things! Listen, wolves are cool. Shen Qingqiu knows that. He's actually kind of fine with turning into one, since it seems to be less of a ravenous beast situation than he'd feared. But there are still social consequences to this kind of a thing! Luckily, it doesn't actually matter much because even with his uncharacteristic youthful irresponsibility, Binghe's heavenly demon blood protects him from ever being cursed. The only way he'd get lycanthropy would be if he deliberately let a werewolf bite him and then just refused to excise the curse, and even then, he could purge the tainted wolf spirit from him just by force of will whenever he wanted.
Seriously, though! It's only when Shen Qingqiu points out that Luo Binghe is going to make people suspicious with all his negligence towards basic precautions that Binghe finally smartens up about it.
(Luo Binghe, out in the woods during a full moon: Wolf Shizun please bite me? Bite Binghe? Then we can be together every full moon! Look here I'll stick my hand in your mouth... just, just chomp down... no don't lick... *sigh*...)
Anyway, the plot still goes mostly the same, except that when Shen Qingqiu put into the water prison it's the full moon. He expects this is part of Luo Binghe's plan against him -- Binghe probably couldn't reveal the lycanthropy without also admitting he'd known before and helped hide it, but this way, Shen Qingqiu can just get caught as a wolf by the palace guards. But Luo Binghe's just been so frazzled and distressed by everything that he genuinely forgot what phase the moon was on. Shen Qingqiu's expecting a lot of things when he wakes up after transforming in the Water Prison, but being back out of the Water Prison and snuggled up to the protagonist's chest wasn't on the list.
Turns out that after his confrontation with Luo Binghe and the Little Palace Mistress, Gongyi Xiao went to check on him and found him transformed. After Gongyi Xiao alerted the rest of the palace, the Palace Master determined that Shen Qingqiu being a werewolf was as good as a confirmation of guilt, and had the wolf dragged out to be killed. Luo Binghe intervened, Shen Qingqiu took off, and between one thing and another the whole night was spent with Huan Hua and Cang Qiong cultivators trying to catch him (for different reasons).
Of course it was Luo Binghe who eventually cornered the terrified wolf, at which point the wolf actually, finally did bite him. But when Binghe failed to react, it whimpered and went back to its usual behavior, and let Binghe lead it out of the city and off to its usual territory near Cang Qiong. The wolf then proceeded to act like an overjoyed puppy whose owner had finally come back from war, until Binghe broke down and sobbed himself to sleep. It must have curled up onto his chest afterwards.
Shen Qingqiu is deeply embarrassed, but... somehow Luo Binghe doesn't seem to be taking revenge on him?
He's going to need to treat that bite wound soon, though.
Binghe.
Binghe, you are going to treat that--
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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