#and I have a bigger audience here lol

[orcelito]

With gay moon post approaching 600 notes (600 notes... 😥) I have had a few realizations

1: not everyone shares the same observations that I do. Which I say just bc I was IMMEDIATELY struck by the framing of Vash with the moon in that one panel the first time I saw it, but I've had a number of ppl mention they hadn't noticed it

Which leads into 2: the reason that post has so many notes is bc pointing out moments like that holds value to people. Plus I guess my commentary & conclusions? Plus acting as something for people to bounce their own ideas off of.

And then 3: there are probably more moments I could explore in such a way, & that could hold value to people

[daxite]

probably another hot take but i really do not like it when artists -- once again, especially on here and twitter -- will essentially beg and demand for reblogs and go on about how likes are “worthless” and shit

as a small artist myself who gets like fuck all traction, i literally do not care if someone reblogs my art or not, i appreciate likes just as much, sure it’s great when people reblog and yeah i definitely prefer it, but i’m not going to throw a hissy fit over it if someone doesn’t lmao

i get it, obviously, we need to get our art out there for people to see so that we can get work, so it can suck when you get little to no reblogs/shares, and voicing your frustrations about that is fine, but the reality is that sometimes people just simply don’t like your work enough to share it, and that’s fine, or it’s just something that doesn’t cross peoples minds which is also fine

but you aren’t entitled to people reblogging/retweeting your artwork

[darkbluekies]

Let's say darling got a phone and had tiktok, how would the yanderes react if darling did the 'can you babysit my boyfriend/girlfriend?' Trend? :)

Lol i usually don't have the ideas to make these types of sillier reactions, but funnily enough I did yoday. I am not familiar with the trend and i couldn't find anything when searching so i'm guessing it is the "can you watch my boyfriend while I * do something*"

Warnings: mentions of pulling nails out with pliers

This is the first time exploring MODERN Edmund, so I don't know much about him yet, please excuse that

Silas:

He would probably be sitting by his desk, working. When you plop down the phone in front of him with the front camera pointing towards him, he would frown and look at you with an intense jealousy.

"Who are you filming this for? Who are watching your videos? Y/N? Get back here and tell me what the hell you are posting online and what kind of creeps are watching my wife/husband!"

Dr Kry:

He's sitting by his desk in his home office and filing some paperwork. He frowns in confusion and looks at you as you walk out. He turns off the recording in an instant.

"You have to excuse me, darling, but I don't want to be the punchline in your joke."

(Modern) King Edmund:

He has taken you on his private yacht to get away from all the cameras and attention directed onto you both — you especially, for some reason. You put your phone down in front of him as he takes in the sun on deck and walk away.

"What the fuck? Where did you get a phone from? Whoever gave it to you is dead."

Jerry:

She's eating a hamburger bigger than her face, trying her best not to spill too much sauce on herself. When you've placed the phone down in front of her and said to your "audience" to babysit her, she scoffs.

"What the fuck? Of course you had to do it when I have sauce all over my fucking face. Oh, now that we're here I can take the opportunity to make sure that you're not contacting anyone. If I find anything i don't like, babe, I'm pulling your nails out with pliers."

Hedwig:

She's putting on makeup in her bathroom as you come to put the phone by her and walk away. She looks after you, pouting, thinking that you had wanted to come in to hug her. She will take the phone and feel her heart sink. Since when did you have a following? Who are watching you?

"Y/N ... who are following you on this account? It's not many ... right? Can't we have a couples account? That way we can see what the other is ... doing. And people will know that we are together!"

[ilovejoo]

｡･:*:･ﾟ★｡･:*:･ﾟ☆

habits they get from dating you; enhypen

word count: 1.5k warnings: n/a gn!reader a/n: like & reblog & follow for more; new blog here lol THANK U FOR READINGG

heeseung

always looking for you in a crowd to make sure you were doing okay, even if the situation doesn't call for worry

at parties, he can't help but scan the room to look for your familiar eyes. were you doing okay? were you having fun?

when performing while you're in the audience, he looks for your approval in the crowds while also ensuring that you were safe. was his singing as good as the singing he shows you at 3am on the living room couch? were you being trampled by his fans?

this type of habit that he developed is something he really can't help: though he trusts you to take care of yourself, he just wants the best for you.

subconsciously putting food on your plate before he takes his own

this can mean sneaking an extra choco pie into his pocket from a en-o-clock episode site or grilling the meat and placing it on your plate for you during kbbq nights. he grabs the first slice of pizza for you, reaches for the best piece of pie for you, and makes sure you have food to eat before he starts taking and shoving his own food into his mouth, even though everyone knows how much he values eating.

he saves the first, last, and best bites for you. if he knows you like a certain side dish, he'll move his onto your plate.

jay

making meals for two rather than one, or eight rather than the seven of his group

he got so used to cooking for you that even when you aren't there, he finds himself making a bigger meal than he used to out of habit.

two servings of ramen- damn, he only meant to make it for himself, but he added two on accident since two is the amount he makes every time.

whenever he's cooking, naturally he adds a few scoops extra of each ingredient without even thinking; caring for you and making sure you have food to eat is something he does subconsciously.

calling you "my" when talking to other people, as in "my baby," "my y/n," "my darling"

you overheard him talking to jungwon while referring to you as "my y/n," and you felt your heart skip a beat. "my y/n baked me a cupcake the other day!" or "my darling studied all night for their exam, i hope they aren't too tired."

the way you both know that he is yours and you are his is something that incorporated itself into his daily life and daily conversations.

jake

seeing you in every little thing, from the clouds in the sky to his eyes naturally spotting your favorite snack

his members are tired of hearing "oh y/n likes this!" "this looks like y/n!" "this reminds me of when y/n..." jake cannot get you out of his head, he is so down bad for you that every little thing reminds him of you.

somehow he will connect the color of a random car to the time when you went to the movies together and the commercial that played had the same shade of gray somewhere in it. romantic?

saying "i love you" literally every waking moment

when you wake up, in your sleepy eyes and messed up hair, he can't help but express the love he holds for you. seeing you shove a cupcake into your mouth: he's never seen anything more perfect in his life. you scored a 50% on your final exam: it's completely fine!

everything from your strengths to your flaws about you is so perfect, mesmerizing, lovable to him, and so he finds himself saying the words "i love you" every hour, every day. every time he feels grateful to have you in his life, he says a quick "love you," which is much more often than you would think.

sunghoon

playing with your fingers whenever you were next to him

like in iland where often he found himself fidgeting with the hand of the person next to him, your hand is always in his once he mustered the courage to grasp it the first time. rings, fingers, nails, anything on your hands becomes his personal fidget toy: all anxieties gone, all pressures relieved, everything perfectly fine. sometimes he will crack your knuckles, pinch your skin, earning a playful slap on his shoulder from you; the different ways he plays with your hands are endless.

asking questions like "did you sleep well?" or "was the food good?"

is this him being awkward and not knowing what to say to fill up silence, or is this him being a caring boyfriend? neither of you know, but you do know that he still genuinely wants to know in order to check up on you and make sure everything is good. his "did you like the chicken" translates to "i love you and i want everything to be just perfect in your life."

sunoo

attentively studying the hair stylists to learn how to do your hair when he gets back home

whenever his stylist tries something new on him, a different idol from another group, or one of his members and he finds himself particularly liking it, he studies it to the best of his ability to best replicate it when he sees you again. the way the straightener moves, the type of products to use: he memorizes it all.

he will see a certain style and think about how good it would look on you, and how he needs to see it on you asap, so learning from a real professional would be the best way to do it.

saving saturday nights for dates and building his schedule around it every week

"wait, saturday night? i can't, i have plans." he did not have plans.. yet. but! every saturday is saved for you, no matter what. therefore, on the way home, he picked up some face masks and candles for a self care night.

he finds himself saving every single saturday night just for you, no matter what may come up. he loves spending time with you, so having this time together means a lot to him.

jungwon

taking selfies everywhere to send mini updates of literally his entire life

you're his personal diary at this point, with the number of selfies and pictures he takes and sends to you. you thought he takes a lot of pictures for his fans? while that is true, he takes double the amount for you.

he makes up for all the time you guys are apart by updating you on things like his meals, practice ending, going to sleep, his member leaving his sock on his bed, etc. does it get too personal sometimes? yes, but you love it.

watching for your safety whether you are known for your clumsiness or not, his hands always ready to grab you

whether this means walking on the outer side of the sidewalk or hovering over you when you walk down the stairs, your safety is his priority.

when you bend down to grab something, he walks behind you so you feel safe, covered, and nobody bumps into you. when your head is dangerously close to the corner of a table, his hand gravitates between your head and the edge to prevent any potential injuries.

he can't bear to see you hurt or in pain, so he'll do his best for that not to happen.

niki

always sleeping with something by his side, and he can't sleep without the feeling of another presence right next to him

his members have been replaced by you at night sleeping next to him. twiddling with your hair as your eyes began to close, snuggling into that crook in your neck: all flows right into his nightly routine. after a while, he got too used to your warmth that whenever you are absent, he can't fall asleep.

this is where weighted stuffed animals, heated blankets, and such came into play; he really could not sleep without you, or at least a subpar replica of you.

dancing, singing, and trying to look his best whenever you're around to impress you and earn words of praise

"y/n look over here!" he'd do a quick but fancy dance move that he learned in the middle of your living room.

"wait, watch this." he'll play a video of him that heeseung took of him shooting a basketball into the hoop from afar.

"did you see our new performance? wasn't i just so cool in it?" he will say anything to hear praise coming from your lips: of course, he hears it all the time from his fans, but hearing it from you has a different meaning, so he makes sure to always look his best and impress you with all that he does.

he wants to look ultra cool and awesome in front of you, but can you blame him? he's just so in love with you.

[holy-puckslibrary]

━ 𝐛𝐞𝐚𝐜𝐡 𝐛𝐥𝐚𝐧𝐤𝐞𝐭 𝐚𝐧𝐝 𝐚 𝐛𝐨𝐭𝐭𝐥𝐞 𝐨𝐟 𝐰𝐢𝐧𝐞. 

main masterlist

pairing(s) — JAMIE DRYSDALE x reader (est. relationship) wc — 1.5k synopsis — jamie can’t keep his hands to himself, and neither can his girlfriend. (prompted on this ask)

note — title’s from summertime by bon jovi + yes, this is a re-upload from the main blog (@holy-pucks) since nothing of mine posted there shows up in the tags. if you’ve already liked or shared that post, i would really appreciate you doing the same with this new one :) thx a million in advance! xx 

specific content warnings listed below the cut.

cw — alcohol consumption/tipsy!reader x tipsy!jamie, accidental exhibitionism (jamie getting handsy at a bonfire bc he just can't resist lol), suggestive lang + innuendo, + general fluffy filth but nothing super explicit really, pretty tame for me tbh 

jamie drysdale has never been so pleased to have lost a fight in his entire life.

he didn't think it'd get cold enough to warrant lugging around an extra blanket (meaning him, not you—he's a gentleman). you thought otherwise, and pestered him until there was one neatly folded in the backseat.

objectively speaking, jamie was right; it wasn't even chilly. he was actually a little warm, if he was being honest, but that had a lot more to do with his wandering, beer-soaked mind than the weather or a superfluous layer.

—and he had a tent in his pants to prove it.

it's his own fault. he pulled you into his lap when there were more than enough lawn chairs scattered around the blazing fire, knowing full-well you fidget when you're tipsy. jamie knows you can't sit still to save your life, yet he sat you across his thighs anyway. and now he—and his raging hard-on—are paying the price.

he isn't embarrassed he's turned on, that's not the problem. that's never the problem. you've been dating for years, and anyone who's shocked by the effect you have on him has bigger problems than jamie's attraction to his own girlfriend.

it's the fact that he's about ten seconds away from pulling your suit to the side and rutting into you in the middle of a public beach with his friends not even a foot away.

someone across the half-moon crowd says something that makes you laugh—makes you wiggle. jamie's hands tighten on your hips to keep you still, but, by this point in the night, his body is too lax to be of much help. if anything, the impassioned touch eggs you on, and it isn't long before his hips are moving to match your mostly-involuntary movements.

jamie hisses through gritted teeth, jaw clenched so tight it aches. "baby, quit it—please."

fluttering half-lidded eyes meet his, clock his internal struggle, and immediately twinkle with mischief. under the guise of shifting your attention, you rub the outside of your thigh against the bulge threatening to tear his trunks.

"quit what?" you ask with a demure smile, your hands looping themselves around his neck. warm fingertips play with the feathered locks tickling his sunburnt neck, making him shiver.

"you know what," he glares. "i don't know when we'll get back home, and you're driving me insane."

"touch me here."

blinking in disbelief, he balks. "w-what?"

"touch. me. here."

each word is punctuated with a chaste peck to his ever-reddening cheek. the succinct affection bounces you in his lap, and jamie can't help but slide his hands further beneath the sandy blanket. at first, to halt the infuriating friction but, like usual, once his hands wander he just can't stop. consequences—and shyness—be damned.

"s'not a good idea." jamie nips your jaw, dotting a line of warm kisses along your neck, stopping once his nose brushes your ear. "my baby's loud as shit, and i'd rather not have an audience."

you swat his chest in offense, but giggle nonetheless. "am not!"

"are too." he smiles up at you.

"i can be quiet," you huff, determination furrowing your brow.

jamie reaches up to smooth the crease with his thumb. you catch his arm and press a sweet peck to the inside of his wrist. he shudders.

you hum into his skin, "i think you're projecting."

"that right?" your boyfriend feigns ignorance, amused.

"let me prove it," you whisper before leaning in to kiss the tip of his nose. with your forehead flush to his, you try again. "please, jamie. i can't wait anymore—and i certainly can't wait until t strikes out with whoever he's obsessed with this week."

jamie snorts.

you make a solid point; it could be another ten minutes or upwards of two hours. his guess was as good as any—trevor himself included. jamie's really starting to hate that him finally fucking his own girlfriend hinges on his best friend's ability—or inability—to seal the deal.

"you make even a peep, and i stop. got it?"

what's the worst that could happen if he indulges you a bit? no one's even paying attention to either of you, anyway.

you nod, bottom lip pinched between your teeth. jamie tugs it free, fingertip dancing over the fresh indentations. your tongue slips out to tease his sun-soaked skin, and it isn't long before the digit is flush to your hot tongue.

jamie's eyes are almost black with lust as they watch your lips welcome and release his finger over and over again. your eyelids fall as he slips into a trance, mesmerized by your mouth.

"words, baby. gimme words," he prods, the words barely audible.

you surrender his hand with a faint pop, blinking down at him like you're already teetering on the precipice. "no sounds or you stop—i got it," you parrot. "now are you going to touch me?"

"needy, needy, baby," jamie teases after stealing a kiss. "i've spoiled you rotten, haven't i? can't even go a couple hours without begging me to touch you... s'alright, i can barely keep my hands of you. 'specially when i've got you sittin' all pretty in my lap like this."

"—jamie, please, just... just touch me already—need t'feel you."

chuckling to himself, jamie mercifully pushes the sodden material out of the way. he nearly moans at what he finds.

how much of it is from the evening dip you took with a couple of the other girlfriends, it's hard to tell, but he'd put good money on it being little to none. no, the damp patch growing in his lap is all you. sweet and warm, and perfectly you.

you gasp when he collects some of the escaped arousal with a few of his fingers. jamie raises a brow in your direction and you cover your mouth apologetically. he bites the inside of his cheek to keep from laughing. you're trying so hard to keep quiet, it's adorable.

"—haven't even done anything and you're already breaking your promise," he chides. "how am i supposed to give you what you want when you're already misbehaving?"

"the other one," you breathe. confused, jamie hesitates. "give me your other hand."

you fish his free hand out from between your bodies and bring it up to your mouth. his eyes bulge out of their sockets once your intentions become obvious; you mean to silence yourself by sucking on his middle and marriage as he fucks you with the other hand. your back is mostly to the group, but he's still paranoid as all hell.

yet, jamie can't bring himself to deny you—or himself.

"you're gonna be the death of me," he groans as your head dips.

too turned on to care, jamie relents and slips a gentle finger into you. your eyes pinch shut, teeth catching on his other hand, but no sound leaves you. as a reward for your good behavior, he sinks in even further, until he's knuckle-deep at both ends.

his movements are much slower than normal, but, somehow, it doesn't matter. jamie's thumb seeks out your clit, sensitive and swollen despite its neglect, and he traces lazy circles between deep, measured thrusts. all the while, he mouths at your neck with little concern for what evidence he might leave behind. jamie's sole focus is making you feel as good as he does right now with his half-naked, hot-as-hell girlfriend writhing in his lap, her pretty pussy clenching around his lucky fingers.

"—j-jamie," you warble around his drenched hand, hips bucking into the other with what little leverage you have positioned like this. "—close, s'close."

oh, he knows. he can tell. jamie knows your body better than you do; he's a diligent student.

"are you, baby?" jamie can't resist a bit of taunting. you're too far gone to push back. "poor thing, what do you need from me? tell me what you need to get there."

you're slow to answer, overwhelmed by the sensations attacking your mind from all angles. somewhere along the line, a second finger was added... and then a third. the burning stretch aches so good your vision blurs.

jamie, jamie, jamie—the beginning, middle, and end of your thoughts—jamie, through and though. he's everywhere, but it's still not enough.

"my n-neck," you eventually gasp. "please—kiss my neck again."

your boyfriend is more than happy to oblige. lips latched to the tender spot just below your ear, jamie lets his hand take control of the pace; he's no longer content to drag this out. it's been a long day, and all he wants is to watch his pretty girlfriend fall to pieces in his lap.

your peak is ushered in by a series of pitiful little whines and whimpers, mostly muffled by his spit-stained hand, but jamie doesn't have the heart—or the sanity—to chastise you for it. if he had it his way, his mind would play those beautiful, broken sounds on a loop.

but the reverie is too good to last. it always is.

"get a room, you two!"

a chorus of laughter and vulgar remarks succeed trevor's call-out. and, hot under the collar, jamie's cheeks burn pink as he buries his face in the safety of your neck.

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All of the stories and fantasies written or discussed on this blog by the owner or by followers are purely fictional and are not intended to offend any parties.

©2024 holy-pucks, all rights reserved. I do not give consent for any of my work to be copied, re-posted, or translated here, on Tumblr, or on any other platform. Reproduction of any content from this blog is considered plagiarism.

[velvet-games]

he’s so normal :)

I actually drew this before a lot of the recent stuff I've been posting; it was just me trying to figure out a good redesign for vox. I might make a proper redesign explanation later, but here are some quick notes while I'm still playing with it:

vox trapzod and alastor trongle :)

^^ ok but unironically this was kind of a hard decision since I have mixed feelings about vox's body type

stuff I was considering:

1) vox is alastor's foil and has a similar body type to alastor at least in part because you're supposed to be comparing them (It's actually so cool cause I was watching TB Skyen's reaction to ep 2 and he immediately predicted that they would have beef lol)

2) tumblr sexyman bod <3

3) I LOVE @/bestosunglass' way of drawing him, and it made me realize that I kind of love the idea of vox being a little bigger than alastor? it's very big himbo puppy + lithe cat energy

4) not sure what my headcanons about vox's body are in terms of biological vs tech yet, but I think I want to lean toward tech (which is customizable)

I love the angst concept of vox having the freedom to change his body with relative ease, which makes him feel like he has to constantly update and update and update and update and update and it's never good enough because he could always change something and he'll never quite be good enough--

basically being a victim to his own progress-oriented mindset

and also treating himself like a product; if it's not working, if it's not the best, newest model, then it's broken and useless and disposable

tbh alastor's ability to find beauty and art in the old (not necessarily based on function, but on character and care) would be good for him

ooc or not, as someone with dysmorphia issues myself, I really want an "I like your body because it's yours" moment from alastor

I think all of that + toxic masculinity would probably mean vox would make himself comically buff (at least at first) lol

5) but I like drawing him kinda scrawny ¯\_(ツ)_/¯ it's just weird because I kind of want to audience to pick up on the fact that he's not actually hypermasc but vox would totally (mostly successfully) broadcast that to the characters in the show

6) I think a trapezoid is a good shape for him! it contrasts well with alastor being a kind of sly and striking triangle shape. trapezoids are more interesting and dynamic than rectangles, but are still more stiff and business-like than triangles (p sure I am completely misunderstanding shape theory here but it makes sense to me lmao)

vox is such a mess of vibes? like he's a cult leader he's a televangelist he's a hypnotist he's a business shark he's a tech CEO he's a newscaster he's a TV he's a computer he's a literal shark he's a mastermind he's a pathetic fanboy

still not sure which of those is the most important/what should be obvious in his design

obsessed with the concept of TV knobs as buttons but it's kind of old fashioned

I headcanon him as having been a nerdy kid that got kicked in the shins for being obsessed with TV/tech lol

also hc him as being vaguely and very obliviously transfemme; the buffness can also be overcompensating for a lack of masculinity both physically and mentally

[molinaskies]

Lanolin: Designed to be Dislikable.

Hi friends. I’ve had a number of people in my digital face over the last few months trying to “show me the light of Lanolin,” but I’ve kept these interactions private because there’s no need to put them on blast. Of course, they're mostly respectful and I’m often reminded that I have a right to my opinion, but there is always an undercurrent that I might have just missed this one small tidbit that could blow the case wide open because how could I possibly not like her? How could I not understand her character and be empathetic to her plight?

But I’ve watched the videos. I’ve read the think pieces. I’ve seen it all. But my opinion hasn’t changed and that does not mean I’m wrong… nor does it mean I’m right! We have two different opinions that should be allowed to co-exist.

I’m being a touch cross here, I recognize. Please forgive me for that, this once. But frankly, I am frustrated—not because people like Lanolin, but because many seem incredulous to the fact that I dislike her. And I can only assume that means I simply have not made myself clear.

Consider this my final take on Lanolin the Sheep until there is some significant development for this character.

I am allowed to dislike Lanolin because she is a fictional character whom I’ve done the research on and have come to that conclusion. Done. That’s all she wrote. Go home.

That aside entirely for the sake of argument, I am allowed to dislike Lanolin because she is supposed to be unlikeable as per her role in this story. I dislike Lanolin because I dislike assholes, but I also like Lanolin because she is doing her job very fucking well! lol

Lanolin is not supposed to be in the right. She is a character who is making major mistakes due to her lack of experience combined with her arrogant dismissal of others, and she will eventually be punished by Mimic’s betrayal to teach the audience some sort of lesson. If half of this comic’s runtime has been about punishing Sonic—the titular character—for his mistakes, then Lanolin can get punished once. I would bet real world money that this will happen.

So many characters are sus of Duo by now and have tried to do something about it but Lanolin gets in the way because she can’t listen to reason. The only reason Silver and Whisper “go rogue” is because Lanolin wouldn’t listen to reason—and her response was still disproportionate because when Whisper tried again to explain herself, Lanolin made her hit the deck.

Lanolin is Sonic with some pieces missing. We know this because Lanolin directly cites Sonic as her inspiration for getting involved in the restoration. However, Lanolin looks at Sonic, sees his behaviour, and emulates it without any understanding or regard for how he has earned the right to do what he does. Sonic is insolent, not arrogant, because he only denies authority when it isn’t earned. Sonic is defiant, not self-righteous, because he believes there are multiple ways to solve a problem. Sonic is empathetic, not sympathetic, because he takes the time to learn and experience what it means to live on the other side. Lanolin has modelled herself off of Sonic because Sonic is a hero, but she’s missed the bigger picture of what that actually means.

Lanolin is cold, unkind, and unwilling to be wrong because she thinks she knows everything she needs to be in this game. That is inherently unlikable to some people and therefore justified.

But there’s more to this, isn’t there?

A huge defence of Lanolin as a character is that “she has baggage that makes her rough around the edges,” and you know what? Fair! You would not believe how empathetic I am to that, trust me. Imma get into it. But the reality of the case is that Lanolin is her own keeper, and if Sonic, Tails, Knuckles, Amy, Rouge, the Chaotix, Tangle, Whisper, Silver, Blaze, Jewel, Belle, and many others can carry their baggage around and still treat others with respect and without verbal and physical abuse, then there’s no excuse. Yes, it takes time to get there, and the whole point of Lanolin as a character is that she hasn’t learned the “everyone is useful just the way they are” and “a leader is nothing without her team” lessons, yet.

But allowing Lanolin to lash out at the world only to let her hide behind her trauma is a deeply reductive portrayal of trauma survivors that I find aggressively problematic. Further, it is a failure to Lanolin as a character because, again, that is not the fucking point of her.

This is the one time I will ever ask anyone here to just “take my word” for something. I’m not comfortable airing out too much of my personal issues on the internet. But below is what I can share.

I come from a very, very broken home that instilled a lot of unproductive defence mechanisms within me. In short, I used to be very mean because I was neglected, and acting out against my peers and showing off my skills gave me attention.

The big ticket, though, is I thought I was good. I thought I was Great. Awesome. Outstanding. AMAZING. I was a natural-born leader with a drive for justice who was good at a couple things. I thought I was doing everything right because teachers liked me and I was getting opportunities. What I never saw—never could have possibly seen until it was spit right in my face—was how I was treating everyone around me as beneath me because I thought I had it in the bag.

It wasn’t until I learned about a very public smear campaign against me that I got a wake up call. When I saw what people were saying, it shattered my entire paradigm not because of just how heinous it was, but because of how much of it was true—and that broke my heart. All I have ever wanted to do was help people. Fight for people. Protect people. Elevate people. Support people. For me to learn I was doing the exact opposite of what I set out to do absolutely destroyed me.

After that, I immediately switched up my game. I pulled out all the stops and really focused on being kinder, empathetic, and encouraging. I started to become more self-aware and mindful of how my emotions and behaviour impacted others, but it still took years to even start to comprehend that I was traumatized, let alone the ways my trauma impacted my relationships and behaviour.

I used to be Lanolin. I was a mean girl getting progressively meaner from ages 11-17, and I am still in active recovery. I still make mistakes. I still fall from grace occasionally, but I am working on it. I’m almost 24 now.

Remember when this used to be about a cartoon sheep? Back on track LOL.

I promise you that while Lanolin has some moments of clarity, she is not largely aware of what she’s doing. She’s not evil. She is not unworthy of love. She just needs time for the story to let her learn.

I am not saying Lanolin does not deserve a redemption. What I am saying is that down her current path and with her current behaviour, she has not yet earned one. And here’s the thing: even though what I’m about to say probably will not happen because this is a kids comic directed at 12 year olds, just because Lanolin might eventually get her punishment, see the light, and apologize for her wrongs while acting on solutions, no one she hurt owes her forgiveness. Whisper can still tell her to fuck off. Silver can send her to outer space, Sonic 06-style. Tangle can yeet her back to kingdom-wherever the fuck she-come from (hush, I know it’s Riverside). 

Why? Because the reality is that even if you are a changed person and have learned and grown from your past discretions, you still hurt people. Even if they do forgive you, they may never trust, and they will never forget. That is the reality I and many others like me live in daily, and to be frank: I think it’s entirely fair. I made mistakes, and I gotta pay the consequences. I deserve grace and patience, but that can only go so far. The people around me are human the exact same way I am.

I personally believe that I have never misunderstood Lanolin as a character. She’s snarky and inexperienced and abrasive entirely by design. She is meant to showcase the “wrong” ways to be a hero and will be corrected. But just because she is a rough-and-tumble person who had a bad day at work does not mean she can come home and treat the world as her personal shitter. No one has that right.

And if you disagree with me, good! Welcome to MolinaSkies.

[orphiclovers]

I think the most notable bit of character insight on Yoo Joonghyuk that Yoo Mia SS provides is how much the apocalypse did not change him at all.

It's one of those Big Themes orv has, and simply brilliant writing. Y'know how they kept beating us over the head with the concept of 'the people who find it easiest to adapt in a ruined world are those who could not adapt to real life?'. That applies to YJH too, and even more than other characters. But it's hard to notice on a casual main story read because genre conventions and his character archetype tell us not to look deeper, that he is just a basic brooding power fantasy manhwa protagonist, even when he's really not.

So the audience writes off his quirks because it's expected of his brooding hero archetype and the other apocalypse survivors write off his quirks because everyone who has gotten this far is a little nuts and also they have bigger problems.

But when Yoo Joonghyuk acts exactly like he does during the apocalypse in a pre-scenario world where there's no convienient explanation it's really clear that he is different and he just comes off as...off.

His silence during conversations is no longer mysterious and cool but just weird and a failure to read social cues. His 'glare' is frightening and people don't like when he makes eye contact with them. His manner of speech is off-putting. His blank emotionless face is not stoic repressed hero-esque but ""rude"" etc etc. Every single mainstream society conforming person can tell there's something off about him so they avoid him. And YJH doesn't know how to communicate so he ends up totally friendless (save for a literal mafia boss and a crazy time-traveling teenage girl - and only them, because they don't fit well into society either.)

Umm where was I. So, but I don't know how much effect all of that has on World of Zero. Firstly, because between Yoo Mia side story and World of Zero there are 3-4 years of '?????' where afaik we have no idea what Yoo Joonghyuk was doing. He stopped being a gamer at some point but also got rich at the same time (doing what?) and bought the house he daydreamed about and also became a total shut-in who 'doesn't go outside often'. I have fanfic-y theories but nothing canon.

Onto the second part of the ask.

With World of Zero era joongdok I feel like there's a lot of writers out there who have made their own versions that are better than anything I could come up with so I hope you wont be disapointed. That being said I do have some thoughts.

Speaking of fanfic, here is mine under read more lol.

I think it's super that Kim Dokja gains the power of an omnipotent god and the very first thing he does is devote his time to Yoo Joonghyuk's happiness and safety. The whole reason he became OD was because of his massive guilt complex about YJH, so it makes sense that he would try to atone.

Zero starts off mistrusting him but gradually KDJ proves himself as having Zero's best interests at heart 100% of the time. DKOS is YJH's guardian angel. And then KDJ stays watching over him even after the scenarios were over, seeing him go through boring life milestones, happy as long as YJH is happy, for seemingly no reason.

So it's no wonder Yoo Jooghyuk fell in love.

He might not know Salvation's real name or appearance or anything about him but he wants to get to know him, this person who has saved him so many times while asking nothing in return. It doesn't matter that he's a constellation because he is good, Yoo Joonghyuk knows. He confesses all of this to Salvation, looking up at the sky with eyes sparkling with life and passion.

Salvation lets him down gently, for what it's worth, but rejection is still rejection and it hurts.

In the following weeks, as he goes through the motions and pretends nothing happened, he continues to feel the gaze of Salvation on his back, but the constellation stays mercifully silent. Yoo Joonghyuk does not want to know if it's pity he's looking at him with. Even heartbreak heals, of course. Months pass, then years. Lee Seolhwa was a dependable companion to him during the scenarios and stays a steadying presence in the world after. They're compatable. She is someone with who he could see himself growing old.

Salvation told him to 'be free, to fall in love with someone who could be with him, to not waste his time chasing after a dream, to live his life to the fullest'

He knows about his attribute of course, just like he knows everything about Yoo Joonghyuk.

Yoo Joonghyuk sees no point in lying. He tells Lee Seolhwa everything. How due to his attribute he will grown old and die while the rest of them stay youthful as ever, how he doesn't remember his childhood or know his parents. His hopes and dreams, how he yearns to learn his origins. About the first scenario, about the constellation who would have been his sponsor, whom he loves.

Then he asks to marry her. She says yes.

Salvation is the first person Yoo Joonghyuk tells. He's happy for him, of course, says he always knew there was a spark between them.

They live a long 50 years together.

When Yoo Joonghyuk's hair started turning more salt than pepper, he told Lee Seolhwa that he wouldn't hold her. She laughed, stroked his head and said that she might not look it but she is two years older than him, that she vowed to be by his side till death did them apart and she will not break that promise.

When his time comes and he knows he has to leave, he tries to explain himself to Lee Seolhwa at least, if not the rest of his old companions. But he needn't have bothered. Before he could start, she took his hands in hers and smiled wistfully. She told him she always knew this day would come. That his heart has always belonged to someone else. She's thankful for the time he has given her anyway and that she could not have asked for a better husband. She sheads a few tears and Yoo Joonghyuk does too, but he leaves their house with a sense of purpose and a lightness in his heart he has not felt once since the day he beat the final scenario.

And then he accepts the sponsorship contract with Salvation.

... .. Sooo, that's how I think round zero went.

[randomfoggytiger]

React: A Late-Canon Reviler Gives the Revival a Try (My Struggle I), Part I

For David Duchovny’s birthday, I put out a poll asking Tumblr which of his projects I should watch for the first time. 

The Revival won. Welp. 

I then, fool that I am, put up another poll wherein I doomed myself by including an option to watch the whole thing. 

And here we are. 

My Struggle I. 

Oh, boy. 

This post will be long because I'm laying the groundwork for the rest of the series.

MY MODUS OPERANDI

I don’t care how cute or cuddly or happy or heartfelt individual MSR moments are, popcorn will be thrown if those scenes are achieved through incomplete, inane, or nonsensical plot points. Give me 1+1=2 or give me death.

The Revival is part of a whole that includes all of Seasons 1-9 and Fight the Future and I Want to Believe. As much as I prefer to distance this series from canon, the reality that it functions as a direct follow-up remains; and it needs to be judged accordingly.

And, as always, I separate the art from the artist~.

...WELP. It’s time to face my doom. 

Let's go!

MY STRUGGLE IV

The intro’s… fine. Engaging, even. 

I did notice, though: the last series and Fight the Future and I Want to Believe began with the same formula: glimpses from what will be an x-files case, then straight to Scully’s perspective. Usually Mulder’s narration and POV didn’t feature until the tail-end of a two or three parter, i.e. Redux or Amor Fati or… well, even then, it was juxtaposed against Scully’s. 

Scully was the voice of The X-Files-- even Chris Carter noted that her report of each episode’s casefile became a motif of the show. Mulder’s narration was rare, very rare, even in episodes that were written to focus on him. 

A definite and purposed choice, to be sure. Mulder as an active agent in his own story. …OR a story that focuses on Mulder’s voice instead of Scully’s. 

We shall see. 

The intro continues; and it’s still engaging, possibly gripping (too bad I know where this leads)... but the music got a bit LOTR there. Is that just me? Seems… mellow, orchestral, a little more fantasy than sci-fi. Am I nitpicking? Maybe. 

The BIBLE references UFOs?? Lol, no. (Unless you count the objects described in Revelations-- the book, not the episode-- but even then, those are largely considered to be drones, not UFOs.)

Chris Carter, I see you. 

(Note from the future: NOW I see why the Bible bit was included-- lots of heavy-handed "God means this, Scully" in order to get her on-board to join the files. Ugh.)

…They’re really doubling down on the UFO lore, huh. All of which evaporated because of global warming, I guess. 

GUYS, why couldn’t this have been about life on Earth after Colonization?????

It fits with the disaster footage, it fits with Mulder’s voiceover, it fits with the character progression from Season 9 (I GUESS), it fits with a whooooooooooole ton of other factors. 

I’ve never been one for wanting Colonization in canon, but it literally would have worked for this series. There wouldn't need to be a complete wipeout of humanity, maybe just a “disaster happened, but the humans are fighting back” scenario. 

And that would fit with Mulder and Scully’s "breakup", PERHAPS-- they spent so much time working, trying to save the world (she in science, he on the ground or with untainted factions who coalitioned post-Colonization) that their relationship cracks would need to be actively worked through. Not broken up so much as together and repairing.

It would also help CC and co. to avoid the tempest of modern US politics and the more mainstream conspiracies that were taking hold at that time-- a broader reach to all audiences, a "bigger picture" for everyone to unite under.

(Guys, they should have let me write for this show. …I take it back, I’d have quit after three days.) 

Also: The show writers spent all their brain power on this sequence and this sequence alone, didn’t they? 

Obiwan Kenobi and Military Man are going on a bus somewhere.  

...On closer inspection, neither man looks like anything like Obiwan Kenobi, but the nickname is staying.

We’re back to Scully at a hospital-- not unlike I Want to Believe’s opening.

Skinner called? Oh. Didn’t know he was “here” this early. 

WAIT. 

Wait, wait, wait. 

Scully just called up Mulder like nothing’s a big deal? He answered like nothing’s a big deal? She’s smiling over his joke from the get-go?

…And we’re supposed to believe they’re seriously broken up. Which the show will insist is the case. 

David and Gillian really said, “Script? What script?” and did what they wanted. I salute them. 

Also, “What’s happening out there, Scully?” is a great line to point to Mulder’s continued isolation… which the series will IMMEDIATELY toss aside because he’s, apparently, not been as much of a hermit lately? (Granted, this could be a joke at his own expense because he’s no longer claimed by ~the darkness~, but…. I don’t think the writing’s gonna be that clever, I’ll be honest.)  

Siiiiiiiiiiiiiiiigh. 

Fine, I admit it. 

I’m loving this so far. 

And that’s gonna make me even angrier later on. 

“Why doesn’t he [Skinner] just call me?”

“He doesn’t know how to reach you, Mulder. I barely know myself.”

Mulder is baffled and a tinge annoyed, Scully is amused and straight shooting. 

THERE IS NO HINT, BEHAVIOR, OR MANNERISM SUGGESTING THEY’VE BROKEN UP. None. At all. He’s isn’t reluctant to answer her call, isn’t sad or withdrawn, isn’t affected by anything she’s saying other than to be teasy or poky. She isn’t hesitant to call, isn’t sad or depressed, isn’t anything other than a little pleased to dangle a juicy tidbit in front of Mulder’s face. 

This is gonna follow IWTB’s ping-pong writing-- they’re fun and in-character, they’re suddenly out-of-character, they’re fun and in-character, they’re suddenly out-of-character, etc. etc. etc.-- isn’t it?

(Mulder taping over his laptop’s webcam is a great touch and not something at all that I’ve done before. At all.) 

“I thought you were done with UFOs-- the ‘stranglehold they put on your very existence’, I believe you put it.” 

“I’m just the messenger, Mulder.”

That’s GOOD, that’s necessary writing. That’s planting the seeds of what happened between them, what led to a cooldown or a breakup or a whathaveyou. AND STILL neither character acts as if they’ve broken up: no melancholy, no sadness, no nothing. 

Mulder’s timbre became a little sardonic while quoting back her words, but that doesn’t mean they’ve broken up. If anything, that points to a bicker and line-in-the-sand between them-- him bringing up UFOs at the dinner table and her reminding him to talk to someone else about it before turning the topic to how the lettuce is growing or something.

Neither actor is performing like one would if pain and trauma and heartbreak and distance were placed between them; and that really complicates things because the breakup is built on top of the aforementioned list of struggles. 

Would Mulder have dug his heels in post 2012, seeing it as a sign that “the aliens” just changed their plans? Yes. 

Would Scully have seen a pursuit down that rabbit hole as a waste of time? Debatable. The Truth S9 Scully wouldn’t have-- the aliens are still out there; and they cost her months of her life, months of Mulder’s abduction, months of Mulder’s death, months of Mulder’s separation, and the ultimate cost: William’s adoption and their life on the run. Post The Truth Scully would have seen this as her quest, too: she won’t give up, she says in the finale, because he won’t. 

IWTB Scully, however, would- and that's a problem. 

I’ve already discussed, at length, how out-of-character Scully was in I Want to Believe (posts here.) Although Mulder doesn’t escape from the same writing blunders, she is really, really scalped: of her courage, of her will, of her determination. 

Whenever Scully gave up, in canon, it was only because she thought she was holding Mulder back, or when she felt Mulder had lost his faith and trust in her. That held true in Season 9-- despite the appalling writing choices there, too-- but didn’t in IWTB. 

The Revival had the perfect opportunity to factory reset the writers' mistakes: portray a wiser duo who continue to fight the fight according to their strengths, like they always have before Mulder ever met Scully. (When Mulder tells Scully to set up a meeting with Skinner, he adds, “Don’t pretend I’m going alone”-- which reinforces my point.) 

But I know that's not going to happen.  

Scully goes without argument-- THAT’S GOOD, THAT’S GOOD CHARACTER WRITING. At this point in the game, of course she would-- they trust each other, they have for years, they’d have reached even deeper levels after going on the run for [insert math] years. All good things! 

The problem: this will create a huge conflict with her actions later.

(I’m already so disappointed.) 

“Uber?”/”Hitchhiking. Relax, Scully, I’m kidding” was a fun modernization of their humor, I’ll take it. 

This scene is starting to highlight the distance between them, which is all well-and-good, but feels tonally different from the previous scene. As in, their two scenes were definitely filmed on different days, in different moods, and with different intents. 

She’s worried about him, with tears in her eyes; he has his walls up; there’s distance, as previously noted. 

“Good for you to get out of that little house every once in a while”/”Certainly was good for you” is followed up with knowing, indulgent, pleased smiles and you expect me to believe these two are seriously broken up. Nope. I’ve seen Scully sad but amused, I’ve seen Scully too sad to be amused, but these two? This moment? Nah.

Tonally dissonant-- the IWTB problem: at-ease and close one minute, at-odds and distant the next. Hoorayyyyyy....

None of this makes sense for a long-term, permanent (as Scully infers later to someone else) breakup. Nor for a short-term, semi-permanent one. Math doesn’t math. 

“I’m always happy to see you,” she says, implying he's the one who permanently pulled away… which will be contradicted later this very episode. 

“I’m always happy to find a reason [to leave the house],” he says, somberly. 

Both of which are odd lines. 

If he’s happy to leave the house to see her… why hasn’t he? 

If she’s happy to see him, always, but says a relationship between them was "impossible" (which she will later), why is Scully staring at him with heart eyes, hoping he gets better so they can continue their relationship? (And mark my words, this tone underscores her interactions with him the rest of this series.) 

Tad’s here. He’s... fine. He represents the overly cautious very well. At least he hasn’t gone full Alex Jones mockumentary (...yet.) 

I’ve heard criticisms that Mulder and Scully don’t act like themselves in this series, but based off the few minutes I’ve seen here… I don’t agree. 

The essence is the same. Truly. Scully’s got the same face that lights up the same way, Mulder’s got the same expressions and young-at-heart humor. Neither are really melancholic. Neither are David or Gillian esque. 

Perhaps that will change. 

(Note from the future: OH BOY. Which Mulder and Scully are we talking here-- OG Mulder and Scully? Nope. IWTB Mulder and Scully? Yep. David and Gillian? Once or twice.)

But, again, their interactions feel… wasted. Hollow. They’re supposed to be broken up, but their breakup doesn’t contribute to their interactions or the plot. They’re supposed to have suffered and are working back to each other… but they aren’t really separated, haven’t seemed to suffer (note from future: except for one scene which comes outta nowhere), and won’t collapse back together on-screen.

They’re supposed to be wiser and more mature, but they’ll still engage in a silly will-they-won’t-they while Mulder eats up the latest UFO or conspiracy slop he’s either already engaged in or debunked [insert math] years ago and Scully clings to her cowardice like a leech. 

First nagging problem: Scully smiling at Tad, Scully excusing Mulder’s mannerisms when he becomes briefly jealous, Scully making nice with a conspiracy nut. 

…Isn’t that Mulder’s job? Didn't she leave because conspiracies were consuming her life? Does this mean she actually does want this life back but is she playing coy or elusive because...?

Furthermore, when Mulder popped a comment off to a witness or informant in the past, Scully never excused him-- just breezed over it professionally with another question. She’s only saying “excuse him” here because she’s taken a shine to Tad. WHY, on this post-2012 global warming green Earth, WOULD SHE?

Tad says Mulder is the X-Files, Mulder says that “book is closed”... WAIT. Wait, hold up--

Pause. Stop. Rewind. 

Mulder wants to believe. Actual proof is hard to come by. 

Tad thinks Mulder is the X-Files. 

MULDER SAYS… *ahem*... Mulder says, “I’m afraid that book is closed.” …Which means he’s no longer into UFOs or aliens, too. SO. why did Scully LEAVE.

If that’s behind him, why aren’t they together again???? Mulder didn’t know who Tad O’Malley was a minute or so ago, meaning he’s been outta the conspiracy scene for a bit. That MEANS his departure from Conspiracyville's been long enough to patch-up his obsession and ensuing depression, I guess.

But then... what about Scully??

Because Mulder wants her to come back (already subtly established in each scene), and Scully is concerned for his welfare; but Scully thinks he’s still into UFO conspiracy and hasn’t come back because of it? BUT SHE ISN’T SHOCKED WHEN HE SAYS “I’m afraid that book is closed” MEANING SHE KNOWS HE’S PUT THAT BEHIND HIM... BUT STILL HASN’T RETURNED?

And both of them aren’t acting as if they’ve broken up, anyway, except for a pointed line of dialogue here and a brief reaction there before they yeet back to the status quo.

They’ve left that behind them, Scully says, for better or worse. And Mulder latches onto that better or worse, making a pointed barb at their breakup, but…. There’s no writing glue, just suggestion and inference; and the suggestions themselves don’t add up. 

Here come the bullet points. 

Season 10 posits Mulder became depressed after the aliens didn’t invade in 2012-- that’s reasonable and logical, his nature is depressive when his expectations are subverted or smashed or etc. 

Season 10 also posits Scully left because Mulder became too much to deal with. That’s… not logical, since her nature is to rescue and nurture, even when Mulder’s being an actual boil on her sittin’ cheeks (ala Demons, etc., etc.) 

Season 10 posits Mulder’s hard to get a hold of-- despite being in the same house the FBI helicoptered to in IWTB-- and posits it might be hard for Scully to get a hold of him-- despite the fact both characters easily got in contact, knew it was each other, and even joked about the fact it’s hard to get in contact with Mulder… which means it really isn't. (The script doesn’t catch these discrepancies, of course, pretending Mulder is very hidden away at the same ol' house he'd been discovered at in 2008.) 

Season 10 says Scully doesn’t want UFOs to be part of her life anymore, that it was a stranglehold… yet she came along on a conspiracy gig without question to… what? Be around Mulder? But then, why warm up to the conspiracy guy-- an embodiment of what drove her and her partner apart?

Season 10 posits Mulder chased Scully off with his conspiracy spiraling YET ALSO states he’s put that part of his life-- conspiracies, UFOs, the X-Files-- behind him. Which implies: A. Mulder’s aaaaaaall better now and B. he put that all behind him but Scully never came home and C. Scully shouldn’t know he put that all behind him if that’s what’s keeping her away; but she does know because his declaration doesn’t take her by surprise, which means she’s still driven away and concerned for him for no discernable reason.  

Season 11 posits Scully didn’t leave because Mulder became too much to deal with but because she, too, had issues to deal with. This point wasn't mentioned or hinted at in the episode that introduces their breakup, which makes that line of reasoning a complete rewrite. (Whatever. I’ll judge how well that’s executed when I get there.)

It doesn’t add up. 

Are we surprised. 

Five seconds after this, I had to listen to a back-and-forth between Tad O’Malley and Mulder on conspiracies and Conservatives and alien beliefs and the O’Reilly Factor and….

This seems out of touch, I’m not sorry. 

When this show aired, Conservatives already had their miles-long conspiracy theories. For Mulder to be ignorant of that fact while allegedly knowing exactly who and what Tad believes while also alleging….

More bullet points!

Fox “I’m afraid that book is closed” Mulder has, supposedly, been out of the conspiracy scene. 

Fox “I’m afraid that book is closed” Mulder isn’t aware that not only did 2015 Conservatives believe in aliens-- despite the fact Tad is a watered-down copy-paste of Alex Jones-- but that there were also Conservative believers in the 90s (who were a fringe in their own group, but.) This was Mulder’s expertise; and his eidetic memory isn’t likely to have tossed that info because it was no longer relevant to his life. 

Fox “I’m afraid that book is closed” Mulder has supposedly not been out of the conspiracy scene-- despite saying he is-- because he does know who Tad O’Malley is-- despite not knowing who he was two minutes ago. 

Mulder is assuming that Conservatives “of your credentials” don’t believe in UFOs or “9/11 false-flag conspiracies” despite people from the Left, Center, and Right publicly believing those conspiracies in 2015. 

Fox “I’m afraid that book is closed” Mulder is supposed to be dismantling Tad’s grift; but he (and the writers) sound uneducated and incredibly out-of-touch during this dialogue-- as if all Conservatives were still Bush-era believers. Most were suspicious of the government by this time (they helped elect a man who ran on a “drain the swamp” campaign, after all.) Mulder’s bewilderment here is old and tired, even by 2015 standards. 

This writing is flashy-- long sentences, quick back-and-forths-- but poorly constructed and badly executed. 

This is also the first segment where David Duchovny is peeking through Fox Mulder; where Scully is swinging wildly between absolutely-fine-with-Mulder and we’re-no-longer-together; and where we, the audience, are being force-fed that only one side of the political aisle believes in aliens-- or the Bigger Question or whatever-- on a show that wants to poke at unfounded conspiracy beliefs.

Oh, look! Scully made a Scully-face, so everything’s good now! 

(UuuuuuuuUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUGH--)

Sveta. Aww, I like her--

“You don’t remember me.”

“No, I think I’d remember.”

WHAT WAS THAT. 

Show writers, STOP with the romantic triangulation, it’s NOT. GONNA. HAPPEN. David doesn’t even TRY to make that romantic-ish. Yet you angle on Scully’s face as if she’s supposed to be out-of-the-loop and a tinge jealous. 

WAIT, WAIT, WAIT, hoooooooooooooooooooold up. 

Svetta was a dark-haired little girl Mulder interviewed after her first abduction, meaning she’s set up to be another Samantha. 

So…………………. What’s with the murky jealousy issue, CHRIS. You wedged it in solely so Scully would feel jealous over Mulder? Y’know. Like I Want to Believe? 

And I say Chris Carter because he wanted to play the breakup angle:

"We do it in an interesting way," Carter told The Hollywood Reporter. "We put some of the tension back in that was relieved by them being together. It added to the storytelling opportunities. It's something that I came up with; I had been thinking about it. There was always talk of [breaking them up] if we did another movie."

The first shot canon takes right between the eyes:

Scully being “familiar” with the “screen memories” abductees are given was a cool touch… except she’s never been given “screen memories.” The abductees in Jose Chung’s From Outer Space were given screen memories-- she was returned a blank slate. (Even Mulder didn’t have “screen memories” after his abduction.) 

Scully poking Sveta about aliens taking her unborn fetuses seems a tad (heh) strong except all the alien-related pregnancies have been the result of government testing, not alien probes. So. If this scene followed canon's rules, her skepticism would be warranted.

But this skepticism is still odd. 

Two seconds ago, she was making nice to Tad O’Malley in the car, and now she’s leading the questioning for Sveta. The odd icing on top of this odd cake is that Scully left because she didn’t want UFOs to have a stranglehold on her life, yet here she is leading an interview with an abductee.

Sveta: “I have alien DNA, for sure.”

Scully: “Have you had a doctor confirm that?”

Sveta: “No.”

Me, too, Mulder. Me, too. 

Scully doesn’t question the alien DNA bit, so that’s good. 

…I’ll bet everyone forgets she and Mulder have a bit lingering in their systems from the black oil and his brain thingy and residue from when she touched the ship and and and. 

“Something you can test. Dana.” 

What… what was that. 

Honestly, what was that. Whatever mood David was conveying through Mulder, it didn’t match anything from any previous scenes, let alone this one.

Is he poking at Scully? Why? He’s not jealous anymore (if he even was.) The way he says it and her expression in response implies they have a tense back-and-forth going on, but they don’t. THEY DON’T. 

We’re 13 minutes in and I could make another numerical list. But I won’t. Yet.  

Back to not-Obiwan Kenobi and Military Man. 

That alien’s stupid bad-looking. 

Wait. 

That’s not how canon said Roswell unfolded. 

And the first alien shot on Earth was by Deep Throat’s hands-- that was his whole turning-point backstory. 

CURSE YOU, LACK OF A SHOW BIBLEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!

(Note from the future: All of that past canon? Fake. Faked. All lies. None of that happened.)

“What have you done??” Not-Obiwan Kenobi yells… and what have they done? 

Back to Scully and Sveta. 

Sveta can move things with her mind-- not all the time-- but at least Scully is listening to her claims without automatically shutting them down. 

But also…

“I can move things. With my mind,” should have IMMEDIATELY had a greater impact on Scully, up-close-and-personal as she was to her son’s abilities. But nope! No reaction! Of course! 

Sveta “You were together but now you’re not” is asking the right questions. I don’t even mind Sveta. I’ll bet this episode’s the last time we see her, though. 

Does she contribute to anything? No. But she’s nice, so. 

WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAIT, WAIT, WAIT. 

Scully diagnosed-- wait, hold up, list time. 

Scully diagnosed Mulder with depression. 

That killed their relationship. 

…THAT killed their relationship? After everything? 

The writers are going to have to explain, in detail, why that killed it. 

Why does canon need to explain? Because we have a history of Scully sticking by Mulder during the worst periods of both their lives-- leaving him would have to require a very, very good reason.

And there is no indication, thus far, that Mulder’s depression drove a humungous wedge between them, forcing her to walk away. In fact, there is no indication a wedge exists between them, AT ALL-- only the odd, inconsistent word or phrase here or there that bears no weight on the plot or their ultimate decisions.

Whenever Scully left in canon, it was because she could no longer help Mulder. Season 11 will rewrite Season 10’s initial explanation but setting that aside: we’re not given any indication that she did try to help him; or that his depression was so deep and so dangerous that it drove her away.

And if it were that deep or that dangerous enough to drive her away, Scully leaving would have been the last and worst possible action she could have taken. If Mulder's mental state was in such a massive nose-dive that she couldn’t handle what he was going through, Scully-- a medical professional-- would have had him hospitalized, even temporarily against his will, because she would know (per Demons or Gethsemane or Amor Fati) that this level of depression always manifested in suicidal tendencies for her partner.

But Mulder, as per the rules laid out in this episode, never went that far in his deterioration. (Note from the future: We'll get to that.)

If he had, Skinner would have been aware of his hospitalization and wouldn’t have asked for his help; Scully would have been aware and wouldn’t have passed on the information; and Scully wouldn’t have called from the hospital with a degree of buoyancy when relaying Skinner's request to Mulder. 

In short: Scully leaving = very big, very drastic measure. Mulder suffering from depression = very big, very bad consequences. Scully's nature and past actions = getting Mulder help, even if he resists at first (i.e. shooting him in the shoulder to save his life.) Mulder and Scully's partnership = unbroken, except through distrust or botched writing.

“And you have a child together.”

Wow, that wasn’t clunky at all. 

SCULLY STICKS SVETA HARD WITH A NEEDLE BECAUSE SVETA MENTIONS WILLIAM, darkly saying "That's enough", SO SVETA WOULD KNOW SHE DID IT ON PURPOSE.

I’m… so disgusted. Like, eck. Urk. Awful. 

Telling Sveta to back off, strongly, would be in-character; USING PAIN TO DO SO is…. So wrong on so many levels. Scully never utilized medicine to inflict pain or injury on her enemies.

Wow, this grossed me out. You know why?

Scully diagnosed Mulder with depression and left. At first glance, that seem like an out-of-character action that the writing can salvage later by this or that means.

BUT THEN, Scully inflicts pain on Sveta for mentioning William, leaving the audience with the impression that she’s vindictive. 

Which then connects the dots between “vindictive” and “left Mulder when he was diagnosed with depression.”

And since we, the audience, haven’t been given a stronger reason for how Mulder’s depression got that bad or why she didn’t help him through it, we’re then left with a sour impression of Scully’s character. 

The writers then try to imply Sveta was spilling out Scully’s personal secrets to prove that her powers were real, but that still doesn’t give Scully the right to abuse her power. Especially because a traumatized woman was trying any method possible to be believed.

And the fact that Sveta is also a victim of the government weaponizing science and medicine makes me even angrier at Scully.

Ohhhhhhhhhhhh, BOY, another helicopter outside the Unremarkable House, my favorite part of IWTB....

Mulder’s never seen… an alien replica vehicle. 

Oh, my mistake: “No. Never. Not like that.” Covering all the bases, I see. Y’know, in case the writers FORGOT MULDER SAW ONE in SEASON 1, EPISODE 2. 

OH, LOOK, he’s got his wonder face back, everything’s aaaaaaaaaaaaall better now!

Running on free energy they’ve had since the 40s, sure Jan. Whatever you say. 

This just feels so old. Like. Tech we haven’t had since the 40S, GUYS, GET IT, BIG MONEY CORPOS KEPT IT FROM US. Yeah, we got it. 

And the flashbacks to Not-Obiwan Kenobi just walking off with an alien corpse because Military Man didn’t… see… value in studying… it. I guess. 

Scully doing “God’s work” giving kids ears because their biology neglected it.

I admit, that’s an intriguing window into her perspective of God vs. science, and how she sees a person’s biology separate from God messing them over or messing them up just because. I dig it.

(Note from the future: This will be used as a plotline club rather than a nuanced discussion of her faith.)

Mulder being the most challenging relationship she’s ever had-- “and the most impossible”-- is a weird line. Because yes, it’s true that their relationship is challenging; but her fervor at impossible is the only time in this episode we see an adversarial tendency, DESPITE My Struggle I trying to drum up moments to prove TENSIONS still LINGER (they don't.) 

It’s IWTB all over again. Siiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigh. 

“Yeah. I got that impression.” Tad says, and Scully’s hurt because she thinks Mulder gave Tad that impression of her. 

So. So. Wait. 

Scully lied when she stated “It’s impossible” because she didn't like Tad poking into her private affairs?

But she sounded truly convinced their relationship was "impossible" while saying it.

So, she was either angry or still confused about her emotions-- which is fine, Scully's not always in-tune with her inner workings-- when Tad replied, "I got that impression."

Which explains why she was so hurt at Mulder's seeming rejection.

Because she thinks Mulder’s behavior led Tad to that conviction.

Which means CC just wants Mulder and Scully to be caught in a miscommunication fic.

Also, why is Tad so sad about this? Were they his OTP, or is he pretending to sympathize to get in Scully’s pants? Because that’d be crummy, Chris, to have her be overly nice to Tad only for him to try to twist that into an opening as the new conspiracy guy on the block. 

On a lighter note, Chris Carter said Mulder and Scully could still get it in their 50s, so there’s that.

HE DID, HE DID SET SCULLY UP TO BE PURSUED BY TAD--

WHAT. WHAT. WHAT WHAT WHAT--

KNOCK IT OFF, CHRIS. 

Poor Sveta. She’s gonna be butchered in this script, isn’t she?

The series is EATING up vast amounts of time with very little scale or grounding. For all I know, a day or a week could have passed. 

It’s so, so badly paced. 

Mulder’s investigating now, without Scully, because he noticed Sveta had a tell during the interview. 

Um. 

Sure, that’s a Mulder thing to do.

Oh, wait. This is the “work of men” realization.   

The dialogue between Mulder’s questions and Sveta’s answers are really disjointed, as if they’re mildly talking past each other-- another aspect of IWTB I couldn’t stand. 

Welp, at least it’s easy to prove they were both written by the same people. 

The second shot-in-the-head for canon: 

“Sveta, who took your babies?” 

“Men.”

“Men? Humans? You saw their faces.” 

Also, Sveta’s babies are referred to as her babies, but William-Jackson isn’t Scully’s baby despite sharing half her DNA but Emily Sim was Scully’s baby despite also only sharing half her DNA.

It’s a mess. 

Well… Mulder doesn’t seem too surprised here that men were involved in her abductions (I mean, he's long since been aware the government was involved from day one, so.) It’d be really stupid if the writing made him surprised about this later, wouldn’t it?

…Wouldn’t it?

Another poorly constructed set of lines:

“I haven’t worked for them [the government] in years.” 

“But you always wondered… if they were lying to you, too.” 

No, he didn’t wonder-- he believed it.

A wonky way to address his old skepticisms, for sure. 

JUST AFTER I NOTED THAT MULDER DIDN’T LOOK SURPRISED AT SVETA'S REVELATION, HE CALLS UP SCULLY AND MAKES A BIG DEAL ABOUT IT BEING A CONSPIRACY OF MEN. 

I knew this was coming, but maaaaaaaaaaaaaaaaaaaaaaaaaaan that was so, so poorly handled.

SCULLY WAS GETTING (sort of) WINED AND DINED BY TAD O’MALLEY??????????????

I HATE IT HERE, WHAT ARE YOU DOING, WHAT IS HAPPENING, WHAT IN THE WORLD AND WHY, HOW COULD YOU BE SO EASILY FLEECED, DANA, THIS ISN’T AN ED JERSE PARALLEL BECAUSE YOU THINK MULDER DOESN’T WANT YOU, THIS IS STUPID, THIS IS THIS IS THIS IS

WHAT. 

I thought Scully had dated Tad O’Malley in the past (sometime after the breakup) but this is worsefarworse. 

SVETA IS THE KEY TO EVERYTHING, I’M SO TIRED. 

“Mulder, where are you going?” sounds exactly like Scully, and now I’m mad Gillian didn’t use that voice for the rest of the show (voice recovery aside....)

I KNEW SKINNER WAS BEHIND GETTING THEM BACK. He just calls up Scully to call Mulder up, then just unlocks the old office when Mulder wants to get back in. 110% Skinner thought this would help his buddy Mulder. And he’s not wrong. 

Wait. 

Did Skinner put in more effort to save Mulder from his mental health struggles (per this My Struggle I episode) than Scully??????

Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii-- my brain is broken. 

The hold on Skinner’s face while he says “Can you tell me what this is about” was way too long. 

Also, don’t try to play coy with me, Skinman. 

Now the camera’s zooming around and losing its “X-Files” feel by being too… modern. 

Skinner telling Mulder to calm down is the only time in canon where I agree with him. Mulder’s just spouting and demanding and not really making clear sense and this is why you don't let Mulder back into his basement without Scully by his side, Skinner-- don’t you remember that lesson?

Skinner telling Mulder to calm down then saying he doesn’t take orders from him only for Mulder to say “Who do you take orders from?”, ugh.

GUYS, THIS WAS RESOLVED IN SEASON. 2. BECAUSE MULDER KNEW MEN WERE BEHIND THE CONSPIRACY SINCE SEASON 1, EPISODE 2; AND SKINNER SINCE SEASON 2, EPISODE ASCENSION.

BECAUSE SKINNER’S ALREADY HAD HIS LOYALTY TESTED AND THIS IS HURTING MY BRAIN MAKE IT END.

I’m not even 25 minutes into this, help. 

“Why do you think I called you? Because I was looking out for you, because I’ve always looked out for you.” Is… is Skinner the only character who’s progressed? That’s exactly what he would do-- he’s acting sensibly, rationally, and in-character... and more mature, more veteran, than his agents.

I know the Revival is supposed to be “Mulder and Scully all grown-up” but none of their actions have been intelligent, measured, or informed by their age or life experience. It’s a farce that I hope future episodes will rectify. 

“A decade of my life--” Mulder rants and kicks his poster like a toddler AND YOU KNEW ALL THIS INFORMATION FROM SEASON 1, MULDER. NONE OF THIS IS NEW. WWWWWWWWWWWWWWHAT IS THIS. 

I can’t imagine how disappointed philes were when they tuned into this episode. Well... I can because of how I feel; but at least I knew, roughly, how bad it would be going in. 

This is worse. 

Skinner: “You’re blaming me for that?”

Mulder: “No, I’m blaming myself. I’m sure they lied to you, too.” 

This isn’t a revelation, chump. 

At least Skinner confirms my theory: “There hasn’t been a day since you’ve left that I haven’t reached for my phone to call you, Mulder, wishing you were still down here.” 

Feral Mulder is touched. 

“Since 9/11--” OH NO, WHY ARE WE GOING THERE “--this country’s taken a big turn and in a very strange direction.”

Guys. Guys. This isn’t… this… what. 

“Now they police us, spy on us, and tell us that makes it safer--” CAN THE WRITERS GET OFF A SOAP BOX FOR FIVE SECONDS. Of course it isn’t safer to be unnecessarily policed or spied on, but the answer isn't just "boo, the government!" What… why… my brain’s melting, I feel it deteriorating. 

This, again, feels so Bush-era. Like, whoever wrote this didn’t update their mentality. 

Also, the camera shots and cuts are weird. Holding too long, zooming out at “pause and take THAT in” moments, focusing on Mulder’s phone while he silently calls up Skinner to prove a point… it’s supremely unsubtle.

Back to Tad, I don’t care. You did this to yourself, Scully, cozying up only to be used as a name drop on his show. Stupid. 

Is Scully gonna be shocked she has alien DNA? She shouldn’t be. 

But then again, Mulder shouldn’t be shocked this has all been a work of men, so. 

She’s expecting-- no, hoping-- for a call from somebody named Mulder. 

Sure, they’re broken up with hard feelings. Sure. Absolutely. 

Is this old man Not-Obiwan Kenobi?  

Of course.

At least Mulder seems old hat at this informant business. 

But of course, he’s “not even close” to putting it all together. 

Stupid. 

WAIT.

The countdown was WRONG-- Mulder states it began, not ended in 2012, meaning he's believed this theory for some time. Meaning... why was he so depressed after 2012? Why are there still depression concerns in 2015?? Seriously, what's with his depression if the 2012 Colonization was allegedly the cause of it but there is no Colonization and the clock's simply been reset????

WHY WAS HE DEPRESSED IF HE RECONFIGURED THE COUNTDOWN. WHAT.

Mulder: "Not by aliens, not with aliens, but by a conspiracy of men--"

“You’re wasting my time.” Tell him, old man Not-Obiwan Kenobi!

“Ten years ago, you came to me--”

Wait, ten years ago? What, 2005? The guy showed up while Mulder was on the run? And Scully never… knew about this?

There were no aliens lighting each other on fire??????????????????? WAIT, I NEVER HEARD THIS INFORMATION. 

THERE WERE NEVER ALIENS, AT ALL???????????????????? Like, AT ALL????? 

The writers are saying that Scully's experience on Ruskin Dam in Season 5 was not two warring alien factions BUT TWO GROUPS OF MEN LIGHTING EACH OTHER ON FIRE, OR GIVING EVERYONE FALSE MEMORIES OF ALIENS LIGHTING EACH OTHER ON FIRE, OR...??????

hONESTLY. 

Let's be real specific for a second: Chris Carter expects us to believe that the ENTIRE mytharc from the original show was ALL faked; that there were no aliens, ZERO, ZILCH; and that CSM and Deep Throat and all the others created elaborate schemes JUST to manipulate MULDER because the aliens weren't a threat from the start????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? DON’T BELIEVE YOUR LYING EYES. THEY WERE ALL MEN IN SUITS.

Like… do you realize how stupid that is? How actually, unfathomably stupid that is? It’s not just “the aliens didn’t invade because of global warming,” no, it’s “they were never a problem to begin with, we just manipulated Mulder into believing they were because… because he’s so important, I GUESS.”

Roswell’s also a smokescreen, of course. 

Y’know how, during the 90s, DD thought The X-Files was a stupid sci-fi show? If he thought each mytharc plot was as bad as this one, no wonder he wanted to bail. 

Oh, by the way, the global warming explanation is part of a theory: the fascist elites will dominate the world and escape from consequences into space, leading the rest of humanity to die by a globally warmed planet. The aliens weren't chased off by global warming because they were never a factor to begin with.

Wow.

I CAUGHT A CONTINUITY ERROR!

Scully shows up at his place in her uniform from yesterday, panicked, like she’d just run from Tad’s side to see what happened despite her saying over a day has passed.

Going to ignore his “What are you doing here, Scully?” because we’ve ping-ponged back to the out-of-character Mulder that the writers use when it’s time to remind everyone he and Scully are broken up. 

It’s IWTB all over again, I’m so tired. 

They’re talking past each other and he’s touching her shoulders now because he needs her to trust him and yadda yadda yadda. 

It’s soooo, sooooo, soooooooooooooooooooooooooooooooooooooooooo highschool, I’m sorry. This is Riverdale. This is [insert whatever teen series you want to watch.] These are teenagers masquerading as adults, for the angst.

None of this holds up, their emotions shift left and right without provocation, things just happen, and there is no strand of continuity stringing anything together.

Scully trying to talk Mulder down from further pursuit doesn’t make sense because, AGAIN, she’s the one who's always gone back to the files even when he walks away; and every time he’s given up, or wanted to, SHE'S called him back and held him accountable and kept him going. 

This is the Scully from IWTB with no gumption of her own, who denies her leaps forward because of plot, plot, plot. 

Guys, I’ve been religiously dosing myself with caffeine (via chocolate), but my body keeps trying to make me go to sleep because it’s so uninvested. I don't even need sleep.

“This is my life, this is, this is everything I believe in--” HOW. MANY. TIMES. Has he said this before. WHEN HAS THAT LINE EVER WORKED ON SCULLY.

But that's beside the point: "this" was no longer his life after Amor Fati, by his own choice. Closure brought him closure, but he was already spittin' walk-away talk by Requiem, chose to leave in Vienen, and insisted Scully stay gone in Alone. In Season 9, it was Scully who had to beg him into hiding to pursue the Truth or whatever; and it was Scully who brought him the case in IWTB and Scully who relayed Skinner's request and tagged along both times until she got uncomfy and decided never mind, too hard.

Y’know? This claim gets to me because it’s a lie. A lie so blatant that 90s Mulder would have thrown hands over it, a lie so baseless that it erases his declaration in the hallway:

“I don’t know if I want to do this alone. I don’t even know if I can.” And every time Mulder yells his “THIS IS MY LIFE”, he erases that part of his past, the part that willingly left the files or the big Truth or the next chase to save Scully’s life or to keep her by his side. 

Chris Carter said Mulder and Scully were The X-Files post The Truth… but I guess he keeps conveniently forgetting that. More accurately, he keeps making MULDER forget that, in spite of all evidence in Mulder’s history and personality to the contrary. 

It infuriates me. 

“Tad O’Malley is a charming man--” get outta here. 

Now Scully’s been played the fool so she’s going to think Mulder’s being toyed around with by a social media sociopath. You’re an idiot, Scully. 

You’re an idiot, Mulder. 

You expect us to be idiots, writers. 

Here’s some ham-fisted “Fate” dialogue for you, *ahem*:

Scully: “How do you know he’s not playing you, he’s a player!” (You would know, Scully.) 

Mulder: “He’s a Godsend!”

Mulder’s not a believer in God, BUT this is also supposed to refer to the God conversation Scully and Tad had in the hospital, which will inadvertently make Scully ~believe~ again.

“What are you talking about?” I’m with ya there, Scully. I’m with ya, there. 

Scully’s trying to insist Mulder's on a verge of a breakdown, which… UGH. 

This scene implies Mulder hasn’t had a breakdown or a break from reality YET-- Scully spends the episode constantly concerned for his health and begging him, here, to watch what where he's stepping because he’s on the verge of spiraling. 

Which means he hasn't spiraled, because she's afraid of what would happen to him IF he did.

MEANING that there wasn’t an inciting factor that made her leave: no alcoholism, no outbursts, no nothing. He just became depressed, probably withdrawn, and wouldn’t change; so, she left. 

Do you realize what that means, per this episode? It means Scully ANTICIPATED a breakdown and left BEFORE it happened. Then hoped he’d get better before it did. 

Which breaks the established morals of her character. If she had been able to help, she would have stayed. If she hadn’t been able to help, she would have found another way to help him, even if it involved calling in a third party against his will. Instead, she withdrew and hoped he would get better BEFORE he reached a breaking point-- essentially, leaving him to an impending breakdown while hoping and praying against it.

This makes her decision to leave a mark of weak character-- not because she was a woman who left her depressed husband, but because Dana Scully, whose character we amply know, left. It checks none of the boxes she'd have to clear first before choosing to take one step out the door.

All the fic I’ve read to justify their breakup-- and make no mistake, CC wrote her to say “as your friend” intentionally--  or time apart or whathaveyou had Scully reach a breaking point. Because, of course! That's logical. But here, in canon-- in black and white-- that didn’t happen. 

We, the audience, have to create a plausible scenario in our minds to justify the steps she took. Because. it. Is. not. In. canon (as per this episode.) 

Now Scully’s gonna get jealous of Sveta, I’m so done. Riverdale, uuuuuuuuugh. 

Mulder just lets Scully walk away because Scully thinks he wants Sveta but “Sveta is the key to everything” and if Scully wants to misunderstand that she should have more trust in him, I guess, and I NEED A RESPIRATOR.

He just says “Scully” once  and lets her huff off.  

TAD’S BACK, GO AWAY. 

WAIT, TAD STOPS HER BEFORE SHE LEAVES. 

Mulder: “I would have invited you, Scully, but I didn’t think you would come.” 

That’s…

That’s….

Let’s break down this stupidity: 

Scully shows up. 

Mulder had Sveta in the house because he was calling her and O'Malley for a group meeting. 

When Scully becomes nearly hysterical over his safety, he doesn’t reason with her, just spouts like a lunatic. 

When she misreads the Sveta situation and stomps off, he lets her go with a weak, “Scully"--

--because he knew Tad was right behind her and was pulling in to stop her from leaving. 

Because Tad and Sveta were invited but Scully was not. 

And Scully was not invited because.  

Because she might not show up. 

I’m just preaching to the choir at this point, continuing on. 

Scully gave in, just like that. Guess she’s not leaving, anymore. 

She’s so, so… spineless. Has been since Season 9, has been a BIT since Season 8 (though that was at least justified and kept to a bare minimum.) 

I’m just. So sick of passive Scully. 

I HATE THOSE STINGER NOISES NOW. 

It’s always, “You can't let this information out because these men work in secrecy”/”What is it?”/”You’ll see”; then stinger; then we, the audience, are immediately shown what it is.

No suspenseful build-up.

Tad: “Then why are you [Scully] here?”/”Scully: “Mulder, what are you up to?”/Mulder: *knowing look*/stinger/next scene.

KNOCK IT OFF ALREADY.

“Implanting of alien embryos”-- so Sveta’s babies weren’t her babies. 

So Scully’s baby wasn’t her baby. 

But Emily was her baby but William isn’t. 

Sure, Jan. 

In spite of this information, the Revival will paint William as their son until it doesn’t; despite, again, stating from day one that the alien babies are implanted embryos and not biological babies.

So, these two boneheads should have suspected that William wasn’t theirs, anyway. 

Even though William is theirs because the CSM timeline doesn’t add up, which they would have mathed in their heads by the time little William was snuggled in their arms. 

It’s all so stupid. 

Why does this feel so fearmongery about the government? And I’m not going to sit here and say the government should be trusted-- it has a VERY bad history, I'm aware. But this is “my first conspiracy” level of worldbuilding.  

Did the writers think it was clever to set O’Malley up as a bad actor then reveal he was a good actor, modeling him after the notorious Alex Jones only to point and jeer, “HAH, you assumed! He’s actually on Mulder’s side!” 

Because that’s not genius, that’s laziness. 

Scully only now decides to inform everyone Sveta has no evidence of alien DNA? So, what, she was never going to tell them unless Mulder kept being, what, crazy? 

“They got to her,” says Mulder about Sveta, but Scully LITERALLY SAID she had no alien DNA, so what was Sveta supposed to believe???????? That Tad O'Malley wasn't using her for as a hoax???

Mulder ran all the way to her house, or ubered then ran, or whatever… and she’s gone, of course. 

Poor Sveta. 

Tad O’Malley’s Truth Site is gone, oh, noooooo. 

Look, I’ll always be against censorship. But this is sending so many odd and mixed signals that it’s creating craaaaaaaaaaaaazy levels of dissonance. 

Mulder wrote “Don’t Give Up” in Scully's car dust…. 

Riverdale. 

Mulder presents the global warming = no aliens theory? 

I’m so tired. 

WAIT, SCULLY BELIEVES MULDER'S THEORY NOW THAT HER BOY TAD’S BEEN PULLED OFF THE NETWORK. 

“We need to find her [Sveta], Mulder,” Scully insists. 

Hold on, prediction time: Scully only changed her mind because this case now involves her-- i.e. only extending empathy to Christian (a boy that reminded her of William) and not to the string of missing, possibly murdered, women in IWTB.

OF COURSE. Her results for Sveta ended up being wrong AND HER OWN GENOME HAS ALIEN DNA IN IT, TOO. 

You selfish, self-centered clone of Dana Scully. 

Scully truly hasn’t recovered since… Season 9, let’s be real, where she told Mulder to leave then spent the whole year crying over his absence. In IWTB, she brought Mulder a case then left him when he wouldn’t stop his pursuit (to SAVE. LIVES.) And in the Revival, she called Mulder and the gang crazy until her own genome showed alien DNA. 

Hate this, hate this, HATE this. 

Also, yeah, she already knew she had alien DNA in the OG series, moving on.

Oh, and now they get a call from Skinner just when Scully says someone has to stop the bad guys. 

OF COURSE. 

Remember the God convo from earlier, guys???? GOD. FATE. SOMETHINGSOMETHINGSOMETHING. 

You had ONE good idea to explore-- how Scully views God vs. the aberrations of biology-- and then just... used it as a convenient club to beat in the “God/Fate means for us to do this” instead. 

“Scully, are you ready for this?”

“I don’t know there’s a choice.” 

Can’t someone PLEASE just explore her faith with nuance? PLEASE? 

Sveta's DEAD???????? I’M SO MAD, I liked her!

YOU FAILED HER, SCULLY. 

YOU FAILED MULDER, SCULLY. 

WHY DOES SCULLY HAVE TO KEEP FAILING PEOPLE???????????? 

Skipping the CSM scene because I don’t care, the END. 

CONCLUSION

How does Scully’s mischaracterization keep reaching new lows? 

How does Mulder become less wise with age? 

How is Skinner the only mentally mature character here?

I’m so tired.

[mayabruhbruh]

What do you think of the possibility of Will and Chance happening? I feel like it would be really poor writing tbh but I feel like they will give Will a different love interest because they’ll try to make all of the audience „happy“ But that would just truly not align with the writing so far I feel like.

Love your analyses btw<3

THANK YOUU! That's so kind :) And great ask! This is definitely a topic that the ST fandom needs to discuss.

The default question when people have little to no hope in Byler is, well, who the hell is Will going to end up with? Because it’s become increasingly evident that they’re trying to set him up for a romance. The “im not gonna fall in love”, the “it’s not my fault you don’t like girls”, even the gif shown above. It all can be interpreted to mean that Will is going to find his person soon.

So... to be completely honest, I had no idea who Chance was until this ask popped up and I had to look him up💀. It’s been a while since I’ve been on here, so I’m a little rusty on the deep lore lmao. So, in the off chance that others might also be confused, here’s a (rare) gif of him I found.

I think that’s him with the Hawkins cap on the right. Correct me if I’m wrong.

I’m not sure where the rumors that this guy was going to become a bigger part of the show came from, but that seems highly unlikely to me. I feel like they would have either hinted at it in the fourth season (like how they’re giving Patrick here quite a sizeable role so that he’ll be memorable to us later when he gets vecnafied) or they would have announced him as a more prominent character already like how they did for s5 with Holly, that one new kid character, and also how they did Amybeth for s4. Idk, maybe it’s unreasonable to think they would have to do that, but it feels quite too out-of-the-blue. Especially for a character that would take on the role of becoming our central character’s love interest, which is a BIG DEAL. Especially if it’s queer lol.

Secondly, I firmly believe that it would be a disservice to Will’s own desires to meet someone new.

Will said this explicitly in the van scene, and as of now, we’re still under the impression that Mike is his person. Forget about Mike’s issues and feelings for a second, and think about what Will is saying here. He feels like a mistake for being different, but Mike makes him feel like he’s not a mistake at all, that he’s better for being different. Mike gives him courage to fight on. Fuck. Tbh, it makes me wonder how long he’d felt this way. As a byler, you might be inclined to think his feelings have been on for forever, but narratively, he could have easily just realized his own feelings very recently, most likely sometime between season 3 and 4. It doesn’t mean the feelings weren’t there before, but realistically neither Will nor the general audience were aware of it before now.

Moving on.

Has anyone heard of the rule of Chekhov’s gun? It’s an incredibly clever and widely-used tool in screenwriting and storytelling in general that helps to clue the watchers in for what’s to come next.

Think of Lucas’ wrist rocket in season 1. When they introduced it as a flimsy-looking, no-good weapon that he’d put too much pride in at first, it gives us a good laugh and we move on. But really, it very meticulously set us up to subconsciously anticipate to see it again later. That’s what Chekhov’s gun is all about. Set-ups, foreshadowing, hidden treasures.

Another great example would be the painting reveal of s4. Obviously, after finding out that Will was painting something, bylers immediately figured it was for Mike and BEGGED and HOPED and PLEADED that we’d be able to finally see it, but to the general audience it was just another something that they’d have to pick apart and realize was actually of importance as the season progressed. (It’s also a good way of showing that the writers are fully capable of engrossing the entire fan base and general audience in his and Mike’s story. Just knowing Will had painted something and that it was for Mike created this sense of PLEASE TELL ME WHAT IT IS AND WJATS GOING ON and whatnot that watchers are simply so susceptible to it’s insane.)

Okay, back to the van scene. Will’s confession.

Now, I’m not saying that the writers intentionally used this foreshadowing tool for us to find and understand immediately. There are plenty, plenty of instances where writers use Chekhov’s gun principle and it flies over peoples heads purposefully. What I’m trying to say is that, thematically and narratively, they would never have introduced Wills feelings for Mike if not for it to have importance to the story, or for nothing to happen with it at all. It’s a set up. And a maddeningly good one, at that. Because queer stories already do tend to fly over people’s heads, and also because there’s the added drama between Mike and Eleven that makes it seem quite impossible for any of these feelings to be addressed in the midst of such emotional chaos. But whatever. I think I’m rambling.

Basically, whether they end up together or not, whether Mike reciprocates these feelings, Will is forever established to be in love with Mike. The confession was simply too grand and emotional and earnest for him to just switch up abruptly next season when he meets someone new that he might have a better chance with. Even if there were to be a whole new arc for him where he learns to let go of Mike or something crappy like that, it would be terrible writing on their end and poor use of a well-set-up Chekhov’s gun reference. It would be like introducing the gun in the display case in scene one, then two scenes later just tucking it away into a storage closet for the remainder of the story. Like… what?

And plus, it’s HIGHLY unlikely that Will would end up with that sort of storyline next season when he’s literally WITH Mike for presumably a majority of the time (based on the set pics so far).

So that’s my debunking of the Chance rumors :) and I didn’t even get to mention how incompatible they’d be just naturally as characters. Chance, a Jason-following jock that hates Dungeons and Dragons, fantasy and nerdy things, and willingly assisted in beating up the Hellfire Club when they were trying to find Eddie. What about that at all screams Will’s type? And if you’re thinking “unconventional couple enemies to lovers”, just don’t. This isn’t a rom-com, especially for a queer plot line lol. I think it’s safe to say there’s no “chance”😉 that they will ever happen. And either way, it’d be a bummer if they did. Cus it would just be Will defeatedly settling for someone that isn’t Mike.

UGH! It makes me sad that the one thing that is firmly being teased by the writers (Will’s love playing a major role in the plot to come) is constantly being questioned and framed as different questions. “Will Mike reciprocate?” “Does this mean Mike and Eleven break up?” “Who will end up with who?” SHHH Frankly, to me this is already a win. It’s become obvious that Will having feelings for him will come up again soon, and the rest of the evidence that accounts for Mike’s end already speaks for itself, so I prefer to just sit back and watch it all unfold.

Again, thanks so much for the ask!! This was so fun to dissect and feel free to keep sending questions into my inbox. It might take me a second to post my response but I’m determined to get through all of them. Love you guys!! <3

[tarotphlow]

Astro observations 6

🃏Libra Mercuries are easy to pinpoint in conversation because they usually reply with phrases like: that’s fair, that makes sense, understandable,

🃏 Jupiter in cancer is weird, cause like it’s exalted and everything, but the most exalted thing about them is an obsession with religion/ spirituality.

🃏 I feel like Saturn in Gemini get annoyed really easily with their father not understanding things if that makes sense.

🃏 if your Neptune is in retrograde you may be less likely to have an addictive personality

🃏 I’m once again, here to talk about Pluto in the 12H. 12H is such an interesting house it just somehow seems to embody everything else in the other houses somewhat. Anyways though, I’m beginning to realize this placement is a master at manifesting things, understanding the manifestation process is… well a process, but once they fully understand it’s intricacies it becomes sooooo incredibly easy for them, they may have manifested stuff without realizing it!

🃏 Jupiter in the 7H natives can manifest the properties of the placement in a couple of ways, Lots and Lots and LOTS of relationships (this placement can be an indicator of a playa highkey highkey 🤭) or being with people on the ✨bigger ✨end orrrr marrying into wealth! Yet again, it could also be a mix of the three.

🃏 Having Mercury at 6° in a natal chart can indicate a speech issue like stuttering or so.

🃏 Sun sextile Pluto can mean that your an old soul, or you’ve lived a different life before!!

🃏lastly, if the audience has noticed I’ve been studying degrees recently in my free time, I’ve been looking at a specific degree recently that has caught my attention, and that’s the 2°. The zodiac sign Taurus rules that degree and it’s such a powerful degree to have in your chart, if you have it, consider yourself blessed and lucky!🍀☺️. The 2° can show that you have near perfect or have perfected whatever placement the degree is in in your lifetime, I’ll give an example. A good friend of mine has neptune in 2°. Seeing as this degree is a sign of perfection this kid has like super omega awesome intuition, there’s a story of them talking with one of their friends about a boyfriend, the 2° native had noticed something was fishy about said boyfriend and tried to talk thier friend out of the relationship. The 2° native told their friend about how the relationship was going to go down why it was gonna go down and what time it was going to happen. Every single thing that kid said was gonna happened, happened. Down to the MINUTE. It’s insane right? It’s always so fascinating to see things like this play out in astrological terms!!! I’ve heard that placements that aren’t planets like AC, DC, IC tend to achieve great things in their lifetime so that’s also an added reason as to why this degree is so cool! I myslef have my Cap ascendant at 2° and my cancer descendant at 2° so ig something big or great is supposed to happen to me??

end of observations! I hope y’all enjoyed this one! I apologize about my inactivity recently, I’ve been like, going through it lol, life is kinda hitting hard rn so I’ve kinda gone into hermit mode a bit (guess what placement makes me like that lololol) but I’m still very happy that people appreciate these observations 🖤🖤🖤 likes and reposts are appreciated!!

Also… I have some news coming in during the next year! Stay tuned!!!

Oh also also! I now understand how replying to reblogs work now. Kinda embarrassed I didn’t realize it sooner but yea.

[demon-appreciation]

Hey folks! I dont post on my art blog anymore, and I have a bigger audience here now. Would you guys be opposed to me posting my own demons on this blog too? (If I even get around to it, I never finish art anymore...I just sketch lol)

[flightyalrighty]

(sorry if you've gotten this before or if this is not the right kind of question for the blog)

Do you have any advice on HOW to make a comic series? From what I've seen your work is fantastic, well made and written! (Cool concepts, story, and character dynamics etc)

How did you start? How DO you start?? How do you comic lol

I'm glad you enjoy my work! I'll do my best to answer this question!

I could give the ol' "Just jump in! Get started!" But I don't think that's the answer you're looking for, here. Even if it's technically the correct one.

"How do you make a comic series" Is one of those questions where the answer is kinda difficult to summarize in a single ask, because there's a whole lot that goes into it, y'know? I'll give you a brief run-down of my process.

I figure an idea for a story. In the case of Infested, the whole story was written before I even got started on the script. This is an outlier in my usual process and I don't normally do this and definitely don't recommend it.

Figure the plot like how you would figure a regular story's plot; The beats you wanna hit, the way the characters develop, the beginning, the middle, the end. What's the point of the story? What, exactly, are you trying to convey here? Who's the target audience? All that stuff ought to be figured out before even picking up a [MEDIUM OF ARTIST'S CHOICE].

Script the story. If you've seen a movie script, these things look a bit like that. You wanna not skip this step because this is where you determine the visual language of each page. Comic script writing is a whole thing and a half but I do have some random tips regarding it. -> When writing the beginning of a new scene, write down the time of day, the weather, and any important details about your setting (this is most important if you're working in a team). -> Using storyboard/film language when trying to figure out a scene is very helpful. You're not gonna remember exactly how that scene looked in your head when you finally get around to penciling it. Trust me. Write it down. Or thumbnail it! Thumbnails are also very helpful! -> Remember that you have very limited space for dialogue. Write with that in mind.

Figure the paneling on a page. I work at 11x17 and do my panel layouts based on those dimensions. I tend to make more important panels, or panels with PUNCH or SHOCK bigger than the others. Each panel is an individual illustration, but together they make a whole piece. You gotta treat it like that, y'know? Find the focal point on a page, find the most important element of it, and make that your focal point. Don't be afraid to get a lil wacky with panel shapes, either. They don't HAVE to be squares and rectangles. Check out what other cartoonists do! Get inspired! Paneling is an art-form within itself!

Page from "Hanna Is Not A Boy's Name" By Tess Stone

5. Penciling time! Get the perspective figured out, then draw the background, then draw the characters. Do it in that order. Trust me. With a background already set up, characters can be drawn more like they exist within that space, instead of floating in front of it. Also? Be aware that comic artists need to be ready to draw ANYTHING. You may have a great idea that you GOTTA put out into the world, but you have no idea how to draw, say, a car. Or debris. Or jungle foliage. There's no shame in using references, tutorials, or even doing a bit of tracing if something's outside your wheelhouse. Here's a bazillion tutorials from two guys who REALLY know their stuff.

6. Speech Balloons! Yes, really. In fact, you may want to do this and penciling at the same time. I certainly do. It's better to figure this out immediately so it doesn't hurt you later when it comes to getting your balloons to share a space with your art. Here's some great advice on the whole subject from a master of the craft

7. Inks! Line weight variation is key. Closer to the "camera" means thicker lines. If a part of a character is in shadow, that part is gonna get thicker lines, too. Personally, I make my background line art thinner than character line art. It helps the characters pop out!

8. Flats! Or flat colors if you wanna get specific about terminology. It's exactly what it sounds like -- Coloring the characters and backgrounds with the bare bones basic colors. I highly recommend keeping the character flats and bg flats on separate layers if you're working digitally.

9. Rendering! There's no hard and fast rule as to how a cartoonist ought to render their comic -- If they want to do that at all, even. Go with what you believe looks good AND is something you can do quickly. The "quickly" part is important. Heed my warning. Don't be like me.

And then I'd schedule the comic to be uploaded on whatever day suits me -- Thursday (usually) in Infested's case.

Of course, I kinda suck at relaying my process, so the final thing I can do for you is direct you to an extremely helpful book that really breaks it down in a way that may click with you as it did with me.

I hope this was in any way helpful to you!

[ragnarokhound]

hi honey bunches. do you want to drive up to the lake for the weekend? I’ll grill us some fish

anyways. Obsessed with how Werewolf Jason would absolutely know Tim had the hots for him (bc sniff sniff you smell DIFFERENT Tim) BUT Tim would think he’s being oh so sneaky by not blushing or whatever. Tim is convinced Jason has a secret (and he has it figured out, Jason is a werewolf) but does not realize the actual secret is that Jason wants to have dirty dirty werewolf sex wit him.

hey sugar pie. i would love nothing more uwu i'll bring the cooler and the camping chairs, lmk if i forgot anything before we go, okay? if you still want to go that is - I know it's been ages since you asked :')

We are once again on the same wavelength here lol one of my favorite varieties of miscommunication/misunderstanding is when a character has TWO secrets actually, and the big secret that character A uncovers about character B IS in fact, the objectively bigger secret. And yet.

In a typical played straight scenario ala any high school supernatural romcom, this would play out like:

Tim, alone with Jason during the full moon: i know your secret Jason. Jason, trying to hide his werewolf transformation: o-oh? What makes you say I have a secret, Tim? Tim in his cheerleader fit, oblivious to the sharp teeth Jason suddenly has: you LIKE me, don't you! Admit it! Jason, hiding behind his stereotypical high schooler letterman jacket so Tim doesn't see his sudden muttonchops: hahAHA - ohhh, you got me! What, uh, what gave it away? (CUE AUDIENCE LAUGH TRACK)

Which is fine! Love a good old and highly dramatic 'you don't know i'm a mOnStEr because you're hung up on something as banal as normal high school things like who like-likes who, but my secret is so much worse than that...' It's very fun. Heehee. Hoohoo.

But I much prefer it played this way - secret number one: Jason is a werewolf, and no one is supposed to know. However comma, his second BIGGER secret: the massive crush on Tim Drake that he's been ignoring. Poorly. No one can know. It would be devastating. DEVASTATING.

And Tim, of course, is highly suspicious of Jason because of how obviously guilty he acts around Tim, and because Jason is so consumed with 'i cant let him know that i have a massive crush on him' he isn't paying as much attention to keeping his werewolfism under wraps lmao. So Tim, smelling a secret, correctly assesses that Jason has been hiding that he's a werewolf. But when Tim finally confronts him about it -

Jason: oh, that Tim: ?? what do you mean ""Oh That,"" exCUSE me, what did you THINK i was suspicious of Jason, desperate to change the subject: Nothing Don't Worry About It, Hey Why Do You Smell So Weird Suddenly Tim, who had been hiding his own crush on Jason pretty well he thought: What Are You Talking About I Don't Smell Like Anything Shut Up Jason, leaning closer with Intent: now that i think about it, why have you been wearing so many smelly colognes lately? You got something you been trying to hide from my keen werewolf senses, Red-- (Note: I am imagining this taking place in a tight space like a broom closet or whatever that they got shoved into to hide, and everything boils over in deliciously tropey fashion. Feel free to imagine what comes next uwu)

I love subverting tropes, and I love that tongue-in-cheek play of 'yeah, yeah secret werewolf we've all seen it - how about those interpersonal relationships tho?? spill the tea queen 👀🍷' because I love when something that seems like it ought to be huge or life-changing isn't nearly as important or dire to a character as whether their feelings are requited. At this point for Jason, being a werewolf is Tuesday. It's his crush on Tim Drake and what he feels for him that's anything but ordinary uwu

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/753405110589259776/note-spoilers-on-this-ask-for-anyone-who-hasnt

I’m this anon, and using your anon box to reply to a bad take in the reblogs of it lol.

1. aO3 treats the show and book series as separate fandoms for Bridgerton. My friend’s genderbend fic though is based on the books — thought I made that clear here. And yes book fans were being genuinely homophobic in her comments, not just her interpreting them not shipping it as “homophobia.” It was full of “get out of OUR tag” and claiming just writing a female character in a male version or shipping her male love interest with a guy was “misogyny,” exactly as I said. It’s a huge problem in the fandom. The main Reddit sub is so full of homophobia that queer fans had to spin out a separate inclusive sub called r/bridgertonlgbt. I’ve heard of people on TikTok being called “bourgeois degenerate” and “groomer” just for questioning why it’s supposedly such a dramatic and horrible change to make Michael into Michaela in the show.

2. Can we finally fucking retire the really tired, knee jerk “book is always better” attitude that has never been universally true anyway lol. The books Bridgerton are based on are pretty middling het histrom that repeat plots so much between them that that’s one of the big changes the show has had to make — just not have seasons 1 and 2 follow the same plot beats like books 1 and 2 did. The show has had to make a lot of changes just because it has a bigger audience than your average het histrom reader and while I haven’t loved every shift, it is overall better for it. Or just like, focusing on more than just each season’s main couple like the books only do — also better! The subplots are some of the most fun parts of that show, but also, it makes sense that people are going to continue to want to follow their favs from season to season and not just zero in on each couple. Yes I’ve read all the books. They simply are just not that great, TV is a different medium than books anyway and so certain changes are necessary, and frankly most of the loudest parts of the “book fandom” online who complain about the changes are people who read the books because of the show anyway. They’re all wildly inconsistent in what they consider acceptable changes: they’re largely on board with making the universally white books more racially diverse, but not adding queerness and gender diversity. Why is one ok but not another? Especially when a lot of them are ok with sad or bittersweet queer stories in subplots like Brimsley’s but not happy stories for main characters. Why is that, I wonder? A lot of people are pretending to be “book snobs” as a mask for bigotry, or just have bad taste, but regardless I think we need to get over the idea that stalwart defense of some mediocre and overly tropey romance novels is more elevated or intellectual and like the show isn’t an improvement in being less lazy about the cliches of that genre than the original author. (Seriously, I read a lot of romance novels, so this is not a knock on the genre as a whole or its readers — but the Bridgerton books are SO lazy and SO repetitive. Honestly I think a lot of the book defenders need to read more histrom themselves. Then maybe they’d see how weak and lazy those books can be compared to what else is out there.)

Fandom please learn basic things about how adaptation between different mediums works 2k24 also stop assuming that consuming a story in text form over another is an inherently intellectual activity

--

A pretentious friend of mine who loves Shonda Rhimes was going on at me a while ago about how she ~always reads the book first~ and then waiting for applause as if that's unusual!

She then tried to launch into how shocked she was by the books being... well, lowbrow trash, but she had some complex and boring way of explaining this.

I was like "Honey, you do know what a regency romance novel is, right? Right?!"

I mean, there are adaptations that are nearly exactly like the middle tier of romance novels. They're movie length and they air on Lifetime. This was a change not only of medium but of overall target audience and vibe.

[hollowtones]

opinions on yoshis story? imo that game doesnt deserve to have music that good

I haven't played very much of it and I've been meaning to do something about that forever. I've played some of it and I've watched others go through most of it.

I know I've seen a little bit of modern grumbling (I don't know if this was a point of contention when the game came out because I was three at the time. OK I looked up some reviews from the era and it looks like it was also a thing people were mad about back then. LOL) over the fact that the game isn't more like "Yoshi's Island" & that it feels like it's aimed more at younger audiences. I dunno. I've never been bothered much by games with some tie to one another doing something different. (Some of the response reminds me of Transformers fans being upset over Hasbro making toys and shows for very young children sometimes; admittedly maybe I'm off the mark here.)

It's a very easy game if you want it to be. You can just eat any fruits you want forever and it's over in a blink. And it's fine. It's fine if the video game lets you beat it very fast if you want to. You can also try to collect only one single kind of fruit in a level and that makes things take longer and makes them feel like more of a scavenger hunt (especially if you're trying to get all the melons). I think that's neat. There's sort of an interesting design trajectory from "Super Mario World" to "Yoshi's Island" where the levels become a little longer, a little more meandering, a little more exploratory, sometimes (not always, and not massively, but it's still there) a little less linear. No time limit. Going for collectibles instead; making every level about getting a score of 100 (if you want to). You can see that iterated on in "Yoshi's Story"! No singular end point of the level. Bigger rooms to explore (while still keeping levels relatively short). More of a focus on puzzle solving and exploration. Collectibles simplified to one meter that you fill up, but there are multiple things that can fill it & you get rewarded for only collecting one kind. (And also the hearts that let you pick what level you go to next. There's a lot of "opening up more of the game for yourself if you want to go out and look for it" here. Are there other collectibles, actually? I don't really remember...) Secret fruits that give even more points. It makes the levels feel more like puzzle box toys that you roam around in. It's neat that they designed that for younger kids and it's neat that you can make it more difficult if that sounds fun to you. (I would have to play more of it myself to decide if going for all melons is fun for me specifically. But I like it on paper, y'know?)

The pop-up storybook theming is cute and the visual aesthetic of the game overall works really well. It feels like arts & crafts dioramas made by kids (or with kids) so they could play pretend with their toys while reading a storybook. It's got very strong toy feel overall. The music is really fun!!! It does the dynamic soundtrack thing where some parts of the track change depending on your health!!! I'm always clapping my hands like a seal with a game's music changes depending what I'm doing!!! Maybe it's a little silly of me to say this, given that it's a sentiment I've had in the past, but nowadays I scratch my head a bit at "the music in this has no right to go this hard" type comments. It goes hard because the musicians got hired to make it like that. (I'm imagining a guy who thinks the "Yoshi's Story" music is the hardest music ever created and I'm smiling serenely about it. I hope he's real & I hope he's out there somewhere.) I'm glad they let Totaka do something that feels at least a little experimental for the goofy Yoshi babies storybook super happy yay & jumping throwing game soundtrack. It's a fun contrast, isn't it? It feels very of-the-era in a way I'm having trouble externalizing outside of "well it's a little weird and multi-genre". It's neat that they all have a shared melody that they draw on.

Thanks for reading my short essay on a childrens' video game I haven't played a lot of yet. I need to go take a shower now.