#and I haven't read/watched much of it to have a solid understanding of it
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Love in the Big City: A Proposal to Extend the Discourse
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Many of us have been anticipating this full length drama adaptation of the beloved novel by Sang Young Park for months, and when you watch the trailer above, you can see why: this is a queer story through and through, written semi-autobiographically by a queer man in South Korea about his own experiences, and then lovingly and determinedly made into a live action drama to bring his story to more people. It's a landmark show in the Korean media landscape; nothing of its kind has been made before. And that is exactly why the show is drawing harsh backlash before it even airs. It's too honest, too heartfelt, too steeped in empathy and understanding for the nuances of the queer experience in a suppressive society, and that scares people who want to continue shoving queer folks back in the closet.
As a result of this backlash, the story, which mirrors the novel by being structured in four parts with a different director and focus story in each set of two episodes, is being released in one giant episode dump to ensure that it all makes it onto air. Sang Young Park himself confirmed that conservative groups in South Korea are trying to prevent this show from being seen, and he is fighting to keep promoting it and will ensure its release on October 21st. It will air on TVING in South Korea and on Viki for the international audience.
The best thing we can do to fight back against this kind of censorship is to watch the show loudly, to write and make art about it and celebrate it, and to do that for more than just a couple days. Earlier this year, @bengiyo and I started the Love in the Big City book club to read the novel with friends in anticipation of this drama's release. For four weeks we coordinated weekly discussion posts to correspond to each part of the story, and we intend to do the same with the show. Given what's going on with attempts to suppress this story, I want to open up that invitation beyond those of us who are participating in the book club to include anyone who wants to watch and talk about this show, regardless of whether you've read the novel.
So here's the proposal:
Beginning Monday, October 21st when the show drops, we'll each watch the show on whatever cadence we like (personally, I will be watching two episodes at a time with breaks in between, because that is how it was made and intended to be seen)
Regardless of when we each actually watch it, we will post weekly starting on Mondays about each part of the story in turn. So the week of October 21st we will post art and meta and reactions to Part 1 (episodes 1 and 2), and each subsequent week we'll post about the next part (or each set of two episodes).
Ben and I will also write up and post book club discussion questions each Tuesday that will be more about the adaptation to live action and comparisons to the novel. Anyone who has read the book is very welcome to respond to those even if you haven't been in book club with us previously.
My hope with this proposed schedule is that we can keep discussion of the drama alive for a solid month and give it its full due. Tumblr is a crucial part of the fandom ecosystem and I want to do our part to ensure this show isn't buried. This is a complex story with so much nuance, and if we binge and forget about it in a few days, we cannot do it justice. I want to support Sang Young Park and so many others whose stories have been forced under wraps by this kind of oppression, and I would love it if you all would join me.
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Superpowers That Other Cosmere Fans Seem To Have (That I Do Not)
Inspired by this post, which is also #1 below. :D Basically, this is a post about amazing powers that I've noticed OTHER Cosmere fans seem to have, which I definitely & absolutely do not possess.
1. A Powerful Lack of Secondhand Embarrassment
I start with @lerelene's superpower, which is that they don't get secondhand embarrassment from the "And for MY boon" scene. That is VERY powerful indeed. I can barely reread that scene, and my brain is hiding behind a very large fan the whole time.
2. Recognizing Worldhoppers
I feel like some fans are reading along, when suddenly a character who is "kind of short, really" or who uses some slightly odd idiom is mentioned, and they say, "Ah HA! I see you, Worldhopper!" That could not be me. Unless the Worldhopper is, like, a major character in another book or is explicitly named, I've never recognized one in my life.
3. Understanding the Physics of Investiture
I'm not even sure physics is the right term? But, like, I know that there are underlying principles governing investiture and how it manifests cosmere-wide and I, uh, do not understand much of anything about that. I'm picking up on the fact that investiture turns black and oily (?) when it's wonky, but that's all I got.
4. Asking Sanderson Amazing Questions at Cons
Closely related is the superpower that some fans seem to have of coming up with really wild questions about the inner workings of investiture: like what happens if Nightblood drinks the Dor or how Hemalurgy can steal a Bond or....stuff. Interesting stuff that makes Sanderson hand out a RAFO card or just give a delightedly nerdy answer. I dream sometimes of asking one of those questions but frankly, I wouldn't even know where to begin.
5. Reading Everything Sanderson
I consider myself a pretty serious Sanderson fan, but I haven't even finished the Cosmere! Just missing White Sand, which I feel like isn't super uncommon, but still. There are people who've read all of the Cosmere AND the non-Cosmere books and probably Wheel of Time too. I think that is incredibly impressive. I will probably never do it all.
6. Keeping up with the WOBs
I'm actually not sure if this is a superpower that few have or just something that everyone else is doing that I don't, but....I can't keep up-to-date with all of the Words of Brandon. I don't watch the videos really and I've never been to a con. Every now and then people say things on the internet about, like, a Worldhopper Ball or MLM Renarin Day or something and I gradually pick stuff up. But I am definitely not on top of any of that.
7. Keeping the Timeline Straight
People who can even keep the in-book timelines straight impress me, but even more impressive are people who can keep the Cosmere-wide timeline straight. If you gave me two Cosmere series and asked me which is earlier chronologically, I'd probably shout "OH MY GOD IT'S HOID" and run for it.
So...what's YOUR Cosmere Superpower?
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Titbits and analysis 🖖
As promised, some more titbits from the Con yesterday in Melbourne as well as my interpretations. Prior to attending yesterday, I told myself to keep an open mind and attempt to leave any biases behind (even after having seen the funeral pics). Clean slate. To try and view Sam, the event, questions, and subsequent behaviours objectively.
I'm the sort of person who feels energy and is affected by it and in some ways governed by it. The energy of people, both individually and collectively. The energy of a group. I tend to couple this with objective analysis, which forms the basis of my conclusions about people and situations.
I applied this method yesterday in attempting to understand and view Sam, the OL money 💰 machine and everything else. I also just wanted to go there and bask in the audience and enjoy myself....and....I did like it Jamie.
So first thing I noticed off the cuff was how experienced Sam was in handling questions, and the women, and tailoring his behaviour to suit their desires. He was charming, charismatic, approachable, a skilled professional. I saw the veneer. I felt the veneer. I also saw and felt that he is a pretty decent bloke under that veneer. A man with a solid work ethic, who is mild mannered and working with purpose in his life.
I observed that his handler or Convention agent or whatever he is, Steve, was in full control. He managed Sam's performance in a sense. He asked the questions and even set the directions for some answers. Sam is controlled. I didn't like Steve. I didn't get the best vibe off him. Infact, I got a bad vibe off him. I observed that everything was a performance. Scripted to a large degree. The Single Sam narrative was pushed by Steve. Hard. It was a performance. That much was clear to me.
So Sam chose to mention that he was in Austria skiing 2 weeks ago....blah blah...something about singing a Ronan Keating song. So the script tells everyone nice and early that he is NOT with Caitriona ✅️
Later on in the panel, he mentioned that he "was at the theatre in London the week earlier" watching a play. Huh? Getting his timeline confused? Interesting titbit, I thought. Who would he go to the theatre with whilst in London? Who else likes to go to the theatre? Who have we seen him go to the theatre with before? Ding ding ding!!
One of the first things he spoke about (umprompted) and imo was part of his speaking program, was that Caitriona is back home in Scotland doing prep work and will be directing this season. He said that he spoke to her recently and that she is cold and miserable back home. No one seemed to give a shit. The women were there for their Jamie. Sam read the crowd. He understood.
Sam tried to bring Cait into the conversation again saying something like "Where's Claire?....Caitriona isn't here". Again crickets from the audience.
He said that he auditioned with a lot of Claire's, but they couldn't find the right fit and that nobody was as brilliant as Caitriona.
It sounded like he genuinely missed her.
He spoke of his audition with Cait, saying they were very physical and were almost wrestling each other. He said he was sweating all over her and that his sweat was on her. The crowd still only wanted to hear about their Jamie. I think Sam relished in being cheeky in saying that she wore his sweat that day.
Someone asked about "how do you kiss and make out with a costar and then just carry-on. Isn't it awkward"? Sam responded generally initially, saying that there's lots of checking in with the person and apologising afterwards (in a joking fashion). Then that prompted him to start talking about Cait saying that he has also "snotted" all over Cait and exchanged many body fluids with her (in an acting context presumably)and that there's nothing really left to do together that they haven't already done. I was like "whoooaa wtf Sam?". Shooketh that he said that really. The silence from the crowd was palpable. They really didn't want to hear about Cait and Sam and their shared bodily fluids whilst 'acting'. He is THEIR fantasy man. Not Caitriona's. Silence from the audience. Sam already knew that the crowd were Sam onlies but he loved telling this story. Relished in it imo. He loved the double entendre. It was an unrehearsed, unscripted conversation as it resulted from an audience question. I concluded it was an act of defiance on his behalf. That's what it felt like to me.
Steve the convention agent guy, was always bringing it back to Single Sam. "I worry how are you going to get a date" said Steve. With Sam understanding the prompt ...."I worry too" says Sam. Bachelor narrative secured ✅️
Steve spruked the Bachelor narrative again to Sam's thirsty and adoring fans....."Sam you remind me of that old show where everyone has to guess which bachelor is going to come out of the mystery door". And that's when I knew with 100 percent certainty that the bachelor talk was a ruse. It was so contrived and performative. I smiled to myself. The women in the crowd were eating it up.
Another thing that stood out to me was when Sam was searching for the right terminology when talking about Cait. "My......co star" huge pause.
"I love you Claire" is the line he randomly chose to say when explaining his acting.
When asked how he has time to foster friendships and spend time with his family he talked around it. Avoided the question and kept it about his friendships saying that they are strong friendships that endure. He diverged and started talking about how he still has his core friendships that he had when he was bunking and sharing an apartment/house with them in London when he was younger. The veneer was up. Inpenetrable.
At another point in the panel Sam asked "How many Sheila's are there here"? LOL. I found that amusing.
Now this next part captured my attention the most. It had a weird feeling (energy) around it . Sam gave off a weird energy. Almost hostile. Again that's just what I felt.
Someome from the audience named Toni with an "I" was selected to ask a question. I can't remember what the question was but Sam made a really big deal about her being named Toni. "There's always a Tony have you noticed"? Why is there always a Tony"? He said. He didn't want to drop it. He placed a little too much emphasis on it. I was laughing silently but Sam's double entendre didn't go unnoticed by me. Everyone else was clueless or at least that's how it appeared to me. Was that an Easter egg dropped by Sammy?
Asked about what does he do for self care, he seemed to struggle answering that too. He talked in circles about his way points hike and how he's learning how to live in the moment. There's that wall again.
There were many other things discussed of course but I thought I'd focus on the things that shed light on his situation and that resonated with me.
So my closing Analysis? Sam is controlled. He peforms. He caters. He's intelligent and in tune with people and aims to please but is private. Sunday just reaffirmed and solidified my beliefs. Caitriona snatched up that hard working gem of a man quick smart!
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Hi it’s me again 😁. I wanted to try to request something but it’s very specific so if you don’t like the idea or just don’t have the time you can just put it aside 😅.
It’s another female predator story but in this one reader is a preator that was born black with white markings which is seen as a bad omen ( i don’t think it’s real in the Yautja culture but let’s just role with it ). Reader was abandoned by her family and was found by a family of thanator ( you know those fierce alien panther from avatar ) so she was a savage and knew how to hunt without any tools from a young age. Her grandmother, a strong and important matriarch, found her and took her back to their planet. But reader doesn’t really have contact with her kind except for her grandmother and her thanators and she hunts alone a lot of dangerous enemies ( like xenoporph queens ).
I’m totally making the even up but let’s imagine it’s mating season and there is a huge a tournament to help yautjas find a good partner. Like wrestling, shooting or small combat matches… It’s time for the females to compete, reader is participating cause her grandma asked her ( she wants grandpups 😂 ) and is wrecking the events and catches the interest of many males. Especialy after the one on one fight where she would use a lot of her natural features and thanator fighting style ( we don’t really see them using there claws, feet or teeth a lot and it’s disapointing cause those are mass murder weapons). The males are enamoured and quickly process to begin the courting but reader doesn’t really know how to act with males and she never really paid it much attention before cause she’s usually hunting or founding and taking care of new alien pets companions. I bet the males are amazed with this unique and strong ( and kind of inexperienced 😏 ) female yautja.
Thanks for reading this ( long ass fuck to be honest 😂😅) resquest and i hope everything is alright for you, 😘 bye.
You'll have to excuse potentially wrong assumptions as I haven't watched Avatar and have no idea what it is about 🥲 buut otherwise I just detailed around your ideas, they’re pretty solid and I didn’t want to tamper with them more than necessary
Predator Headcanons: Predator Reader in Tournament
Featuring a Yautja female with an unusual background.
Everything happened so suddenly. Your peaceful like among your family, uprooted within seconds. One particular day and out of nowhere, a bizarre vessel hovered over Pandora's forests, alerting everyone in its vicinity. The intruders that teleported down caused even greater confusion: they looked just like you. Yet you couldn't understand their odd clicks and guttural noises, nor did you trust the intricate holograms and machinery pointed in your direction.
After what felt like an eternity - and with the help of a translator - the uninvited guests announced their purpose: to retrieve you and bring you back to Yautja Prime. Nonsense, you thought at the time. There's no "back" when your home has always been on this Planet. Despite your protests, you'd quickly learned that your hunting expertise was no proper defense against their foreign technology and so you begrudgingly accepted the proposal.
The first few months were, plainly put, depressing. The matriarch - you'd soon learn she is your remaining family - insisted on keeping your integration a secret at first. Many factors were still unknown to them: would you be able to learn their language after so many years? What about defending yourself against other Predators? Yautja communities are ruthless and unforgiving, and the matriarch could not risk killing off her only successor.
Thankfully you proved yourself efficient enough with your skills. Growing up in the forest has honed your senses, perhaps to an even greater degree when compared to a Predator who relies on modern weaponry. Impressed with the outcome, your grandmother decides to register you for the Grand Tournament. What better way to reveal the return of her long-lost suckling? You don't know what it entails, but the time spent hunting xenomorphs has gotten quite monotonous. You'd take any challenge to entertain you.
The gate opens and you step inside the ring without hesitation. There's a moment of silence, followed by suspicious murmurs from a confused audience. Unbeknownst to you, the patterns you're donning are not only a rare occurrence among the Yautja species, but a bad omen as well. The males are studying your movements carefully. It's not just your appearance; Your fighting stance is unusual, resembling a wild animal. And, as the end of the match quickly follows with an effortless win on your side, they're certain of one thing: they've found their mate.
You raise your first victoriously and don't even notice the predatory stares. Nor do you comprehend the sudden gathering of males that has formed towards the exit, awaiting your return. What's the meaning of this? You glare at the matriarch, and she responds with a smirk. You'll figure it out soon enough.
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Since you're familiar with tokusatsu actors and their journeys into BL, what kinds of careers historically have tokusatsu actors had as they start to get more credits and mature?
Thank you for the ask! This is a great question. It’s something I’ve been curious about for a while, as you know.
I never get tired of this gif of Seto Toshiki (a Kamen Rider alum with two BLs under his belt) eating cake. (It's from Kamen Rider Ex-Aid, which he starred in with Iijima Hiroki of Our Dining Table fame.)
Oh, I should probably say at the outset that I'm talking about the suit transformation type of tokusatsu shows here. Technically the category is broader and also includes kaiju movies, but I'm focusing here on the kind of tokusatsu series in which human characters (or human-like ones) transform into masked heroes. I think that's what you had in mind, Ben, and it's the type of tokusatsu that tends to overlap with the BL world.
Another thing you'll notice is that I'm mostly going to talk about men here. Tokusatsu has been making some progress as a genre when it comes to gender equity, but it still has a long way to go. And since most of the progress that has happened, like the increase in female Riders, has been in the last few years, the actors who played those characters haven't had much of a subsequent career yet.
Now, to your question.
Unfortunately, I haven’t figured out a way to really look at this systematically. So, definitely take my conclusions with a grain of salt. (If anyone reading this knows more about this or has thoughts about how to get more/better info, I'd love to hear them.) The main source of information I have--aside from just soaking stuff up from watching tokusatsu shows and reading toku fans' tumblrs, of course--is looking at toku actors’ entries on MDL and seeing how many roles they’ve gotten, if they’re “guest,” “support,” or “main” roles, and trying to find out about the type of shows and movies they’re in.
One of the biggest weaknesses to this approach as an American viewer is that it's usually hard for me to tell what constitutes a popular or prestigious series or film even if I go to the listings for specific shows/films. I should also note that one thing that biases my “data” (to use the term loosely) is the fact that I’m more likely to look up this information about actors I like. Well, occasionally I’ll also look at info on some sample of actors out of curiosity, like a bunch of lead Ultraman actors’ subsequent careers or something like that. But it's usually more random.
A little background. As you're aware, tokusatsu roles often go to younger actors who don't have much previous experience. They tend to function both as a way of getting a foothold in the industry (building a resume, starting a fanbase, etc.) and as a way of learning on the job. Part of the reason they work so well in this regard is that they have long seasons. Ultraman seasons are typically around 25 episodes long, which is pretty long compared to many shows in Japan, but Kamen Rider and Super Sentai seasons are usually around 50 episodes long. This means two things: a toku part gets you a lot more of the aforementioned work experience than you'd get in other genres, and it provides a solid year of consistent work with additional work to follow (particularly hard to come by in Japan's entertainment industry, from what I understand). The additional work is substantial, too. There are typically post-series TV movies and touring live shows and there are often guest spots on other series in your franchise.
When it comes to landing other roles, as in other types of media, it makes a big difference what type of role you had. This is stating the obvious, I know, but there are some specific ways this works with tokusatsu series, and it relates to who ends up in BLs and in what capacity. So, all of the big three tokusatsu franchises are pretty ensemble-based but they still have distinct leads and some degree of a hierarchy of roles. Ultraman has the strongest leads, Kamen Rider has lead/title Riders and secondary (and often tertiary) Riders, and Super Sentai shows are especially ensemble-y (the word sentai basically means "squad," after all) but they always have some kind of group leader.
When I look up subsequent work by tokusatsu actors who had sizable roles in their toku series--lead roles, or other parts that are what MDL would call "main" roles--what I see most often is a lot of supporting and guest roles in a variety of TV shows and some films. You can usually find a smattering of lead roles as well, but if you look closely they may turn out to be smaller productions (but not always). When it comes to the number/frequency of credits, there's a lot of variation but an average case would be 2-3 such credits per year. Like I mentioned above, it's hard for me to tell how desirable/prestigious/well-paying those guest and supporting roles are. But they don't usually seem to be scraping the bottom of the barrel or anything. So, yeah. Lots of these actors have different paths, but this is what I see most frequently.
Given how challenging it is to make a career out of acting in Japan, this is nothing to sneeze at. Despite its relative influence, the Japanese entertainment industry is still comparatively small, and there are only so many opportunities. In that context, regularly getting guest and supporting gigs constitutes a pretty uncommon level of success.
Could these folks support themselves on this amount of work? I often see just a few credits per year, so maybe not. But when I like one of these actors enough to follow them on socials, it usually seems like they are supplementing those parts with other stuff like stage plays, toku fan appearances, modeling gigs, or other types of performance including music. Even with these different sources of income, some probably still can't live on their entertainment industry pay alone. But it appears that some can.
So that's the most common thing. One less common outcome is leaning really hard into being a tokusatsu actor for life. It's not typical to get significant roles in multiple toku shows, but it does happen. And some actors manage to play the same character in a lot of post-series movies, miniseries, etc. stretching out for years after their actual series. For example, Tsuruno Takeshi, who played Ultraman Dyna's human host Shin Asuka, has been in ten different Ultraman things including his main series, a short series, a lot of TV movies, and a special. Dyna aired in 1997, and his last appearance as Asuka was fairly recent, in 2016. That's almost a 20-year span. Yet Tsuruno has never had a non-Ultraman main character part. (Though this is partly because he seems to have focused more on his music career and related variety show type things post-Dyna.) There are even some actors who are tokusatsu superfans whose whole career plan is centered on the genre from the get-go.
For those who are looking to branch out, there are a lot of trajectories. So I'll try to talk about some of them through a few examples.
Takeda Kouhei
You probably knew I was going to bring him up. On Kamen Rider Kiva, Takeda's character was important but not the lead (he played the main character's father in the 1980s, in a timeline that ran parallel to the present day one). That was in 2008, when he was 22. Nine years later, in 2017, he was in Kamen Rider Build, in which he was the "tertiary" Rider. This character was a potato farmer-turned-antihero. As tertiary Riders go, he was pretty popular. But Takeda seemed to be mostly hovering at a certain level at that point. Then Old Fashion Cupcake happened. It's significant that he went from playing supporting characters (albeit important ones) to a lead character in OFC. It's also helpful that OFC came out at a point when the prestige of BLs was on the rise. It seems like Takeda has had more consistent and larger parts since then. The difference isn't night and day or anything, but it's observable.
If you look at Takeda's Build costars, Inukai Atsuhiro and Akaso Eiji, here’s what you'll find. Akaso has a similar trajectory to Takeda's only somewhat steeper. His role on Build (the secondary Rider) was a bit bigger, he seemed to get slightly bigger roles overall after Build, and Cherry Magic gave him a significant boost from there. Inukai had a bigger upswing early on followed by slower growth that still had him outstripping both Akaso and Takeda. From what I can tell, his “data” more closely resembles that of Yamada Yuki, who I’ll talk about in a second, though they have different niches.
Suda Masaki
Suda Masaki was only 16 when he played the main rider in Kamen Rider W in 2009, which is unusually young. (W has a unique premise where two different people inhabit the same Rider, so Suda played a lead rider but so did his costar Kiriyama Renn.) From what I can tell, he seems to have had a pretty organic path to larger and larger roles while varying genres and styles quite a bit. At this point he's definitely a very respected actor. (One interesting bit of trivia: Hagiwara Riku has said Suda is his biggest acting role model.) He's won two Japan Academy Film Prizes and been nominated three more times. I don't know of a more successful ex-tokusatsu lead. Actually, I looked him up for this post to fill in some details and found out for the first time that he also has a pretty successful career as a jpop musician. It's almost annoying that he's that talented in yet another area.
I don't see any indication that Suda has ever played a queer character, though he has definitely done some pretty bromantic stuff. He did kiss a man once in a drama series, but it was for plot reasons and was 100% played for laughs in a gross way. He also played a gender nonconforming character in the 2014 live action version of Princess Jellyfish. (Another bit of trivia: when another live action adaptation of Princess Jellyfish was released in 2018, the same character was played by another former lead Rider, Seto Koji from Kiva.) I wouldn't put it past Suda to play a queer character, if it was for a highbrow movie or something analogous to what Nishijima Hidetoshi has done in What Did You Eat Yesterday?, but I'm also not holding my breath.
Yamada Yuki
A less extreme case. Yamada was on Kaizoku Sentai Gokaiger. He was the blue member of the team, a soldier-turned-pirate. It may have helped Yamada along later on that Gokaiger is an especially popular Sentai series. Post-Gokaiger, Yamada didn't have any sort of big breakout role that I can find. It just seems like fairly soon after Gokaiger, he started having significant roles in TV dramas and has pretty much continued from there, with some upward momentum but no huge changes. When he was in a drama with Akaso Eiji recently, his part was first billed and a smidge bigger. Yamada's trend line seemed to have a biggish upward swing early and then just a slight slope from there. But I just saw him in something different: he plays the younger member of the minesweeper crew in Godzilla Minus One. I wonder if that will mark any sort of shift for him.
Yamada hasn't played any queer characters as far as I can tell. His Sentai role was shippy as hell, though. It's a tradition among Sentai shows that subtext-level queer ships happen between the red and blue team members, and that's exactly what happened in Gokaiger. Sometimes the subtext pretty much became text. If magazine images from that time are any indication, their relationship seems to have been a promotional angle for the show. There's even one where they seem to be in some kind of high school AU that looks like it's straight out of a BL.
what about women?
I tried looking up a few women I know from tokusatsu roles while I was looking up these and other dudes. Some of them were still in the business, at least. Some were getting the same trickle of guest and supporting parts a lot of men do after a tokusatsu show. A few had a slightly bigger trickle. But many of them seemed to have disappeared from the public eye entirely. Not only are women underrepresented in tokusatsu, and not only are their roles often relatively small and two-dimensional, but it doesn't seem like they get even a slight career boost after these roles.
It's possible this will change for some of the actors who got bigger, more interesting toku roles in recent years. Here's hoping!
The changing relationship between tokusatsu and BL
The relationship between tokusatsu and BL has been changing as BL gains more prestige, like I alluded to when I talked about Takeda Kouhei. There was a time when they seemed to be pretty analogous in terms of how hard it was to get a role and how effective they were as rungs on a career ladder. If you went from being a tokusatsu side character to a BL lead (like Takeda), that was a step up, but only because you were shifting from a supporting spot to a lead one. Tokusatsu leads usually didn't usually do BL or, when they did, only played straight supporting roles. I think it was seen as a lateral move. But now, BL is becoming a very established next step after tokusatsu. It's like BL has moved up in status so that the consensus is that it's above tokusatsu on the ladder, but just by a little bit. It's also kind of an organic transition since we're seeing more queer ships in tokusatsu that, while they mostly happen on a subtext level, are close to being canon (and in some cases, arguably already are). It occurred to me while I was writing this that there's also another type of role that is in a similar zone of accessibility and prestige to both tokusatsu and BL. It's a franchise, not a genre, but with so many movies and such huge casts it almost functions like a genre for the purpose of this discussion. I'm talking about the High&Low movies. If you're a fan of tokusatsu or BL, you'll see actors you know in every High&Low movie and if you're a fan of both, you'll see tons.
Case in point: Here's our ol’ pal Yamada Yuki. He's in quite a few High&Low installments. If only he’d do a BL and complete the trifecta! The only person I know of offhand who’s done a tokusatsu show, a BL, and a High&Low role is Takeda. I bet there are others, though.
the new (?) prestige tokusatsu
There's another piece to this I should probably point out as well. In recent years there have been some more high-budget, prestigious takes on existing tokusatsu properties. First, Anno Hideaki, who's best known for the Evangelion anime series/films, put out three live action features that are new, well-financed takes on three big tokusatsu properties: Shin Godzilla, Shin Ultraman, and Shin Kamen Rider.
Last year there was also a Kamen Rider series geared toward adults that had higher-than-usual production values called Kamen Rider Black Sun. It did that “you can tell our show is for adults because it's all gritty and grimdark" thing, which I'm not a fan of. But it definitely had its points.
Really distinguished actors starred in both the Shin movies and Black Sun, including Nishijima Hidetoshi, who's about as distinguished as it gets. Nishijima was in both Shin Ultraman (in an important supporting role) and Black Sun (as a co-protagonist--and he's the biggest highlight of the series). So these are examples of toku media that are too prestigious to be a springboard into the industry for most actors.
This seems to be a new phenomenon, though I could be wrong about that. I don’t expect the trend will continue at this pace (after all, so much of it is attributable to Anno alone and I don't think he'll continue down this path indefinitely), but I bet some other shows/movies in this vein will come out sooner or later.
Here’s Nishijima doing a henshin sequence. He does these moves with such commitment. Is there anything he can't do?
before tokusatsu
As I was writing this, it got me thinking about what actors do before their tokusatsu roles as well as after. It's not uncommon for toku roles to be someone's debut, but that's not really the norm. Even when it is, most of those actors were doing something in the realm of performing or modeling beforehand. I don't usually look at this sort of information as much as I do later roles when I'm investigating toku actors I like. So I looked up some people to try to get a sense of where the actors tend to have done before their toku parts.
There's one starting point that a whole bunch of tokusatsu leads share: winning the Junon Super Boy Contest. When I first saw references to it, I thought, OK, this is some kind of national talent contest. I guess there are probably lots of them. But when I looked for others, I didn't see anything come up. Maybe I'm just not looking in the right places or using the right search terms. But I think maybe this contest might be pretty unique in Japan.
It's run by a magazine called Junon and, well, if I describe how it works it's going to sound really familiar to you and anyone else who's seen Utsukushii Kare, because it's pretty much exactly the contest Kiyoi participates in. Like, if it's not what Nagira Yuu was thinking of when she wrote that part of the UK novel, I'll eat my shoe.
A ton of tokusatsu leads won, placed in, or made it to the finals of that contest. The Tokupedia fan wiki even has its own page dedicated to the contest with links to various winners' toku characters. The majority of Junon Super Boy contestants who ended up in a toku series went to Kamen Rider, but there are some Sentai dudes as well and at least one Ultraman lead.
So I guess if Kiyoi had won that contest, he probably would have ended up on Kamen Rider or something. Weird.
Inukai Atsuhiro and Iijima Hiroki both won that contest. Those are the only two Junon Boys (that's what people call the contest winners) who became tokusatsu actors and were on a BL that I know of right off the top of my head. But it seems likely that there are other toku-and-BL or just BL actors who won, placed, or made it to the finals of this contest.
Other dudes who ended up on tokusatsu shows started out in other ways. Some were simply signed to agencies as actors. There's a fair number of them who were in idol groups. (Though when an idol/ex-idol is looking for a gig as a transition into acting, BLs seem to be a more popular choice.) Some mostly did modeling prior to their toku series. Some already had quite a few acting credits, though usually not very big ones. Although he's a Junon Super Boy winner, Inukai had eight other acting credits before Kamen Rider. Takeda had the same number, and he started young--his first credit is for a TV show that came out when he was 10 (though it took another six years to get a second).
I also looked up some women who've had prominent roles in tokusatsu shows, including more recent ones. The most frequent things I found when I looked for information on their pre-toku careers were that they had been models or idols (or both). It's also not uncommon for women in toku roles to be former or present gravure models--basically models who pose in bikinis or comparably revealing outfits.
The coolest thing I found was that Imoto Ayaka, who played Igarashi Sakura/Kamen Rider Jeanne, was an award-winning ballet dancer. Which is not only incredibly cool but makes a lot of sense in terms of preparation for a tokusatsu hero role.
I mean, just check out this henshin.
Well, this has gotten ridiculously long. Sorry about that. I may have gotten a little carried away. But thanks again for the question.
And now, I have something to write for @wen-kexing-apologist...
#tokusatsu to BL pipeline#tokusatsu#takeda kouhei#yamada yuki#suda masaki#junon super boy contest#kamen rider#super sentai#kamen rider kiva#kaizoku sentai gokaiger#kamen rider w#nishijima hidetoshi
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Morrigan as the self-proclaimed "elven lore expert" doesn't even work with a human Inquisitor because she doesn't really know what she's doing. She brings to mind someone who discovers some ancient room, and the mere discovery of it makes her think she's special. Bonus points if she also found some trinkets, and by finding them, she considers herself the rightful owner and "expert" on all things about them. Like, no real knowledge, just a desire to preserve ancient stuff that she has no idea what it does. A human Inquisitor should be able to question her knowledge like any Dalish elf, but no one is allowed to, so.. she gets to flaunt her non-existent knowledge and it is irritating.
It's an annoying thing that applies to a lot of DAI's writing, where... Morrigan being so full of herself and thinking that stealing one book from the Dalish made her smarter than them could've been fine as a character flaw! Hell, the game even gently nudges at that with the moment where if Quiz has the arcane knowledge perk—which has the description "A detailed study of magic and the places and creatures that interact with it"—their training allows them to immediately clock that the Well has a magical geas on it, something Morrigan is completely flabbergasted by because she had no idea. There's also a moment earlier where Morrigan is confused by the presence of wolf statues outside the temple; Lavellan and Solas aren't, but if Lavellan explains why the Dalish do that Morrigan completely dismisses it as silly Dalish superstition and so meaningless even though "okay this is the reasoning that has been passed down to me, so it's the best guess I've got for why my ancestors did it" is in fact way better than anything Morrigan can figure out (which is... nothing), a solid line of reasoning to follow, and a decent guess in general. We haven't heard the full reasoning at this point but based on what we know about Solas and Mythal and the Evanuris the Dalish story probably isn't far off the mark! But instead of any acknowledgement of that Morrigan's complete dismissal of Lavellan's explanation as worthless superstition that has nothing to do with the decisions of Lavellan's ancestors is allowed to stand unchallenged.
And it really drives me nuts that the game just lets Morrigan's claim that she's a real expert stand, because it could have been really interesting if they'd done something similar to what they do with Solas's spirit friend where Lavellan can understand the dialogue but no one else can because it's in elven. It makes sense for a human, dwarf or Qunari to take Morrigan at her word; they're told she's an expert, and elven religion and magic aren't things they likely would've studied. But Lavellan should absolutely be able to recognize she's full of shit. Especially mage Lavellan, I will never be over the fact that Dalish mages are priests but mage Lavellan has nothing exclusive to them to say about visiting the temples of their gods (not that Lavellan in general gets to say much about visiting Evanuris temples but y'know). I made a post a while ago about how great it would be if Solas and Lavellan could fuck with Morrigan by lying outright about what the writing in the temple says and watching her go along with everything they say because she absolutely cannot read more of it than the ancient elf or the Dalish elf who seems unusually fluent in the language (and unusually fluent for a Dalish elf is insanely fluent for anyone else) and doesn't want to admit that she can't tell what it says.
At the end of the day Morrigan is an "expert" just because very few people know anything about the eluvians. I don't know how active the Veil Jumpers are at this point in the timeline, so the only people I can say with confidence understand anything about them (discounting ancient elves like Solas and Mythal) are Merrill and Briala. And I mean... Merrill repaired and purified a Blighted eluvian on her own (Morrigan, for context since The Last Court was taken down and not everyone played it, required the help of the incredible Serault glassworks and her eluvian wasn't even Blighted as far as we know) and Briala from what I understand (still haven't read TME, I keep meaning to) controlled a decent chunk of the network for at least a while. Both of them make Morrigan look at best unimpressive in comparison; look at them, and then remember that Morrigan's claim to knowing more about the eluvians than the Dalish is that she found one and fixed it... using a book... that she stole... from the Dalish. It's a combination of the bad vibes of this human woman claiming she knows more than the elves about their own history, the fact that the only knowledge we've seen her collect on the subject is one book that she stole from the Dalish, and the way Quiz can show her up with basically zero effort and the game just brushes past that without acknowledging that it's a massive blow to her credentials. If they'd acknowledged that she clearly doesn't know as much as she thinks she does or had her admit that to some extent she's figuring it out as she goes (and fucking listen to the people around her who know more than her, the way she belittles the Dalish when Lavellan offers an explanation for why there are Fen'Harel statues at the temple—which is more explanation than Morrigan offers, by the way—really makes me want to punch her) it would've been fine! Either acknowledge that her being so sure she knows best is a flaw in her character instead of trying to pretend she's right or have her admit she doesn't know what's best but does know more than a lot of people and wants to help as best she can; the way they handled it is just incredibly messy and really put me off ever seeing her in a game again.
#dragon age inquisition#morrigan critical#asks#anon#i'm really worried about her being in dav in a major enough role to justify all that trailer time guys#if i was going to pick one dao character i really didn't want to see it'd be her for sure
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Hi :)
I'm a pretty new SW fan, not because I didn't like the movies/hadn't seen them but because I grew up thinking it was extremely nerdy and would often feel awkward trying to bring up anything related to SW.
Fortunately I've finally reached and met awesome people who love SW just like I did but I feel like I lost A LOT of important stuff and there's so much content to the saga that it's extremely overwhelming for me to even think about diving into the whole SW universe and catch up.
I've been following you for a bit and your posts are just extremely interesting to me but again, sometimes I'm a little confused about certain things and so I wanted to ask you if you had any recommendations about where to start catching up (besides the movies which I will be binge watching soon hehe)
Hi! Welcome to Star Wars fandom, I hope you're having a good time! And around here we embrace being as nerdy as possible--I mean, fandom is such a mainstream thing these days, but I still like to embrace being a nerd about things because it leads to a lot more happiness, to just be silly and having a good time with the thing that tickles our brains.
But, yes, it is pretty overwhelming when you're first arriving, I still remember when I first came back to SW several years ago, having really only watched the movies as a kid, and there was All This Stuff and it seemed impossible to ever reach the deep end of the pool, and that was before the last seven years of books, games, movies, comics, etc. came out! I will hopefully set your mind at ease with this, though: The vast, vast majority of content that Star Wars puts out isn't anything I would consider "essential". It's wonderful, fantastic stuff! But a lot of us have just been around so long that we're combing through the finer details of supplementary material, rather than those being absolute Must-Read/Watch To Get A Feel For Star Wars.
My recommendations for How To Get A Feel For Star Wars is basically, start with the animated series and the live action series, they're the second layer of foundation in the Star Wars building, all the comics and novels and such will be built on them, and in this order: - The movies, this is the foundation on which everything else will be built. - The Clone Wars, season 1-6 are part of George Lucas' story and they're pretty essential (at least in this corner of SW fandom) to understanding wtf anyone is talking about or even watching many of the live action series. (Season 7 is fine and should be watched! It's just not part of Lucas' Star Wars.) - Star Wars: Rebels, starts off light-hearted but really is one of the best developed shows and does a lot of connective work between the prequels and the original trilogy. - The Mandalorian, set 9 years after Return of the Jedi, this show just massively blew up and while each season is slightly less well-done than the previous one (imo), it's well worth watching for wtf fandom is talking about half of the time. (The Book of Boba Fett is somewhat optional in this corner of fandom, but imo worth the watch. Generally, it should go Mando s1-2 --> TBOBF --> Mando s3.) - Obi-Wan Kenobi, because this corner of fandom lost our goddamned minds about it and still haven't gotten them back. - Andor, which is a really great show and, as long as you've watched Rogue One first, you'll follow along just fine. Does some solid connecting the dots between the prequels and the originals, but not as much as Rebels did. - Jedi: Fallen Order, you can look up a "movie" version on YouTube for the story of this game, which is a really good plot, has some great new characters, has some genuinely effective cameos, and will be referenced fairly often in other materials/in fandom.
If you're not feeling overwhelmed by All The Star Wars You've Consumed, I would personally suggest going for the comics next, over any of the novels. The novels are great! But the vast majority of them are self-contained and meant to be supplementary material even more than the comics, which get to tell bigger, more connected stories. I always suggest starting with: - Star Wars 2015 by Jason Aaron + Darth Vader 2015 by Kieron Gillen, both of which are really, solidly fantastic stories about the timeframe just after A New Hope, like there are so many absolutely banger lines that came out of these comics. I won't spoil them, just know that I think these were legitimately good comics, not just legitimately good Star Wars comics. (The first six issues of each series are meant to be read concurrently, but after that, you can just pick one and read in that specific title.) - Darth Vader: Dark Lord of the Sith 2017 by Charles Soule, which is set in the immediate aftermath of Revenge of the Sith. If Gillen's Vader keeps the mystique of the originals Unknowable Darth Vader, then Soule's Vader is more about the absolute BATSHIT DRAMA that is blending Anakin Skywalker and Darth Vader. This series is BANANAPANTS in the absolute best way. - Obi-Wan & Anakin 2015 by Charles Soule, which is a five-issue mini-series set between The Phantom Menace and Attack of the Clones and is both stunningly beautiful art and a solidly good plot that survives fairly serious analysis of. It's got some great worldbuilding details, but even more I like it for the look at why a young Anakin chooses to stay with the Jedi Order.
The one book I will recommend--for a list aimed at getting you caught up on what fandom is referencing--is the Revenge of the Sith novelization by Matthew Stover, that book is quoted constantly, and I'm not sure any other SW book has ever been as good as it is.
I feel like this is the best set of reading to get you familiarized with the source material that tends to come up the most! There's lots more that's really good, but once you get through the above, you can let me know what era or characters you're most interested in or if you have a specific question about something and want to see where it comes from!
But there's one thing to address and you're kinda going to have to figure out how to approach it on your own. 😂 There is a ton of stuff in SW fandom that's ostensibly from a book or a comic, but the version in fandom often comes from those who never actually read the books/haven't read them in a long time or are just picking them up from other fic and meta.
For example, the AgriCorps or Melida/Daan get referenced in fic and in posts all the time, but I wouldn't necessarily recommend reading the Jedi Apprentice series (I mean, I'm not your mom, feel free if you want to!) and often times how they're used in fic is not how they were used in the source material. Or the clones speaking Mando'a comes from the Legends books by Karen Traviss and she is a whole big can of ugly worms (both what she wrote and her IRL politics), as well as much of what she wrote was overwritten/discarded when The Clone Wars came out, but fandom likes the idea and so they put that into their fics (as they should, if they like it!). The idea of Mace using the lightsaber form of Vaapad is from Legends sources (the best source probably being the Shatterpoint novel by Matthew Stover, I'd guess?), same for his ability to see "shatterpoints" in the Force, which aren't part of Lucas' continuity or Disney's continuity, but fandom enjoys using them to flesh out Mace's character. This will get you started and, if you're looking for something more specific, feel free to ask, I enjoy these kinds of question--and don't feel you have to stick with any of the above if they're not fun for you. This is meant to be enjoyable, it's meant to have a good time, there's no wrong way to consume Star Wars media! <3
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Hi there! I just followed, and have been reading through a couple of your posts on my dash. Love what you're doing, by the way, I absolutely love how in depth you get on these things you write about!
Anyways, I saw your post on Toy Story 4, and first off I totally agree with the points you made about Woody. Additionally though, another aspect of the movie I found irritating to watch was just how much they mischaracterized Buzz.
Now, I'm a bit of a Buzz fan, and it was sad and annoying to watch how Buzz had been going through the first three movies, learning what it means to be a toy, grappling with his own identity, and taking up a leadership role with the other toys, only for that to be completely tossed out in the fourth movie. The whole "Inner Voice" thing is just ridiculous.
For me, if Woody is half the heart of the franchise, Buzz is the other, and honestly I felt that the fourth movie failed both of them just so much. Do you have any thoughts on that?
Hi! Thank you! Very kind!
I haven't revisited Buzz in a while (I do love him, I love the Toy Story cast in general) but I think I understand where you're coming from.
Buzz spends the whole first movie confident that he knows who he is and what his purpose is. Until Woody pulls the rug out from under him (which is what Buzz also did to Woody by becoming the favorite toy, but whatever) and tells him he's a toy. Then Buzz doesn't so much grapple with his identity as he does give up.
When he gives up it's because he doesn't understand the purpose behind being a toy. Buzz Lightyear, the Space Ranger, was a very driven "character." He had a goal: "Fix my ship and stop the mass weapon of destruction Zurg is building." But you take that goal away and what's he left with? Nothing. No sense of value.
But then Woody helps him see his purpose.
And from that moment on, while Woody is learning all the depths of what "being there for Andy, as Andy's toy," means, Buzz is in the background, solidly being there for Woody like Woody was there for him.
In Toy Story 2, he reminds him what it means to be a toy and risks everything to rescue him.
In Toy Story 3, Buzz has lost sight, a bit, of "what it means to be a toy," but only because he's so focused on staying together with his friends. Then by the end he's back on board with what it means to be a toy.
The idea is, that after he learns what it means to be a toy, Buzz Lightyear knows who and what he is. He's solid, loyal, and dependable in the background of Woody's story from movie to movie. While Woody is learning to "always be there" for Andy and what that looks like, Buzz is demonstrating "always be there" for his friends, and what that looks like. And they each remind each other what being a toy means throughout the movies.
...which makes it Hiccup-and-Toothless-splitting-up levels of stupid that the third movie ended with Buzz and Woody parting ways.
It's not like they've never been willing to leave each other before. In the second movie they have a falling out and are going separate ways, same thing in the first part of the third movie. But the reason is usually a difference of focus: one of them is hanging on to "being there for your kid" and the other wants to let go of that--the other usually comes back around.
That's not why they're parting ways in Toy Story 4, so it's stupid, because nothing LESS than that philosophy should be enough to split them up.
But anyway. Buzz in Toy Story 4.
I actually don't mind that he's got that running "inner voice" gag. It comes about pretty organically. Buzz is just doing what Buzz always does--"being there for his friends." He's asking Woody how he can help with Forky, Woody mentions the inner voice thing, and Buzz goes with that. The whole reason he presses the button and listens to his "inner voice" throughout the rest of the movie is when he doesn't know how to help Woody. But the goal is still "be there for Woody," so that's good.
What's a little silly is that Buzz never had any trouble figuring out how to help Woody in Toy Story 2, when they were similarly on separate adventures. He took the lead with the other toys and solved all the problems without any insecurity or indecision. So in that sense, even though they found a way to make his motives in-character, they did really dumb him down and solve the whole thing lazily.
Buzz figuring out how to cross a busy street, or Buzz showing up in the nick of time underneath a plane to catch Woody, or Buzz resolutely returning to Andy even if Woody won't come, is very different from "can't find Woody...what now, inner voice??" Buzz.
So I get what you're saying. I think it's a combo of the storytellers willfully tossing aside that core philosophy that made Woody and Buzz a great team in the first place, AND trying to figure out what to do with Buzz besides doing the same old "and then we get to see the Buzz that believes he's a real space ranger again!" trope.
Not to beat the dead horse. But C.S. Lewis said that friendship was not facing one another, like lovers, focusing on each other. He said friendship was standing shoulder to shoulder, both of you looking at the same goal. Buzz and Woody do that, with various losses of focus and then reminding each other of that focus, for the first three movies. Then in movie four Woody loses focus and Buzz just lets him, honestly, because we're not even sure Buzz is focused anymore either.
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My Murder Drones series review. (WARNING: SPICY TAKES CONTAINED WITHIN AS WELL AS GENERAL SERIES SPOILERS.) (UPDATED for the August 2024 series finale!)
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I hate to say it but I think I'm just done with the series at this point. Or if nothing else I've just kinda stopped giving a shit. At most I might continue to watch out of morbid curiosity but I'm past the point of caring about it on any other level. I'm just here to watch the fire burn.
I wanted to give it the benefit of the doubt. I really did. But the problems I have with the show just kinda continue to persist. It's sort of a death by a million cuts thing where my issues just continue to pile higher and higher with each new episode.
Please don't take this as a personal attack if you like the show, if you enjoy it that's fine. You're entitled to. This is just my own opinion however if you don't want to read me being overtly negative and critical of the series then feel free to just continue scrolling. If however you'd like to know more then I implore you to click the "Keep reading" button and you can get a better understanding of why I feel this way and why I have a love-hate relationship with this show.
(Author's note August 2024: Originally I wrote this shortly after Episode 7 first came out however I have returned to make some small additions after the premiere of the series finale. That being said most of my thoughts haven't really changed much.)
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I have tried very hard to push my feelings aside and put on a positive face.
I kept telling myself "Maybe they'll get better as they go. Maybe the storytelling will get better as it goes on." but every episode I just feel even more confused and frankly kind of annoyed.
Everything just goes by so quickly, we're almost never given time to ruminate or rest. Sometimes it feels like entire scenes are missing with how it jumps between things. Hell, a good example is in-between episodes 4 and 5 where it feels like we missed something in-between. (Episode 5 in general is very confusing and probably my absolute least favorite, but that aside.) The last scene we see is Uzi and N falling asleep on the bus then somehow I guess we're back at the colony in Uzi's room and V is there too now? We don't even know V is there too until later either. At first we think it's just N but then it's revealed V is also unconscious. (And I guess also somehow hooked up to the same simulation or whatever N is? Also how do they know the parts neither of them were there for?) This is just a single example but they do things like this more than once. Jumping between scenes with no context.
It's still unclear who did what or why and they killed off Doll who was like the only character that had a definite motivation which also annoyed me. She was like the only character we actually had a very solid understanding of so to see her get killed off without a thought was almost kind of symbolic with how the writing in this show is. (Though I guess at the same time even Doll didn't 100% make sense like for instance why she was perfectly fine with slaughtering random members of the colony just like the DDs that killed her parents even though they hadn't wronged her or anything to warrant it. I understand she likely needed to due to the solver infection but during the prom scene for instance she kills two random worker drones for basically no reason, just because she could.)
I don't really get the point of masquerading as Tessa when it's pretty much stated outright she can basically brainwash drones by rewriting their memories and programming. And the whole "I wanted you to keep your original personality" spiel just seemed like a lame excuse if I'm going to be honest. (This section has been altered due to later revelations.)
The show just seems to never actually answer any questions and just continuously piles on more and more questions with the few it does answer.
But if I went into intricate detail on every little thing that bothers me or doesn't make any sense I'd be writing a novel and this post is already getting kind of long and ranty. Plus I feel like that'd be a bit petty of me to do. (In addition to just taking way too long.)
(Obviously the part below was written before it was confirmed Episode 8 was going to be the end for the foreseeable future.)
I know I said before I would reserve my judgement until after the show is "Over" so I guess I kind of lied. But since what I presume to be Season 1 is coming to a close and it'll probably be a long while before Season 2 is announced if Glitch's previous tendencies are any indication I'd say it's a decent enough time to form an opinion. If the show hasn't got me by the end of the first season I feel like something might be wrong. I will not deny, it could also just be the show isn't for me to begin with which I guess I can respect. So I won't go out of my way to say it's bad, but I don't like it. And considering there's only one episode left of season 1 I highly doubt it's going to save it for me. It feels like I'm watching the series out of context when I'm not.
Me from August 2024: So now that we know Season 2 is bunk and the future of the series if any at all is uncertain I think I can safely say the series did a really bad job of conveying it's lore to the viewer.
I also really dislike how the series uses so many "Blink and you'll miss it." moments to dispense lore. It gets really tiring, I shouldn't have to analyze a show frame by frame just to have an idea of what is going on. I hate to act like I'm an authority here but I feel like that's bad writing. It feels like the writer(s) completely misunderstand the idea of "Show, don't tell." almost completely.
In general the show suffers from how rushed everything is likely due to its short 8 episode format, but instead of trying to fit the narrative to their limitations it seems like they're trying to cram all of this lore and information into these tiny 8 episodes and the result is a confusing mess.
Now I'm not familiar with Vicker's history but I would assume this is likely his first big project that has gotten this much attention. It feels like he's trying to go way too big and it shows. The show is almost hurt by it's own ambition to be this big sprawling narrative with deep lore and intricate detail when it probably would've been smarter to go for a much more straightforward or simple form of storytelling.
I feel like it would have been a better idea to instead filter things a bit more, knowing that we only have 8 episodes I feel like they should've cut out any unnecessary elements and tried to get everything across that they wanted to as concisely as possible. Like if something wasn't 100% necessary to the narrative it should probably be removed and things that ARE important to the narrative should've been more concisely presented.
In general the show seems to suffer from over ambition, despite that severe restriction. It feels like the 8 episode limit hurt it more than anything not to mention with how expensive the series is to produce I can see another reason why they would want to rush things and not take too much time to let things flow naturally.
I also see a lot of people praising Uzi and N's relationship as well as V's "Character development" but honestly I didn't see much of it at all. Again everything feels so rushed, from our perspective at most Uzi has only known N for a few days at most same for V, it almost feels like kind of whiplash from how she goes from being uncaring psycho to laying down her life for the others.
And while we're on the subject another thing that bothered me a lot about the series was it's seeming indecision on whether it wanted to be series or not, pretty much all of the time. Characters practically die left and right in the series and none of it is taken seriously most of the time infact the characters reactions are usually "lol, lmao even." most of the time so it felt really jarring and not in a good way when V's apparent death was treated so seriously and dramatically when before characters were dropping left and right without a care in the world.
I'm honestly not even sure what Doll's point for existing even is beyond her debut episode either since she doesn't really play much of a role beyond it or really do anything too interesting afterwards. Barring the trap that led to V's death she kind of just exists. Until she doesn't. I feel like she was a waste of potential like a lot of things in the show so far. She COULD have served as an interesting foil/mirror antagonist to Uzi but that potential was basically thrown into the trash.
Here's hoping that Season 2 is allowed to have better pacing because... yeah I'm a bit tired of the plot going a million miles at once.
During GlitchX it was hinted that Season 2 might happen and I recall Liam saying something implying that Season 1 is "Just the setup." so one can hope I suppose.
Me from August 2024: Yup, unfortunately we know now none of that is happening. Oof.
Anyway yeah, probably not going to be discussing it as frequently anymore. So if you were only here for my insane Murder Drones related ranting and want to unfollow now, that's perfectly fine. But I can't ignore my feelings any longer.
I'll still talk about it, but probably not with the same passion I used to. Again it sucks because I really wanted to like the series but... yeah they just keep fucking it up.
Oh yeah, everything else is fantastic though the animation, the voice acting, the soundtrack... I just wish the writing was on-par... I feel like the problem is they're being overly ambitious and trying to cram all of this lore and plot into these mere 8 episodes and it just isn't enough.
I may return to this to make an addition after Episode 8 finally drops on the off chance it somehow changes my opinion, but I doubt it...
Me from August 2024: So yeah, it didn't in fact it kind of went exactly how I expected and almost emphasized everything I said was wrong with the series. We got no answers, lots of flashy action and even a seemingly cliffhanger ending but none of the burning questions were answered and many dangling plot threads were just outright ignored...
I'd also like to take this time to once again emphasize I REALLY WANTED TO LIKE THIS SERIES, I can't stress that enough. Especially because I love robots and media focusing on robots since we don't get that too often. But the series just seem to keep disappointing me more and more with each episode. And it makes me sad. I'm disappointed because I cared and wanted to see the series improved and grow but frankly at a certain point it kind of just started freefalling.
My disappointment cannot be properly conveyed in words.
Feel free to leave thoughts and such I guess. But I'm probably the only idiot that feels this way.
#murder drones#murder drones discussion#md discussion#murder drones lore#murder drones worldbuilding#somewhat of a vent post#murder drones spoilers#md spoilers#murder drones season 1#murder drones review#I guess#uzi doorman#serial designation n#serial designation v#tessa james elliot#cyn murder drones#absolute solver#doll murder drones#liam vickers animation#glitch productions#glitchx#murderdrones#murderdronesdiscussion#murderdrones discussion#mddiscussion#mdreview#murder drones episode 8#md finale#murder drones finale#md episode 8
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Second lesson
I have no shame. Feel free to ignore it. I know my English is not even close to enough to do this properly. Also ... Do I have the right to do this since I haven't read the books? I'd say after every screaming voice, that somehow all of a sudden became an expert in writing, a critic that felt obliged to shit over my favourite characters - this is incredibly satisfying. Again. I have no shame. For this at least.
Second lesson
Rand eyed her across the room, finally alone. The only other person in the spacious room was Moiraine. She was quiet, more than before, staring into the space, sipping from a small cup of tea. The young man swallowed. After everything that happened that day, Moiraine had said too little and he wasn’t exactly focused on her until now. His attention went to the storm of events, and to his friends, now gathered together in the same place. It was a long night, conversations, heated debates, accusations, revelations…
Not a few of the accusatory glances were aimed toward the Aes Sedai. For some of the little group, she was still an enigma and now they actually had something solid to blame her for. She had hidden the truth about Rand. No matter how much he had explained that it was his choice to leave them, that he was the one to ask Moiraine to make them believe he was dead, he doubted that they would soon believe him and stop being angry at her. But aside from the dirty looks thrown at Moiraine, most of them didn't dare to confront her.
Nynaeve… was a different story. Her anger was heard throughout the inn where they were all gathered. Even Lan couldn’t make her stop, although after a while he took her arm and dragged her outside in the corridor.
Moiraine remained silent. Perrin and Mat stared into each other, silently. The confusion and the distrust toward the Aes Sedai were palpable.
And Moiraine was just sitting there.
She looked pale and tired. On the light of the candles and fire from the hearth, her age seems even more elusive. A beautiful woman, but her delicate features were veiled with profound tiredness and sadness. Rand knew why. What he had seen and heard the previous day and last night was enough to have a much better understanding of what this woman was carrying. And yet, it was hard to imagine. Somewhere in his mind, the idea of Moiraine Sedai was changing. Reshaping. The fearsome image of the manipulative secretive woman shited toward something more familiar. More human. The icy facade had fallen.
For the first time since he met her over a year ago, behind the idea of an Aes Sedai, a woman has formed. A woman of flesh and blood, with heart and feelings. A human being, who was capable of hurting, of fear, of love.
Odd, he thought. He had seen her suffer before, he had seen her on the brink of death. He had watched this man hoover over her, her bodyguard, who warned him with a simple look, that whatever she thought he and his friends were, he won't hesitate to swing with a sword and slit their throats, if they dared even look at her the wrong way. He wondered back then what sort of debt or reason he had to walk after her like a loyal dog. What kind of a leash did she have on him so she held him so tight? Was he a servant, attached to her by orders from The White Tower? A lover maybe, who she had wrapped up in her nets years ago by an evil spell, that he fell victim somehow to her magic, and still hadn't realized that he sacrificed everything for someone who hardly ever even spoke to him. He had carried her unconscious body in his arms, tended her wound, and gave her water like a husband to a sick wife. And Rand still didn't quite understand.
He had seen her help and heal his father, then Mat. Maybe she really was on his side, he thought back then. And although some form of respect had formed in him, she was still an Aes Sedai. Never mind they all called her Moiraine, not even Moiraine Sedai. She had never insisted on that, never reminded them of her status. But he was way too wrapped up in himself and his own fears to notice. For him, she looked like some creature out of fairytales, or legends, not exactly real, dangerous, dark, and not at all trustworthy. Her powers intimidated him, and her plans and secrets made him suspicious. But last night he had stood in front of her to protect her from Lanfear's wrath. And there, for the first time, he saw her. Whatever happened between her and the Amyrlin seat, Rand was too busy to notice in the Palace. Their quarrel and the chilling prospect of their words were more than enough. His life and freedom were on the line. The fear that he had lost to the mighty Aes Sedai order had paralyzed him just as effectively as the shield Suan Sanche had put over him. Dark thoughts into a fog that blurred his senses kept him immobile, while he struggled to understand what was going on.
Then somehow he was free. Sheer luck, stars aligned, the whim of the Wheel, or it was a master plan from the woman in a blue dress, who was currently sitting there just a couple steps from him, but may as well be on the other side of the world.
Perin and Mat went to their rooms. They threw one last look at Moiraine, and still undecided how to treat her - if she was a threat or a friend, they left. Egwene needed healing, Elayne too. Moiraine took care of both of them. And they were resting now.
Yet the woman, who had spent at least the last several days with little to no sleep at all, trying to get him to Falme and had paid what seemed like quite the costs for her efforts, was still awake. Rand had learned what she had done for him. She was probably exhausted beyond words. He knew by now she wouldn't say anything. But she usually retrieved to her chambers. Now she was just standing there, in her chair, frozen, like a statue.
“Moiraine, I…” he felt he had to say something. But he wasn’t exactly sure what.
Even if he had heard him, she didn’t show it.
“I wanted to… say that… I am sorry.” He struggled with his words. Ancient prophecies or not, Dragon or not, he felt like a child, who had stepped into the middle of a fight between adults. And now was scared that it might have been his fault. She didn’t look at him. “For what?” came a question. Her hoarse voice was quiet and distant. “For… what happened last night.” He wasn’t sure if he had the right to speak of… it. There, at the Waygate, he had finally seen the woman behind the Aes Sedai. Not Moiraine Sedai, Lady Damodred, not a random blue witch or a sister from the bloody White Tower of Tar Valon. Moiraine.
Just Moiraine.
He had helped her last night. Her “thank you” filled with so much emotion, that humbled him. He didn’t have the time to think there since The Amyrlin had appeared. But now… Now, after the chaos had settled for the day, he had some time and quiet to think. And she was right there in front of him. Moiraine had been shielded. Not only that. Moiraine had been shielded for six months. He was shielded for a couple of hours and it felt like hell.
She had been carrying a shield for months.
What she had said to him in the Palace - it feels like you've lost everything that you ever were and everything you could possibly be. And with this nonchalant almost dismissive tone at that. As if it wasn't a big deal. Is that what it had been for her during all that time? She was running around, trying to get him away from Lanfear with just a knife, all alone. He briefly noticed that Lan wasn't with her. Since when she was alone? He had attacked her, thinking she had killed Selene! The stupidity... She has stood up to a Forsaken. Twice. For him.
No. Not for him. She believed it was for the whole world. She had dragged him around, and when he was about to drop from exhaustion and all he wanted was to sleep, she had said that this was not an option for her. How long has it been since that day? And all that time she had been powerless. Just a simple fragile woman. And Lanfear just threw them somewhere in the middle of nothing. The woman he trusted. He had trusted a Forsaken. Instead of the Aes Sedai who had saved the life of his friends.
Rand took a breath. Then he heard her:
“You removed the shield. For that I am thankful.”
He was about to protest, but she spoke again.
“Thank you for standing for me in front of Lanfear.”
He swallowed. That was sort of his fault too. Moiraine has agreed to his plan. But Lanfear… was slightly unpredictable. She had promised that the next time she saw him with Moiraine, she would kill her. It would have taken a flick of her wrist and… But that wasn’t what he meant either.
“I meant…” - his throat went dry. The fire cracked in the fireplace, and sparks flew around in the air. Muffled conversations from somewhere outside barely reached them. Otherwise, it was quiet. "The Amyrlin... She..."
“Don’t.”
The ice in her tone made him flinch. She had turned to him, he noticed it when he lifted his head to look at her direction. Then she added in an even more quiet voice, a whisper. "Please." She slowly shook her head and froze in place again. A distant memory from many months ago resurfaced - he had seen this face before. Back in the Blight, he had asked her if it was hard to leave Lan behind. She hadn’t spoken a word back then - her expression was oddly blank. She seemed far away, staring at the distance. Now she had the same look on her face. As if a wall was raised around her. Detaching her from the world. A safe place where she could hide her pain. But now he saw it. He had heard their conversation and the anguish in their voices. He had no idea that the terrifying Amyrlin seat meant something completely different for Moiraine. At first, he had thought they were close friends who grew up together like he had with Mat and Perin, had similar skills and experiences, shared the same view of the world, and were connected through The Tower. But... “If you ever loved me, don’t do this!”
It took him some time to understand the meaning behind the words.
“If you ever loved me”
Slowly her plea sunk in his brain. Words repeated in his head, voice cracking. The way she had said the name of the Amyrlin. The other woman did it anyway. The coldness in her voice like nothing he ever heard before snapped like a whip on a bare skin. Something big had happened there, he was able to understand this much. Something, that has shaken Moiraine to the core. The Amyrlin made her close the Waygate. She has accused Moiraine of lying and had spoken of an Oath... And somehow it was connected to him. The woman in front of him took a shaky breath. That was the only indication something was happening inside her. “Moiraine!” Lan's worried voice appeared from nowhere and stormed through the door. Nynaeve was right behind him. His whole attention focused on her. Nothing indicated trouble though. The pale woman just stood there, her back straight on her chair, and kept staring in front of her. Her eyes seemed fixed now in a certain spot but there was nothing in particular there.
Lan turned toward Rand and snarled.
"What did you do?"
"Nothing!", came the weak response.
Rand searched Nynaeve for help but she didn't look at him at all. Her attention was elsewhere. What he saw in her very much resembled guilt.
"What is wrong with her?"
"Stop talking, sheepherder!"
Rand was on his feet worried and guilty.
"Moiraine" , Lan's voice has changed. A sudden gentle tone appeared as if out of nowhere.
He took a step towards her. When he got close, he touched her shoulder carefully.
Moiraine exhaled. As if she had forgotten to breathe for a while there. She looked as if she was drowning just a second ago, and struggled to take a breath now. Her shoulders shook for a second.
"Moiraine! Look at me." It took her almost a minute, but she turned toward Lan. The glassy eyes barely registered that he was there. He was observing her, bowed before her as if trying to assess if she was somehow hurt. But her face showed nothing.
Lan leaned forward, he kneeled before her and their foreheads met. He closed his eyes, leading her to do the same. For a long moment, they stood like that. Not moving, not speaking. Only the muscles on Lan's face gave away a struggle, an effort, some underlying torture, that was left unseen by anyone else. Moiraine's face remained calm, almost serene. Then they both opened their eyes and looked at each other.
Her mouth twisted slightly. Brows knitted, and her chin quivered.
His hand went over her heart and remained there as if attempting to soothe an invisible wound.
"Oh, Moiraine!"
A strangled sound came from her.
Fear crept through Rand again. He didn't really understand what was happening before his eyes. What he saw was that the woman slowly was beginning to breathe more deeply and normally again. Her face though still taut, relaxed a bit, as she leaned into the man.
"Come on. Let's go get some rest."
She nodded.
He helped her stand up. But when she tried to take a step, her legs buckled, she swayed and stumbled. Lan grabbed her arm to steady her. One look at her and he nodded. With a swift move, as if he had done that many times before, he took her in his arms and lifted her. Her head fell on his shoulder immediately, she had closed her eyes and relaxed against him. The man carried her out with seemingly no effort at all. *** He stood behind the door for what seemed like ages, debating, arguing with himself. One part of him definitely screamed he had no right to go there, but the other was worried. Somehow he ended up worrying about an Aes Sedai. No. He corrected himself. Not an Aes Sedai. About Moiraine. Now his mind could see the difference. He knew that both were inseparable. But somehow they meant two very different things for him. There was no sound. Nobody has left the room for the night. It was almost dawn, but outside was still dark. Aside from the creaks here and there of wooden floors and beds, the whole building was quiet. Soft steps of the women who woke up early and started to roam around doing their daily chores could be heard. One of them approached, threw him a curious look, opened the door quietly, and entered the room. Rand hesitated for a couple moments but decided to use the opportunity. The woman left a tray with tea cups, water, and some food and left without a word.
Rand looked around in the semi-dark room. A few candles spread soft golden light but not enough to actually light up the room properly. His eyes finally landed on what he was looking for. There, on the thick mattress on the very floor, curled up under a blanket, the Aes Sedai was finally, finally asleep. Her face was now calm, she looked younger, even more beautiful than he remembered her. Behind her was her Warder, fully awake, his eyes fixed on the young man who just entered the room. His back against the wall, not moving a muscle, he was on his usual post - guarding his Aes Sedai dreams.
Rand finally understood him. The sudden urge to bow to this man startled him. A new respect for the Malkieri built within him. There was something else. Some other nagging feeling, unpleasant, underneath of it all. Shame. He was ashamed of his previous thoughts about this man.
"I just... wanted to see if everything is... I didn't want to..." Why all of a sudden his mouth refused to work.
"Learn to keep your mouth shut, sheepherder! That is your second lesson." Lan answered with a low voice. His face didn't change. There was no malice, nor anger. It was a simple statement.
"Is she… Is she going to be alright?"
"She needs sleep." He whispered. Rand nodded again. He turned around to leave the room. He heard Lan's quiet voice again behind him. "Sometimes it feels like she is carrying the world on her shoulders. Sometimes… this is actually true."
#Feel free to ignore#It's stupid and cheesy#I know#That is the naive side of me#esterzach's lack of better judgement#lan x moiraine#moiraine damodred#moiraine and lan#lan madragoran#The woman needs sleep#esterzach's writings
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dividers © || header by me || total fics : 27
The man, the myth, the devil himself! sorz I haven't been posting much (and by that, i mean by a whole ass semester) school has been kicking my butt.
the first few fics in this rec list are pretty heavy. if you aren't in the mood for that, skip to "Maybe Redemption is Stories to Tell" !! anyways, have some of my favorite fics about this guy.
nothing's a gift by eluvion (T, 7k words, completed)
summary: The Sokovia Accords pass. From a corner of New York, Matt watches history repeat itself.
cw: referenced suicide and child abuse, ableism, american militarism, dehumanization, police brutality, american politics in general, anti-sokovia accords || ok, kinda controversial fic due to the nature of the sokovia accords BUT please do read it! It is an actual experience. You can absolutely tell that the writer spent a LOT of time on this fic and is wonderfully researched.
all the glory when you ran outside by whitchry9 (T, 10k words, completed)
summary: When Matt is thirteen years old, he breaks his leg. Turns out it's cancer. (Radioactive materials can have that effect.)
cw: MAJOR CHARACTER DEATH!!!, underage kissing || i was so absolutely heartbroken. What the fuck.
Little devil by Timpaxew (G, 13k words, completed)
summary: Tony’s counting his blessings, because honestly this could have been worse. Babysitting a de-aged eleven year old vigilante may be a lot harder than he’d thought it be, but at least Peter’s here to help. And at least no one else was turned into children. Baby daredevil was a lot less cute than Tony would have thought. This whole child solider thing was more depressing, than anything. Tony was going to kill this stick guy.
cw: child soldiers, everything that comes with matt murdock’s backstory
small potatoes by deniigiq (NR, 1.9k words, completed)
summary: The road between ten and fifteen had been a slow descent into bad and then worse. (Matt had a hard time in foster-care. It affects the way he relates to Peter.)
cw: child abuse, suicidal thoughts, suicide || “i’m i’m crying fuck” me too past me. me too.
To Know Him by withthekeyisking (M, 19k words, completed)
summary: Recently orphaned, Matthew Murdock is in high demand. And this time, Stick isn't the one to find him.
cw: brainwashing, emotional manipulation, rape, child soldiers, child abuse, typical warnings for the red room, hydra, and wilson fisk || one of my all time fav fics about matt!! do note that it has an open ending.
The Devil You Know by IsisKitsune (T, 44k words, completed)
summary: ... is better than the one that doesn't know you. Matt woke up in an unknown place. He couldn't remember going to sleep. Had, in fact, remembered being unable to sleep and just heading for the chapel to pray, hoping to wear himself out and calm his Always overactive mind... How did he get here?
cw: past child abuse, child soldiers, ableism, captivity
Of Monstrous Shape by Rosalui (M, 10k words, completed)
summary: “Put me in the ring,” Matt said. His glasses were cracked like a spider’s web, and in the shifting shadows it looked as if he were raising hackles in disgust. “The House doesn’t profit from quick deaths,” said the jailor.
cw: ableism, human trafficking || “Involuntary Battle to the Death”
what's past is prologue by avocadodreamin (NR, 12k words, completed)
summary: In which the past may have made Matt Murdock the man he is today, but that doesn't mean Foggy has to be happy about it. (Or, five times Foggy hated Matt's childhood.)
cw: past child abuse and just in general stick.
Veneration by WerewolvesAreReal (T, 19k words, completed)
summary: Matt has a strange talent for attracting beautiful, intelligent women. Sometimes, though, he indulges in another type - older men, gruff men, men who insult him and tear him down. Foggy doesn't understand... until he meets Stick. 5+1
cw: ableism, sexual abuse, child abuse, domestic violence, age gap, attempted rape/non-con || uhm.
everything we hear, everything we see by Katbelle (T, 5k words, completed)
summary: Matt gets hit with an honest-to-God real truth serum. The consequences are much less fun than pop culture has led Foggy to believe. "I don't hate you, Matt." Matt blinks. "Oh." He blinks again, and his eyes go almost comically wide in surprise. "You're not lying anymore. Foggy, you're not lying, did you know that?"
cw: referenced rape and child abuse, non-con drug use, referenced underage sex (that was non consexual)
nothing he can't endure by Katbelle (T, 21k words, completed)
summary: Matt and Foggy deal with the aftermath of Matt's Veritaserum-induced word-vomit — or don't deal, as the case may be. Foggy launches a revenge plan against Stick with the help of his weird neighbour. Interesting family connections are made and discovered. In the meantime, Matt and Foggy deal with some of their other problems, or at least try to. (SEQUEL TO EVERYTHING WE HEAR, EVERYTHING WE SEE)
cw: referenced child abuse, rape/non-con, and underage sex (that was noncon)
Learn to Live With the Unimaginable by prettybirdy979 (T, 22k words, completed)
summary: He's just supposed to be helping Red and his friend for this one thing. Only here because their interests align and Red's not willing to place the lives of children over his morals. Course that all flies out the window when Red ends up getting himself - and his friend Elektra - turned into kids. And not just any kind of kids. Oh no. That would be too easy. Red and Elektra would have to be child soldiers, who somehow choose to trust Frank. Because of course nothing in Frank's life is simple anymore.
cw: child soldiers, childhood trauma, canon-typical violence, canonical child and character death
~
Maybe Redemption is Stories to Tell by DeerstalkerDeathFrisbee (T, 25k words, completed)
summary: In which Matt Murdock copes with Asgardians, little sisters, and nosy superheroes. Also known as 'why you should never let Loki crash on your couch' Featuring an excess of Asgardians, more paper cranes, New York City, shenanigans, 80s movies, hot cocoa and feelings. Not necessarily in that order.
cw: – || okay, confession: i put this fic here due to a VERY specific scene that is in my brain 24/7. BUT! I recommend reading the entire series.
Living Life in the Shadow of a Goodbye by prettybirdy979 (NR, 1.8k words, completed)
summary: Just because they fought together, doesn't mean Luke knows that much about Matthew Murdock, recently 'resurrected' blind ninja (okay they rescued him from a bunch of nuns but seriously, the man should've died).
So when he, somehow, gets roped into helping Matt train Danny to learn to pay attention to his surroundings well... it might be a chance to get to know the guy. A bit.
Plus he gets to throw things at Danny. Always a plus.
cw: –
Through the Internet's Eyes by AsperJasper (T, 3k words, completed)
summary: It's the age of the internet, and Matt Murdock really thought nobody would ever connect any of his dots? Fat chance.
cw: – || just another social media fic.
Avengers v. Ableism by whitchry9 (T, 2k words, completed)
summary: The Avengers are surprisingly good allies, as Matt finds out on a number of occasions where other people are dicks.
cw: ableism
Not All Those Who Wander Are Lost (But Matt's Not Wandering; He's Just Lost) by prettybirdy979 (T, 2k words, completed)
summary: Matt has a super important meeting in Sta-no, Avenger Tower that he's running late for. But finding it in Tony Stark's futuristic nightmare of a non-ADA compliant building might be a problem. (Aka Matt Murdock vs Tony Stark's building and high tech security. Here's a hint- the security loses)
cw: –
Strike the Harp by prettybirdy979 (T, 20k words, completed)
summary: Matt's been invited to Foggy's for Christmas, his first ever magical one (his Dad didn't do big displays of magic and well, nuns and magic don't really mix). He's excited; it's going to be amazing. There's just one problem... Foggy may have implied to his family that Matt had no magic. Oops?
cw: – || two words. magik murdock. that’s all thank you
Small Comforts by kfantastique (T, 6k words, completed)
summary: Matt is finally allowing himself some physical comfort from his friends and Foggy is so relieved. The friends are confused that Daredevil apparently likes cuddling?? Foggy thinks it's hilarious and adorable but he been knew.
cw: some drinking and non-consensual drug use
Don't Worry Bro, We Got This by QueenofLit (G, 1k words, completed)
summary: After having teamed up so often with the Avengers, Matt knew it was going to come out eventually. He just hadn't quite expected this kind of reaction. Okay, no, he had actually expected the disbelief and accusations. How the Avengers reacted to that, however, was... weird. People mad at him? Usual. People defending him? Definitely weird.
cw: ableism
Ifs, Ands, and Butts by whitchry9 (T, 7k words, completed)
summary: Wherein Steve recognizes Matt Murdock as Daredevil on the basis of The Booty. He just doesn't know how to bring up the topic.
cw: –
Words on a Page by AsperJasper (G, 1k words, completed)
summary: A few times over the years when Matt wrote things down and other people had to read it.
cw: –
Not Your Damsel by whitchry9 (G, 6k words, completed)
summary: Matt is getting really sick of being rescued by the Avengers. What's he's even more sick of is needing to be rescued.
cw: –
Almonds by Anonymous (M, 1.9k words, completed)
summary: The story inspires Karen to ask, “Alright, what’s one food you will never, ever eat again?” She thought it would be fun. And it is. It’s fun when she shares the story of the time she bit into a raspberry and heard something crunch, spitting out a mangled ladybug, and ever since then she refuses to eat raspberries or anything raspberry flavoured.
It’s fun when Foggy tells the story of when he was a teenager and he ate way too much kugel too quickly after breaking his Yom Kippur fast and threw up in the shul bathroom, and now eating kugel reminds him of that experience.
“Almonds,” says Matt, “Because of the time Stick poisoned me.” Like he’s discussing the weather. Like that’s a normal fucking thing to say. It’s not fun, then. Nothing has ever been less fun.
cw: past child abuse and sexual abuse, poisoning
deserve to take up space by whitchry9 (T, 2k words, completed)
summary: “You know. The autism. He's autistic, right?” Foggy has no clue what Karen is talking about. "Those are all… just Matt things." Unless they're not just Matt things.
cw: –
penny for your thoughts by deniigiq (NR, 7k words, completed)
summary: Foggy broke them up by vociferously admiring the progress Karen was making on her vomiting gourd. They all rallied around this artistic monument for a bit. May decided that everyone needed to drink hot cider and Matt waited, kindly and politely, until everyone was holding a drink and nervously giggling about the silliness that was The Conjuring. “You wanna hear something actually scary?” he prompted to sudden silence. (Matt opens up a bit to tell Team Red and friends a ghost story.)
cw: –
The Curiosity Game by ArtemisRayne (T, 14k words, completed)
summary: Clint Barton knows that boredom is dangerous; it tends to lead to him doing stupid things. Stupid things like making bets with Tony Stark about which one of them can find and befriend the Daredevil of Hell's Kitchen first. Yet another "Daredevil Meets the Avengers" fic.
cw: –
#ao3#ao3 fanfics#fanfiction recommendations#daredevil fanfic recs#daredevil fic recs#fanfic recs#daredevil#matt murdock#matthew murdock#marvel#mcu#era 1
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Ranking the guys, idk I'm bored and unsure where to go with this blog
For Night Bringer, I haven't read much of the story, so I am going off personality changes in the events/cards, I want to unlock the whole story and binge it like a true heathen.
The brothers
Luci; in the beginning like.... 4...... I... am ashamed.... 6 WhyHasHeGrownOnMeIAmADisappointment
Momo; He's a solid 5 all around.
Levi; I'm thinking a good 5 all around. 6 or 7 if he could dial it back on the self depreciation; I've healed a little too much from my trauma to put up with that 😔
Satan; In OG; 9, in NB 10⁵ what the fuck who is he and hot damn IHaveIssues
Asmo; As a sex adverse (sometimes leaning into sex repulsed) asexual, if he's just being cute, he gets a good 6, but then he.... Avatar of Lusts his way down to a 2
Be'el; In a very brotherly way, 10. He's a sweety pie, and reminds me of someone in real life I am no longer acquainted with and it gives me a bitter sense of nostalgia. (Though it is annoying the extent they right him eating, like.... We know....... Let our boy speak his mind)
Belphie; A solid 9 he slays, he slayed, he sashays down the bed sheets asleep. He's basically just a cat and I really like cats.
The side characters
Diavolo; 0. I do not vibe. But I like that I don't vibe. It adds angst in my brain hole.
Barbados; 1? maybe a 2 if he's entertaining enough in the scene.
Simeon; Honestly? I am not sure. Sometimes I'm indifferent, sometimes I want to wrap him in a fuzzy blankie, so a 3 to a 6
Luke; -10 why the fuck is a child here? Get him out.
Solomon; Kind of the same with Simeon. 3 to a 6
The cursed ones
Thirteen; 0. Annoying, wanna be tsundere. Boring.
Mephastopheles; -100. I want to watch him burn. I'd beg for an encore if he got hit by a car. Everytime I see his dumb little face on my screen I suddenly become illiterate and can't understand him.
Raphael; in OG 0, but having him around more, he's funny as fuck, he gets a 7. Him asking Mephablah if he had an indoor voice had 100% influence on my decision ☺️
#obey me shall we date#obey me#obey me fandom#obey me nightbringer#obey me! shall we date?#obey me lucifer#obey me mammon#obey me leviathan#obey me satan#obey me asmodeus#obey me beelzebub#obey me belphegor
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Very rough snip from my Adventure Steve/Spider Hybrid Billy wip. This is where they first meet.
Steve shouts startled as he feels something against his neck, solid but light. He jumps up, flower falling from his hand as he tries to get away from whatever is on his neck. He doesn't like the feel, like something is crawling over him, it only gets worse when it gets to his hair pinching and pulling as it climbs him. Steve manages to swat it away, watching with wide eyes as it twirls in the air, black and flesh tones spinning together as it gracefully lowers to a nearby flower. Steve takes a step back, eyes focusing on the monster?
Steve isn't sure he can call it that, sure there are humanoid monsters but those are things like sirens. He's never heard of one like this, human looking from the waist up, all tan skin and golden blone hair flowing down to his shoulder blades, from the waist down however he's got the body of an aracnid type monster. Judging by the colors the marble of black and gray with a triangular splash of golden orange on the but, whatever spider he hails from is corrosive.
Billy huffs and puffs as he rights himself on the closest flower, glaring up at the elf. He doesn't understand why he's been knocked off, he was only trying to mark him, make sure no one else comes along thinking he is up for grabs. Billy is going to keep him, that means keeping him safe, a job Billy intends to take very seriously. Billy brushes off imaginary lint before glaring up at the elf.
Steve eyebrows shoot up into his hair line as the hybrid crosses his arms over his human chest with a hissed, "let me bite you!"
"Uh, no thank you?" Steve wishes his voice didn't go high on the end like it's a question but he's never spoken to a monster before, he didn't know there were any that could talk even those with humanoid aspects. He doesn't know what to make of this.
"Why not?" Doesn't this elf understand it's for his own good? Billy can see his level and knows he's too low to be down here. He's going to get himself killed.
Steve gives Billy an unsure look annoyed as his voice goes high again, "I don't want to die?"
Billy's jaw drops, his but twitching, angry at the notion, "I wasn't planning to kill you!"
Steve nods, but he's still giving him that same looks at he points to the markings on his but that indicate just how dangerous he can be, "well I'm not immune to corrosive damage so sure seems like it."
Billy huffs, butt wiggling faster, "my bite is only corrosive if I want it to be, don't you know anything!" Billy wouldn't kill him, he wants to keep him, and not as a corpse for dinner, though he does look like he'd be delicious.
Steve wasn't aware monsters could choose, none of the books he's read on the subject have suggested that and none of the adventures he's partied with have mentioned it either. Does anyone know about this? "Well until just a minute ago I didn't think any monster could talk so certainly less than I thought I did."
Billy scrunches his nose up, still annoyed, "well I can."
"Can others?" Steve doesn't know how he'll feel if they can.
Billy's mood turns a bit sulky, that's part of why it's so lonely down here, "haven't met any."
Steve squats down, fairly certain at this point that Billy isn't going to kill him, bringing him eye level with the small man? creature? Steve is still confused about what he is. "Must get lonely down here, I'm Steve by the way."
Steve holds a big hand out to him and Billy reaches out holding the tip of his middle finger in an imitation of a shake. "BIlly and it is lonely, that's why I'm going to keep you.”
I'm nearly 10k in and I just love this au so much.
#harringrove#jellyghostfic#wip#i missed Wednesday but don't care#fanfiction#st fic#Billy Hargorve x Steve Harrington#also i habe to rewritea bit I just wrote because I forgot I had them talk about hwo his bit was only corrosive if he wanted it to be.#also not sure im going to stick with corrosive and not some.other sort of damage. thatbit might change
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due South for the fandom ask meme, if you haven't been asked already <3
Thank you 💖
my favorite female character
I honestly can't decide between Victoria and Frannie. I loooove Victoria, I think she's a fantastic villain, very sympathetic imo, and extremely effective at highlighting Fraser's tragic flaws. And I love that she got away in the end.
I also adore Frannie and while she's less of a perfectly written character, she's in more episodes and she's so endearing and loveable. If we had to have a Fraser het ship teased in season 2 I wish it had been Fraser/Frannie rather than Fraser/Thatcher, both because I like Frannie more and would've loved to see more of her before season 3, and because I think it would've been more interesting thematically. In the episode Heaven and Earth she functionally represents Earth and Fraser's capacity to be more human and less "divine" or untouchable, and I love that.
my favorite male character
Ray Vecchio! I love him, I love the way he talks and complains and feels like everything is unfair to him and always steps up and puts his own comfort second anyway; I love his relationship with his family, from the good heartwarming stuff, to the bitchy sibling stuff, to the darker abusive father who still literally haunts him stuff; I love his fashion sense; I love his sheer loyalty to Fraser; I love that in the Pilot he sought Fraser out specifically to apologize for accidentally being insensitive about his father and invite him to dinner; I love his ridiculous love for his car and that he sacrificed it twice for Fraser... nothing I don't love tbh.
my favorite book/season/etc
Season 1, hands down. Extremely solid television right there.
my favorite episode (if its a tv show)
SO hard to choose between The Deal and Victoria's Secret, but I think Ray's episode gets the edge so let's go with The Deal.
my favorite cast member
I don't really know anything about the cast so idk.
my favorite ship
Fraser/RayV. Ship of my heart. I can read basically any ship featuring Ray, including het even, but Ray loves Fraser best therefore Ray/Fraser is the best ship.
a character I’d die defending
Ray. Thankfully the Ray Wars are over so I don't have to, but I'm ngl I can understand why the fandom was so batshit back then. I see someone casually say they can't ship F/V because they see him as too straight and Kill Bill sirens go off in my head and I have to take a deep breath lol. I would not have survived the 90s.
Also Victoria though. Fraser dug his own grave when he didn't let her go the first time, acab, obviously spending 10 years in prison would make her both a better criminal and angry that's what you fucking get for loving the system so much Fraser, and I'm on her side during the whole finale lol.
a character I just can’t sympathize with
One of Due South's biggest strengths is making just about every character sympathetic in some way. Ray's dad was a good answer to this though, got no sympathy there.
Ooh, also: Bob Fraser. The show did want me to sympathize with him at times lol, but I don't. He sucks, he's emblematic of every flaw Fraser has, he's a terrible father and a pretty shitty person, and the fact that the show wanted me to like him and often brushes all that aside makes me dislike him more than I otherwise might. He's still often entertaining and funny, but I do not have any sympathy for him. Hope Caroline divorces him in the afterlife.
a character I grew to love
Idk, most of my character opinions have been static since I first watched the show in high school...
Okay, Ian lol. The most annoying man in the world, but still somehow loveable. It did take me at least one rewatch to start to like him.
my anti otp
Sorry to the fandom lol but it is Fraser/Ray K. I got into the show specifically for them, because I wanted to read all the good fic everyone recced everywhere, and I did everything I could to try to like them including watching season 3 concurrently with season 2 so missing Ray V wouldn't colour my opinions, but it just didn't happen. They are not for me, they don't have the kind of chemistry I enjoy, I don't like the show after season 2 much in general, and my irrational love for Ray V makes me mad on his behalf to see Fraser getting together with his replacement lol.
I'm not usually that emotion driven when it comes to my fandom interests but due south is always kind of an exception there. I am at least self aware enough to find my irrational resentment funny rather than taking it seriously though. Like, I have 0 beef with F/K shippers, I respect your interests and I can definitely see why it was a fandom juggernaut back in its day. I'll just never read it.
ask meme
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To the...
... lovely 🫖 Nonny: Thank you so much for the information and the heads up. I do appreciate it very much. Thank you! ❤️
... 'ooc dumpster fire that was s7-rant' nonny: Listen, I appreciate your passion and I realise that I can't tell you how to feel about a show, so I won't. But if you hated season 7 so much and you seem to be absolutely certain that Tim and the writers will f*ck up season 8, maybe it's time to take a break from watching? Maybe hold off from watching, but keep up with the show through Tumblr? Based on that you can decide on whether or not you want to start watching again. I understand from your post that you don't blame people for remaining positive and happy, but you want us to recognise and validate that some people fear the worst when it comes to Buddie. Well, I do recognise it and I definitely validate it. I understand the frustration. Trust me. I do! I've also been here for 7 seasons now, 6 of them I've watched how important Buck and Eddie became to each other and for all 6 I shipped them. I have been very very frustrated by the writing of the show in those 6 years, sure. But I've never stopped loving it. And I've actually had to take a step back with the last part of season 6, because I could feel my frustration growing and I didn't want it to overpower my love for the show. It really helped. I read spoilers, so I was more prepared for what was going on and then I watched the last few episodes after the finale had aired. I felt more calm when watching, because I knew what was coming. My mind was prepared for what I was about to see. Now we're here, close to season 8 and I guess I just don't see the point in getting stuck in negative thoughts when we only have a few puzzle pieces from a 1000 piece puzzle. We haven't a clue what they have in store for us and that is part of the excitement for me. So, when I see some people (mainly on Twitter) drawing the absolute worst conclusions from seeing one single bts picture? I don't understand why their mind would go to the absolute worst theory ever, when there are so many other plausible reasons or things that could be going on. My mind doesn't work that way. Also, was season 7 the best season ever? No, it wasn't. Especially 7b was questionable. Tim made some interesting choices.🙄 But 7a was quite good and the one thing that stayed consistent through this entire season was definitely Buddie for me. Their scenes together remained solid and heartfelt. So yeah, I like where all the clues we've been getting seem to be leading. I have a good feeling about Buddie for season 8. Am I deluding myself? Are we all deluding ourselves? Possibly yes. But also... maybe not. You know? We're at the point where the story can go anywhere, so I'm holding off on negativity and I'm approaching season 8 with an open mind. Que Sera, Sera. ��♀️
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You haven’t read TD:R? (checked your read-list)
I will be! But I haven't got there yet.
So if you haven't noticed, I prefer to read comics in as much context as possible. That means I will hold off on reading comics, even comics I want to discuss with friends, until I can do it properly with an understanding of the stories happening around them.
I also held off on Red Robin during my preboot read, even though I desperately wanted to skip ahead and see how much of it I remembered from reading it in 2009-2010 (when I remember violently disliking Tim being in a new costume and being alone without support while it was coming out). I'm glad I did because without reading everything up to it I would have missed a lot.
I've had a DCUI subscription since March 2023. I've only been reading current releases since the end of Knight Terrors; and even then I'm specifically reading a restricted set of Bat titles (I am not current on Tec, Nightwing or Catwoman; I want to try Poison Ivy but I'm also waiting there too). I did go back and get current on Zdarsky's Batman run largely because it's the main current book everyone will be talking about. I also backread Jeremy Adams' Flash run, because it looked so solid and Flash is a lot more contained.
I did consider looping back for it, and I tried to sketch out where I'd need to pick it up (which would be via Urban Legends for context) and it became obvious to me that it would be easier simply to wait rather than map out all of the lead in.
I am getting closer! I have friends waiting like a cat watching a mouse for me to get to Tim Drake: Robin so that we can discuss it because they want to hear my opinions. But no. Haven't read it yet.
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