#and also some of my memes or Inner Thoughts posts | Explore Tumblr posts and blogs

the-moon-files · 6 months ago

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Aaaaa, hi!! I'm the anon who sent in the fairly recent ask with the Guide!Reader ideas (martial artist mention, Dehydrated Ganon, strength possibilities, Ganon not being able to escape from Guide!Reader's voice, etc)! I'm really glad that you liked my ideas so much!! 😊 I was so pleasantly surprised to see you expand on my discombobulated thoughts, haha! Thank you so much! ^w^ I loved reading them!!

I said that I made memes for the Guide!Reader/Space Orc concept, and now I shall deliver them >:D Firstly, I'm super sorry that I took so long to share these with you!! Life decided to kick me in the shins for a hot second 😭 And secondly, I made a LOT of images for this one,, Fair warning, this is going to take up a lot of space 😭 orz

But anyway!! Here are the text memes first:

Guide!Reader: We’re playing Scrabble. It’s a nightmare.

Wars: Scrabble? Scrabble’s great.

Guide!Reader: Not when you’re playing with Zelda, it’s not. She’s out here putting in words like “ephemeral” while I’m putting in “dog.”

☆

Guide!Reader: *pointing out Magic Powder* Legend, look, it’s the good kush!

Legend: …This is the Rupee Store, how good can it be?

☆

Ravio: Hi, welcome! Are you part of our Super Savers Shoppers Club?

Guide!Reader: No, I’m not.

Ravio: :D :) :| Oh.

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Legend, looking into a banged-up Water Temple: …It’s trash.

☆

Time, whenever Guide!Reader uses modern slang: We need IRL subtitles. What are you even saying.

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Guide!Reader: My Furby died in my arms when I was a child.

Hyrule, has no clue what a Furby is: I’m so sorry for your loss.

Guide!Reader: It wasn’t a loss. I had never felt more like a god.

☆

The Chain: *getting told off by Time*

Guide!Reader in the back: …

Guide!Reader: *starts playing the ukulele* 👁👄👁 🎸

Time: 🧍

☆

Four, talking about Guide!Reader: So, I’m interested in someone…

Dot: :D Oooh! What do they look like?

Four: *slow realisation*

Four: I don’t know

Dot: Wh

Dot: What do you mean you don’t know?

☆

Guide!Reader/Ganon, about hearing Guide!Reader every dang game: The universe has a sense of humour, and I respect the commitment to the bit, but girl please.

☆

Guide!Reader, to Link once they reunite with the Chain: Now… *puts hand on his shoulder* We’re back on our bullsh*t.

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Guide!Reader and Wild, meeting Sidon for the first time:

Guide!Reader: …Would.

Wild: Would what?

Guide!Reader:

Wild: (Name)? Would what?

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Wind: When you become famous you’re called a legend because your leg ends.

Guide!Reader: What?

Wind: Your leg. It ends.

Guide!Reader: I’m not a linguist, but I think you’ve got it wrong.

Wind: Are you saying your leg doesn’t end?

Guide!Reader: I mean, at some point it does, yes.

Wind: Then what’s the problem?

☆

The Chain, waking up at dawn to get ready:

Guide!Reader and Sky, just trying to process being alive:

☆

Guide!Reader/Time: You need to get out of bed faster than this.

Sky, struggling: I’m giving it all he’s got, boss

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Guide!Reader at Ganon: Your anger amuses me. Please don’t find inner peace. Please.

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Guide!Reader, playing through LoZ game: *at an annoying NPC* Let me ask you a very fair question. What do you do successfully? Quickly. :|

Link, trying not to laugh:

☆

Hyrule, probably: I hate it when a recipe tells me to add two cups of onions. They don’t come in cups. They come in onions.

Guide!Reader, head in hands: Please

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Hyrule/Twilight, looking at two NPCs: Are they lovers?

Guide!Reader, who knows the lore: Worse.

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The Chain, enjoying Guide!Reader’s affections:

Legend: 🚶‍♂️🚶‍♂️🚶‍♂️

☆

Legend, defending himself from the “You like him” allegations from Wind: 🤸🤸🏃‍♂️🏃‍♂️

And now, onto the images- I hope you don't think the sheer amount of these memes is too excessive or anything!! 😭 /gen

Aaa and that's all the memes I've got! I hope you like them,,! orz

I'm also still pretty new to Tumblr, so I'm sorry if the format looks a bit weird,,

Oh, but also?? That last point you mentioned in your most recent post about the cultural differences between humans and Hylians on physical affection/touch?? I am VERY excited to see that,, 👀 👉👈

U HAVE NO IDEA HOW IN LOVE W/UR BRAIN I AM RN

IM SO FUCKING ECSTATIC TO SEE THESE >>> ANYTHING IVE EVER WRITTEN U MADE MEMES??? FOR MY BS?????? DAOHGHOAKJSALKGFS;NDFKNDNFKJBDBFLN;

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

BLESS YOU, BEHEAMOTH SCREAMOTH MY BELOVED <3333

HAVE THAT HYLIANS V. HUMANS AFFECTION CULTURE POST HERE, THE ONLY PAYMENT I CAN THINK OF FOR THIS 😩😩 🛐 🛐 🛐

I LIED ITS TOO LONG, ITS GONNA BE A SEPERATE POST COME BACK AND PLS READ IT AS PAYMENT (but dont read the nsft/w if ur a minor)

BRO u got all the energy, and the dynamics i was pushing ilysm 🥺🫶

like the Hyrule = beloved agenda ive been pushing, bc i need more underrep links content, the way u carried the ganon eternally getting haunted by guide reader voice?? 10/10 ahdsfkhadl

AND WIND’S CONSTANT ENERGY OF A YOUNGER BROTHER LOOKIN U DEAD IN THE EYE LIKE “u kiss the homie (singular not even plural) goodnight?? Brother, that’s GAEY.”

u have no idea what this means to me, the impact, the understanding u have to have of my bs to make these, and how many posts youve read of mine?? im so sorry for ur loss w/my rough writing lmao

thats how you know youve made it tbh is if someone makes memes of smth u made, anyway day brightened, complexion clear, depression medicated, by this post

I HOPE BOTH SIDES OF UR PILLOW ARE COLD, UR PETS CUDDLE U EXTRA, U GET ALL THE GRADES/GOOD WORK SHIFTS U NEED

Peace out my beloved <3,

🌙

#u know u made it when the memes come #i feel legit honored #like #id like to thank my hands for typing for me #my brain for finally cooperating #and my adhd for being managed by a pomodoro timer #linked universe x reader #lu x reader #linked universe reader #lu x male reader #male reader #link x reader #loz link x reader #linked universe male reader #moon chats #starry submissions #my tag for when ppl give me incredible gifts <33 🥺🥺

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shayberri789 · 5 months ago

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My HC on the foxes (and trojans) and social media:

Dan and Matt: have a personal twitter account and regularly engages with people on there

Allison: has a twitter account where she acts a like an ice princess. Has a photogenic model-esque instagram account of places she goes and of herself looking hot, plus aestheic photos of her and her friends. Shes got enough followers to be an influencer but doesnt give enough of a shit to be an influencer, shes too busy. And too rich. Has a private instagram account filled with awkward/embarrassing candid shots of the foxes.

Renee: has a twitter account but only for news/checking on the PSU account. DOES have a tumblr account but no one knows she runs it. She reblogs bible verses and poetry and photographs, amongst shit posts

Nicky: he has a personal twitter, instagram and tumblr account. He interacts with fans on his personal twitter. Has a large following because he's got a good personality He and renee get into friendly arguments on tumblr and people ship them. Both members laugh and Nicky replies with a gay meme every time. He has a huge following there, and is only out as gay on tumblr.

He's also a marketing major, and like Allison he has a professional twitter and Instagram as well. His humor still makes it through but it's more sly. Ppl follow it because they get more fox tea/photos than his priv

Kevin: has a twitter and instagram. Strictly professional bc poor boy has never been able to unlearn the PR lessons. He rarely interacts with fans, and is illusive about the day to day of the foxes and his inner thoughts to the point of being nominated the fox cryptid. Despite this, his instagram is filled with aesthetic photographs of the various places he visits (sometimes he's even in it, PR friendly smile firmly in place). His captions include a historical tidbit about the place.

Aaron: he has a private twitter account only, and it's entirely anonymous. Maybe a tumblr account. He's just a normal dude on it, and interacts with Kaitlyn and his med school friends. No one knows who runs his account and he has a small following. He likes the privacy. He has a professional account to be tagged in shit but he does Not use it

Andrew: Kevin forced him to make a twitter account. He has never opened it. It's loaded on Kevin's phone, who makes the occasional necessary PR statement.

Neil: "what's social media?" (He knows what it is. But he's never been able to shake his weariness and distrust of it from his time on the run - too much of a liability. Also his name got dragged through the mud when his parentage came out and that soured him from EVER wanting to touch socmed again. His professional account was deleted after people kept @'ing him with insults and death threats)

Jean: never got PR training and socialing with his team mates is exhausting enough. Doesn't have social media and swears he never will. Gets his news and memes from Cat and Laila (he doesn't laugh at them but inwardly finds them amusing)

Jeremy: has a twitter account which Is a tasteful mix between professional and humorous. Has some personal insights but he'd skilled at sharing a lot without telling anything about himself. People don't notice it like they do kevin. Interacts with fans, but very little info about him and his friends' personal lives make it onto social media. He has a instagram too, but it's got 61 posts and it's mostly a Trojan's fan account, where he hypes up new members of his team and their victories.

Cat and laila: cat and laila are the most normal. They have a twitter account each, which they use like Dan and Matt. They share an aesthetic instagram account but also have their own private accounts where they post silly pictures of themselves and friends, or simp for each other. They have a tumblr account as well. They're married on there

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rockyteriyaki · 4 months ago

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TEAM BUILDING ACTIVITIES 👯

s/o to @powerful-owl for starting this meme and @disarmd for the insanely funny contribution, it’s such a delightful thought exercise! here’s my attempt:

MASCOTS!

american sports have hella mascots, so every team is tasked to create a marketable mascot that could represent them for u.s fans. they also have to build a little model to pitch the concept. there’s the williams whale sharks. the aston martin martinis. lando and oscar devise a walking papaya named penny who looks so much like a vulva oscar backs out almost instantly.

GUESS THE GRID based on clothing choices: drivers assemble an outfit they’d wear and then everyone else tries to guess who picked what. the catch is that the f1a girls did the same challenge and their answers are mixed in as well. everybody thinks doriane’s mercedes-themed picks are george’s and maya gets confused for charles even though there’s no ferrari branding to be seen. chloe’s picked a haas cap with a black skirt and we watch nico hulkenberg go through every emotion known to man trying to figure out why kevin would—???

(meanwhile the academy grid is absolutely ripping everybody’s style choices to shreds, accusing hamda of being the most basic bitch on the planet bc max chose to wear basketball shorts, etc)

PADDOCK SCAVENGER HUNT

5 teams are in on it and the other 5 can’t know what’s going on, otherwise they lose points. charles pretends that he’s too tired to walk when pierre catches him searching the top of a cabinet on carlos’ shoulders. oscar distracts williams while lando tries to get a picture of logan with red, white and blue objects in the background. yuki gets stranded on top of the rbr motorhome because daniel won’t stop using him for reconnaissance and the whole thing gets called off because max sees them squabbling on the roof and thinks the rapture has arrived.

GEORGE AND ALEX MAKE GRAPHICS

ib george’s natural talent for graphic design. the audience gets to see what a communications team actually does in motorsport (educational!) and george and alex get free reign of the entire library of press photos of eachother. george is hunting for a terrible picture of alex to edit onto a podium but ends up having a very verbal crisis about how none of the pap shots are appropriately bad and then spends the next half an hour digging himself into theeee deepest hole talking about how it’s just not as FUNNY if alex looks TOO GOOD on the podium! it would be UNFAIR! alex is squirming and trying to remember where tf he was planning on going with this zoomed-in great-gatsby-esque picture of george’s eyelids on his screen right now. george silently edits alex’s teeth out of his mouth and tries to erase the fact that he just called alex handsome like 47 times.

MARIO KART SIM RACING

im talking full immersion. sherbet land is ice fucking cold. every time they drive over some kind of giant clock or railroad or something the sim porpoises like a jackhammer. someone is standing behind them with a full tank of water for the splash sections. there’s a legitimate epilepsy warning at the start of the video. bowser puts the fear of god into lando norris.

MAX AND DANIEL DO TEMPORARY TATTOOS

i’m hesitant to allow them access to a bowl of water but i have an extremely clear vision of daniel slapping tats all over the blank spaces on his skin to the point where they overlap and he’s just got shiny plasticky tattoo skin everywhere. max would find this unappealing and also stupid until he realizes all the fake tattoos on his side of the table are replicas of daniel’s actual ones. cut to: daniel with a snake tattoo stuck in his eyebrow hairs hiking his shorts up so max can mirror the placement on his own inner thigh. daniel resembling a concussed post malone, watching max’s careful application of the ‘3’ tattoo. max does a horrible aussie accent and daniel looks like a chimpanzee seeing its own reflection for the first time. cinema.

#i am obsessed with this trend #a trace of the true self (complex inner psyche of your blorbo) exists in the false self (giving your blorbo a taser)#maxiel #galex #the grid

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cinderella-ish · 6 months ago

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Let's Talk About Kyoru!

I shared a little while ago (in my first-ever analysis post!) that I don't really have a lot in common with Tohru or Kyo, and I didn't really "get" them or their relationship right away. Today, someone asked on Reddit "What are your personal thoughts on Kyou x Tohru?" and I wrote out a long comment explaining how I grew to love them. So, here's an expanded and edited version of that comment, edited for Tumblr!

I loved both Tohru and Kyo as characters from the start. How could I not? Kyo is an endlessly meme-able, over-the-top tsundere cat-boy with a heart of gold, and Tohru is a lovable, overly-giving people-pleaser who's also a total space cadet prone to some very funny mishaps (that are maybe a little less funny once you understand her character).

What I didn't see at first was how their romantic relationship was an essential part of both Tohru's and Kyo's character development. Their arcs couldn't really have ended any other way, with how Takaya-sensei set them up.

See, Tohru begins the series in denial about the reality of her mother's death and unable to ask for or accept help, even from those closest to her, and even when people offer their help or support up front. She risks her own health and even her life to avoid burdening others, likewise risking herself to protect her memory of her mother (represented by the framed photo).

And Kyo begins the series convinced defeating Yuki will erase his past "sins," or alleviate his guilt from both Kyoko's and his mother's deaths. It's a Sisyphean task and he knows it, but he keeps at it because it's better than the alternative (actually dealing with his trauma) and possibly because he thinks he deserves to suffer defeat after defeat. He's in an extremely fragile place, having just returned from his trip to the mountains, and he truly believes he only hurts the people he loves.

I also think there's some small part of Kyo that's fighting to keep going, even from the start of the series. It's a twisted way to go about living, but he is still trying to live. He has the possibility of a life outside the Cat's House, and he's working his ass off to try and achieve it, even if it's most likely impossible. To me, that's not a character who's given up or accepted his fate.

Similarly, I think there's a small part of Tohru that knows she'll eventually need to accept that her mother is dead and make the decisions that are best for herself. It's harder to see this inner desire in Tohru than in Kyo, but I think it becomes clear when she chooses to stay with the Sohmas rather than return to her grandfather's house. She believed, at that point, that her grandfather was the only person left who knew and loved her mother, yet she knew she would be happier continuing to live with Kyo, Yuki, and Shigure. With the encouragement of her grandfather (and with Kyo and Yuki's heroic rescue mission), she moves forward on the path that will make her happiest.

It took me really digging deep and understanding each of their individual arcs to love them as a couple as much as I do now.

On first pass, it was obvious to me how much Tohru meant to Kyo, and the ways she directly countered his extremely low self-esteem and overwhelming guilt. However, I didn't really understand what Tohru liked about Kyo in a romantic sense.

I think this was probably due to my own anxiousness around men who yell, which strongly put me off of Kyo as a romantic lead. I also didn't like how he promised to protect Tohru again at the end, but that was again due to my own hangups. I have a strong dislike of being "protected" by my romantic partners (it feels patronizing and usually is done without asking or considering my own feelings about being protected). But I'll come back to that.

We know from the start that Tohru tends to reject attempts to care for her, or simply makes sure no one will be in a position to offer that care to her. She doesn't ask to stay with either of her best friends and she doesn't remain with her family during the renovations.

And Kyo is the only person who not only recognizes when Tohru's diminishing her own needs, but he's also the only person who consistently makes sure she has the support she needs, even if she initially refuses it. He tells her it's okay to get angry, asks her to vent her frustrations to him, and reminds her it's okay to be selfish.

I think with anyone else, she would have burned herself out and cut off most of her uncomfortable emotions. Kyo takes care of Tohru, and that's what she needs, because Tohru Honda has very different needs than I do (and that's okay!).

Also, Kyo doesn't yell nearly as much after the first season, but something I realized while writing my series on Kyo and Momiji's relationship is that most of Kyo's yelling is him trying to protect her and the others he cares for (like Momiji). He yelled because he was terrified of hurting her again, or of letting her get hurt through inaction. He'd yell at her when she did something that could've gotten her hurt, or he'd yell at others when they did something that could hurt her. That poor boy was carrying so much guilt over Kyoko's death, he made it his entire personality to try and protect Tohru, including from himself.

At Kyoko's grave, when he promised to protect Tohru for life, I initially read that as a step backwards for him. Wasn't that just a recipe for more guilt? After all, he couldn't possibly protect her from everything. But after some reflection, I think that was him finally internalizing the lesson from that last fight with Yuki: he was protecting her all along by making her smile and being there for her. That's Kyo recognizing that his presence is good for Tohru, and it's a huge shift in how he sees himself and his own self-worth.

So that's really why Kyo and Tohru are so perfect together. Kyo needed someone to help him see his own worth, and Tohru did that simply by needing him. Meanwhile, Tohru needed to prioritize her own needs and happiness, and she did that by admitting how much she needed Kyo. It's a loop that feeds back into itself. The more they care for each other, the more they overcome their initial mistaken beliefs about themselves.

I once shared in response to an ask that I believe Tohru needed Kyo even more than he needed her. Thinking of how badly she was suffering during the hospital arc, when she thought he'd rejected her, and how much she repressed her heartbreak during that time, I think it would've destroyed her if he hadn't decided to try and move forward with her. It would've taken a long, long time before she would've been able to open up to anyone like that again, and she may not have been able to ever again, given how hard it was for her to admit her feelings for Kyo in the first place.

So, I love them. Took me a while, but I'm fully aboard the Kyoru train now.

#fruits basket #furuba #fruba #kyo sohma #tohru honda #kyo x tohru #kyoru #furuba analysis #fruba analysis #fruits basket analysis #character analysis #analysis #romance #my meta #my post #by cinderella-ish

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nights-at-crystarium · 8 months ago

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Fragments - episodes 36-40 author notes

You can find similar breakdown posts on older episodes in my pinned!

I didn’t need to spend so much screentime on Titania fight, yet it was a fun personal challenge. I’d never written/drawn a cohesive fight scene before. The scripted ingame instances don’t leave much room for imagination, I wanted to stay away from the fourth wall, and make up a more immersive scene. How do you even make it look mildly interesting? You’d think, well, characters will just flail at each other until one of them dies, right?

So yeah the biggest challenge was creating the ebb and flow. What affects Vivi’s actions? Why wouldn’t he just murder Titania like any other opponent, and be done with it? I threw in a generous amount of inner pov (that I previously used very sparingly) and some silly tricks. The stakes are high, yes, it’s a Lightwarden vs WoD encounter, but Titania still retains their playful personality above all else. Vivi's here just to do his job, but he also knows that he's dealing with a fae.

The msq makes Titania stand out among other wardens, I capitalized on that and hc’d that they’re important to Feo Ul, and, by proxy, to Vivi. That instantly provided some emotional stakes, and an answer to why he doesn’t rush to kill them out of the door.

Vivi enters the castle in episode 35, and mostly runs in circles, analyzing his enemy, and even falls victim to illusions. This could’ve been it for him, but I daresay it worried none of us because we’re just at the beginning of a story about this guy, he’s THE guy in this universe not for no reason, he’ll manage.

No deep meaning behind "grasshopper", I just thought it's a bizarrely precise descriptor of both Vivi's long legs and dragoon jumps, and it fits the natural theme of the fight.

Vivi didn’t go in unprepared.

This line will be relevant again in like, 5-7 years from now :’>

More under the cut~

He always, always doubts everything, especially when it comes to his level of power. Self-nerfing. A light (heh) case of an impostor syndrome.

Everyone loved the bonk for meme reasons, Vivi simply bought himself some time to cast.

The Rainbow Sparkles of Believing in Yourself! And of something else, perhaps. I’m planting quite a bit of stuff for future, this one should take a mere year or so to pay off.

I hope this pose’s enough of a hint that you shouldn't be taking episode 37 too seriously.

Yes, he used his spear to ~cast~. And took a sailormoon pose. This's his, monoclass dragoon’s, interpretation of what the caster magic’s probably like.

Offscreen, Titania comes to their senses and shrills “so you wanna play rough?!”, Vivi ignores them, concerned with only one thing: did he succeed? How did the test of his custom spell go?

It only worked out because the both of them are idiots.

I like to emphasize that Fragments isn’t about retelling the msq, or big epic battles, but here, where I actually put my heart into it, I feel like I managed to pull off at least one epic beat you’d typically see in an action-focused comic. Super proud of this panel ;w;

This’s a standard panel divider I’ve used multiple times before, but it couldn’t be more visually appropriate here :3c

So, to recap. Vivi asks Titania if they miss the night sky. They do. Vivi brings the night sky to them, and lo, something actually happens. I illustrated this “something” as one of their eyes getting sort of cleansed here. This story suddenly takes a mahou shoujo (shounen, heh) turn, I appreciate that it may cause some eyebrows to raise, but I think it’s okay to take creative liberties like this in a story themed around identity, agency, and believing in yourself. If Titania’s so strong as to retain a tiny bit of their old self, to cohesively partake in a simple convo, then why can’t they return, even if for a brief moment, given the proper assistance.

An appropriate reaction to the wild bs that’s going on. Imagine inventing the tale of WoD in the First, only to witness THIS.

As about Vivi, he can save a soul when he genuinely cares for it. We haven’t seen him do this before. He does it for Feo Ul explicitly, implicitly as a self-reflection. He’s projecting so hard after realizing that Titania looks like him. He wishes for them what he'd wish for himself: to rest, to be treated with care and consideration. They don't only look like him, they're also unfree, tortured by something. Empathy or not, this’s the kindest fight Vivi’s ever fought.

I’m iffy about the canon talents that come with the Echo. You can understand any sentient creature, okay. What happens when you speak, does the other party feel the difference between that soulspeak and their native tongue? Does it feel off? Does it offend? I incorporated my own misgivings into Vivi’s thoughts about his Echo. He doesn't use soulspeak here out of respect and concern that Titania might not react well to it, throwing the entire plan out of the window. Thus he memorized quite a bit of fae words before the fight. This’s his way to mark himself as one of their people, or at least to show that he truly cares.

STAY TUNED FOR EPISODE 41

Vivien Doubter Rell. Also yay first nod!

Embracing his new duty, and possibly giving Titania the hug they deserve.

Look HE’S OKAY. For now. I just thought the hiccup would be a cute way to acknowledge the terrible power he’s just absorbed. The canon cutscene moves on unblinking, but here’s different.

Bracing himself for confrontation. Things might go awry. Or might not. Vivi doesn't know. Worst case scenario: this’s the end of his sweet lil friendship with Feo Ul. Do they like him, or a Titania-lookalike in him?

“Oh bugger...” big pets come with big responsibilities, my dear Feo Ul.

Just to reinforce his fae-ness.

Vivi had full control in this fight. Analyzed the enemy, successfully tested some crazy tricks, managed to have a heart-to-heart that resulted in getting a permission to kill Titania not with violence, but with mercy. So much could’ve gone wrong, but just didn’t. Vivi’s used to this, even if he constantly doubts everything, this’s how it always goes. He’s being flung at tasks with abysmal odds, somehow he emerges victorious.

I just like this panel so much okay.

This arc may feel slow, but it gives depth to Vivi and Feo Ul's relationship, and seeing them together in later episodes will spark even more joy.

Even after a warm moment they’d just shared, Vivi’s still wary. I broke out an analysis of what external influence, pressure to change means to him, please read this post if you missed it. YEAH TAGS AS WELL.

His expression here is an attempt to downplay the anxiety and swing the odds in his favor. What if Feo Ul insists and throws a tantrum? What if he has to become Titania right now, and there’s no way around this? Let’s make puppy eyes just incase, maybe that helps.

One more personal fav panel. There’s SO MUCH in this look. They’re on a threshold, about to become something else on Vivi’s behalf. Because they love him so much. They’ve instantly become friends because they don’t want anything from each other, just the company. Feo Ul’s such a breath of fresh air for Vivi, a new hope in a new world, where he’s (comparatively) a nobody, where people still have the potential to love him for who he is as a person. This’s why our crimson pixie gets so much screentime.

Vivi really said XD

The next few episodes wrap up the Il Mheg arc, and focus on good vibes and celebration. ShB follows a rollercoaster formula where it makes you smile at something nice and sweet only to whack you in the face right after, and I’m trying to do the same :3c

As always, thanks for reading~

#ffxiv #feo ul #vivien rell #ffxiv: fragments #fragment ii: new world old friend #fragments talk

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frostfires-blog · 9 days ago

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My Top 15 Favourite Anime (& Donghua) Female Characters 2024

[Before I get started, I'd like to point out that making this list was quite challenging considering I have watched quite a few anime. So please don't be too offended if any of your favourites aren't included; just because they aren't here doesn't automatically mean I dislike them. Feel free to leave your constructive thoughts and own lists in the comment section since I appreciate amicable discourse. Also, I decided to use the "keep reading" feature to make it easier to scroll through the long posts on my blog, so the official list is under the cut.]

-> Honourable Mentions:

-> My Top 15:

“If you’re helping someone and expecting something in return, you’re doing business not kindness.” Shirayuki is incredibly empathetic and emotionally aware as evidenced by her drive to ensure that the people around her feel cared for and supported. Even if it involves sacrificing her time and energy, she is always eager to help others. At times this is her greatest strength—as it enables her to build strong connections with others. However, on occasion, this trait makes it difficult for her to establish boundaries and prioritise her own needs. This struggle is something I think we can all relate to. I greatly admire her determination, optimism, compassion and resourcefulness. Her integrity, patience and consideration for others is something I aspire to emulate in daily life. Her passion for plants is something I have in common with her.

"I won't lose to myself!" Given that she has become somewhat of a meme in the fandom, I'm sure some of you may be surprised by this, but she was one of the first female anime characters I resonated with when I was young. Although she lacks presence in the overall series, her strong-willed and independent yet easy-going and relatable personality endeared her to me. Even in stressful situations, she is renowned for her diligence, discipline, practicality, and reliability. Her character serves as a tribute to the resilience of the human spirit as well as the value of perseverance and hard work. Her fear of failure sometimes causes her to doubt herself and her capabilities which highlights the struggle we all face with balancing our concerns and our obligations. Her fighting style and character design remain one of my absolute favourites, making me annoyed that Kishimoto didn’t do more with her character. Also, nejiten is my Roman Empire.

“This is a cruel world. And yet...so beautiful....” In all honesty, I'm still miffed by the ending of Attack on Titan, which had me contemplating whether to include her on this list, but I realised that would be petty and short-sighted. Mikasa was one of the first female characters I saw who not only stood with male characters on the battlefield but also outperformed them—which made me look up to her. Mikasa's greatest attributes are her inner strength and innate sense of responsibility to defend her loved ones and fight for justice, as well as her intense loyalty and devotion, especially to Eren. Aside from her strength and fortitude, she also possesses compassion and gentleness towards those she cares for—which I admire considering many female characters in shounen anime are pressured to sacrifice these qualities to be strong and respected.

“Why didn’t I try to get to know him better?” Since Frieren is the newest character on this list, I’m sure she’ll continue to grow on me in due time. As the protagonist of a show centred around the value of life, the importance of goodbyes and the passage of time; Frieren is an incredibly complex, multi-faceted character. Her journey to understand the depth of human relationships and emotions—after losing someone she failed to realise was important to her—is an incredibly touching and insightful one. Watching her experiences serves as an important lesson: to value every moment and to take the initiative to build connections with others—which is something I often struggle with. Frieren is best recognised for her composed demeanour. She demonstrates qualities such as an affinity for independence, a keen sense of introspection and a preference for logical reasoning—all of which allow her to serve as a voice of reason for their group. Her sharp mind and unrelenting curiosity propel her to continually expand the limits of her knowledge, enabling her to innovatively tackle challenges from a unique viewpoint—making her an engaging and dynamic character to watch.

“A-xian is my little brother…When others insult him it is no small matter to me.” While often overlooked due to her immense kindness and amiable personality—her determination, selflessness and fierce protectiveness of her loved ones are admirable. Although not a major character in MDZS, her influence over its more central characters is evident. Her lack of hesitance in sacrificing her life for her martial brother, Wei Wuxian—even though he unintentionally contributed to her husband’s death—endeared me to her. Her determination to rise above her difficult upbringing and grow into a caring, mature and reliable figure is praiseworthy along with her capacity to find common ground in seemingly immutable situations. Her character design ranks among my favourites as well and complements her personality well. She taught me that despite being in a society where one is harshly rebuked or pressurised it is important to stand firm in your beliefs and desires.

“If you must cling to something in order to yield, why not pick up that which you have tossed away and hold it in your hands anew?” While initially, she doesn't appear to be very noteworthy because of her limited role in the series, the brief time she gets presents her in a positive light and her backstory is notably well-developed even among more prominent side characters. Despite her reclusiveness; her compassion, forgiveness and humility are noteworthy—especially when contrasted with the majority of other Heavenly Officials. Given that characters like Xie Lian and Hua Cheng respect her, while Jun Wu and Pei Ming are cautious of her proves that her strength and significance should not be undervalued. Her ascension story—which earned her the moniker “The Princess Who Slit Her Throat”—is a prime example of her incredible selflessness as she willingly laid down her life to protect her family and country despite being ignored and mistreated for most of her life. She remains very grounded despite her status as the God of Rain and Agriculture and is always willing to help others, even if it means defying authority. She possesses no ill will towards those she has had disagreements with and doesn't hesitate to save them.

"Even if it's a short life, burn hot and bright and overtake the moment. That's my way of life." Kagura is best known for her quick wit, tomboyish personality and fighting spirit which often manages to steal the spotlight in the Gintama series. She is an ardent and fierce fighter who doesn't hesitate to express her opinions. Beneath her brash exterior, she is compassionate and caring, frequently using her keen intuition and empathy when interacting with others. She often takes risks, facing challenges directly which can be seen as impulsive and abrasive—however, this behaviour stems from her need for control and security amidst a chaotic world. In a sense, we all struggle to assert ourselves in difficult situations and could benefit from approaching things with a little more of Kagura's zeal. Kagura also enjoys helping others and is incredibly devoted to the people she loves. She is also not afraid to voice her opinions or act when she sees someone in need. By virtue of her strength, humour, and charm, she has not only gained popularity among fans but also established herself as an iconic figure in the shounen genre.

"If you don't hold a rose carefully, you'll get pierced by its thorns." Tsukuyo is best known for her unique fighting style, sharp wit, caustic humour, and compelling backstory which has allowed her to become a fan favourite and a key part of many serious arcs in the series. In many respects, her design and backstory serve as a parallel to that of the protagonist—Gintoki—which adds to her depth. Furthermore, her name and personality are based on Tsukuyomi no Mikoto—the moon god in Shinto and Japanese mythology—accentuating the cool aesthetic of her design. Contrasting her rough exterior, Tsukuyo is shown to have a tender side, exhibiting an innate sense of empathy and sensitivity. Although her reserved attitude often conveys an impression of aloofness and distance, this is just how she processes things and expresses concern, which is something I can identify with. Her most admirable quality is her strong sense of duty and loyalty towards her loved ones, as well as her inclination to prioritise the needs of others over her own. Although she struggles with insecurity and anxiety—leading her to hesitate and over-analyse—she is resolute in overcoming these issues when crucial matters are at stake, which is a valuable message.

“I once believed that the road of happiness continued forever and ever into the distance. When it was destroyed, I realized for the first time that it lies upon a thin sheet of glass. And just as we were saved, there were those whose happiness that haven't yet been destroyed. So, I wanted to get stronger and protect them.” Shinobu is a multifaceted and captivating character who stands out—even amongst Demon Slayer's eclectic cast—largely due to her distinct fighting style, striking design, tragic backstory as well as her nuanced personality and motivations. Shinobu's strongest assets are her insight, and compassion, which enable her to support those in need. She usually has a relaxed smile on her face and generally exhibits a bright, amiable, and joyful demeanour. However, it soon becomes apparent that this outward disposition is a façade masking her profound anger and relentless desire for vengeance. This dichotomy in her persona is foreshadowed by her conflicting roles in the series as a healer and a poisoner. Her desire to cater to those close to her is the primary motivation for her outward façade, which is primarily modelled after the mannerisms of her deceased older sister. Considering we all conceal certain parts of ourselves to appeal to others, this aspect of her character is very impactful and relatable. She also often struggles with feelings of inadequacy stemming from her physical limitations. However, she overcomes this obstacle by employing poison to kill demons, showcasing her resourcefulness, fortitude and tenacity. Although we all feel envious of the talents of others, Shinobu's character is a reminder that we all have our strengths and should face obstacles head-on never giving up on our objectives.

“Although our thoughts are changeable and difficult to understand, the actions we take don’t change, no matter how much time passes.” As a consequence of her seclusion in the Yamei Palace and her mystical abilities, Jusetsu is quite enigmatic and detached. While she is often perceived as haughty and aloof due to her bluntness, impatience and lack of social experience; she is shown to have a tender and vulnerable side. She possesses an inherent sense of justice and doesn't disregard those in need, even if they have offended her in the past, which is incredibly admirable. Although her position as the Raven Consort demands her to live alone, she quickly finds herself surrounded by people, leading her to feel guilty considering her deceased predecessor remained isolated. Her heart begins to soften as she lets others in, but she often struggles to comprehend others, causing her to inadvertently offend them—which is something that most of us can relate to. However, she is quick to mend things once she realises her misstep and comes to learn that it's necessary to confide in those who care about you. She frequently exhibits guilt about seeing her mother die, which leads her to feel that it's preferable to be by herself than to lose anyone else. Her struggles with guilt and constant introspection not only add to her complexity as a character but also make her very relatable. To a degree, we all worry that opening our hearts to others will result in us being irrevocably hurt but constantly have to take that risk to live a fulfilling life—thus making Jusetsu’s journey an incredibly empowering and compelling one.

“I'll definitely overtake you, and it'll be my turn to worry about you.” Misaki is best described as bright, diligent, pragmatic, and disciplined. As the student council president, she is committed to improving her school's reputation, even if it involves challenging the expectations of her male teachers and peers. Before Misaki's father abandoned their family, she was noticeably more tender-hearted and compassionate, but she subsequently developed a bias against males based on her conviction that they were inconsiderate and unreliable. She possesses a rigid sense of justice and sets high standards for herself and everyone around her. Consequently, she often struggles with her emotions, particularly when it comes to maintaining her composure when her private life is disrupted. Misaki is particularly embarrassed about her part-time position at a Maid Cafe, believing it contradicts her strong, uncompromising image, and consequently takes great effort to establish a rigid boundary between her public image and her private life by keeping this job hidden from others. Misaki's best quality is that she never veers off course and gives her all in everything she does, inspiring others in the process. Misaki exemplifies the value of resilience and diligence when it comes to achieving one's goals because, despite facing countless hurdles, she remains committed to her ideals. Conversely, she is overly self-sacrificing and frequently overworks herself due to her inability to trust others. Through the course of the series, she learns to accept her femininity and fragility while remaining assertive and self-sufficient. As she navigates her growing romantic feelings for Usui, she learns the value of having faith in others, as well as the significance of respect, communication, and acceptance in relationships. This process of self-discovery moulds Misaki into a multifaceted character who is exemplary and relatable.

“If history repeats itself, and moves in a circular path, then believing that whatever force is turning it is perfect, is all we can do as we move ahead. Pushed along by forces beyond our control, waiting, for the blade to be swung." Rukia’s best attributes are her altruism, modesty, strong moral compass and sense of duty. Her journey throughout the series centres around self-acceptance and belonging. Initially, she feels worthless and out of place yet longs to be recognised and accepted. Given that she finds it difficult to reach out to others, she never expresses these desires and lives a lonely life under continual strain. After meeting Ichigo and his friends, in the World of the Living, she begins to open up but quickly backtracks after she is taken back to the Soul Society to be executed. Despite enduring tremendous hardship, she never forsakes her ideals or blames anybody else—but instead faces and overcomes everything alone. This demonstrates her immense fortitude, resolve and integrity. Her strength lies in the fact that her heart never fluctuates. Upon the moment of her execution, she does not display fear or regret but is instead grateful for having lived an ample life. However, this is the turning point, as she is saved by Ichigo and is thereafter rewarded for her resolve and steadfast convictions. She finally alleviates herself of the guilt and grief she had been carrying by allowing herself to rely on others for emotional support. She can now confidently confront and overcome her greatest challenges because she is certain of who she is. In this way, Rukia's character serves as an example that no matter what you are faced with, your efforts will be recognised so long as you remain resolute and virtuous—which is incredibly commendable and compelling.

Her enduring and incomparable bond with the series’ protagonist, Ichigo is one of my favourite aspects of her character and the series as a whole. Throughout the story, she is a continual source of both physical and emotional strength for him. In several respects, Rukia's character is a parallel to his as she understands Ichigo's feelings better than anyone else considering she has gone through similar experiences. The quote "The rain drags the Black Sun down, but the rain is dried by the White Moon" perfectly encapsulates their dynamic—with Ichigo representing the former and Rukia representing the latter. Throughout the series, the rain is a potent metaphor for Ichigo's despair, while Rukia is constantly seen guiding and consoling him—effectively drying up “the rain”. She acts as a "ray of light" for Ichigo—despite her problems—who in turn does the same for her. Rukia's symbolism as the "White Moon" also pertains to her technique—specifically her bankai, which transforms her into a veritable ice princess. This symbolism furthers her development, influence and prominence in the series.

"Before I question the gods, there are questions I should ask myself!" Yona's remarkable development from a pampered princess to a courageous warrior is precisely why she is one of the most recognised and respected shoujo heroines of all time. This development begins after her privileged and idyllic life in Hiryuu castle is upended when her beloved cousin, Soo-won, murders her father and seizes the throne. After witnessing this traumatising event, she is forced to flee the castle and is forced to adjust to a harsh and perilous life on the run. She is momentarily overcome with fear and denial thus depending entirely on her bodyguard and childhood friend Hak for protection and care. However, after recognising that the people who were sheltering her would suffer as a result of her incapacity, she began to pull herself together. Empowered by her newfound resolve, she and Hak journey across the kingdom in search of the legendary Dragon Warriors and through these fateful encounters, they cultivate a revitalized sense of purpose and camaraderie. It is on this journey that she begins to realise that her father’s pacifistic reign came at the cost of weakening their kingdom, leading to widespread strife and corruption. Her overwhelming guilt regarding her ignorance causes her to develop a genuine sense of responsibility towards her nation's people. With the support of her allies, she travels around the kingdom to improve the lives of the common people, having abandoned the prospect of revenge. Yona's fundamental strength is shown to derive from her emotional fortitude, compassion and capacity for forgiveness. Additionally, her adaptability, willingness to learn, and strong sense of conviction are all admirable. Although she continues to grow stronger throughout the series, she has always been incredibly kind and compassionate. She is inspiring because she demonstrates that true strength comes from within. It is her immense compassion that not only motivates her to protect her nation and change the lives of those around her but also draws people like Hak and the four dragon warriors to her. Her ability to forego her desire for vengeance in favour of forgiveness is not a show of weakness but is one of strength, selflessness and maturity. She realises that her desire for revenge is outweighed by the kingdom’s need for a radical and strong ruler like Soo-won —leading her to choose to work from the shadows to uplift the common people.

“It’s not always easy to see the good in people. In some people, you might even doubt that it’s there at all. But if you can somehow, find a way to believe…sometimes that’s all it takes to help someone, to give them the strength to find the good in themselves...” “No matter how cold it is now, spring will come again...” Tohru is best described as optimistic, hard-working, patient and open-minded. She is also modest, caring, and gentle-spirited. She constantly strives to seek out the good in everyone she encounters and is always willing to assist those in need—bearing no resentment against those who have harmed her. Her benevolent and amiable disposition effortlessly attracts people to her, making them feel accepted and valued, as demonstrated through her interactions with the zodiac members of the Sohma family. In comparison to the series' vast ensemble of colourful, quirky characters, Tohru is frequently perceived as being too perfectly kind and hence bland—nonetheless, this is completely misguided. In actuality, Tohru is equally as emotionally broken and thus the Sohma family heals her heart in the same way that she heals theirs. Her character is an exemplary subversion of the typical "kind-hearted" heroine given that she faces several genuine hardships that result from her gentle and charitable nature. She is not a perfect saint, but rather a girl who prioritises the struggles of others over her own as she attempts to find her place in the world. Her greatest strengths are her immense compassion, innate empathy and sincerity. Given that she expects nothing in exchange for helping others, her generosity does not originate from a position of entitlement, which is incredibly admirable. Tohru has a strong desire to be needed by others and thus often puts the needs of others before her own. She craves validation and assurance, hoping to be acknowledged as essential and irreplaceable to those around her. In response to the terrible treatment she received from her paternal relatives, Tohru has developed the notion that she might burden those around her, so she rarely expresses her desires. Consequently, she is inclined to internalise any unpleasant emotions and feelings rather than express them externally. However, as time passes, Tohru gradually learns to be more assertive and to accept help from others. Tohru's relationship with Kyo is another facet of her personality that I find endearing. Despite having similar backstories, they have developed divergent perspectives on life. Kyo finds it hard to recognise the positive in other people, while Tohru finds it hard to perceive anything negative in them. They strike a perfect equilibrium as he teaches her that being too unselfish and not sufficiently assertive is detrimental to her well-being, while she helps him realise that there is hope in trusting others. While Kyo is not the only one who sees through Tohru's façade, he is one of the only individuals who can help her face her issues as she becomes especially transparent around Kyo, confessing all her concerns and anxieties to him. Tohru demonstrates the power of forgiveness, love and friendship and exemplifies what it means to be a good person. Her journey towards overcoming her fears and attaining true happiness through strength and determination is heartwarming and inspiring. She embodies hope and compassion in a cruel and unfair world. Her growth demonstrates that being kind is not synonymous with being powerless or meek. She demonstrates that no one is completely perfect—that kindness is a choice rather than an innate gift, therefore we are all capable of making the effort to be kind and compassionate to others.

“If I should die, I'd want to die of poison.” Maomao's story is kickstarted when she is kidnapped and sent to the Imperial Palace as a maidservant. Maomao’s extensive knowledge of poisons and medicine, along with her aptitude for unravelling mysteries ensnare her into the intricate web of political intrigue despite her attempts to remain inconspicuous. She is mature, sharp-witted, composed, and pragmatic, in large part because she grasps her expendability in the Rear Palace. Being raised in the Red-Light District has shaped her into a resilient and adaptive person with a thorough awareness of society's complexities, which she uses to traverse the Rear Palace. Consequently, she has developed a highly practical and pessimistic mindset on life, centred around avoiding trouble and adjusting to her surroundings—which has enabled her to tolerate circumstances that many would deem traumatic or distressing. Ironically, her insatiable curiosity, along with her strong sense of justice and empathy, frequently counterbalances her self-reservation; leading her to become involved in problems that affect others. Maomao is intrigued by poisons and medicinal plants, and she often investigates their effects on her own body. This passion is her primary motivation for her actions considering the mere prospect of savouring poison or studying a rare medicinal component kindles a fervent fire within her, resulting in a riveting shift in demeanour—which is naturally perceived as astonishing and insane by many characters, particularly the series' deuteragonist, Jinshi. Maomao’s name is derived from the onomatopoeia of a cat’s meow “貓” and fittingly she is often depicted with cat ears, which act as a visual metaphor for her ardent curiosity. This feline motif, combined with her proclivity for pushing herself into risky situations and her dangerous fascination with poisons, makes her the epitome of the phrase "curiosity killed the cat". Despite her exceptional competence and charisma, Maomao is not flawless; in fact, her flaws add to her appeal. Although Maomao's distrustful and inquisitive nature makes her an excellent detective, this same quality—coupled with her distorted yet starkly reliable perception of human connections—occasionally renders her socially inept. Maomao tends to shy away from forging strong, intimate bonds or attachments with other people, causing her to be wilfully oblivious of the obvious concern or affection others have for her, regardless of whether it is in a platonic, romantic, or professional capacity. Furthermore, she is sceptical about the notion of romance, feeling that it is more likely to cause ruination than to provide happiness. This scepticism and detachment are probably traumatic responses to being brought up in the red-light district, where someone's genuine affection alone does not guarantee that they will not discard you if needed.

Another aspect of Maomao’s character that I find intriguing is her dynamic with Jinshi which develops gradually and is multi-faceted due to their opposing traits, social statuses, and backgrounds. Despite her pretence of indifference, Maomao's actions—specifically her attentiveness and concern—gradually disclose her growing interest in him. Maomao's development demonstrates her progressively becoming less closed off emotionally as she processes the intricacies of her feelings. Similarly, Jinshi had no intention of growing attached to her—as he merely wanted to capitalise on her skill set and intellect. Nevertheless, he fell for her fairly quickly, with his feelings progressing from possessive attachment to ardent, selfless love. Their partnership is defined by mutual respect, trust, and their resolve to overcome obstacles of the aristocracy together. The series’ willingness to address feminist themes within a historically misogynistic setting adds another layer of complexity to Maomao’s character; since her intellect, competence, independence and boldness defy the gender expectations of the era. Even amidst the competitiveness of the Red-light district and the complex balance of power within the imperial harem— which were settings devised to pit women against one another—Maomao continues to advocate for camaraderie between women. As we continue to witness women supporting and empowering each other; their enduring strength and tenacity is exemplified. Maomao's journey is thus an embodiment of progressiveness reflecting a refreshing standpoint on female empowerment. Maomao's exceptional charm and vibrancy are profoundly compelling, instilling an enduring sense of inspiration and empowerment.

[Congratulations and thank you if you made it all the way to the end. I fear I rambled too much…. oh well… If anyone has any suggestions on what to do next, then let me know. Otherwise, I'm just going to be working on a few asks…]

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yermes · 2 months ago

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POOKIE! You are going to be so many amazing things that having a man make or break you is a huge FUCKING NO!!!!! 🍾🪽🦷🫖💡

I hope you are diabolical today pookie

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Pick a meme

123

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Disclaimer: please take what I say with a grain of salt and not as the gospel. I just want to share some ideas of practicing and giving advice using the medium as often as I can with school, work, and my own personal studies and practice. But I am working on sharing my notes soon so that will be exciting! Liking and sharing does a lot 🥰

I made a substack to keep up more with magical post overall but would you like more magic based posts here too? To be clear I will basically keep the same content from site to site I just want to announce a change in language essentially with more magical based posts I may have

I also just want to make magic as a whole accessible and I love to talk so YK

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Socials: TipJar | Follow me!

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The cards

**IX of wands 🦉 REVERSED**

I get the need to want someone because your inner thoughts and imposter syndrome is violently loud. But pookie you cannot find peace from external resources, true happiness and understanding of being must come from within before you can attempt to understand it from without. You need to feel the negative emotions and over come it because you are a strong lady with the capacity of saving oneself without projecting it on a man who lets be real would probably only make a situation worst bc like have you met a man???

**IV of wands 🎡 REVERSED**

People don’t understand your trials, tribulations, struggles, hopes, dreams, and accomplishments quite like you do. Be joyful in everything you have accomplished because pookie bear you have done so much, the people in your life highlight you but they do not define you. Being w man would not define you all that you are as an individual is what does.

**V of swords ☕️ REVERSED**

If there was a man it looks like you are recovering, you must not let this man define you and maybe some good old feminine urge revenge is in order. Deep fry his clothes, print out his nudes and put them in his grandmas mail box, make yourself feel better because shitty dudes is not what you should be tearing yourself down over. Tear them down as revenge and have them fearing what the true feminine energy is.

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Extras:

Story/vent: be diabolical today u deserve it

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lavampira · 5 months ago

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(COUNT)DOWN TO DAWNTRAIL — day seven: free day

one thing about ffxiv that has had the biggest impact on me is the core message in the power of bonds that people forge. camaraderie is as much of a driving force as hope throughout the game’s overarching narrative, and it’s the main part of what made me invest in it so quickly, and why I continue to love playing it.

and so, keeping on that theme, I want to take the opportunity to gush about some of the people who’ve also made the game and community a lovely experience over the last 2 years.

first, I’d be remiss if I didn’t mention how glad I am that @hythlodaes and @birues came with me from swtor to give this game a try. it’s always so nice to have a friend who understands you so intuitively like gigi does with me when trying new things without judgement, building fun routines together in a new game, risking it all as an AST-DRK duo in frontlines, or slipping back into our old co-tanking roots, and she’s been my biggest emotional support and favorite guinea pig to level new things. and rue’s eternal willingness to fuck it we ball with me and all of her thoughtful meta and silly memes alike bring me so much happiness. I’ve loved sharing all the developing lore of our ocs and thoughts on the story as we’ve progressed mostly alongside each other.

I will also forever be grateful to @coldshrugs and @gefiltefished for all of their guidance when I was a sprout learning the game! azia and ash have always been so helpful and encouraging, and many of my fondest memories of the early raids, trials, and pre-duty support dungeons involve one or both of them holding my hand, and even braving queues to tank or heal for me at times despite being aiming mains until I was brave enough to consistently tank myself. they built up much of my confidence while venturing into a new mmo and I don’t think I would understand things as well as I do without either of them.

getting to know @scionshtola as we played more, dragging each other into the mines and bozja respectively, and bonding over same taste in dps jobs has been such a highlight, too. and so many of my frontlines assists are owed to them channeling a hidden inner zenos on the battlefield as well.

raiding with my extremes static in our brave little sparkle has been some of the most fun and challenging few months! @lilas is an absolute powerhouse of organizing, keeping the positive mood alive, and wrangling everyone into voice chat and party on time each week. azia is an excellent strategist and gentle advice-giver, which has gotten us to barrel through barriers that had us stumped at times. @zimmena is a radiant gem for crafting our tinctures, making consistent calls to move us through the mechanics, filling in any role that’s needed, and my partner in repairs. I owe @greyyourwarden my life many times over for keeping me alive or scraping me off the floor when things go awry as a very trustworthy healer, and trusting me without complaint despite healer instincts when I ask to be allowed to die for my invuln. gigi has not only been a powerful and attentive melee dps amidst our sea of ranged/casting players, but a cheerfully good sport when a stray tankbuster goes her way, too. kels and their carby have saved many, many pulls with a well-timed raise, and always is my reliable stack buddy. @the-rogue-mockingjay is a brave soul willing to try new things and brings so much enthusiasm to raid. and @galadae has been a trooper for filling in whenever we needed someone and picking up things so quickly despite the occasional short notice. I’m so proud of how much we’ve all grown as players and as teammates since the very first night!

my foray into crafting and gathering has also been greatly helped by the many tips from @impossible-rat-babies and the set of endgame gear graciously offered and made for me by @lxdymaria so I’d have an easier time once I was leveled.

and I’ve also enjoyed talking to and seeing posts by @drk-brain, @drkmissionaries, and other sidwol shippers and dark knight enjoyers over on the bird site, collectively boosting all the writing and losing our minds over our little guys and the big spiky man we all love.

I could keep going - the ffxiv playerbase is truly one of the most friendly, encouraging, and wonderful communities - but I’ll leave it here: ffxiv is a game full of love and support from the people we meet along the way, so it’s no wonder why it’s fostered such a similar space for all of us!

#(count)down to dawntrail #dani.txt

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silent-neutral · 2 months ago

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About SH2 Pyramid Head symbolism and the remake PT.1

--mentions of sexual violence, suicidal themes and just overall mental illness-- please PLEASE DON'T READ BEYOND THE CUT IF YOU PLAN TO PLAY THIS GAME BUT KNOW NOTHING ABOUT SILENT HILL 2!! There will be spoilers in this ''essay'' and I don't want to spoil such a great game for anyone starting fresh and blind, because that'd be the perfect way to start this game imho - your feeling toward this game will be heightened without knowing too much, plus forming your own view and having questions about it is also cool.

(***Had to cut this down into parts after watching 10+ hours of the remake and so much watching gave me a headache that felt like a literal hangover the next day ugh I felt like James lol otherwise it's too many topics and words in 1 post. This way it might be easier to organize them. )

------------------------------- My mind was blown recently. Ig I'm posting this to clarify more to myself than anything, but I had to search up Ito's recent comments about certain scenes with Pyramid Head. (ahem, the first cutscenes specifically). I've always had my own ideas and guesses about specific details playing as James, but after some clarifications on Ito's part about Pyramid Head.. it kind of jarred me, but at the same time explained other things and now my initial view of this game and its characters are validating my assumptions.. And if you knew about this already, well good on you.... Ito tweets so much sometimes, info like this gets buried and I had no idea until a week or so ago lol. So in light of SH2R releasing, I conveniently found out about some crucial details that would *also* inadvertently explain my (petty) gripes about SH2R. I watched the entire playthrough and my views have slightly altered (mostly positive, as this game was actually very faithful to the original imo). but for now I give you...a very wordy analysis on some themes of SH2. Excuse my rambly thought process though, it's very hard to organise them sometimes, I say to future self re-reading this later lol.

We know the monsters all carry symbolism relating to James. Specifically speaking, the series has a lot of sexual undertones present. Man.. Idk where it all started but I'm pretty sure we all assumed it was true when every Silent Hill source or fanpage over decades would bring up James' sexual repression. It made sense because of how things appeared, plus Angela's trauma and her demon....that James even fights... Well.. Ito hates fans saying James 'sexual repression' being symbolised in the monsters are canon. He doesn't mind people forming their own opinion, but he hates when fans say it's canon lol. At any rate, there was a lot of confusion from what I read at first (and the language barrier didn't help, but I think I got the gist of what he meant). --------------------------------------------------------------- Talking specifically about the mannequin scene, Ito says PH is *not* raping them. Ok sure, tbh it looks too vague to label it something extreme like that. But it became something of a meme and Ig it ended up being believed as true. Kinda wish this sentiment was quashed many years ago and not in 2020/2021 gah... So, what's happening in that scene is actually far more deeper than simply to traumatise James.... Pyramid Head is a manifestation of James' guilt AND unconscious desire to be punished for killing his terminally ill wife. James is called to Silent Hill via a delusional letter from Mary he created in his mind.(A made up one to ignore the real one). He's suffering from some kind of selective amnesia throughout the game, hence why everything is there to remind him of his pain. Obviously he's traumatised by what he did that his mind has blocked it out to the point it seems he has remembered a false timeline of events... but his soul is yearning for judgement. Ito says that, therefore, James is suffering from many delusions, that's what's creating and manifesting his inner demons (true for all that come to Silent Hill). Pyramid Head himself is manifested as the executioner, tasked with punishing James, and so.. He is actually attacking James' delusions, trying to remove them:

*o* And Ito goes further! Right after PH kills those mannequins, he stalks over toward the closet James hides in (also meaningful, lmao, but okok it's not about sexual orientation). Apparently, PH's appearance is shifting. Ito says he modelled and animated all the monsters in the original, so I trust him when he says that the front left panel in the corner of his helmet is peeling/flaking back and a tongue-like appendage protrudes from the hole. Although.. he admits it might be too dark to see in that scene, but it's there supposedly. I'm paraphrasing, but Ito implies that PH is impacted by James' delusions in that James *thinks* he sees a tentacle come out of the helmet and thus manifests that. And that's when James shoots at him - He shoots at his own desire to be judged when it attempts to remove his delusions that are keeping him from the truth of his reality!! James can't face reality at this point - those delusions are keeping him somewhat sane and distracted! It hurts too much this early on for PH to attack those delusions so he stops it...this is why he is 'in the closet'. James continues to keep those 'skeletons' there, for now. It makes PH look like the true good guy - an angel.. like Valtiel (interesting to note they have similar body design). Because of learning this, I very quickly noticed how throughout the Remake, you will find plenty already downed enemies.. and it was easy to think ''PH was here''. After James realises the truth from the tape, the Hotel reveals its true appearance (not sure when it burned down or if that has something to do with Alessa, er wait I remember in Origins it was in her house.. well anyway! this could explain James' sketchy memory of events, especially when confronted by Laura having only met Mary and received the letter a year ago in-game.) Anyway, the point is; if James is aware, then the delusions begin to fade. So after watching the Remake, I hoped that the monsters wouldn't appear/be weakened and lo and behold! Bloober was paying attention! The monsters after you watch the tape are weak and limping, can't attack or are already dead and I was delighted! It means Ito was consistent that the delusions the town creates makes up the core theme of Silent Hill. In the original, there are only 2 lying bodies before the PH fight. (I forget the meaning behind them but it has something to do with James' helplessness.) At any rate, Remake did the 'dying vision' symbolism much better here and the explanation is so so fascinating that it led me to rethink the concept behind PH. Side note though, about that hole in PH's helmet. I was always so damn confused about it for so many years!! I used to draw it as a rectangular hole (some art by Ito actually depicted it like that iirc), and then eventually to a gunshot hole since James, well, shot at him, so I assumed that's what it was from. and NOW it's actually a triangular shaped hole from the paneling being 'turned upward' due to how James' is perceiving him in the moment. What a revelation, I cry. Ah.. and note on other design aspects.. Apparently Ito never designed PH with a mass of flesh under the helmet (just a perpetual shadow and the neck bag thing at the back) and he doesn't even know who conceptualised that, but I think it's due to all the cameos and appearances PH has made in many games since SH2. And he looks slightly different each time so.. yeah, interesting that.

Even the figma has that fleshy mass (and gunshot hole!) but I'd say it is accurate on nearly everything else:

It is a very nice figure though. I can't blame all these figures ever released that *weren't* supervised by Masahiro Ito himself, because lmao, Ito just admitted that PH is subjected to changes depending on how James views him, and that explains why details are vague and hard to determine let alone see bc the game is so dark. Take this little gacha figure of PH for example, from a cute baseball game called, I think, Konami Dream Stars (Pal Pro kun?) Yeah, I got Snake as well lol:

...and yes, shameless little peek at my nerdiness on display, all the Capcom stuff is directly below it lolll

------------------------------------------------------------------ So! Having learned what I did, I ofc had to question the next obvious thing; the cutscene just before the first boss fight. PH was without a doubt molesting the Lying Figure/Body which was moaning suggestively the entire fucking time - no one is about to gaslight me into thinking THAT wasn't sexual! And yes, Ito admits that scene was intentionally made to appear sexual (as opposed to the mannequins) and yet he says it has no sexual meaning....wtf does that even mean?! Well, I think I got it. Again, language barrier is most likely to blame, but... To apply the last explanation for the mannequins; James' delusions are making him *think* he is seeing something intimate to the point it manifests right then and there which is so disturbing he recoils and tries to go back through the now-locked door. And so.. it would seem that to PH, he is just trying to destroy the delusions and he can't help how James perceives that; it's just going to manifest accordingly. And while Ito hates 'sexual repression' as somehow being canon to some fans (the majority actually), well, bruh... can you really blame people for coming to that conclusion? The flesh lips, nurses too, are on the risque side. Now, idk how it doesn't indicate something sexual if it's not meaning to be but I am aware of Ito's art style tending to be quite sexual and suggestive, featuring a lot of bdsm themes in his artwork and he is quite obviously inspired by at least HR Giger's work. So making the nurses, for example, look the way they do may be a stylistic choice, but I highly doubt it doesn't also have a symbolic purpose other than referencing Lisa's image or something (This is Silent Hill though ffs, everything is symbolic, it HAS to be). I'll reassess the meaning of those for myself, but specifically I'm addressing PH (and soon in another post, the other elephant in the room: Abstract Daddy.) Initially, I always saw PH as trying to remind James of his sins, jolt his memory, to wake him up to reality. (Which is interesting considering it's not clear if Silent Hill itself is even rooted in reality, the alter dimensions I mean. Another topic I want to address soon.) I also noticed the mirroring effect PH/Maria were doing in relation to their human counterparts; PH is James, and Maria is Mary; James killed Mary, and so PH kills Maria. But.. If PH is actually also trying to destroy the delusions, (which also appears to reflect the fact James is trying to overcome his guilt, his mental blockages that are causing his selective amnesia)that inadvertently means PH will need to destroy himself in the end as well, and that is exactly what happens..

Coincidentally, this would also reflect James' suiciding.

But first, PH attacks the monsters that are manifested and represent different aspects of James' trauma/psyche. Then he is constantly confronting James by killing Maria, or James having to return to a dead Maria. I thought he was basically tormenting James by showing him what he'd essentially done to Mary. "This is what you're guilty about, this is what you need to accept'' I think that idea still holds water (pun very intentional), but now I feel it adds another layer because Maria is the ultimate delusion... and thus, PH must destroy her. Now when she says 'I'm not your Mary, but I can if you want me to be' makes more sense to me what she is. She too is subjected to James' delusions because she keeps shifting the perspective she talks or thinks in, Mary's or Maria's? But she knows she is not Mary, just a manifestation of an idea. And James deep down knows she is holding him back (like all the other delusions) and that feeling calls PH to thus kill her. When James can't escape the reality of his past, he finally accepts the truth, the memories revived by the tape, and confronts PH after stabbing Maria a final time. 'Stop denying/ignoring your guilt, and stop trying to cover it up with distractions like Maria'. James finally doesn't need to be told anymore, he has punished himself (fitting, seeing as PH is an extension of James anyway) and thus PH, the final delusion/illusion kill themselves and disappear.

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OK so that's PH! Now to compare that with the remake

My main gripe was that the game is way too saturated in colour and too bright in certain parts, but it improves that as you delve deeper in the game thankfully. Kudos to Bloober for changing James' face to something more 'unaware' and disassociative. Gripe number 2: I do wish they cut out the 'hand rubbing' in the opening scene or at least tone it down bc that kind of foreshadowing is too damn obvious, sorry. Not needed. Especially not right at the start. Not even for old fans playing it, we know what happens, but cmon...It makes James too aware of *something* and his selective amnesia is what gives rise to his own customised demons...if he is even slightly aware of what he did, then what is the point to seeing the monsters, let alone PH attacking them, now that we know what Ito had intended? Wouldnt that change their appearance, or rather, remove them altogether? sigh, anyway. I find PH a bit too bright, not dirty enough and consequently, not as disturbing. Partly for that was how they clearly removed the lying body scene from the boss fight. I would be lying if I said I wasn't disappointed, but now with much needed context, this now makes sense...

HOWEVER....If my guess about James' assuming something sexual was taking place in that scene is what manifested it to begin with, then what is there to say about the remake?... So the simple act of hand-rubbing (awareness) really DOES make a difference, huh?! >:O it took away our favourite PH scene! 😂💔..

We can talk about DEI and stuff like that affecting certain themes in this game.... but Ito saying 'it doesn't mean it's sexual' would explain why it's taken out of the remake. Ito has supervised the Bloober design team on this, so they would have so much more context and info from the man himself... Still, it appears to conflict with James' psyche, bc it is through his very perspective that we are perceiving the town and how it presents itself to James so ofc if James sees something explicit, so are we the player. We are seeing the town and monsters through his eyes. And there is much to say about whether or not the other characters are even seeing the same town, but I'll get to that too. There is also the possibility that it's just 'creative freedom' on Bloober's part. It sucks, but overall... the game's pros outweigh the cons. Symbolism for Silent Hill is a very strong trait though, so I'm a bit conflicted about those changes. In the end, PH being a punisher and attacking the delusions of James' traumatised state of mind is fundamental, so as long as that is present, then I can't really say it's so inaccurate ig. It does imho, take away from PH's menacing persona and tones the disturbing factor down which consequently, in my humble opinion, makes him less scary. Intimidating, perhaps.. but less so. He looks very cool though lol. Especially how he breaks the walls during the chase and the final PH battle, I was super impressed with it! I didn't really like how PH was animated in the cutscene in the first fight (the way he turns around, idk..) but I love how they both throw the spears at you! This fight definitely improved upon the og version. Ah, and the sound of his heavy footsteps are wonderful as well! There was another creative thing Bloober did with PH's knife where you have to pick it up to advance through the tentacle wall thing. I realised this was a manifestation of James mental blocks since he starts holding his head in pain. But I thought "oh cool! James is gonna use the Great Knife to cut them!" But sadly, no.. but.. those tentacles would peel back, afraid of the presence of PH's knife... they are delusions after all~

Oh btw.. I didn't realize this before, but as soon as you attain Angela's knife, PH appears with the Great Knife - before this, he is unarmed. In Remake, right after you get her knife, you can hear PH's infamous screeching coming from dragging the Great Knife, reiterating that he is James. Subtle but very cool! I can't believe I didn't make that connection myself lol bah.

A bit more gripes to mention though: his strange janky movements that were imitated in remake made it look like a sad parody of the original scene, which was much more disturbing. I think it would have been better had they not added that part, it was random to see when he was moving as normal as one does trying to apprehend the mannequins, then calmly and slowly assessing the room only to suddenly flail about and strike random poses barely reminiscent of what he does in the original...and then just stand there as if James never shot him 🤨 not to mention, James looks so unbothered in this scene, he doesnt look at all anxious like in the original..the whole 'interaction' looked awkward. The original scene was paced better giving PH a kind of build up to those strange movements. I also dislike the lack of reaction and bad pacing with several of Remake's cutscenes as it toned down much of the intensity in crucial moments of the game, like in this one with PH. Yet... improved on others that I think were made better than the original's by elaborating on them.

Anyway I will touch on this and add more criticisms on remake in another post, this one is long enough lol; i just tried to get my thoughts on PH in one post but if I missed something I'll just add it in the PT.2.

If you actually read this, you must be as obsessed as I am (thank you)! Feel free to add your thoughts if you want, I love talking about silent hill symbolism or the ideologies behind The Order.

#pyramid head #silent hill #sh2remake #sh2 #Discussion #Silent hill symbolism

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saccharine-arts · 10 months ago

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*knockknocknock*...hello? A fellow Olrox enjoyer? A penny for your thoughts on the best man ever?

HELLO HELLO WELCOME TO MY HOUSE!

I have so many thoughts Raimagnolia I am overflowing. I'm such an Olrox enjoyer and an excuse-maker and a simp. He's never done anything wrong in his entire life and I love him so much.

He's incredibly sexy and the moment I saw his character design I was like "oh fuck oh no I'm gonna be Normal about him". And then they went and made him such a complex, interesting character with themes of love and revenge, who is anti-colonialist and eat the rich AND HE LIKES GUYS?? And he's animated Like THAT?? It's over for me I've got it so bad.

Mizrak you landed a bad bitch like that and FUMBLED HIM??? Move Over buster, and you better apologize for that "animal with no soul" line (I know you were worked up, buddy, but he literally just risked his life and blowing his cover saving you, and poured out his heart to you and you say that???).

Okay okay but some of my Olrox Takes:

I'm so so excited for the possibility of him meeting Annette and seeing them interact and bounce off each other because I think he would love her. She is so filled with passion and represents so much triumph and hope against colonizers and slave-masters as a Haitian revolutionary. I think it would be interesting too, because he has strong feelings about faith and religion and I wonder how he would see Annette's vodou. (Also the theory of him being connected to Quetzalcoatl is fun and would tie into this).

It absolutely kills me that he has learned to be so strategic and patient and observant, from all that he's lost and all the people he's seen die. That he sees an inner fire and faith in a cause in other people and craves that for himself, but CAN'T let them lose their lives to it because he's lost so much already. He just wants to protect what he has, and that kills me.

I can't wait for next season, I want the fallout and the drama with Mizrak and the potential slow burn. I love him being possessive and over-protective of Mizrak as a character flaw and I am hoping for more next season... get Spicy with it.... I'm also hoping that maybe He's the one who needs to be saved and Mizrak shows up. :> I think Olrox deserves better but I love watching them together, I will eat that up.

I want to know more of his backstory!!!! GIVE US FLASHBACK!!

I want him to be the one to kill Erzebet Bathory in the end. So bad. She represents everything he despises, and I think it would be sick as hell and a fun twist or deus ex machina moment.

He. He handsome and smart and h hot.

Olrox wrap me up in your mist and take me far away....

yea

THANK YOU FOR THE ASK!! How about you!! Also are there any screenshots you'd like me to redraw or art to make of him?

Also I love the communism meme you added to my art post, I laughed so hard and sent it to my friends, it made my night.

#raimagnolia #asks #starling speaks #Olrox #castlevania nocturne

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katyspersonal · 4 months ago

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(Responding remaining asks for the ask post in a bundle)

Thank you 🥺 But hey, you only won't have more Soulsborne knowledge than me with THIS attitude!! You gotta believe in yourself! XD

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THANK YOU SO MUCH!! Also I feel like I know who you are XD

That guy, honestly.. I remember giving him some thoughts and analysis that I am still proud of even back in time before I was aware of finer details and translation errors. He felt like someone very real and full of nuances even in my "sounds like creep" era, and then first character I wrote a good analysis on! I take credit for popularising the knowledge about English localisation completely skewing him, because despite LP's document being in access for years nobody fished out THOSE details from it until me!! It took deliberate searching with the purpose of learning THE character!!!! 😎

I miss my more "unalloyed" version of Gehrman though, such a real cold dead-inside man, saved and adopted from abusive house but with the demons inside left forever, whose lack of empathy made him perfect hunter and whose sole true positive emotion in life was meeting Maria but then he took a massive L fsdhdsh I blame @fantomette22 for softening my general perception of him though by just standing there!!! You and your soft ass! GET OVER HERE-

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^ This one was sent during me typing this post! Thank you very much, this is a lot of praise.. т.т I am self-conscious about my art and feel like the only way to improve is to get a teacher, which can't be organised any time soon, but I am happy you enjoy it as it is still!

(and I am sure your personality is great as well <:3 )

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Which 'hot' takes? My takes at cooking that chicken @heraldofcrow JUST right? Well this makes sense I guess dfshhsd

fdjhshdsf okay seriously, thank you XD I am not good at dignified, intelligent way of describing my theories that sounds like telling a sad tale or a scary legend that I see some people do both in text and podcasts.. Hell, some of such posts sound like small fanfics! And I sure as hell don't want to accidentally slip into the unapproachable, humourless "let me educate you peasants" tone (it is hard to not even notice)! So the only option left for me as a wordy kind of loredigger was to unleash my inner clown!! I heard people say that adding jokes and cursed memes in the middle of sharing a theory is actually relaxing, so I am glad I am this way <:3

Also really not tryna become a "contrarian" kind of user, we do NOT have a shortage of blogs that throw a shade at the fandom trust me! But what do I do when I also have a lot to say... 🙄 Aren't we all just people who desperately try to not be Hunters until beasts come at OUR doorstep?

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This is what you see in a Petri dish you've put me in after 2 minutes:

Yes I know I used this image today already you just made it VERY hard to not do it again sdhhfsdsd Anyways, thank you!!

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Thank you! I hope you still like them!!

I'd actually say that anyone can make really unique headcanons and interpretations! My secret is actually to minimise exposure to the takes in the fandom until I've came up with my idea to offer! It helps me to jump into a metaphorical pillowfort with @val-of-the-north when a character or a question interests us and brainstorm the ideas; I do the suggestions, intuition, right questions and imagination part, whereas he does finding the most obscure gameplay consequences, finds obscure images from the furthest corners of the internet and remembers literally every detail that could help or debunk like a supercomputer! *sets the 'days since praising Val on public' counter back to 0 AGAIN fhsdhds*

THEN I hop on Tumblr and offer my idea and look what other people say (with rare exceptions about smaller things). Key word is, 'THEN'! I've met many people who were shocked when I informed them that what they assumed was canon in fact was just a popular fanon! Many people make the same mistake: they see many people doing [thing] and just assume it has to be legit then and never double check for selves! This ensures less variety of interpretations with all (designs, ships, story, portrayals and takes) which is a bit disheartening! Just remember to 1) look at the source material with clear eyes, only consulting wikis and reference videos, for example to know about questline or item you've missed 2) communicate with the fandom about a topic when you DO have your own idea already, this will me mutually enriching for both and 3) never simply take majority's word as canon! And then you will be like me! x)

You will ALSO be like me if you add Spongebob meme within a serious theory and organise dash wars with your mutuals but that's for another story fdshfhsd

#ask replies #shitposting #thank you guys ;-;

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sophieinwonderland · 9 months ago

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I'm the one that left the comment on the post critiquing your take on inner dialogue and plurality that mentioned my understanding of how trains of thought would work and why a thought process akin to Kronk's dialogue with his shoulder angel/devil doesn't seem to imply that he's "plural" in my opinion. I don't really agree with your rebuttal, that in that example he'd be plural due to the pronouns they use, how they interact, have their own memories, etc.

My comment was again, my understanding of how some people have mental trains of thought. I think it's important to note that everyone thinks/rationalizes differently. Some without words at all but rather things like the perception of the world around them and emotions. They may not think "that's a beautiful photo, I wonder who took it and when. I wish the lighting was a bit better" with those words but they actively feel those things. However the absence of an inner dialogue doesn't mean someone who processes this way without words can't experience something like DID, if that makes sense. Just as someone with it might use "I" and "me". It was hard for me to understand at first how one could "think" without thinking, but I'm mostly going by my understanding and the experiences of people I know and that was also true in my comment as I know others have thought processes like that (and ppl seemed to agree). Which I know isn't a credible source, just different perspectives I've heard based on how different individuals think and process.

It's also normal to my understanding to not only use first person pronouns but also "we", "you", "us", etc. It doesn't mean you perceive yourself as having more than one identity or are otherwise interacting with a different identity with agency and such. I can't imagine that not being normal. For some, it seems thoughts can alternate between feeling like a monologue and dialogue, particularly if you're facing inner conflict or have multiple thoughts on something. I think factors like neurodevelopmental disorders can play a role in this.

A train of thought might interject while someone with a singular identity is thinking about something or having an inner conflict. Someone may think "I think I want ice cream" and another thought might be like "you should have dinner first" and a third may interject as someone remembers something like "wait remember what our doctor said about lactose?". But those pronouns are kind of interchangeable depending on the person, and the memory of the interaction with their doctor brought forth by a train of thought is still their memory. It didn't come from a third party it's just them whereas in someone with alternate identity states, it would be sourced from an alter that is autonomous at least in some regard. I mean is it not possible for that to just be one person at war with themselves? I won't understand how everyone's mind works but that just seems normal. You're you but your thoughts may offer a perspective you didn't initially consider or reference a memory- your memory

So with Kronk again, the back and forth may seem like a dialogue but the difference is that it's sourced from one identity. Might not seem that way but it seems the angel/devil is still his personified inner dialogue. They all experience the same things, have the same memories, and while maybe having different "personalities" everyone has different sides of themselves. Yknow like the evil Kermit meme? One side of you saying to pick up the fallen ice cube and the other saying "you/I/we should kick it under the fridge". Still one person. That's my understanding but again brains work differently even in those with a singular identity state. I hope that's coherent enough (I struggle to condense my words oftentimes) but it just makes sense that a lot of people who think in words would experience it that way? Between what feels like a monologue/dialogue but still being one identity?

These are some fair points.

I would agree that people do just think differently sometimes. And having an inner dialogue or using these sorts of pronouns aren't necessary for plurality. It can even be possible for singlets to have an inner monologue that uses "you" pronouns.

Before going on, for what constitutes a person, I want to being up John Locke's definition of personhood, defining a person as...

a thinking intelligent Being, that has reason and reflection, and can consider it self as itself, the same thinking thing in different times and places

This is what I tend to mean when I say headmates are people.

This is also a general criteria I use for differentiating between multiple and singlet experiences. (With the caveat that plurality is a spectrum and there's a gray area in the middle for median systems.)

A headmate in my opinion follows the same pattern.

1. A headmate can think 2. It's capable of reason and reflection 3. It can consider itself as itself the same thinking being in different times and places.

The first is a bit redundant. Criteria two can't really be true if criteria one isn't. These two though are able to rule out a lot of psychotic hallucinations and dream characters from personhood, as most aren't capable of self-reflection.

The third criteria is actually two in one. It's being able to recognize yourself in different times and places. But it's also being able to distinguish yourself in different times and places.

To recognize when an action is yours and when it's someone else's.

Another layer to this is that it inherently implies some sort of persistence and autobiographical memories. After all, you can't recognize yourself in the past if you don't have a past.

With this context in mind, I'd like to step back to the Kronk point.

I don't actually agree that they have the same memories.

At least not entirely.

See, they'll each remember the same things happening. They'll each know the general events. But they'll each relate to memories differently.

If Kronk were to recall the conversations he's had with the Angel and Devil Kronks, he would likely recall it in terms "I said this, The Angel said that, the Devil responded this way," etc.

Kronk wouldn't consider their thoughts or actions to be his own. And this would go both ways. If you asked the Angel about things Kronk did, the angel would likely recall those in terms of Kronk doing those things. He wouldn't have a feeling of "I poisoned Kuzco." Because he didn't. Kronk did.

What is happening here can best be described as compartmentalization dissociation. The Angel, the Devil and the core Kronk are dissociated from each other, and don't view the actions of other members as their own.

"Trains of Thought"

I don't believe you're using this term the way most people would use it. When the majority of people refer to having multiple trains of thoughts, they're referring to an ability to think multiple things simultaneously.

What they aren't generally referring to is these "trains of thought" having their own intelligence, identity and recall.

You don't have a "train of thought" that thinks of itself as a separate entity from you, and will still remember things it told you a week later.

If you do have multiple "trains of throught" that are able to think for themselves, have their own distinct sense of self and autobiographical memories, and are self-conscious being able to recognize themselves as separate agents, I think you should consider that maybe your "trains" were people all along.

#syscourse #emperor's new groove #kronk #plural #plurality #multiplicity #sysblr #system stuff #system #systems #pro endo #pro endogenic #psychology #philosophy #plural system #actually plural #actually a system

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