#am i obvious? i think im obvious

[hinamie]

corvidae

[ochrogasting]

[remxedmoon]

hey. you 🫵. isat fan. you should read slay the savior. like right now. this is an order. i’m talking directly into your ear like the green m&m.

ANYWAYS!!! fanart for my friend @basilpaste’s au!!!!!! because it recently wrapped up and it is rotating in my mind forever. i would probably put a whole ramble here if it wasn’t past midnight so just. go read it!!! and look at the designs!!!!!!!! because they’re really good!!!

(also!! tap the image for better quality and stuff! tumblr crunched up the preview for this one…)

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[fakesorbet]

The Bad Kids + Summer drinks

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[unriding]

me n moze say good morning to the world !!! ᕙ( •̀ ᗜ •́ )ᕗ

art by @rabbbitseason of course <3

[stromblessed]

Mizu's spectacles, and the levels of her disguise

In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.

Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.

I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!

Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.

In my view, this was pointed out in episode 1:

I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."

Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.

I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.

This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.

There's the little girl who looks at Mizu and then hides on the way into Kyoto:

When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!

By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.

It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:

(Zatoichi reference, anyone?)

If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.

Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:

Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:

No wonder Mizu gets mad after this, lol

So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.

And yet no one spots that she's female.

Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.

Let me explain.

She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.

But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:

I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."

Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.

Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.

One detail that proved this to me is after the Four Fangs fight:

Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)

And Taigen is right there, but he doesn't give a shit:

Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.

Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol

There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:

After all, Swordfather can't bear to listen to Mizu confess to being a woman.

So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.

May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.

Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."

[plutoenjoyer]

jooyeon — sleepyhead

𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

genre: fluff 𓇬 wc: 1.7k tags: female reader, established relationship, making out, napping, playful banter, not proofread as usual warnings: none

summary: you stay late with jooyeon at the studio, and you can't help that he's so fun to mess with (lovingly). notes: this was meant to be a part of the "jooyeon randomly biting you" wip but it ended up getting too long and becoming its own thing. now with 100x more reader being cheeky and him being an absolute sucker for it!

𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

jooyeon invites you to the studio with him if he plans to do some solo practice. it's nice to have some company while he strums away at his instrument for hours, and of course, you don't mind one bit. it's already hard enough to find time to meet with both of your busy schedules, so you'll take any moment of comfortable, quality alone time with him. not only that, it really is a treat to get to see him practice. you think his voice is beautiful, and the gentle lull of his instrument (today, he felt like acoustic guitar) almost always put you to sleep while you're sitting in the corner of the room with his jacket over you like a blanket. it's like being gently guided into a deep sleep, and by god you needed it considering how overworked you were almost all the time. it's warm and safe. you're out in no time.

jooyeon's just about to wrap up when he checks the time. 11 pm. he did not mean to go this late. the other members had waved a goodbye to him what feels like just a moment ago, but in reality it was about two hours. and then he remembers, oh yeah my girlfriend is here, and he's about to ask you if you're ready to head out when he sees your eyes shut, slumped peacefully against the wall.

he feels bad that he made you sit and wait so long. truthfully, he was just so into an idea for a potential song that he lost track of time. he very gently puts the guitar back into the case and gets up, approaching your sleeping figure. he tries his best, for once in his life, to be quiet so he doesn't disturb you. he crouches down onto his knees, resting his cheek against his arms as he looks at you. if anyone were to walk by and see his face they could tell just how in love he was with you.

god, you're pretty. too pretty, the thinks to himself as he watches the way your soft lips are slightly parted as you breathe. he never thought in his twenty two years of life he'd ever care about such a thing but here he was, head over heels for a girl who can't stop biting him.

(and he wonders how you're even able to sleep in such an uncomfortable position. doesn't that hurt your neck?)

gently he taps your arm, and when you don't wake up he grabs your wrist and shakes it a little harder. you were tired, but not tired enough to be able to sleep through that. soon enough you were trying to blink the moisture back into your eyes after having such a good nap.

you slur your words with a small groan of displeasure, "mmn ... joo, are you done ... ?"

he hums in agreement, "mhm, yeah. i'm sorry it took so long." he smiles a bit at how your hair is messed up on one side as you squint at him, trying to readjust to the light.

it would be pretty easy to just stand up right now and grab your things so you both could go home. your bag is right there. but instead, the menace that you are, decide to wrap yourself up tighter in jooyeon's jacket and rest your head back against the wall. you catch the faint smell of his cologne on the jacket as you snuggle into it again.

he looks at you with an unamused pout. "hey."

"just ... mmmfive more minutes ..."

"god, and i'm the sleepyhead?" he scoffs at you, "we gotta go, y'know."

bantering with him was starting to wake you up but you were weirdly comfortable in a way, and taking the fact that you also liked to cause problems for him into consideration, still didn't get up. "you're just mad i napped without you." you don't hide your languid smile.

he decides to convince you with a cheeky remark, "i'll give you a reward if you get up."

"like what?"

"hmm ... how about a kiss?" he slightly sticks out his tongue, trying to give you a playfully flirty expression. his eyebrow raises at you suggestively.

silence. you open your eyes solely to give him a look of disinterest and slight disapproval.

"you could at least go along with it," he whines. but truthfully, he knew that wouldn't work. he's already onto his next mode of convincing. what's the next key to your heart if not for him?

"we can make instant noodles if we get back in time before bed."

by now you're fully awake and shoot him a scrutinizing squint from your unmoving position against the wall. "the buldak or the shin ramyun? choose wisely."

"hmmm ... buldak."

this sparks your interest. "good choice," your tone reflects your immediate approval, "okay, just help me up first," you make grabby hands at him to signal for him to come closer and pull you up. he rolls his eyes at your enthusiasm for the food rather than his affection, yet even if you act silly and intentionally stubborn he still does everything you ask him to just to make you happy.

and happy you are, because he falls right into your trap. before he can lift you up, you grab him by the arms with unexpected force and he almost falls on top of you if not for his quick reflexes. he has both hands on the arm rests of the chair that you're in, hovering above you just inches away from your face. he looks at you in surprise as the adrenaline from the reflexes kicks in.

you grin. "i lied, i want the kiss." you squeeze your eyes shut and purse your lips into a comedic duck-lipped, kissy face. it doesn't last long because after you feel nothing, your eyes flutter open, already giggling at how dumb and annoying you're acting. he looks like he cannot fathom how you're acting right now.

you think he's not going to do it and begin to shift your body up and out of the seat, but you're stopped half way.

"you are so frustrating, you know that," he reprimands you with a slight growl before leaning down and pressing his lips against yours. it's clear he savors the feeling despite how he feigns annoyance. you can't ever let him know he caught you by surprise and how your stomach does a flip, because he would never let you live it down.

after a moment you regain your composure (the best you can mid kiss), exceedingly satisfied with how quickly he bends to your will. you wrap your arms around his neck and pull him further into you, indulging in the feeling of his slightly chapped lips against yours. he has to steady himself by pressing his knee into the seat, right between your legs and he makes a little noise into your mouth out of surprise. you just can't help yourself if he's going to be that cute. you know that he knows this, and how that aggravates him as someone who claims to be the epitome of manliness.

what was supposed to be a quick peck turns into something more—suddenly he is hungrier for your taste after being provoked so much, turning it into an open mouthed kiss and then a slow, heated make-out session on the well worn armchair of the studio. it's hot. his breath mingles with yours. despite your consistent teasing you are more than willing to melt into his touch. your heart races at the feeling of him searching, wanting more from the heat of your mouth at such a slow and sleepy pace. you quickly feel your face heating up, following his move and willing to give him whatever he wanted from your lips. your hands roam around the expanse of his back and it feels like this moment could last forever.

as soon as you part you look at his love-stricken expression, eyes half-lidded and giving you a crooked smile as he presses his forehead into yours, breathing heavy. his lips are little swollen and pink in the aftermath. you can't help yourself from smiling too, gently running your hands through his hair and twirling bits into your fingers with a satisfied hum. your first thought was that he was so beautiful, and so, so sweet. being with him was thrilling, even if you were doing something as silly as making out like teenagers skipping class.

you're looking at his face like this is the last day you'll ever see it, just admiring how gorgeous he is. he giggles and you feel the faint breath on your cheek. "what?" he gives you a toothy grin, his voice low and raspy and delirious as if he was drunk on your taste alone.

your voice comes out small yet so in love, "'ts nothing. i just like you." which is just scratching the surface of how much you really felt about him.

he looks deep into your eyes, roaming throughout the specks of light that swim through your irises, gives you one last quick peck. "i like you too."

you smile. you know that no matter how silly or stubborn you are he would always be by your side. even when you refuse to get up and he has to coerce you to, even when you spontaneously can't get your hands off each other. you realize the mushy feelings that are bubbling in your throat and threaten to come out as happy tears. in order to break the tension, you joke, "can we still make instant noodles?"

and he laughs, and you feel the warm vibrations against your body, "yes. we can still make the noodles. promise no veggies though."

finally, the two of you get up from the armchair and he's cheesy about it. he grabs your hand, pulls you up into him and spins you. you're always ready to be silly and sappy with him, so you make sure to make a show out of it, all while snickering about how gross it all is. and finally, you make your way home. you think about how good the ramen is going to be. you think about how good it feels, right now, to walk home with him, hand in hand in the cold air of night.

𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

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thank you for reading! <3

[sieglinde-freud]

let it be known that i love prince inigo with my whole soul. however sometimes it is SO much fun to think about owain and his two most loyal-est knights you ever seen: worst guy in the world #1 and worst guy in the world #2. i love retainer inigo and severa so much. retainers who bully you and make fun of you and trash on you but they’d leave behind everyone and everything they ever knew to follow you and protect you in a whole new universe. they love you so much that they’d swear allegiance to total strangers but that loyalty pales in comparison to what they’d do for you. and they were all lovers!!!!!!!

[jaggybot3000]

in my head mind is more mentally/verbally violent towards heart and heart is more physically violent towards mind, since the "mind" is more an abstract concept than the "heart", who is named after a literal physical body part. not that heart doesn't attack mind verbally or mind doesn't ever get physical with heart, just that they prefer their respective methods because of their respective roles.

and it just makes more sense for their characters, too, in that mind would feel superior to heart, in that he only cleverly points out all that is inferior about him, and would never go down to his level by getting physical, (despite his insults clearly being an outlet for his anger/frustration at their dissonance) and in that heart, the manifestation of the best and worst of all emotions and all of their impulsive desires, would lash out physically(see:Juno Incident) in an attempt defend himself/to be seen as equal(following his own twisted logic/justification for his actions, and later trying to explain them)

tldr: my hc is that mind is mentally strong but not so much physically, heart is physically strong but not so much mentally, they prefer to attack each other in ways they know the other is weaker

[spinostarz]

has anyone else made the connection between stars being sailors' guide and whenever javert talks about stars it's symbolic of the law for him. because it's what guides him and to him it is consistent and concrete. am i late to this realization or .

like in the brick before he kills himself when he looks into the seine he doesn't see the stars. he realized the law isn't actually as dependable as he thought, the thing he relied on his whole life was pulled out from under him

[actuallyitsstar]

our past is a foreign country, our neighborhoods have changed. i was the fool who got l u c k y. you were the fool who flew s t r a i g h t. (insp).

[knockknockitsnickels]

Thinking about parallels between Ms. Beast and Tower. They're both the result of choosing to fight the princess and losing (no-knife and knife routes respectively), both have similarly boastful personalities and see you as beneath them (prey and a pet).

Something about how one becomes an animal and the other becomes a god, yet both transformations are equally dehumanizing.

[23z567]

idk vro

[pilotduty]

hello awtto nation.

rpf is fine - pilotduty