#and also she has the potential to be a great character guys i promise

[duvewing]

[luneemeritus]

Guys have I ever commented about how both Youtube and Tiktok have the shittiest takes on Stolas? No? Then I will try to comment more often.

"I wonder why Octavia is mean to Stolas" because she's a teenager who doesn't know the truth about her parents' situation or the abuse her father went throught during 17+ years, that's why.

As Stolas antis are unable to recognize the MOST BASIC aspects of the story, let me just remind everything we know about Stolas and his relationship with his family:

(TW: MARITAL RAPE, DOMESTIC VIOLENCE AND HAVING TO EDUCATE STOLAS ANTIS FOR THE 100TH TIME)

1- emotionally and physically abused by his father

2- forced to marry an abusive person when he was a fucking child

3- raped multiple times by Stella before she got pregnant

4- TEEN FATHER. TEEN. FATHER. You know what a TEEN FATHER means? He was forced to be a father when he. was. A. TEEN.

5- spent 17 years surviving his wife's verbal, emotional and physical abuse FOR HIS DAUGTHER'S SAKE

6- took accountability when he realized his mistakes towards his daughter, and his mistakes were basically trying his best to make his daughter happy while being a literal survivor of parental abuse, domestic violence, SA and social isolation, literally a fucking normal human being trying his best and improving himself

7- is not only teaching her spells slowly and respecting her time, but also raising her as the teenager girl she is, and not as a 'legal adult' full of rich folk bullshit responsabilities as he was raised

"Stolas is a good dad" yes, media illiterate antis, he IS. He raised his daughter with love and care, he shield her from potential dangers (which came from her own mother), took accountability everytime he made a mistake with her, and sacrificed 17+ years in silence, surviving domestic violence, FOR HER. This is what a good parent does; loves, takes accountability and cares for their child, and as someone who has a very shitty dad who actually doesn't respect me or take accountability, I proudly affirm Stolas is doing great. You know what STELLA, an actual terrible parent, does? Abuses her husband in front of their kid and turns Via against her father. This is what a terrible parent does, oh but sorry I forgot she's the cisheteronormative woman who can do no wrong despite doing everything wrong maliciously.

Octavia acting like a teenager is absolutely in-character and justified. She doesn't have to know that her mother is an abuser, and this is why Stolas shield her from this hell, because he wanted her to have a normal fucking life. But the AUDIENCE? Grown adults who KNOW what is happening with Stolas and should understand how basic parenting works, acting like an angry teenager who hates Dada? Now that is just bad faith and urge to justify your hate boner against Stolas with the same stupid outdated arguments that were discussed a thousand times in this fandom.

For a man that was forced to have an abusive wife and a child at his teenage years, yes, he is a good father. He makes normal mistakes like any normal parent does. In LooLoo Land, he (unintentionally) ignored Via's discomfort because he was trying to cheer her up, trying to, as himself said, keep her away from their hostile house — whose hostility is Stella's fault. In Seeing Stars, he DOES NOT ignore Via nor forgot about the promise (he forgot the day, not the promise), he was busy standing up against his ABUSER. He asked for some minutes to finish his phone call, if Via had waited just a little bit longer, he would turn off the phone and listened to her. She didn't, because she's a kid with the trauma of growing up with an abusive mother and a closeted dad, again, in-character and understanding. But grown adults who were supposed to understand what is going on with Stolas having the same behaviour of a kid is hilariously telling a lot about how you react to this show.

Stolas makes the same mistakes Blitzø makes with Loona. Blitzø often infantilizes her to the point of being overprotective, and guess what? He also took accountability, because he, just like Stolas, is a good dad. And just like Lucifer as well. Buuuuut you don't really care about what is or what isnt a good father, you just want to yell about how much you hate Stolas. And the reason why you hate Stolas (at least one of the reasons) is because you can't understand basic shit about him.

Edit: by the way, let me show yall this print. It's so adorable. As irritating as Stolas's "sLaNdErInG" crowd is, the fandom always manage to make everything better. Let's smile more and think about the good things <3

[thechekhov]

Dungeon Meshi Quick Reacts: CH38

Rip to these promising mages. I assume they will not survive this massacre.

IS that where her lungs and kidneys are? Because like. She's huge. Her entire body is behind her. Do you really think she'd keep her vital organs in the little human bulb on the front?

I mean, he has a point. What are you going to do? Fight off more hoardes of dragons?

oh noooo, Kabru.... too bad. That's so unfortunate.... anyway.

It's curious that Laios only got knocked away. He was just as likely to have had his head squished like a grape.

Guys, this is absolutely not the time to be concerned for her privacy.

Yes, queen. Free the tiddy. Murder everyone in this dungeon. I support women's rights and women's wrongs.

.......that's. One way to do that. I guess.

.......what's that rock about.

Oh, I see. That's convenient.

This guy dungeons! Maybe he even dragons.

So we got north (tallmen? dwarves?) and then the easterners.... and now the elves of the west?

He's going to give her to the Americans?! ಠ_ಠ

To be fair, at least they HAD a plan. And they executed it. It's more than you did. I don't mean to point fingers but... at least they... ya know... did something.

Kabru's like 'no, no, hang on, I need to hear what batshit fucked up thing this dude is going to say next, this is important'

Laios is so stressed he broke character.

Then again, maybe it's healthy to let them slug it out a bit. Get it out of their system.

It's true. They wore fitbits and everything.

...hey, hold on a second.

Now hold on a minute.

Damn, this is. Kind of even worse because. I guess I could have guessed that Toshi was just pretending to be polite, like you do. Cultural differences.

But the painful thing is, Laios doesn't seem surprised. He just seems resigned. He's been told before that he's difficult to get along with. To the extent that he doesn't even consider Marcille and Chillchuck his friends? Even though they arguably both care about him? But because Toshiro didn't bother to be deadpan about him being a bit odd at times, Laios thought it meant that was fine.

And that kinda hurts. Like damn. Laios just wanted to make a true connection. And I can't really blame Toshiro either, he was just trying to keep the peace but. Damn.

Free her! Let her do her illegal magics! She deserves it! （︶^︶）

Thoughts:

Senshi just being annoyed about that one last harpy looking for scraps.... like "shoo, this ain't the time"

That gnome seems genuinely nice. I'm sorry Falin squished his pet undyne.

Kabru hugging his..... mage? Girlfriend???? Seems very...one sided. Kinda feel bad for her.

Laios and Toshiro still going at it, I see. Get it allout, boys.

Uhhhhhhhhhh ninja girls.

Aww, doggo.

Last question: Where did the cat go?

Senshi: I can fix that.

Are you all worried because he's finally making sense?!?!

Laios and he punched their singular braincells into several new ones, it seems.

F./....Falin... please give the caterpillar some privacy........

My man, maybe lead with that............

I can't believe Marcille was potentially more forward about her feelings.......

"his pupils are dilated" yes, thank you sherlock. You've finally realized what everyone else who meets Laios feels almost immediately. he's a monster freak club card carrying member. Welcome.

p.....pubby......

As long as he was also inside the dungeon with them.... yes.

The issue with Kabru isn't that he isn't trying his best. It's that Laios isn't trying at all.

On a scale of one to Kabru, how badly do you react to being offered a food you don't want to eat?

......oh no. He's so pathetic it's funny. He's growing on me.

Absolute morons, the pair of them. Immovable object meets unstoppable force. The funniest combination ever. Ghost type and normal type pokemon, forever throwing moves at each other that will never hit. Laios thinking he's made a friend. Kabru just barely stopping himself from killing Laios. Best comedy pair. Tom and Jerry in a can.

Anyway. What a great manga.

[greenfiend]

Lonnie Byers

why he is far more significant in Stranger Things than we are led to believe...

“The scariest monsters are human beings and what we will do to each other.”

This post is very much inspired by @/kaypeace21's post on Lonnie from 2021. Just so you guys know, kaypeace21 theorized Byler LONG before most of us. She has a pretty good track record for predicting aspects of Stranger Things. This post will include some of her brilliant finds and will add even more evidence that was introduced to us in ST4 and TFS.

Warning: this post discusses some VERY dark and mature themes. I will allude to dark stuff at first but will leave the darkest stuff below the cut.

CW: Ab*se, CSA, substance use, DV...

The name Lonnie (nickname of Lawrence/Laurence) has two specific relevant meanings:

Lion and Oak tree. x

(Some symbolism examples: Nancy compares the Demogorgon (also titled: Deep Father) to a lion in ST1. In ST3, Holly notices trees (what looks like oak trees...) and looks frightened.)

For every mention of trees and predatory cats/lions I will add 🌳and 🦁 emojis respectively.

Keep both of these in mind as both predatory animals/cats and (creepy) trees are common occurrences within Stranger Things. I will touch on both of these throughout the post.

Anyway, lets start with the surface level stuff we know then I'll touch more on the darker subtext.

So, who is Lonnie Byers?

When we first hear the name Lonnie, he is brought up as a potential suspect by Hopper in Will's disappearance.

Joyce is quick to dismiss him as a suspect but does give us some important information about his character:

Lonnie "used to say [Will] was queer. Called him a fag." Whether or not he would say this to Will's face... he's obviously, not a great guy or father.

Joyce and Lonnie are divorced. She hadn't heard from him in about a year.

He doesn't like cops.

In The First Shadow, we actually learn that this is not the first time Lonnie is seen as a suspect in a case. (spoilers in next paragraph)

Lonnie was mistaken for Victor Creel and he was investigated for the animal murders by Hopper. This was not just a random choice, remember, Lonnie's name means Lion as in the predatory animal 🦁. Jonathan also told us that Lonnie made him hunt rabbits. This is a major hint! So, Victor Creel is innocent, and near the end of the play, Henry tells Joyce that she's so close yet so far from the truth (I'm paraphrasing). He's absolutely right though, the truth was right under her nose but unfortunately she doesn't see it (yet).

The fact that they made a very obvious comparison of Lonnie Byers to Victor Creel, the suspected murderer of his entire family... lets just say... it tells us A LOT.

Anyway, back to learning about Lonnie in season 1.

Joyce tries to reach out to Lonnie about Will, but is unsuccessful. He doesn't pick up the phone. His girlfriend does and says he's unavailable.

In a flashback, we hear Joyce and Lonnie argue about Lonnie not coming to play baseball with Will. She says she's "so sick of [his] excuses" which obviously means he has frequently made false promises/let Will down. He obviously does not prioritize Will.

To further prove that point, we later literally see him close Will off as he hammers wood right in the entry way for Will to return. The comic about Will's time in the UD gives a heartbreaking look into Will's POV. He cries to his father to not shut him out, but Lonnie ignores Will's cries...

Paralleling El's flashback to when Papa locked her in the dark room and ignored her cries... (the existence of that scene and many other flashbacks with El and Papa make me strongly believe that El's memories of Papa are altered version of Will's memories of Lonnie... I won't go into that much though in this post).

Just look at that obvious bright light in the closet behind Lonnie. Same light Will stared at prior to vanishing… That accompanied with El’s flashback of being locked in a room alone, paints a rather grin image. He’s trying to shut Will out.

Just from these clues so far, he’s not a good father.

To stay or to go…

(a bear (Will) vs. a tree branch 🌳)

If you pay close attention, you’ll see many references to this song within the show… and they even specifically made the association between a father and son when Steve called Dustin “dad”. Which father and son pair are the most associated with the song? Will and Lonnie… as that song first played in the scene where Lonnie tells Joyce he won’t be taking Will to baseball practice.

We can tell from these moments (and more) that dad wants Will to stay put and not go anywhere. We even have Dustin (the one symbolizing “dad”) telling Will to “get back here… I’m going to kill you.” Those were also the last words spoken to Will before he vanished. This is significant.

Suspicious Evidence...

When we see Jonathan visit Lonnie's looking for Will, there's a small bike behind him.

We know Will left his bike in the forest 🌳 when he vanished. Why does Lonnie have a child's bike?

Demogorgon also means "The Deep Father". I talk more about this here. Will is telling Mike in code that his father "got [him]".

Joyce is yelling at "Papa" that he took her son away.

The line of God (aka a father) taking "someone so young, so innocent" at Will's funeral with the focus on Lonnie.

In TFS (spoiler), Lonnie admits to stealing baby Jesus from the Nativity scene.

(GIF credit to @/kaypeace)

This specific shot tells us what we need to know. Lonnie is responsible for Will's disappearance. He is hammering the nail in the wall and it directly cuts to Mike representing the gate being opened with a pencil and paper. Lonnie is the reason the gate opened in the first place! Now, when I say that I don’t mean he literally opened the gate, I mean that the a*use he inflicted onto Will had caused all the monsters within the show and the creation of the Upside Down. Bold claim to make, I know… but bare with me here. As I will now go into the darker clues…

Lonnie's "Type"

Joyce refers to Lonnie's girlfriend as a "teenager". This is significant! Because (spoiler for TFS), Lonnie dated Joyce when he was 25 and she was 17!

This is a pattern for him. He not only preys on animals 🦁, he preys on teenagers... and it gets even worse.

Look, the implications here are, unfortunately, very clear. We see Lonnie look at Jonathan walking away, then he looks down at the photo of Will with the dialogue "He's kinda cute, hmm?"

"Maybe I'll trade you in for the younger model?" is said while Lonnie looks in Jonathan's direction.

Trading someone for someone younger. He likes them young.

He is a predator. You may not want to believe the truth here but as we know with this show... everything is intentional.

Let’s continue on with even more disturbing clues…

When Joyce and Hopper find Will in the UD, he is in a library (a place of archives, of documented history) And he appears like this...

He's being violated... by the vines. Vines, that grow on trees. 🌳Lonnie means oak tree... This is a representation of documented history that he had been se*ually assaulted by... the tree with vines... Lonnie. Also if you look into the full lyrics of “Should I Stay or Should I Go”… let’s just stay it’s disturbing how that song is associated with a young boy and his father…

Also... keep in mind that the vines are preventing Will from speaking. Will is being silenced as well.

Next season we see the MF force itself into Will. Again, another violation, this time by the MF (yes- the mother fucker, that is what Lonnie is after all). This was done on a field. A baseball field. We know Lonnie is associated with baseball.

And again, the MF (father) is silencing Will...

In this scene in ST3, we get yet another reference to Will being violated in the past. We are shown a flashback of the MF possessing Will, and we are given the comparison of non-consensual sex and the gate/door opening. We know this due to the term “penetration” being used in relation to opening the gate…

Murray states "the door had been opened once" while we are shown Joyce with a look of horror on her face. "It was still healing", as experiencing that does require a lot of healing.

“Larry the construction guy”. Larry is a nickname for Laurence. Lonnie is another nickname for Laurence. This line by Jonathan has multiple meanings.

Lonnie is in Will's head.

“Stuck up your nose”. Lonnie is, again, represented as violating Will.

When Jonathan confronts Lonnie we can see this Evil Dead poster behind them. Not only is it very visible but… Lonnie draws attention to it. This poster is significant! This woman is being attacked and choked by a tree. 🌳 The tree goes inside her… it violates her.

Lonnie wants Jonathan to take down the poster. This is important. He wants Jonathan to stay silent. More on this later…

If this isn’t enough symbolism to convince you, check out kaypeace21’s post where she goes in even more depth around the music/musicians Jonathan references, and even more background details that add to this. They intentionally painted the picture of him being a s*xual a*user, as the existence of all these clues all add up to the same conclusion. A very uncomfortable truth.

Dad, you’re choking me

Speaking of being choked, ever notice how this is something that seems to occur frequently within the show?

That Mike and Ted moment in particular stands out because it occurs right after the Jonathan and Lonnie confrontation with that Evil Dead poster in the background (being choked by a tree 🌳)… so the “dad” doing the choking here is absolutely Lonnie.

Yet another case of being silenced as well...

The Trunk

Probably the most concerning moment to many on the surface. Remember how “dad” said “don’t go… anywhere” and the symbolism of him shutting Will out? Well, let’s just say that it’s not a stretch to think he put Will in a trunk before.

It’s also worth noting that when Billy opens the trunk to see a tied up Heather we get a flashback of him choking her. This William is likely replaying the ab*se Will went through… he was possessed by the MF (father) after all.

Also, remember in ST2 they tied Will up and he shouted several times “why am I tied up?” Yeah… Also all those being suffocated references…

Substance Use

While everyone can struggle with substance use and it doesn’t make them a bad person, the use of substances causes the lowering of inhibition. “Lowering inhibitions means reducing restraints against behaviors that might normally seem inappropriate, dangerous, or taboo.” x This is why people under the influence of alcohol, and harder drugs can become more aggressive and a*usive.

When we see Lonnie's house, we see many cans of beer. We also see him drinking while he visits Joyce. He also encourages Joyce to drink too to help her "think straight". Hmm... strange choice of words I must say.

Now, I don’t think Lonnie just has an alcohol problem, I think he also has a stimulant use disorder. Stimulant = drugs like cocaine and crystal meth.

Kaypeace21's post goes into the details of the possible crystal meth use and how when Will was possessed by the MF, he was showing symptoms of a child on this specific substance (sweating, trembling, seizures, etc).

Another stimulant use reference, but cocaine this time. Remember Larry = Laurence = Lonnie.

There are many subtle references to drug use throughout the entire show from Papa forcibly injecting Terry Ives, El, Henry etc, to Reefer Rick and Eddie and plenty more.

Although we don't have much information on this, I think it is implied that Lonnie is a drug user. Not only does this mean that his impulses were less inhibited, but this also puts into question the possibility of further neglect. The Byers are not rich by any means, and if Lonnie is so focused on obtaining substances... that leaves barely any money for anything else.

"He made me do it…"

So as Jonathan told us, Lonnie made him kill a rabbit. The lion 🦁 forcing his offsprings (lion cubs) to hunt and kill, just like him.

This is something we have seen quite frequently within the show:

El being forced to harm a cat by Papa

Henry being forced to harm a rabbit while influenced by the MF (father)

(In TFS) Henry being pressured to harm animals by Papa

Will saying "He made me do it" in reference to the monsters attacking (he being the MF = father)

Billy saying "He made me do it" (again he being the MF = father)

D'art killing Mews

What's interesting to note is the fact that many characters are associated with rabbits and/or other small animals.

This likely also connects with the reoccurring theme of survivor's guilt within the show. Specifically, of the survivor blaming themselves for the death of others.

Max blaming herself for Billy's death

Mike blaming himself for El's death

El blaming herself for the death of the lab kids

Nancy blaming herself for Barb’s death

Lonnie forced Will to cause harm and/or blamed Will for the harm caused. We know how Will is, he's incredibly sensitive. This absolutely would weigh on his conscience.

Where’s mom in all of this?

We know she has been working a lot, but there could also be something else going on here. Could the allusions to her mental health issues come into play here as well? It's possible...

During "the source" scene with Billy's memories, Billy cries out because his mother is gone. Keep in mind, Billy's memories parallel Will's A LOT (the baseball, father calling him a "pussy"... etc), and the song "William" plays during this whole sequence.

It is likely that Joyce was separated (or emotionally distant) from Will for some time in the past...

Domestic a*use

To make the assumption that Will had witnessed DV between his parents would not be a stretch. We have already seen Lonnie and Joyce fight and it was not pretty.

We also see Billy's father slap his mom hard in the face (like I said, Billy's memories parallel Will's memories...)

We also have seen Lonnie gaslight Joyce already, trying to make her think she's "crazy" and we've seen them fight about Will and finances. This was no stable household for a young child...

Fear of the Truth

It isn’t discussed enough, but there’s a reoccurring theme of the fear of telling the truth. And no this isn’t just about coming out of the closet.

This is especially true when it comes to telling mom the truth.

El repeatedly preventing the boys from telling Mike’s mom what’s going on… specifically about the “bad men”. She fears the repercussions (demonstrating a gun pointed to her head… implying a threat… “I’m gonna kill you!”).

Mike and Nancy unable to tell their own mother what’s going on with them.

Jonathan unable to tell Joyce about “what’s going on with [him]”.

Lonnie telling Jonathan to take down the poster showing a*use and telling him to “behave” for his mother’s sake… he’s trying to silence Jonathan…

Nancy telling Mike “no more secrets”

Joyce telling Will he needs to talk to her (about what happened with the MF)

Dustin hiding D’art from his mother/the kids in general hiding the supernatural stuff from their parents

Billy unable to explain to Karen what had happened to him

Max telling Billy he needs to talk in the sauna scene

and plenty more…

Will frequently communicates in a code. We see this several times:

"It was a seven, the demogorgon got me"

Communicating through the lights

Drawing pictures instead of talking/explaining

Morse code

"Sometimes it can be scary to open up like that. To say how you really feel. Especially to people you care about the most. Because what if... what if they don't like the truth?"

The painting itself

The painting speech... using "El" instead of himself

Usually a*use of a child is not immediately obvious. Parents often think that they will immediately know if their child has been a*used, but often, the signs stay hidden. Remember that most kids are a*used by adults they know. X

Some of the common reasons why child stay silent:

They worry about being blamed, or mistakenly believe they caused the abuse.

Their a*user has threatened them in some way.

They know and maybe even feel close to their a*user and don't want to hurt them.

They think no one will believe them or help them.

Babies and children under 5 years old—who make up nearly 40% of maltreated kids—may not have the words to explain what happened to them, making it difficult or even impossible for them to ask for help. X

This is just important information that everyone needs to know. Child a*use isn’t obvious, the kid may even seem alright with spending time with their a*user… this does not mean the a*use doesn’t exist. That is a very harmful claim to make.

When it comes to a*use, especially child a*use, we must be vigilant. Because the child likely won’t tell us but they will show us the signs.

Some signs to look out for:

Any sudden, continued change in behavior.

increased anxiety

unexplained injuries x

Repressed memories

I’m just going to outright say it: the NINA plot line is important because it tells us a lot about repressed traumatic memories.

“Our brains have a defence mechanism in place to protect it from bad memories. You buried these memories long ago.”

Then in the last episode of ST4, we learn something VERY telling about Will.

Remember… Larry = Laurence = Lonnie.

They basically told us that Will only vaguely remembers Lonnie. This is an incredibly important clue to what Will is going through. Will’s trauma was so intense that he has been repressing the memories of his own father.

In ST5, this is absolutely going to be an important aspect to his arc and to the story as a whole. Will must come face-to-face with his traumatic past. Unlocking those memories will be key to finally defeating the monsters for good.

The Destroyer of Worlds

So, I’ve mentioned this many times before, but Will is compared to “Little Boy” the first atomic bomb. (Click here and here for posts about it).

He is a bomb that went off on Nov 6, 1983, freezing time, and forever changing Hawkins. J. Robert Oppenheimer was the creator of the real atomic bomb, and he was known as the “Father of the Atomic Bomb.” He was also known as “The Destroyer of Worlds”. Because Will is “Little Boy” and Lonnie is his father…

Lonnie is The Destroyer of Worlds. A perfect term for someone who inflicted such horror onto an innocent child. Because trauma like this has an incredibly profound effect on a young mind, in more ways than you can imagine. His actions are the catalyst for the chain reaction of this entire show. He pushed over that very first domino.

Why is all of this evidence so hidden? Why do we barely know anything about Will’s past with Lonnie? Because… instead of telling us his past, they’ve been showing it to us through the horrors. You have to look very deeply into the show to see the truth start to add up like a puzzle. There are many themes that reoccur/are alluded to within the show for a reason. And it’s all from one single source.

Demogorgon is The Deep Father, MF is the mother fucker (father), Papa is father, and it was Vecna’s father who was convicted of the murders.

It was father this whole time.

[cherry-pop-elf]

TO THE KRAVEN SIMPS EXCITED FOR HIS MOVIE!

And people who just need a Kraven The Hunter run down/Information lore

As a certified Kraven know it all from his comics I am here to help give yall some advice/run down/and how to start your journey into his comics and lore! Well, at least the MAIN Kraven. Damn those comics and their multiverse!

Don’t be shy in asking me questions either, of course until DEC: 13th check my #Belladonna Rambles or #Life Update to see what I mean

Alright let’s start now!

Kravens Last Hunt

YOU MUST READ THIS BOOK

This shit here? PEAK! It as PEAK AS PEAK GETS! You really get to study and analyze what makes Kraven tick, how his family impacted him, and just the over all headspace the master hunter is. Treat this as much of an origin story as anything else. Warning though it gets dark and ENDS Dark. It is BEYOND important you read this. You HAVE to read this. It’s a defining comic story that causes a chain reaction for everything after. If you only read one comic book ever? MAKE IT THIS! If you only read one Kraven comic MAKE IT THIS! I can say how important this comic is. YOU NEED TO READ THIS COMIC

The Unbeatable Squirrel Girl

A great comic series in general, but here we get to also see a story line of Kraven following into a Vigilante hood instead of staying a Villian. There’s a court arce and everything. It’s a far more light hearted story line, with amazing fun that is really enjoyable. It’s also SUPER GOOD for people NEW to comics as a whole! Very light hearted, silly, and impactful. It’ll also help get you familiar with a lot of marvel characters without it being suffocating! You also get some good insight on Kraven from a far more modern and gentler angle. Squirrel Girl is PEAK. You’ll love this I promise

The Amazing Spider-Man # 15

This is his debute, so obviously gotta read that. It surprisingly shows how there’s alot of details that haven’t changed. Such as he still has his half brother. It’s always so cool to see where they started and how they developed now

GET KRAVEN

This is actually a story about one of his KIDS. Alyosha! It’s a really interesting comic as it’s about one of his sons, and said son is a movie producer no less. It’s quite the adventure. It also leads to a good transition to the next topic-!

The Family

Ight so, given how comics are time lines can get messy. Like “Oh this Kraven is THIS kid actually and that Kraven is another time line so-“ Since Kraven is a TITLE more so then a NAME. So lots of stories about ‘Kraven’ are sometimes about his kids in general. Comics can be confusing I know, so imma help you guys with knowing bullet point facts to help keep you grounded. I got you

Sasha

The wife of Kraven. Mother to their (four MAIN) children. Aleksandra She doesn’t really become prevalent until after The Last Hunt. Can’t spoil it but she kinda goes bat shit insane and became a horror beyond measures after the incident. Oh she can be a roller coaster.

Grim

Vladimir is the eldest, and followed his father’s foot steps the closes. Even had a run in with Spider man. Unfortunately he became a victim of his mother’s insanity, and was mercy killed by his father. His father knew this was worse than hell, and wanted to do what an every good father does. Take care of his baby

Alyosha

Second son, and honestly the most wasted. His arc as a Hollywood star is super short and soon he’s just “another Kraven” which is lame. Him being a successful movie producer/actor what have you is honestly rather important, given his uncle is a failed actor. Lots of wasted potential, so I’m shining light on him. He deserves it

Nedrocci

Another victim of “another Kraven” and his role is so small that there isn’t even much detail to begin with. Hence the lack of image. His only real arc is trying to kill his older brother Alyosha and failing. Then his uncle, the chameleon, ended up killing him. Shame. Just another Kraven and meat to grind

Ana

Anastasia, named after his mother, is the baby and daddy’s girl. Also she seems to be the only person writers remember whenever doing some kind of family story for the Kravinoff’s. Writers forget her siblings and keep making throw away characters to be her brothers. Anyway! Like her siblings her major story line doesn’t really started after The Last Hunt. Like I said, that book is KEY to Kraven. She’s very capable and independent and followed her fathers foot steps all the same

Dimitri

Dimitri Smerdyakov is Sergei’s half brother. Like many villains the origin story often gets changed for the time lines but over all his important arc is he’s always trying to impress Sergei. To prove his worth to the Kravinoff name. Even had a moment where he nearly killed iron man, to show he’s the deadlier brother. As you can tell the family is very messy

Calypso

Yeah she’s your stereotypical Voodoo Priestess. Even sacrificed her younger sister for more power. Yeah this didn’t quite age well. She is rather important because she is a love interest or his, but was extremely toxic and abusive. Men can be abused to. She is also someone who was a major factor in the climax of The Last Hunt. She took joy in what happened even. Yeah she’s…..She is an abusive woman that really damaged Kraven. A important note that men can be abused to, and that despite being so big and strong he can very well be a victim to.

Key Facts/Points

His super human abilities come from potions he’s made from herbs. So yall complaining about how he got his super powers in the movie gotta remember comics didn’t have much flavor either. Literally magic potions and voodoo magic. Like come on

His mother died due to mental illness. Aka Took Her Own Life. It’s always kept vague, but it’s made more clear what it was through The Last Hunt and what happened to Kraven

He becomes an Anti-Hero/Vigilante through Squirrel Girl. He goes by the name “Kraven The Hunter of Hunters” like that shit goes hard don’t lie

He’s a Russian immigrant that escaped Russia around the February Revolution. (It varies often but it’s always escaping Russia in a downfall) Aka before the fall of Russia into communism. So he’s OLD old, and has quite the love hate for his roots

He has mental illnesses. Not like just in general. Like it’s not stated but it’s very much implied he’s suffering from extreme depression that lead to suicidal ideations

He is a big game hunter and is highly respectful of nature and its order. He respects nature and it respects him. He believes in a proper fight with animals, and understands they’re important. By proxy that def means he believes in trans rights and LGBTQ+ concepts so slay Ally! Stay mad dude bros ((fun fact. Lionesses have been shown to grow their own manes and take leadership of prides. Lions can literally say “I’m trans now” and do it. So go my children. Give us trans Kraven headcanons!))

He’s one of Spider-Man’s main villains. He’s been in nearly every cartoon there has been, and was a founding member of The Sinister Six. Safe to assume Chameleon replaced him when he took his anti-hero arc

Yes. It was stated he was based on “The Most Dangerous Game” Hence the Russian and x y z. You aren’t crazy for seeing those connections

The Kravinoff name is from a Noble class blood line. Very rich, aristocrats, rich people life. Until Russia’s downfall arc, so Kraven has money. Depending on the plot device of course

He has arachnophobia, which leads to another motivation to kill spider man. Not only is he the ultimate prey, but it’ll also be him concurring his fears

I hope this all helps. Remember, this is just a base line. There are so many versions of him. His videogame counterpart part, Spider Man 2, is very different and has his own arc and story line. Much like how so many comics have different time lines and universes.

But that’s what makes it beautiful and fun. It’s endless frankly Kraven can be whatever YOU want, because in a way it is canon. It’s just simply not spoken, but still true

If you have any questions for like specific Kravens or just advice on how Kraven would act or such don’t be shy and ask. I plan to do a headcanon list soon and get more information out there to help people new to him understand him

Hope this helps! Thank you for reading! Means a-lot you took the time to! Thank you, and have a happy comic book reading!

[she-posts-nerdy-stuff]

Kaz and Wylan’s potential to become each other

Wow, you guys were a lot more excited about this than I was expecting! I made a post briefly mentioning this idea and it got way more attention that I was expecting, so as promised here is my explanation and I’ve tagged people who asked for it at the end :)

*WARNING: CONSTANT SPOILERS AHEAD*

Ok so the driving forcing of this comparison is rooted in the similarities of their characters and their backstories. Both of them lost a close family member, were abused by men with power over them, and experienced a form of ‘rebirth’ by nearly drowning in the Ketterdam canals. They also both experience disability; Kaz using a cane for a broken leg that didn’t heal correctly, and Wylan having severe dyslexia that prevented him from learning to read. A key difference that separates them, and arguably is a representation of the difference in the way their experiences have shaped their personalities as well, is that Kaz’s disability is a direct result of his chasing after vengeance, whereas Wylan’s disability was used as an excuse for his father to abuse him for what we as the reader see to be a minimum of eight years. (I’m assuming this because he is 16 in the book and was 8 when his mother ‘died’, which is the point that he describes he father to have “given up on him”)

I’m gonna quickly hop to parallels between Kaz and Pekka Rollins, bare with me I promise it’s relevant, which are quickly established as a key part of the novels. When Inej compares them, Kaz’s reply is “I don’t sell girls, I don’t con helpless kids out of their money” to which she gently responds “look at the floor of the Crow Club, Kaz”. Aside from this being the heartbreaking line that it is, it also does a very good job of highlighting their similarities and a similarity that they share with Jan Van Eck. When they meet the merch at the end of the first book they meet on an island called Vellgeluk, which is described as being popular with smugglers and slavers like those who kidnapped Inej. The other Crows are surprised Van Eck knows about Vellgeluk, but Kaz simply says “maybe he isn’t the upstanding merch he appears to be”. Great subtle foreshadowing for his double cross, and great establishment of the link between these three characters. In fact, Van Eck and Kaz echo each other more than you might think. Just as Kaz states “Greed bows to me, it is my servant and my lever”, Van Eck says “Yes, Chaos will come. And I will be it’s master”. In their first meeting, Van Eck accuses Kaz of murder and gambling with people’s lives, and in return Kaz points out that 1 in 5 of Van Eck’s ships will never return because they will sink or “fall prey to pirates”, so they are both doing the same thing, and that they both have the same motivations for this bloodshed: “profit”.

Now consider how often Wylan echoes Kaz, and therefore whether he echoes his father as well. They both have exceptional memories, Kaz’s being photographic/eidetic and Wylan being able to put words to music in his head to remember pages worth of infomation - this is even emphasised by Kaz being able to count cards when he gambles, saying “he could keep track of the game for up to three decks” and Jesper asking Wylan if he’d be able to apply “that trick to counting cards” to which he replies “probably. But I won’t”. They also both have impressive intellects, which could have placed them far higher up in the world than they’ve found themselves if it weren’t for cruel circumstances - Van Eck even comments on this, saying it angers him that Kaz has so much potential but does nothing with it. Then there’s their tendency to avoid being vulnerable. I think we too often overlook the fact that no-one knows Jan Van Eck hired two men to kill his son, not even Jesper, and that not even Inej knows what happened to Kaz on the Reaper’s Barge. Jesper believes that Wylan left his house as a result of his father’s abuse but that it was still his choice, and Inej has no information beyond “Pekka Rollins killed my brother” and the explanation of the con when Kaz faces off with Rollins in Crooked Kingdom. I genuinely believe that the biggest thing separating them is where they place blame for their situations. Kaz blames Pekka Rollins. Wylan actually blames himself.

Arguably, although he catalysed the events, if Rollins hadn’t conned Kaz and Jordie they still would have suffered in an almost identical way: they would both contract the Queen’s Lady Plague, they wouldn’t have enough money for both medicine and boarding, and Jordie would die. In that scenario Kaz would have still been left penniless and alone with nowhere to go, but he wouldn’t have had anyone to blame. In fact, he may have died as well because it’s really his drive for vengeance that makes him strive for survival. When he’s on the Reaper’s Barge he wonders if it’s worth trying to survive because there’s nothing waiting for him in the city, but then he realises that the chance of revenge is waiting for him, and that thought drives him to stay alive every day that follows. Without Rollins, Kaz probably would have blamed himself for Jordie’s death, and I’m backing that up with the singular moment when he’s first attacked by parem-high tide makers and has a brief “boy’s fear” that they are ghosts. He thinks, for a split second, that a ghost has come to kill him and what does he say? He says “Jordie had come for vengeance at last”. This is chapter three. We have no idea who Jordie is. With the limited information we had at the time and what we’d just seen happen to Big Bolliger, I assumed it was someone in Kaz’s gang that he had backstabbed and who has died because of what he did. But no. This single line leads me to wholeheartedly believe that Kaz blames Rollins, who realistically was only a small part of his suffering, quite so vividly to emotionally avoid blaming himself.

Wylan blames himself until around chapters 14 to 16 of Crooked Kingdom. His experiences with mental, emotional, and physical abuse have actively convinced him that his so-called ‘inadequacies’ caused a change in his father’s behaviour. But Wylan not being able to read didn’t magically turn Van Eck from a lucky family man into someone willing to try “specialists, tonics, beatings, [and] hypnotism” against his child. The fact is that Van Eck, like many abusers, is masterfully manipulative in everything he does. Wylan describes seeing his parents’ marriage as a happy one, but he also says “the argued all the time, sometimes about me. But I remember them laughing a lot too”. He’s quick to defend their relationship as if it isn’t supposed to be marred by argument and he lays blame on himself by suggesting that he was the root of their unhappiness. He also says that around Alys, Jan Van Eck becomes who he once was around Marya; a kinder, gentler man. I don’t think we’re meant to assume that he’s acting any differently with Alys in private right now, but I do think we’re meant to assume that he would have done down the line if he hadn’t been arrested (and presumably she filed for divorce). In chapter 14 of Crooked Kingdom, Wylan learns that his mother is still alive but that his father had her committed and declared insane so he could use it as grounds for divorce and marry Alys instead. And you know what happens? Wylan blames himself. He says, verbatim, to Jesper: “You don’t understand. It’s my fault”. He explains that Van Eck did this so he could have a “real heir”; because Marya produced a “faulty” child he needed a new woman to give him the child he wanted. That’s a messed up thing to think on so many levels, but Wylan doesn’t blame Van Eck because he is still being conditioned by his abuse. He and Kaz experienced different kinds of abuse, and Kaz wasn’t conditioned to blame anyone but his abuser, so that’s what he does. When Wylan does begin to blame Van Eck, he is immediately taken in by this same idea of revenge. Kaz says “you were angry. I needed you righteous” when explaining why he sent Wylan to St Hilde blind in chapter 16. Wylan was angry with his father before, but he wasn’t actively seeking vengeance. Now that he has a cause, someone other than himself to fight for? He tells Kaz “well, now you have me”.

Both of them have this potential to be fuelled by revenge or self-hatred, and although they go about it in different ways and lean towards different sides of the scale they are both balancing between those two extremes for the entire duology. Their past experiences have, and their future experiences could, tip them further either way but right now they are almost playing with the line.

Thank you so much if you’ve bothered to read this far, sorry for the long post but you did ask for an essay, so there you go. Tagging the people who asked - @kazooyay @mikasimaginairyworld @sunseeking-cyptid @moonlit-aura @alexplutoplanet @gandalfsmallnaturals @livsarthaven @goodomenstrack23 @origami-butterfly @flower-biatch @bookworm010307 @thesunniest @wherela @space-ace-thoughts @sixofbabycrows @antisocial-burrito

Sorry if I missed anyone!!!

[thefruitonyourfly]

Just read a comment under a magireco Madoka's magical girl sequence that said "now Madoka is a badass" and I was like HUH

Like did some of you watched episode 12 blindfolded and with ear plugs? Because I don't think you guys truly grasp the scope of what Madoka did that episode: The Incubator has been on earth for a MILLENNIUM, meaning that has been thousand of girls before Madoka who have tried to outsmart his system and met a terrible fate for their attempts, but only Madoka has been able to beat him, do you guys understand that? The smartest and strongest girls have tried, but something always thwarted their plans—be it their potential not being that high or Kyuubey twisting their words so it would be in his favor instead—But Madoka had something they didn't and it was her circumstances (Homura and the timeloops), Madoka knew her wish would come at a great sacrifice, but just like Homura said in Rebellion "She rose to the occasion" because she knew it was something only she could do; No one would ever have the perfect circumstances to make that wish like Madoka. So, she did it.

When Madoka made her wish and Kyuubey hesitated for the first time in the series because he understood the implication of it, Madoka said to him: "Now, grant my wish, Incubator." When Kriemhild Gretchen was born and Kyuubey thought he had the advantage back again because this witch could literally swallow a planet and Madoka killed her with one shot. Madoka won, essentially. Like her system isn't perfect, Kyuubey isn't dead, and there's still suffering, but it was the best wish for the magical girl kind as a whole, and all improvements are only possible by what Madoka did here. She played within the Incubator's system and rewrote it. She is the most powerful character in the whole franchise and arguably one of the most powerful characters in anime. "But didn't Homucifer defeated Madokami?" Well, sort of. Homura's win is, ironically, also due to extreme circumstances, only Homura could've done that and only within this one scenario: and even when she won it's heavily implied that if Madoka even has a slightly moment of deja vu it's over for her, she can't win against Madoka on fair terms so even Homura herself can't achieve that feat again. That's just how powerful Madoka is.

Do you guys understand that?

And here's the thing: my problem with that statement isn't even that I don't think magireco Madoka isn't as cool as Madokami, I think she's badass too. Is just like, I thought we all thought Madoka was cool as herself?? Like even without being a magical girl or a fucking godess, Madoka was cool as shit. When Madoka risked her own life to save the lives of her friends and strangers at the warehouse? She had no powers, no backup, and had just watched Mami die to a witch and yet she still followed Hitomi. But people only want to see Madoka's character as what the witch showed her afterwards, her own survivors guilt and perceived weakness and cowardice over wanting to live and not be a magical girl despite what she promised Mami, and yet the scene prior to this conflicts with this idea. Madoka not only can risk her life for others and save them when the need arises, but she already has. Even without being a magical girl. It's just who she is. This, to me, is one Madoka Magica's core strenght as a show that Madoka spent the majority of it being the most "powerless" in almost every scenario and yet she still tried her best to overcome things, even when it didn't work It was never worthless, if anything it proved her own strenght of character and without it she would've never gotten as powerful how she is today.

If Madoka hadn't been kind to Homura on her first day of school, if she hadn't done the simple act of reaching out to someone she thought was kind shy, none of this would've have happened. Her kindness did this, not any other power.

My favorite thing about Madoka's character arc is that Madoka starts as a very naive opmitimisc girl and with a somewhat sheltered view of of the world, then she goes throught horrors few can understand and while she could (understably) become bitter with the world and grow to despise it, Madoka comes of it realizing...she was right. Madoka has felt the pain the world could give her in her own skin, has literally died, and she now thinks Hope is needed more than ever. And it saddens me a lot when people don't understand how strong and cool she is because of that, to be hurt and choose to be kinder and more understanding to yourself and the world in return, because the world can be better we just can't give up...

Basically what I'm saying with this that if you don't like Kaname Madoka, fuck you—

[conundrumoftime]

As promised to a few people, the finally finished post about why I enjoy thinking/writing about Celeborn in a Haladriel context. 

[short note to say: this is me, talking about what I personally find interesting/fun. I am not interested in trying to prove anyone else’s likes and preferences right or wrong and I firmly believe that transformative fandom has infinite space for ideas. I won’t be disclaimering every single thing in here with ‘for me!’ and ‘ymmv’ and ‘obviously not everyone’s into this, but personally’ and so on, but the fandom’s been so weird about fandom things lately that I’m adding this here at the start.]

So I am deeply into Haladriel as a ship (this is probably not a huge surprise after two years and 30+ fics). And I’m also really interested in Celeborn, mainly from a books perspective - for now at least! - but also in the potential of him turning up in TROP. And the thing about this is, for me: I can write and chat and think about Galadriel’s relationship with Celeborn without Sauron being much of a factor at all, but when it comes to Haladriel as a show ship it always comes with the spectre of her missing husband there at the back of my mind.

This works great with my general shipping tastes. I don’t care much for love triangles in the traditional ‘heroine must choose between two romantic interests’ sense, but I love ships that get tangled up in each other; I love established relationships being complicated and interesting; I love conflicted feelings and divided loyalties. So it is very much a feature, rather than a bug, to be thinking “but she’s married and the husband’s going to come back at some point, so where does that leave this ship?” Because that’s the fun question: where does that leave this ship? 

When I’m writing Haladriel, Celeborn intrigues me in his absence. I like thinking about what fleeting thoughts Galadriel might have about him, and how that fits in her head with how she’s thinking of Halbrand (before or after she learns who he is). When she describes Celeborn to Theo, her memory of him seems very bound up with her memory of her younger self - they were happy, there was dancing in flowery forest glades, she didn’t really think the war would affect her - and it feels like she’s mourning that younger Galadriel as much as she is Celeborn. 

So how does the idea of feeling close to someone else now, feeling desire for someone else, sit with that? Would she feel guilty? Would she find herself comparing who she is now and who she was then? Does anything she feels for Saurbrand remind her of how she felt about Celeborn - the attraction, the bickering, the sense of being really deeply seen - and is it “this is so different” or “this is disturbingly familiar”? And if it’s the second one, how does she process that with the knowledge that this guy is Sauron? 

And he also intrigues me in his presence, and all the possibilities that creates.

At the moment in TROP canon Celeborn isn’t there. With the exception of Galadriel’s “and my husband” lines to Theo, he isn’t even mentioned. He’s been gone a very long time and it’s unlikely any of the characters we’ve met would have ever even met him other than Galadriel and possibly Círdan (and given that Adar mentioned Melian, possibly him too). Galadriel thinks he’s dead, an entirely reasonable assumption for a soldier who didn’t come back from battles that looked like this:

Which feels like a deliberate echo of the First World War that Tolkien fought in (another one I can think of is the Númenorean volunteer soldiers going off to war through cheering crowds): 

One of the many newly awful things about that war for Tolkien’s generation was the sheer number of the missing, soldiers who were never buried at all or whose graves say ‘Known Unto God’. The Menin Gate memorial to the missing has fifty thousand names; the idea of the Tomb of the Unknown Soldier came about after this war, a way to give a grave and a funeral and a ceremony to one soldier who stood in for them all. So the idea of a character who went away to the war and then was never seen again feels fitting.

But the thing is, we know Celeborn isn’t dead. We know he’s going to come back because unlike the characters, we know what happens in LOTR; we know this show’s set up as a prequel; and we know the Tolkien estate has rules in place about how far it’s allowed to diverge from where LOTR ends up, including ‘no killing off characters who don’t canonically die then’, so he’s almost certainly coming back in the show itself. 

So in show canon Galadriel will end up where she ends up in canon-canon. (This is not a show prediction (although I do have those too!), I’m talking about where her story ends up by LOTR). She will have Celeborn back; she will describe him as someone who has stood by her for thousands of years while they have ‘fought the long defeat’ together. And she will be leading the fight against Sauron in a very personal way, stuck in mental warfare with him, ‘ever they strive now in thought’ - and in TROP fic where I’m playing about with that connection as an interpersonal one that goes back to Halbrand, well, what does that mean for her and her returned husband? 

So I like thinking and writing about how those two people and two relationships sit together in her head. I like thinking about how much Celeborn must know about it, three thousand years later. (I joke about Celeborn occasionally being her answering service when she wants some time off from the mind-battle: sitting by her Mirror reading a book with his feet up, saying ’She’s busy just now, please leave a message’, or joining in with the ‘fair as the sea and the sun…’ in a slightly bored tone when Sauron tries to shock him with it. He fell in love with rebellious “I don’t care what the gods say” First Age Galadriel, he knows who he married). 

And for both of these, I find the relationship that TROP has set up for its take on Galadriel and Celeborn to have such potential for playing around with in fic. (Canon might let me down! But there will always and ever be AO3.) Because they’re not the two people they were, so they will to some degree have to get to know each other all over again. How do you reconcile someone who exists to you as a memory with the reality of them back now but changed maybe just as much as you’ve been changed? We know where they started, and we know where they end up, but this whole middle bit of their relationship in TROP canon is hugely uncertain and there are so many intriguing and wonderful ways it could play out. 

And I like thinking about what other angles the presence of Sauron adds to Galadriel and Celeborn’s book interactions, in this take on the story. She calling him “giver of gifts beyond the power of kings”, he calling her his “treasure”, which in his Sindarin would be ‘mîr’ and so could be equally translated as ‘precious’… Because, if he comes back in TROP canon when Sauron is still a very active adversary and antagonist, then they have to rebuild that marriage with his presence as this huge weight that’s just There. What has he been to them both? And where might that go?

[hellslayersomething]

I feel like I should write out some proper thoughts about my opinions on Veilguard, or at least an outline for the much longer essay that is currently calcifying in my heart. It's a mixed bag of a reaction, and I'm not going to compliment sandwiching any of it--this is all just stream of consciousness, so I'm probably going to snag on the negative and spiral down that pretty quickly. Spoilers, obviously:

I liked the battle system. For the first time in a DA game, it actually felt satisfying to play and had its own identity. I do wish the Pokemon element aspect was a little better balanced among the companions, but overall it was great.

That said, considering the length of the game, they needed way more enemy diversity, especially with the bosses. Eventually I was just fighting dragons, and every dragon had essentially the same moveset, one of those moves being "the dragon trips over her own dick and face-plants on top of Rook", which sure doesn't make the fights feel epic. Even very unique characters, like the Gloom Howler, were just reskinned basic demons when it came time to fight them.

The decision to tie companion approval to companion levels was a mistake. A massive and extremely obvious mistake. No wonder there are no disagreements or tension among the group--the game can't let you lose affinity with your team members, because then it would have to account for you leveling them down. The gameplay design here strangled the narrative design in its crib.

Speaking of narrative design: while I appreciate that the modular approach to companion arcs was experimental, it was extremely weird of them to take that approach in the only DA game where all companions are required. The story doesn't have to be written to account for the fact that you might not recruit some of them or they might die early--so why didn't they write one story about Rook and their seven friends instead of one story about Rook and also there are seven smaller, unrelated stories of extremely varying quality shoved in next to it?

The hyperfixation on the companion quests paired with their complete compartmentalization from each other means that each companion basically has nothing going on outside of their own quest and very few opportunities to engage with other characters' quests.

I was so starved for conflict in this game that I went from Solas-neutral to Solas-positive because he was the only character who the game allowed to be a bitch to me, and I respect him for that.

I do like all the horrid little sons the game gives me. I think I would appreciate them more if there was anything bad or tense happening in the story on a personal level that required some comic relief, but I am a sucker for a funky little guy none the less, and Manfred, Assan, and Spite are the perfect trifecta of funky little guys, as far as I'm concerned.

"We're only going to do character cameos if it's important to the plot." *does what they did with Isabela* Okay, devs.

"We aren't importing player choices but we won't override your decisions either." *several codex entries overriding player decisions later* Okay, devs.

I like the companions, generally. I see their potential. Fanfic will do right by them. Harding, in my mind, is the weakest of the bunch, just truly having no personality to speak of and talking like she was written by a Boomer who thinks that Millennials are still teenagers. (Everyone responsible for her uttering the phrase "Awkward..." like she's a character in 2011 quirky girl sitcom should be tried at the fucking Hague, istg.) And while I like Bellara, it was extremely frustrating to have a character that's just "Merrill, again, but with the edges sanded off". Taash and Emmerich are also glaringly the last additions in the writing process, each belonging to one of the two most underbaked factions and neither of them being tied to any of the game's few "big choices". There's promise in this cast, but I don't think any of them came close to realizing their potential.

Davrin and Emmerich's companion quests felt appropriately scoped to the size of the questlines, had good emotionality, good antagonists, and expanded on the lore of Thedas in ways we hadn't seen yet.

Lucanis's companion quest had potential, but it was too unfocused with three antagonists, too much attention to the boring Venatori shit, and not enough examination on Illario's motives or Lucanis's relationships with either Spite or Illario.

Harding's companion quest was fine, I guess (the people are starving for dwarf lore), but Harding could have been swapped out with literally any other dwarven character who wasn't Sandal and nothing would have been different. (Also weird that the whole quest was basically about Sandal while simultaneously fully removing Sandal from the narrative.)

Bellara and Neve's companion quests were just nothing. Just a whole lot of nothing. And Neve's also suffered from what I like to call "machete editing", where it is glaring obviously where things were cut, changed, moved around, and added at the last minute.

I say, from the bottom of my non-binary heart: Taash's companion quest is total ass. Real nice of Mae to come out of hiding and risk being found and executed by the Venatori to give Taash a Queer Theory 101 class, though, I fucking guess.

Is Lucanis's romance bugged? Apparently I'm not the only one who had that thought while I was playing it, so now I'm wondering. Like, there's no way they made it Like That on purpose, right?

Why and how are the Venatori still a force in Thedas, never mind a force with numbers so great (in spite of lacking a central leader) that they were able to simultaneously occupy the two largest cities in Thedas?

They literally didn't even try with the Antaam. The Venatori are at least theoretically still working to try to restore Tevinter to its former imperial might. The Antaam are just invading countries for literally no reason except ill-defined power grabs. Given the racial coding of Qunari, this writing choice sure is...something. (And that something is racist.)

That said, the revelation that the Butcher did a military tour in Europe and fell in love with the culture and just wants to drink wine and visit art museums now is fucking hilarious.

What the absolute FUCK did they do the Crows. I like the Crow characters from Tevinter Nights/the comics, and Zevran is my favorite character in the whole damn franchise, but they completely whitewashed both TN's mafia take on them and their original portrayal in DA:O. But it also doesn't really retcon anything, making it instead seem like the human trafficking and torture and sexual abuse that Zevran suffered at the Crows' hands A) only happened to him individually, and B) are fine, actually??? Even the very few times that characters express reservations about working with Lucanis because he's an assassin, if you play as a Crow, those concerns get immediately backpedaled, so the Crows end up being so ironed out that the game doesn't even let characters say of the Crows, "Murder is bad," lest it hurt a Crow Rook's feelings. That is how conflict-averse the writing is.

So I guess everyone in southern Thedas is...dead now? Several characters survived long enough to get a mention from the Inquisitor, but by the end, it sounds like Orlais, Ferelden, and most of the Free Marches are pretty much donezo. When Epler said the events in southern Thedas didn't matter, I didn't expect that to mean they were going to nuke the damn place. Even having generally enjoyed VG (in spite of all my criticisms here) that, uh...doesn't leave me enthused about the future of the franchise, ngl.

The layoffs of several writers (and other Bioware employees) before the game's release was obviously heinous. But after that secret ending, I'm now of the mind that of the writers that remain, at least a few of them need to be demoted. Like literally what the fuck was that. That was the dumbest plot point to ever appear in a Dragon Age game, and that is a high bar to clear. If you're not going to acknowledge our past choices, then keep Loghain's name out of your fucking mouths.

[xerith-42]

Why Blaze is MyStreet's Most Failed Character

Blame the big bang discord for this post, I wasn't gonna write it until those fucks encouraged me.

Anyways here's an entire essay about why Blaze is the most wasted character in the entirety of MyStreet and I will literally fight Jessica and Jason Bravura with my bare hands.

To get us started on our harrowing tale of wasted potential and the best improviser Jessica ever hired, we need to go back a little. Back to Phoenix Drop High Season 2. We won't stay here long, I promise, I hate it more than you can possibly know. But the single saving grace of this absolute mess of a season is ya boi, Blaze. Introduced in the 18th episode of the season, airing on April 12, 2017, with the airing of Phoenix Drop High Season 2 Episode 18, Blaze was a character who started his brief tenure series with a bang!

Literally dude showed up and the first thing he ever did on screen as a character in a piece of media we can engage with is throw someone out of a window. We do not know this mans name yet and he's already left a lasting impression. Sure throwing people out of a window is common in werewolf culture, which I don't care what you say that's objectively funny, but it is bold to start a characters entire introduction with that. Blaze comes out of the gate swinging before he's said a single line.

And then after introducing himself he throws a dead bird at Aphmau to show off his hunting skills?? Okay so he's just that fucking weird and overly enthusiastic about things I guess! That's amazing! MyStreet always shines when it just lets it's characters be fucking weird without making a big deal out of it or talking them down for it. Dottie even says that it's romantic which is again just a great showing of Blaze's enthusiasm and lack of what might appear to be common social decorum because of said enthusiasm.

This is all punctuated and brought to a hilarious breaking point when Blaze's final showing of why he should be the new top dog at his school is when the crazy mother fucker rips his shirt off to literally flex about how he's one of the hottest guys in the school. And I'm going to be real with you, given Blaze's later characterization as a himbo, I'm pretty sure he doesn't actually care about this. He just says it because he thinks it'll boost his chances. Blaze is later shown to be a character willing to throw away his reputation for the things he cares about, but he does get a rather sincere moment with Aphmau, even if she's blushing the entire time.

It shows that Blaze is not only physically affectionate, but also weirdly comfortable with his shirt off. Because this is purely objective character analysis I will not be shoving my Blaze is autistic and has sensory problems with things touching his chest propaganda down your throats, but now that I've mentioned it once you won't stop thinking about it when this comes up.

The show admittedly fumbles the bag a little by having Blaze say in his internal monologue that he thinks Aphmau is cute and acts kind of like a tsundere, but this is Jesson writing so there's always bound to be a bit of That Shit. But in spite of that, Blaze is a character who has an instant impression that leaves a lot of room for comedy potential, and just good ol' fashion silliness. And while the werewolf plot of Season 2 is... bad, Blaze and the Werewolf Pups are stand out characters in the sense that their characterization leaves a lot of potential if they're in a different, better written story.

And even if the arc is bad, Blaze still is a quality part of it. His shallow but hilarious initial characterization gets built on in some really solid ways. Namely in how he acts as a force for good in Aphmau's life even if she doesn't realize or give him permission to do it. This entire season is about how the different men in Aphmau's life handle helping her in a crisis, and funnily enough, in a season centered around Aaron literally overthrowing Aphmau's new love interest, Blaze is the one who was consistently doing what was best for Aphmau.

Aaron fumbles the ball more than a few times, Ein is shown to be actively malicious, and Kai gets hate crimed. But Blaze, who's barely even a contender in this ship war, is constantly working to actually make things better while everyone else is pulling Aphmau away from what actively matters about her position. While Ein is manipulating her and Aaron is trying to prove that, Blaze throws caution to the wind and just does what he thinks is best to restore order.

But more important than that end conclusion is his true goal of standing up for Daniel. A wolf it is established he barely knew before this year, that Blaze is willing to throw his reputation and standing in a bull shit hierarchy because he's seeing how this hierarchy is hurting someone who doesn't deserve it. Blaze is the one who is baring his fangs and willing to throw hands when Daniel cowers away from bullies. By the end of the season Blaze has been given adequate screen time to not only show off his fun and maybe a tad out of touch side, but he's been given a real level of sincerity that's tied into the things he's enthusiastic about. He loves being a werewolf, and he extends that love to all the werewolves around him, until they start being dicks to other werewolves who are literally just sitting there.

At the center of Blaze is that inherent goofiness though. He's always cracking jokes, or the joke when he's on screen, and in a series that was originally pitched as a light hearted slice of life comedy in contrast to MCD's general misery, that sort of character is needed to keep the tone. Such is show in episode 22 when Blaze is reading a book on the Scientific Method to just learn more about science, but realizes the book is upside down.

But he actually understood it enough to properly apply the scientific method to this situation?? Iconic. It's played off as a joke of Blaze exploiting a loophole to get out of class, but even that's pretty smart honestly. Blaze may be a dumb ass but he's always willing to cheat an unfair system.

Episode 22 is basically a Blaze centric episode, which I did not expect, but now that I'm rewatching it for this post it might be the reason I love this character so dearly. It's not only the episode where Blaze manages to learn the Scientific Method upside down, but also stands up for Daniel in a really substantial way. Blaze is loud, enthusiastic, and strong, all traits that are celebrated by werewolf culture, and whether he realizes it or not, him just being around Daniel can do a lot to get bullies to back off. Everyone has seen Blaze toss a mother fucker through a window, they do not want to be on the receiving end of that.

He spends the rest of the episode trying to figure out what Ein's deal is when he hears that Ein went behind Aphmau's back on werewolf matters, landing Daniel in this situation. He hears Ein actively plotting against Daniel, but that is normal werewolf behavior. He concludes that he'll keep an eye on Ein. And this through line of "normal werewolf behavior" informs a lot of Blaze's decisions once he comes to the conclusion that Ein sucks and deserves to be undermined. He resorts to letting his actions speak louder than words and goes to violence after realizing that the wolves aren't listening to reason, they're listening to instinct.

He fights fire with fire, and while Aphmau might not approve, it's more effective than her soft rhetoric has been in getting people to be less of jackasses. This eventually lands him in hot water where he steps in for Daniel after Ein tries to get his goons to beat him up, and even if Blaze is fighting in a five v one, he still goes down swinging. And I'll say it, I think it's sweet that he calls Aaron after this happens. While it's clearly meant to be a thing of Blaze calling the last alpha because he's probably the only person who anyone will listen to, there's an important detail I think is easily overlooked.

He has Aaron's number.

He says he got it from the werewolf pups, but that means that Blaze went out of his way to make sure he could contact Aaron. He's the reason that Aaron even realizes Ein is playing all of them. Blaze is the catalyst for his undoing because unlike Aaron who's nearly imprisoned, heartbroken, and been hesitant to act in the plot as a result, Blaze doesn't actually care that much if Aphmau currently likes him because he's more worried about her physical and mental well being than whether she wants to kiss him or someone else.

How many Aphmau love interests can say that?

Can any of them say that?

Blaze can.

Blaze actually consistently shows a level of selflessness that's unfitting of how I've seen some people characterize him. He gives up his real chance to be Alpha because Daniel is so compassionate and earnest and genuinely deserves it. Blaze wants to believe in a future lead by people like Daniel and Aphmau where he might not have to keep fighting people to keep things sane. Blaze constantly gives up his pride, his power, his safety just to make sure that his friends are taken care of, or to effect real change in a school he's about to leave.

It wouldn't be long after Phoenix Drop High Season 2 ended that Blaze would make his debut in the main series My Street in the second episode of Season 5, airing only a few days after the end of Phoenix Drop High Season 2. Just like before he really shows up with a bang, literally throwing himself through the air between Lucinda and Kim just to catch a frisbee because Blaze is the most extra mother fucker ever, and then immediately proceeds to flirt with them. Iconic as ever. Short but sweet.

It's in episode 3 that it's revealed that Blaze and the werewolf pups kept Aaron company during his rehabilitation year. But from the way it's worded it sounds like Blaze was called in before anyone else by Aaron's parents. Based on the way they talked and actively planned together before, I wouldn't be surprised if Blaze was the first person who came to his mind when Aaron thought of a werewolf friend.

I think Aaron reached out to Blaze when he needed it.

And even though I've previously stated that I don't think Aaron's parents initially liked Blaze because by this era he's old enough to fully take on his persona as the cool stoner friend who's also a little insane in the most charming way possible, he has a good impact on Aaron. Aaron likes being around him, and maybe they smoke weed to help Aaron relieve some of the lasting pain when no one's looking.

Regardless of his methods, Blaze does an ultimate good in Aaron's life as a result of being there for him when he needed it. So much so that he was invited out to Starlight and is shown to be one of Aaron's main pillars of support. We are given scarcely little of this actual friendship, which is where the problem lies. While before Blaze was a surprisingly engaging part of an other wise terrible story, at least in season 5 the story is a lot slower and character focused. And Blaze can work in these moments, we saw him have real moments of sincerity before.

He gets some of it, but the issue is that Blaze isn't allowed to be alone anymore. The cast of MyStreet is huge, and Blaze is a character who is making his second major appearance, while some characters in the cast have been present since literally episode one. It's hard to justify giving him solo screen time when he's been in the series for such little time and we barely have enough time for certain significant characters to really have arcs (Lucinda). Most of Blaze's scenes are scenes with at least four other characters on screen, he's never allowed screen time without at least two other werewolf characters attached to him.

I don't object to Blaze hanging out with his friends, or even making new ones though out the season but... Would it kill the writers to let him have a scene with Aaron? Like. A single scene. Where it's just Blaze and Aaron. I mean just Blaze and Aaron without Aphmau there. They've done this before. They did it in the season Blaze showed up in. Just one scene where the two of them get to talk about literally anything would do so much. Even if they talk about Aphmau, it's better than nothing. It would strengthen both of their characters so much to be able to get a scene where they talk to each other not as conspirators who kinda know each other, but as real friends supporting one another.

Show that even though Blaze said Daniel was more compassionate than he was, Blaze still is a compassionate and even empathetic person. Show why Aaron was grateful to have him during his recovery. They have those scenes of Aaron at physical therapy, right? Why not have Blaze take him one time and just show how they interact then? The possibilities with this unrealized idea are endless, and that's genuinely upsetting. Opportunities like this present themselves every time Blaze makes an appearance, they even tease me by giving me scenes where Aaron is alone with a character he has little to no connection with, Maria.

Maria was a foil for Aphmau. And Ein was a foil for Aaron. And Blaze was a foil for Ein. There is no reason for Maria to really have a rapor that matters with Aaron. He doesn't really know her that well, she's clearly a friend by association, and it seems like an odd thing to focus on when Blaze is LITERALLY RIGHT THERE IN THE BACKGROUND OF THIS SCENE.

Why won't they let Blaze talk to Aaron? It's so infuriating. The closest we get is in episode 7 when Blaze attempts to calm down Aaron, but he's shown to be ineffective and it comes down to, of course, Aphmau being the one to talk him down. I swear to Hatsune the writers are making fun of me at this point. They're going "Oooooh you want Blaze to be an actually helpful and supportive figure in Aaron's life soooo bad." AND I DO!

I'm serious when I say the show is teasing me. I've been skimming through Season 5 and only watching the episodes when Blaze is on screen, and so far he has never been in a scene with less than 4 people in it. Never. And even in scenes where he gets to be at least a focal point, he's always limited because he has to share that moment in the spotlight with FOUR OTHER CHARACTERS.

Episode 14 is a great example of this. When the werewolf gang gets told they aren't allowed to eat at a restaurant because they're werewolves, Blaze makes it abundantly obvious that he's put up with this before and really doesn't feel like being hate crimed on his vacation. And he knows that actions speak louder than words and therefore joins Maria in saying they should "teach this establishment a lesson." Personally I think Blaze would've just thrown the manager through a window only to realize it's an outdoor establishment and throw him into the ocean. Which would be objectively funny and deserved because that owner was being cringe and racist.

I love the conversation that happens because it shows the unique way that Aaron sees things from passing as a human for most of his life. This has never happened, but he knows that further acts of violence as a result will only make it happen again. This is a great scene for Aaron. Not really good for Blaze, and the next scene makes him worse. I love the detail that Blaze is an instinctual person more than a planner, but it feels wrong that he doesn't even let Aaron consider planning. I know he wants Aaron to be more spontaneous but he should have more awareness of his friend and his habits and be able to accommodate it, not talk over it.

But it's Jesson, so misunderstanding even their simplest character is par for the course. At least episode 15 gives me Garroth and Blaze talking in the background, and I'm starved for good Blaze content, so I was eating this shit up. The problem with watching MyStreet this way is that Blaze... Just doesn't get a lot of moments... At all. There are some episodes where he doesn't even speak at all, and when he does get to talk in episodes, he gets a few lines in one giant ensemble scene.

I don't object to a show having an ensemble cast, or even a lot of characters with a few central ones, but it really is a detriment to the show that Aaron never gets a scene alone with any werewolf he isn't related to. Nana gets to talk to Blaze when she's having a crisis of her relationship history and experience, but it's just so Blaze can tell her the opposite of what she wants to hear. It's not a scene that feels like it was written for Blaze, because it wasn't. It was written for Nana.

And before some jack ass says it "Blaze is a side character he's not supposed to get a lot of focus" and I'm not asking for a lot. I watched every scene he's in in PDH to prove that it works

BECAUSE IT DID.

Blaze showed up officially in episode 18 out of 30, and he wasn't in every episode after his introduction. But the writers gave him a solid introduction, one good episode that spent most of its run time with him, and really good moments throughout the rest of his time in the series. All I'm asking is that Season 5 at least give me one of those things. Either a good episode where he and his relationship with Aaron is brought into focus, even if it's used as a vector to study Aaron's character, or just more sincere moments for him.

It feels like Blaze is a joke character now when he previously made it very clear he's far more than that.

And then they just forget about him. During the first part of the 3 part finale Blaze is there. He's the one who got everyone to gather at the docks because an mf wants to eat some scrumptious food. But when Aaron sees Ein and starts freaking out, Blaze is literally just not in the scene. At all. Not even as like a throwaway of someone who could've helped but failed, he just is not in the scene at all. It legitimately feels like the writers forgot about him entirely.

Blaze the minute the plot shows up:

He's there after Garroth gets turned and was apparently at Garroth's bedside trying to calm him down which I will be thinking about. A lot. I'll be thinking about how we deserved to see or at least hear some of it, about how the writers continue to tease me with an interesting scene that involves my favorite little fucker, about how heartbreaking it would have been to see Blaze and Melissa try to calm Garroth only for him to scream in pain and try to push them away only to reveal that Zane and Nana are able to hear the entire ordeal downstairs and Zane is panicking when he hears his brother screaming in pain. Just thinking about what we could've had if the writers actually cared about any of these characters.

And then after that he dies.

I'm not watching any of When Angels Fall because I know what's good for my health. I know what happens in Season 6 Episode 9 and that's all I need to know. It doesn't matter if the writers may have finally given Blaze an emotional scene, it doesn't matter if they finally gave him even a hint of character development, it doesn't matter if he made a connection in a real way. Because no matter what he did the result is the same. No matter what quality the writers might've pulled out of their ass, it would ultimately be in service of one end. From the start of this season these writers knew what they wanted to do. They wanted to up the stakes and add more drama to the show, and they wanted to do it by killing Blaze.

And I think I know why.

This is 100% a limited view, but I was on Aphmau Instagram at the time that this season was airing. And I ran a Blaze fan account. I talked to a lot of MyStreet fans during this time and I was constantly upset and disappointed that people didn't understand Blaze's character, or just didn't appreciate it as much as I do. Most people liked Blaze on a very surface level, or because he was attached to another character they liked. I found very few people who genuinely cared about him as an individual, probably because Blaze stopped getting scenes alone by the end of PDH, and because the Aphmau fandom (at the time) had more of a focus on shipping than character work and quality. Blaze was easily shippable with a number of characters, canonically shipped with Dottie a little, and had enough characterization that people cared about him, but not enough to get a large dedicated fanbase.

He was the perfect one to kill.

Enough people liked him because he was hard to hate, he was stapled onto Aaron's character with little regard for a story of his own, and his death could be eventually inconsequential. And it was! Blaze's method of dying is so bad it makes me physically angry!

I know the whole story for the last few seasons has been all about Forever Potions and turning people against each other, but just mind controlling Blaze and having him die while under mind control is such such a missed opportunity. There's been a disappointing lack of proper Aaron and Blaze friendship content, but they could have made up for it in this scene with just a few tweaks. Just have Blaze not be mind controlled at the end. He can still go on that rant about Aaron being the cause of all the bad that's happened, but then the words start to become... disjointed. Jilted. As if Blaze is struggling to say them because he knows that they're wrong. Aaron's his friend, there's no way he'd say that about him.

Have it break.

Have him look at his friend in a worse state than he's ever been in, and instead of approaching him with intent to harm, it's intent to heal. A final attempt at getting through to Aaron. And like the times before, it doesn't work. Aaron's angrier than ever and he isn't seeing or thinking straight thanks to Ein's bull shit. All he can see is an enemy in his way. Maybe he sees Blaze's eyes but Blaze's green eye is still Emerald Green, even if the control broke for a moment. Whatever reason, Aaron still attacks.

He doesn't realize that Blaze wasn't trying to hurt him until it's too late. Aaron's anger already ruined a friend's life, it already pulled all of them into the hell they're in, and now it's killed one of his best friends.

ONE CHANGE. THAT'S ALL IT TOOK. ONE SINGLE CHANGE TO MAKE BLAZE'S DEATH ACTUALLY MEAN SOMETHING.

Ideally I'd like it Blaze just didn't die at all, least of all before the finale, but if you're going to kill him off unceremoniously at least make it have some emotional weight. You've been neglecting him for an entire season and now you just kill him off? Just like that? Oh he gets to show up in heaven? How nice. Is it a scene where he gets to express regrets, remorse, or even give any insight into his feelings?

Of course it fucking isn't! Are you kidding me, that's not even close to what happens. I said i wouldn't watch When Angels Fall but

I LIED!!

I watched Blaze's death scene and his scene in heaven to make sure I knew well and good how badly they failed to kill off my favorite character! And man, the scene in heaven is just the worst! Blaze does a genuinely kind thing for Aphmau and decides to stay with her when she's alone because he doesn't want her to hurt. He saw how much pain Aaron was in without her. He just wants to fucking help her.

But Aphmau's too self absorbed to realize that and instead goes on a whole rant about how she always needs other people to take care of or protect her and how everyone else would be better off yadda yadda. What she doesn't realize and what Blaze eventually gets to tell her is that people were around her and took care of her because they just wanted to. Because she was nice to be around. And they never expected anything else, and never saw her as a burden.

And that's actually a really nice moment. Sort of. There's two major problems. First, Blaze gets cut off from telling Aphmau this at first because Irene has to go on a whole rant about Aphmau being selfish. And she is right in everything that she says, but it feels weird for Irene, who literally doesn't know her, to be making this judgement. This scene should have been Irene observing a conversation between Blaze and Aphmau were Blaze just tries to make her feel better.

And that would hopefully solve problem number two. Which is that what Blaze says is very genuine and heartfelt, but severely handicapped by the fact that he and Aphmau were only friends for a short period of time in High School, and an equally short period of time within the last few months. What Blaze says about why he likes being around her is true, but it would have a lot more weight if there was a chance for Blaze to have been around her as a friend more.

Fuck it, if you need Blaze to be on screen with at least two other characters, why was there never a scene of Blaze, Aaron and Aphmau just talking? Would a single scene of that fucking killed you? Just one scene would have made their friendships a lot more solid and therefore heartbreaking to lose when it gets torn apart.

Third problem, the scene ends with a focus on Irene. Blaze's words echo in her ears, and remind her of her friends. And I like that idea because I'm an absolute sucker for MCD, but it takes the scene away from the focus. This should be a scene about one of Aphmau's friends encouraging her to not give up even if it all seems lost. At least don't let her death be in vain by saying such awful things about her friends while they may be grieving. But Irene is brought into focus again because the show isn't about Blaze, or Aphmau apparently, I guess her Aphmau Main Character Powers overrides Aphmau's. She has more experience with them.

Blaze and Aphmau's very heartfelt dialogue is brought down by the fact that these two characters lives didn't intersect very directly out of high school. Through the course of Season 5 I never got the idea that Blaze was Aphmau's friend. Not to say they weren't friendly, I think Blaze adored her just as much as he did in high school, but as a viewer I was never shown that they cared particularly for one another. I believe that Blaze sincerely cared about her even after all this time, but that's not because of anything the writers did with him in these seasons. It's just because that's the kind of person Blaze is.

But their friendship not being strong really weakens the scene. This is a scene that I know for a fact worked as intended when I watched it as it was coming out. I was an overemotional mess of a 15 year old who hated how this series was going but kept watching it because it was almost over and I might as well get it done with. It pulled on my heartstrings and they sang and I cried. I cried a lot. This scene made me incredibly emotional, and it still got to me as an adult, but the devil is in the details.

Blaze and his arc might work on the surface. They work if you don't pay that close of attention to it. They work if you care more about the characters he's constantly around more than Blaze. And when I first watched Seasons 5&6, I still had a very deep attachment to a lot of these characters, especially Melissa, who he shares a lot of scenes with. So I felt... satisfied? I would've liked more, but I probably wouldn't have complained about what I got (his death scene not withstanding I always thought that was bad).

My my, how the times have changed.

If it wasn't obvious from the four thousand or so words you just read, Blaze is a rather unique case of these writers failing as writers. A rather unique case where the perfect character to fix a lot of problems with their show practically jumped up in the air waving his arms around and they still brushed past him to focus on a predetermined story he was shoved into. I don't think the writers ever really had a plan for where Blaze would go or what he would do.

A lot of Blaze's best character moments are when he isn't being written by Jesson. The reason I love the minigames so much is because there, Blaze's incredibly talented voice actor Jason Lord is actually really funny and pretty good at improv. Obviously some bits of the mini games are scripted, but a lot of them are just seeing how much voice actors can get into their characters, which he's fantastic at. A lot of Blaze's funniest moments come from this too, which is great when the writers turn him into a comedy character but the characters voice actor is funnier than they both are and is only a funny character when they don't have direct control of him. Lord is able to bring life to a character who may have been lacking it due to the simultaneously focused and unfocused way the series was written.

Blaze is proof of what happens when writers don't bother to develop their characters beyond the outline. The draft notes for PDH Season 2 said "there's going to be a wolf character who tries to become Alpha and instead stands up for Daniel when he's bullied." and then Blaze was born. The writers gave him some characterization as a treat to make the story work better, and then were done with it then and there. We fleshed him out enough, good character, time to put him in season 5 so people stop criticizing us for not giving Aaron enough friends.

But the problem wasn't a lack of quantity in friends, it was a lack of quality. It was a lack of scenes that let Aaron interact with other characters without Aphmau present. It was a lack of characters to point to that were real emotional connections Aaron had that weren't his last minute family or his girlfriend. It was a lack of attention given to the few characters that could've filled that role. Dante almost filled it in season 2, and Aaron and Garroth could have arguably become closer after everything in season 4, but at that point Aaron's entire arc became centered around Aphmau.

It was the fact that Blaze was one of the few people who ever directly reached out to Aaron and then was never given a scene alone again. It was because the writers wrote too many characters, tried to give the series a more direct focus, and then failed to account for the characters that were dragged along even if they didn't necessarily know what to do with them.

So when Season 6 came around and they decided to make the show super serious no really stop laughing, they needed characters to kill off to up the stakes. It's not like Blaze's character was going anywhere. It's not like they had a plan for him. Nothing was really being lost.

It's not like Blaze was one of the most sincere and dedicated characters in the series. It's not like he had one of the biggest potentials in regards to his relationship with Aphmau or Aaron. It's not like there was time spent proving that he could be a solid pillar of support in both of their lives even under dire circumstances. It's not like he was set up that way through individual scenes where he got to talk to each of them on a personal level. That definitely didn't happen.

TLDR: MyStreet peaked at season 2 and they fumbled the bag with the best chance to make it peak even higher and I'm forever bitter about it. Now get out of my house.

[theamityelf]

Have you ever noticed that whenever people do protag switches it's always dr1/sdr2 or sdr2/ndrv3 but never dr1/ndrv3? I feel like that has unthought of potential. May I ask how you think that would go in both cases?

Ooooooh, I love it. Let's see. Let me try not to let my character biases factor in here, lol. (And you can obviously ask for elaboration on any of this, because clearly I'm not going to be super focused. Pretty much just stream of consciousness.)

In all scenarios, at least some of the deaths would happen differently, to different people, by different people, etc.

The Shuichi in THH scenario depends so heavily on which character he attaches himself to right away, lol. Unless we mean Kaede in THH?? Okay, that gets its own section. Yeah, let me section this...

Shuichi in THH

Like I said, this one depends on which character he attaches himself to right away. It could be Hina for her positivity and energy; she's probably the closest to Kaede, there. It could be Taka, who is also high energy and has the added bonus of being called the Ultimate Moral Compass. Shuichi really wants someone to be decisive and strongly believe in something when he feels he can't, and I can see Taka being that person for him. Where Shuichi's scared of doing the wrong thing and hurting people, he can feel assured that what Taka believes is generally going to be right.

Also great because, for all his passion, Taka's actual observations about the school are generally very surface level, so having Shuichi tag along will give him more information to report in his booming voice, while Shuichi gets to chill in his shadow.

When Taka and Mondo have their sauna showdown, I think Shuichi wouldn't go to bed when nighttime comes; he is more loyal to Taka than the nighttime promise. So he'd see the whole inception of the Ishimondo friendship, and I think it would take him a while to trust Mondo. There would be definite "Are you sure about this guy?" energy between him and Taka once Mondo is rolled into their friend group.

And due to Shuichi's overlap of being unfailingly loyal and super harsh when someone brings it out of him, I think the moment Byakuya talks crap about Taka, Shuichi would be the entire Byakuya Hate Squad.

Toko and Genocider would be interesting, because I think Shuichi's fear of convicting someone and ruining their life or getting them killed would interact in an interesting way with the prospect of Genocider Syo, who has gotten away with tons of murders because no one caught her...but then also Toko, who is just a temperamental artist who doesn't want to kill anyone and I bet Shuichi's read "So Lingers the Ocean". I think Toko and Syo would be a reason for Shuichi to confront his feelings about punitive justice. They're practically two diametrically opposed arguments in one body: Syo kills because she likes to, she doesn't regret it, she will keep doing it if no one stops her, but Toko has no choice but to be involved in it, etc. Idk. It's still a bad look for DID representation, so maybe we can take or leave that whole plot thread, but it would do interesting things for Shuichi's character, thematically.

He and Kyoko would work together frequently on investigations (in more of a parallel play kind of way) but not really develop the same bond of trust that she had with Makoto. They trust each other's competency, but beyond that they're not especially close.

Also, when Junko reveals this is a battle of hope versus despair, he would tear apart her whole argument. Like: No, this is a battle of whether subjecting people to absurd conditions might make them hurt each other, and the answer is obvious. Grow up.

It'd be interesting, lol.

Kaede in THH

In this case, I think she'd start off fully believing that someone is going to rescue them. She meets Byakuya and she's like, "Perfect! There's no way someone won't come looking for this guy. This will all be over soon." Since the situation in THH is more grounded than in V3, I think she wouldn't be nearly as serious about getting out until after the first motive. And even then, she's not the one who starts the killings; I still think that would be Sayaka.

I don't think any of the THH motives would really get Kaede, so she might not kill anyone.

I think she would flirt with Chihiro. She would think Chihiro is the cutest thing, and she would say so, and Chihiro would blush profusely. I think those two would get really close, and Kaede would encourage Chihiro, in Chapter 2, that they're already strong in their own way, which would cause them to really focus on using their talent to help the group.

She would also flirt with Mukuro, for however long that lasts. And she would be excited about Sayaka; another musician!

I think Kaede would absolutely match Toko's energy so hard. Toko would definitely have crap to say about her looks and probably her proportions, and Kaede would throw it right back. Honestly same deal with Syo. They would be the toxic yuri to end all toxic yuri. (This is my first time saying "toxic yuri". Did I do it right?)

I hope she makes it long enough to see the music room. She would have a field day with Junko.

Makoto in V3

Finally, this. Wait, actually...

Makoto in V3 replacing Shuichi

Yeah, it occurs to me I have to split this one, too. Okay. I think if Makoto were in Shuichi's place, he would also partner up with Kaede. I think when the whole "tunnel escape" sequence happens, he would suggest that they go to bed and try again tomorrow before everyone reaches the "Screw this forever!" threshold.

I like to imagine, as a result of this, trying the tunnel escape would be a daily thing for a while. Just a scheduled thing that the group regularly does together, much like breakfast. They might give up on it after Chapter 1 or 2, but I just imagine it lasting longer as an activity than in canon.

He wouldn't notice the bookcase thing, so whatever Rantaro was planning would happen. I think, in that chain of events, Makoto and Kaede notice Kaito's little gathering taking place and go see what's going on there, someone spots Rantaro opening the bookshelf or just sees the bookshelf opening, and they reach the conclusion that the mastermind (or Monokuma) is making their move, resulting in a kerfuffle in which Rantaro is killed. Something like that.

I'm not saying who killed him just now; the sequence of deaths is its own thing.

I like to imagine that Kokichi calls Kaede and Makoto the team's mom and dad.

I think Kaito would be unsatisfied with Makoto's manliness, but I don't know that he'd invite him to workout sessions like he did with Shuichi in canon; I think, where Shuichi reads to Kaito as actively unconfident and in need of boosting, Makoto more reads as overly apologetic and easily manipulated/malleable. And depending on how long Kaede survives, I think Kaito would be less likely to treat Makoto as his sidekick than to just say that he, Kaede, and Makoto are all a powerful trio. (Maki does get roped in eventually, but it starts with them.) After all, Makoto isn't an accomplished detective; he's just a normal guy doing his best. And even when he does a really good job, it doesn't make Kaito all that insecure. The vibe is just different. (An Ultimate Detective effortlessly surpassing Kaito's efforts versus an Ultimate Luckster surpassing Kaito's efforts through high efforts of his own.)

The lack of Shuichi means the group does not have a detective. I think a result of this will be that Kokichi would be a bit more active in guiding the protagonists towards clues.

Maki still falls in love with Kaito, and she's also super protective of Makoto, mainly because he's short and can't take a hit. (If Kaito ever punched him, he would pass right out. But I don't think Kaito does punch him.)

Whenever Tenko talks to him, he reflexively apologizes. It's a running gag. His narration will be like, Why am I apologizing? and This was a pretty weird conversation...

Makoto in V3 replacing Kaede

Now, in this case, I'm imagining Makoto manages to trip out of the locker, does a full tumble over Shuichi, and bumps his head on a desk. Just full disaster stuff right off the bat, and Shuichi panics like "Are you okay??" and checks his head, makes sure he didn't bump it too badly, etc. I'm specifying this because Makoto won't be as energetic right out the gate as Kaede, but I do think Shuichi would really like and trust him if he stayed with him for longer than a second, so this is a contrivance to make sure Shuichi stays with him for longer than a second. Some luck, if you will.

(It might not be totally necessary; if they wake up in the same room, it makes sense for Makoto and Shuichi to stick together through the introductions. But this is just to make sure, lol.)

In this version of Chapter 1, they try the escape tunnel a normal amount of times and then give up on it, never to attempt it again (until Electrohammers).

Shuichi notices the bookcase, and they do set up the cameras, but there's no shot put ball trick. Rantaro dies a different way (likely orchestrated by Tsumugi) and the cameras are crucial evidence in the trial that follows.

Because of the steps needed to get to the camera plan, there's a running gag where Miu sees Makoto and Shuichi as her subs. Kaito sees Makoto and Shuichi as his sidekicks. (In this version, the nightly workouts do happen.)

Kokichi tries to make Kaito jealous of Shuichi's closeness with Makoto. (Kind of like, "Why would Shuichi need you when he has Makoto?")

In both versions, I like to think that Tsumugi relates to Makoto on the basis of plainness...or competes with him over it, to his confusion.

And in both versions, I think Makoto finds Angie really cute at first and they hang out a few times, before she starts the Student Council thing. He's kind of her friend. When he doesn't join her, it lowkey hurts her feelings a lot, but she expresses this by casually calling him a heretic.

Aaaand, in both versions, Makoto is the only person Kaito can best in the arcade games.

[mdhwrites]

In your opinion does "The Owl House" have any re-watch value? Does the story, characters, characterization, writing, etc. hold up over repeated viewings or is the show played out after the first time through the series?

So I want to acknowledge that this is actually an awkward question. Not with how you phrased it or anything just... Period? Because whether something is rewatchable will mostly come down to personal taste and enjoyment. Some people find Horror movies to be great fun to rewatch while others may not see the point because you already know all the scare moments or answers to creeping dread. Some might find action movies exciting to rewatch while others need the novelty of a first rewatch. As such, my answer is very much so is going to be biased by the fact that I ended up not liking the show.

But... I broke essentially on rewatch in a way. A lot of people have shattered on TOH essentially from having to reconcile what it says versus what it does. A lot of this because TOH constantly kicks payoffs down the line and hints at potential it will reach. It is constantly making the journey suffer for the promise of a grand finale. And, well... A lot of people have agreed that the shortening did not force their hand to break multiple themes in the finale, or take Amity's character or a bunch of other things that bloated the series and never got a proper payoff, such as the Collector.

This format of TOH I think is actually what makes it so hard to rewatch unless you are the ultimate fan of it who will notice nothing. S1 is labeled as boring, a complaint I even agree with as someone who mostly likes S1 still. It spends the most time setting up plot lines though in episodes that are a pretty safe seven out of ten, or worse. Amity episodes can escape this problem decently often, being fun in their own right, but that's why the fandom only acts like half, at best, of S1 even exists. Most of it is easily forgotten because it's very forgettable. Not like in a S1 of Amphibia way where it's all so much fun but also so much of it that they can blur and be hard to separate but just in a "I just wasted 20 minutes of my life watching an okay kids cartoon" way. The only thing that helped those episodes not feel that way was this idea that it was building towards something with these characters.

And... After the shock of things like the Lumity Kiss being real, I don't think S2 holds up for being the majority of those payoffs. Amity and Willow? One of the most explicitly kicked cans? Seen interacting on the same side before either addresses the "We're not friends' thing because of Eclipse Lake, so that's pre-shortening and they still didn't decide to address and then address it badly. Luz's magic is wrapped in a plotline she's not a part of and has no real reaction to even. It's just "Oh, we're just making bullshit up now instead of finding glyphs? K." Amity's parents are wrapped up, in the same episode, early S2, in a very similar way where Amity is barely a part of that episode but now her core angst and excuse for being a bad person? Dealt with and out of the way, at least until they randomly decide to try and say Alador TOOOOOTALLY wasn't a bad guy. That he hated Odalia too. Totally doesn't contradict literally everything that came before, something that would be much more sharply noticed on a binge rewatch. Like... It cannot be understated that by the point most plot threads in TOH wrap up, they were introduced and left to rot for so long that half the time, the fandom was starting to get UPSET during the runtime for the lack of any exploration or conclusion. Long hiatuses didn't help but at its core, even when it was running people were wondering when we would get satisfying answers to thing and rarely were they happy about it.

I think this is a core part of why ONLY the shipping community seems to have clung to TOH. That or people who are exploring the show's missed potential with characters like Belos or the Blights. The fandom has had to either commit to the one thing TOH did do well, its shipping (that comes with so many fucking asterisks) and its potential baiting. But the latter also means you have to recognize why it failed in the process of doing your exploration of the work.

So will some people enjoy rewatching it? Of course. There are people who probably like rewatching the AtLA movie though because the die hards are die hards. Do I think from a casual perspective you get much out of rewatching a random episode, let alone binging the series again?

No. I just think disappointment that the main series will leave you, which will eventually no longer be tempered by the reputation of it having been shortened, will only get worse. It is not a tale worth seeing again, so I hope I see you in the next one.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[chaoticcoven]

While I'm still voting that Carmen, Claudia, Digna, and Marta come together and handle the Santiago situation by just...

But in lieu of that, I'm hoping Marta does the next best thing and hires a private investigator. Santiago's rapid, untethered escalation suggests this is not his first go-round with brutalizing women. Also it isn't illegal and it is something even Fina could get behind potentially. Marta could easily argue that having a P.I. keeping tabs on Santiago helps keep her safe. All that a private investigator could probably dig up - even if it doesn't immediately send Santiago to prison - can still be used against him at the trial. Plus, call me fucked up, but I want that little creep to know what it's like to have his private life intruded upon and used against him.

I know as a society in 1958 Spain *and 2024 globally, cough cough* there's not much weight placed on the safety of women but I'd be seriously surprised if a guy like Santiago wasn't wanted for other crimes elsewhere. How fucked up would it be if they found out the grave Fina and Santiago visited wasn't even his mother's because he buried her in a shallow unmarked grave somewhere?

I can envision a scene in which Marta summons him to her office once more. Where he walks in confident of the promises she has made him on the phone. Only to arrive and find himself being the one arrested.

Speaking of peace of mind, it's wild that Andres was in the army and Marta hasn't enlisted him to help teach Fina and herself basic self-defense. That would also be an adorable scene in which Andres could interact with Fina and Marta and see them as a couple in paradise. I loved seeing Carmen there, offering Fina a loving community in her time of need. I love the idea of one-by-one their allies are introduced to the side of Mafin they've had to keep concealed so far. I've loved how Digna has really taken that on lately, seeing them both at their most vulnerable, offering them motherly advice, and consoling them at their most hopeless. It would be so great for a character like Marta who has always felt her family was more of a clan than anything to truly be embraced and see the love of her life being safe guarded by her family.

Hell, Don Damien is a hunter, there's no reason he hasn't gotten Fina and Marta familiar with handling guns. Marta loves Fina above all else, so lending a hand in this time would go a long way in rebuilding their relationship.

Or....

Marta goes to the dark side and hires a hitman which though ill-advised would be undoubtedly hot.

[alena-draws]

I watched Blue Eye Samurai!

Something different for a change..let's make a series review! I finally came around to watching this Netflix Show that caught my interest about a year ago. Short summary: a full 8.5/10! Read under the cut if you want the long (not spoiler free) version of my review:

So first, let me tell you what I loved:

The Soundtrack? 10/10. That thing is beautiful, atmospheric, fitting...just overall, I love it.

The Voice Cast! 10/10 I just really think they are really fitting for their characters! Especially love the bad guys' voices.

The Artwork holy cow. 10/10. This thing could be a movie piece with how much care and effort is put into each background. Character designs also top notch! The colours, wow.

Scene writing/Shot writing. 10/10. I think they are done marvellously. The composition of each scene, how it progresses, the narration, I got nothing to complain!

Which, now, brings me to the overall story of the show! It's not a bad story, not at all, but I still have two things that I personally would have liked differently:

One, I am a bit disappointed that there's a second season. Probably a strong personal reference but I would have preferred this story to be done in one season only. It feels like they are turning this story about revenge into a bigger epos of finding your identity, coming to terms with the past and finding a new reason to keep going. Which are all cool themes. But, I'm not all that interested in them with these characters. I would have much rather preferred they keep this short, either Mizu gets her revenge, breaks apart in the process, or fails...whatever, but a quick definite ending for this story. On top of that, I don't feel like Mizu is really in a different place at the end of the season compared to the beginning. Of course she has found friends, and when she went back to her master she cleared her head to NOT be the demon everyone sees her at. But at the end, we're still on our way to England, for her to get her revenge. I'm sure they will make a good story out of it nonetheless- but with all the amazing skills in this project, they had the potential to make a great story out of it! Something shorter but with much more impact!

Which brings me to point 2: The story itself. Because it's a good story- but it's not a story that makes me go „Woaah ooof“ The writing of the scenes I think is really high level, but when it comes to the overall story, there's nothing that really takes me by surprise? For example: Mizu being a woman, and making her own sword out of the meteorite. Her childhood antagonist reappearing, they start off as antagonists but with some witty bickering they become somewhat friends, only to promise the potential to become even more in season 2. Of course they are back at the swordsmith's place before the final battle so that Mizu can find clarity of mind there. And Akemi, the girl that never should have been allowed to chose her own path stands atop the ruins of a country, where she might be one of the leading figures in s2. I like that there's a lot of character developmet with most characters, and that the circumstances are drastically different at the end of s1- but in a way, it feels a bit cliché to me.

My biggest fear is that everything that has been teasered, like the romance between Mizu and Taigen, Akemi's path to power, Mizu's return to the master to make her own sword- and everything that I can imagine Mizu might encounter in the new land with all the conflicting feelings that facing her ancestry will bring her- my fear is, that this might all come to be, in some way. I want to be surprised, and I want sudden unexpected elements to enter the story and change the relatively clear path that the characters are on! And going by season1, I'm not entirely sure I might get that. Well, that all sounds a bit more negative that it should probably. It's a great show! I'm just sulking a bit because..well, they could have closed everything off in one epic season with an epic showdown and BOY would I have loved to see a story about revenge where the main character completely breaks apart after accomplishing their goal. Anyway, I'm still excited for s2, and I dearly hope that everything I said and predicted here will be proven wrong!

[personalfx81]

Fancasting the Giffen-DeMatteis-Maguire era Justice League International in the DCU

It's Bwa-ha-ha time. Basically every character who hasn't been cast yet (i.e. everyone except Guy Gardner and Booster Gold, who I've assumed is set to be played by Kumail Nanjiani).

Brandon Sklenar (1923, Midway, It Ends With Us) as Bruce Wayne/Batman

-Can Pull off "Certified Hunk" -Looks great in a suit -Isn't just "stern guy with deep voice" -Build is near-perfect. built & muscular, but not too wide. -Fairly reasonable age to be handling Damien & rest of Bat-Family.

Rob McElhenney(It's Always Sunny In Philladelphia, Mythic Quest) as Ted Kord/Blue Beetle II

-Can play dorky, fed up, and "IQ lowered when around a certain person" -Other than that, pretty big range, great with physical performance. -Similar age to Kumail Nanjiani, who I've accepted is playing Booster. -Can basically play any body type.

Daniel Radcliffe(Swiss Army Man, Weird: The Al Yankovic Story) as Scott Free/Mister Miracle

-Incredible range, could play any version of the character, Kirby, King, whatever -Leaning towards the King interpretation, can still look great disheveled. -Relatively short, would make whoever plays Barda look bigger by comparison.

Demi "Rhea Ripley" Bennet(WWE) as Barda Free/Big Barda OKAY HEAR ME OUT HEAR ME OUT -She can play big and intimidating. -Also shows decent amount of emotion in sparse moments during performances/in interviews. -Built perfectly, toned body, with broad shoulders. -Has potential to be next great wrestler-turned actress, in the vein of Dave Bautista and John Cena.

Warwick Davis(Return of the Jedi, Willow, Life's Too Short) as Oberon Kurtzberg

-Decent range, able to go toe to toe with Val Kilmer in Willow. -Able to be funnier than one might expect, see Life's Too Short. -Aside from the hair, he's the spitting image of Oberon as drawn by Kevin Maguire.

Camila Mendes(Riverdale, Do Revenge, Palm Springs) as Beatriz DaCosta/Fire.

-Shows great amount of potential as an actress -Can play the kind of endearing, charming, fun, and slightly airheaded personality that I want for fire very easily. -Is of Brazilian descent. -Has experience with goofy/comic book-y plots.

Ulrikke Falch(Skam/Shame) as Tora Olafsdotter/Ice

-Can nail the girl-next-door, yet also extremely sincere energy I would like Ice to have. -Is a Norwegian actress who can speak perfect english. -Is of similar age to my pick for Fire. -Is just an overall well-educated and smart person, in addition to being a fantastic performer.

Samara Weaving(Ready or Not, Scream VI, Bill and Ted Face The Music) as Dinah Drake Lance/Black Canary II -Can play just really done with everything, as in JLI -Spectacular at deadpan comedy. -Can kick serious ass -Has a killer scream

Anna Akana(Amphibia, Wrestling isn't Wrestling) as Kimiyo Hoshi/Doctor Light II -Her work on Matt Braly's Amphibia shows an impressive range, from dramatic to comedic, something she excels at. -Can play that kind of overly-driven, borderline arrogant personality seen in Crisis on Infinite Earths.

Viggo Mortensen(The Lord of the Rings, Eastern Promises, A History of Violence) as Kent Nelson/Doctor Fate I

-Has that kind of Gravitas/Prestige needed to bring Doctor Fate to life -Can play that kind of cold/borderline nihilistic vibe Kent had in Ram V's JLD run,

Jimmy Tatro(22 Jump Street, American Vandal, Theater Camp) as Captain Marvel/Shazam -Has the kind of Childlike Himbo sort of energy, as seen in 22 Jump Street & American Vandal, that works real well for Captain Marvel/Shazam. -Also shows decent amount of emotional range, not just comedic, in American Vandal

Leslie Odom, Jr.(Hamilton, Glass Onion, Murder on the Orient Express, One Night In Miami) as J'onn J'onzz/John Jones/Martian Manhunter. -Has the chops. Odom, Jr. is one of the most electric performers in recent memory. -Performance as Aaron Burr in Hamilton (specifically in "The Election of 1800) proves he can pull off the Cooke-esque "Corny as a comic book" performative nature of John Jones. -Could also nail that betrayed look that MM had in New Frontier after hearing about John Wilson's death. And that's it. Not totally confident with some of these choices, but if these performers become the lineup for the JLI, I think we'll get some great portrayals of these beloved characters. Let me know if you think I'm on to something or if I should just shut up already.

[withered-tears]

Ok imma just make a new post so i can keep my MD Transformers AU ideas all tidy in one place itdkskgz

J, N and V

Uzi

Tessa and Cyn

Cyntessa

Doll and Lizzy (plus flashback NJV)

Nori and Yeva

AU Lore under the cut!

OKAY SO, BASIC WORLDBUILDING:

Just like MD takes place way in the future, this AU takes place waaaay into cybertron's future.

The Optimus and Megatron are long gone history figureheads, most cybertronians never even heard about them. The primes are also long gone, Optimus was the last bearer of the matrix, so no chosen one either.

Cybertron is ruled by The Senate (*lmao its not. But more on that later ahuhuhu) and "Decepticon" is literally just the official designation for any and all cybetronian who goes against the senate in any way (basically the senate took a name and insignia from the history books that mean "the bad guys" and slapped it into anyone who causes them trouble)

Copper 9 is actually, just like in MD, a small exoplanet with a mining operation going on. The vast majority of the miners are disposables/monoformers minibots (AKA worker drones)

Now, SOMETHING (haven't actually. Figured out what yet) happens on Copper 9, that makes the bots there pretty much uhhh whats the english word for when a colony wants to separate from the country, liberate themselves?

Basically Copper 9 tells cybertron to fuck off and wants to become its own government.

Senate is like uhhh no you fukin dont.

Marks the entire colony as Decepticons, and sents the DDD to wipe them out.

Now on to some more character concepts:

UZI: Uzi is a minibot (around rewind size or so, maybe sliiiightly bigger?) Shes an outcast for a number of reasons, but the main one if because she actually modded herself with an experimental T-cog she designed AND built herself out of trash.

Her altmode is the Railgun (her knockoff T-cog is the reason behind the 30 mins cool down, is she were to try and rapidfire, it would literally burnt out her spark)

Just like in cannon, she thinks that hiding from the DDD is dumb and they should fight them instead.

(Her altmode being a gun is also to emphasize her loneliness/solicitude from the rest of the colony. She has the means to fight but no one willing/she trusts to weild her)

I dont know what to do about khan tho, not huge into cybertronians having parents myself? so, dunno. I'll figure it out later.

NORI: i got two potential ideas for Nori, one, she was actually secretly a headmaster, and thats how she survived the DDD, by leaving her body behind.

Or two, (and the one il most likely go with) she, just like minimus and dominus, was secretly a loadbearing miniMINIbot, her irreducible form being a beastformer (an ant maybe? Some kind of bug most likely)

Dunno what to make of her relation with Uzi tho, maybe she was a beloved mentor/only friend who taught Uzi how to built stuff?

And Khan was her Conjux? And he took in Uzi cuz he promised Nori he would look after her if something happened to her?

Could be, could be.

Now, onto the JUICY stuff, ahuhuh.

The Senate, and the senate's public speaking figurehead, Senator Tessa (dunno if i should change her name to something more cybertronian sounding, Senator Tesseract maybe?)

Unknown to cybertron's population, and to N and V, the entire senate has been dead for millenia.

Senator Tessa's body has been hijacked and controlled by Cyn, who is pretty much the Anti-prime ouo

She was chosen and brought back to life by unicron himself, to spread chaos and gain control of cybertron, with the end goal of devouring primus himself.

Cyn was originally another disposable minibot, but she died with such contempt to the world around her that her spark called to Unicron himself, who saw great potential for chaos in her.

Unicron was right, too right in fact, because Cyn would eventually consume him ouo she eventually ate him.

Once her story is known, cybertron gives her the tittle Daughter of Unicron, God eater.

@inkyprince thats pretty much all i got so far?

Imma doodle Uzi, Cyn And Tessa (and cyntessa) later today uwu