#coming up with huge walls of text and headcanons to justify my like for her vs just saying that she’s nice and i like her
Explore tagged Tumblr posts
duvewing · 1 year ago
Text
Tumblr media
309 notes · View notes
roseangelx · 8 years ago
Text
Semi-Coherent Thoughts on The Lying Detective
I will start by saying that the most recent episode of Sherlock is one of my favourites - definitely in my Top 5, possibly even in my Top 3. I’ll also point out that I realised it had become one of my favourites about an hour into it, before everything that happened in the end happened. I liked The Six Thatchers, I think I mentioned, but this one was a huge step up and I was gripped from the start. 
Like last week, this is less of a review and more of a list of thoughts on the episode that are not particularly well-structured or coherent. It’s also stupidly long, but I have dot point summaries, so don’t worry!
Grief
I read a quote from an interview last week where one of the writers mentioned that they wanted to do grief properly in this episode, and I definitely think they succeeded. We didn’t really see John grieving after Sherlock’s death - more of it was focussed on the anger and hurt that came with Sherlock’s return. I was so glad that his emotional response to Mary’s death was not glossed over. The way he behaved and the way he spoke was entirely believable - which, yes, includes him beating Sherlock up, though it most certainly doesn’t justify it. That scene was heart-shattering as well because of Sherlock’s own grief, and his guilt. He blamed himself for Mary’s death, and so did John. He let John hurt him because he thought he deserved it. 
I loved that John was also talking to the Mary inside his head (hereafter referred to as Mental Mary). From a storytelling standpoint, I thought it was an exceptionally clever idea. John doesn’t like talking about his feelings, we know this. As he said in The Empty Hearse, that sort of conversation is something he finds difficult. That he could talk to Mental Mary was a brilliant way of getting around it, letting us see the kind of things that he was keeping bottled up, and also letting us see the moment at the end when he was able to start letting her go. He’s still grieving, he’s still got a lot way to go, but at the end, he was able to forgive Sherlock, to recognise that Sherlock was not to blame for Mary’s death, and in doing so, he’s finally opened the door, ready to slowly, slowly start moving on. 
I have an especial love for Mental Mary in her final scene, telling John to stay and talk to Sherlock - and in doing so, letting us know that he truthfully wanted to stay, but was struggling with it, because there was so much pent up emotion there and he knew that it would all come out if he stayed. And it did. He told Sherlock about the “affair” and fell apart, and then there was the hug, which was everything I wanted in the episode. It’s the one scene that has been screenshotted and gifed more than anything else at this point, and for good reason. They both needed that. 
I’m in constant awe of Martin Freeman’s acting, and this episode was no exception. Combine this with his reaction to Mary’s death in the last episode, and I definitely think he deserves an award. 
tl;dr:
I loved the portrayal of John’s grief
I adored Mental Mary as it allowed us to get inside John’s head and see the things he’d never say out loud
The hug. That is all. 
Martin Freeman deserves all the awards
Drug Use
I have quite a lot of thoughts regarding Sherlock’s drug use, and a lot of them aren’t quite fully-formed, so I apologise in advance if this particular section is incoherent.
I spent most of this week rewatching some of the Sherlock commentaries from the first couple of seasons, as a way of tiding myself over before today’s episode. During the A Study in Pink commentary, Moffat and Gatiss actually discuss Sherlock’s drug use, very briefly. In the ACD canon, Sherlock Holmes doesn’t use when on cases, or when emotionally distraught, but when he is bored. It’s a stimulant to stop his brain from rotting - he needs cases, and if he doesn’t have a case, he needs something else. Moffat and Gatiss mentioned that they disliked adaptations where Holmes goes and uses while on a case, because it was completely inconsistent with the canon. 
With this in mind, I was a little unsure about how they were going to approach this episode. I knew this episode would involve drug use, and given the commentary, that didn’t make sense. Having seen the episode now, I think it does make sense, because there was an explanation on top of the emotional distress caused by Mary’s death and the guilt. Sherlock using was part of a plan, a plan to save John Watson by making John Watson save him, and that makes his use a little more believable.
I’m not dismissing the emotional aspect of it - Sherlock was very, very distraught, and it seems likely to me that, while his original decision to use might have been motivated, in part, by Mary’s message, the fact that he spiralled so deeply out of control definitely wasn’t part of the plan. But, that’s the thing about drugs, isn’t it. You can’t plan. And Sherlock certainly has a road to recovery ahead of him that is not going to be easy by any means.
Moving past motives to the actual portrayal of a high Sherlock Holmes - I loved it. I loved that even high, Sherlock is still making deductions, but can’t quite catch up to his own head, knowing that something is important but not knowing why. I loved the entire sequence with Sherlock losing time, going from the middle of the road to Baker Street, walking on walls and taking “high as a kite” to an almost literal definition. I’m impressed by the portrayal of it. 
tl;dr
I liked that there was an explanation for the drug use beyond just the emotional distress (i.e. it was, in the beginning, all part of a plan), because otherwise it would seem inconsistent with the ACD canon
The emotional distress still played a part and my heart goes out to Sherlock 
The actual portrayal of Sherlock on drugs was very clever and very well done 
Relationships
First, let’s discuss the unexpected relationship that was Mycroft and Lady Smallwood. I recognise that a lot of people are dissatisfied, because Mycroft is most commonly shipped with Lestrade. I’m not personally a Mystrade shipper (I confess to shipping Molly and Lestrade, actually), but I have had Mycroft headcanoned as aromantic for the previous few series. Well, that’s a lie. I was torn between headcanoning him as aromantic or believing that he has had experiences that have given him reason to believe that “caring is not an advantage” - though typically my aromantic headcanon wins out. Still, I found Mycroft’s confusion in the scene incredibly endearing. I’m accepting of the pairing. 
The other relationship, or at least, idea of a relationship, that stands out to me in this episode is Sherlock and Irene. This is a pairing that I’m not quite so accepting on. I mean no offence to anyone who does ship them together, but - Irene is canonically gay, and I cannot accept the idea that Sherlock is straight, not with quotes such as “Girlfriend? No, not really my area” and “The fairer sex is your department, Watson”. I know it’s likely that this is all queerbaiting, but I’d rather hold onto the idea that the things Sherlock says are actually reflective of his character. 
I’m entirely accepting of the idea that Irene would infrequently text Sherlock. I’m not surprised by this at all. I’m also not surprised that John would think that means something more than it does. But, I’m going to hold onto the idea that these texts are flirting that Irene does not expect or want to lead to any sort of actual romantic entanglement. 
I will say that I loved John’s speech on the matter, though, which sounded to me like he was telling Sherlock that he deserved to be loved and to be with someone and that he shouldn’t wait until it’s too late. 
Just while we’re on the subject of relationships, I’m very pleased to know that John’s “affair” was no more than texting. The John Watson we know would not let it go any further than that. The idea that John Watson would even accept the number of another woman is still a bit out of character, but I suppose we all do silly things - especially if your best friend and your wife live insane lives and you want some sort of normality. I suppose we shouldn’t be surprised that the pretty girl on the bus wasn’t normal, either. 
tl;dr
Mycroft not knowing how to respond to Lady Smallwood is adorable 
Sherlock and Irene definitely text (or, at least, Irene texts, Sherlock receives) but neither of them are romantically or sexually attracted to each other, because they don’t swing that way
I can forgive John for texting another woman more than I’d have been able to had he done more with her 
Eurus
Here was something I did not expect. I know we all expected the lady on the bus to be more than who she said she was, and I know many people worked out that she and the “Lady in Red” (who we now know to be Fake Faith) were the same person just from the trailers and promo pics, but I did not expect this turn of events. I’m actually very excited about the matter - I assume Eurus will be the villain of the final episode, and it’s about time we had a female villain, especially one as fascinating as her. 
It’s already clear that Eurus is incredibly clever. She’s a master of disguise, for one thing, but it’s more than that. Sherlock was able to predict, two weeks in advance, which therapist John would go to and which appointment he would take. Eurus was able to make the same deduction even earlier, and take the therapist’s place. She was able to fool Sherlock (and yes, she had the advantage of him being as high as a kite, but all the same), and maybe even Mycroft, if he doesn’t know what she’s been up to. 
People are making predictions, based on the line “people always stop after three”, that Eurus isn’t the only secret sibling, and maybe she’s not Sherrinford. I’m undecided as to what I think of this theory. It’s an interesting idea, and it makes sense, as far as the fact that we know Mycroft is supposedly keeping tabs on Sherrinford and said earlier “Sherrinford is secure”. However, it’s also making the explanation a lot more convoluted - Occam’s Razor says Eurus is Sherrinford. Or, alternatively, that Sherrinford isn’t a person at all - a friend of mine just suggested the possibility that Sherrinford might actually be a facility where Eurus was meant to be residing, hence it needing to be ‘secure’. Either explanation, I’m very, very excited to see what she’s like in this next episode. And by excited I mean terrified. 
tl;dr
Eurus might be the cleverest Holmes sibling we’ve met yet
It remains unclear whether Eurus is Sherrinford or if there are two missing siblings or if Sherrinford is not a person’s name but a place name - but either way, it’s exciting 
Other Thoughts
Mrs Hudson is easily my favourite part of the episode. I think we’re all in agreement of that. 
I loved that Sherlock made sure to take twisted, turning paths when he was walking with Fake Faith/Eurus with the sole purpose of writing a message to his brother, who he knew would be tracking him. He does love to be dramatic. 
The hug. Let’s just talk about the hug again. Thank you for that.
Who was taking care of Rosie? Given we know that at one point John was in therapy, Sherlock was in the boot of Mrs Hudson’s car, and Molly was en route in an ambulance, I’m going to say it was Lestrade
I really liked the way suicide was spoken about in the episode
Culverton Smith was a terrifying villain, though not in the same way as Magnussen, for which I’m very relieved, because I still cannot watch the scene in HLV where Magnussen flicks John’s face and I don’t know if I could have dealt with another Magnussen 
I loved this episode, full stop.  
2 notes · View notes