#and also she has the potential to be a great character guys i promise

[duvewing]

[greenfiend]

Lonnie Byers

why he is far more significant in Stranger Things than we are led to believe...

“The scariest monsters are human beings and what we will do to each other.”

This post is very much inspired by @/kaypeace21's post on Lonnie from 2021. Just so you guys know, kaypeace21 theorized Byler LONG before most of us. She has a pretty good track record for predicting aspects of Stranger Things. This post will include some of her brilliant finds and will add even more evidence that was introduced to us in ST4 and TFS.

Warning: this post discusses some VERY dark and mature themes. I will allude to dark stuff at first but will leave the darkest stuff below the cut.

CW: Ab*se, CSA, substance use, DV...

The name Lonnie (nickname of Lawrence/Laurence) has two specific relevant meanings:

Lion and Oak tree. x

(Some symbolism examples: Nancy compares the Demogorgon (also titled: Deep Father) to a lion in ST1. In ST3, Holly notices trees (what looks like oak trees...) and looks frightened.)

For every mention of trees and predatory cats/lions I will add 🌳and 🦁 emojis respectively.

Keep both of these in mind as both predatory animals/cats and (creepy) trees are common occurrences within Stranger Things. I will touch on both of these throughout the post.

Anyway, lets start with the surface level stuff we know then I'll touch more on the darker subtext.

So, who is Lonnie Byers?

When we first hear the name Lonnie, he is brought up as a potential suspect by Hopper in Will's disappearance.

Joyce is quick to dismiss him as a suspect but does give us some important information about his character:

Lonnie "used to say [Will] was queer. Called him a fag." Whether or not he would say this to Will's face... he's obviously, not a great guy or father.

Joyce and Lonnie are divorced. She hadn't heard from him in about a year.

He doesn't like cops.

In The First Shadow, we actually learn that this is not the first time Lonnie is seen as a suspect in a case. (spoilers in next paragraph)

Lonnie was mistaken for Victor Creel and he was investigated for the animal murders by Hopper. This was not just a random choice, remember, Lonnie's name means Lion as in the predatory animal 🦁. Jonathan also told us that Lonnie made him hunt rabbits. This is a major hint! So, Victor Creel is innocent, and near the end of the play, Henry tells Joyce that she's so close yet so far from the truth (I'm paraphrasing). He's absolutely right though, the truth was right under her nose but unfortunately she doesn't see it (yet).

The fact that they made a very obvious comparison of Lonnie Byers to Victor Creel, the suspected murderer of his entire family... lets just say... it tells us A LOT.

Anyway, back to learning about Lonnie in season 1.

Joyce tries to reach out to Lonnie about Will, but is unsuccessful. He doesn't pick up the phone. His girlfriend does and says he's unavailable.

In a flashback, we hear Joyce and Lonnie argue about Lonnie not coming to play baseball with Will. She says she's "so sick of [his] excuses" which obviously means he has frequently made false promises/let Will down. He obviously does not prioritize Will.

To further prove that point, we later literally see him close Will off as he hammers wood right in the entry way for Will to return. The comic about Will's time in the UD gives a heartbreaking look into Will's POV. He cries to his father to not shut him out, but Lonnie ignores Will's cries...

Paralleling El's flashback to when Papa locked her in the dark room and ignored her cries... (the existence of that scene and many other flashbacks with El and Papa make me strongly believe that El's memories of Papa are altered version of Will's memories of Lonnie... I won't go into that much though in this post).

Just look at that obvious bright light in the closet behind Lonnie. Same light Will stared at prior to vanishing… That accompanied with El’s flashback of being locked in a room alone, paints a rather grin image. He’s trying to shut Will out.

Just from these clues so far, he’s not a good father.

To stay or to go…

(a bear (Will) vs. a tree branch 🌳)

If you pay close attention, you’ll see many references to this song within the show… and they even specifically made the association between a father and son when Steve called Dustin “dad”. Which father and son pair are the most associated with the song? Will and Lonnie… as that song first played in the scene where Lonnie tells Joyce he won’t be taking Will to baseball practice.

We can tell from these moments (and more) that dad wants Will to stay put and not go anywhere. We even have Dustin (the one symbolizing “dad”) telling Will to “get back here… I’m going to kill you.” Those were also the last words spoken to Will before he vanished. This is significant.

Suspicious Evidence...

When we see Jonathan visit Lonnie's looking for Will, there's a small bike behind him.

We know Will left his bike in the forest 🌳 when he vanished. Why does Lonnie have a child's bike?

Demogorgon also means "The Deep Father". I talk more about this here. Will is telling Mike in code that his father "got [him]".

Joyce is yelling at "Papa" that he took her son away.

The line of God (aka a father) taking "someone so young, so innocent" at Will's funeral with the focus on Lonnie.

In TFS (spoiler), Lonnie admits to stealing baby Jesus from the Nativity scene.

(GIF credit to @/kaypeace)

This specific shot tells us what we need to know. Lonnie is responsible for Will's disappearance. He is hammering the nail in the wall and it directly cuts to Mike representing the gate being opened with a pencil and paper. Lonnie is the reason the gate opened in the first place! Now, when I say that I don’t mean he literally opened the gate, I mean that the a*use he inflicted onto Will had caused all the monsters within the show and the creation of the Upside Down. Bold claim to make, I know… but bear with me here. As I will now go into the darker clues…

Lonnie's "Type"

Joyce refers to Lonnie's girlfriend as a "teenager". This is significant! Because (spoiler for TFS), Lonnie dated Joyce when he was 25 and she was 17!

This is a pattern for him. He not only preys on animals 🦁, he preys on teenagers... and it gets even worse.

Look, the implications here are, unfortunately, very clear. We see Lonnie look at Jonathan walking away, then he looks down at the photo of Will with the dialogue "He's kinda cute, hmm?"

"Maybe I'll trade you in for the younger model?" is said while Lonnie looks in Jonathan's direction.

Trading someone for someone younger. He likes them young.

He is a predator. You may not want to believe the truth here but as we know with this show... everything is intentional.

Let’s continue on with even more disturbing clues…

When Joyce and Hopper find Will in the UD, he is in a library (a place of archives, of documented history) And he appears like this...

He's being violated... by the vines. Vines, that grow on trees. 🌳Lonnie means oak tree... This is a representation of documented history that he had been se*ually assaulted by... the tree with vines... Lonnie. Also if you look into the full lyrics of “Should I Stay or Should I Go”… let’s just stay it’s disturbing how that song is associated with a young boy and his father…

Also... keep in mind that the vines are preventing Will from speaking. Will is being silenced as well.

Next season we see the MF force itself into Will. Again, another violation, this time by the MF (yes- the mother fucker, that is what Lonnie is after all). This was done on a field. A baseball field. We know Lonnie is associated with baseball.

And again, the MF (father) is silencing Will...

In this scene in ST3, we get yet another reference to Will being violated in the past. We are shown a flashback of the MF possessing Will, and we are given the comparison of non-consensual sex and the gate/door opening. We know this due to the term “penetration” being used in relation to opening the gate…

Murray states "the door had been opened once" while we are shown Joyce with a look of horror on her face. "It was still healing", as experiencing that does require a lot of healing.

“Larry the construction guy”. Larry is a nickname for Laurence. Lonnie is another nickname for Laurence. This line by Jonathan has multiple meanings.

Lonnie is in Will's head.

“Stuck up your nose”. Lonnie is, again, represented as violating Will.

When Jonathan confronts Lonnie we can see this Evil Dead poster behind them. Not only is it very visible but… Lonnie draws attention to it. This poster is significant! This woman is being attacked and choked by a tree. 🌳 The tree goes inside her… it violates her.

Lonnie wants Jonathan to take down the poster. This is important. He wants Jonathan to stay silent. More on this later…

If this isn’t enough symbolism to convince you, check out kaypeace21’s post where she goes in even more depth around the music/musicians Jonathan references, and even more background details that add to this. They intentionally painted the picture of him being a s*xual a*user, as the existence of all these clues all add up to the same conclusion. A very uncomfortable truth.

Dad, you’re choking me

Speaking of being choked, ever notice how this is something that seems to occur frequently within the show?

That Mike and Ted moment in particular stands out because it occurs right after the Jonathan and Lonnie confrontation with that Evil Dead poster in the background (being choked by a tree 🌳)… so the “dad” doing the choking here is absolutely Lonnie.

Yet another case of being silenced as well...

The Trunk

Probably the most concerning moment to many on the surface. Remember how “dad” said “don’t go… anywhere” and the symbolism of him shutting Will out? Well, let’s just say that it’s not a stretch to think he put Will in a trunk before.

It’s also worth noting that when Billy opens the trunk to see a tied up Heather we get a flashback of him choking her. This William is likely replaying the ab*se Will went through… he was possessed by the MF (father) after all.

Also, remember in ST2 they tied Will up and he shouted several times “why am I tied up?” Yeah… Also all those being suffocated references…

Substance Use

While everyone can struggle with substance use and it doesn’t make them a bad person, the use of substances causes the lowering of inhibition. “Lowering inhibitions means reducing restraints against behaviors that might normally seem inappropriate, dangerous, or taboo.” x This is why people under the influence of alcohol, and harder drugs can become more aggressive and a*usive.

When we see Lonnie's house, we see many cans of beer. We also see him drinking while he visits Joyce. He also encourages Joyce to drink too to help her "think straight". Hmm... strange choice of words I must say.

Now, I don’t think Lonnie just has an alcohol problem, I think he also has a stimulant use disorder. Stimulant = drugs like cocaine and crystal meth.

Kaypeace21's post goes into the details of the possible crystal meth use and how when Will was possessed by the MF, he was showing symptoms of a child on this specific substance (sweating, trembling, seizures, etc).

Another stimulant use reference, but cocaine this time. Remember Larry = Laurence = Lonnie.

There are many subtle references to drug use throughout the entire show from Papa forcibly injecting Terry Ives, El, Henry etc, to Reefer Rick and Eddie and plenty more.

Although we don't have much information on this, I think it is implied that Lonnie is a drug user. Not only does this mean that his impulses were less inhibited, but this also puts into question the possibility of further neglect. The Byers are not rich by any means, and if Lonnie is so focused on obtaining substances... that leaves barely any money for anything else.

"He made me do it…"

So as Jonathan told us, Lonnie made him kill a rabbit. The lion 🦁 forcing his offsprings (lion cubs) to hunt and kill, just like him.

This is something we have seen quite frequently within the show:

El being forced to harm a cat by Papa

Henry being forced to harm a rabbit while influenced by the MF (father)

(In TFS) Henry being pressured to harm animals by Papa

Will saying "He made me do it" in reference to the monsters attacking (he being the MF = father)

Billy saying "He made me do it" (again he being the MF = father)

D'art killing Mews

What's interesting to note is the fact that many characters are associated with rabbits and/or other small animals.

This likely also connects with the reoccurring theme of survivor's guilt within the show. Specifically, of the survivor blaming themselves for the death of others.

Max blaming herself for Billy's death

Mike blaming himself for El's death

El blaming herself for the death of the lab kids

Nancy blaming herself for Barb’s death

Lonnie forced Will to cause harm and/or blamed Will for the harm caused. We know how Will is, he's incredibly sensitive. This absolutely would weigh on his conscience.

Where’s mom in all of this?

We know she has been working a lot, but there could also be something else going on here. Could the allusions to her mental health issues come into play here as well? It's possible...

During "the source" scene with Billy's memories, Billy cries out because his mother is gone. Keep in mind, Billy's memories parallel Will's A LOT (the baseball, father calling him a "pussy"... etc), and the song "William" plays during this whole sequence.

It is likely that Joyce was separated (or emotionally distant) from Will for some time in the past...

Domestic a*use

To make the assumption that Will had witnessed DV between his parents would not be a stretch. We have already seen Lonnie and Joyce fight and it was not pretty.

We also see Billy's father slap his mom hard in the face (like I said, Billy's memories parallel Will's memories...)

We also have seen Lonnie gaslight Joyce already, trying to make her think she's "crazy" and we've seen them fight about Will and finances. This was no stable household for a young child...

Fear of the Truth

It isn’t discussed enough, but there’s a reoccurring theme of the fear of telling the truth. And no this isn’t just about coming out of the closet.

This is especially true when it comes to telling mom the truth.

El repeatedly preventing the boys from telling Mike’s mom what’s going on… specifically about the “bad men”. She fears the repercussions (demonstrating a gun pointed to her head… implying a threat… “I’m gonna kill you!”).

Mike and Nancy unable to tell their own mother what’s going on with them.

Jonathan unable to tell Joyce about “what’s going on with [him]”.

Lonnie telling Jonathan to take down the poster showing a*use and telling him to “behave” for his mother’s sake… he’s trying to silence Jonathan…

Nancy telling Mike “no more secrets”

Joyce telling Will he needs to talk to her (about what happened with the MF)

Dustin hiding D’art from his mother/the kids in general hiding the supernatural stuff from their parents

Billy unable to explain to Karen what had happened to him

Max telling Billy he needs to talk in the sauna scene

and plenty more…

Will frequently communicates in a code. We see this several times:

"It was a seven, the demogorgon got me"

Communicating through the lights

Drawing pictures instead of talking/explaining

Morse code

"Sometimes it can be scary to open up like that. To say how you really feel. Especially to people you care about the most. Because what if... what if they don't like the truth?"

The painting itself

The painting speech... using "El" instead of himself

Usually a*use of a child is not immediately obvious. Parents often think that they will immediately know if their child has been a*used, but often, the signs stay hidden. Remember that most kids are a*used by adults they know. X

Some of the common reasons why child stay silent:

They worry about being blamed, or mistakenly believe they caused the abuse.

Their a*user has threatened them in some way.

They know and maybe even feel close to their a*user and don't want to hurt them.

They think no one will believe them or help them.

Babies and children under 5 years old—who make up nearly 40% of maltreated kids—may not have the words to explain what happened to them, making it difficult or even impossible for them to ask for help. X

This is just important information that everyone needs to know. Child a*use isn’t obvious, the kid may even seem alright with spending time with their a*user… this does not mean the a*use doesn’t exist. That is a very harmful claim to make.

When it comes to a*use, especially child a*use, we must be vigilant. Because the child likely won’t tell us but they will show us the signs.

Some signs to look out for:

Any sudden, continued change in behavior.

increased anxiety

unexplained injuries x

Repressed memories

I’m just going to outright say it: the NINA plot line is important because it tells us a lot about repressed traumatic memories.

“Our brains have a defence mechanism in place to protect it from bad memories. You buried these memories long ago.”

Then in the last episode of ST4, we learn something VERY telling about Will.

Remember… Larry = Laurence = Lonnie.

They basically told us that Will only vaguely remembers Lonnie. This is an incredibly important clue to what Will is going through. Will’s trauma was so intense that he has been repressing the memories of his own father.

In ST5, this is absolutely going to be an important aspect to his arc and to the story as a whole. Will must come face-to-face with his traumatic past. Unlocking those memories will be key to finally defeating the monsters for good.

The Destroyer of Worlds

So, I’ve mentioned this many times before, but Will is compared to “Little Boy” the first atomic bomb. (Click here and here for posts about it).

He is a bomb that went off on Nov 6, 1983, freezing time, and forever changing Hawkins. J. Robert Oppenheimer was the creator of the real atomic bomb, and he was known as the “Father of the Atomic Bomb.” He was also known as “The Destroyer of Worlds”. Because Will is “Little Boy” and Lonnie is his father…

Lonnie is The Destroyer of Worlds. A perfect term for someone who inflicted such horror onto an innocent child. Because trauma like this has an incredibly profound effect on a young mind, in more ways than you can imagine. His actions are the catalyst for the chain reaction of this entire show. He pushed over that very first domino.

Why is all of this evidence so hidden? Why do we barely know anything about Will’s past with Lonnie? Because… instead of telling us his past, they’ve been showing it to us through the horrors. You have to look very deeply into the show to see the truth start to add up like a puzzle. There are many themes that reoccur/are alluded to within the show for a reason. And it’s all from one single source.

Demogorgon is The Deep Father, MF is the mother fucker (father), Papa is father, and it was Vecna’s father who was convicted of the murders.

It was father this whole time.

[luneemeritus]

Guys have I ever commented about how both Youtube and Tiktok have the shittiest takes on Stolas? No? Then I will try to comment more often.

"I wonder why Octavia is mean to Stolas" because she's a teenager who doesn't know the truth about her parents' situation or the abuse her father went throught during 17+ years, that's why.

As Stolas antis are unable to recognize the MOST BASIC aspects of the story, let me just remind everything we know about Stolas and his relationship with his family:

(TW: MARITAL RAPE, DOMESTIC VIOLENCE AND HAVING TO EDUCATE STOLAS ANTIS FOR THE 100TH TIME)

1- emotionally and physically abused by his father

2- forced to marry an abusive person when he was a fucking child

3- raped multiple times by Stella before she got pregnant

4- TEEN FATHER. TEEN. FATHER. You know what a TEEN FATHER means? He was forced to be a father when he. was. A. TEEN.

5- spent 17 years surviving his wife's verbal, emotional and physical abuse FOR HIS DAUGTHER'S SAKE

6- took accountability when he realized his mistakes towards his daughter, and his mistakes were basically trying his best to make his daughter happy while being a literal survivor of parental abuse, domestic violence, SA and social isolation, literally a fucking normal human being trying his best and improving himself

7- is not only teaching her spells slowly and respecting her time, but also raising her as the teenager girl she is, and not as a 'legal adult' full of rich folk bullshit responsabilities as he was raised

"Stolas is a good dad" yes, media illiterate antis, he IS. He raised his daughter with love and care, he shield her from potential dangers (which came from her own mother), took accountability everytime he made a mistake with her, and sacrificed 17+ years in silence, surviving domestic violence, FOR HER. This is what a good parent does; loves, takes accountability and cares for their child, and as someone who has a very shitty dad who actually doesn't respect me or take accountability, I proudly affirm Stolas is doing great. You know what STELLA, an actual terrible parent, does? Abuses her husband in front of their kid and turns Via against her father. This is what a terrible parent does, oh but sorry I forgot she's the cisheteronormative woman who can do no wrong despite doing everything wrong maliciously.

Octavia acting like a teenager is absolutely in-character and justified. She doesn't have to know that her mother is an abuser, and this is why Stolas shield her from this hell, because he wanted her to have a normal fucking life. But the AUDIENCE? Grown adults who KNOW what is happening with Stolas and should understand how basic parenting works, acting like an angry teenager who hates Dada? Now that is just bad faith and urge to justify your hate boner against Stolas with the same stupid outdated arguments that were discussed a thousand times in this fandom.

For a man that was forced to have an abusive wife and a child at his teenage years, yes, he is a good father. He makes normal mistakes like any normal parent does. In LooLoo Land, he (unintentionally) ignored Via's discomfort because he was trying to cheer her up, trying to, as himself said, keep her away from their hostile house — whose hostility is Stella's fault. In Seeing Stars, he DOES NOT ignore Via nor forgot about the promise (he forgot the day, not the promise), he was busy standing up against his ABUSER. He asked for some minutes to finish his phone call, if Via had waited just a little bit longer, he would turn off the phone and listened to her. She didn't, because she's a kid with the trauma of growing up with an abusive mother and a closeted dad, again, in-character and understanding. But grown adults who were supposed to understand what is going on with Stolas having the same behaviour of a kid is hilariously telling a lot about how you react to this show.

Stolas makes the same mistakes Blitzø makes with Loona. Blitzø often infantilizes her to the point of being overprotective, and guess what? He also took accountability, because he, just like Stolas, is a good dad. And just like Lucifer as well. Buuuuut you don't really care about what is or what isnt a good father, you just want to yell about how much you hate Stolas. And the reason why you hate Stolas (at least one of the reasons) is because you can't understand basic shit about him.

Edit: by the way, let me show yall this print. It's so adorable. As irritating as Stolas's "sLaNdErInG" crowd is, the fandom always manage to make everything better. Let's smile more and think about the good things <3

[thechekhov]

Dungeon Meshi Quick Reacts: CH38

Rip to these promising mages. I assume they will not survive this massacre.

IS that where her lungs and kidneys are? Because like. She's huge. Her entire body is behind her. Do you really think she'd keep her vital organs in the little human bulb on the front?

I mean, he has a point. What are you going to do? Fight off more hoardes of dragons?

oh noooo, Kabru.... too bad. That's so unfortunate.... anyway.

It's curious that Laios only got knocked away. He was just as likely to have had his head squished like a grape.

Guys, this is absolutely not the time to be concerned for her privacy.

Yes, queen. Free the tiddy. Murder everyone in this dungeon. I support women's rights and women's wrongs.

.......that's. One way to do that. I guess.

.......what's that rock about.

Oh, I see. That's convenient.

This guy dungeons! Maybe he even dragons.

So we got north (tallmen? dwarves?) and then the easterners.... and now the elves of the west?

He's going to give her to the Americans?! ಠ_ಠ

To be fair, at least they HAD a plan. And they executed it. It's more than you did. I don't mean to point fingers but... at least they... ya know... did something.

Kabru's like 'no, no, hang on, I need to hear what batshit fucked up thing this dude is going to say next, this is important'

Laios is so stressed he broke character.

Then again, maybe it's healthy to let them slug it out a bit. Get it out of their system.

It's true. They wore fitbits and everything.

...hey, hold on a second.

Now hold on a minute.

Damn, this is. Kind of even worse because. I guess I could have guessed that Toshi was just pretending to be polite, like you do. Cultural differences.

But the painful thing is, Laios doesn't seem surprised. He just seems resigned. He's been told before that he's difficult to get along with. To the extent that he doesn't even consider Marcille and Chillchuck his friends? Even though they arguably both care about him? But because Toshiro didn't bother to be deadpan about him being a bit odd at times, Laios thought it meant that was fine.

And that kinda hurts. Like damn. Laios just wanted to make a true connection. And I can't really blame Toshiro either, he was just trying to keep the peace but. Damn.

Free her! Let her do her illegal magics! She deserves it! （︶^︶）

Thoughts:

Senshi just being annoyed about that one last harpy looking for scraps.... like "shoo, this ain't the time"

That gnome seems genuinely nice. I'm sorry Falin squished his pet undyne.

Kabru hugging his..... mage? Girlfriend???? Seems very...one sided. Kinda feel bad for her.

Laios and Toshiro still going at it, I see. Get it allout, boys.

Uhhhhhhhhhh ninja girls.

Aww, doggo.

Last question: Where did the cat go?

Senshi: I can fix that.

Are you all worried because he's finally making sense?!?!

Laios and he punched their singular braincells into several new ones, it seems.

F./....Falin... please give the caterpillar some privacy........

My man, maybe lead with that............

I can't believe Marcille was potentially more forward about her feelings.......

"his pupils are dilated" yes, thank you sherlock. You've finally realized what everyone else who meets Laios feels almost immediately. he's a monster freak club card carrying member. Welcome.

p.....pubby......

As long as he was also inside the dungeon with them.... yes.

The issue with Kabru isn't that he isn't trying his best. It's that Laios isn't trying at all.

On a scale of one to Kabru, how badly do you react to being offered a food you don't want to eat?

......oh no. He's so pathetic it's funny. He's growing on me.

Absolute morons, the pair of them. Immovable object meets unstoppable force. The funniest combination ever. Ghost type and normal type pokemon, forever throwing moves at each other that will never hit. Laios thinking he's made a friend. Kabru just barely stopping himself from killing Laios. Best comedy pair. Tom and Jerry in a can.

Anyway. What a great manga.

[cherry-pop-elf]

TO THE KRAVEN SIMPS EXCITED FOR HIS MOVIE!

And people who just need a Kraven The Hunter run down/Information lore

As a certified Kraven know it all from his comics I am here to help give yall some advice/run down/and how to start your journey into his comics and lore! Well, at least the MAIN Kraven. Damn those comics and their multiverse!

Don’t be shy in asking me questions either, of course until DEC: 13th check my #Belladonna Rambles or #Life Update to see what I mean

Alright let’s start now!

Kravens Last Hunt

YOU MUST READ THIS BOOK

This shit here? PEAK! It as PEAK AS PEAK GETS! You really get to study and analyze what makes Kraven tick, how his family impacted him, and just the over all headspace the master hunter is. Treat this as much of an origin story as anything else. Warning though it gets dark and ENDS Dark. It is BEYOND important you read this. You HAVE to read this. It’s a defining comic story that causes a chain reaction for everything after. If you only read one comic book ever? MAKE IT THIS! If you only read one Kraven comic MAKE IT THIS! I can say how important this comic is. YOU NEED TO READ THIS COMIC

The Unbeatable Squirrel Girl

A great comic series in general, but here we get to also see a story line of Kraven following into a Vigilante hood instead of staying a Villian. There’s a court arce and everything. It’s a far more light hearted story line, with amazing fun that is really enjoyable. It’s also SUPER GOOD for people NEW to comics as a whole! Very light hearted, silly, and impactful. It’ll also help get you familiar with a lot of marvel characters without it being suffocating! You also get some good insight on Kraven from a far more modern and gentler angle. Squirrel Girl is PEAK. You’ll love this I promise

The Amazing Spider-Man # 15

This is his debute, so obviously gotta read that. It surprisingly shows how there’s alot of details that haven’t changed. Such as he still has his half brother. It’s always so cool to see where they started and how they developed now

GET KRAVEN

This is actually a story about one of his KIDS. Alyosha! It’s a really interesting comic as it’s about one of his sons, and said son is a movie producer no less. It’s quite the adventure. It also leads to a good transition to the next topic-!

The Family

Ight so, given how comics are time lines can get messy. Like “Oh this Kraven is THIS kid actually and that Kraven is another time line so-“ Since Kraven is a TITLE more so then a NAME. So lots of stories about ‘Kraven’ are sometimes about his kids in general. Comics can be confusing I know, so imma help you guys with knowing bullet point facts to help keep you grounded. I got you

Sasha

The wife of Kraven. Mother to their (four MAIN) children. Aleksandra She doesn’t really become prevalent until after The Last Hunt. Can’t spoil it but she kinda goes bat shit insane and became a horror beyond measures after the incident. Oh she can be a roller coaster.

Grim

Vladimir is the eldest, and followed his father’s foot steps the closes. Even had a run in with Spider man. Unfortunately he became a victim of his mother’s insanity, and was mercy killed by his father. His father knew this was worse than hell, and wanted to do what an every good father does. Take care of his baby

Alyosha

Second son, and honestly the most wasted. His arc as a Hollywood star is super short and soon he’s just “another Kraven” which is lame. Him being a successful movie producer/actor what have you is honestly rather important, given his uncle is a failed actor. Lots of wasted potential, so I’m shining light on him. He deserves it

Nedrocci

Another victim of “another Kraven” and his role is so small that there isn’t even much detail to begin with. Hence the lack of image. His only real arc is trying to kill his older brother Alyosha and failing. Then his uncle, the chameleon, ended up killing him. Shame. Just another Kraven and meat to grind

Ana

Anastasia, named after his mother, is the baby and daddy’s girl. Also she seems to be the only person writers remember whenever doing some kind of family story for the Kravinoff’s. Writers forget her siblings and keep making throw away characters to be her brothers. Anyway! Like her siblings her major story line doesn’t really started after The Last Hunt. Like I said, that book is KEY to Kraven. She’s very capable and independent and followed her fathers foot steps all the same

Dimitri

Dimitri Smerdyakov is Sergei’s half brother. Like many villains the origin story often gets changed for the time lines but over all his important arc is he’s always trying to impress Sergei. To prove his worth to the Kravinoff name. Even had a moment where he nearly killed iron man, to show he’s the deadlier brother. As you can tell the family is very messy

Calypso

Yeah she’s your stereotypical Voodoo Priestess. Even sacrificed her younger sister for more power. Yeah this didn’t quite age well. She is rather important because she is a love interest or his, but was extremely toxic and abusive. Men can be abused to. She is also someone who was a major factor in the climax of The Last Hunt. She took joy in what happened even. Yeah she’s…..She is an abusive woman that really damaged Kraven. A important note that men can be abused to, and that despite being so big and strong he can very well be a victim to.

Key Facts/Points

His super human abilities come from potions he’s made from herbs. So yall complaining about how he got his super powers in the movie gotta remember comics didn’t have much flavor either. Literally magic potions and voodoo magic. Like come on

His mother died due to mental illness. Aka Took Her Own Life. It’s always kept vague, but it’s made more clear what it was through The Last Hunt and what happened to Kraven

He becomes an Anti-Hero/Vigilante through Squirrel Girl. He goes by the name “Kraven The Hunter of Hunters” like that shit goes hard don’t lie

He’s a Russian immigrant that escaped Russia around the February Revolution. (It varies often but it’s always escaping Russia in a downfall) Aka before the fall of Russia into communism. So he’s OLD old, and has quite the love hate for his roots

He has mental illnesses. Not like just in general. Like it’s not stated but it’s very much implied he’s suffering from extreme depression that lead to suicidal ideations

He is a big game hunter and is highly respectful of nature and its order. He respects nature and it respects him. He believes in a proper fight with animals, and understands they’re important. By proxy that def means he believes in trans rights and LGBTQ+ concepts so slay Ally! Stay mad dude bros ((fun fact. Lionesses have been shown to grow their own manes and take leadership of prides. Lions can literally say “I’m trans now” and do it. So go my children. Give us trans Kraven headcanons!))

He’s one of Spider-Man’s main villains. He’s been in nearly every cartoon there has been, and was a founding member of The Sinister Six. Safe to assume Chameleon replaced him when he took his anti-hero arc

Yes. It was stated he was based on “The Most Dangerous Game” Hence the Russian and x y z. You aren’t crazy for seeing those connections

The Kravinoff name is from a Noble class blood line. Very rich, aristocrats, rich people life. Until Russia’s downfall arc, so Kraven has money. Depending on the plot device of course

He has arachnophobia, which leads to another motivation to kill spider man. Not only is he the ultimate prey, but it’ll also be him concurring his fears

I hope this all helps. Remember, this is just a base line. There are so many versions of him. His videogame counterpart part, Spider Man 2, is very different and has his own arc and story line. Much like how so many comics have different time lines and universes.

But that’s what makes it beautiful and fun. It’s endless frankly Kraven can be whatever YOU want, because in a way it is canon. It’s just simply not spoken, but still true

If you have any questions for like specific Kravens or just advice on how Kraven would act or such don’t be shy and ask. I plan to do a headcanon list soon and get more information out there to help people new to him understand him

Hope this helps! Thank you for reading! Means a-lot you took the time to! Thank you, and have a happy comic book reading!

[kingsmoot]

as promised my house horpe ocs loredump!! and as usual a bunch of the names in this story are placeholders because i'm just really bad at that orz i'm also picky af but if any of you have naming suggestions throw 'em out i'd love the help!!

these two are actually a reskin of my very early first sketch for rod and helicent before they developed into more fully fledged characters, so that's evident throughout!

🦋🛡

ser [first name pending] rivers

i've been affectionately calling this guy dogman! he's the bastard son of a minor lord from a serving house in the eastern riverlands. they're a very old house but they lost any of the holdings they gained ages ago and are a minor serving house like poole/cassel/mollen. he's not legitimized, but his father did claim him and raise him alongside his legitimate sons. dad had a deep and enduring affection for his mother and so too for their shared child. he sent the boy off to serve as a page at six and then as a squire at ten, hoping he could make something of himself.

he didn't.

dogman's huge. tall and broad and beefy. muscled like an aurochs to borrow a georgism. a real bear of a man to borrow another. he's got a wide, hooked nose, a heavy brow, and a downturned mouth. he smiles often and easily, and his teeth are yellow, sharp, and crooked. his large, heavy lidded eyes are a bright glistening black, and he wears his greying hair too long, past his midback. he's pale, with a greyish cast to his skin from years of hard living and going out mostly or only at night.

he abandoned his position as a squire at fifteen to kick around the free cities as a sellsword, traveling alone and earning money as hired muscle on the way. after a few short years he got overly fond of gambling and returned home with his tail tucked between his legs after giving up everything he had to pay off his debts. once home again he hunkered down, waiting to drink himself to death. he made money getting drunk strangers to bet on him in bar fights. he got harder and meaner than he'd already been. he was fierce, brutal and cruel, ill-tempered and rarely sober. meaner than a junkyard dog.

his father (doting, loving, hopeful) intervened and demanded he clean his act up and stop disgracing his house. not my house, is it? dogman countered. he was just as ungrateful, petty, and petulant for the rest of their fight. but dad won, in the end, and demanded that dogman raise himself to knighthood. he sobered up and made his way through a handful of tourneys. he competed well, and was charming enough to win some love from the crowds, but never good enough to win any titles or advance his cause. eventually his father (still doting, still loving, still hopeful) called in a few favors and placed a good number of bribes to get him his (ill-gained!! illegitimate!!) knighthood. (is it realistic that a serving house could buy a knighthood? idk. probably not. westeros' currency has never made any sense to me i have no idea what is and isn't expensive. but buying a knighthood instead of just lying about it feels like a grift only the wealthiest greathouses can run. well. maybe the septon was drunk and dogman's dad blew him. whatever. the truth of the matter is lost to time. maybe dogman says he's a knight when he's just a lying sellsword. who knows. he's a hedge knight of ill repute.)

dogman bumbled around as a hedge knight for a few years before joining the service of house horpe in the crownlands. and when he did, he met severine.

lady severine horpe

severine is the middle daughter of unnamed lord horpe and his lady wife. she was bright and curious as a child, precocious and adept. a perfectly capable but terminally lazy student. the type who nowadays would be said to never truly apply herself or empower herself to reach her full potential. a dreamy, adventurous girl with few real prospects as the middle child of a minor house without the charm, grace, or great beauty that might land her an advantageous marriage.

she is a small girl, with dark tightly curling hair and a thick coating of freckles across her brown skin. her eyes are a deep, luminous brown, the right subtly lighter than the left. you can't see the difference unless she's standing in direct sunlight.

she and dogman met in the yard of the horpe holdfast when she was nine and he was thirty six. severine came up to dogman as he was replacing his greaves and pointed at a big ugly scar on his left knee. how did you do that? she asked. man i was trying to kill twisted around when i didn't expect him to, dogman answered. wow, said severine, her warm brown eyes growing ten times their size, and did you still kill him? i did, said dogman, baring his teeth at her in a smile. severine's minder (a stout, red cheeked septa with straw colored hair and hazel eyes) scooped her up at this point, clucking out her apologies to the men in the yard whose practice time severine must have been interrupting.

they interacted sparingly throughout the rest of severine's childhood. sev definitely had a crush on the big ugly dude in her household guard who would always wink at her when he caught her staring. as she got older they interacted more, each of them making excuses to see the other as often as they could. dogman developed an unexpected soft spot for the girl who had no reason to be so boldly unafraid of him. in her later teens severine would ask that dogman be the one to accompany her whenever she left the holdfast to ride through the woods, and dogman would eagerly shirk any other assigned duties to be her personal guard. he told her bawdy stories about the free cities and she asked him a million questions about his rough and tumble youth to which he'd on the spot come up with colorful exaggerated lies.

severine expected to stay at her father's hall well into adulthood because she didn't have any stellar marriage prospects or a notable dowry. but when her eldest sister gwen was somehow married off to the second son of starfall (erudite connoisseurs of the @mylestoyne piaverse will recognize gwen as arthur dayne's lameass chewtoy nonkingsguard au wife we looooooooooove heeeeeeerrrr we feel baaaaadddd for herrrrr :(((( ) her father got ambitious about offering up his daughters to greater houses. i feel like he finds out pretty quickly that gwen's extreme upward marriage is hard to duplicate. he shops severine around a bit and receives a lot of eye rolls and less than polite declines. a middle daughter with a pittance dowry unnamed lord horpe? we'll pass. thank you for your ….boldness.

dogman accompanies severine and her father as they travel, and realizes he doesn't love the idea of her being shipped off to be the nothingwife of an unremarkable lord and bear his seventeenth-in-line-of-succession sons. because her sister did much better than that, after all. and if she's going to have no-prospect barely highborn no-inheritance sons they should be his. he makes mean crude jokes about severine's marriage prospects, and it makes her laugh despite the situation getting harder and harder to stomach as the "no"s keep rolling in.

eventually unnamed lord horpe gets bored of trying to replicate his dumb luck and finds severine a match on sweetport sound with house sunglass (pia, i made them both married to stars 🌟) with a third son. dogman asks to accompany her to sweetport as her personal guard, and unnamed lord horpe gives him a hard time about losing a man and who will replace him and what about this that and the other thing before telling him that severine came to see him that morning to request the same. it'll be good for her to have someone familiar to her, he says. she'll do better with some comfort of home.

severine's marriage to unnamed lord sunglass is uneventful. he isn't overtly cruel but he also isn't like. interested. they have a tepid political marriage and don't talk to one another very much. it's like. as fine as something like that could hope to be.

the actual interest i have in this story is the relationship between severine and dogman and the skulking around they do in the woods and along the coast and in the unused rooms of this new keep. they're both outsiders, now, and they both remind one another of home.

as reskins of helicent and rodwell their relationship is focused on the things that fell away from those two as they grew into their own characters. an improbable, cloying, and enduring closeness. a class divide the both of them like exaggerating. a nearly thirty year age gap. a big slavering junkyard dog of a man made suddenly tender and gentle by his love for a small, delicate girl. it's so tropey in here!! it's like a silent hill fog of all my favorite clichés has draped itself across the land!!

dogman's not that old, but he has a lot of old and serious injuries that bother him more when he moves to the cold rocky coast. severine likes tending to and fussing over him and he likes being babied. she likes reading out loud to him and doing care tasks for him that are beneath her station, like mending his clothes and helping him bathe. he jokes that he should've made her his squire when she was little and she laughs it off while knowing that she dreamed of doing exactly that when she was a young girl.

the thing that made their story snap into place for me is that i realized i don't want them to carry on their affair throughout severine's marriage indefinitely. after a few years (during which she does dutifully produce a few heirs for unnamed third sunglass son) dogman is like let me take you away from all this. we can run away. i've lived in the free cities i could do it again. and severine is like i have legitimate doubts about your ability to provide for the both of us. you descend into violent uncontrollable alcoholism pretty quickly when circumstances allow for it. and dogman's like well this time it'll be different. and severine is like i doubt that as well. but after a few back and forths and after she lists all her reasons to stay (i have children here! i've only ever known a life in westeros! i was passed from my father's house to my lord husband's! i couldn't make it on my own!) dogman like sadly admits defeat and is like fine. if you never want to leave then neither do i. if you don't trust me to take care of us both alone then neither do i. i'll die on this rocky shore standing a few paces behind you and your lord husband and your legitimate children. that's all the gods have planned for me. it's a better path to the grave than what i might've hoped for twenty years ago. and severine is like ok. let's leave tonight.

and they do. not that very night and not with only the clothes on their backs but soon after and without much else.

they escape under cover of night and live under false names in the free cities, probably taking far more precaution than needed. i don't think anyone would expend serious resources looking for them. it's probably a couple weeks before unnamed lord sunglass realizes his wife is missing.

and for a little while dogman makes good on his lofty promises to keep them fed and housed and safe. and then one day, because he makes his money doing dangerous, violent errands for people who don't want to dirty their own hands, he gets a spear through his left thigh. it shatters his femur and take a good healthy chunk out of his muscle. he's laid up for months, unable to walk even with assistance, and severine is too small to support his weight or help him get around.

dogman lives, and he is eventually able to walk medium distances with a cane, but from that point on he's dependent on severine for their joint survival.

i'm not certain what that looks like for them at this point!! it'll come to me eventually i am certain. but i love the concept of a dynamic that starts as "i will always be bigger and stronger than you and you will always be safe with me because i am capable, cunning, and adaptable enough for the both of us i will be your father figure put your tiny hand in mine i will be your preacher teacher anything you have in mind" and then in one horrible instant all of that disappears and something entirely new is forced to take its place.

[jaelami]

Love and Deepspace: Caleb and Bad Writing (Long, LONG Rant)

I might be in the minority here but I'm not liking Caleb at all. (Edit 1: I said the wrong thing here, I do like Caleb. I think he has the potential to be a good character. The hate comes more from how Infold has done his story. Well, the story in general.)

I'm not bothered by the childhood friend thing. So that's not the issue I'm having. I'm just not liking the story. I feel like it was rushed which I know it probably wasn't but it feels that way. And it shows the bad writing of LaDS when it comes to the main storyline.

The way the MC is glossing over some huge red flags and blaring warning signs, it pisses me off. We get a tease of her fighting Caleb's yandere tendencies but she still lets it happen anyway. Infold really wanted to rush the relationship. They sure as hell don't know how to write a slow burn or even a medium burn.

Even Sylus, who has had less story and less everything, had more back and forth with MC than a supposed dead guy. MC hated and was annoyed being tethered to Sylus. Was annoyed when he appeared when she was with friends or with other hunters (conveniently when Xavier is not around).

Back to Caleb: Then there's the fact he is the only LI that wants to baby her in every aspect. The other LIs knew she could kickass and let her. Do they want to protect her? Yes. Do they protect her? Yes. But do they know she could do it on her own if needed? Hell yes. Caleb still thinks of her as the little girl who was afraid of thunderstorms. He constantly thinks of her as the girl who made childhood promises to him. And let's not forget, he drugs her to "keep her safe". He uses his evol to keep her in place. He locks her in her room. That is horrifying. And she glosses over it!!!! Everytime!!!! When she wants to "go out with friends" and he won't let her. He finds ways to keep her there. She doesn't question it.

Do I mind dark romance? No. I read dark romance but at least the FMC doesn't fall for MMC immediately. She thinks shit through. MC on the other hand doesn't bat an eye. Caleb has returned from the dead. Great, be happy. But don't just ignore that he's returned with issues and secrets. We can obviously see that he is not mentally all there. Don't just tell him everything and not be concerned that he's not reacting to shit. She's not really questioning the fact he is still alive. Not a priority, I guess.

She proceeds to tell Caleb everything about the papers that Grandma gave to Zayne (not Caleb btw) to give MC in the time of her passing. MC is not at all concerned about the consequences of doing that. She sees and hears Caleb being involved with the Professor and she still doesn't consider that a huge neon red flag. Instead she does everything in her power to excuse his behavior. What? He even tells her, "You think I have a chip in my brain?" He knows she's worried about it and still manipulates her into moving on from the question. And she does!!!

And then there's Zayne, who is also in Skyhaven, because of course he is, and still she doesn't tell him anything about Caleb even tho he was Caleb's childhood friend too. Or she doesn't go to him to ask for help. She was drugged by Caleb and she doesn't tell Zayne, her doctor. Zayne is literally there for no real reason in the story of Caleb and MC. He was used as a plot device for a different part of the story. How has Zayne not heard of Colonel Caleb? It seems that Caleb is a big deal in Skyhaven. Yet he doesn't know? I feel like Infold isn't going to have these two characters interact at all which would make no sense story wise.

We have these characters existing in one timeline/storyline together and we are supposed to believe they don't know about each other or MAYBE know about each other. Xavier literally lives in the same building as MC. He can enter her apartment at any time. She told him his fingerprint will let him in. She gave him the permission to literally barge in. He's her partner at the HA! And yet!!!! He never sees any of the other LIs come to her apartment? And he's conveniently missing when hunters are involved in the other LIs storylines. It's always another male colleague that she works with. It's getting old and stupid real quick.

The theory of the LIs being each other's antithesis makes no sense when they never acknowledge each other. Xavier/Sylus, Zayne/Caleb, Rafayel/LI6, really falls flat. It can't be they are different timelines or parallel universes when the storyline plainly connects them. In chapter 4, Caleb and Grandma talk about Zayne. They want to invite him over for dinner. And that's not the only time when the story connects the LIs. Zayne goes to check on the guy who has a mermaid skeleton in his living room. Rafayel gave the collector his painting that was slowly killing him. They all know about Onychinus which means they should know who Sylus is. And let's not forget Tara has met Sylus. Does she not mention him in front of Xavier?

I mean, come on. Math is not mathing.

Either Infold is purposely making MC dumb, because let's face it she makes some of the worst decisions, to explain the bad writing or they don't really know how to connect the storylines at all. (Edit 2: MC isn't dumb per say she lacks critical thinking skills sometimes. Maybe that's a better way to put it.)

I don't count the many 4/5 level special cards as a part of the main storyline because if that was the case the girl's evol should be teleportation or multiplication. Cause they all conveniently happen at the same time.

I know all of Caleb's cards aren't out and his storyline isn't complete (most of his cards are from the past) but that doesn't matter right now. It doesn't excuse the rushed feelings MC has in the present. Also in chapter 4, it is implied to us, as viewers, that MC didn't have romantic feelings for Caleb. They treated each other as siblings. (I know they aren't. I'm talking about how MC treated him in chapter 4.) Did Caleb have feelings? Yeah, that was obvious.

I don't know. Time will tell, I guess but so far the main story update has been disappointing for me. I want a VILLAIN romance but, please, do it well. I have the morally grey storyline with Sylus (kinda). Give me a well written Villain love interest. Don't rush it. Give me, present timeline yearning not past. Give me a slow-ish burn. Let MC and Caleb fight. Give me, knife to the throat romance. Don't make MC so gullible and naive. Let her ask other LIs for help when Caleb is stepping out of line. Have her question if he loves or is just obsessed with her.

Viper literally says that Caleb is obsessed with MC not in love with MC. He, a mentally unstable man/robot person, can tell the difference. MC is twiddling her thumbs and pretending not to see it.

Was Caleb in love at one point? I think so however with time it has twisted into obsession. (Edit 3: I'm not saying Caleb doesn't love MC now. I'm saying those feelings have twisted more to obsession. Like maybe whatever the Professor did, did something to his feelings for MC. And I know MC will enable him like MC does with Xavier. MC be freaky that way. That's not a bad thing for a FICTIONAL scenario.)

Also Kevi and Mia?! That storyline pissed me off. She literally sees something is wrong with the twins and does nothing. Mia doesn't give info to anyone because she doesn't trust them. Unfortunately for Mia, she put her trust in MC and that was a mistake because, as mentioned, MC is stupid. MC goes to where Kevi is hiding and doesn't take Zayne?!?!!? Doesn't take Kevi to Zayne immediately even tho he's ill. Why the fuck not?!

Kevi tells her point blank he was afraid of the Fleet and not to be trusted and she doesn't think it's bad when the Fleet got to him? No, because it's okay cause Caleb was involved? He was conveniently found by Caleb? That's not suspicious, that's not weird. Kevi must be okay. But wait, there's more! Mia conveniently dies right after. Neither Zayne or MC does anything beyond mentioning it was a weird coincidence. Not at all suspicious, apparently.

What the actual fuck? (Edit 4: I am aware that more happens than just casually mentioning the situation. I did, in fact, read the story. I just think certain choices leading up to Mia's death and Kevi's forced adoption could have easily been avoided or at least better written.

MC puts her trust in Caleb to do the right thing even tho she knows and acknowledges he's not the same anymore. I don't think I'm wrong for saying that it's a stupid choice story wise. It's obvious Caleb doesn't put his full trust in MC, but MC does. It causes an imbalance. We know MC can be and has been a badass; why diminish that?)

How is anyone not annoyed with the storyline? It makes Caleb a really bad character and LI, it further proves MC is dumb as shit. She's so easily manipulated and so impossibly naive.

No. No one cares because he's the Winter Soldier. Omg if real money is going to be spent on this godforsaken game make it worth it.

I was so excited for Caleb too. It's just sad.

(Edit 5: Because someone mentioned this 🙄, I'm aware that this is a Reverse Harem. I don't know where I said it wasn't. Besides this rant is based on the MAIN STORYLINE ONLY. NOT THE INDIVIDUAL CARDS.)

Also a random note, I don't like the voice of Jenna. It doesn't fit her at all. Not bashing the VA at all. She has a great voice. It's just not a strong voice for Jenna.

(Reminder: Before someone calls me easily manipulated, please note I was able to piss you off for criticizing a mobile game and a FICTIONAL character. I don't mind having adult discussions about LaDS but be an adult about it. I enjoy different perspectives and I'm not set on my opinions about the game. My mind can change depending on what comes next. It makes discussing/ playing the game more fun. I am allowed to express my opinions and feelings on what is out. If my opinion makes you so angry to the point of name calling, maybe you need to stop playing. A parasocial relationship to pixelated men is not a good thing for your mental health.)

[rosakuma]

Predictions on Tetro Ch.4 motive, victim and killer

So..that Tetro Friday huh? Beautiful with a lot of great moments, especially heavy ones(god Bruise and Refulgence Post mortem killed me). Not to mention DEATH FLAGS!

Since the victim reveal nor motive hasn’t been revealed yet, I wanted to take a shot at determining what’s going to be the motive, who’s most likely to die this chapter, and who could be the possible killer before this next batch of episodes on Tetro Friday.

Obviously if you haven't seen chapters 1-3 or the current episodes of ch.4, go watch first before clicking below.

So for starters, lets go over who’s currently alive.

Takeshi Ojima

Hiroaki Nakamigawa

Shigeki Yangai

Ken Hasegawa

Ran Hama

Nishino Watari

Ruiko Tamba

Mai Hayashi

Masanari Wada

9 people alive with 3 girls and 6 guys. We know before hand that the killing game is only going to last to 5 trials, meaning 5 people will be left at the end(as I doubt we’re getting another double murder). Now looking at the gender ratio, we’re definitely either going to end up with 3 guys and 2 girls at the end, 3 girls and 2 guys, OR 4 guys and 1 girl. Personally I’m thinking we’re going to get similar to canon DR2 of having 3 guys and 2 girls as the survivors.

So to help limit our options from who’s dying, let’s go over who I'm certain will not die this chapter out of the remaining guys and gals.

Masanari Wada: Yeah I’m 100% certain that Wada won’t die this chapter and even become a survivor. With how his character going, he gives the vibes of someone who’s both going to thrive to be better in taking care of themselves for those who died that wanted him too and to live on with the deceased’s memory as Wada promised to call everyone’s families to let them know what happened. Wada has also went through a lot of torture through this killing game of losing the two closest people of his life, having been a abused victim and stuck through foster care to end up alone, being forced to stay up and getting blamed for falling asleep, and traumatized by Okazaki. Sure, we have Kamimura as an example of someone who also suffered a lot in their life and was striving to become better before having that taken away from them. But I don't think they would do that to Wada as what purpose would it serve to make him go through all of that and just…kill him near the end. Not to mention there isn’t anyone alive I feel like they would need to kill off Wada for their development unlike with Kamimura and Ken.

Nishino Watari: My girl Nishino will live, SHE WILL LIVE! Okay but serious note. My current idea is that all of the survivors will be people who lost someone close to them in the killing game. Watari would be the only representative for Okazaki since no one was close to her before she died nor like her. As for in her character spotlight, we see how she’s been coping through the killing game of just trying to have fun since before she never had any time to before with taking care of her siblings. We also hear that while she has had thoughts of killing before, it was mostly only during ch.1 with the sleep motive for a split second. Watari also the most friendly of the cast with getting along well with most and being friends with Hama while trying to help out Wada and Ken. Currently she doesn't show any signs to me she’ll either kill or become the next victim. So she’s safe

Ran Hama: Hama not dying, cuz Hama is too badass for that. Not to mention to live on for both Chiba and Haruda’s memories. I feel like Hama might break the Wada curse of “One of Wada’s closest friends ends up dying soon” pattern that’s been going on at least with Isono and Tsuno. Hama like Nishino is also very friendly and tries to be helpful when he can. He even lets himself starve back in ch.1 to not let Chiba have that punishment. So regardless of the motive this chapter, I think he would be able to handle it and not be pushed to far to be a killer.

Before I go into the people who I do think is going to potentially die this chapter, I want to make a quick section on two characters that are 50/50 to me just because of something in the story or that I realize as a possibility. The two in question are:

Ken Hasegawa: Okay so Ken is 50/50 on me because of the latest episode of him and Hama along with how he’s been after Kamimura’s death. Its concerning to a certain degree on if Ken might end his life or allow someone else to as he seems very lost and lonely without Kazutoshi by his side. Even the thought of his family back home doesn't seem to motivate him to make it through. His entire world just seems grey….Though this could just mark Ken’s development of figuring out what he wants to do in life and to carry on Kamimura’s memory as he fits with my survivor theory mentioned in Watari’s section. Especially with being the only person alive who knew Kazutoshi and cared for him deeply.

Hiroaki Nakamigawa: Okay so before I was fully confident that Hiroaki going to be a survivor as he has gotten the most development from how he started and even have multiple connections to those who died even if some were small(Sasaki, Chiba, Tsuno) and Ojima too if he died. But a part of me is like “What if they kill off Hiroaki as either a sacrifice to save the group or rather to let Ojima live to pursue his life with the help he needs and chance to be a kid again?”. Because I could see that especially since despite the death flags, perhaps Ojima might be lucky and be bless by the narrative to let him be happy for once. But then again, I see this more as ch.5 than ch.4, so I think he’ll live for another chapter or to the end, who knows?

Now time to who I think will be the potential ch.4 victim and killer! Starting with:

Takeshi Ojima: My boy is doomed..like look at what happened to Ken and Kazutoshi…Hiroaki losing his man 😭 With the episode [Young Forever], it feels like this is just going to cruel foreshadowing that Ojima will die forever young. Never being able to recover from his trauma that cost him his childhood and being able to become strong to not live it take over his life anymore. The latest episode [Bruise] doesn't help either as it just nails down the potential tragedy yet to come. Even earlier in ch.4 Monomoko noted how it would be such a waste to lose someone like him as he’s very valuable to society in her eyes. Not to mention Hiroaki in [Forever Young] saying THE EXACT THING HAMA SAID TO CHIBA BEFORE SHE DIED! It just spells out doomed by the narrative for him. If Ojima dies, I feel like he would be a victim more than killer mostly due to his maladaptive daydreaming making him vulnerable and how I can’t see him that desperate to kill anyone in the killing game really. At least not yet. Now to whether he dies this chapter or the next will be determined. Personally I think he won’t dienuntil ch.5 IF he were to.

Mai Hayashi: Mai with being the focus of so many things rn does feel like its leading to her death. She’s now letting herself be vulnerable with explaining how she just been trying to save everyone with breaking the door, but paying for it with being beaten badly. She had a fight with both Tamba and Shigeki, but has made up with them and promising to teach Tamba to defend herself and go on that totally a date with Shigeki still. We learn from her conversation in [bruise] she went through an incredibly f*ck up situation of being kidnapped as a kid for year before she escape. To which she was able to adapt from it, got stronger, and even killed(though by accident) the same guy who kidnap her as a kid. To which it seems Mai has completed of being able to overcome her dark past to be strong to face forward. And now she’s holding everyone’s student profiles all in her room…if that doesn't spell out V I C T I M then idk what. I mean it would be expected that Mai couldn't be killed easy, but this is Danganronpa and twist can happen(how else were they able to kill all the buff characters each ch.4 of the main games?). The only other way I can see her surviving this is if Shigeki takes the bullet for her and prevents whoever would be the killer of this chapter from killing her.

Shigeki Yangai: Guys I’m sorry but Shigeki 100% going to die this chapter. We already know he has a destructive behavior of trying to allow himself to be of service to any girl(or person in general) he feels need to protect from anything unfair or dangerous to him. Not to mention how much he cares about Mai, who I think it is the second closet to him of being the possible victim of this chapter. So of course Shigeki would die to save Mai’s life over his with how he feels she needs to start caring about herself. Its even worse if he ends up finding out what happened to her in the past maybe from her student profile. I could either see him as the victim dying from protecting Mai or the killer who killed whoever was about to kill Mai or anyone else. Also this does not help his case

Ruiko Tamba: Okay I know a lot of people are “Survivor Tamba” truthers and to be fair, I was thinking she would be one too. That is until I realize that she could possibly be the ch.4 killer. Hear me out. Tamba up to this chapter has somehow surviving this long despite being a combination of careless sometimes, not helpful at points in the trials, and saying mean stuff at times even if she doesn't really mean it. She even acknowledge the fact she somehow made it this long and questions why in [Aftermath of a Sudeen Death]. Why was she the one of the lucky few to make it passed 3 trials alive? Taking the fact that Mai now is training her to defend herself as Mai can’t protect her forever. I could see Tamba taking the risk of killing to survive or even doing an accidental kill in self defense. Perhaps she ends up killing one of the previous victim choices due to an accident where she thought they were coming after her or maybe even thought the victim was coming after Mai. We know Mai means a lot to Tamba as well, so it makes sense she would try to protect Mai like she always protect her. Also Watari back at it again with cursing someone to die in her interview

So with the potential victims and killers chosen, what is the main motive I think might lead to any of these potential killings?

Motive idea 1: Food

We know that this next motive is supposedly cheap within the budget of the killing game noted by Dr. Yonekura. And what would be the cheapest way to save the budge? Easy! Just don’t restock the fridge. Each motive so far has been motives that challenge the cast’s physiology state with their sleep, senses being heighten via adrenaline, and temperatures being dropped. So taking away their food supply where they only have a limited amount left would definitely lead someone to kill. Also the episode [73.4] has me worrying this will become true as Shigeki trying to reassure Wada that they still have food is going to bite him in the back for jinxing them all. Some characters like Wada or Hama would be fine with this motive for a bit in terms of standing it as we seen them gone without food for long periods of time. But this still could be tough on Wada being a potential target for someone since everyone knows he has a food stash. Then again, the alternative could be Wada sharing his stash since he doesn't really eat from it.

Motive idea 2: Student Profiles

Yep! That’s it, the student profiles is the motive. I mean, they did just slap them there easily for anyone to grab and the students did the work themselves of making someone a target for carrying all the profiles on them. No need to worry about spending money on anything fancy, just some juicy information is all they need.

Motive idea 3: Power

Another easy and cheap motive that could save on money for the budget is power. Simple enough. The students don't have power to anything. The lights are out, the fridge is out(which also could count for a food motive too as their food will spoil if they don’t eat it all or go to waste), maybe no working water either. Being stuck in a dark school with food that’s spoiling all while being stinky and put in a vulnerable spot to be jumped in the shadows could make a good motive.

So with all of that done, what do I think is the most likely outcome with these predictions?

My pick for victim, killer, and motive are:

Shigeki, Tamba, and food for the motive. I can see either Shigeki or Tamba killing each other in self defense to save themselves and someone else(this being Mai or maybe even Wada if say for example Tamba was going after Wada’s food stash and Shigeki protected him from her). The food motive I feel is being foreshadowed with Shigeki’s conversation with Wada in [73.4], plus it fits the requirements of being cheap.

One last note I wanted to say is while this is not guarantee. I do think we’re going to have a male victim this chapter and the final chapter since when you think about it….Kazutoshi has been the only male victim of the cast. Plus maybe not for this chapter since I think Tamba going to be the killer, but chapter 5 probably going to have a male killer with how we haven’t had one since Haruda.

Hope y’all enjoy this prediction post and we’ll see if I got anything right next time on Tetro Friday.

[thefruitonyourfly]

Just read a comment under a magireco Madoka's magical girl sequence that said "now Madoka is a badass" and I was like HUH

Like did some of you watched episode 12 blindfolded and with ear plugs? Because I don't think you guys truly grasp the scope of what Madoka did that episode: The Incubator has been on earth for a MILLENNIUM, meaning that has been thousand of girls before Madoka who have tried to outsmart his system and met a terrible fate for their attempts, but only Madoka has been able to beat him, do you guys understand that? The smartest and strongest girls have tried, but something always thwarted their plans—be it their potential not being that high or Kyuubey twisting their words so it would be in his favor instead—But Madoka had something they didn't and it was her circumstances (Homura and the timeloops), Madoka knew her wish would come at a great sacrifice, but just like Homura said in Rebellion "She rose to the occasion" because she knew it was something only she could do; No one would ever have the perfect circumstances to make that wish like Madoka. So, she did it.

When Madoka made her wish and Kyuubey hesitated for the first time in the series because he understood the implication of it, Madoka said to him: "Now, grant my wish, Incubator." When Kriemhild Gretchen was born and Kyuubey thought he had the advantage back again because this witch could literally swallow a planet and Madoka killed her with one shot. Madoka won, essentially. Like her system isn't perfect, Kyuubey isn't dead, and there's still suffering, but it was the best wish for the magical girl kind as a whole, and all improvements are only possible by what Madoka did here. She played within the Incubator's system and rewrote it. She is the most powerful character in the whole franchise and arguably one of the most powerful characters in anime. "But didn't Homucifer defeated Madokami?" Well, sort of. Homura's win is, ironically, also due to extreme circumstances, only Homura could've done that and only within this one scenario: and even when she won it's heavily implied that if Madoka even has a slightly moment of deja vu it's over for her, she can't win against Madoka on fair terms so even Homura herself can't achieve that feat again. That's just how powerful Madoka is.

Do you guys understand that?

And here's the thing: my problem with that statement isn't even that I don't think magireco Madoka isn't as cool as Madokami, I think she's badass too. Is just like, I thought we all thought Madoka was cool as herself?? Like even without being a magical girl or a fucking godess, Madoka was cool as shit. When Madoka risked her own life to save the lives of her friends and strangers at the warehouse? She had no powers, no backup, and had just watched Mami die to a witch and yet she still followed Hitomi. But people only want to see Madoka's character as what the witch showed her afterwards, her own survivors guilt and perceived weakness and cowardice over wanting to live and not be a magical girl despite what she promised Mami, and yet the scene prior to this conflicts with this idea. Madoka not only can risk her life for others and save them when the need arises, but she already has. Even without being a magical girl. It's just who she is. This, to me, is one Madoka Magica's core strenght as a show that Madoka spent the majority of it being the most "powerless" in almost every scenario and yet she still tried her best to overcome things, even when it didn't work It was never worthless, if anything it proved her own strenght of character and without it she would've never gotten as powerful how she is today.

If Madoka hadn't been kind to Homura on her first day of school, if she hadn't done the simple act of reaching out to someone she thought was kind shy, none of this would've have happened. Her kindness did this, not any other power.

My favorite thing about Madoka's character arc is that Madoka starts as a very naive opmitimisc girl and with a somewhat sheltered view of of the world, then she goes throught horrors few can understand and while she could (understably) become bitter with the world and grow to despise it, Madoka comes of it realizing...she was right. Madoka has felt the pain the world could give her in her own skin, has literally died, and she now thinks Hope is needed more than ever. And it saddens me a lot when people don't understand how strong and cool she is because of that, to be hurt and choose to be kinder and more understanding to yourself and the world in return, because the world can be better we just can't give up...

Basically what I'm saying with this that if you don't like Kaname Madoka, fuck you—

[hello-nichya-here]

I saw this take on Azula. What do you think:

“the way the atla fandom treats azula reminds me so much of how the spop fandom treats catra. don't get me wrong, i actually love azula, i think she was a very interesting and complex character. but that doesn't take away from the fact that she was still dangerous and toxic, willing to manipulate and control and kill without remorse.

one huge example of azula being coddled by the fandom is when the comics came out, and she was restrained and put into a straitjacket. i saw many fans complaining about how this was ableist and demonizing trauma and mental illnesses.

which.. i mean i'm sure azula has her fair share of mental health issues after all that she went through. but she wasn't restrained because she was mentally unstable, she was restrained because she was (at that point) the strongest firebender who could and would kill everyone in a heartbeat.

literally it feels like people sometimes forget that this was a fantasy world where people had magic powers. azula had to be restrained because she was a firebending prodigy who has killed once, and will kill again. yes, she was mentally unstable but she was also a threat to everyone.

and you can see, in this universe, how every criminal was restrained in some sort of way. In tlok, the red lotus were each contained in custom-made high security prisons because they were that big of a threat to everyone around them. ming-hua was disabled and she was not provided prosthetics in her prison, but this was because she used water as her prosthetics and was a waterbending prodigy with criminal intentions.

if azula was mentally unstable but not dangerous, the straitjacket would not be necessary. and i know that irl there's a lot of history and ethical discourse surrounding the use of straitjackets but in azula's case, i believe it was necessary. it wasn't ableism or demonizing mental illnesses, it was simply a safety measure to assure that no one else got hurt by azula.”

The tags said “again I promise you. You can sympathize with a villain without taking away their actions that made them a villain in the first place. Just saying.”

The writer of said comics full on admited that the way Azula was treated in the asylum was deliberately to justify her condition getting worse through the story, hence her only improving when she's away from it. He wanted her to be abused to get "crazier" and didn't realize that it painted Zuko in a terrible light to allow a place like this to exist at all, let alone send his own sister there.

Azula was being restrained and beaten CONSTANTLY, despite not doing a damn thing. We see it happening. And to try and justify that by going "well, but she COULD, potentially, do something" is literally THE EXACT SAME EXCUSE that was used to justify that kind of mistreatment in real life asylums.

Much like you can't have the black character linched by the fantasy equivalent of the KKK and expect people to not see the racism in that punishment, regardless of said character being a bad guy, you can't send the mentally ill character to be abused in an asylum and expect people to not see obvious demonization of mental illness and disabilities just because they were a bad guy. This is beyond just "Azula, the character, deserved better", this is a case of "these writers are telling their audience, of mostly children, that ableism is okay"

Atla is a fictional story, yes. One that literally said "everyone is capable of great good and great evil." One that shows us characters overcoming trauma through spiritual healing. One that shows us a criminal in the freaking Boiling Rock getting treatment for anger issues. One that literally Zuko himself say Ozai is not beyond saving, even if he understandably doesn't feel like sticking around to see it or try to play any role in it.

Anything that goes "Actually, just beat the villains into submission, no mercy, or second chances, or basic human decency, ever" is an insult to the message and to the original show - hence why Korra and the comics should have never fucking existed.

You can enjoy Azula as a villain and not want her to be redeemed without excusiving bad, intolerant writing just because it has bad things happening to her. I promise.

[hellslayersomething]

I feel like I should write out some proper thoughts about my opinions on Veilguard, or at least an outline for the much longer essay that is currently calcifying in my heart. It's a mixed bag of a reaction, and I'm not going to compliment sandwiching any of it--this is all just stream of consciousness, so I'm probably going to snag on the negative and spiral down that pretty quickly. Spoilers, obviously:

I liked the battle system. For the first time in a DA game, it actually felt satisfying to play and had its own identity. I do wish the Pokemon element aspect was a little better balanced among the companions, but overall it was great.

That said, considering the length of the game, they needed way more enemy diversity, especially with the bosses. Eventually I was just fighting dragons, and every dragon had essentially the same moveset, one of those moves being "the dragon trips over her own dick and face-plants on top of Rook", which sure doesn't make the fights feel epic. Even very unique characters, like the Gloom Howler, were just reskinned basic demons when it came time to fight them.

The decision to tie companion approval to companion levels was a mistake. A massive and extremely obvious mistake. No wonder there are no disagreements or tension among the group--the game can't let you lose affinity with your team members, because then it would have to account for you leveling them down. The gameplay design here strangled the narrative design in its crib.

Speaking of narrative design: while I appreciate that the modular approach to companion arcs was experimental, it was extremely weird of them to take that approach in the only DA game where all companions are required. The story doesn't have to be written to account for the fact that you might not recruit some of them or they might die early--so why didn't they write one story about Rook and their seven friends instead of one story about Rook and also there are seven smaller, unrelated stories of extremely varying quality shoved in next to it?

The hyperfixation on the companion quests paired with their complete compartmentalization from each other means that each companion basically has nothing going on outside of their own quest and very few opportunities to engage with other characters' quests.

I was so starved for conflict in this game that I went from Solas-neutral to Solas-positive because he was the only character who the game allowed to be a bitch to me, and I respect him for that.

I do like all the horrid little sons the game gives me. I think I would appreciate them more if there was anything bad or tense happening in the story on a personal level that required some comic relief, but I am a sucker for a funky little guy none the less, and Manfred, Assan, and Spite are the perfect trifecta of funky little guys, as far as I'm concerned.

"We're only going to do character cameos if it's important to the plot." *does what they did with Isabela* Okay, devs.

"We aren't importing player choices but we won't override your decisions either." *several codex entries overriding player decisions later* Okay, devs.

I like the companions, generally. I see their potential. Fanfic will do right by them. Harding, in my mind, is the weakest of the bunch, just truly having no personality to speak of and talking like she was written by a Boomer who thinks that Millennials are still teenagers. (Everyone responsible for her uttering the phrase "Awkward..." like she's a character in 2011 quirky girl sitcom should be tried at the fucking Hague, istg.) And while I like Bellara, it was extremely frustrating to have a character that's just "Merrill, again, but with the edges sanded off". Taash and Emmerich are also glaringly the last additions in the writing process, each belonging to one of the two most underbaked factions and neither of them being tied to any of the game's few "big choices". There's promise in this cast, but I don't think any of them came close to realizing their potential.

Davrin and Emmerich's companion quests felt appropriately scoped to the size of the questlines, had good emotionality, good antagonists, and expanded on the lore of Thedas in ways we hadn't seen yet.

Lucanis's companion quest had potential, but it was too unfocused with three antagonists, too much attention to the boring Venatori shit, and not enough examination on Illario's motives or Lucanis's relationships with either Spite or Illario.

Harding's companion quest was fine, I guess (the people are starving for dwarf lore), but Harding could have been swapped out with literally any other dwarven character who wasn't Sandal and nothing would have been different. (Also weird that the whole quest was basically about Sandal while simultaneously fully removing Sandal from the narrative.)

Bellara and Neve's companion quests were just nothing. Just a whole lot of nothing. And Neve's also suffered from what I like to call "machete editing", where it is glaring obviously where things were cut, changed, moved around, and added at the last minute.

I say, from the bottom of my non-binary heart: Taash's companion quest is total ass. Real nice of Mae to come out of hiding and risk being found and executed by the Venatori to give Taash a Queer Theory 101 class, though, I fucking guess.

Is Lucanis's romance bugged? Apparently I'm not the only one who had that thought while I was playing it, so now I'm wondering. Like, there's no way they made it Like That on purpose, right?

Why and how are the Venatori still a force in Thedas, never mind a force with numbers so great (in spite of lacking a central leader) that they were able to simultaneously occupy the two largest cities in Thedas?

They literally didn't even try with the Antaam. The Venatori are at least theoretically still working to try to restore Tevinter to its former imperial might. The Antaam are just invading countries for literally no reason except ill-defined power grabs. Given the racial coding of Qunari, this writing choice sure is...something. (And that something is racist.)

That said, the revelation that the Butcher did a military tour in Europe and fell in love with the culture and just wants to drink wine and visit art museums now is fucking hilarious.

What the absolute FUCK did they do the Crows. I like the Crow characters from Tevinter Nights/the comics, and Zevran is my favorite character in the whole damn franchise, but they completely whitewashed both TN's mafia take on them and their original portrayal in DA:O. But it also doesn't really retcon anything, making it instead seem like the human trafficking and torture and sexual abuse that Zevran suffered at the Crows' hands A) only happened to him individually, and B) are fine, actually??? Even the very few times that characters express reservations about working with Lucanis because he's an assassin, if you play as a Crow, those concerns get immediately backpedaled, so the Crows end up being so ironed out that the game doesn't even let characters say of the Crows, "Murder is bad," lest it hurt a Crow Rook's feelings. That is how conflict-averse the writing is.

So I guess everyone in southern Thedas is...dead now? Several characters survived long enough to get a mention from the Inquisitor, but by the end, it sounds like Orlais, Ferelden, and most of the Free Marches are pretty much donezo. When Epler said the events in southern Thedas didn't matter, I didn't expect that to mean they were going to nuke the damn place. Even having generally enjoyed VG (in spite of all my criticisms here) that, uh...doesn't leave me enthused about the future of the franchise, ngl.

The layoffs of several writers (and other Bioware employees) before the game's release was obviously heinous. But after that secret ending, I'm now of the mind that of the writers that remain, at least a few of them need to be demoted. Like literally what the fuck was that. That was the dumbest plot point to ever appear in a Dragon Age game, and that is a high bar to clear. If you're not going to acknowledge our past choices, then keep Loghain's name out of your fucking mouths.

[conundrumoftime]

As promised to a few people, the finally finished post about why I enjoy thinking/writing about Celeborn in a Haladriel context. 

[short note to say: this is me, talking about what I personally find interesting/fun. I am not interested in trying to prove anyone else’s likes and preferences right or wrong and I firmly believe that transformative fandom has infinite space for ideas. I won’t be disclaimering every single thing in here with ‘for me!’ and ‘ymmv’ and ‘obviously not everyone’s into this, but personally’ and so on, but the fandom’s been so weird about fandom things lately that I’m adding this here at the start.]

So I am deeply into Haladriel as a ship (this is probably not a huge surprise after two years and 30+ fics). And I’m also really interested in Celeborn, mainly from a books perspective - for now at least! - but also in the potential of him turning up in TROP. And the thing about this is, for me: I can write and chat and think about Galadriel’s relationship with Celeborn without Sauron being much of a factor at all, but when it comes to Haladriel as a show ship it always comes with the spectre of her missing husband there at the back of my mind.

This works great with my general shipping tastes. I don’t care much for love triangles in the traditional ‘heroine must choose between two romantic interests’ sense, but I love ships that get tangled up in each other; I love established relationships being complicated and interesting; I love conflicted feelings and divided loyalties. So it is very much a feature, rather than a bug, to be thinking “but she’s married and the husband’s going to come back at some point, so where does that leave this ship?” Because that’s the fun question: where does that leave this ship? 

When I’m writing Haladriel, Celeborn intrigues me in his absence. I like thinking about what fleeting thoughts Galadriel might have about him, and how that fits in her head with how she’s thinking of Halbrand (before or after she learns who he is). When she describes Celeborn to Theo, her memory of him seems very bound up with her memory of her younger self - they were happy, there was dancing in flowery forest glades, she didn’t really think the war would affect her - and it feels like she’s mourning that younger Galadriel as much as she is Celeborn. 

So how does the idea of feeling close to someone else now, feeling desire for someone else, sit with that? Would she feel guilty? Would she find herself comparing who she is now and who she was then? Does anything she feels for Saurbrand remind her of how she felt about Celeborn - the attraction, the bickering, the sense of being really deeply seen - and is it “this is so different” or “this is disturbingly familiar”? And if it’s the second one, how does she process that with the knowledge that this guy is Sauron? 

And he also intrigues me in his presence, and all the possibilities that creates.

At the moment in TROP canon Celeborn isn’t there. With the exception of Galadriel’s “and my husband” lines to Theo, he isn’t even mentioned. He’s been gone a very long time and it’s unlikely any of the characters we’ve met would have ever even met him other than Galadriel and possibly Círdan (and given that Adar mentioned Melian, possibly him too). Galadriel thinks he’s dead, an entirely reasonable assumption for a soldier who didn’t come back from battles that looked like this:

Which feels like a deliberate echo of the First World War that Tolkien fought in (another one I can think of is the Númenorean volunteer soldiers going off to war through cheering crowds): 

One of the many newly awful things about that war for Tolkien’s generation was the sheer number of the missing, soldiers who were never buried at all or whose graves say ‘Known Unto God’. The Menin Gate memorial to the missing has fifty thousand names; the idea of the Tomb of the Unknown Soldier came about after this war, a way to give a grave and a funeral and a ceremony to one soldier who stood in for them all. So the idea of a character who went away to the war and then was never seen again feels fitting.

But the thing is, we know Celeborn isn’t dead. We know he’s going to come back because unlike the characters, we know what happens in LOTR; we know this show’s set up as a prequel; and we know the Tolkien estate has rules in place about how far it’s allowed to diverge from where LOTR ends up, including ‘no killing off characters who don’t canonically die then’, so he’s almost certainly coming back in the show itself. 

So in show canon Galadriel will end up where she ends up in canon-canon. (This is not a show prediction (although I do have those too!), I’m talking about where her story ends up by LOTR). She will have Celeborn back; she will describe him as someone who has stood by her for thousands of years while they have ‘fought the long defeat’ together. And she will be leading the fight against Sauron in a very personal way, stuck in mental warfare with him, ‘ever they strive now in thought’ - and in TROP fic where I’m playing about with that connection as an interpersonal one that goes back to Halbrand, well, what does that mean for her and her returned husband? 

So I like thinking and writing about how those two people and two relationships sit together in her head. I like thinking about how much Celeborn must know about it, three thousand years later. (I joke about Celeborn occasionally being her answering service when she wants some time off from the mind-battle: sitting by her Mirror reading a book with his feet up, saying ’She’s busy just now, please leave a message’, or joining in with the ‘fair as the sea and the sun…’ in a slightly bored tone when Sauron tries to shock him with it. He fell in love with rebellious “I don’t care what the gods say” First Age Galadriel, he knows who he married). 

And for both of these, I find the relationship that TROP has set up for its take on Galadriel and Celeborn to have such potential for playing around with in fic. (Canon might let me down! But there will always and ever be AO3.) Because they’re not the two people they were, so they will to some degree have to get to know each other all over again. How do you reconcile someone who exists to you as a memory with the reality of them back now but changed maybe just as much as you’ve been changed? We know where they started, and we know where they end up, but this whole middle bit of their relationship in TROP canon is hugely uncertain and there are so many intriguing and wonderful ways it could play out. 

And I like thinking about what other angles the presence of Sauron adds to Galadriel and Celeborn’s book interactions, in this take on the story. She calling him “giver of gifts beyond the power of kings”, he calling her his “treasure”, which in his Sindarin would be ‘mîr’ and so could be equally translated as ‘precious’… Because, if he comes back in TROP canon when Sauron is still a very active adversary and antagonist, then they have to rebuild that marriage with his presence as this huge weight that’s just There. What has he been to them both? And where might that go?

[xerith-42]

Why Blaze is MyStreet's Most Failed Character

Blame the big bang discord for this post, I wasn't gonna write it until those fucks encouraged me.

Anyways here's an entire essay about why Blaze is the most wasted character in the entirety of MyStreet and I will literally fight Jessica and Jason Bravura with my bare hands.

To get us started on our harrowing tale of wasted potential and the best improviser Jessica ever hired, we need to go back a little. Back to Phoenix Drop High Season 2. We won't stay here long, I promise, I hate it more than you can possibly know. But the single saving grace of this absolute mess of a season is ya boi, Blaze. Introduced in the 18th episode of the season, airing on April 12, 2017, with the airing of Phoenix Drop High Season 2 Episode 18, Blaze was a character who started his brief tenure series with a bang!

Literally dude showed up and the first thing he ever did on screen as a character in a piece of media we can engage with is throw someone out of a window. We do not know this mans name yet and he's already left a lasting impression. Sure throwing people out of a window is common in werewolf culture, which I don't care what you say that's objectively funny, but it is bold to start a characters entire introduction with that. Blaze comes out of the gate swinging before he's said a single line.

And then after introducing himself he throws a dead bird at Aphmau to show off his hunting skills?? Okay so he's just that fucking weird and overly enthusiastic about things I guess! That's amazing! MyStreet always shines when it just lets it's characters be fucking weird without making a big deal out of it or talking them down for it. Dottie even says that it's romantic which is again just a great showing of Blaze's enthusiasm and lack of what might appear to be common social decorum because of said enthusiasm.

This is all punctuated and brought to a hilarious breaking point when Blaze's final showing of why he should be the new top dog at his school is when the crazy mother fucker rips his shirt off to literally flex about how he's one of the hottest guys in the school. And I'm going to be real with you, given Blaze's later characterization as a himbo, I'm pretty sure he doesn't actually care about this. He just says it because he thinks it'll boost his chances. Blaze is later shown to be a character willing to throw away his reputation for the things he cares about, but he does get a rather sincere moment with Aphmau, even if she's blushing the entire time.

It shows that Blaze is not only physically affectionate, but also weirdly comfortable with his shirt off. Because this is purely objective character analysis I will not be shoving my Blaze is autistic and has sensory problems with things touching his chest propaganda down your throats, but now that I've mentioned it once you won't stop thinking about it when this comes up.

The show admittedly fumbles the bag a little by having Blaze say in his internal monologue that he thinks Aphmau is cute and acts kind of like a tsundere, but this is Jesson writing so there's always bound to be a bit of That Shit. But in spite of that, Blaze is a character who has an instant impression that leaves a lot of room for comedy potential, and just good ol' fashion silliness. And while the werewolf plot of Season 2 is... bad, Blaze and the Werewolf Pups are stand out characters in the sense that their characterization leaves a lot of potential if they're in a different, better written story.

And even if the arc is bad, Blaze still is a quality part of it. His shallow but hilarious initial characterization gets built on in some really solid ways. Namely in how he acts as a force for good in Aphmau's life even if she doesn't realize or give him permission to do it. This entire season is about how the different men in Aphmau's life handle helping her in a crisis, and funnily enough, in a season centered around Aaron literally overthrowing Aphmau's new love interest, Blaze is the one who was consistently doing what was best for Aphmau.

Aaron fumbles the ball more than a few times, Ein is shown to be actively malicious, and Kai gets hate crimed. But Blaze, who's barely even a contender in this ship war, is constantly working to actually make things better while everyone else is pulling Aphmau away from what actively matters about her position. While Ein is manipulating her and Aaron is trying to prove that, Blaze throws caution to the wind and just does what he thinks is best to restore order.

But more important than that end conclusion is his true goal of standing up for Daniel. A wolf it is established he barely knew before this year, that Blaze is willing to throw his reputation and standing in a bull shit hierarchy because he's seeing how this hierarchy is hurting someone who doesn't deserve it. Blaze is the one who is baring his fangs and willing to throw hands when Daniel cowers away from bullies. By the end of the season Blaze has been given adequate screen time to not only show off his fun and maybe a tad out of touch side, but he's been given a real level of sincerity that's tied into the things he's enthusiastic about. He loves being a werewolf, and he extends that love to all the werewolves around him, until they start being dicks to other werewolves who are literally just sitting there.

At the center of Blaze is that inherent goofiness though. He's always cracking jokes, or the joke when he's on screen, and in a series that was originally pitched as a light hearted slice of life comedy in contrast to MCD's general misery, that sort of character is needed to keep the tone. Such is show in episode 22 when Blaze is reading a book on the Scientific Method to just learn more about science, but realizes the book is upside down.

But he actually understood it enough to properly apply the scientific method to this situation?? Iconic. It's played off as a joke of Blaze exploiting a loophole to get out of class, but even that's pretty smart honestly. Blaze may be a dumb ass but he's always willing to cheat an unfair system.

Episode 22 is basically a Blaze centric episode, which I did not expect, but now that I'm rewatching it for this post it might be the reason I love this character so dearly. It's not only the episode where Blaze manages to learn the Scientific Method upside down, but also stands up for Daniel in a really substantial way. Blaze is loud, enthusiastic, and strong, all traits that are celebrated by werewolf culture, and whether he realizes it or not, him just being around Daniel can do a lot to get bullies to back off. Everyone has seen Blaze toss a mother fucker through a window, they do not want to be on the receiving end of that.

He spends the rest of the episode trying to figure out what Ein's deal is when he hears that Ein went behind Aphmau's back on werewolf matters, landing Daniel in this situation. He hears Ein actively plotting against Daniel, but that is normal werewolf behavior. He concludes that he'll keep an eye on Ein. And this through line of "normal werewolf behavior" informs a lot of Blaze's decisions once he comes to the conclusion that Ein sucks and deserves to be undermined. He resorts to letting his actions speak louder than words and goes to violence after realizing that the wolves aren't listening to reason, they're listening to instinct.

He fights fire with fire, and while Aphmau might not approve, it's more effective than her soft rhetoric has been in getting people to be less of jackasses. This eventually lands him in hot water where he steps in for Daniel after Ein tries to get his goons to beat him up, and even if Blaze is fighting in a five v one, he still goes down swinging. And I'll say it, I think it's sweet that he calls Aaron after this happens. While it's clearly meant to be a thing of Blaze calling the last alpha because he's probably the only person who anyone will listen to, there's an important detail I think is easily overlooked.

He has Aaron's number.

He says he got it from the werewolf pups, but that means that Blaze went out of his way to make sure he could contact Aaron. He's the reason that Aaron even realizes Ein is playing all of them. Blaze is the catalyst for his undoing because unlike Aaron who's nearly imprisoned, heartbroken, and been hesitant to act in the plot as a result, Blaze doesn't actually care that much if Aphmau currently likes him because he's more worried about her physical and mental well being than whether she wants to kiss him or someone else.

How many Aphmau love interests can say that?

Can any of them say that?

Blaze can.

Blaze actually consistently shows a level of selflessness that's unfitting of how I've seen some people characterize him. He gives up his real chance to be Alpha because Daniel is so compassionate and earnest and genuinely deserves it. Blaze wants to believe in a future lead by people like Daniel and Aphmau where he might not have to keep fighting people to keep things sane. Blaze constantly gives up his pride, his power, his safety just to make sure that his friends are taken care of, or to effect real change in a school he's about to leave.

It wouldn't be long after Phoenix Drop High Season 2 ended that Blaze would make his debut in the main series My Street in the second episode of Season 5, airing only a few days after the end of Phoenix Drop High Season 2. Just like before he really shows up with a bang, literally throwing himself through the air between Lucinda and Kim just to catch a frisbee because Blaze is the most extra mother fucker ever, and then immediately proceeds to flirt with them. Iconic as ever. Short but sweet.

It's in episode 3 that it's revealed that Blaze and the werewolf pups kept Aaron company during his rehabilitation year. But from the way it's worded it sounds like Blaze was called in before anyone else by Aaron's parents. Based on the way they talked and actively planned together before, I wouldn't be surprised if Blaze was the first person who came to his mind when Aaron thought of a werewolf friend.

I think Aaron reached out to Blaze when he needed it.

And even though I've previously stated that I don't think Aaron's parents initially liked Blaze because by this era he's old enough to fully take on his persona as the cool stoner friend who's also a little insane in the most charming way possible, he has a good impact on Aaron. Aaron likes being around him, and maybe they smoke weed to help Aaron relieve some of the lasting pain when no one's looking.

Regardless of his methods, Blaze does an ultimate good in Aaron's life as a result of being there for him when he needed it. So much so that he was invited out to Starlight and is shown to be one of Aaron's main pillars of support. We are given scarcely little of this actual friendship, which is where the problem lies. While before Blaze was a surprisingly engaging part of an other wise terrible story, at least in season 5 the story is a lot slower and character focused. And Blaze can work in these moments, we saw him have real moments of sincerity before.

He gets some of it, but the issue is that Blaze isn't allowed to be alone anymore. The cast of MyStreet is huge, and Blaze is a character who is making his second major appearance, while some characters in the cast have been present since literally episode one. It's hard to justify giving him solo screen time when he's been in the series for such little time and we barely have enough time for certain significant characters to really have arcs (Lucinda). Most of Blaze's scenes are scenes with at least four other characters on screen, he's never allowed screen time without at least two other werewolf characters attached to him.

I don't object to Blaze hanging out with his friends, or even making new ones though out the season but... Would it kill the writers to let him have a scene with Aaron? Like. A single scene. Where it's just Blaze and Aaron. I mean just Blaze and Aaron without Aphmau there. They've done this before. They did it in the season Blaze showed up in. Just one scene where the two of them get to talk about literally anything would do so much. Even if they talk about Aphmau, it's better than nothing. It would strengthen both of their characters so much to be able to get a scene where they talk to each other not as conspirators who kinda know each other, but as real friends supporting one another.

Show that even though Blaze said Daniel was more compassionate than he was, Blaze still is a compassionate and even empathetic person. Show why Aaron was grateful to have him during his recovery. They have those scenes of Aaron at physical therapy, right? Why not have Blaze take him one time and just show how they interact then? The possibilities with this unrealized idea are endless, and that's genuinely upsetting. Opportunities like this present themselves every time Blaze makes an appearance, they even tease me by giving me scenes where Aaron is alone with a character he has little to no connection with, Maria.

Maria was a foil for Aphmau. And Ein was a foil for Aaron. And Blaze was a foil for Ein. There is no reason for Maria to really have a rapor that matters with Aaron. He doesn't really know her that well, she's clearly a friend by association, and it seems like an odd thing to focus on when Blaze is LITERALLY RIGHT THERE IN THE BACKGROUND OF THIS SCENE.

Why won't they let Blaze talk to Aaron? It's so infuriating. The closest we get is in episode 7 when Blaze attempts to calm down Aaron, but he's shown to be ineffective and it comes down to, of course, Aphmau being the one to talk him down. I swear to Hatsune the writers are making fun of me at this point. They're going "Oooooh you want Blaze to be an actually helpful and supportive figure in Aaron's life soooo bad." AND I DO!

I'm serious when I say the show is teasing me. I've been skimming through Season 5 and only watching the episodes when Blaze is on screen, and so far he has never been in a scene with less than 4 people in it. Never. And even in scenes where he gets to be at least a focal point, he's always limited because he has to share that moment in the spotlight with FOUR OTHER CHARACTERS.

Episode 14 is a great example of this. When the werewolf gang gets told they aren't allowed to eat at a restaurant because they're werewolves, Blaze makes it abundantly obvious that he's put up with this before and really doesn't feel like being hate crimed on his vacation. And he knows that actions speak louder than words and therefore joins Maria in saying they should "teach this establishment a lesson." Personally I think Blaze would've just thrown the manager through a window only to realize it's an outdoor establishment and throw him into the ocean. Which would be objectively funny and deserved because that owner was being cringe and racist.

I love the conversation that happens because it shows the unique way that Aaron sees things from passing as a human for most of his life. This has never happened, but he knows that further acts of violence as a result will only make it happen again. This is a great scene for Aaron. Not really good for Blaze, and the next scene makes him worse. I love the detail that Blaze is an instinctual person more than a planner, but it feels wrong that he doesn't even let Aaron consider planning. I know he wants Aaron to be more spontaneous but he should have more awareness of his friend and his habits and be able to accommodate it, not talk over it.

But it's Jesson, so misunderstanding even their simplest character is par for the course. At least episode 15 gives me Garroth and Blaze talking in the background, and I'm starved for good Blaze content, so I was eating this shit up. The problem with watching MyStreet this way is that Blaze... Just doesn't get a lot of moments... At all. There are some episodes where he doesn't even speak at all, and when he does get to talk in episodes, he gets a few lines in one giant ensemble scene.

I don't object to a show having an ensemble cast, or even a lot of characters with a few central ones, but it really is a detriment to the show that Aaron never gets a scene alone with any werewolf he isn't related to. Nana gets to talk to Blaze when she's having a crisis of her relationship history and experience, but it's just so Blaze can tell her the opposite of what she wants to hear. It's not a scene that feels like it was written for Blaze, because it wasn't. It was written for Nana.

And before some jack ass says it "Blaze is a side character he's not supposed to get a lot of focus" and I'm not asking for a lot. I watched every scene he's in in PDH to prove that it works

BECAUSE IT DID.

Blaze showed up officially in episode 18 out of 30, and he wasn't in every episode after his introduction. But the writers gave him a solid introduction, one good episode that spent most of its run time with him, and really good moments throughout the rest of his time in the series. All I'm asking is that Season 5 at least give me one of those things. Either a good episode where he and his relationship with Aaron is brought into focus, even if it's used as a vector to study Aaron's character, or just more sincere moments for him.

It feels like Blaze is a joke character now when he previously made it very clear he's far more than that.

And then they just forget about him. During the first part of the 3 part finale Blaze is there. He's the one who got everyone to gather at the docks because an mf wants to eat some scrumptious food. But when Aaron sees Ein and starts freaking out, Blaze is literally just not in the scene. At all. Not even as like a throwaway of someone who could've helped but failed, he just is not in the scene at all. It legitimately feels like the writers forgot about him entirely.

Blaze the minute the plot shows up:

He's there after Garroth gets turned and was apparently at Garroth's bedside trying to calm him down which I will be thinking about. A lot. I'll be thinking about how we deserved to see or at least hear some of it, about how the writers continue to tease me with an interesting scene that involves my favorite little fucker, about how heartbreaking it would have been to see Blaze and Melissa try to calm Garroth only for him to scream in pain and try to push them away only to reveal that Zane and Nana are able to hear the entire ordeal downstairs and Zane is panicking when he hears his brother screaming in pain. Just thinking about what we could've had if the writers actually cared about any of these characters.

And then after that he dies.

I'm not watching any of When Angels Fall because I know what's good for my health. I know what happens in Season 6 Episode 9 and that's all I need to know. It doesn't matter if the writers may have finally given Blaze an emotional scene, it doesn't matter if they finally gave him even a hint of character development, it doesn't matter if he made a connection in a real way. Because no matter what he did the result is the same. No matter what quality the writers might've pulled out of their ass, it would ultimately be in service of one end. From the start of this season these writers knew what they wanted to do. They wanted to up the stakes and add more drama to the show, and they wanted to do it by killing Blaze.

And I think I know why.

This is 100% a limited view, but I was on Aphmau Instagram at the time that this season was airing. And I ran a Blaze fan account. I talked to a lot of MyStreet fans during this time and I was constantly upset and disappointed that people didn't understand Blaze's character, or just didn't appreciate it as much as I do. Most people liked Blaze on a very surface level, or because he was attached to another character they liked. I found very few people who genuinely cared about him as an individual, probably because Blaze stopped getting scenes alone by the end of PDH, and because the Aphmau fandom (at the time) had more of a focus on shipping than character work and quality. Blaze was easily shippable with a number of characters, canonically shipped with Dottie a little, and had enough characterization that people cared about him, but not enough to get a large dedicated fanbase.

He was the perfect one to kill.

Enough people liked him because he was hard to hate, he was stapled onto Aaron's character with little regard for a story of his own, and his death could be eventually inconsequential. And it was! Blaze's method of dying is so bad it makes me physically angry!

I know the whole story for the last few seasons has been all about Forever Potions and turning people against each other, but just mind controlling Blaze and having him die while under mind control is such such a missed opportunity. There's been a disappointing lack of proper Aaron and Blaze friendship content, but they could have made up for it in this scene with just a few tweaks. Just have Blaze not be mind controlled at the end. He can still go on that rant about Aaron being the cause of all the bad that's happened, but then the words start to become... disjointed. Jilted. As if Blaze is struggling to say them because he knows that they're wrong. Aaron's his friend, there's no way he'd say that about him.

Have it break.

Have him look at his friend in a worse state than he's ever been in, and instead of approaching him with intent to harm, it's intent to heal. A final attempt at getting through to Aaron. And like the times before, it doesn't work. Aaron's angrier than ever and he isn't seeing or thinking straight thanks to Ein's bull shit. All he can see is an enemy in his way. Maybe he sees Blaze's eyes but Blaze's green eye is still Emerald Green, even if the control broke for a moment. Whatever reason, Aaron still attacks.

He doesn't realize that Blaze wasn't trying to hurt him until it's too late. Aaron's anger already ruined a friend's life, it already pulled all of them into the hell they're in, and now it's killed one of his best friends.

ONE CHANGE. THAT'S ALL IT TOOK. ONE SINGLE CHANGE TO MAKE BLAZE'S DEATH ACTUALLY MEAN SOMETHING.

Ideally I'd like it Blaze just didn't die at all, least of all before the finale, but if you're going to kill him off unceremoniously at least make it have some emotional weight. You've been neglecting him for an entire season and now you just kill him off? Just like that? Oh he gets to show up in heaven? How nice. Is it a scene where he gets to express regrets, remorse, or even give any insight into his feelings?

Of course it fucking isn't! Are you kidding me, that's not even close to what happens. I said i wouldn't watch When Angels Fall but

I LIED!!

I watched Blaze's death scene and his scene in heaven to make sure I knew well and good how badly they failed to kill off my favorite character! And man, the scene in heaven is just the worst! Blaze does a genuinely kind thing for Aphmau and decides to stay with her when she's alone because he doesn't want her to hurt. He saw how much pain Aaron was in without her. He just wants to fucking help her.

But Aphmau's too self absorbed to realize that and instead goes on a whole rant about how she always needs other people to take care of or protect her and how everyone else would be better off yadda yadda. What she doesn't realize and what Blaze eventually gets to tell her is that people were around her and took care of her because they just wanted to. Because she was nice to be around. And they never expected anything else, and never saw her as a burden.

And that's actually a really nice moment. Sort of. There's two major problems. First, Blaze gets cut off from telling Aphmau this at first because Irene has to go on a whole rant about Aphmau being selfish. And she is right in everything that she says, but it feels weird for Irene, who literally doesn't know her, to be making this judgement. This scene should have been Irene observing a conversation between Blaze and Aphmau were Blaze just tries to make her feel better.

And that would hopefully solve problem number two. Which is that what Blaze says is very genuine and heartfelt, but severely handicapped by the fact that he and Aphmau were only friends for a short period of time in High School, and an equally short period of time within the last few months. What Blaze says about why he likes being around her is true, but it would have a lot more weight if there was a chance for Blaze to have been around her as a friend more.

Fuck it, if you need Blaze to be on screen with at least two other characters, why was there never a scene of Blaze, Aaron and Aphmau just talking? Would a single scene of that fucking killed you? Just one scene would have made their friendships a lot more solid and therefore heartbreaking to lose when it gets torn apart.

Third problem, the scene ends with a focus on Irene. Blaze's words echo in her ears, and remind her of her friends. And I like that idea because I'm an absolute sucker for MCD, but it takes the scene away from the focus. This should be a scene about one of Aphmau's friends encouraging her to not give up even if it all seems lost. At least don't let her death be in vain by saying such awful things about her friends while they may be grieving. But Irene is brought into focus again because the show isn't about Blaze, or Aphmau apparently, I guess her Aphmau Main Character Powers overrides Aphmau's. She has more experience with them.

Blaze and Aphmau's very heartfelt dialogue is brought down by the fact that these two characters lives didn't intersect very directly out of high school. Through the course of Season 5 I never got the idea that Blaze was Aphmau's friend. Not to say they weren't friendly, I think Blaze adored her just as much as he did in high school, but as a viewer I was never shown that they cared particularly for one another. I believe that Blaze sincerely cared about her even after all this time, but that's not because of anything the writers did with him in these seasons. It's just because that's the kind of person Blaze is.

But their friendship not being strong really weakens the scene. This is a scene that I know for a fact worked as intended when I watched it as it was coming out. I was an overemotional mess of a 15 year old who hated how this series was going but kept watching it because it was almost over and I might as well get it done with. It pulled on my heartstrings and they sang and I cried. I cried a lot. This scene made me incredibly emotional, and it still got to me as an adult, but the devil is in the details.

Blaze and his arc might work on the surface. They work if you don't pay that close of attention to it. They work if you care more about the characters he's constantly around more than Blaze. And when I first watched Seasons 5&6, I still had a very deep attachment to a lot of these characters, especially Melissa, who he shares a lot of scenes with. So I felt... satisfied? I would've liked more, but I probably wouldn't have complained about what I got (his death scene not withstanding I always thought that was bad).

My my, how the times have changed.

If it wasn't obvious from the four thousand or so words you just read, Blaze is a rather unique case of these writers failing as writers. A rather unique case where the perfect character to fix a lot of problems with their show practically jumped up in the air waving his arms around and they still brushed past him to focus on a predetermined story he was shoved into. I don't think the writers ever really had a plan for where Blaze would go or what he would do.

A lot of Blaze's best character moments are when he isn't being written by Jesson. The reason I love the minigames so much is because there, Blaze's incredibly talented voice actor Jason Lord is actually really funny and pretty good at improv. Obviously some bits of the mini games are scripted, but a lot of them are just seeing how much voice actors can get into their characters, which he's fantastic at. A lot of Blaze's funniest moments come from this too, which is great when the writers turn him into a comedy character but the characters voice actor is funnier than they both are and is only a funny character when they don't have direct control of him. Lord is able to bring life to a character who may have been lacking it due to the simultaneously focused and unfocused way the series was written.

Blaze is proof of what happens when writers don't bother to develop their characters beyond the outline. The draft notes for PDH Season 2 said "there's going to be a wolf character who tries to become Alpha and instead stands up for Daniel when he's bullied." and then Blaze was born. The writers gave him some characterization as a treat to make the story work better, and then were done with it then and there. We fleshed him out enough, good character, time to put him in season 5 so people stop criticizing us for not giving Aaron enough friends.

But the problem wasn't a lack of quantity in friends, it was a lack of quality. It was a lack of scenes that let Aaron interact with other characters without Aphmau present. It was a lack of characters to point to that were real emotional connections Aaron had that weren't his last minute family or his girlfriend. It was a lack of attention given to the few characters that could've filled that role. Dante almost filled it in season 2, and Aaron and Garroth could have arguably become closer after everything in season 4, but at that point Aaron's entire arc became centered around Aphmau.

It was the fact that Blaze was one of the few people who ever directly reached out to Aaron and then was never given a scene alone again. It was because the writers wrote too many characters, tried to give the series a more direct focus, and then failed to account for the characters that were dragged along even if they didn't necessarily know what to do with them.

So when Season 6 came around and they decided to make the show super serious no really stop laughing, they needed characters to kill off to up the stakes. It's not like Blaze's character was going anywhere. It's not like they had a plan for him. Nothing was really being lost.

It's not like Blaze was one of the most sincere and dedicated characters in the series. It's not like he had one of the biggest potentials in regards to his relationship with Aphmau or Aaron. It's not like there was time spent proving that he could be a solid pillar of support in both of their lives even under dire circumstances. It's not like he was set up that way through individual scenes where he got to talk to each of them on a personal level. That definitely didn't happen.

TLDR: MyStreet peaked at season 2 and they fumbled the bag with the best chance to make it peak even higher and I'm forever bitter about it. Now get out of my house.

[withered-tears]

Ok imma just make a new post so i can keep my MD Transformers AU ideas all tidy in one place itdkskgz

J, N and V

Uzi

Tessa and Cyn

Cyntessa

Doll and Lizzy (plus flashback NJV)

Nori and Yeva

AU Lore under the cut!

OKAY SO, BASIC WORLDBUILDING:

Just like MD takes place way in the future, this AU takes place waaaay into cybertron's future.

The Optimus and Megatron are long gone history figureheads, most cybertronians never even heard about them. The primes are also long gone, Optimus was the last bearer of the matrix, so no chosen one either.

Cybertron is ruled by The Senate (*lmao its not. But more on that later ahuhuhu) and "Decepticon" is literally just the official designation for any and all cybetronian who goes against the senate in any way (basically the senate took a name and insignia from the history books that mean "the bad guys" and slapped it into anyone who causes them trouble)

Copper 9 is actually, just like in MD, a small exoplanet with a mining operation going on. The vast majority of the miners are disposables/monoformers minibots (AKA worker drones)

Now, SOMETHING (haven't actually. Figured out what yet) happens on Copper 9, that makes the bots there pretty much uhhh whats the english word for when a colony wants to separate from the country, liberate themselves?

Basically Copper 9 tells cybertron to fuck off and wants to become its own government.

Senate is like uhhh no you fukin dont.

Marks the entire colony as Decepticons, and sents the DDD to wipe them out.

Now on to some more character concepts:

UZI: Uzi is a minibot (around rewind size or so, maybe sliiiightly bigger?) Shes an outcast for a number of reasons, but the main one if because she actually modded herself with an experimental T-cog she designed AND built herself out of trash.

Her altmode is the Railgun (her knockoff T-cog is the reason behind the 30 mins cool down, is she were to try and rapidfire, it would literally burnt out her spark)

Just like in cannon, she thinks that hiding from the DDD is dumb and they should fight them instead.

(Her altmode being a gun is also to emphasize her loneliness/solicitude from the rest of the colony. She has the means to fight but no one willing/she trusts to weild her)

I dont know what to do about khan tho, not huge into cybertronians having parents myself? so, dunno. I'll figure it out later.

NORI: i got two potential ideas for Nori, one, she was actually secretly a headmaster, and thats how she survived the DDD, by leaving her body behind.

Or two, (and the one il most likely go with) she, just like minimus and dominus, was secretly a loadbearing miniMINIbot, her irreducible form being a beastformer (an ant maybe? Some kind of bug most likely)

Dunno what to make of her relation with Uzi tho, maybe she was a beloved mentor/only friend who taught Uzi how to built stuff?

And Khan was her Conjux? And he took in Uzi cuz he promised Nori he would look after her if something happened to her?

Could be, could be.

Now, onto the JUICY stuff, ahuhuh.

The Senate, and the senate's public speaking figurehead, Senator Tessa (dunno if i should change her name to something more cybertronian sounding, Senator Tesseract maybe?)

Unknown to cybertron's population, and to N and V, the entire senate has been dead for millenia.

Senator Tessa's body has been hijacked and controlled by Cyn, who is pretty much the Anti-prime ouo

She was chosen and brought back to life by unicron himself, to spread chaos and gain control of cybertron, with the end goal of devouring primus himself.

Cyn was originally another disposable minibot, but she died with such contempt to the world around her that her spark called to Unicron himself, who saw great potential for chaos in her.

Unicron was right, too right in fact, because Cyn would eventually consume him ouo she eventually ate him.

Once her story is known, cybertron gives her the tittle Daughter of Unicron, God eater.

@inkyprince thats pretty much all i got so far?

Imma doodle Uzi, Cyn And Tessa (and cyntessa) later today uwu

[theamityelf]

Have you ever noticed that whenever people do protag switches it's always dr1/sdr2 or sdr2/ndrv3 but never dr1/ndrv3? I feel like that has unthought of potential. May I ask how you think that would go in both cases?

Ooooooh, I love it. Let's see. Let me try not to let my character biases factor in here, lol. (And you can obviously ask for elaboration on any of this, because clearly I'm not going to be super focused. Pretty much just stream of consciousness.)

In all scenarios, at least some of the deaths would happen differently, to different people, by different people, etc.

The Shuichi in THH scenario depends so heavily on which character he attaches himself to right away, lol. Unless we mean Kaede in THH?? Okay, that gets its own section. Yeah, let me section this...

Shuichi in THH

Like I said, this one depends on which character he attaches himself to right away. It could be Hina for her positivity and energy; she's probably the closest to Kaede, there. It could be Taka, who is also high energy and has the added bonus of being called the Ultimate Moral Compass. Shuichi really wants someone to be decisive and strongly believe in something when he feels he can't, and I can see Taka being that person for him. Where Shuichi's scared of doing the wrong thing and hurting people, he can feel assured that what Taka believes is generally going to be right.

Also great because, for all his passion, Taka's actual observations about the school are generally very surface level, so having Shuichi tag along will give him more information to report in his booming voice, while Shuichi gets to chill in his shadow.

When Taka and Mondo have their sauna showdown, I think Shuichi wouldn't go to bed when nighttime comes; he is more loyal to Taka than the nighttime promise. So he'd see the whole inception of the Ishimondo friendship, and I think it would take him a while to trust Mondo. There would be definite "Are you sure about this guy?" energy between him and Taka once Mondo is rolled into their friend group.

And due to Shuichi's overlap of being unfailingly loyal and super harsh when someone brings it out of him, I think the moment Byakuya talks crap about Taka, Shuichi would be the entire Byakuya Hate Squad.

Toko and Genocider would be interesting, because I think Shuichi's fear of convicting someone and ruining their life or getting them killed would interact in an interesting way with the prospect of Genocider Syo, who has gotten away with tons of murders because no one caught her...but then also Toko, who is just a temperamental artist who doesn't want to kill anyone and I bet Shuichi's read "So Lingers the Ocean". I think Toko and Syo would be a reason for Shuichi to confront his feelings about punitive justice. They're practically two diametrically opposed arguments in one body: Syo kills because she likes to, she doesn't regret it, she will keep doing it if no one stops her, but Toko has no choice but to be involved in it, etc. Idk. It's still a bad look for DID representation, so maybe we can take or leave that whole plot thread, but it would do interesting things for Shuichi's character, thematically.

He and Kyoko would work together frequently on investigations (in more of a parallel play kind of way) but not really develop the same bond of trust that she had with Makoto. They trust each other's competency, but beyond that they're not especially close.

Also, when Junko reveals this is a battle of hope versus despair, he would tear apart her whole argument. Like: No, this is a battle of whether subjecting people to absurd conditions might make them hurt each other, and the answer is obvious. Grow up.

It'd be interesting, lol.

Kaede in THH

In this case, I think she'd start off fully believing that someone is going to rescue them. She meets Byakuya and she's like, "Perfect! There's no way someone won't come looking for this guy. This will all be over soon." Since the situation in THH is more grounded than in V3, I think she wouldn't be nearly as serious about getting out until after the first motive. And even then, she's not the one who starts the killings; I still think that would be Sayaka.

I don't think any of the THH motives would really get Kaede, so she might not kill anyone.

I think she would flirt with Chihiro. She would think Chihiro is the cutest thing, and she would say so, and Chihiro would blush profusely. I think those two would get really close, and Kaede would encourage Chihiro, in Chapter 2, that they're already strong in their own way, which would cause them to really focus on using their talent to help the group.

She would also flirt with Mukuro, for however long that lasts. And she would be excited about Sayaka; another musician!

I think Kaede would absolutely match Toko's energy so hard. Toko would definitely have crap to say about her looks and probably her proportions, and Kaede would throw it right back. Honestly same deal with Syo. They would be the toxic yuri to end all toxic yuri. (This is my first time saying "toxic yuri". Did I do it right?)

I hope she makes it long enough to see the music room. She would have a field day with Junko.

Makoto in V3

Finally, this. Wait, actually...

Makoto in V3 replacing Shuichi

Yeah, it occurs to me I have to split this one, too. Okay. I think if Makoto were in Shuichi's place, he would also partner up with Kaede. I think when the whole "tunnel escape" sequence happens, he would suggest that they go to bed and try again tomorrow before everyone reaches the "Screw this forever!" threshold.

I like to imagine, as a result of this, trying the tunnel escape would be a daily thing for a while. Just a scheduled thing that the group regularly does together, much like breakfast. They might give up on it after Chapter 1 or 2, but I just imagine it lasting longer as an activity than in canon.

He wouldn't notice the bookcase thing, so whatever Rantaro was planning would happen. I think, in that chain of events, Makoto and Kaede notice Kaito's little gathering taking place and go see what's going on there, someone spots Rantaro opening the bookshelf or just sees the bookshelf opening, and they reach the conclusion that the mastermind (or Monokuma) is making their move, resulting in a kerfuffle in which Rantaro is killed. Something like that.

I'm not saying who killed him just now; the sequence of deaths is its own thing.

I like to imagine that Kokichi calls Kaede and Makoto the team's mom and dad.

I think Kaito would be unsatisfied with Makoto's manliness, but I don't know that he'd invite him to workout sessions like he did with Shuichi in canon; I think, where Shuichi reads to Kaito as actively unconfident and in need of boosting, Makoto more reads as overly apologetic and easily manipulated/malleable. And depending on how long Kaede survives, I think Kaito would be less likely to treat Makoto as his sidekick than to just say that he, Kaede, and Makoto are all a powerful trio. (Maki does get roped in eventually, but it starts with them.) After all, Makoto isn't an accomplished detective; he's just a normal guy doing his best. And even when he does a really good job, it doesn't make Kaito all that insecure. The vibe is just different. (An Ultimate Detective effortlessly surpassing Kaito's efforts versus an Ultimate Luckster surpassing Kaito's efforts through high efforts of his own.)

The lack of Shuichi means the group does not have a detective. I think a result of this will be that Kokichi would be a bit more active in guiding the protagonists towards clues.

Maki still falls in love with Kaito, and she's also super protective of Makoto, mainly because he's short and can't take a hit. (If Kaito ever punched him, he would pass right out. But I don't think Kaito does punch him.)

Whenever Tenko talks to him, he reflexively apologizes. It's a running gag. His narration will be like, Why am I apologizing? and This was a pretty weird conversation...

Makoto in V3 replacing Kaede

Now, in this case, I'm imagining Makoto manages to trip out of the locker, does a full tumble over Shuichi, and bumps his head on a desk. Just full disaster stuff right off the bat, and Shuichi panics like "Are you okay??" and checks his head, makes sure he didn't bump it too badly, etc. I'm specifying this because Makoto won't be as energetic right out the gate as Kaede, but I do think Shuichi would really like and trust him if he stayed with him for longer than a second, so this is a contrivance to make sure Shuichi stays with him for longer than a second. Some luck, if you will.

(It might not be totally necessary; if they wake up in the same room, it makes sense for Makoto and Shuichi to stick together through the introductions. But this is just to make sure, lol.)

In this version of Chapter 1, they try the escape tunnel a normal amount of times and then give up on it, never to attempt it again (until Electrohammers).

Shuichi notices the bookcase, and they do set up the cameras, but there's no shot put ball trick. Rantaro dies a different way (likely orchestrated by Tsumugi) and the cameras are crucial evidence in the trial that follows.

Because of the steps needed to get to the camera plan, there's a running gag where Miu sees Makoto and Shuichi as her subs. Kaito sees Makoto and Shuichi as his sidekicks. (In this version, the nightly workouts do happen.)

Kokichi tries to make Kaito jealous of Shuichi's closeness with Makoto. (Kind of like, "Why would Shuichi need you when he has Makoto?")

In both versions, I like to think that Tsumugi relates to Makoto on the basis of plainness...or competes with him over it, to his confusion.

And in both versions, I think Makoto finds Angie really cute at first and they hang out a few times, before she starts the Student Council thing. He's kind of her friend. When he doesn't join her, it lowkey hurts her feelings a lot, but she expresses this by casually calling him a heretic.

Aaaand, in both versions, Makoto is the only person Kaito can best in the arcade games.

[mdhwrites]

In your opinion does "The Owl House" have any re-watch value? Does the story, characters, characterization, writing, etc. hold up over repeated viewings or is the show played out after the first time through the series?

So I want to acknowledge that this is actually an awkward question. Not with how you phrased it or anything just... Period? Because whether something is rewatchable will mostly come down to personal taste and enjoyment. Some people find Horror movies to be great fun to rewatch while others may not see the point because you already know all the scare moments or answers to creeping dread. Some might find action movies exciting to rewatch while others need the novelty of a first rewatch. As such, my answer is very much so is going to be biased by the fact that I ended up not liking the show.

But... I broke essentially on rewatch in a way. A lot of people have shattered on TOH essentially from having to reconcile what it says versus what it does. A lot of this because TOH constantly kicks payoffs down the line and hints at potential it will reach. It is constantly making the journey suffer for the promise of a grand finale. And, well... A lot of people have agreed that the shortening did not force their hand to break multiple themes in the finale, or take Amity's character or a bunch of other things that bloated the series and never got a proper payoff, such as the Collector.

This format of TOH I think is actually what makes it so hard to rewatch unless you are the ultimate fan of it who will notice nothing. S1 is labeled as boring, a complaint I even agree with as someone who mostly likes S1 still. It spends the most time setting up plot lines though in episodes that are a pretty safe seven out of ten, or worse. Amity episodes can escape this problem decently often, being fun in their own right, but that's why the fandom only acts like half, at best, of S1 even exists. Most of it is easily forgotten because it's very forgettable. Not like in a S1 of Amphibia way where it's all so much fun but also so much of it that they can blur and be hard to separate but just in a "I just wasted 20 minutes of my life watching an okay kids cartoon" way. The only thing that helped those episodes not feel that way was this idea that it was building towards something with these characters.

And... After the shock of things like the Lumity Kiss being real, I don't think S2 holds up for being the majority of those payoffs. Amity and Willow? One of the most explicitly kicked cans? Seen interacting on the same side before either addresses the "We're not friends' thing because of Eclipse Lake, so that's pre-shortening and they still didn't decide to address and then address it badly. Luz's magic is wrapped in a plotline she's not a part of and has no real reaction to even. It's just "Oh, we're just making bullshit up now instead of finding glyphs? K." Amity's parents are wrapped up, in the same episode, early S2, in a very similar way where Amity is barely a part of that episode but now her core angst and excuse for being a bad person? Dealt with and out of the way, at least until they randomly decide to try and say Alador TOOOOOTALLY wasn't a bad guy. That he hated Odalia too. Totally doesn't contradict literally everything that came before, something that would be much more sharply noticed on a binge rewatch. Like... It cannot be understated that by the point most plot threads in TOH wrap up, they were introduced and left to rot for so long that half the time, the fandom was starting to get UPSET during the runtime for the lack of any exploration or conclusion. Long hiatuses didn't help but at its core, even when it was running people were wondering when we would get satisfying answers to thing and rarely were they happy about it.

I think this is a core part of why ONLY the shipping community seems to have clung to TOH. That or people who are exploring the show's missed potential with characters like Belos or the Blights. The fandom has had to either commit to the one thing TOH did do well, its shipping (that comes with so many fucking asterisks) and its potential baiting. But the latter also means you have to recognize why it failed in the process of doing your exploration of the work.

So will some people enjoy rewatching it? Of course. There are people who probably like rewatching the AtLA movie though because the die hards are die hards. Do I think from a casual perspective you get much out of rewatching a random episode, let alone binging the series again?

No. I just think disappointment that the main series will leave you, which will eventually no longer be tempered by the reputation of it having been shortened, will only get worse. It is not a tale worth seeing again, so I hope I see you in the next one.

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