#and I dont use A I or any of that generative things for any of my pictures

[drchucktingle]

three point tether

the reason art with ai at the creative helm will never get traction in any long term or meaningful trot is because art is more than what is in the text of the book, or notes of the song, or runtime of the movie. art is whats OUTSIDE of the medium, a performance piece between creator and experiencer

i say this all the time and i think most buckaroos think im off in the clouds as eccentric ART WEIRDO (theyre NOT WRONG) but in a practical BUSINESS sense what i am saying is true. folks want to pretend art is in some lab where art and artist and viewer are separate things. but they never will be

art exists outside of a vacuum. it is not static. it grows and lives and evolves based on culture its in and who is experiencing it. whether you know it or not, what you LIKE or DISLIKE has just as much to do with the story AROUND the art than the art itself.

you carry what you know about me to my tinglers, you carry what you know about the beatles to the beatles, you even carry what you DONT KNOW to artists and THAT changes your experience. the STORY outside of the art is unavoidable because the lack of a story is still a story

so what does this have to do with ai art? my point is, the STORY of ai generated art is potentially interesting when it FIRST happens, or when its a one of one, but when it is co-opted by corporations to make slop, or when you consider the ethics of data scraping and theft, the story becomes sour

in other words, REGARDLESS OF WHAT AI GENERATED ART ‘MAKES’, the STORY outside of the story is derivative and unethical. what is even more important, and the greatest problem of all, is that its very very BORING. ‘oh wonderful someone made a painting from a prompt CANT WAIT to dive into this world’

so fundamentally these projects from tech goofs only serve to show that they have absolutely no understanding of art in the first place. the starry night is not just a painting, it is a three point tether between van gogh, the painting and us, which is constantly breathing and moving and living

if i was to give advice to any artist about how to stand out in their field i would say this: figure out what YOUR STORY is, not just within your chosen medium, but OUTSIDE of any medium. THAT STORY is your art, and it is infinitely cosmically unique. USE IT. EMBRACE IT. that is your power buckaroo

[etherealspacejelly]

can you yap to me about Any of your hyperfixations. I'm All Ears

OHOHOHO OKAY!!!!

i think one thing thats interesting about spocks character to me is that he is often the one reaching out and making compromises to better communicate with the humans around him. he uses terms like luck even though he doesnt believe in it. he allows his crew to bury their dead crewmates in gallileo seven, even though they are actively in danger and its a waste of time, because he knows its important to them.

but people very rarely do the same for him. they dont rephrase things in terms of logic unless they are trying to earn his approval for something. they constantly push his boundaries and tease him for his emotional outbursts on the occasions he does have them.

people call him cold hearted, selfish, unfeeling, and yet he shows far more empathy for others than they ever do for him.

he uses his telepathic abilities to get them out of trouble time and time again, even though its a very intimate and personal thing for a vulcan to do.

i guess they do show up for him when it really counts, but generally speaking, theres a lot of teasing and snide comments sent his way. i feel really bad for him sometimes :(

[purrple-sectors]

I had this post on my drafts for months ngl and I think with everything that's happening (and to not let it rot on the drafts) it should be shared

----

With the Lando hate train going on, and many other hate trains, I feel like there's some things that need to be said related to fandom and hate culture in general, this is not only about Lando and it applies to any driver

It's very valid to dislike, lose respect, and/or hate a driver to some degree, but death wishes, including wishing for a serious crash and general hate speech is NOT OKAY in any way

There's some very valid stuff to hate about a driver, but not all things they do are valid to hate, for instance many of their actions are reasonable and not properly wrong, I'm talking for example about when they complain on the radio when they're genuinely struggling with the car

It's okay for people to like a driver you dislike and it's okay for people to dislike a driver you like, don't harass fans for having opinions different than yours

Refrain from using isolated quotes or sentences from drivers to base all your mindless hating but also defending, context matters like the question they were answering, what they said before and/or after, try to understand the situation in a wilder angle before making assumptions and spreading misinformation

Avoid generalising actions, the drivers are human beings, and humans are very complex, only bc they did/said something shitty once, that doesn't mean all they do is always with malicious intent

I know we are on a time where media impressions are so absolutely central that it's normal to question the motives behind some statements, but that's doesn't mean they are all done with manipulative intent, yes we can never be sure but that also means that we aren't sure if it was truly a pr manipulative move

Try to not claim that you know for sure the true intentions of a driver when its not disclosed and the comment/action itself is very dubious and/or not very serious, you can guess it but you shouldn't go around saying that what you think is the factual truth, you don't know them personally and what is going on on their heads, a comment you may feel like it was made with ill intent, could have been done very innocently and naively. I'm not saying that it always happens however at least try to consider that it may be a possibility

Don't go overanalysing and dissecting a driver's every action and words with the purpose of only finding things to hate on them, not only is quite disrespectful it's frankly borderline obsessive and creepy

If you want to truly hate, there's specific places where you can do it, but don't let it bled to spaces like Twitter and Instagram comments, places where most drivers (like Lando) are very present and can see not only the hate directed to them but also the hate directed to other drivers. This also include spaces where drivers' close ones can see the hate, mentioning in particular Max F's twitch chat.

But be aware that if you're hating/speaking ill about a driver on a social media platform there may be people that can get uncomfortable with it and block you as they should. DO NOT make it personal or weoponize it, they have every right to block you if they feel uncomfortable and dont want to see your content

Lasty if you ever feel like your mental health is in stake bc of f1, turn it off and give it a break, your mental health shouldn't dependent on some drivers that don't even know you, its okay to feel this way but it's imo unfair to blame on a driver for their performance when theyre simply doing their job and doing their best

On a final note all the drivers have done something shitty and/or had shitty attitudes at some point but many people are clouded by judgement and mindless hate some drivers without acknowledging (and refusing to) that their faves also did things wrong, please avoid doing this, not only its very hypocritical but its quite a dangerous mentality of "My fave cant do any wrong" that can easily be translated to day to day life, try to be critical on serious situations, and hold ALL drivers accountable for things they said/done, not just the ones you personally feel to! You will come across as quite hypocritical if you just select a few drivers and not hold anything accountable to others (especially if they're your faves) and in the long run is not a very good look

To sum up just practice basic human decency, this is mostly my take of view so take it with a grain of salt if it pleases you so. This applies to any driver and I'll add more if I find other things to say. To any new fans out there the only thing I ask you is to try to educate yourself before jumping into any hate train, give yourself a chance to form an opinion and then see which part or side of the community you relate most, don't let others dictate your opinion.

[nightstag]

list some random headcanons you have for sir knight, mr. hood, and eden. GO

mr.hood

has abnormal strength in his arms / legs

utilizes weapons that can be used both single-handed and two hands. he probably loots off of things he's killed or stuff he has found. his favorite by far is his axe.

mr.hood doesn't have one specific room he stays in. he's constantly moving and traveling because things are constantly changing and to me he's someone who keeps a eye on things/in check.

friendly until aggo'd

has little to no heartbeat. his pulse is weird but that's kind of his normal and he's never thought to consider why too much

has a hard time retaining bodyheat. only reason why he might is he has multiple layers which is all long so it makes him somewhat cold but i do generally think he would lean more on the cold-to-the-touch side of things.

second to mr.crawling, i feel like mr.hood is another character i would argue that would pretty much do about anything for the mc. especially if you selected the "i want to stay with you" dialogue in his route. that's something mr.hood had to swish around in his head for a bit until it clicked. is ultimately why he ends up fetching you again and taking you under his wing because you needed him (and he has to admit... he likes being needed)

mr.hood teaching mc how to wield a crowbar efficiently (though mr.hood much prefers to be the one doing the protecting but i definitely think a scenario in which mc inquires or would like to learn- mr.hood would not deny but try to help) and more basic self-defense things should it be desired.

mr.hood likes mc sleeping under his cloak & huddled against him. kind of huddled like penguins. related to his cold body temperature-- the mc is warm unlike anything hes ever experienced so the moment is something very nice to him.

mc and mr.hood exchanging lessons about their languages.

sir knight

specializes in pastries. any sort of dessert related to the usage of bread or dough is his ballpark. he talks big about being able to do other things (and i know his stubbornness/determination would definitely try to make him persevere otherwise) but truly this is where his skills shine.

holds himself back a lot more than one would think in relation to his master (aka you); has to repetitively run it through his mind and mentally tell himself no because he's overjoyed. he truly cherishes you as his one and only yet he has to be professional and someone like him could never do half of the things he has probably dreamed of. master is sacred and he is.... yeah. he's that.

thinks back to when he treated you horribly and actually cringes. like secondhand embarrassment. he can't take it (why did i do that.. type beat)

sir knight does not have a solid face under the helmet so no kissing sorry. you gotta kiss the helmet dont be a coward. however i do think him using his smoke to engulf your face and tenderly brush against your lips is one way of him "kissing you"

sir knight can control the effects of his smoke for the most part. i think it's linked to his emotions so consciously it responds how he does. angry? it's like you're being choked, etc. happy? you're warm and feel almost a heightened sense of elation. aroused? well... uh, let's just say everything starts feeling a lot more good (canon btw)

sir knight can speak via telekinesis but is more inclined to actually talk.

likes being affectionate with his master and thrives with giving affection/taking care of his master. his love language is acts of service and touch to me so you know, his master needing that out of him is like a dream.

eden

has a lot of upper arm strength and has a really strong grip to me. i think his legs are pretty strong as well but his arms are something else.

can ALSO use a variety of handheld weapons but his go-to is his shotgun.

he is very scarred. he has so many with origins he's long forgotten or even if you point one out he's like huh. (doesnt know where it came from). one day i wanna do a scar map for him.

likes pc voice a lot but doesn't go out of his way to encourage them to speak. just hones in their voice when they do and tends to let them go on (bonus points if the two are cuddling or snugged up by the fire. he's used to the quiet and ambience in his cabin but pc being there and speaking adds a whole layer to this ambience that brightens his life a bit.)

would card his fingers through pc's hair or touch/pat/pinch at their cheeks/face. often does this with like :| a blank face but maybe towards the end he'd crack a brief tiny smile.

is very obstinate on things he decides and sometimes it's a detriment. with defiant pcs i think this leads to arguing a lot and in instances he may consider budging but it would probably take consistent discussion over a period of weeks to even a month or more. eden has a very set way of things HE wants to do things and dislikes breaking from what has always been his normal.

handholding addict. likes the feel of pc's hands against his. the power of touch is a crazy thing and it definitely makes him feel a type of way.

not really a fan of alcohol nor does he have any interest in drinking.

[reco-obsessed]

anybody else feel like the scene where reko dies in the Alice Lives route felt weirdly rushed and logically inconsistent compared to Alice's death? more under the cut

The biggest inconsistency is how the real Reko dies in her given route; the fake reko has a knife for whatever reason- ive heard whispers of it being kais so im going to hand wave and assume how it gets in her grasp is discussed at some point (im hoping)- and despite Alice somehow being able to lay there with about 40-60% of his major bodily organs exploded out of his body and still give Reko his dying words, Reko just. instantly dies. flops to floor. from one stab wound. with what i can only assume is a sharpened butter knife because its so damn tiny. she doesnt even fight back? or say anything? these details seem small but feel distracting for such a pivotal moment in the game and seem strangely out of character. i get that the real reko is probably shocked out of her mind about what the fuck is happening, but there shouldve been at least like, 1 line of diaogue making that more explicitly clear. on top of it being kinda bull that they only get to reconcile in the Reko Lives route. It feels like a very purposeful choice to remove Reko's ability to properly forgive her brother in her last moments, so perhaps this is supposed to reflect something about her/the nature of their dynamic, but its execution is just kind of sloppy. Im assuming her strangely instant death was an attempt to make it so she couldnt have last words towards her brother in order to reinforce some aspect of his character arc (in which case it doesnt get covered nearly enough to feel like thats the case, but the yabusame's character arcs being cut short is an entirely different rant) but of all the weird ways to die in this game, why choose stabbing? even choking wouldve made more sense; cant exactly talk while youre being choked. it takes about 4-5 minutes to die from asphyxiation, add a short scene where nao is arguing with the fake reko as the real reko dies and boom. still probably a little too quick to be realistic but i would argue it makes more sense than Instant Death Induced By Butter Knife Impalement. but how the real reko dies is kind of besides the point, because the fact that she passes without dying words is far more bothersome to me. because throughout the entirety of the things that happen between the yabusames in chapter 2, we never get to see what the real reko's view of even a little of it was. all of it is from alice's perspective. part of this makes sense- her relationship with her brother and how she used to be in the past in general* is something shes clearly closed off about. and i could excuse her rushed death if we got a stronger understanding of her view of it in the route where she lives, but we barely even get that either. we dont even get any hint of her feelings on nao dying. why did you give up on the yabusames like that Nankidai. huh. and shes probably holding back discussing any of this because shes not about to trauma dump on a highschool girl, but at least a scene like the one we got in the monitor room where shes obviously sad even if she isnt saying anything. give me reko yabusame shinji ikari posing in that room with all the paintings. anything. *reko AI does give us details about her past, but i think its safe assume this has to do with it being the pre-personality version of reko.

[urban-fleabag]

hi!! i do feel kinda weird for asking for therian tips like right after you got an ask on the same subject but i was def wondering if i could have any feline tips? for reference i am a cladotherian (felidae) and i kinda just have felt kinda disconnected from my therianthropy so i was wondering if theres anything i can do about that? i am not comfy meditating just for personal reasons and i dont do much quads or vocals due to an unsafe environment in my home. i kind of am generally wanting tips and things that can pass as human behavior just as a heads up!! im really sorry again if this is a super picky ask / if you dont want to do another one of these therian tip posts,,, thank you in advance if you end up responding <3 (/p heart)

You're all good, and I don't mind helping out where I can! You're not being picky, you're being specific and that's totally fine.

Anything that makes your room feel more comfortable to you is gonna be a huge help, since it's your space. If I understand right, cladotherians are all of that type of animal, right? That means you've got a ton of options to try out to see what room arrangements feel like a cozy home, and which of those you can pass off as a "nature aesthetic"- when I was a little kid my room was entirely jungle themed because I was absolutely obsessed with animals, and if when I moved in with my grandma I could've kept it I absolutely would've. Having a nature theme in there that's similar to an environment you'd have lived in could make you feel more at home!

Next, birdwatching in the park or your yard can definitely feel like you're watching prey, especially if you're in a housecat type of mood, and that's easily a human behavior too! If you have a couch or chair that gets nice Sunbeam light during the day, I also recommend a nap there once in a while- therian or not that just feels good. If anyone asks, just say you got too cozy and dozed off. And, if you're the type to establish a territory, just walking in nature could really help you out here! Doubly so if you're feeling connected at the moment to a cat that suits the climate and current weather- take a nature walk and remind yourself that you're at home and you're part of all this.

All felines are obligated carnivores, so adding some extra meat (or meat-textured non meat foods if you don't eat meat) to your diet could make you feel like you're feeding your inner cat! If anyone asks, which they shouldn't, say you're just making sure you get enough protein, or if fish is your meat of choice, there are SO many good nutrients in fish that no one's going to question your uptick there.

Make the lack of vocals for you an advantage to you if you can. Many cats, especially feral domesticated cats, don't make a lot of sounds to start with! Housecats only meow as kittens and to humans for the most part, for example! So you might not be able to roar like a lion, but you can absolutely quietly stalk through your house like a panther, silent as to not alert your prey (leftovers in the fridge).

Also, if you've got a FiveBelow near you- they sell cat ear headphones! They're relatively cheap, under 15 iirc, comfortable and with decently good sound. It's gear without it being gear! If anyone questions, it's a trend to put cat ears on headphones right now, especially if you happen to be a gamer. I can personally attest to these, because they were the cheapest ones there for a while I had a couple pairs and they're super comfy.

I also recommend playing games that have you playing as different felines- it's weird to say but Roblox has a lot of these, give some a try and really get into the mindset.

I hope this helped! And remember- one day, your circumstances will change, and you'll be able to be as openly yourself as you want to be. There's a place in this world for creatures like us. ❤️

[ganondoodle]

couldnt fall asleep for at least 2 full hours bc i kept thinking about it, so ... more (i hope this is the last time)

what was the point of adding isha? no i mean it! i started to like her in act 2 bc i liked mute characters and her with vanderwick where pretty cute.. those episodes are still my favorite, but shes so?? she gets dropped into jinxs lap quite literally (WHY where cross's goons (the chembaron) even chasing her?? i thought thered be some reveal or soemthign or backstory idk but no she just came out of nowhere and got chased for no reason other than to end up falling on jinx and seeing her shoot the goons) and then is given some cutesy time with em only to die horribly for literally nothing except make jinx .... suicidal ... which SHE ALREADY WAS, the entire vi and jinx fight scene at the start of the season is about her wanting vi to kill her- using isha like that is such a waste and so cheap, it served no purpose other than to give jinx and the viewer i guess the hope that things could be better even after everything only to rip it all away again and make it all even worse, but it already was so bad that it falls incredibly flat, and aside from jinx being worse than ever mentally no one seems to really mind? (ALSO feels slimy bc she was mute, mute kid chaarcter only gets used as a cheap way to make mentally unwell character even more mentally unwell)

magma vanderwick ... how ... what was that then? i thought it was either singed who was left alone in the greenhouse with vanderwick using that serum on him that supposedly .. does something to prevent viktor from bringing vanders mind fully back (no other information on that?) or it was viktor 'dying' that made all other cult people flop over and get taken/into stasis, and bc vanderwick was such a strange creature it took vander or part of him but not the beast- but then in act 3 ..... singed uses that serum THERE, so it wasnt him doing anything and him standing ominously in the broken greenhouse was jsut to .. show singed was still alive bc that fucker cant ever die- AND when stupid viktor turns people into fugly robots (im pretty sure, unless im mixing up what mind erased him) you see his memories being burned, so hollowed out .. which means that he was still himself? so it wasnt that viktors 'death' erased vander and left the beast bc it was still both at that point .... what the fuck was up with him then at the end of act2??? why did he go all volcano??

AND then at the end with the weird vi getting emotional over fugly robo vanderwick scene the beast i guess is STILL there .. but when you get turned like that you just turn into a robot and your mind ceases to exist, he already had vander erased, but then gets taken and turned robo so the beast should be gone too?? no`??? even if i remember it wrong and it was viktor who mind erased just vander- again problem as before, why did he go volcano then?? AND why did he slump over dead eyed after it? shouldnt the beast take over immediately when vanders gone??

....did jinx even interact at all with sevika after the scene in stillwater?? i dont think so, what a joke honestly, sevika was pretty much part of the team, then she gets isha out and then next time its jinx isha and vi going to search for vanderwick, the fuck has she been doing until the last episode where she doesnt say or really do a single thing???

im sorry lesbians but that sex scene was rather missplaced, not agaisnt it in general but the timing?? (any sex scene there at that time would be missplaced imo) jinx pretty clearly told vi that she will kill herself "you wont have to worry about me anymore" "im breaking the cycle" HELLO??? and while we dont know how long it took for cait to find vi down there (whereever that prison even is? not stillwater thats for sure) shouldnt vi burst out the prison and go chase after jinx the second she was freed???? i get she says soemthign like losing hope of getting through to her BUT JINX IS GOING TO KILL HERSELF?????????? and then cait and vi make out and fuck in the LITERAL SAME CELL THAT JINX WAS JSUT IN?????????? and even after that doesnt go to check on her?? you CANNOT tell me vi just gave up on her and accepted she killed herself like that

ALSO did no one know what signed was doing with vanderwick (who was still alive .. so isha kinda died uselessly, if he died then as well at least it would mess up the plan .. the stupid plan, i hate viktor cocoon hivemind shit)? they had to get vi out of there so ?? and vi also didnt like .. check if idk vanderwick was really fully dead or just go there again? even if it was secured or soemthign i dont remember her askign anything about him just jinx ... bc there she still cared at least a little bit about her i guess

jayce ... why did act2 make him out to be all mad and like he was given a mission by ekko and heimer (bc he says "i wont fail them" THEM) but then its revealed it was old future viktor who send him back/gave him the mission- ALSO why was he so extreme and mad in act2 when .. yes in act 3 you see him go through that torture in the cavern but when he climbs up hes relatively calm and collected and ignores the weird crawly monsters and has a somewhat normal conversation with old viktor .. and then he returns and is suddendly all mad and going after present viktor- WHICH ONLY MAKES IT SO IT ENDS UP LIKE THE STUPID TIMELOOP??? did i miss something or does that makes no sense?? the only reason it not ending up like that being ekkos intervention- but jayce before that seems to just .. do all that like he wants it to end like in the loop .. i thought he was trying to stop it .. what was the point?

did no one question where the heck salo went? even if he fell from grace .. it feels weird to put him to viktor, make it clear on him how viktor isnt just healing people but taking their minds bc that wasnt salo anymore and no one seems to care?

kinda similar with mel bc her being taken only really matters to ambessa (and when they reunite i expected ambessa to break tbh ...) and one comment from salo and anyone else? who cares? wasnt she in charge? i mean yeah cait took over in a sense but it still feels weird; plus on the whole mel business .. she went from big important power figure of the enterity of piltover to uh .. mage lady in black body suit so quickly? political power figure to weeee blasting vaguely gold magic stuff all over yippiiiie (but in general all political stuff just went out the window with those last episodes)

i said before how i didnt like the whole getting put into other dimension bs with ekko even if the setting was somewhat neat, but similar how weird jayces end speech to viktor felt idk .. ekko having to see, interact and .. make out with a jinx/powder that was 'normal' to see that jinx in his time still had value felt slimy to me also he conveniently gets put right there when jinx is about to kill herself (bc neither sevika nor VI went after her??or did he find her? when did he show up again? idk tbh?) and then uses the z-drive just to try and say the right thing to not make her do it and at the end to through it in viktors face ....................... and jinx showing up at the end barely changes anythign except give her another outfit/look and put her up there in order to do her 'sacrifice' .............idk it all felt so cheap

also maddie evil reveal was so .... was that really needed, like that especially? just so ambessa can tell caitlyn 'told you lol' ?

caitlyn knowing that jinx isnt gone and keeping it a secret is played as if thats a cool thing bc jinx isnt dead yippiiee but to me it makes it even worse (aside from the whole 'our story isnt over' bleurgh ouch eughgnen line of teasing more bc big corpo likes to leaves things open in case they make more expensives shows to serve nothing but the world most overblown champion and skin trailers and in case they dont well who cares) bc its just so ... slimy, am i supposed to see it as a happy end or win for vi bc she gets to be with caitlyn?? bc that is more important than her SISTER THE RELATIONSHIP TO WHICH THE ENTIRE SHOW WAS BUILT AROUND?????? adding the trope i hate 'group of people splitting up at the end bc thats clearly the best for them' FUCK THAT! Vi should have joined jinx and sevika (add isha and non robo vanderwick best case scenario, also ekko and they all get cool jinx outfits and everything, let jinx be a hero instead of a lil crazy footnote in viktors god complex) and get caitlyn on her side to fight piltover to free zaun (maybe with ambessa taking over piltover, mel returning and joining the forces of zaun forcing her to fight her even though it breaks ambessa bc she cares too much about mel or soemthing and jayce and viktor can battle it out gay boi style somewhere else or later interupting the main revolution fight idk im jsut yelling but this whole viktor god thing and robo war and whatever really went so off the rails and out of propoertion i hhhhhhhhhhhhhhhhhhh also vanderwick should get to kill singed)

..........and the line of Vi calling herself the dirt under caitlyns fingernails? ... what a line to end this stupid episode with, what a line, a zaunite calling herself dirt under her noble piltover lovers fingernails

(so ... in the end ... what was 'the arcane'? its not the void? its not jsut magic? its something fucked they created when trying to create magic but ... what was it? what where those creepy crawling things? why does it work like that? taking peoples minds? healing their bodies with metal parts but also hiveminding them? what was the hexcore in the end? what the hell was all that? where did the crystals even come from? skarners lore got erased so not there? did i just forget that? and also mages exist but also seem like a very unknown thing in the show? and then mel just is that? and the black rose? like??? what was the point??? it all just feels so pointless? what was this all for? a cheeasy happy ending where they fuck with time more to fix it all would have been satisfying to me than this ... this nothing)

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[vhstown]

please stop scrolling and take the time to read this.

i don't think people understand the extent of the horror happening in palestine right now. "death" means nothing to people because of desensitisation so let me just tell you what white phosphorus is. it's being used in israeli munitions and has been and will continue to be fired across gaza and the palestinian borders.

white phosphorus burns when it comes into contact with oxygen (at nearly 800°C or 1500°F. the human body can withstand ~50°C for reference.) the air you breathe in ignites and it is near impossible extinguish. it sticks to clothing and skin and is very difficult to remove because it will continue to ignite in air. it burns flesh up to the bone and even past the bone because it penetrates tissue and is absorbed VERY easily. if you inhale it it'll destroy your respiratory tract and lungs. it can cause failure in multiple organs including the liver, kidneys and heart. it is being released in one of the most densely populated places on earth.

the only way to treat someone exposed to white phosphorus is to submerge them in saline or water and to pick out the substance with forceps, and when you undress a wound the substance can re-ignite. this is just ONE weapon that is being used to kill palestinian people right now. palestine does not have access to medical care, humanitarian aid, power, or internet. their hospitals are being bombed. gaza is one of the most densely populated places in the world with over 50% of the population being children. many children are the sole survivors of their families. there are videos of children experiencing panic attacks and symptoms of ptsd. the fact that israel has committed war crimes in plain sight means that we can only imagine what will happen to the palestinians in complete darkness.

israel has and will continue to deny this. your interests and fandom will still be here, you will wake up tomorrow morning and see your friends and family, but an entire nation of people are being wiped off the map. being silent is being complacent. reblog, spread information, tell people in real life, attend protests, sign petitions, call your government offices, at the very least be angry and upset and horrified because once you become numb and indifferent and hopeless the oppressors will have already won.

what's happening right now is more than a genocide and once it becomes a part of history we'll wonder how the world let this happen. genocides have been part of all nations. just because it is far away does not mean you don't have to be concerned. the fact that YOUR governments and YOUR idols and the people around YOU are supporting the mass eradication of an entire group of people should scare you. it shouldn't make you feel anything less than sick and angry and disgusted. DO something about it, no matter how small you feel your voice is, because palestinians no longer have one.

[edit] links to some helpful reblogs: one & two

post on how you can help palestine

learn about palestine with this masterlist of info

+ a further reblog of mine

[edit 2] about palestinians "not having a voice" at the time i wrote this post internet connection was cut off entirely and even journalists weren't able to report for a period of time — that is all i meant by that. they of course have a voice and i never meant to undermine how people are risking their lives in gaza to get information out there and i apologise if thats what people took from it, it was not my intention but it is entirely my bad. please continue to spread information and updates from gaza as they come.

[enden-k]

i know some fuckers reupload my art without a care in the world, im fighting w this for years now and it was a major reason why i deleted my previous art blog and stopped posting art for a long time. i dont hunt the internet to catch everyone tho, even if it pisses me off greatly.

BUT if anyone ever sees my oc art reuploaded, let me know so i can deal with this. one of my biggest fears is people stealing my ocs/worlds or claiming them, i saw that happen to someone once and its scary as hell. i wont tolerate that w my ocs. literally fuck you.

and regarding the AI ask just now; please dont use my OCs for things such as roleplay or anything.

also i rb sm abt it and thoughts its obvious - especially as an artist - what my stance on AI is and what a deep hatred i have for it. do NOT use my things for ANY of that shit.

and, in general while were on the topic of AI bc i see this SO OFTEN: you cant be anti AI and then turn around and use AI writing programs, its all scraped and based on stolen shit. please protect writers as much as artists and VAs.

[pngheavy]

[bronx-aro]

Everything about that team was messed up and ir really shows how no one in canon even THOUGHT about anything but shinobi skills/class placement when making that team. Plus keeping the two sharingan users and the jinchuriki together, MAYBE. Because i think there is a world where Naruto might not have been placed on team 7 if he wasnt dead last, it just conveniently happened that way.

Kakashi as a teacher was a prodigy who didnt know how to teach because he never had to struggle learning. Facing a mimicry of his old team, his deas sensei's son, the traumatised avenger kid brother to his kouhai in anbu who massacred everyone. And Sakura who showed no interest in training or even the ninja arts in general.

Between the kids themselves, Naruto and Sasuke are the definition of the Cain Instinct*. Naruto has a crush on Sakura and only listens to her. Sakura has a crush on Sasuke and only listen to him, she doesnt like Naruto. Sasuke doesnt like Sakura and listens to no one.

The only one who shows initiative towards training is Naruto who only asks for one thing and shows disdain for any other skills he deems "uncool".

None of them even train while waiting for Kakashi. They are wasting valuable time doing nothing.

And even if NONE of the communication problems were here, all 3 of them have different learning styles and needs.

Sasuke learns better with minimal instructions and then doing trial and error on his own.

Sakura needs clear instructions and to understand precisly how something works before doing it. Both she and Sasuke also don't show initiative and need someone to point them somewhere or else they wont find new skills on their own.

Naruto is... A mix of the two. I think he's supposed to be the second one, but his education was so failed he eventually got used to doing the first one since there was no one to give him instructions for most of his life, and when he eventually got people willing to do so, he was so being intelligence-wise due to no one teaching him anything that he could barely understand explenations. Wich means teaching him ANYTHING is a hassle.

Plus Sasuke and Naruto being problem children who required constant vigilance, capable of using big jutsus but no critical thinking, and Sakura being behind in terms of shinobi skills? Is there really anuthing he could teach them at the same time that would benefit all three of them at their current level? I dont think so. Maybe some Taijutsu refining but that's pretty much it.

Frankly, how the HELL was Kakashi supposed to do anything with this team?? It's a goddamn miracle they got so far. Teamwork was the only thing he could really teach them, and none of them had a good relationship with the others in the first place.

Kakashi is probably a bad teacher but considering his team, the chances of him being able to teach them anything considering the circompstances is so low we cant really blame him. He would probably have been better with pretty much any other teams, and even better with a single person to teach, maybe even really good if they were also a prodigy with the same learning style as him. Yamato and Itachi come to mind.

Does anyone else ever get sad about the 'Kakashi was a bad teacher!' argument because sandaime put an unwilling, unexperienced, depressed & traumatized 26 year old in charge of equally traumatized kids + sakura with zero support or training and expected that to just... be okay? Somehow?

Two of the kids were probably direct reminders of his traumas

All of the kids needed specialized care and instruction to flourish

so of course Kakashi wasn't great at it. He never got the setup to be a good teacher. Teaching is a skill that requires training and support and he never got either. He was just given three 12-year olds in a world that frequently kills 12-year olds and was told not to fuck it up

But he still managed to foster an atmosphere of trust, safety and affection, which was exactly what they needed

Which given the circumstances was probably the best anyone could do

Or is that just me?

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[felassan]

.

[wingsofwater]

peach pit

[ID : a chubby skywing dragon named Pyrite, who has yellowish-orange scales with a lighter yellow underbelly and dark freckles across her scales, resembling the inside of a peach. she has a crest of dark spines along the back of her neck and on the tip of her tail, antler-like horns, her body is dappled with scars, and she wears a cord around her neck like a choker. she is sitting down, facing towards the left, with her wings held open and an uncertain expression on her face. the background is a teal rectangle with white peach blossoms overlayed on top of it. END ID]

[spotsupstuff]

as i'm workin on my Ancient stuff- i've got to say that it is really interesting and neat (read: nasty) that there's a good chance most of the Ancient population probably didn't actually wear masks. but We think they did cuz the only really solid evidence of what they looked like at all all comes from places of the higher social circles. and those strived for religious... superiority, i guess. brownie points, not actual dedication to the religion for the sake of its teachings but either because it made them look good, put them higher in the social hierarchy or whatever manipulation have you (or the flawed look upon the religion aka "we gotta get out of this cycle no matter what")

all we are left with are the bastards. the simple people and their cultures that were left to weather the Iterators' rains were simply washed away. nobody cared for their way of life- as long as it served the higher circles well and they stayed submissive (enough so that at the end everyone would take a dip in the void), nobody had to give a singular shit

just how much do we not know about the Ancients' *everything* because of this disregard? how much do we think we are right about, when such is true only for the small but privileged piece of the species?