#analysing song lyrics

[madbard]

I just realized another reason I love Hozier’s music. It’s not just that the lyrics are complex, or the music itself is beautiful - it’s that Hozier is a musical liar.

Take Cherry Wine. This is a song about an abusive relationship, told from the perspective of someone very much in love with their abuser. Throughout the song, the narrator describes their lover’s cruelty. Lyrics like “I walk my days on a wire” and “open hand or closed fist would be fine” make the darker aspects of their relationship all too evident. At points, the song suggests that they are defending this relationship to someone else who cares about them (“it looks ugly but it’s clean. Oh mama, don’t fuss over me”) and even the more beautiful and seemingly romantic lines later in the song (“oh but she loves like sleep to the freezing”) have dark undertones (what else is sleep to the freezing but death?) Still, I often come across the song being used in a wholesome, romantic context. A lot of factors contribute to this, but I would argue that this song mainly gets mistaken for a romantic song because of how soft and gentle the music is - it presents as a sweet love song in every way except the lyrics. Even those lyrics are told through the lens of someone defending their broken and abusive relationship, deepening the lie. Our narrator wants to portray this relationship as something dark, yet also immensely beautiful and encompassing. The result is a song about the agony and pleasure of a broken relationship, disguised so well as a love song in every possible way that it gets mistaken for something romantic. (Even if you are aware of the meaning, there is still that deep urge to experience the song as something romantic. Just like the narrator, the listener is drawn in by beauty and the powerful idea of love, so much so that it can blind them to reality.)

Variations of this can be seen in Talk. In this song, the narrator makes their intentions very clear - they are sweet-talking someone in order to hide their own thoughts and desires (“I try to talk refined, for fear that you find out how I’m imagining you”). Despite knowing this, the sheer power of the lyrics (“I'd be the voice that urged Orpheus / when her body was found. / I'd be the choiceless hope in grief / that drove him underground. / I'd be the dreadful need in the devotee / that made him turn around, / and I'd be the immediate forgiveness in Eurydice”) overwhelms the listener. We know the speaker is putting on a show. We know they have ulterior motives, and likely don’t even believe what they are saying. But their words are so beautiful that we don’t care. The intense, almost mythic music in the background is so lovely and deep, it makes the lyrics seem genuine, because what lie could sound so astounding and true? In this case, the song about smoke and mirrors and empty talk becomes a love song because the narrator is just that skilled at lying.

Even songs like Too Sweet, sung by a narrator who refuses to be with someone unless they allow their standards to slide, become ‘romantic’ and ‘sweet’ to certain listeners - not because the lyrics are impenetrable, but because so many of Hozier’s narrators are unreliable. His songs spin sweet stories, lies so stunning that listeners are willing to deny what they know in order to experience the beauty of that untruth, the complexity of that space between what is real and what we want to believe.

And isn’t that more true to the experience of being a person, and loving other people, than the simple truths we often see in these types of songs?

[danishphoner]

personal lyrics theories series (3/?): i ain’t quite where i think i am - arctic monkeys

[kukekakuningaskris]

so we all are assuming that bojan's latest instagram captions are song lyrics and i think they're in order as well, and i can maybe kind of prove it (this is just for fun and i may just fully be wrong about this). so come journey with me to the world of poetry theory.

the captions put together with stressed syllables marked (yes i split the last caption into two because it made sense):

starlight effect and a cigarette you should be getting ready for the big day quotas to fill, bills to pay the center of the world on a pedestal, until it's your turn to take the fall

as you can see four of the five lines have five stressed syllables, making it pentameter (while the number of syllables overall is less consistent with 9-11-7-11-9, thus suggesting it is written in accentual verse as well, though that doesn't matter here).

furthermore there's rhymes! lines 2 and 3 have end rhyme just as lines 3 and 4, while the first line has a rhyme within it with 'effect' and 'cigarette', thus making this a rhyme scheme of ABBCC.

based on this i'd say that the captions most definitely are lyrics because otherwise there would be no need for them to be this structured, and they are maybe in order based on the rhymes, do with this what you will.

[bisexualmultifandommess]

I’ve been updating my Charles Xavier Spotify Playlist and I’ve found songs for my three favourite Charles relationship dynamics that makes me sad 😭 these are going to include headcanons probably but most are close to what Charles really goes through

My Only Friend by Amy Shark (Ft. Tom DeLonge) - I feel like this song really fits Hank and Charles’ relationship before and during Days of Future Past. They’re my favourite friendship and I love seeing their dynamic explored in fics because it’s such a complicated relationship but for the longest time they were definitely each other’s person.

Dorothea by Taylor Swift - This song really made me imagine it as Charles talking to Raven or thinking about Raven when he misses her. He wishes he still had his sister and reminisces about their youth and the way things used to be. It really fits the sad feeling over her leaving as well as the hope of reconciliation one day.

Now with Erik I have so many that could fit different aspects of his relationship with Charles and how Charles feels about him so I’m going to list songs that I think fit the different emotions Charles may feel in regards to their relationship and especially the events in FC and DoFP.

The Grudge by Olivia Rodrigo and First Burn from Hamilton - These two songs definitely fits the anger Charles feels in regard to his relationship with Erik. He obviously loves Erik a lot but I believe that at least in the early years he felt so much anger and sadness over the miscommunication and his sister leaving that he must’ve occasionally had angry thoughts that he usually wouldn’t have. It’s an anger that he would later move on but I think it’s definitely shown in DoFP and I headcanon anyway that he felt so angry at times at Erik. The Grudge definitely feels more like Charles getting upset at Erik but saying these things to himself about what happened to him and trying to come to terms with what happened and First Burn feels more like he’s actually talking to Erik.

I miss you, I’m sorry by Gracie Abrams and The Moon Will Sing by The Crane Wives - These are definitely the sad aspect which I always love looking into because I love angst. I miss you, I’m sorry is more of a mourning the relationship song where Charles thinks back on before everything went wrong and how happy he was with him and how upset he is over the separation. The lyrics “I don’t wanna go, think I make it worse. Everything I know brings me back to us” to me show how dependent they are on each other and that they’re always going to be a part of each other no matter how many years go by. He’s always going to be connected to Erik and miss him even if things originally ended badly. The Moon Will Sing feels like it’s fits the trope of a character helping another find their spark but losing their own in the process. Charles loves Erik and Erik loves Charles but their relationship has made things difficult and Charles kind of lost himself for a bit after everything but he did eventually find his way back.

[callinskiiscalling88]

My Love Mine All Mine: Lilia Vanrouge Correlation

🦇♥️🦇♥️🦇♥️🦇♥️🦇♥️🦇♥️🦇♥️🦇♥️🦇♥️

[Book 7 Spoilers Ahead!! Intro is red, skip if you want]

Twst fans commonly correlate this song to Lilia, esp since book 7. We were starved of him in the new book 7 update (but Shroud content was awesome) and he's still haunting my thoughts. So...yeah. let's get into it

The song "My Love Mine All Mine" was created by Mitski, a very popular indie/alternative song artist back on September 15th 2023. It was in the album The Land Is Inhospitable and So Are We. (According to the wiki)

*copyright free into music plays*

🦇♥️🦇♥️

🦇♥️🦇♥️

Moons are pretty important to faes. They're nocturnal creatures who originally only lived in nighttime.

This changed when his mother died. Her magic kept it dark in the Valley

Now I know this directly refers to the moon, but I'ma pretend it doesn't and focus on the other lines.

Lilia at some point (I forgot when) talks to the stars and refers to them as Levan and Maleanor. This line reminded me of that. He wants to be with them when he dies.

Lils loved Maleanor and Levan. That's all there is to this part

He doubted he could love but Silver and Malleus helped him love again. He learned the importance of love and loss.

He wants his kid(s) to remember they are always loved. Even when it's his turn to die.

The chorus again!! This time he's open to love and its importance!!

He's loved Maleanor, Levan, Silver, Malleus, dare I say even Sebek.

This cold-hearted, serious general became a loving, cheeky, father. Who woulda thought?

This chorus is longer than the last and I like that cause it shows the growth throughout the song.

He's grown so much over the past years. Let's give peepaw a big round of applause.

🦇♥️🦇♥️

🦇♥️🦇♥️

[franklyimissparis]

jet skis on the moat: a queer-coded line-by-line lyrical analysis

this one was highly requested by me, myself, and i btw. sorry it’s so long, i truly cannot be concise when analysing alex’s lyrics, i get too into all of the different possibilities lmao.

Jet skis on the moat

- the titular line of the song is an interesting juxtaposition that could be interpreted in many different ways as jet-skiing, an adventurous and adrenaline-seeking activity, is contrasted with the defensive confines of a moat. the moat could be a metaphor for alex’s defenses around himself and his feelings, with the idea of jet-skiing around a moat being akin to doing something that should be fun and freeing while in defence mode.

- it could also imply that things are going in circles, like moats often do. that they’re having a good time but they aren’t able/willing to explore beyond the safety and comfort of their private spaces.

- to me, the phrase also invokes the idea of both being kept close to home (and never allowed to explore without inhibitions) but also being forbidden to enter fully into alex’s inner self

They shot it all in CinemaScope

- cinemascope is a lens adapter invented in the 50s for projectors that can expand the traditional screen to a wider length while using the existing equipment. we know that alex loves film imagery and this ties into the themes he often plays at while using said imagery of performance vs. reality.

- the use of cinemascope also implies to me the idea of making something (or someone) better for a bigger audience - this could tie in with alex’s personas and hiding the true self or referencing the band’s commercial successes. it also implies that there’s something beyond the traditional screen, the picture (or story) stretches out further than is seen with a normal lens. the idea of the lens being removable is also notable, the picture can be seen either way with the original equipment but the lens makes it more impressive. again i think this all ties in with the idea of performance and choosing to present things in a certain light.

- “they” implies that there is an audience or crew watching alex and the subject of the song, the two of them are not shooting this together, it’s being captured by a third party who is presenting things differently than originally intended

As though it's the last time you're gonna ride

- i can’t talk about this line without addressing the sexual undertones of the word “ride” lol. it could refer to the sexual aspect of their relationship, the last ride being the last time they’ll sleep together, or the relationship itself as if this is a couple who has split up and gotten back together multiple times

- with the previous line as well, it implies that the experience of their relationship is being captured (potentially by others) to preserve it, though they don’t see the full picture

- the phrasing “as though” is vague enough to leave it up to interpretation as to whether or not it actually will be the last time, somewhat implying to me that calling it a “last time” is something they’ve done before

- this could also refer to the public and private speculation that the band is finished or the somewhat unfounded worries that their commercial success is slipping away

Showstoppers anonymous

- this is a play on alcoholics anonymous/narcotics anonymous and implies that being a showstopper is somewhat of an addiction. it also invokes the idea that this isn’t a solitary experience by referencing the idea like a group meeting, alex’s lover also has a complex relationship with fame.

- the phrase could also poke at the idea of alex’s personas being disconnected from his true self, the showstopper would actually prefer to be (or has to be) anonymous in some sense.

- like in AA meetings, this could also refer to hiding their affiliation from the world or hiding their true identities within these meet-ups

Come over here and give your buddy a hug

- the word “buddy” implies a platonic relationship (i would say it also implies a friendship with another man but that’s very subjective.) with the later references to this person as a lover, we can infer that their relationship is not just platonic which poses the question of why alex would choose to refer to a lover this way. it could be to emphasise the friendship at the core of the relationship as being the more important or prominent aspect. it could also suggest that alex finds the romantic/sexual elements of the relationship uncomfortable to some extent.

- interestingly, this line is also a direct parallel to “come here and kiss me now before it gets too cute” from mr schwartz, suggesting a connection between the two. while this line can certainly be read as platonic, the line from mr schwartz is explicitly romantic.

- also the first two lines of verse one rhyme, making the listener expect these lines to rhyme as well. in alex’s pronunciation, anonymous would be a near rhyme with kiss and it is slightly surprising to hear hug instead.

So much for decidin' not to let it slide

- it sounds as though either alex or his lover feels that the other did something to wrong them which they refuse to forgive this time, but they end up ‘giving in’ eventually.

- in the context of the showstoppers anonymous line, it could imply that their relationship feels like enabling an addiction, that it is something they come back to time and time again despite saying they won’t. and also that their relationship is directly tied to the fame that they share.

- also interesting to ask: is he addressing himself or his lover? is he the one letting it slide or his lover? the previous line seems to imply that alex is asking the other person to come to him, which could imply that his lover is giving in for agreeing or that he’s giving in by reaching out (or both.)

Is there somethin' on your mind

Or are you just happy to sit there and watch While the paint job dries?

- alex’s lover is troubled over the state of their situation but it’s less painful to just ignore the topic.

- the paint imagery is very interesting as alex has a habit of using paint as a sexual metaphor for a certain bodily fluid - with ‘body paint’ and also in anyways (‘you go hard in the paint’)

- watching paint dry generally refers to something being boring or tedious which could imply that alex’s lover would rather do something painfully dull than discuss the issues in their relationship. but paint can also be used to cover things up which could refer to the idea of hiding the issues within the relationship or with hiding the relationship itself (asking: are you really happy to just let me hide things or will you take a stand?)

- if we think about the implication that this relationship has been off- and on-again, it could refer to ‘fixing up’ the relationship with a new coat of paint - doing surface level things to try to repair the damage - and alex could be asking if they’re willing to wait for things to look better again or if they want to call it quits now

When it's over, you're supposed to know

- this line could also be taken in many ways. it could be in the sense of alex feeling almost pitiful for his lover (or himself), who won’t admit that their relationship is actually over. but it could also refer to it being hard to tell whether the relationship is actually over or not - particularly if the line between having a platonic/romantic relationship has always been blurry with them (like we see with the use of “buddy” etc.)

- the phrasing ‘supposed to know’ implies that they don’t actually know about the state of things, though they’re both aware that they should, also reminds me of the line “the fact that neither you and i has ever had a clue” from mr schwartz

Lights out in the Wonder Park

- i couldn’t find anything to suggest that the ‘wonder park’ refers to any real place so i would wager that it’s alex’s take on a fictional amusement park as a metaphor for the ups and downs of his relationship with the other person.

- the idea of the lights going out in contrast to the “wonder park” implies that the joy and amazement of the relationship has been turned off. it could refer to the relationship being off- and on-again with the implication that the lights will likely turn back on at some point. (which could be connected to “the gloved hand’s reaching in to hit the switch” from mr schwartz)

- to me, “the wonder park” also implies having an audience or crowd around. so lights out here could also refer to stopping a performance, etc.

Your saw-toothed lover boy was quick off the mark

- its interesting to pose if he’s talking about himself or his lover here. i know a lot of people interpret saw-toothed to mean crooked teeth like a certain musical partner in alex’s life but i think the phrase could also represent a ‘sharp tongue/mouth’ with the idea of him (or his lover) normally being witty or cutting but being caught off guard by the situation (similar to the ‘angle grinder smile’ from sculptures of anything goes)

- “quick off the mark” means to be slow to react to a situation which could also tie in with the idea of “watching paint dry” instead of talking about the relationship: they’re reluctant to actually change the back and forth element of their relationship.

- the use of the phrase “lover boy” also solidifies that this is a relationship that is at least somewhat romantic/sexual in nature (vs the earlier use of buddy), it’s telling that this more intimate phrase isn’t used until later in the song

That's long enough in the sunshine for one night

- this line could reference the idiom of something to “seeing the light of day” i.e. to be revealed to the public/to be open, their relationship won’t see the light of day with the sunshine instead being found in the nights

- sunshine could also represent a warmth or happy period in their relationship. with the previous lines, it could imply that they got together/met up again briefly but it didn’t last.

- the phrase “that’s long enough” implies that alex is the one to feel as though things have gone on too long, even though he feels the warmth of it too (he likes the sunshine (or relationship) but he doesn’t think it belongs in the context of the night)

Didn't recognise you through the smoke

- this is a play on the idea of “smoke and mirrors” which ties in with alex’s use of personas and the idea of obscuring the truth.

- implies that alex (or the other person) is used to being able to see through the fantasy but it’s been dialled up since their falling out and they are now obscured.

- could also refer to one of them being deceptive about their feelings, particularly for the other

- also could imply the other person is smoking a lot, etc. which could tie in with the idea of fame/their relationship being an addiction: people sometimes replace heavier drugs with excessive nicotine as a step in their recovery. it could also just imply that the other person is a bit of a mess if they’ve started smoking more.

Pyjama pants and a Subbuteo cloak

- subbuteo is a table-top game where you flick around little football players on a field that is placed similarly to a tablecloth. there was an interview where alex spoke about how he would wear the table-top subbuteo pitch as a cape as a kid. it’s unclear whether alex or the other person is meant to be the one wearing the unusual combination.

- wearing pyjama pants implies a sense of intimacy and vulnerability between the two to see each other in that state, especially as one would not generally wear them in public.

- the combination of the pyjama pants with the subbuteo cloak invokes a sense of nostalgia and innocence, particularly in relation to alex’s memories, as well as implies that the person is kind of dysfunctional to be wearing a sleeping garment in combination with a non-clothing item.

- the use of the subbuteo field as clothing is also interesting as it is a traditionally masculine symbol being used to cover-up or guard oneself - which ties in with the next line.

- the subbuteo field is also an interesting choice as the game centres around people controlling a full team of players in order to win. with one person wearing the field, it could imply that they are being strategic about controlling others or that they themselves are being controlled.

You know that it's alright if you wanna cry

- this is another line that could easily apply to either alex or his lover but i think it ties in well with the first line from there’d better be a mirrorball “don’t get emotional, that’s not like you” which alex has said is directed at himself.

- alex is telling himself or his lover that it’s okay to express their emotions and be upset about the situation, implying that they usually are not as forthcoming or overtly emotional or that they may be hiding their true feelings in the presence of the other to appear less invested or devastated

to summarise: alex and his lover had a falling out over their off- and on-again relationship going in circles and potentially being hidden. neither of them took the split well and they are trying to figure out where they stand with each other and what their connection will mean for them now.

[andrew-03-minyard]

jean and happy by nf

i hate that jean relates to every single lyric in this whole song and to such great and traumatic extents as well

i’m obsessed with nf songs. give him a listen if you like rap and empathise with deep lyrics!!

[nekole-doodles]

Part #4 of Nekole's DSMP-coded songs! Haven't done one in like- 2 weeks

C! Wilbur, especially post-finale/Utah ending

"Does somebody jump for joy" How he thought others would react to him leaving

"Does somebody cry?" How C! Tommy reacted to him leaving

"Does somebody want me now? Now that I can't fly, Now that I'm not part of the madness" After leaving to go to Utah, Wilbur wonders if anyone misses him now that he's not a part of the Dream SMP anymore. A kind of "you only miss it when it's gone" kind of thing. Now that Wilbur isn't a present threat in everyone's mind, people don't have to always worry about what he'll do and now there is room in their thoughts to think about Wilbur without the automatic worry over what his presence brings. It makes way for people to really reflect on how they felt about him and maybe even miss him.

"Laughter and screams seem to echo faintly, I can still hear them around" Wilbur reminiscing on the old days of the DSMP when things felt simpler. He misses those days sometimes, misses when his friends were happier and didn't always glare at him with automatic suspicion.

"Somewhere the roller coaster climbs and dives, While I've got my feet on the ground" Quite a few things happened after Wilbur left and he was never aware of what happened after he left, he just had a feeling that big things were still happening without him there to witness it. He doesn't know if he likes that thought or not.

"Aren't I so much better now that I'm just a normal guy? Now that I'm not... Part of the madness" Wilbur left DSMP so he can let other people heal without him since it seems that all he can do it hurt people. He also thought that maybe if he got away from the place where he was "corrupted," he could also slowly become a better person.

[vimbry]

since it's birdhouse release day, I'm gonna make an excuse to talk about a song that's already been talked to death bc it's allowed.

something I appreciate about tmbg is their commitment to always being slightly sinister, even when meaning to come across as nice.

like aw, a lovely song about a child's bird-shaped nightlight who wants them to know that they care about them and protect them while singing about being a bluebird of friendliness. what imagery have they chosen to represent this gentle narrator :)?

[viennacherries]

Random question! So we all love and adore Rolan. But which of the origin character’s romances are your favorite?

i am a gale girly through and through. i was on the gale train long before i realised rolan existed. i love rolan, but gale is my beloved.

listen. listen. i want him to infodump about magic to me. and then i want him to play the piano in his tower while i tell him about all the musical techniques he's using that he doesn't even realise he knows. i wanna play him a song and give him an in depth analysis of the interaction between the lyrics and instrumentation and for him to go "thats so interesting, my love! it reminds me of the interaction between somatic and verbal components! you see-"

he's just so sweet and funny and sarcastic. the ideal man.

also my irl partner looks like gale which is probably also a factor. i just love nerdy men with beards and kind souls.

[danishphoner]

i was listening to the car (the song) since the early morning yesterday and if i didn't vomit this my brain cells would implode. the autism does get out of hand sometimes.

personal lyrics theories series (1/?): the car - arctic monkeys

[deus-ex-mona]

Heyooo so like do you think you could explain the Someya brothers relationship? It’s peaked my interest since the new songs with these two revolve around each other…

Yujiro and Koichirou aren’t related by blood, right? 🤔

Also, what do you think about the new songs that just came out?

Thank you so much for your time 💛💛 Happy New Years 💕

hi! happy new year~~!

this got kinda long so there’s a cut here for length sorry~~~

ngl i’m kindaaaaa fuzzy on the details about the someya bros’ relationship, but long story short, they’re stepbrothers (with koichiro spawning from the resident longleg tamagoro and yujiro being tae’s son, of course) who were kinda pitted against each other when it came to learning how to perform (kabuki) from tamagoro, because longleg’s gotta longleg ig.

then yujiro gets disinherited because the longleg’s still longlegging and koichiro takes to the kabuki stage by himself as the local “national treasure’s” sole heir. so, like, i’m guessing that the events surrounding yujiro’s disinherition may have led to their (frankly terrible) brotherly relationship of “an inferior older brother” and “a superior younger brother”?

though this dynamic carried on pretty much for as long as yujiro longed to perform on a kabuki stage, just like koichiro does (if we were to take the lxl movie’s word for it). then yujiro became an idol and started to work towards a different dream, breaking off from the path (kabuki) that he used to follow koichiro down, which i guess made koichiro start to see yujiro in a different light?

like, imagine you have a lifelong rival who strives for the same goals that you do. however, this rival of yours is less skilled than you, so you naturally grow to have a sense of superiority over your rival, taking satisfaction in crushing them while having full knowledge that they will never be able to beat you when it comes to your shared goals.

however, one day, your rival decides to aim for a different goal, completely ditching your shared goal and stuff, and they actually seem to be doing pretty well in their path to achieve their new goal. how would you feel?

because i get the feeling that koichiro’s initial response to that was to feel betrayed, in a “why are you running away (from kabuki)?” sense.

though, over time, koichiro seems to have gradually come to terms with yujiro’s idol activities, and their relationship naturally (albeit slowly) improved as the days passed, with them going on walks together and bickering with each other like brothers would. which, y’know, is cool of him in a way. he’s learning. he’s still kind of a brat, but he’s growing despite his past mistakes.

as for yujiro, well, he seems to have been looking out for koichiro in his own way from the very beginning? like, man chose not to go against koichiro’s mistreatment, opting to just lower his head and accept it instead.

was it an act of self-sacrifice to protect koichiro’s ego or something? heck, even in the lxl movie, he just took everything koichiro dished at him, and only fought back when koichiro dared to mock his bf aizo. which is. pretty unhealthy, yujiro bro. just tell him you have a proper brotherly love for him for goodness sake. your communication skills s u c k.

um. anyway.

tl;dr: stepbros made to learn kabuki because of their father. older bro gets disinherited, younger bro gets an attitude and mistreats older bro. this continues until older bro becomes an idol and begins to walk his own path. younger bro feels betrayed/annoyed at his older bro for “giving up” on kabuki. younger bro does eventually accept the fact that they have different dreams and supports older bro. seems like older bro has always been looking out for younger bro though, even though he doesn’t say it.

thoughhhhhh seriously, i’m not a someya expert or anything, i just like making fun of the longleg, so… if someone with a degree in someyaology could chime in, it’d be greatly appreciated~~~

as for the new songs, nagisa’s new song is the best of them all, no question. thanks for coming to my ted talk—

[kevinsdsy]

Always an angel never a god

This is kevin's song

hmmm i always associated this song with jean especially the line always an angel. never a god.

but icl there are a lot of fitting lyrics for kevin too. my favourite for him are these:

[edge-oftheworld]

no but sugar coated pain is such a good line why did it take me six years to actually hear it

[rotomartsblog]

You people are lucky I can’t make music or else I’d make the most fucked up, symbolism heavy, metaphorically incomprehensible, insufferably meta fnaf songs