The Lady Whistledown Papers : 1x08 After the Rain (Part 2)
Welcome back, Gentle Readers, to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!
For previous issues, follow tag : The Lady Whistledown Papers
This is going to be a very musical issue, guys ;)
Boxing Match
So. We're here at this boxing match where Will's going to face an ethical dilemma, Simon's going to be involved, Lord Featherington is going to face some consequences of his actions, and Anthony's going to fuck Siena against a wooden beam in the back.
And Colin... is going to sit and happily chat with Benedict in the background. Apparently, he's not in a moody mood over Marina anymore.
I like the top hats though. There are times when this show veers so far into fantasy that I don't necessarily recognize the 1800s. But the top hats feels very much like 1800s. And I appreciate that.
Well, this scene might not really have anything for me to meta but... I'll bring in a BTS thing...
Apparently, Jonathan Bailey, Luke Thompson, and Luke Newton spent Season 1 harmonizing this little tidbit and it makes me wish that Bridgerton was a musical, because these boys can sing, and this is absolutely delightful. I wish this was better quality and longer.
(Bringing it up here - because I think this was filmed around the time of this boxing match? The costumes look similar.)
Anyway... there should be more singing on this show. Just, there should. That's how I feel about that.
Speaking of more singing...
Family Time
Omg, it took me forever to find this gif.... But I wanted to use a gif here because I wouldn't be able to still Colin because he's moving so much. Anyway...
We've got one of our big family scenes again. And as I've said before, I've always liked these scenes because the family dynamics are always richly on display, and one of the aspects the show does really well. The interplay between all of the different storylines is great here, as each one kind of gets a little nod as they weave in and out of the scene.
So, let's talk about this almost blink-and-you-miss-it Polin moment.
Francesca is back in town, so are Simon and Daphne, and the family is in high spirits (since we're at the end of the season and wrapping this thing all up). And they get Colin to sing in a catchy little tune (which I'll get into in a moment). And, as much as Colin was sulking and in such a bad place in the previous episode, he's bounced back rather well. And while he's not over it (Colin, we're learning, seems to hold onto things -- and the Marina stuff isn't done yet), he's come back from the heartbreak rather quickly.
Which... I think really speaks to the nature of Colin's feelings more than anything -- as they weren't that deep. Do I think Colin cared for Marina? Yes. Do I think he got caught up in a grand fantstical romance? Yes. Do I think he actually loved her? No. Because as his family members mentioned in the previous episode -- he didn't really know Marina. He just liked the idea of her. And those shallower feelings are easier to bounce back from.
So, we have here a Colin who is in better spirits. And the thing that really sticks out to me in this scene is how young Colin looks. He's singing what's essentially a child's play song, like London Bridges or Twinkle, Twinkle Little Star. Colin was pushing himself to be An. ADULT. But he's not fully there yet. And I feel like this scene kind of pushes Colin back to where he was at the start of the season. That sweet, charming young kid. Only he's not that anymore. Not really. Experiences do change a person.
Meanwhile, we have Penelope. She comes into this a little hesitantly. She's clearly there for Eloise. This is the first time we really see her in the family dynamic. Even though we don't see it -- it's implied that Penelope is often over there, and feels pretty comfortable being in the Bridgerton drawing room. She grew up there. She and Eloise's friendship formed there. And there she can be around Colin in an appropriate way. It is a home for her.
So, it's interesting that she comes into this room with that hesitancy. She takes a moment to watch Colin while he's singing - and I do believe in this moment she doesn't regret what she's done with Lady Whistledown. Because she's seeing Colin be happy again. Things are back to the way they were. And Colin feels like /her/ Colin again. And, oh, her longing look for him. Her love is always just radiating through her that it can't be contained.
There is also a small, little detail that I absolutely love. As she comes in, he's in the middle of a line, and his voice wavers and catches when he sees her. And I mean, not only does he see her - which is notable in that she's the girl who hides on the sidelines and doesn't get notice. But the sight of her is enough to catch him off guard. There's an unresolved tension there. And the moment acknowledges it, even if it can't address it.
Eloise, oblivious as usual, is going to jump in and steal Penelope away -- she's got news about Lady Whistledown. And the look of pure panic and terror on Pen's face as she worries that Eloise has discovered her secret...
But Eloise isn't there to unmask her, she's there to say that her sluething has brought her to the conclusion that Madame Delacroix is Lady Whistledown.
Penelope has a myriad of emotions that cross her face at this news. She's relieved that Eloise hasn't figured out her secret. But she's grateful that Eloise is on her and her family's side, and that Eloise's intentions are to have Lady Whistledown make a retraction to restore the Featherington name. It's an act of true friendship -- and Pen is so grateful that Eloise is her bff.
But also, there's a little bit of deflation there, too. It's a hard read, but the conversation takes a turn -- Penelope commenting on the fact that it's impressive that Madame Delacroix can run her business and be Lady Whistledown. And I'm not sure if it's out of a twinge of sadness that she can't tell Eloise that she is Lady Whistledown, or the fact that she's concerned that Madame Delacroix might be posing as LW, or just the fact that even if Penelope is rich -- Delacroix being able to live her life freely is a sad reminder that she can't.
Eloise loves the idea that Madame Delacroix can live life as she pleases, and aspires to be like her -- the unmarried and doing her own thing being the biggest appeals. But Penelope admits she can't be like that. She tells Eloise the fact that she has a sister who is a duchess will make it easier for Eloise to do whatever she likes -- including being a working, unmarried woman.
But Penelope isn't like that. Here she blames it on her family, and it's tattered reputation. Eloise can coast on her family's good fortune, but Penelope will always be fighting against her name and placement in society. But what is unsaid, too, is that while Penelope wouldn't mind making her own money (and, in fact, she already is), she does want to be married -- she does want love. And herein lies the comedy/tragedy of Penelope/Eloise friendship -- each has what the other one wants.
Of course, neither of these issues are going to be resolved here, so Eloise does something she doesn't even want to do with her siblings, and shares her chocolates, which brings a grin to Penelope's face. because they are good bffs.
And, of course, the ending moment is punctuated by the end of Colin's song, where he dissolves into a fit of laughter. And I just adore when Colin laughs, because he's such a sweetheart when he does.
But, okay, let's take a second and talk about the song -- which is called Now We Are Met. And, guys, I tried. I really tried. But I couldn't find much about this song, other than it was written by composer Samuel Webbe sometime during this era? There's not much to meta out of it -- other than it's a fun little song that you sing with your family around the piano, and it's usually done as a round. In case you're unfamiliar with rounds... here is a choir singing it (which, honestly, is really cool)
I would love to know the reason the show picked this particular song. Is it just a children's song that kids in the UK sing? Or is there some other meaning to it? I have no idea. Would love to hear from anyone who knows more about it - as I love discussing the use of music within story.
Yellow
Tying it to the boxing scene, Lord Featherington won a bunch of money, and now the Featheringtons aren't as badly off as they were - (even if society isn't that fond of them, still), and they're able to get bran new dresses for the Hastings' ball. Prudence is excited because she gets to let hers in. Phillipa finds hers to be perfect.
And... Penelope's is yellow.
It's such a great little comedic beat. (and, I mean, the bit with Portia telling Phillipa she can get married now that they can give her a dowry and Phillipa asking when it was lost is so hilarious. I'm so glad they pushed in on the comedy angle during Season 3.)
And, oh Penelope just isn't there yet -- she doesn't have the confidence to push against her mother's wishes. She doesn't have the power to let her clothes reflect the person she really is. She's still going to be that girl stuck in yellow, clinging to the walls of the ballroom for just a while longer. And that's okay. We've got a lot of great story to go!
And on that note, I'm going to end this musical based post with a cover Coldplay's Yellow -- a song, as you know, means a lot to this story, as we'll talk about a lot more come Season 3. :)
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