#and also how much the plot and my ideas changed from its conception

[paradoxbeta]

de ce ai un rain world oc pe nume fat frumos please i must know (also zmeu. i see what you did there)

oh am i excited to talk about this. buckle in because it is a bit much

preemptive tldr: i have a rainworld adaptation of the făt-frumos tales where f-f stars as an overly prideful slugteen (pictured below looking moody) getting a body horror-y reality check

so! the name of this adaptation is the împărăție colony and as mentioned above its my little for-fun project based off of the original făt-frumos stories. for those who don’t know, f-f is a romanian folkloric character

some elements were changed (f-f is no longer the son of a king because there’s only one slugcat colony in this region, so i could only have a prince or a princess but not both if i wanted to keep the generic romance plot) but most were preserved, with f-f still having calul năzdrăvan (now a noble blue lizard steed inherited from his father) and with there still being the classic villains such as both balaur (infamous mutated red lizard) and zmeu (random iterator the slugcats abstracted into the Big Bad)

the story goes that the local iterator is collapsing and its bioprinters have gone haywire, so now it bleeds out nasty and highly mutagenic sludge. the local slugcat colony has not taken kindly to the deadzone and mutated fauna, but they also dont really understand what a bioprinter or hazardous chemical agent is, so they formed a mythological universe around the iterator

his name is zmeu, he’s a wretched 6 legged monster, he’s bleeding poison, he’s representative of all ill will and evil in the world, and all of his children are accursed nightmares. anything that’s been afflicted by zmeu gets the misnomer “child of zmeu” (misnomer because almost every "child of zmeu" was not born that way)

so in comes f-f: he’s the son of rege (who is again not actually the king), and rege was renowned for his incredible fighting prowess until the balaur got the best of him and left him unable to fight like he used to. f-f isn’t supposed to step up to his fathers position yet but his dad’s hand is forced, so he hastily passes on his trusted lizard (calul) and goes hey son, surprise! youre taking the mantle effective immediately

f-f eventually ends up on a mission to go slay zmeu and to find ileana, the colony leader’s daughter, who had gone missing very recently and who f-f also happens to have a fat crush on. so boldly he sets off with calul năzdrăvan

the story starts off very lighthearted and in its own head– f-f is young, rowdy, concerned with superficial things, and he’s had his ego gassed up by his colony which has its emphatic faith in him. he’s in a total fantasy world off to slay this big monster and come home as the hero with the girl, but as the story goes on, things get too real for him. balaur hunts him relentlessly and tests his grit, he sees the extent of the pollution and the environmental havoc, everything he's heard in mythos becomes less of a concept and more a frightening reality, and surviving in rainworld is just plain difficult, so his self confidence wanes. it reaches a breaking point when he eventually finds ileana, who is by now to his horror a child of zmeu

he does find his way to zmeu’s puppet chamber but it doesnt bring him any sense of completion. his only real options are to leave empty handed or to “kill” the puppet, both of which don’t solve anything... its all in all not a fun time but it teaches him some really important lessons about humility and about how small he really is in the world

its not a narratively complex or serious story and it can be cliché or even nonsensical at times, but i have a lot of fun with the characters, and im entertained by the idea of morphing a fun and shallow fantasy shindig into something frightening and slightly depressing over time

(also this ask reminded me to go back and add zmeu to the colony tag, thank you!) 

[heartofroses112]

Our Own Choices First Draft — Fox and Bly confronting Cody

Bly and Fox shared one last, long look before Bly activated the panel. The doors slid open on near silent tracks. There, across the room, standing by the thick transparisteel window and gazing out into the ever-changing space outside of their ship, stood the Commander. Cody. His helmet was off, nowhere to be seen in the large room.

The way he held himself, arms clasped behind his back and stance strong, was so obviously Cody. Bly didn’t know how he had never seen it before. Well, he had seen it. He’d just thought it impossible. Fox had found reports, had heard it directly from the slimeball Emperor himself of Cody’s death. But here he was, standing before them, fighting alongside them and their brothers for fourteen long years without so much as a hint to his identity.

Bly and Fox made their way across the room, footsteps muffled but just loud enough as to give their movement away. Bly rubbed his arms, wishing for the warmth of his armor. Space was cold. But the plastoid was constricting. It wouldn’t allow him to drag Cody into the bone-crushing hug he had been yearning for since the dramatic asshole had whipped off his helmet and insulted Palpatine in so many colorful ways that he must have spent years coming up with them.

Bly stepped up to Cody’s left side, staring out into space along with him. Fox stopped on Cody’s right, and for several long moments, the three of them stood in silence.

Finally, Bly could not take anymore. “Why?” he said.

“There’re a dozen answers to that question. All depends on what you’re asking.”

Bly choked on a laugh. He’d forgotten how snarky Cody chose to be when it was just their batch. And Rex, but, well, he was practically a part of their batch at this point. He had been, at least. “You know exactly what I’m asking.”

“Then you know my answer.”

“Cody.” Fox cut in, sharp and straight to the point. Out of the corner of his eye, Bly watched the full-body shudder that wracked through Cody. Bly ignored the tight pang in his chest at the hidden motion. “We thought you were dead.”

“And so did I.”

Bly frowned. “We’ve been here for the past two years at least. That’s plenty of time when you could’ve told us. Hell, what about your own men from the 212th? They’ve been here since the beginning, and they’ve been mourning their commander this whole time.”

“Until I arrived on that planet and saw your faces, I was convinced you were both dead.” Cody still hadn’t looked at them. “After the Order went out… I looked for you. But Rex was killed when they turned on Tano. Wolffe was confirmed MIA almost immediately. Fox, you, you were always at the Chancellor’s side, I couldn’t risk that you would ever join me.”

His voice was flat and without any inflection. “So that left you, Bly. But a week later, all I found were reports that you ate your blaster.”

Fox sucked in a breath.

“And I thought about… I thought that maybe… I wondered if you made the only right choice left.” His whispered words should have died at their ears. Instead, they ricocheted around the cold, steel room. “Bly, you were the one I wanted to see most. Because you…” Cody sighed, eyes falling shut even as his head tilted backward. “You were the only one who could understand.”

“Understand what?” Bly thought he knew. There was really only one thing Cody could have meant by that. But how could Bly have never known before now?

Cody’s eyes opened, gaze locked on the rivets along the outer wall. “You loved your general. And I lov—” He cut himself off, tearing his eyes away to instead stare at the ground. “I love—” He tried again.

“Oh, Cody.” Bly’s heart was in his throat, breaking into pieces for the pain that was still so clearly etched across his brother’s face. There was a reason Cody wore his helmet more than the rest of them; he’d never been able to hide his true feelings when he was just so damn expressive. It’s how Wolffe had known if he had pushed Cody too far when they were still just cadets. “Why didn’t you tell us?”

“Rex told me to wait,” he said simply. “He thought it would be funny if you all saw me and… If you guessed. It wasn’t hard, apparently.” He loosed a breath from between his teeth. “Course, then the Order went out.”

“Cody, I’m so sorry.” Again, Cody shuddered at the sound of his name. Bly longed to drag his brother into his arms. But Cody wasn’t ready for that yet, not after so many years with no more contact than the mission required.

“It can’t be changed.”

“Doesn’t mean it hurts any less,” Fox murmured, stepping slightly closer to Cody. “And you’ve kept this inside for so long.”

“Why wouldn’t you tell us?” Bly asked, suddenly so full of rage at the self-imposed exile his brother placed himself in. “We’ve been here for years now, Cody. And it’s not just us. What about everyone from the 212th? They’ve been mourning their commander, their brother for so long and you’ve just been here the whole kriffing time?”

“I will not expect you to understand my actions.”

“Damnit, Codes, we want to talk to you, not the karking Commander! We’ve been around him enough.” Fox glowered at the side of Cody’s head. But Cody still didn’t look at either of them.

“He’s all that’s left.” Cody’s voice was devoid of emotion. He returned to looking out the viewport, the light of distant stars reflecting on his face. “Cody died the day he shot down his General and felt no remorse.”

“It was the chips,” Fox tried.

“I was still the one to follow the Order. And then my brothers were dying around me, and my batchmates were gone, and there was no one left to understand how I felt, and there was so much riding on my fucking shoulders. So, you do not get to come in here and lecture me. There is nothing else I have wanted more than to look at my brothers without a karking helmet between us, to actually be with them and not just be the karking Commander!”

Cody’s chest heaved, his fists clenched tight against his thighs. Fox and Bly exchanged a look, the same expression of worry and hurt flashing between them. Cody turned and paced several steps away from them. “You have no idea,” he started, voice low and tightly controlled, “how hard it has been this past decade, to see you, my closest brothers, and not be able to lessen your grief, to not hold you close and feel safe.”

“No one is making you do this.” Bly felt as if he were pleading, begging a brother to step back, step off the ledge.

Cody sighed, eyes still squeezed shut. “I know. But… I don’t deserve… I can’t… How can I be happy, Bly, when I killed him? I love, I loved, I loved him, and he loved me too. How can I ever forgive myself when the last thought he probably ever had was of how the men he trusted with his life were now the ones taking it?”

Bly stared at his brother. He had so much pent-up… self-hatred. Disgust with himself. Loathing of his actions that had not been his own actions at all. There was a distinct prickling at the back of Bly’s eyes as he watched Cody desperately try to hold the pieces of himself together.

“Cody.” Fox took a step toward Cody.

Cody’s shoulders shook. “Stop,” he bit out.

“Cody,” Fox said again.

Cody turned his head away, eyes still shut. His scar, the scar that was oh so distinctive, the scar that marked him as Cody, the scar Bly had searched for in vain on every brother he met, caught the faint light from above. “Stop it.”

“Let yourself be you again, Cody,” Bly said, closing the distance between them. The pair of them were once more in reach of their lost brother. “Doing this… hiding yourself away in repentance, it’s only letting Palpatine win.”

Cody flinched, but still, he didn’t look at them.

Fox pushed on. “I didn’t know your General well. None of us did, there… there wasn’t time. But I know he fought for our individuality, our sense of self that so much of the Republic tried to wash away. You’ve always been Cody, our Cody. But you never seemed so much like yourself, so confident in who you were and what you fought for, than after you joined Kenobi.”

“He’s dead now,” Cody whispered with a tremble in his voice.

“So, carry on his legacy.” Bly searched his brother’s face, familiar lines that meant upset and anger and stress, tightness in his jaw that meant stubbornness and fear. “Cody, won’t you look at us?”

“The helmet’s gone, Cody,” Fox murmured. “Let us see you. Look at us, please.”

Perhaps it was the ‘please.’ Fox never said it before, not unless the world was ending, or a brother was dying. Slowly, so slowly, Cody turned his head, entire body still trembling. His eyes slid open, and then it seemed as if he couldn’t get enough, gaze flickering between Bly and Fox and never staying still for more than a moment.

“Won’t it be so much more powerful,” Fox said, “when Palpatine is brought down by Cody and Fox and Bly, not just the Commander and his nameless clones?”

“Kenobi and… and Aayla.” Bly stopped, suddenly unable to speak beyond the burning in his throat. He dragged in a breath and continued. “They loved us, Cody. They loved us for who we are. Don’t erase that. Live as Cody, and do it for him. Do it for us, for all the brothers you have rescued. Please, we… we need you. We need Cody far more than we have ever needed the Commander.”

Cody heaved a broken sob, teeth tight against the sound in an attempt to keep it inside. He looked at the wall again, hands clenched around the edges of his armor. Bly fell silent, just watching his brother. If Cody was to come back to them… it would have to be on his own terms. Cajoling and pushing had never worked to make Cody see sense. He always was too stubborn for his own good.

“The Commander is all I know anymore.”

Bly’s heart threatened to break in two. His vision grew blurry. He blinked, hard.

Fox looked similarly affected. But he swallowed. Then he raised his chin and stared Cody down. “If that’s true, if… if you don’t know how to be Cody anymore, then why did you reveal yourself to Palpatine? Why now, after so many years of hiding your face?”

Cody looked at Fox, brow furrowed. “He was threatening you,” Cody said, as if it were the most obvious thing in the world. Fox froze in place. “He scares the shit out of you, Fox, and nothing does that. No one is allowed to do that.” Cody shrugged, eyes still dancing over Fox’s face. “I thought I’d give him a new target to hate.”

Fox still wasn’t moving. Cody sighed and looked away, fingers still digging into his armor. “I… I should go. There’s a lot to do, now that I’ve karked everything up and—”

“Cody,” Fox breathed. “Oh, Cody, Cody, Cody.” He reached out, hands shaking as he brushed the side of Cody’s plastoid-covered arms. Cody stiffened but did not move as Fox dragged him in, crushing him against his chest. Fox was still repeating Cody’s name, burying his face against Cody’s hair, hands tight around his back.

Cody gasped, eyes wide and body trembling like a leaf in a storm. He crumbled into Fox’s hold, pressing his face against Fox’s neck as they clung to each other. “Cody, Cody, my Cody,” Fox continued to whisper like a prayer.

Bly surged forward, sweeping both his brothers into his arms. Bly and Fox squeezed Cody between them, hard plastoid hampering them only slightly. Bly’s forehead rest against the back of Cody’s neck, and his skin felt hot and feverish, a sign of the long, long years without a touch of comfort and love.

Bly couldn’t hold back the tears that trickled down his cheeks, melting down Cody’s neck and into the blacks under his armor. Cody continued to tremble, hands clutching desperately at Fox even as he pressed back into Bly.

“We’re here, Cody. We’re here, we’re here,” Bly murmured. “We have you. Let go, Cody, we have you.”

And so, Cody let go, the grief and anger and hatred that had been building up for over a decade with no outlet finally pouring from him in devastating waves. Cody did not cry, of that Bly was sure. But he trembled and shook and shattered beneath their hands, dry sobs and broken apologies, apologies that Bly meant to return but just could not find the words.

Bly had failed Cody for years, had failed him the day Bly had faked his death and ran from the Empire. But he would not fail him any longer. Cody would never feel alone again, would never feel the same lack of choice and want. Bly would make sure of it. Fox would as well, and the remainder of the 212th, and the 501st, and every brother in between.

For the first time in many, many years, Bly thought of the Jedi, of his Jedi, with only solid resolve. I promise, Aayla. And General Kenobi, if you can hear me. I won’t let him down. I’ll keep him safe. And we’ll avenge you. Palpatine will suffer for all he’s done, to you and to Cody and to everyone else. But for now, Bly kept his batchmates close and held them as if nothing else in the galaxy mattered. Nothing else ever would.

pt 1 | pt 2

[i-cant-sing]

TIME TRAVELER AU PT 2

Original post/idea here. Part 1 is here. Part 3 is here.

Check out my MASTERLIST for more!

I fucked up.

You thought as you sat on the bed, holding your head in your hands.

I fucked up so baaaaaad.

Not only have you healed Baldwin of his leprosy, forever changing history of the LEPER KING, but also managed to somehow be his bride. To make matters EVEN worse, you cant just up and leave right now because you dont know the disastrous effects it'll have on the future now that Baldwin wont die of leprosy, which means that the kingdom of Jerusalem wont fall to Salauddin and his muslim army and after that its just a domino effect.

You tried to view your options here.

I stay here, marry Baldwin and fuck up the fabric of time and space because how can someone from the future marry someone from the past? Wouldnt I cease to exist?

I leave, return to my time where authorities arrest me for fucking around with time- that is, if I even exist in the future now that I've altered history. Who knows if my ancestors survived/were born after this?

No. Neither option is good. I need to stay here and fix this. But in a way that i dont draw too much attention to myself so that im so insignificant that nobody remembers, let alone writes about me in the history books.

You were drawn out of your thoughts with someone knocking on your door. "Come in." You said, straightening yourself.

A couple of servants walked in, all women. "Princess Y/n." They all courtesied. "We've been sent here by his majesty to prepare you for dinner with him."

Princess? Ah yes. Only a couple of hours ago, Baldwin had proposed to you, I guess the concept of asking wasnt a thing here as he just slipped on the big beautiful ring on your finger.

You narrowed your eyes at them. "First of all, Im not a princess. You will address me as Y/n only. And secondly, Im not going to join him for dinner, so there's no need to prepare me" The maids all shared a look of confusion before the head servant spoke.

"But we cant address you as anything else until you wed the king, after which you will be our queen, princess."

"Didnt I just tell you not to call me princess? Just call me Y/n!" The head maid shook her head. "Princess, we can not do that. If we do, then we would be punished. And we must prepare you for dinner with his majesty!" The maids moved ahead to start helping you but you raised a hand, halting them.

"I said, no." You said sternly.

"What... what will we tell the king, princess? He's expecting you-"

"Tell him i cant come because Im sic- no, Im not feeling well and Id like to be alone." You cant say "sick" in this era, because that means "death sentence" here and you dont want to be fretted over and bring attention to yourself as "the king's fiancee got SICK!". Besides, you do need to be away from Baldwin as much as possible and have some time to plot your moves.

-

You had pulled out your notebook and began writing out dates and historic events of this era to plan your escape. You're trying to find some sort of shortcut where Baldwin gets sick again and dies, leaving his kingdom in the hands of his sister and brother in law, who will bring its downfall-

Someone knocked on your door gently. "Princess?" You quickly hid your notebook. "Come in."

Baldwin walked inside and towards you, eyes worried as they scanned you up and down.

"I heard you're not feeling well?" He asked and before you had a chance to back away, he had cupped your cheeks in his hands tenderly. "What's wrong? Shall I fetch the royal physician?"

"No." You replied with your face smushed in his hands. "I'm fine." You pulled your face away his large hands.

Confusion spread through his blue orbs. "Then why did you not join me for dinner?" He asked, using a hand to push your hair over your ear, not taking the hint that you didn't want him touching you.

"I just-" what possible excuse could you come up with that would be both effective and not insulting enough to have your head chopped off. "you- you dont care about me."

Baldwin looked at you in bewilderment. "I dont... care about you? Princess, how can you say that?" He tried to cup your cheek again but you backed away before he could, putting on a face of hurt.

"How can I not? You dont care about what I want, or even ask me what I need?" You feingned pain in your voice, turning away from him for dramatic effect.

He grabbed your shoulders and turned you towards him, his pupils grew wide as if trying to search for what it is that you need. "My love, what do you want? Just say the word, and I'll give it to you."

You looked down, again for the theatrics, and Baldwin lifted your chin. "Go on."

"You never- never asked me to marry you."

"Huh? But I did today-"

"No, you stated it- demanded I marry you." You furrowed your brows and looked down again.

Baldwin smiled. Of course, how could he have not asked you? You were a girl after all, you want to be courted the traditional way. Its not your fault that you dont know that kings do not ask permission for things. They just get it, because who would refuse to marry a king?

He kissed your forehead, lifting your chin again to meet his eyes. "Im sorry, princess. I shouldve asked." He took your hands in his and had that charming smile again. "Will you marry me, Y/n?"

"No." You shook your head. "I... I cant marry you, your majesty." You said, adding tears into your eyes. His brows furrowed in concern.

"What? Why?" You tried pulling your hands away but he didnt let go, tightening his grip ever so slightly.

"I-" well, you could say that youre not catholic and the church would never let you two get married, but you also dont wanna be tortured for being a "heretic". Maybe religious differences could be the last plan. Taking your silence as hesitance, Baldwin spoke. "I can offer you everything and more. Jerusalem would be yours. What is it that I lack that anyone else could offer?"

"I am not a good match for you!" Ah yes, lets do the typical "its not you, its me." You bit your lip as you yanked your hands out of his and walked towards the window, your back to him (theatrics). "You and I are not equals- no we are nowhere close! Youre a king, your father was a king, your family is royalty. I come from nothing, as did my ancestors. There will never be stability in our marriage when we come from such different backgrounds!" You never thought that you would be putting yourself down and call yourself "inferior" to break up with a man.

Silence hung in the air, as you held your breath.

"Youre right." You heard him say behind you. "We are not equals, we never will be." For some reason, instead of being relieved, a chill ran down your spine. Baldwin wrapped his arms around you, resting his head on your shoulder. "I may be a king, but youre far superior to me. You're an angel, sent to me by God, and you saved me. I wouldnt be king anymore if you werent here, princess."

Warmth spread from your cheeks to the tip of your ears, both due to the close proximity and his words. Sensing your bashfulness, he chuckled, kissing your cheek as he turned you around to face him. You could hear your own heart beat at how close he was.

Baldwin tilted his head, half lidded eyes staring at you. "Youre everything and more that I could ask for, princess. Never put yourself down and compare yourself to me, hm?" He said, giving your arms a gentle squeeze before moving away, but not detaching himself completely as he took ahold of your hand and looked back at you.

"Now that this is settled, let us go eat. I've had the servants prepare a feast for us and then we can discuss wedding arrangements-" shit shit shit shit shit fuck it!

"I'm not catholic!" Baldwin halted at that. You've already said it, might as well dig yourself a deeper hole. You let the tears form in your eyes. "Im... Muslim. I didnt tell you because I didnt want you to think I was working for Salauddin and spying on you for him, you know I wasnt! I really did only want to know about you. Please believe me, I wasnt-"

"I believe you."

What? Just like that.

"You- you believe me?" You breathed a sigh of relief. "Thank you. Once again, Im sorry i didnt tell you I was a Muslim, but dont worry, I'll pack my things and leave tonight-"

"Why? We still have to get married."

You blinked slowly. "But... Im Muslim?"

Baldwin shrugged. "So? It doesnt change anything."

You looked at him in bafflement. "It does! It changes everything! We cant get married! Im a Muslim! The church wont allow interfaith marriages, and I dont intend on converting to catholicism either if thats what youre suggesting!"

"I am not suggesting that. You can be a muslim if you want to, but we're still getting married." Baldwin stated matter of factly.

"The church wont allow it-"

"The church will do as I say. I am the head of the church. Besides-" He smiled.

"I dont remember angels having to prove themselves to be a catholic. You saved my life, you cured my incurable disease. As far as the church is concerned, youre a miracle sent to me by God. Youre the Chosen One!"

Is he... is he hearing himself? Can you try to convince him?

"But... but Jerusalem deserves a Catholic Queen-" you tried weakly, but he cupped your cheek and smiled gently at you.

"I am Jerusalem, Y/n. And I deserve you." Was all he said before pecking your forehead.

He tugged you along with him. "Now, we have to eat."

You dont want to eat. You want to stay behind and think of another strategy because clearly you cant talk yourself out of this wedding.

"I'm- I'm not hungry." You said, making him frown.

"How is that possible? You havent had anything since morning. I dont want you getting sick before the wedding." Baldwin continued to pull you along.

Does he not listen?

"I dont want to eat- I- dont feel like it." You said a bit harshly this time, hoping he'd take the hint.

And he did, finally stopping. He sighed and let go of your hand. "Okay. I suppose if you really dont want to, we can skip dinner tonight." Fucking finally. "Its just... I seem to have developed a habit of enjoying meals with you. And now that my leprosy is cured and I have no more diet restrictions, I just- I had the kitchen prepare some of my favourite dishes that I was able to enjoy before my disease disabled me."

You stared at him. Is he- is he trying to guilt trip you? Baldwin once told you that due to leprosy he had ulcers in his mouth, and he couldnt eat different types of food, and was only able to have bland, soft goo.

You looked away from his big sad eyes. He's not getting to you. You need to go back to your room, make yourself scarce, be far away from him as often as possible.

"You can still go and eat dinner alone."

With one hand, he cupped your cheek. "Princess, you know I cant eat until you eat too. But its okay, if you dont want to eat, then I wont too. I guess I'll just have the servants finish the chicken roast and oh-! They even made strawberry cream cake for dessert. But- maybe another day."

You looked into his eyes, those blue orbs that were filled with sadness, resembling a kid who was just told "no candy!"

Sighing, you held his hand. "Maybe I can have a few bites."

His face lit up. Ah, he knew you'd come around. "Lets go!"

-

The next day, youre helped by the maids to get ready for the day. Apparently, Sibylla wanted to meet you and discuss some things, and you suspect she wants to talk about the wedding preprations.

The maids had prepared your bath and were very insistent on washing you themselves but you made them all leave the bath chambers. Finally, they compromised when you told them that they could dress you up if they wait outside.

Setting your old clothes on the bed, you entered the bathroom and settled into the warm water. The essential oils and flower petals soothed your mind and body, and you finally had some desperately needed silence to hear your own thoughts.

Last night at dinner, Baldwin was very- well, "happy" would be an understatement to how he felt near you. And all those forehead kisses and skin contact doesnt go unnoticed by you either. You suppose that since he had leprosy, he never really had or was allowed to touch anyone else. But now that hes cured, all thanks to your dumb ass, he craves the physical intimacy.

You closed your eyes as you sank deeper into the warm water. Gosh, did I really have to give him the water? Had I not done that, he would still be ridden with lepro-

Your eyes snapped open. Thats it. You just have to make sure he never drank your water in the first place! Yes! You can go back in time and sure, its always dangerous to go back in the same time period more than once, but you really dont have any other option now, do you?

After half an hour, you finally exited the bathroom and the maids practically ushered you to sit in the chair as they finally, FINALLY got to dress up the future queen of Jerusalem and after a whole hour, they're finally done. And... well you look good. Your hair has been done nicely, and a delicate golden headpiece, almost like a elegant hair band sits on top of your head. They added some color to your cheeks and lips with crushed berries. As for your clothes, they dressed you in a dark blue tunic with loose, flowing sleeves. The tunic itself was made of silk, probably brought in from the Byzantine empire and was only available to the upperclass of this time.

"I am not wearing those!" You said when they opened the jewellery boxes. There were diamonds and other precious stones adorning the earrings and necklaces.

"But princess, you must wear these. It is royal protocol for the king's bride to be, and the future queen to wear the royal jewels." The head maid said. She doesnt know that you dont plan on sticking around and if you leave wearing these jewels, who knows what havoc would that cause?

"No. I dont want to wear them."

The maids shared a look of concern. "What?" You asked them.

"Its just... his majesty picked these out for you himself. He would be mad at us if you were not wearing these." One of the younger servants spoke as she fumbled with her fingers. Through the mirror, you looked at everyone's worried expression. You doubt that someone as calm and collected as Baldwin would lose his marbles over his fiancee not wearing jewellery.

"I dont think the king would be mad at you if I dont wear some jewellery. He isnt one to get angry that easily, you know?" You said chuckling, but it died when you saw them share the same concerned looks again. This time, you turned away from the mirror to look at them directly. "What? Go on, no secrets."

Another maid mustered up the courage to mumble. "Well- it's just- the king- I mean- his majesty is calm but um-" she paused to look at the other maids for help but they all avoided eye contact. "Out with it." You said a bit sternly.

"His majesty... gets... emotional- yes, emotional! When it comes to matters concerning you."

"Emotional? What do you mean? Speak clearly, no word will get out of this room, I promise." You spoke all while glaring at the other maids to make them silently comply to not tattle on their friend.

The maid bit her lip. "His majesty... gets mad when he thinks that you're not being treated well." You gave her a look to continue. "A few weeks back, while you were strolling out in the garden, his majesty reprimanded some of his knights for not escorting you. He asked them why they weren't guarding you?"

A few weeks back? It may have made some sense for Baldwin to be protective of his bride to be, but you two weren't engaged until yesterday. And before that, his relationship with you was barely platonic, more like a king-servant thing.

"Tell her about the kitchen incident too." Another maid whispered.

"What kitchen incident?"

"Um, 2 months ago, when the kitchen had prepared a feast for his majesty, he almost fired the entire kitchen staff for serving olives with the entree." You gave them a quizzical look. "Well, his majesty had told them that you can't eat olives and had told them not to include it in the palace's food. But it was a feast to celebrate his victory and the staff thought it'd be best to add olives because the king likes them."

Your eyes widened at that. He almost fired the kitchen staff because you said you can't eat olives? I mean, it's not like you're deathly allergic, you just didn't like how tart they were and when Baldwin saw you picking them out on your plate, all you could manage to blurt out was that you can't eat them. Perhaps, he thought you had diet restrictions like him.

You huffed. That still didnt warrant such a reaction from him. "That isn't nice. Don't worry, I'll talk to him."

The maid looked at you in horror. "No! I mean, his majesty would not like that we- um..." she tried to come up with appropriate words that wouldn't be insulting. Her scrunched up face as she thought hard made you giggle.

"Fine, fine. I won't say anything to him. You have my word." You said, smiling at them assuringly.

The head maid then held out the pearl necklace to you. You sighed and nodded, and they all cheered as they started picking out the jewels for you.

Its okay. You told yourself. I can always drop them somewhere before time travelling.

-

As soon as you were dressed, one of Sibylla's lady-in-waiting came to fetch you. She hurried you, saying something along the lines of "you must see princess Sibylla right away!" And you couldn't stop her from pulling you along, so time travelling will have to wait.

"Princess Sibylla needs to see you right away, princess!" The maid said as she pulled you towards a room. Knocking on it, the door swung open and you were met with the sight of different gowns hanging on dummies with maids tending to them, and right in the center of the room was Sibylla, practically jumping on her heels.

"Y/n!" She yelled out as she ran towards you and engulfed you in a hug before her lady in waiting, the same one standing beside you, cleared her throat. It caught Sibylla's attention who gasped softly before backing away and immeadiately giving you a courtesy. "I mean, princess Y/n." You gave a nasty look to the lady in waiting before shaking your head at an embarrassed Sibylla. "You don't need to courtesy to me, princess Sibylla."

She immeadiately beamed. "Of course I do! You're not going to be just my sister in law, you're also going to be Queen of Jerusalem! Of course i bow to you."

Me, a queen? Yeah, we'll see about that.

"Still, I consider us friends before anything else." You offerer her a small smile. "You called for me?"

"Oh? Oh, yes!" She immeadiately grabbed your hand and pulled you further into the room. "I didn't know what colours and material you preferred, so I ordered them to bring everything with the best seamstresses in kingdom!" She pointed at the seamstresses, who bowed to you.

"But... I don't need clothes. I already have a wardrobe." Your statement made Sibylla laugh as did a few of her hand maidens.

"Ahh, you're so naive!" Sibylla giggled. "That wardrobe doesn't exist anymore. You're a princess, soon to be queen, you need a royal wardrobe!" She said as she dragged her hand over one of the gowns, feeling the material. "And! You still have to select your bridal gown!"

For the next 3 hours, Sibylla had the maids show you different gowns and materials, even helping by giving her input as to what would suit you.

"I still like my old clothes, they're quite comfortable." You sighed. Designing your new wardrobe was not something that needed your urgent attention at the moment. You need to return to your room and get the time machine from your old dress and leave this era.

Sibylla nods. "I understand what you're going through. I still remember how they burned away my entire wardrobe when I married Guy. But I suppose its poetic in a way. Since you're starting a new life, so why not start one by getting new clothes!"

Wait.

"They burnt all your old clothes?" Sibylla nods. "Mmhmm! In a way, you're burning away your past! And starting a new-" You didn't stick around as you immeadiately rushed out of the room and made your way towards your own.

You can't- your old clothes has your time machine. If they burn it, you can't ever leave!

You burst into your room, looking at the empty spot on your bed where you'd left your clothes before going in the bath.

"No." The maids, they must've put it in your closet. You searched it, searched your entire room but to no avail.

A maid walked into your room, watching you tear apart the bedroom. "P-princess? May I help-"

"Where are my clothes?!" You walked upto her, the poor maid's fright apparently on her face. "WHERE ARE MY CLOTHES!?"

"They- they're burning it-"

"WHERE?!"

"The gardens!"

You ran out of your room, and made your way towards the royal gardens as fast as you could, but with how huge this palace was, getting there took a while. Not to mention when you did get to the gardens, you didn't spot anyone there, but you did notice the smell of something burning, which lead you to the back of the gardens, that was away from everyone's sight.

There you found them, two maids burning your clothes in a small bonfire.

"PUT IT OUT!" You yelled as you rushed towards them, startling them.

"Princess-" they began bowing.

"Didn't you hear me? PUT THE FIRE OUT!" They scrambled about trying to find some water, but of course, they didn't have it.

"I'll get it from the fountain!" The two maids ran to get a bucket of water for you, but it would be too late by the time they came. So when you spotted your old dress burning, you pulled it out with bare hands, not caring about burning yourself.

The dress was mostly burnt to ashes, while only few bits remained that were still on fire. You managed to wrangle out your time machine out of it, the small metal box that was burning hot and left marks on your skin as you tried to hold it.

But even from here, you could see the damage was done. The area that displayed the year had now completely melted off, as did some of the buttons.

No. No. No. No. No. NO!

You couldn't help but cry as reality began to set in. You're stuck here.... you're stuck here forever.

Heart wrenching sobs wracked your body as you tried to hold the hot metal machine in your hands, your skin burning as you tried. Even when the servants came and poured the water on the fire, you still kept on crying, clutching your machine to your chest, partly to conceal it, partly from helplessness.

The maids looked at each in worry as they tried to console you, tried to pacify you, lest you had them executed. But it didn't matter, you were inconsolable. While one of the maids sat by your side, trying to soothe you, the other one ran in to get help.

Moments later, when you were able to hide the machine in your clothes again, someone came up and touched your shoulder from behind.

"Y/n?" You looked up through your tears. It was Baldwin. For some reason, seeing him only made you cry harder as you finally realised that you were stuck here with him. That you fucked up permanently.

"Oh princess. What's wrong? Don't cry- shhh, I'm here." He pulled your body towards him, letting you sob into his chest heartbreakingly. Exhaustion, frustration and shock must have overtook your body, as you fainted in his arms.

"Princess? Y/n?" He tried waking you up before collecting you in his arms and rushing back into the castle.

-

Hours later, you woke up to find yourself back in your room, lying in your bed. Your eyes looked down at your hands which were now wrapped in bandages. They only served as a reminder of what youd lost- your time machine.

Tears welled up in your eyes again. Am I- am I really stuck here? You sniffled.

A hand came up to caress your cheek, startling you.

It was Baldwin. "Princess? Do you want to tell me what happened?" His soft tone made you even more sad, and you raised your bandaged hands to wipe your tears, but he caught your wrists and lowered them back gently, using his own hands to wipe away the tears.

"No, you cant use your hands for sometime. The burns need to heal." His hand remained on your cheek, thumb caressing the area under your eye. "What happened, Y/n? Why were you so upset?"

You cant avoid the topic for long, and now that your way of escape is gone, you need to be careful of what you say and how you act around the king.

You let out a shaky breath. "They... they burned my clothes."

"Mmhm. Dont worry, I will have them bring in the fanciest clothes for you. Sibylla will make sure of it. Only the best for my princess." You shook your head. "Its not- its not that... They were my clothes... they burned away-"

"I know... but its a tradition. The maids burn away the bride-to-be's old clothes to signify that youre detaching yourself from the past and starting a new life." He explained, watching as you sniffled. Clearly, you were still upset over this.

"But the maids, they still should've informed you of this tradition before doing anything. I know how emotional of a transition this could be for girls." You nodded sadly, heart still sinking at the loss of your machine. "Dont worry though, they will be punished harshly for it. I have them in the dungeons tonight, and tomorrow-"

"What? Punished? No!" You cut him off. You dont want anyone to die because of you, especially when you dont know if anyone these people could potentially be an ancestor of yours.

"But they caused you harm. You burned yourself due to their-"

"No, no. Please, don't punish anyone- I- it was my fault for not knowing about royal traditions! Please, your Majesty, I beg you- don't do this- i- i-" You pleaded.

"Shhh, okay. Okay. I won't punish them for it." He patted your hair. "On one condition."

You looked at him in confusion.

"You call me Baldwin from now on." He grinned. "We are to be husband and wife soon, I don't want us to use royal titles with each other."

Your eyes widened. Is he- is he really giving up titles? You're not that blind to see his attempts at intimacy, but what you don't understand is why or even how you came to be on the receiving end of it.

What exactly is it about you that has made him want to marry you? Surely, Baldwin would've preferred to marry someone of this era, someone who is more compatible with him. Despite you trying to blend in the past months, you allowed Baldwin to see how you're not... as Conservative as most people of this time period are. One could say that he may be impressed by how intelligent you are than others, but it also brings up the factor of being "threatened" or "insulted" by the same intelligence.

Even though you consider beauty to be a "subjective" thing, the whole "beauty is in the eye of the beholder", you're not blind to how attractive others are. So why not them?

Did he only like you because you're intriguing? Does he still think you're a spy? Keep your friends close, and your enemies closer?

Probably. Or maybe he really does believe all that mumbo jumbo about you being "an angel sent to save him."

"As you wish... Baldwin."

-

Last night, after Baldwin had left you to rest, you stayed up and tried to figure out if you can fix your time machine, and if not, then can you built another one?

Fucking hell. You closed your eyes. I made it once, I can build it again. But it's easier said than done.

Back in the present, you had the technology to build it. Now? You have to first make the technology and the tools from scratch before you could even get on making your time machine, all while keeping your science project discrete, which was easier before because you weren't going to be married to a fucking King!

Right now, you're sitting in Baldwin's private dining room (yes, there are more than one dining room. He's royalty, what did you expect) having breakfast- well, being fed breakfast.

"You really don't need to do this." You said as Baldwin fed you another spoonful. He smiled as he wiped your lips with a napkin. "I don't need to, I want to. Besides, I don't want my princess starving."

Involuntary, your face flushed. "I- the maids could've fed me. And im not a princess." He frowned slightly. "Why would you- open wide, princess- why would you want the maids to feed you when you have me?" He pushed the spoon to your face as you parted your lips, but then he pulled it away and brought his face close to yours. "Do I make you nervous?"

You backed away immediately. "I- no- I mean-"

He burst out laughing. "I'm- I'm sorry princess, but you are just too endearing!" Baldwin chuckled as he grabbed the spoon again and fed you.

Your cheeks reddened, this time more out anger than embarrassment. "I don't want to eat anymore." You muttered, turning your face away.

He smiled as he brought the spoon to your lips again. "Ah ah, but you still haven't had enough." However, you rejected again, looking away instead of replying.

He sighed, placing the spoon back on the plate. "I'm sorry, princess. I shouldn't have laughed at you."

"You shouldn't have." You mumbled, face still turned away from him.

His lips quirked up a bit. "You know, for someone who insists that she's not a princess-" He turned your face to him gently. "- you sure have all the blandishment of one."

"Blandishment?"

"Flattering actions of a princess." He nodded.

You frowned. "Are you calling me a spoiled princess? A brat?"

"I would never!" Baldwin gasped. "I enjoy you acting like royalty, demanding respect and attention. You deserve it and more. Besides-" He picked up some food on the spoon again and brought it to your lips. "Even if if you were a spoiled, bratty princess, I wouldn't mind. I would enjoy spoiling you, hm?" He nudged the spoon to your lips softly.

You parted your lips, making him smile. It really is hard to stay mad at him when he looks at you with his baby blue eyes. They just- they draw you in.

"Also, before I forget, I will be leaving the castle today to meet Salauddin. So you can either hand out with Sibylla, who still wants to help you design your wedding gown, or your can-"

Salauddin? "Why are you meeting Salauddin? Isn't he your enemy?"

He chuckled. "Only on the battlefield. He and I have developed a friendship, or a mutual respect over the years. As to why I'm going to meet him, is... well, you."

"Me?" He nodded. "Since you told me that you're a Muslim, I thought that we could perhaps have a discreet Islamic wedding- what is it called? Nikkah? So, I could go and learn more about it from Salauddin."

You opened your mouth to protest. You don't need to be part of history as the "king of Jerusalem's Muslim wife" or "the Muslim-Christian wedding that took place during the Crusades", even if it might make the world more progressive.

But then, you didn't protest. "Can I come?"

Baldwin raised a brow at you. "You want to meet Salauddin?" You shook you're head. "Well, no, not really. I mean, I don't mind meeting him, but I just want to get out of the castle for a bit. It's been months since i left this place, I just want to get some fresh air." This could be the perfect opportunity for you, because if memory serves you right, Muslims of this era had made significant advances in science. Maybe you can use their help to get some tools to make the time machine again.

Baldwin looked unsure. "I don't know if it would be safe for you-" you held his hand with your bandaged ones. "Please, Baldwin? Can't you take me with you? And wouldn't I be the most safe when I'm with you?" Ah yes, stroke the male ego.

Finally, he smiled.

"Alright. I supposed it would be fine, after all, you should see the kingdom you're going to be the queen of."

Thoughts? (Also, I need to go shower rn, so I'll put the read more later. Doing so much effort for u guys, my spoiled greedy children)

Part 3 is here.

[ichimerapunk]

I’m kind of surprised I haven’t seen any fanfics that run on the idea that Alfred is a ghost? (Either as like the main focus of the story, or just a subplot.)

Think about it.

A lot of stories kind of have Alfred as being this eternally elderly man regardless of how old everyone else in the story is. The man doesn’t seem to age!

More importantly, where does he get the time and energy to do all the stuff he does to keep the manor and the family functional? He somehow manages to keep the giant house that is the Wayne Manor in order despite how many people live there plus his added duties thanks to the family’s vigilante lifestyle? When exactly does this man sleep? Also, I always find it amusing how in stories Alfred seems to always be cooking but it’s rare to actually show him eating himself.

What if someone plays with the idea of him not needing to sleep, eat, etc. because he is a ghost?

I just kind of imagine the idea of Alfred getting up one morning to start the day and nothing seems amiss either to himself or the rest of the family; however, when he retires to his quarters for the night he discovers his body laying still and cold where he had left it. (Could you imagine him, after coming to accept he is a ghost, just… getting rid of his own body and going about life as usual and never telling anyone in the family?)

Maybe I just find the idea of Alfred, rather than passing on, just continuing to take care of his family like nothing has changed touching, if in a morbid way.

The idea could, technically, be construed as the rest of the family not paying Alfred any mind or taking him for granted so much they don’t notice he died, but in my head its more of a fluffy/humorous thing where Alfred is just very good at hiding his ghostly nature from anyone.

This story idea doesn’t even have to necessarily be a Danny Phantom crossover. It’s just that this fanfic idea was spawned out of this brief scene idea of Danny coming to live at the manor (insert any other story plot as to why), and both Alfred and Danny clocking each other immediately. (The idea included Danny fretting over asking Alfred about it but being afraid Alfred might not know he’s dead, and Alfred noting Danny is half-ghost but his only concern is that anyone living under his roof is cared for.

(If I didn't already have a dozen or more story ideas sitting in folders not yet completed, I'd kind of want to brainstorm on this more because I think its a cool concept?)

[kit-williams]

An interesting idea recently came to my mind… and I just can’t keep quiet about it.

Imagine Horus suddenly realizing he's falling in love with a remembrancer/serf who's… pregnant.

Who the father is unknown. Either he died or abandoned you. And yes, this whole situation really pisses Horus off. He is delighted with the way you look, the way you smell and understands that he wants you to bear his child, give him blood sons.

You are cared for, you are cherished. Even too much. But he hates this child from some mortal. And then… heresy comes. After giving birth you are informed that your child, what a horror, has died. Horus consoles you, as if it was not he who crushed your son.

You will definitely become a mother. Do just let the primarch take care of you, okay?And please stop crying for your child, it's annoying. Oh, do you have any milk left? Well… :)

Yes, this whole plot and details are simply replete with horror, manipulation and perverted breeding kink. But Horus Heretic is supposed to be scary.

I don’t know if you will write a post about this or not. It would be a great pleasure to read. Unfortunately, I am not strong in Luna Wolves and Horus. Anyway, I hope all of you liked my absolutely disturbing idea.

So Momrad normally avoids stuff about hurting babehs... BUT this hit me like an Iron Warrior with a trenching shovel. Probably gonna do serf because obligatory momrad is in love with horrific power imbalances

Also ya'll have a lot more faith in me than I do myself about how I'm writing the primarchs and the legions so thank you!

tw: manipulation, breeding kink, discussion about a pregnant womans body, talks about miscarriage, child death (PLEASE someone let me know if I miss a tag)

@bispecsual @egrets-not-regrets @moodymisty @bleedingichorhearts @liar-anubiass-blog

@thevoidscreams @barn-anon @gallifreyianrosearkytiorsusan @squishyowl @ms--lobotomy

@nekotaetae @sleepyfan-blog

You had such a glow to your skin when he first saw you. He was told that pregnant women had a glow to them and you certainly glowed. It was more of a passing interest in his serfs he was always a nosy and gregarious one and you had mentioned how you'd have to be transferred to lighter labor soon not realizing the primarch was listening to your conversations.

The hesitation upon your dark lips when the other serfs, in their gossip, had asked about the father. The tight line that your lips had become... "I'm having this child by immaculate conception." You said causing the others to laugh but Horus could tell... he could tell that you were on your own not by your own choice. And that thought caused him to roil. All of his sons were someone else's son at some point and then they were made to be his... sometimes there was a choice to be made into an Astartes... and sometimes there was no choice. Perhaps it was his inhumanity or perhaps hyper-humanity that caused him to be confused as to why you continued on... and why it sounded like you had been abandoned.

Perhaps Horus was glad in some sense that you had been abandoned by the uncaring father as you made something itch in the back of his skull and eventually even he could no longer ignore it. You wilted in his presence under his gaze, like all mortals did at first, to be in the presence of a demigod... the hand pressed over your slightly swollen stomach to protect it. But Horus simply played innocent in his intentions asking about the child... what it was like as he had been handmade by the Emperor and so this aspect of being human was lost upon him and his brothers.

The glow to your skin returned with each visit he made, his fingers caressing your stomach and eventually the poisoned thought latched like a newborn to the teat... what if you could bear his sons? You try your best to not be a burden to the Primarch, your request to transfer denied, he simply says its all from curiosity... but that lie dies quickly as your body goes through more changes... once you enter your second trimester.

Your breasts leak, he can smell it... the slow dribbling from your engorged breasts. The grunts from you as you press your hand against your rounding stomach... the fascination from other serfs and even his sons and the sparkle in your eyes as a tiny foot kicks against the hand. You had other side effects and had tried to run from him during one of them... spikes in arousal and sensitivity. You once more wilted under his gaze when you realized the Primarch could smell you... and the lie for why he kept you around died.

You were far too fearful to take his cock, far too sensitive... his fingers were almost too much and yet you rode his hand... riding his digit deep inside of your fluttering cunt with the vigor of a sex starved woman. Horus' mouth latched to your breast suckling on the tasteless discharge and he could feel the way your cunt gripped around his finger with each suckle. He could feel the tiny foreign body inside of you when he pressed against your swollen stomach. And he wanted it gone. He felt kinship in the way that certain males in animals will commit infanticide to try to get the mother fertile again as it was slowly becoming clear that simply hoping you would miscarry wasn't going to happen. But still... he should have warned you to not partake in his food... you didn't know what things he could ingest.

He loved seeing you like this, his hands supporting your weight as his cock slowly pushed in and out of you as tears were rolling down your face as it was too much yet not enough. You cried out his name in weak whimpers trying to close your legs one moment and the next trying to open them wider. He could pretend for a moment that your swollen belly was full of a child that was his. He wanted an actual son of Horus from you. He wanted to create the human chimera that all humans were to be made of... that biological mashup of his DNA mixed with yours... he wanted that. He was reminded once the haze of lust had passed, and as he stole succor from your breasts that the life inside of you wasn't his. It was from a man who abandoned you without a second thought... it confused the Primarch as to why you would raise the offspring of a man who did not care about the life you were bearing? Why reward him for his genetic duty of passing on his genes? Why would he have to wait up to a year before you would be ready to have his son?

It was doubtful that he would be there... be there to snuff out the life that came from you but he told the midwife what he wanted... and who was she to disobey? And he was right as he had been called away to bring the heel of the crusade onto the neck of some fool who thinks they could withstand the might of the Emperor. When he came back you were withdrawn... having to be ordered to come to him as the depression had claimed you. He did his best to sooth you and not revel in satisfaction that seemed that the child upon leaving your womb was far too weak... you did not hear that triumphant cry of life and that was the last you saw of your babe.

Your breasts were swollen with milk for a dead child... you still cried for the life you had grown to love... cooing lovingly to the thing inside of you. Horus soothes his anger with the fact that if this had been your child with him you would have still wept so greatly. You hardly notice your back in his bed as the Primarch pulled open your front and latched onto your breast feeling the liquid dribble out as your hand instinctively went to the back of his head as he nursed. He would say it was to relieve the pain your breasts were in... but he wanted to distract you. He drained one breast dry before moving to the other drinking up the meager amount of milk meant for a tiny stomach.

Sniffling weakly as your fingers move over his scalp as he kisses you soothing you asking you if you still want a baby. The tears that fall from your eyes as you answer your primarch truthfully... you still wanted to hold the tiny body that they wouldn't let you see... you never got to say goodbye... "Yes." You say so sadly as he kisses you with that charming look in his eyes.

"Then I will make it so my dear... recover and when you are better I swear that you shall have a healthy child by next solar year." Horus says kissing you softly... and soon enough he will replace his father and bring actual peace to the Imperium. And you will help bring about such change now that your womb is empty... and once it is ready... he is certain to fill it once again with his brood.

[novella-november]

Here's a WIP list of my ideas for a full year of monthly writing events!

If you have any suggestions *please* feel free to send them in :D

Not everyone has free time to do a full 30k in November in particular, and the key of learning to write consistently...... is consistency!

Writing in earnest for just one month out of the year doesn't give you much practice, does it?

But 30k every single month can be exhausting an daunting!

So, here's my WIP proposal....

------

January [15k total / 500 each day]-- Public Domain-Day Dash -- On January 1st, pick a brand-new Public Domain work, read/study it for a week while brain storming, then spend the next three weeks writing 5k words to make by the end of the month a 15k word short story, adapting that PD Work into another genre / time period / etc. February [20k total / ~714 Each day ] -- Freedom February -- Black History Month. Each week, write 5,000 words each week celebrating freedom from tyranny in all its forms. March [9,300 total / 300 each day] -- Spring Equinox -- Each day, write 300 words based on the concepts of warmth, renewal, rebirth, changing of the guard, etc. April [8k total / ~285 per day] -- April Fools -- Each week, write 2k words of a comedy short story, to end the month with 8k words of comedy. May [6,200k total / 200 each day] -- International Workers Celebration -- Each day, write 200 words about a character in your line of work (or a nonfiction diary/article) and what you enjoy about it and how it keeps the world turning, or saving the world in some emergency, then take some time to relax, you've earned it! June [15k total / 500 each day] -- Pride Month -- write 500 words each day, either fictional or nonfictional, about queer history, pride, solidarity, or intersectionality. July [15.5k words total / 500 each day] -- Disability Pride Month -- Each day, write 500 words about your favorite genre, from the perspective of a disabled character (or a character with your own disabilities), and what kind of accommodations they use in their daily lives, without magically erasing their disability. August [15.5k words total / 500 each day]-- Alien August -- Aliens have invaded! Pick your favorite genre, and each day, write 500 words of that genre, with a plot that gets interrupted by an alien visitation! September [60-100 Pages / 2-3 each day] -- Scripting September -- Each day, write 2-3 script pages for an audio-drama, stage-play, or movie/tv show, to end the month with a 60 to 100 page script. October [20k total / 714 each day] -- Ominous October -- A choice of themes will be decided on before October, two options for each week, and everyone will write a 5k word short horror/spooky story each week, that all get posted on October 31st / Halloween

November -- Novella November [30k total / 1k each day]-- Write 1k words a day to reach 30k words by the end of the month. You can write a 30k word novella, use it as the start of a larger novel, write a series of short stories (such as writing a 7.5k word short story per week), etc. [30k total / 1k each day] December -- Don't Touch It December [6,200k total / 200 each day] -- this is your month of relaxation! Write just 200 words per day about anything you enjoyed / are proud of from the past year, and what you are looking forward to in the future! [6,200k total / 200 each day]

If you prefer to focus on just the longer challenges and spend the other months editing, we can also have mirror events each month for different ways of editing with community support!

Things like Beta reader swaps, doing cover mockups, localization help for those not writing in their first language, etc!

[holybodega]

hello yes I hear there is rwby dgrp Au 👀 /np

yes ! i like the idea with my brain, and i've decided to try my hand at making some stuff for it!!!!

here is the most recent color concepts for ruby's design :3

i will gush below more if you and anyone else are truly curious !!!!!!

so currently, (and hehe no spoilers for if i do make anything more for this) here is the list of students! sorgy if some faves were left out, it was very hard to narrow down to such a small list ;w;

i have started planning the trials, but obviously those are even bigger spoilers hehe, so i won't share those just yet !! but in the meantime, i can go over the setup and what the ultimates mean >>:3

-

setup: so instead of hope's peak, it's beacon .... do not worry why those who are not beacon students are here, i'm sure that'll be a point of interest once the story starts ,, hehe :3

i am still in the earliest stages of this, but i do like the idea that the students are still there to train as huntsman, it's just instead of having semblances, they are ultimates. ultimates are straaaange because sometimes it's like the characters have powers unimaginable to man and then there's ultimate clairvoyant where he's just...... a guy being a dude.... so

i think the school itself will be a hodgepodge of rwby and danganronpa sensibilities. it will borrow from both and primarily follow the danganronpa rules once the killing game starts, but i like to think i'll include a good amount of beacon's influence.

faunus: at this time, i'm unsure if i want to change anything about faunus? i feel like it's not very danganronpa to have catgirls be real, but i very much intend for white fang to exist still. i think it can work? (although much love and peace, we all know how poor the writing has been for faunus racism)

aura: as far as other rwby factors, obviously aura has to go in the state its in. can't really have an interesting killing game if each character has to spar to death. well you could, but then you'd just have hit youtube series rwby again. i think if it is used, it's more like the mastermind gives everyone aura trackers or something? idk

weapons: i'm super on the fence about their inclusions, i may make it a part of the plot, may not. it may be one of the bigger changes i make from the beginning. they will not be featured in the killing game itself because y'know. that would just. negate a loooot.

grimm: will be plot relevant, but i doubt they'll be super there

timeline: imagine how every danganronpa game starts up, first day of hope's peak (or what have you). all students have a clean slate on their memories in some form or fashion, and this AU will be no different to that set up. if it ain't broke, don't fix it! the idea is, this is set from the point of "ruby's first day at beacon." it's not going to play out any bit the same as the show because......... well....... spoilers for danganronpa but...... that's not their real first day at hope's peak dawg.

POV: as for the main character, it's gotta be ruby duh!! - ultimates: some of these are semblance based, some of these are character based. i was more so trying to catch a vibe with the ultimates rather than them being one-to-one.

Ultimate Accelerator

this is ruby's ultimate. as per stated above, this is going to be setup as "ruby's first day at beacon." as we all know, ruby is let into beacon early for her expertise in fighting. academic acceleration is a term for letting students into higher education at a younger age than typical, hence accelerator. also. ruby faste. zoom. but either it's this or ultimate excellence. i like both, i think ruby would hate being called "ultimate excellence." either way, she would want to keep it all under wraps.

Ultimate Socialite

this is weiss's ultimate. i think this one is self explanatory, but of course, weiss do be a nepo baby. especially since these are going to be based primarily on the characteristics of s1 specifically, she was truly trying for that socialite attitude.

Ultimate Escape Artist

so this is where we start to take some liberties. this is blake's ultimate. i think this one will be one of those OP ultimates that you scratch your head a little at and go, "yep, i guess that make sense." my idea is that blake will play off as your kyoko type. she's not particular one for investigation, but she's an escape artist, so she sure can get the hell out of any tricky situation.

Ultimate Gunslinger

another one i'm taking some stretches with, but i think it fits. this is yang's ultimate. i am on the fence big time on the weaponry, but i do want to take the leap to make yang a cowboy. fuck it. we ball.

Ultimate Lucky Student

this is jaune's ultimate. he's definitely a lucky student. :)

Ultimate Electrician

this is nora's ultimate. another easy one, she is big electricity!

Ultimate ???

this is pyrrha's ultimate. ???

Ultimate Serenity

this is ren's ultimate. this one is a bit of a doozy, but imagine angie yonaga's gag where she holds the other students in her arms as if she's jesus and they are the lamb? yeah like that probably.

Ultimate War Machine

this is penny's ultimate. she was built to be war machine. robo of mass destruction, what can you say?

Ultimate Leader

this is adam's ultimate. shout out to running your own terror org, king. congrats on that. not as good as kokichi, but he'll do!

Ultimate Farmhand

this is oscar's ultimate. he was trapped as a farmhand and he couldn't be clarmhand, he wanted to leave this place and get himself back in space.... school... in the school system. for normal farm boy reasonsssss.

Ultimate Spy

this is ilia's ultimate. she sneake.

Ultimate Martial Artist

this is sun's ultimate. this one is a bit of a loophole all around. technically everyone in this AU is still supposed to be trained martial artist, but i think sun is deserving of the ultimate because of his semblance. unfortunately on top that, there's not actually a lot of terms to pick from when you're looking into kung fu mastery, so i had to reuse ultimate martial artist. i could've called him the ultimate sifu or shifu, but i don't feel very attached to the idea that sun would be patient or responsible enough for a title like that, especially early show sun lmao. i was thinking of going with ultimate black belt, but it just felt uninspired. it could be funny to go with sifu in the future just because of how unserious he is lololol

Ultimate Designer

this is coco's ultimate. coco is but a humble designer with her $400 coach bag

Ultimate Copycat

this is velvet's ultimate. another one that is just like "bruh there's no way." i think it's neat to translate velvet's semblance into an ultimate this way. her photography memory is separate from her ultimate abilities nonetheless. her ultimate abilities stem from her physically being able to replicate actions that she sees.

-

well that's all i have for now, but if i get enough together, i'll maybe start a sideblog or an insta for it hehe

[serene-sky-kid]

Just random thoughts about capes, expect a lot of text without images

This is just a long post talking about HC from my skykids universe, because my arm decided it doesn't want to draw today. Don't take it literally because it's just random things that come to mind.

Today's topic will be Wings! Specifically the Capes.

I've been having trouble for a while now deciding whether to use the concept of wings being a separate part of the skykid's anatomy or a part of them that can't be removed. A cape that can be removed has many more benefits in terms of artistic comfort, but a part of me feels much more attracted to capes being a part of the body that you can't just take off and replace with another one.

So I'll focus more on the concept of the cape being part of the skykid's body and some random nonsensical thoughts that have been coming to my head lately. The first problems with a cape that can't be removed is that first it's hard to change the design and second that they feel extremely uncomfortable to use on a daily basis in some ways.

So something that came to my mind is that both the wings and the hair of the skykid are connected to its light, it's obvious but, I think that since they are part of the light, depending on the skykid there is some control over these things. I think that the hair needs to be manually cut like a normal hair to be styled but its appearance and color speak a lot about the health of the skykid's internal light. While the cape is an extension of the skykid's body, whose point of union with the body is under the neck right at the first star or maybe a little higher. Its connection is so deep with the internal light of the skykid that as the skykid matures it has greater control over it, not only in the sense of flight but also in how its appearance changes.

Moths when they are born have the typical brown cape that we all know and love, it is a symbol of innocence and childhood among skykids and if you allow me to go into this further, I have imagined it to be something very close to the transition of bird chicks that change feathers when they become adults. I can imagine a moth with its cape transitioning from a brown color to a black or white color or the typical red cape, it still has the same shape but the color is the transition step between a newly born moth and a butterfly. I had imagined this simply because of the feathery appearance that the cape has as it loses light due to things like water, in my mind the cape has very small feathers, but that doesn't make much sense does it?

Back to the subject, I think that most skykids can hide their cape, something similar to what happens when you are inside the trials, to make it more visual. Clearly a skykid can glide with their cape off but they don't have much control, it's something that is only used for utilitarian purposes where the cape gets in the way.

However, the stylization of a cape is harder for me to think about, I REALLY like the idea that although there are skykids that can change the color and shape of their cape it's not that… common. So they need help from people like the Dreams Guide or their apprentices to stylize their capes, they specialize in light work and can make incredible designs, but I've never thought about any of this very deeply.

From this whole concept I think that Orion can change the shape of his cape and that this ability varies in talent depending on each skykid. Most people can just turn it off, it's the easiest, then there are those who can only change its size and shape, but it never stops being the cape it is, as is the case of Orion, others can change their cape to a totally different one if they want… and the most talented can do that, in the middle of the flight…

But, it's not canon at all, it's a bunch of concepts that look great in my head but it has a lot of plot holes. Someday I'll talk about basic things about light, it's not something I'll talk about at the level of mufo, but some basic things about the uses they have in the universe of my skykids.

Anyway, thanks for coming to my tedtalk and I love you very much if you read this far.

[jq37]

FH Junior Year Post-Season Thoughts

With another season of Fantasy High in the books and my recaps all finished, I wanted to do an overview of my thoughts on the season as a whole. Even though I feel generally positive about my experience with the season, there are a few things I think maybe could have been done differently narratively or mechanically. This isn't to criticize the way the season went down or to backseat DM/Play. More my combined ten years of college for textual analysis and storytelling bleeding through, haha. 

I first want to start with the things I thought worked really well.

Fantasy High has "High" right in its title but, in past seasons (and especially Sophomore Year), not as much time as you'd think was spent actually at school and even if it was spent at school, there wasn't much time spent in class or engaging with the realities of being a student. This season really dug into the academic consequences of skipping your classes all the time and the realities of needing to do a ton of extra stuff to try for a scholarship and I think that was a refreshing thing to highlight for a change. Being more scared at flunking out than the dragon that's trying to eat you feels very emotionally resonant. Real "High School Is Killing Me" vibes for anyone who's a fan of NPMD. 

Even though Fantasy High is a show that has some deep emotional beats and strong character arcs, it's first and foremost a comedy show. From the jump, everyone was generating bit after bit that had me cracking up as usual. "Little girly dog collar" is one of the funniest combinations of words I can think of. I think it was Siobhan who said that this was the goofy season and, having seen it, I'd have to agree with her. It never failed to make me laugh and it was always a highlight of my week.  The cast just has great table chemistry that I love to watch no matter what they're doing. 

Watching some of these high level combat encounters is as close as I'll get to understanding people watching sports. Even though combat is generally my least fave part of D&D, I think the cast really killed it this season with how cleverly they played and Brennan came up with some really great combat encounters. Special shout outs to Baron's Game and The Last Stand for their unique mechanics.  

This is going to be one that's on the other list as well because my feelings are mixed, but I genuinely do like the downtime mechanic and how it forces hard choices. I think it's an interesting way to connect a mechanic to the story and cultivate stressful atmosphere for the season.

I have problems with the execution but I love the Rat Grinders in concept. I think as early as season 1 I was hoping that we'd meet a party that was like the Bizarro Bad Kids and the idea of a party that's farming XP instead of going on crazy adventures is a strong concept. Likewise, I think a character that's jealous because of your "cool" (read: tragic) backstory is also a fun trait for an unhinged antagonist in this kind of setting.

This is me absolutely showing my bias but I adored the Abernant Sisters content this season. I dunno if Siobhan specifically asked Brennan to not put her on a bus with the other beloved NPCs or what but I'm so glad she stuck around and we got the development we did. It was almost entirely ancillary to the plot but there was this clear pattern of Aelwyn getting softer and sweeter towards Adaine over the course of the season, from the guarded, "Enjoy the nemesis ward," to, full I love you's and, "I'd take them to get you." It was way more focus than I expected considering that Aelwyn completed the bulk of her arc last season and a lot of the time, a redemption arc basically ends after the big gesture (in this case, Aelwyn taking a magic blast for Adaine in Sophomore Year). So the fact that we got to see all of these sweet moments of them reestablishing their relationship outside of do or die moments was such a pleasant surprise. Again, I fully admit I am extremely biased, but this was my top wishlist item and the season overdelivered so there's a baseline happy I'm always gonna be with Junior Year. 

OK, so moving on to things I things I think could have been tweaked.

Even though I liked the downtime system and the pressures it created, it also squeezed out the chance for more casual PC to NPC interactions that would usually be more common because they were semi-locked behind the relationship track and there wasn't an obvious benefit to roll for Relationships (as opposed to something like Academics which was crucial for not flunking out). Making the mechanical benefit more clear would have helped that (even if it meant Brennan didn't get his reveal--which he ended up just telling them anyway so might as well do it early). The other thing is that the consequence of a rage token was so bad that of course they spent all season avoiding getting one. Things might have gone differently if the consequences had been a bit more obscured, like in Neverafter. And it could have been a nice parallel to the Rat Grinders to take this unknown resource that makes things easier for you but is also having this negative effect. Then it could be like dang we did the same thing they did unknowingly. 

I mentioned this in my recap but I'll talk about it again. It is a little confusing to me that we did the Ankarna subplot right after we did the very similar Cassandra subplot. It took up so much time this season which I don't think is an issue in and of itself, it's just that we literally just went through some extremely similar beats last season. Why double up on this same storyline when there's so much new ground to cover? Or if we're going to raise a god, why not make it a different kind of god? One theory I had early on was that the Rat Grinders were trying to raise their own god to one-up the Bad Kids but instead of raising a chill, misunderstood Cass type, they accidentally raised a god who was erased for a good reason and got in over their heads. 

It's fun for there to be connections between seasons but sometimes it's like, OK that's a *lot* of coincidences. Like the god who your rivals is trying to raise *happens* to be the wife of your cleric's god and also *happens* to be the god of the fiend trapped in your friend's mom's chest and that fiend *happens* to be the relative on your bard's dad's side which is *also* the reason she is randomly cursed? That's a LOT of red string connecting plot points. As unhinged as Kipperlilly is about coveting Riz's backstory if I saw that go down I'd be like you have *got* to be kidding me.  

The mystery elements didn't feel like they clicked as well as they did in other seasons. I think that's partially because Porter's plan was so convoluted (seriously, I made another post about how haphazard his plan was) and had all these moving parts and we didn't get clear answers for a lot of mechanical things like how the rage crystals actually work and when they were implanted and stuff. You had stuff like Devil's Honey which I think is super cool as a thing that exists in the world but ended up being an element that just led the players down the wrong path and had a relatively small payoff (that Porter was using it to lie to Ankarna). I think it's plausible that a forgotten god would be willing to listen to anyone saying the right things without introducing this element. (As opposed to, for instance, Ambrosia which has a very clear connection to what's going on and is a solid clue that someone is flirting with aspirations of godhood.) 

The Porter reveal came so late in the season that even though it was a fun/challenging fight, there wasn't a lot of emotional weight behind killing him. It was basically just dunking on a teacher Fig has always hated who was also mean to Gorgug so screw him. Which, valid of course. But the Bad Kids were never going to react as strongly to Porter as they were to the Rat Grinders so putting Porter in the prime villain spot isn't necessarily what I would have done if I wanted the fight to be more than just a brawl--especially since we've done "School admin with student minions" already in S1. I don't mind the full circle callback but it would have been nice to pick something else for the sake of variety. We haven't had a child mastermind yet and I think Kipperlilly could have been a great candidate for that. My friend suggested that it would have been fun if Kipperlilly was trying to become a god instead of just being Porter's underling and I agree. "I'm not anyone's chosen one so I'll choose myself," is still within her established jealousy and Type A tendencies. If we want to keep Porter involved since that was Brennan's gift to Emily, maybe have it be that instead of Kipperlilly working for him, he's working for her. Like Artemis Fowl vibes! And the Rat Grinders can be varying levels of on board--from true believe to redeemable. I don't think Brennan planned for the Bad Kids to ever redeem her so might as well go full megalomaniacal mastermind with her and make her The Villain if she's not gonna be nuanced anyway. If My Little Pony can do it and send a literal child to Tartarus for pony treason (or whatever Cozy Glow did), Fantasy High can too. 

Continuing from the above, if we have the Porter fight in place of the Grix fight (a la Daybreak) and don't use Ankarna, that gives way more time for the Bad Kids to investigate the Rat Grinders throughout the season and it would mean that they would have their personalities developed a lot more. With the limited downtime, they Bad Kids didn't have a lot of time to spend on these kids who were just hating on them for no good reason (valid). But if you cleared their plate of the god hunt stuff, they'd have more time for this. And if they weren't all rage zombies to varying degrees, it would be easier to see them as characters. Besides Kipperlilly (and, funnily enough, Mary Ann) we don't really have a good read on what these kids are actually like. The little time we spent with them all season was kind of a wash if them breaking out of rage means their personalities got laundered too. Anyway, regardless of how their loyalties ended up shaking out, it would have been fun for them to be more than the minions that they were in canon. As funny as it is for them to just kinda be XP farming losers, they did have the potential to be more interesting in their own right if they weren't just Porter's minions. And again, we've done adults forcing or coercing children into being minions in Freshman and Sophomore Year already. Lemme see some self-created child maniacs! (Or, peer pressured child maniacs. That's cool too. The Lucy/Kipperlilly dynamic is way more interesting to me if it's like girl, I would take a bullet for you but I CANNOT walk this path with you any further in response to *I* will be a god and you can be *MY* champion.)

Anyway, those are my thoughts! Like I said, I have my points that I think could have been tightened, but overall an enjoyable season and I will be glued to my screen if they decide to close out with Senior Year! 

[fixyourwritinghabits]

Hello! Your blog is great, long time follower first time asker. Im about to start outlining my first novel (short, 30k words), and its like, sci fi noir detective? But I wanted to ask what you think the best way to world build for a novel is bc I'm famously not, great at that. Thanks ! yall have a great day !

World-building is not my strength, and as much as I admire the DnD approach of creating an entire world before you even have a plot for it, I cannot do that. My approach, therefore, is to lean on the technique of all world-building should be in service to the story. Getting too attached to a thousand details that will be left on the cutting floor is a hard no for me.

A common complaint about fantasy books is that they don't often lay out how the world works, but that doesn't bother me too much. You could spend twenty pages on trading deals and agricultural practices (and should if they interest you!), but none of that may make it to the final draft. You may be better served by trying the following:

Start With Your Premise

Let's keep it real simple. Magical abilities are sorted by color. Minerals mined from Mars start creating hallucinations that seem to predict the future. Sharks sprout legs and start terrorizing seaside towns, etc. Even if you only have an inkling of how the surrounding world will be, you probably have an idea of what you want the plot to be like.

Where is your character in regards to your concept? If there's magic in your book, what is theirs like or what do they know about it? Could they have some hidden insight on those hallucinations (actually warnings from long-dead Martians!)? Are they are shark scientist who's pretty damn sure land sharks aren't real?

Establish the baseline of your character's everyday life in the world they're in will help you figure out how to expand from there.

Establish Your Rules

Before you get off and running, sit down and figure out what's doable and what isn't. If the magic/phenomena/walking sharks manifest in a particular way, what can't it/they do? Setting your rules down ahead of time will keep yourself from writing yourself into a corner, but it also helps you justify breaking them later, if need be.

Don't, however, stick too rigidly to these rules as you go along. You might figure out a brilliant plot twist that requires going back and realigning your world to make it work! Making them up as you go along, however, may give you a much harder job when editing. Believe me, I've learned that the hard way.

Expand Your World With Your Plot/Character

Again, this is mainly to spare you tossing out pages and pages of scenes and settings you can't justify keeping in the final product. Keeping the narrow focus of your world-building on your character, starting with their normal state of things (their village, their daily life, etc), expanding when the inciting event launches them beyond what they know (holy shit, sharks with legs!), and each new problem or challenge will give you opportunity to expand your world-building in service of your story.

You don't have to do this as you go along - if you know the climax or a critical moment in your book requires establishing something specific about your world, you can weave that into your story long before it becomes important.

For example, your character may have an argument with the lead engineer of the spaceship's engines, who makes a fool of them by pointing out something they don't know. This gives a scene to establish characterization (revealing insecurities and flaws, establish relationships (rivalries, love interests, etc), and gives you a moment to establish key facts about your world by showing off the impressive engine room ahead of time. Later, when your character scrambles through it dodging bad guys to prevent the ship from crashing, the reader will already be familiar with the importance of what the character is trying to accomplish.

Be Open to Change

I recently went back to a project I haven't touched in years and was astonished to find that I ripped out huge chunks of my previous world-building, revamped the premise, changed entire conflicts and characters, and... it works so much better than what I was struggling to accomplish before.

Now don't get me wrong! This process was so emotionally devastating at the time that I put the entire thing away for years, convinced it wasn't savable. In hindsight, it was worth it, but I don't recommend this approach at all. Some concepts may be better for DnD campaigns or personal projects, and not novels. Some may be better in a different medium, like a comic or an indie game. You never have to throw anything out - unused ideas can be reworked into other stories. Maybe even a sequel!

Give yourself space to hit some storytelling walls, change up your ideas that aren't working, and experiment. All work is good work, even if some of it never ends up on the page. You'll get there.

[dokidokitsuna]

RWBY: Next Steps

This is just a design collection (remember when I used to do those? 'Winter Mission', 'Summer Tour'?? Fun times~)...and it may be my last. Its only real purpose is to give me something fun to draw for the NeverFell Projects wrap-up series. The recent Adam and Cinder designs are technically part of this collection, too. ^^

These were much harder to do than those two, though...I've spent ~2 months chipping away at this set, trying and retrying to address several different RWBY design criticisms while still making the girls look good. ಥ_ಥ I've finally begun approaching success, though, so I wanted to talk a bit about these ideas.

Ruby The only one I managed to design in one try. ^^; This was my answer to the question I felt was posed by Ruby's Vol. 7 design: i.e. "how do we do a new Ruby design that feels more 'mature'??" Because I never liked how the V7 design attempted to do that. :/

Between the new hairstyle and the new 'generic adventurer' clothes, it felt less like they were trying to evolve Ruby Rose and more like they didn't like her original design and wanted to get as far away from it as possible. V1-Ruby was such an iconic look (and STILL IS), and yet there's no trace of it in V7-Ruby. None of the goth-lolita style or playful edge that even V4-Ruby managed to preserve...instead they just scrubbed everything out to start from scratch, with a new design that's honestly 'meh' at best.

So what I did was stick closely to V1-Ruby, while adding just a few big changes to make the look distinct. You say a 'combat skirt' is too childish for an older Ruby? Well then we'll make it shorts...but shorts that are just as frilly and cute as the original skirt, with a similar overall shape. You say her original hairstyle is too boring and 'safe'? Well, then we'll change it...by simply shaving half of it off. It's a much edgier look that simultaneously preserves the original shape of her hair: from every angle except front and back, her silhouette will remain the same.

You say you want to give her new shoes, but don't want the fandom to make fun of you for covering them in dozens of belts again? Here's a wild idea: cowboy boots. ^^ A totally unexpected, unique item that still fits in with the antique-ish vibe of her goth clothes.

Basically, I just wanted to prove that you can do something dramatically different with Ruby without completely abandoning her fashion sense.

Criticisms: The details are still lacking; I think I should work some red accents into her corset and boots. Also, I originally designed this outfit with a white shirt, and I kinda want it back (she had the team colors! R, W, B, and Y! ;_;)...the problem is that it clashes with the sheer thigh-highs. One must go...I'm sure I'll figure it out

Weiss The toughest of the bunch: I did three different Weiss designs before landing on this one. ^^;;; The big epiphany came when I realized that Weiss looks her best when she mirrors Ruby. The girls' original design concepts share a lot of features; I feel like the characters were designed to look like they belong together, and figured I might as well honor that.

ALSO-- and this was the biggest priority for Weiss' design-- I firmly believe that she should not look like a princess anymore. From a character designers' perspective, it is ludicrous that they gave her the giant Disney ballgown in the same volume where they put classism at the center of the plot and have her send her bourgeoisie father to jail. That right there is the definition of mixed messages...

I thought the whole point of Weiss' character arc was to distance herself from the uber-rich parasites of her family and fellow 'Atlas elites'. I thought we cemented that when she officially lost her "heiress" title in V4. o_O I expected her next look to ditch the crown and visually show that she's past the point of 'rebelling'-- there's no more authority in her life for her to rebel against; she's free now! But alas...

So as usual, I had to do it myself. This Weiss outfit is definitely still fancy, with the coattailed vest and ruffled sleeves, but there's a lot less 'decoration'; fewer jewels, fewer details. The construction is straightforward and simple. And of course, no more tiara. Instead I decided to give her a li'l snow pea flower and ribbon, which ended up inspiring her new periwinkle purple-y color scheme. Like her original design, it's actually fairly colorful, but does its job and puts the emphasis on the white elements.

Criticisms: ...Not many, this came out pretty good. ^^ I might reconsider the black coattails, but if I do I'll probably just switch it out with the indigo inner vest. I like the idea of her outfit construction mirroring Ruby's, but her color scheme mirroring Blake's, since they have a closer bond in NeverFell.

Blake Blake designs are notoriously difficult; if you wanna hear some great reasons why, I suggest you check out this old Twiins iink RWBY design ranking video, which always helps guide me when I do redesigns for the main 4. Anyway, this phenomenon makes it hard to describe what I did...I guess you could say I tried to combine all the best elements of all her outfits, while clinging to the 'fancy action girl' vibe of her original design.

I'm most proud of her new hairstyle-- I dunno why, I just enjoyed working on it and making those decisions. ^^ It's hard to tell, but it IS shorter; now shoulder-length instead of back-length. We make up for this with additional volume, emphasizing the waves in her hair texture by pushing them outward. And most notably: she keeps the ribbon. She just wears it differently, using it to accentuate her ears instead of hiding them. This way, we keep the point of interest on her head while still showing her character growth.

Criticisms: Infinite, countless. This is a good look, but something is definitely still off. ^^;;; I think some additional detail in certain places (not sure where yet...) might help 'finish' it, so to speak. Maybe some extra yellow accents...? Also, the bow obviously gets lost in her hair this way. I've tried several color changes and don't like any of them; I think I may just have to texture it differently in the final product. Fingers crossed...

Yang Another tough one...I only made 2 design drawings, but the colors took several rounds of trial and error. I think my excitement over finally arriving at a good color scheme TODAY was what spurred me to make this post. ^^;

Anyway...there is a specific piece of Yang design criticism I hear fairly often that drives me up the wall: people commonly complain that she doesn't wear enough yellow; that she doesn't represent her character color well because all she wears is a yellow shirt. And the character designer in me wants to rip my teeth out whenever I hear this, because it blindly ignores the giant fairy-tale-inspired mass of yellow that is her hair, and the purposely attention-grabbing pops of yellow that make up Ember Celica. They're not "clothes", technically, but they're still part of the design! It's like saying a character with green skin can't represent the color green if all their clothes are black...without realizing that maybe their clothes are black BECAUSE they have green skin, in order to draw your attention to it...!! (╬▔皿▔)╯I just jifjkdsnfksahujknsjnfufh

...Anyway, anyway...the point is, it's difficult to take a character design with so much natural yellow in it and add yellow clothes and still have it read well. But because I like a challenge, I decided to take it on. I think the difference between the mustard leather and neon yellow hair is large enough to make it work, while still feeling casual enough for everyday wear. The champagne off-white she wears in her 'Hunter' outfit (which heavily inspired this) looks great, but it feels too 'classy' to me; like something specifically meant to dazzle the audience with her beauty for one special adventure, not for her to wear often.

On that note, my secondary mission with this design was just to make Yang look cute again, by following the structure of her V1 look, and even adding a little skirt on top of her battle shorts, which looks surprisingly natural considering she almost never wears one.

I don't know what happened in the canon to make the character designer forget the 'Yellow Beauty' part of her character concept; tbh even if her gender presentation gets more masculine she can still look pretty. Designs like Ozma, V7 Qrow and V4 Ren show that they understand this, but choose to cover Yang up in flavorless sheets of beige anyway. :T Making sure she always has a boob window isn't enough; the clothes themselves need to say something too.

Criticisms: ...Honestly, none? I think this might be solid. :> We'll see what happens when I draw it properly. I hope the white socks work out, because then she'll successfully be wearing the RWBY color scheme, which fits her (former, implied...) role as the glue holding the team together.

[princess-ibri]

Tangled Unbraided

For ages I've wanted to find a way to use the old fractured fairytale idea of "Rapunzel Unbraided" Disney was going to do in the early 2000s, and decided to just go ahead and show what I've got. So here's some sketches of how the main characters would appear in this hypothetical Tangled spin off movie:

The original synopsis for Unbraided ran as thus:

“An evil witch named Lucretia despised fairy tale happy endings and plotted to change all that. Meanwhile in modern day San Francisco, Claire and Vince are two vastly opposite teenagers who cannot stand one another. Claire is a short haired, fashion obsessed teen who was concerned with her looks. Vince is a stocky and crude pizza delivery boy on hard times. The two of them get on each other's nerves which gets the attention of Lucretia in the fairy tale realm. Lucretia takes Rapunzel and her prince Beau and transforms them into a squirrel and dog, respectively, while Claire and Vince find themselves filling their roles. Claire and Vince eventually team up with Rapunzel and Beau to defeat Lucretia and return to their respective places in time. “

---

And I'd want to follow the basic plot of that, though with changes with what we have from the actual Tangled movie. But basically two teens from 2007 San Francisco (why not make it a 'period' piece with all this Y2K nostalgia going on that makes no sense to me, a Y2K kid x) get reverse Enchanted and find themselves in the Everrealm. Searching for a way home, mentored by a talking squirrel and dog that claim to be famous fairytale characters also trying to regain their human forms.

The reason the witch tries to recreate the Rapunzel story with two people who are unlikely to give it a happy ending is that she's trying to make a spell to warp reality and bring about another golden flower (so that we can have the one that eventually shows up in Sofia the First) and so gain immortality for herself.

My ideas for the growth journeys each character goes on in this hypothetical movie is of course that Claire and Vince both learn to be more comfortable with themselves/find their real potential, as well as learn that its ok to trust others emotionally, both in a platonic sense with Eugene and Rapunzel mentoring them, and romantically with eachother as they get closer.

Rapunzel and Eugene would have this be an opportunity for them both to work through the concerns they both have about being parents. Sure they both have better parental relationships now, but both grew up with either abusive or absent parents (and then hyper protective ones in Rapunzel's case with Frederick) and though they both want kids they're afraid they might still mess it up. So, getting to help these two teens find themselves and their way home gives them a sense of the type of parents they'll be, and that they'll be ok in the end.

(They also all eventually find out Claire is their many times descendent and thats why she looks like Rapunzel so much, and why the spell called her into Rapunzel's place)

For the Witch I decided to change her name from Lucretia as I already had a character with that name for the Bluebeard story. I still wanted her to have some actual connection to the og Rapunzel fairytale, and a way to know about the Sundrop flower, and while I know we already had Cass as Gothel's kid, per my DisneyVerse she did have more then one over those many many years 😅😬

We already had a benevolent version of another Gothel daughter with my rewrite of Ginny, so I decided this time we'd get to focus on a malevolent one, so our villain for this story is Azalea.

(I based her looks on one of the tree nymphs from Gothel's backstory in OUAT, old Gothel/witch concept art and her name was inspired by Alice from OUAT being Gothel's daughter, just with a sharper sounding plant name x)

Also here's some original concept art of the Rapunzel Unbraided story treatment!

(Some of these might technically be from the Rapunzel treatment but I feel they fit the story anyway)

Also some video! A rough animatic overview of the whole story

And a more polished small clip of Claire and Squirrel Rapunzel

But yeah that's my rough little idea of how I'd incorporate the Rapunzel Unbraided concept/characters into the Disneyverse :)

[ohwormwood]

random thoughts i have while playing isat pt. 7

[woe, spoilers be upon ye!]

opened the game and immediately went "im gonna make odile question my sanity!!!" but of course when i enter the house Siffrin decides to turn the scripted tutorial enemy into bean paste and ruins the run--

anyways. this panel will haunt me

i. i dont even know how but. I beat the king without him ever getting a chance to make his first attack. i just kept spamming slow and two jackpots later he was dead. i didn't even knoiw that was possible.

after a bit of fucking around i decided that i was gonna move on to act 5 and promptly burst into tears

update: i accidentally posted this too early dont look at me

sat and cried through the entirety of the party's interactions in act 5

screaming crying throwing up

even the king took one look at this dude and was like "are you good man like, you can take a rest before we do this you're literally about to topple over"

that post where odile says the oven copypasta during the mal du pays scene has permanently altered my brain and i literally laughed out loud when this line appeared

i haven't talked about it before but. a while ago i made a concept for a game based off the backrooms and omori, and odile talking about someone who is forgotten may not exist is the basis for the entire game's plot, it makes me want to go back and flesh it out a bit more!!!

i am deadset on the idea of making an edit with mirabelle's reflection craft but it's an uno reverse card

simultaneously in my brain: an edit where the sound mirabelle's reflection craft makes is the metal pipe meme

i am. such a fucking sucker for sickfics. i cannot get enough of them. act 5 has enough sickfic tropes to make a million spinoff fics on its own, it brings me life and i love it dearly

wailing

this line sends me into orbit every time i see it

odile attacking siffrin. hurts so, so so badly on an emotional level for me. Because like??? i get it. i get it and it sucks and she obviously doesn't want to, but she's scared. But siffrin is even more scared in that moment, and the immediate association of that pain with being hated by odile hurts me so much.

YEAHHHH ODILE GIRLBOSS SUPREME

they're so soft and squishy and cute in this image i c a n t

incoherent WAILING. this. this image. this image just about broke me. THEYRE SO HAPPY and RELIEVED, IT HURTS,,,

the tone shift to talking to the party afterwords is still so funny to me HJBDFBSBFH like lookit him. hes so smol. so silly.

we're kidnapping bonnie guys it's official

my honest reaction to this line: LESBIANS??????

and then she hits me with:

AND I LOST IT

more silly guy siffrin,,,,, my favorite

aaaa aAAAAAAAAAAA

ISABEAU'S SPRITE CHANGING TO BE DOING A HAPPY DANCE AFTER THE CONFESSION IS SOOOOO CUTE WAAA

bonnie and odile clapping for isabeau confessing will never not be funny but ALSO it implies the bonnie knew about Isa's crush. and i for one personally believe that they picked up on it from Odile's relentless teasing of Isabeau as the #1 Isafrin shipper

mirabelle: wait you had a crush on sif?????? and i didn't know????

my roommate, who is ace: this is the aroace experience for real,,,

literally all of the second interactions with Isabeau had me and my roommate SCREAMING

HOWLING LAUGHING

OK I NEVER KNEW???? THAT SIFFRIN TOLD ISABEAU ABOUT THE BAD TOUCH EVENT?????? IN CANON???? I ALWAYS THOUGHT THAT WAS A FANON THING BUT THEY ACTUALLY ADDRESS IT IN GAME AND???? ISA'S REACTION HAD ME ON THE FLOOR

siffrin: i kissed you once,,,,

isa:

the words "im being perfectly normal about this" is something i say on a daily basis so i relate to this wholeheartedly

AYO???????? ISA WHEN DID YOU BECOME SO SMOOTH????

this. this image. made my jaw hit the GODDAMN FLOOR. I WAS NOT MENTALLY PREPARED FOR IT AT ALL AND BOTH ME AND MY ROOMMATE S C R E A M E D WHEN WE SAW IT

LIKE???? HOLY FUCK SIF JESUSSSSSSSSSSS CHRIST???? how did isabeau not implode on the spot from that look bro howwwwwwwwwww

AND THEN. AS IF THAT WASN'T ENOUGH TO MAKE MY HEART START SOBBING. ISA BLOWS YOU A KISS???? AAAA???

annnnd scene!

i will continue playing to get some of the different loop endings and i totally plan on doing two hats in the future!!! so im not quite done with this game yet i just got impatient in act 4 and i needed the Emotional Catharsis of Act 5

[dragonbma]

What are some scrapped concepts from any of your AUs?

Oh boy I wish I had seen this ask sooner because I have SO MUCH to say. Can of worms has officially opened! The peak 2023 brainrot I had last year spawned countless (around 20) MC:SM AUs. Most of which were one-off ideas where I just wanted to design something without thinking too much about a story. Since then, I’ve whittled it down to a handful I still doodle and write for behind the scenes. (Listed below)

Scrapped design/plot concepts:

Starting off with my favorite AU, Possession!Vos had a plethora of designs before I decided I didn’t want his looks to change much and that just surviving the plot was deviation enough. He almost looked like this whenever Romeo was in control: (essentially Romeo’s side profile would manifest and obscure half of Vos’ face, mirroring whatever expression the other half had)

If I had to think of which AU had the most scrapped scenes, that award goes to the Drowned!Vos AU. The poor aftermath of that story was reworked so many times (mostly because I was indecisive just how antagonistic Romeo would be to the man he cursed to be a soggy zombie forever.) In the first draft, Romeo was so mad that Drowned failed to kill Jack that he completely abandoned him, but that since changed to the Admin being an ongoing antagonist who teleports over when Drowned is alone to belittle him. (Slight gore warning for this next bit.) In one of the more devious scrapped scenes, Romeo enchants his boots with Frost Walker and partially freezes Drowned solid before stomping his leg and breaking it off.

Oarfishposting, while also going through three name changes throughout its time (cod help me), also did a complete 180 in plot. It was almost a basic mad scientist plot where Romeo captured and experimented on any “losers” that couldn’t win his challenges. The adventure trio of course lost the temple, but since Sammy was too far gone and Jack got the hell out of there, Vos was all that was left. Oarfish!Vos was very close to resembling a Frankenstein amalgamation. Of course I am much happier with the final story because a world where everyone is half animal and there is a god trying to trap the rarer hybrids in temples is much more unique and fun to play with.

For the last scrapped plot point I’ll mention, there was a fun idea I was playing around with in the Fantasy Trio AU where instead of Mage!Vos getting turned to solid obsidian, he is instead trapped in a mirror dimension. The mechanics of the challenge were as follows: adventurers enter a large, circular room in the castle and are presented with a myriad of doors along the walls. The floor is a giant mirror which reflects everything above it… albeit slightly different. Anyone one who enters the room has a moving statue reflecting their actions; So long as the statues are not shattered, they can swap places with their statues to enter the mirror dimension. (Their statues would then exist in the real world until they swap back.) Doors in the main room have no knobs so Mage opts to swap places with his statue to start opening the doors in the mirror dimension which do have knobs. Most doors lead to nothing, but some spawn enemies. TLDR: They eventually find the boss of the room, a large drake with a key around its neck, but it headbutts Mage and shatters his statue, rendering him unable to swap places back to the real world after the drake is defeated.

Scrapped AUs:

One AU I scrapped entirely (because Jack doesn’t die from the mess cliff fall) was a Death Trio AU where once Jack re-enters the Sea Temple, he’s haunted by ghastly apparitions of his old friends and how they died until he too eventually meets his demise in the Underneath. Vos’ skin is entirely obsidian and he can cry lava. Sammy bears resemblance to the elder guardians, now sprouting fins, scales, and their one giant eye. Though he doesn’t actually die in game, Jack’s downfall would have been the mesa cliff he falls off if Jesse refuses to give Porkchop their swords. His dead form gets a desert face covering and he leaves a trail of sand he coughs up.

Mercraft: Fish Mode started out as an AU where all characters were merfolk, but I decided it would work better as just a drawing challenge instead of Mermay.

Some crossovers I really didn’t do much with were MC:SM x Flight Rising, Night at the Museum, Wings of Fire, Pokémon, and The Odyssey. Most of these were me wanting to design stuff so I’ll try to sum them up quick. The FR and WoF AUs were excuses for me to draw the cast as dragons. The NatM crossover spawned from a dream where I found a modded version of MC:SM where you play as Jesse, Petra, or Lukas (all night guards) and tended to the museum. Other characters were museum exhibits such as Gabriel being Teddy, Reuben being Rexy, and the Admins as the Egyptians; In all honesty I remember very little from the dream save for Romeo (Kahmunrah) shaking Vos (Jedediah) around in a brita filter. Pokémon AU spawned from me rewatching “Pokémon Ranger and the Temple of the Sea” and realizing there’s a character named Jack whose partner is a chatot. The main premise is the basic “everyone has a partner Pokémon” AU where the adventure trio visit the Sea Temple (guardians are huntails, elder guardians are gyarados, colossus are regice… and there’s also a type: null there for uhh plot reasons.) Lastly, I just love The Odyssey so making Jack, Vos, and Sammy > Eurylochus, Odysseus, and Polities was too good to pass up. Plus Polyphemus works perfectly as an elder guardian + Romeo as a very pissed Poseidon.

Main AUs: Vos Possession AU, Drowned!Vos AU, Oarfishposting, ‘Neath!Vos AU, Champion Vos AU, and most recently Admin Accomplice

Secondary/Hiatus AUs: TempleSwap, Fantasy Trio, Abyssal Symptoms, Chipped!Vos, Angel, and Sentry

Honorable mention to the one-off crack AUs that I scrapped immediately because they were just for giggles. Holepunched AU: the obsidian cage does not open when it falls and uh just lands on Vos. 💥 Rip. It was nicknamed Holepunched because Sammy’s ghost has a gaping hole in her chest from the guardian beam and Vos’ is just sliced in half. Feather Falling AU: Vos survives all those years on one heart, but ultimately takes fall damage when Jesse releases him. Funnily enough, that one was made on a whim where I was just trying to cause a friend psychic damage, but she did me one better by saying it would be worse if he didn’t poof upon hitting the floor, but only dissipated when Jack tried to hug him. :[

[boom-bada-boom]

back again with another fic idea but i dont really have a name for this one lmao. anyways thank you totk for normalizing magical stones turning people into dragons 🙏

alright. the links lands in a time between heroes, a little bit past four’s time, so the minish and hyrule have their legends of him. and of course, theyre fighting monsters, as heroes do.

and the four sword is hit by Something, something powerful, something evil. no one is able to catch a glimpse of it but they could feel it. four flings his sword up instinctively to block, and the four sword

b r e a k s.

there is a bright light, and a voice—no, voices screaming. because the four sword had-has-will have only one link that wields it, and magical blades are always possessive, binding themselves to the soul of that who uses them. so the sword breaks, and it breaks its hero with it.

except the four sword is more than just metal and magic and minish power. it contains the power of the elemental stones within it. (because the stones themselves are just vessels, and vessels can change.) so when the sword breaks, and the hero breaks, the elements break away in turn. and they bind to the closest thing they can find that resonates with them.

(what, after all, are the colors shaded by?)

all of this happens in seconds, in moments, covered by the bright light and the screams. when the light dies, four dragons in familiar four colors split off in a panicked haze. they leave behind nothing but a broken blade and a leather bag.

basically the chain goes on a minish cap adventure but they dont have a cap and also the stones are just the colors turned into dragons instead.

also reversing the finding order so its green, blue, red, vio now. green is just looping around in the stratosphere or whatever. blue is hanging out near the zora since, yknow, lots of water. red is in eldin for similar reasons. no one can fucking find vio actually because how the fuck do you locate earth??

along the way they slowly discover that hey? the colors kinda represent the goddesses sorta? except what is vio then?

(wild is the first one to make the goddesses connection. hes like huh theyre kinda like the dragons from my time. yeah theyre like protectors of the goddess springs, its a whole thing—wait a minute.)

DUNGEONNNNNNN CRAWLLLLLLL,,,, the colors hide out in dungeonssssssss,,,,, its literally like a whole ass zelda game,,,,,

btw for the general shape of the map, the volcano is in the NW corner, the water in the NE corner, theres a rain forest in the SE, and i guess a desert in the SW??? N is grassland leading to the lost woods, W is moutain range with ice stuff going on, S is also grassland but it leads to swamp, E is lake hylia with some woods surrounding it (as you can tell i am trying desperately to frankenstein a map together from three different ones. sigh.)

if we’re going the “imitating a zelda game” route idk what kind it should be tho. we could do the oot/albw/eow/etc route, collect three items in three dungeons, have a break from dungeons with some situation that is a big move in the plot and frequently involve collecting the master sword, collect more items in more dungeons and fight boss for real (lots of adventuring and dungeons). or we could do the st/mc route, which is five dungeons, but you have a quest to get to each, so its more like quest-dungeon-quest-dungeon-etc. i think this also depends on the size of the game actually. all the bigger games have the first type of storyline and the smaller ones have the second

okay further research reveals that the oracle games, and links awakening, all have a collect 7 (or 8) items and do the thing to fight the boss. so it has the dungeon number of the larger games, and the quest to the dungeon pipeline of the smaller games

EDIT: okay after much consideration. we’re going with option two. mostly bc i dont want to make that many dungeons up 🙃

anyways they also have dungeon monsters and bosses. just like a real dungeon :)

EDIT 2: concept that each dungeon has parts stolen from mc/fs/fsa dungeons

okay dungeon ideas time. mc has two minish dungeons and two regular sized dungeons. the deepwood shrine (earth) and temple of droplets (water) are minish ones. the cave of flames is an old hylian mine in mount crenel and the fortress of winds is. well. a fort.

but green is in the clouds so that just leaves the fire dungeon to draw from in mc.

speaking of clouds, fsa very conveniently has a level named “realm of the heavens”. it is in fact just a whole level in the clouds. also theres the palace/tower/whatever the fuck of winds. so yk. (angst opportunity?? the chain climbing the tower only to come upon the room with the shattered mirror?? thoughts chat?)

as for blue. uhm. well. all i know is i want an ice based dungeon where its got a big ole water pool that probably is fed by the ocean or smth and thats where blue is hanging out. kind of like eow with the weird twister beastie.

as for vio. he is underground and that is as much as im certain of. did have a big ole brain wave that the way to get to him is through the building that will one day become the palace of the four sword, before it is sent to the sacred realm (to become the dark realm). other than that. you gotta go deep into a forest to get there??

and for bosses for each, red gets the helmasaur king (from leg’s time; helmasaur king ii was the boss at the end of the red sword’s portion of the palace).

im not gonna lie i kinda fuck with helmaroc king for green, not only because big bird for the wind element (and from wind’s game lmao), but also the irony of huge bird flying above clouds. sorry sky youve been culturally appropriated.

as for blue, he gets gyorg from majoras mask. time is sweating. gyorg annoying as fuck and you get to try to scramble to dry land once the dude recovers so you get anxiety as well. blue would fucking hate the bitch. 10/10 perfect option

i struggled to find something for vio, especially after accidentally making a “one boss from each timeline” thing happen. but i think i found one i like. skyward sword’s koloktos, simply because many handed boss always sick. and also because of the climbing out of hell scene in the mfs dungeon. the pits vs beautiful upper level concept is honestly kinda fire for doing his dungeon with. also its closer to the beginning of the timeline instead of down the splits

for the dungeons maybe you need to get some symbol of the respective goddess to enter the dungeons, which is where each color ran off to hide within by pure instinct. like the medalions that have shown up in some games or something. which also helps with them making the goddess connection, since theyre hiding where their respective goddess protects them (four, literally helped give the goddesses a house in mc: 🧍)

had a huge brainwave that the colors all fuck up the elements around them in a big ole radius. green accidentally makes tornadoes and hurricane winds around him and since the tower is pretty close to the castle it affects people there too. red irritates the volcano in mount crenel (because it had lava inside of it but on the outside crenel is mostly dust and dirt and stuff) and it starts spewing lava and stuff. blue whips the ocean in a big circle around him into a giant storm and thats why the chain cant just swim to him and have to go through the dungeon. vio accidentally causes earthquakes and sinkholes and he also makes plantlife grow absolutely crazily. yknow, to really up the ante on this whole quest. and now we even have a very good reason why they go to get green first (he is affecting castle town directly).

something something vio and shadow something something light and darkness something something hylia is light but she is a burning light and that kind of light always casts the darkest shadows something something vio uses shadow magic because he casts light

how do they learn about the colors? well, four left behind his bag and in that bag is a journal that has both random ass thoughts and communications between the colors.

the minish are in fact present in this one and they are trying to help the heroes but literally none of them can translate. except four but. awol. so theres some goofy ass shenanigans happening in that direction

(twi in wolf form, listening to the minish chittering and chattering: 🤔)

(legend crouched down next to him, trying to translate as the resident “language expert”: 🤔)

speaking of the minish, the colors all still have the ability to shrink. in theory. theyve got the feather earrings and everything, which would look cool as fuck on dragons i should say. but anyway.

they cannot shrink on their own because their elemental magic is overpowering their minish magic. they usually have at least some elemental powers as the colors but now that is increased tenfold. the chain gets magic bottles that are sourced from the minish who enchanted them with power that can temporarily overcome the overwhelming elemental aura to get to the color’s minish magic. thus making them small :)

and when the colors are trapped in one while minish-sized they can no longer become big again.

yes you can picture lizard-sized dragons being incredibly grumpy in glass bottles.

when they capture a dragon, they head to the minish? maybe. idk someone to make a four sword using a fragment of the original sword and the elemental stone in the dragon. so basically instead of repairing the four sword and splitting, since theyre already split and the sword’s already in pieces, they repair each split and then combine them together. idk how they get the elemental stone out of the colors, but each time they repair a four sword piece they reverse the transformation and get the color back.

so they adventure around with the colors, is what im saying. which is good news for them communicating with the minish lmaoo. no more charades for them

(red, blue and green in a football huddle trying to figure out where the fuck vio is hiding: (hushed but increasingly incensed arguing)

the chain watching them argue at every turn and wondering how the fuck four seems so stable all the time: )

[lets-try-some-writing]

I saw someone else ask about Transformers Animated and you said you had something in the works for it, mind if I ask about what it is? I know you do most of your work for Prime, but I would love to see what you have in mind.

It's been a LONG time since I've thought about animated. I don't think I have the drafts I wrote up for my various thoughts when I first watched the show anymore.

BUT I think I remember a few of the premises I came up with at the time.

Days of Old: Cybertron has long forgotten its history. The Autobots are all puppets of the Quintessons, although they are not aware of it. Only the Decepticons remember when their people were free, and even their memory is warped. The Allspark was taken from its place, the people have been physically altered to match what the Quintessons wanted. Nothing is as it should be.

Primus is not pleased, and he refuses to allow his holy stations to be corrupted. Thus he has returned one of his first creations to Cybertron to wield the Matrix and put things back the way they were.

Author's note: This concept would be a way to warp TFP elements into the animated universe. I personally imagine it is set in an alternate universe where the Quintessons never left and so continued to change Cybertronians to their liking. This way old TFP lore can still apply and certain world rules can still come into play. I also just liked the idea of young Optimus slowly remembering how the world used to be. It gives him an excuse to ally with the Decepticons since they are, essentially, a living remnant of the old world.

I don't know I just wanted lore so I made an excuse for lore.

Death Korps: The Primes aren't just high ranking generals, they are also absolutely insane. The most indoctrinated out of all of Cybertron's citizens, the Primes are raised from youth to fulfill the role of fanatic soldiers. They throw their lives away willingly if it is for the greater good and tolerate absolutely zero disrespect toward the Council. Imagine how things go when one disgraced Prime is saddled with a suicide mission and a team of heretics who don't give a flying frag about the government and its rules.

Megatron is going to have his hands full working to open the optics of one fanatic Prime, an exiled medical officer, two recruits who simply couldn't be indoctrinated, and a ninja who fled from the government sanctioned reprograming he was meant to undergo.

Author's note: I liked the idea of each of the team showcasing a different aspect of Cybertron's corruption. Optimus the religious fanatic. Ratchet the war vet who knew too much and thus was silenced. Bumblebee and Bulkhead who were born with the rare mutation that makes it impossible to be forcefully indoctrinated. And good ol Prowl who is one of the few with enough brain cells to get the heck out of dodge before he underwent what might as well be shadowplay.

The plot of this potential fic would follow Megatron's efforts to get these Autobots on his side. Primes aren't just fanatics, they are high ranking generals. They know things. If he can get to that knowledge, Megatron can win. But due to the fanatics that are the Primes, its not like torture will do anything. That means trust is the only avenue.

Warframes: The team are not what they seem. Megatron has begun to see it now that the Autobots on Earth aren't being pumped full of whatever Cybertron puts in its energon. They are growing, getting taller, stronger, and more aggressive. They don't seem to notice the changes, but Megatron is seeing it and he is enraged.

Vorns upon vorns ago the Council stole hundreds of Decepticon sparklings to make up for the lack of newsparks on their own side. They were considered dead, a lost cause. But seeing the team on Earth, Megatron now has a far greater fear. What in Primus's name are the Council planning to do with a bunch of warframes?

Author's note: Aka: the Cons now have a very VERY good reason to be extra pissed with the Autobots. Hundreds of their sparklings all stolen and each forced to remain on suppressors until the Council decides that its time to turn them into the super soldiers they need. In this particular idea, Ratchet SHOULD have been keeping the team on their suppressors and Prowl SHOULD have been ensuring that their civilian social coding was up to snuff. But neither have been doing that, and thus the three youngest bots on the team are coming into their own.

I imagine that at least one of the three are directly related to a high ranking Con. That way the beef can be REAL and PERSONAL.

I have some other ideas as well, but I will need to put them in a separate post I think since they are more one shot material than anything else. Let is be known, I wasn't actually the biggest fan of animated, but I loved the POTENTIAL it threw out for fic writers.

Please let me know if any of these appeal :) I will gladly write for one of them if I get a request for it.