#also. do i think the season would benefit from being longer. Yes. but god The Flavor of the pc dynamics. the bitterness. the drama.

[aq2003]

hate it so bad when i see takes that make me want to put on armor and defend white man from my dnd show #3 but i truly dont believe anybody can come away from trw thinking it's ruined bc matt is boring unless they go in primed and ready to hate the whole season just bc the critical role man is there

[legokingfisher]

DR s3 predictions 💪 (contains s2p2 spoilers)

First of all. I’m so so excited for Ras manipulating Arin… i want my boy to be some sort of okay in the end, but narratively ohhh this is gonna get SO interesting im so so so so exciteddd… right now, Arin only intends to use Ras to find his parents. But I can definitely see Ras holding this information out of reach for as long as it takes to convince Arin of all sorts of fucked up shit. And Arin won’t be able to do shit about it even if he realizes he’s being toyed with, because of my favorite thing abt Ras as a villain: he is fucking Ruthless.

Although, I’m not 100% on Ras even knowing where Arin’s parents are. I don’t really buy the whole “anything Jay Walker knows, i know” thing. It’s entirely possible that IS true though. Ras is pretty decent at covering his bases. WHETHER OR NOT RAS KNOWS, though, won’t matter. Bc he can clearly be pretty convincing. And this is something Arin is extremely desperate about.

I feel like Arin will spend a lot of time (like, perhaps all of next season or even longer) grappling with the idea of helping Ras reverse the merge. There’s no way doing that will end well (since overarching themes have been unity and coping with change) but I love when characters fruitlessly reach for a past they can’t return to. I hope he gets to meet different people that give him different perspectives on the merge— some people who’ve had a rough time adjusting and have lost a lot (paralleling Arin) and people who have been okay with or even benefitted from it (paralleling Sora). I hope it helps him make the right decisions when it comes right down to it.

I wonder if they will show Sora’s grief. I hope they do because hourhrhghrrhghhghgrheghregrvrhegrgehgegrhehegrhrghgrgrhgghhhhhhhhrgrrhgrhgh. I mean because hhrgrgjeghhghrgg. I mean. Because yes he’s not dead but she would have no idea if she’ll EVER see him again at this point. This probably felt relatively out of the blue for her. The last interaction they had was a fight. Ohhhgghghhrgghh. Oh god. Listen. My roommate and I are tight as fuck. We are Sora and Arin for real. It has hurt both of us so much being apart from eachother this summer. And we only lived with each other for 1 school year. ARIN AND SORA HAVE BEEN INSEPARABLE FOR MULTIPLE YEARS, YEAR-ROUND. She’s got to be dying. She’s got to be feeling like he’s dead. She wants him back… it literally makes my chest physically hurt to think about. She doesn’t remember how to go about her day without him around. And vice versa for Arin honestly. Urggrghhgg i know it’s not that deep i know she doesn’t like Need him to survive she’s her own person and it’s not like she can’t stand alone as a character . And they aren’t genuinely codependent (im not trying to make it out like they are. I hope i never come across that way) they’re just. They belong together ok

I have Arin brainrot so most of my thoughts are Arin-centric as yall can see but. What ever (i also have more shit bouncing around my brain than this but this post is already long enough)

[thanx-files]

Gethsemane Review and Season 4 Wrap-Up

Listen. Listen. These get longer every season, but I can’t help myself. I spent a ridiculous amount of time trying to put my thoughts into comprehensible language after Gethsemane. So please, indulge me, agree with me, start a fight with me in the replies, but whatever you do, just join me in being unwell about season 4 of The X-Files. Spoilers, of course.

Gethsemane

I, a child of the 21st century, am watching this show on a streaming platform. It has long since wrapped, and I know for damn sure that David Duchovny will return as Fox Mulder for many of the seasons to follow. Even so, I am choking on this ending. What the exact and entire fuck do you mean HE DIED?

I cannot imagine watching this, then waiting MONTHS to know what happened. I know those message boards were buzzing. Not only that, but the viewers would not have had the benefit of the Dean Winchester trope thanks to which every time a main character dies you think, “it’s fine honestly don’t even worry about it, they’ll be back in two weeks.” (Even if you’re wrong.)

UGH okay now that I’ve talked about that, it’s time to be a broken record: I love to see Mulder and Scully at odds. The scene as they’re leaving the Smithsonian is ART to me. They’re no longer fighting the same war; they’re on the same battlefield, arguing about who the fuck is shooting at them in the first place.

He doesn’t see that she needs him because of how desperately she doesn’t want to need him. She says she’s out of the game while sliding all her chips into the center of the table. They’re impossible. I’m obsessed with them.

Also we got more Catholic Scully in this ep, and we know I love that, too. I love that no one can touch whatever God is to her — not a priest and not Mulder either. I love that she is unthreatened by the truth, whatever it happens to be.

Also, the dialogue this ep goes hard in general, but Mulder hearing the phrase, “They invented you” is so fucked up. He’s a cog in the very machine he hopes to dismantle. Or is he? Or was he?

This ep had me, who jumped onboard with MSR the second Mulder turned on that slide projector in the pilot, wondering if I had been wrong the whole time. Then they pulled that ending. The last seven seconds of the ep had me so fucked up. Scully getting choked up — the FBI official she’s been explaining it all to trying to keep her from saying the thing out loud. It’s overwhelming.

This has all been a lot of summary and not a lot of reviewing, but what else is new? TL;DR: This ep fucks. Favorite season finale so far, followed by Anasazi.

Season 4

One of the strengths of season 4 is how connected it all feels. With a few notable exceptions, we start up on this rollercoaster hill of autonomy, mortality, power, and the self. I know those are major themes of the whole series, but when you look at them through the lens of the cancer arc, they look kinda different. Suddenly we have foreshadowing. We have the specter of death looking in on us for more than just an episode, a moment. We start to feel like maybe something bad could actually happen to Mulder and Scully —something permanent and paradigm-shifting.

The weakness, for me, of season 4 is that it has no sense of humor. No Clyde Bruckman. No Coprophages. No Jose Chung. The episodes are good, of course, but none of them are fun! I don’t need another sitcom ep, but I do need a breath, for the love of God.

5 favorite eps:

Musings of a Cigarette-Smoking Man: Yes! I am as surprised as you are, seeing as I made a comment last season about how little patience I have for the CSM and his musings, specifically. But I find I did actually want to know who this guy is. And the fact that he’s watching the Gunmen the whole time — that’s the power thing I was talking about before. He says it himself: He could kill them anytime. But not today.

Tunguska & Terma: The first time a 2-part mytharc sequence has made it to my favorites list! I fucking love it when Alex Krycek shows his face around Mulder and Scully because he WILL stab them in the back and it WILL be dramatic as fuck. (I wrote down the phrase “just kiss already” something like 7 times in my notes during these eps, basically any time Mulder and Krycek were on screen.)

Demons: I know we all love to see a pathetic shell of a man abandoning all reason. We also love to see Scully as the deranged, protective one, stopping at nothing to save her partner. Even if said partner made some truly terrible decisions.

Gethsemane: See above.

5 least favorite eps:

The Field Where I Died: Not only was this slow and boring, but by the end, I was ready to crawl into the TV and slap Fox Mulder my own self. This case could’ve been solved and no one had to die. But he wasted their time. (Please feel free to correct me in the replies; I would actually love to be wrong.) Also, the southern accent for the big field monologue made my Carolina girl heart wither.

El Mundo Gira: That’s not even remotely what a chupacabra is. I feel like this was supposed to be our Jose Chung this season. It let me down.

Tempus Fugit & Max: Back to our regularly scheduled programming where I get lost in these two-parters because who is that? Where are they going? Who is chasing them? What? Huh?

Zero Sum: I am confused and I miss Scully. Skinner and Mulder will just do circles around each other and growl at people without her. I know this is a glimpse of the stakes of the cancer arc, but it’s not very good TV, is it?

[katurdayss]

Alright Rings of Power Ep2 live-blogging, LETS GO! (under the cut again to avoid spoilers)

Okay, episode 2 in the books. Gotta say, again I really think this show would benefit from longer seasons. This episode feels like nothing happened, because I know there’s only 8 episodes but a lot actually happened. Just not enough to move the story far enough forward to make the 8 episodes seem balanced.

Also, I remembered that Lee Pace said he had ‘elf lessons’ to learn how to move like an elf for the Hobbit movies. Did these guys get the same lessons? Even Orland Bloom mentioned trying to be more cat like in his mannerisms in the LOTR movies. Here they just feel….normal. IDK man, the elves are hit or miss for me.

The dwarves though, best thing this show is doing. Hands down. Give me more.

Shit dude another recap? Trust in the intelligence of your audience please.

God I love the expansion of dwarven culture. Also love Disa and Durin.

What you think, 3.0?

And darkness falls.

I still really don’t like the opening credits. I know it’s supposed to represent the world being sung into being but

ELVES HAVE SPIES?!

Also how the fuck do these Elves know what Sauron looks like? Like did Gil-Galad get a most wanted poster drawn up or something?

Dude I’d say read the room but yay did and don’t want to respect boundaries anyway. Basic dark lord behavior.

Well they dead. Do carrier pigeons not exist in this word? Shit man just send a pigeon, half the time half the risk.

Are they called halflings at this point? It’s alway been Harfoots up until now. Also ten bucks says they got leprosy.

oh fuck.

Father and son. Apple and tree.

Fucking love Disa. My queen.

Dejected Elrond looking like a kicked puppy, damn.

I do like the idea of song being thread throughout.

FAMILY TRAUMA.

Why the fuck did he shave his beard? He’s one of the only elves to have one canonically, let him have one.

Fear is the mind killer. There is nothing to fear but fear itself

Yes throw weapons at the people you want to take alive. Brilliant idea.

The damn leaf umbrella thing didn’t even keep Celebrimbor dry. City of smiths and you can’t even invent a working umbrella?

Doesn’t wine go bad at some point? Like the first age was a thousand years ago at least at this point. Shits gotta be rancid.

Yeah cuz this wouldn’t even be shady if we didn’t know he was Sauron. Celebrimbor must of made himself some red glasses cuz all he’s seeing are flags.

Oh hell no! This is the point in the scary movie where only the stupid people go in the house.

Yeah bullshit would the Valar be so fucking ostentatious. To quote S.W.A.T ‘real G’s move in silence.’

[prettycoolducks]

Final season 14 dr who thoughts below the cut!! Lots of thoughts. Lots of spoilers. Might add more later.

Well, first things first, I actually liked the finale more than I thought I would! It was a pleasant surprise. Yes, Sutekh was defeated very easily, like all the previous gods have been, but I enjoyed the spectacle enough that I didn't mind (unlike that ball of catch, which was the most unsatisfying death possible). Besides, I don't think it was really about Sutekh the scary dog, was it? I enjoyed the doctor's speech as he dragged Sutekh through the vortex. "If you bring death, then I must bring life, right? Right?" He really sounded like he was convincing himself. I'm sure that therapy didn't work as well as the doctor would like us to think it did, but that's been clear for a while now. Also, I cried when Ruby was reunited with her mother, which is the first time I've cried at doctor who since... what, 2017? Jeez. I liked Ruby's departure, (even though we know we're not done with her yet) though I couldn't help but think that we hardly even knew her. Some of the impact was lost because of that. I really wish this season was longer than 8 episodes, and I really wish the 8 episodes we had were longer. The extra 10 minutes of the last episode really felt nice, and if Russel wants to continue shoving overconvoluted plot at us, I think we could do with a few extra minutes of screen time.

The first part of this finale felt rushed, and characters were pushed from scene to scene without much agency in the plot. It was an episode there to tell you, "things will happen in the next episode!" Without having much happen in the episode itself. When I was watching the first part of the finale, I couldn't help but notice all the little things that have bothered me this whole season. One of which is the directing/editing.

Compositionally, lighting, color-wise-- this season has felt very flat. I can't help but think back to when people noticed that the avatar live action seemed to film everything with the intent for it it be able to be edited for phone screen format. The important actions in the episodes always took place in the very center of the screen. Almost like if you watch old shows that were filmed for old TVs reformatted for widescreen. It looks off. It feels off. Wes Anderson films things with the characters in the middle of the screen for that very reason; he likes that effect. His films always have flat acting and pastel colors and shit on purpose. It doesn't really work for doctor who because that's not what they're going for, and it affects the emotional impact on the viewer. Musically, Murray Gold composed a lot of beautiful music for this season, as always, but it almost always felt utilized in the wrong way (not his fault at all). Music would play almost the entire duration of an episode, when some moments would have worked better silent. Might be in part due to the cartoonish style of the season, but I'm not so sure of that. (Like a lot of people gave Ruby's flatness the benefit of the doubt because they assumed it was due to her being an archetypal character in a TV show or something, which was not the case we now know). Even 11's era, which played his theme every 5 minutes it felt like, knew how to utilize the music pretty well. I know a lot of the og crew of the show left during Chibnall's run, and the new crew might just be gaining their footing. We'll see.

Overall, my final thoughts on this season would be... it was fun! Was it good? Ehhh... it was okay. But it was fun!

I've noticed a lot of problems Russel had in his original four season run were exacerbated in this season, and a lot of his strengths (like his character writing) were mysteriously absent. For a season so focused on family, we barely got to see Ruby's. I don't know anything about her mom, and every time Ruby called her she was... sitting at the kitchen table. Thinking back to Jackie, who was always doing something when Rose called (laundry, watching TV, having people over, etc). What is Ruby's mom's life? It seems like she just sits in her kitchen waiting for Ruby to come back lol. I would've liked to see more of her interacting with Cherry or foster kids or like, any hint into her life. I would've liked to see Ruby's flat being more lived in! From the moment we see Rose back in season one we know a lot about her just from her apartment! Her bedroom! She's messy, she lives in a not-so-great apartment, she sleeps through her alarms! So many little things could've helped Ruby feel more real. But I digress.

In the end, better than most Chibnall stuff, worse than Russel's og run, just kind of middling overall. The end. Excited to see the Christmas special! Moffat did good his last episode this season, so, cool that he's writing the special. Okay now I'm done.

[masonscig]

Imo the pacing issue in twc doesn't come from pacing of story itself but pacing of the timeline. Like you're telling me this whole shit went down ONE MONTH after the carnival??? I know Sera said she wants to do a book-per-season but the timeline is just nonsensical

PLEASEEEE this ask made me laugh MDKMMKDF oh my god you're so right

i don't remember her saying she's doing a book per season but that is WILD... i guess it makes sense why it feels like we're literally speedrunning the relationships LMAO i truly think she would've benefitted from adding a longer break between the events – like i know that with the secret being out about the detective's blood supernaturals are attracted to the town where they live, but christ this much is happening in a couple months?

AND YES WHY IS NO ONE MOVING OUT DKMMKDFKMFDK i was just talking to friends about that, and as someone who's from a small southern town, i know how they operate, and like. it's happened in my town before where a kid has gone missing, or someone was k*lled, and it shook up the entire town – and rallied its citizens – and i know for a fact if it continually happened back to back to back, people would flee in droves LMAO also i know this is just fictional, but tbf in small towns people usually make significantly less per year, so i'm sure they're mostly working class families – im wondering just how many of them are like. meticulously saving to get out versus the ones who can't

tl;dr, true crime podcasts would eat this shit UP

[creatingnikki]

What 2020 has taught me

1. Those things that seem like content for sci fi or pure fiction are actually things that can happen. To the entire world. Like a pandemic. And to you. Like a seizure.

2. Everyone is sad. Everyone is struggling. In different ways and in different measures. Makes no one special. But you still get to feel sad for yourself and be compassionate towards others. But it's also okay to draw boundaries because you're everyone too. Remember, not special? You're sad and trying to deal with it too.

3. Every job you have will not add value to your life. It will not teach you new things or give you people you'll want to stay in touch with. Sometimes some jobs will only be a season of your life. Even if the season lasts for over a year. It's okay.

4. You know how you thought picking a college and picking a major and picking your first job and picking a specific industry were all the career decisions you had to make? Yeah, no. It's never a one time thing. You could have a job as a marketing strategist for two years and then want nothing to do with it. And then you'll have to make another decision and work towards it. So I'd like to call it moves. It's like chess. You always have to make a move. And it always has to be strategic, yes. But the truth is in your 20s it probably won't. Even if you try. And as long as you're trying, you'll be fine.

5. You may have different sorts of friends like the one you only talk to about kdrama with or the one you met when you went book shopping alone and the friendship is all about books really. That's normal. But irrespective of why and how you became friends with them, if you consider them a friend then there has to be this basic sense of care, respect and empathy for each other. I don't care what people want to say. If you're faced with the worst trauma of your life, the least your friends can do is check up on you regularly. On text. And if they don't even do that then guess what? They aren't friends. They are acquaintances. Social media and quick promises make everyone seem like your friend. But they are not. They are just nice people who will be nice to you for specific periods and then wander away like you are a speck of dust floating in their journey.

6. You speak a lot and write and you express yourself and you’re emotionally mature but oh my god. You still hold in so much. You’ve known that at a subconscious level and over the last year people - experts - have told you that. You have also realized that you make your pain and sadness about pettier things because dealing with them, admitting about them, sharing that with your friends, is easier. You do that so that you don’t have to deal with the real stuff. Because it’s so damn painful. And you don’t know how to do it. Yet. Acknowledging is the first step anyway right? I know you’re confused about how exactly to let go of all this pain and sadness and feel lighter, and you know that talking to people really isn’t the solution, but I also know you’re smart enough to figure it out. 

7. Talking about being smart...you know you’re different than others. Better. Special. Smarter. None of these are the right words. And you never voiced this out until this year because you knew it would make you come across as narcissistic. Some would say it’s because you’re an INFJ. But my mother once said that this may be the first time we are consciously living life but our souls are old and so our instinct and the things we know but can’t explain are because this isn’t the first time for our souls. The connections we feel with certain people, the reason we are so different from our siblings who grew up in the exact same environment with the exact same opportunities, our sense of right and wrong...it’s all because our souls learn and grow with each time and that’s why we are who we are. I think that’s probably how I can explain what I have always felt. That I am living in a different universe than everybody but I have to pretend to be in this one and dumb my emotions and thoughts down. Maybe that’s because my soul has lived through thousands of years while most around me are living their 100th life. Or maybe I’m just narcissistic, who knows?

8. You shift between talking in first person and second person but that’s because that’s how you think in your head and talk to yourself and live your life. You ask yourself things and you accuse yourself of things and you apologize to yourself and you comfort yourself. I think that seeps into your writing and the changing of the voices. 

9. You always genuinely thought that you’d not be afraid of dying. And then what happened this October proved you shockingly wrong. I know it’s not so much being afraid of dying but the unbearable pain of knowing what that would mean to your family. So you have to be more prudent and less reckless with your life and the choices you make. 

10. Regret is not something that plagued you but this year the realisation and pain of giving away your favourite books from your own personal collection to people you care about as a show of affection and them turning out to be ass holes or losers has hit you so hard. So, yes. No more of that shit. I really fucking want my copy of The Perks Of Being A Wallflower back. UGH. With the childhood picture of me inside it! 

11. Sleeping at 5 am in the morning stops being fun or romanticised when you realise just how much harm it does to your body and mind. Literally every single disease and disorder can be traced back to a shitty fucking sleep schedule. It’s not just the hours you sleep but also the quality of sleep and the time you sleep at. So yes sleeping for 8 hours is healthy but not if that 8 hours is from 5 am to 12 pm. ‘Not a morning person’ is just another construct of capitalism and you don’t realise how many industries profit from having you believe that and staying up late or all night. Entertainment. Food. Alcohol. Pharma. Biologically and naturally you are a bloody morning person. And you don’t need 3 cups of coffee to begin your day or your phone notifications to get you to open your eyes and brain to wake up. 

12. Sometimes you really have to stop taking people so seriously. I know the idea of treating people as casual friends or entertainment makes you want to fight that concept but you know what? Some people like Pineapple are ever only going to be good for that. No matter how much they ‘grow and change’. So keep them in the background for whenever you want some entertainment or drama. But please don’t clear up your busy schedule to meet them or send them gifts on their birthday. 

13. If you don’t have the fruit juice or green juice within half an hour of making it then you are losing out on its most optimum health benefits. Or when you remove the white stringy stuff from oranges. That’s where all the actual nutrients are.

14. I am privileged and so are most of the people I interact with. The global pandemic has been hell for a lot of people around the world. Health wise. Financially. Losing people they care about. But I was blessed enough to be safe at home and have a job that I could smoothly do from home and not have a pay cut or 4-hour long Zoom meetings. So honestly when my friends tell me 2020 has been bad I have to stop and ask them why? Yes, the crippling uncertainty and anxiety is not something that can be undermined. But most people I know had very great positive life-changing milestones this year like moving away to another country for college or taking their first solo trip or getting married. So I have to ask them. Because I am not going to agree that everybody’s 2020 and pandemic narrative is the same. 

15. Money gets spent really quickly. When I left my job earlier this year because of personal issues, I thought I had enough savings to last me a year. Full disclosure - I mean to last my personal expenses because I live with my parents. But it didn’t even last me 3 months. And so to use money wisely and buy things that provide utility than instant gratification is something to follow. Also buying one pair of really expensive but quality shoes is better than buying 5 pairs of affordable but low quality shoes that will have a very short life and force you to buy more. I know that higher price doesn’t always mean better quality but sometimes it does. And as an adult now I want to do the whole quality > quantity thing even with things and not just people. 

16. Everyone in their 20s went through a crisis of what they should do with their lives and their careers and it’s not unique to the 21st century and the challenges of today. Whether it was Vincent Van Gogh in the 19th century or Sylvia Plath in the 20th, every single person, as brilliant as them went through the torture of making these decisions and living with their consequences. You may think I picked wrong examples for they both killed themselves but you know what? They were the people who really want to live more than anyone. They knew what life meant. And maybe if mental health help was more accessible back then their lives would be longer and more peaceful. 

17. Telling people everything is overrated. You don’t have to talk about every single thing that’s on your mind or that’s going on in your life. The good and the bad and the mediocre. You have to be mindful about how much of yourself you’re giving away. 

18. Re-watch Suits when people at work feel intimidating because the confidence + negotiation tactics that they show can actually work irl cos at the end of the day no matter in what position you’re dealing with people who have emotions and fears and insecurities and desires. You understand how to leverage that nobody can get the better of you. 

19. You belong to yourself. No matter how much you love someone or how much they have done for you or how much you owe them - you belong to yourself. You can’t live your life for someone else. Everyone belongs to themselves first. No relationship, no promise, no circumstance should make you feel like you have to give up your life and make it all about them. If and when the time comes to die for them, go ahead. Take a bullet. Donate that kidney. Write them in your will. But live your life for yourself. And let them live theirs. 

20. Twenty three was a challenging year. When it started you claimed the age 23 sounds boring and insignificant. Guess it proved you wrong. It hurt so much now. But that only means you’ll look back on it later and see how it added so much wisdom and resilience to your being. It doesn’t mean that it makes all the bad things that happened to you okay. Or that you should be grateful to them. Fuck no. It means that you should be kinder to yourself because at the end of the day, your mind and body find it in themselves to deal with whatever is thrown their way. They have your back. It’s time you learn to sit straight. 

[gins-potter]

What did you think of the Chicago Fire premiere?

I really liked it!! I've seen some criticism of it that it was boring or whatever, and like absolutely valid if people thought that, but I personally really enjoyed it.

I thought that the cliffhanger was possibly a little underwhelming just because it was so obvious that Stellaride would be fine but that sex scene at the beginning? WHEW. And then I liked how they continued the drama across the episode, and I'll never turn down an Upton appearance, and then how it ended with that detective who I think is appearing in another episode down the line? Really nice set up for some drama. And then that really lovely moment that it ended with between Stellaride where Kelly had this moment of this self-reflection about what being married to Stella means and how connected they are now, I really loved that.

I really liked the set up with Carver and Stella for the season. He gives me really good vibes (I'm sure some people don't agree lol) but I'm interested to find out more about him because I feel like more had to have gone down between him and Stella at the academy. And I also like that there's a bit of pushback between Stella and Boden about him. Stella needs to be given the space and respect to command her company her way, but she also needs to give the guy the benefit of the doubt. I'm really eager to see what happens with them next week.

Hawkami were EVERYTHINGGGGG. Like oh my god Hawkins looked terrible and Jimmy's acting in that scene where Violet came to see him? HE ATE. He just looked so sad and defeated and like he wanted to have hope but also couldn't bear to get rejected again and the way he kept ducking his head? I just wanted to smooch him and hug him and tell him everything would be alright. He just clearly loves her so much and I'm so glad that she saw that. And I'm really glad that Gallo told her the truth about what he'd found out! Such a grown up moment for him! And Hawkami looked so happy at the end!

I think the only thing I really don't know how to feel about is Kyle coming back. Because like, idk, it felt a bit lacking in purpose? Like he's engaged, seems really in love with his fiancee, and he just came back to make Brett realise she wants to break up with Casey? Meh. Anyway, unfortunately Brettsey breaking up didn't surprise me. I thought doing it in like a ten second phone scene was a bit lazy but I'm also glad they didn't use Jesse coming back to do it. Idk, of course my Brettsey heart is broken but also with what came out about Kara recently, in some way I'm kinda glad just because I feel really torn over her. And like, honestly, Brettsey were kinda bumming me out because it felt like this has been coming and coming and coming so I'm glad they finally just did it and ripped the bandaid off. It does feel like a bit of a cop out though, because yes LDR are hard but also relationships in general are hard. They aren't all sunshine and rainbows and stars aligning and everything magically working out, they're loving someone so much that you want to be together no matter how hard it is, and I just wish we'd seen more of that from Sylvie (I saw Sylvie because with Matt/Jesse no longer on the show she's the only one we can see it from you know?).

Anyway, I really liked the episode! Perhaps not their strongest premiere ep ever but one that really sets us up for the season and makes me excited to see what's to come!

[jamlavender]

Gaslight, gatekeep, girlboss: Mrs Coulter, misogyny and the His Dark Materials TV show

The show went hard on misogyny as a vital part of Mrs Coulter’s backstory, and I want to talk about how they did it, and why, and how it might have been done better. This is quite long (when is anything I write not, let’s be real) so it’s under the cut. Read on for thoughts on women, power and fictional villainy.

As a quick disclaimer, though: I’ve enjoyed the show a lot! I’m so glad they made it! Ruth Wilson is mesmerising as Mrs Coulter! There’s so much to appreciate about the show overall, including many aspects of Mrs Coulter’s portrayal. But the HDM team have also made gender politics and misogyny very explicit themes of the show – particularly season two, particularly season two, episode five – and I think it’s fair to critique that.

Let’s be clear: Mrs Coulter is a villain. She murders kids by tearing out their souls. She kills and tortures friends and foes alike without a second thought. She abuses her daughter. She upholds and advances a totalitarian regime. She’s a Bad Person, as confirmed by God himself with the unforgettable line: “You are a cesspit of moral filth.” She’s fucking terrible, but, in life as in art, many of us are fascinated by how such awful people are made. What drives someone to commit atrocities? I am keen to see such questions examined in fiction, because I don’t think exploring a character necessarily means excusing their actions, and because it’s interesting (I mean, of course I find her fascinating, I’ve written a novel’s worth of fic about her). However, after a few snarky comments (“What sort of woman raised Father Graves, do you think?”) and some subtler commentary on sexuality, gender and power (her unsettling MacPhail with the key in the bra in S1E2), S2E5 drew a weird line between sexism in Mrs Coulter’s professional and academic life and her vast and senseless institutionalised child murder, and the longer I’ve sat with that the more I’m like: what the fuck?

Look, Mrs Coulter doesn’t tear apart children to search for sin inside them and poison Boreal and break a witch’s fingers because she’s experienced sexism in the workplace and in her education. That’s… a very odd thing to imply. We have to remember that there are lots of women in Lyra’s world, all of whom will also have experienced sexism, misogyny and other forms of marginalisation (many in more expansive and pernicious ways than Mrs Coulter, who’s a woman, yes, but also white, wealthy, highly educated and very thin and beautiful), and none of them are running arctic torture stations. She will have experienced misogyny, absolutely, and that will have affected her in various ways that inform how she approaches her work, but to imply that being denied a doctorate is the reason she became a sadistic killer is frankly bizarre. Here are a few of the lines from that episode with my commentary:

“Do you know who I could have been in this world?” What does this mean? If she’d been roughly the same person in our world, the answer is: Margaret Thatcher, which is probably a step down for Marisa, all things considered, because the Magisterium is far more autocratic than any recent Tory government and would be a much easier institutional environment in which to enact her cruelty. What we’re supposed to think, clearly, is that she’d have been a different person: a scientist and a mother, and she’s had this realisation because she saw a woman with a baby and a laptop and had a three-minute conversation with Mary. This doesn’t make sense. We live in our world! It’s less repressive than Lyra’s world but it’s hardly a gender utopia. If Mrs Coulter had chosen the scientist-and-mother life (which, as I’ll revisit later, she could have done in her world but chose not to because of her megalomaniac tendencies), she’d still have been affected by misogyny here too. Our world is not kind to young mothers, nor young women embroiled in scandals, nor is the world teeming with female physicists. It might be a little better, sure, but it’s hardly as if those gendered challenges would have been solved.  

“What do you mean she runs a department?” This is just the show forgetting its own canon. Marisa, you ran a massive government organisation (the GOB), including a huge murder science research initiative in the Arctic. That’s a much bigger undertaking and much more impressive than running a university department in our world. Pull yourself together.

“But because I was a woman, I was denied a doctorate by the Magisterium.” This is the show flagrantly ignoring the source material to make a clumsy political point. In the books, there are women with doctorates (notably Hannah Relf, also a major player in the new Book of Dust trilogy) and at least one women’s college full of female scholars. Now, would that women’s college likely be underfunded and disrespected compared to the men’s colleges? Almost certainly. But saying that is different than saying “I couldn’t get my doctorate!” when women in Lyra’s world can. The show knew what point they wanted to make, and were willing to ignore canon to do so, which is frustrating. Also, given that there are female academics and scientists in Lyra’s world, and that Mrs Coulter is a member of St Sophia’s college, it’s clear that she could have lived that life if she so desired. But she didn’t want that, because being a scientist and academic at St Sophia’s imbues her with no real power, and that’s what she craves.

I’m not opposed, in theory, to exploring Mrs Coulter and misogyny in more depth, but I think doing so through an examination of the sexual politics of her life would have made a lot more narrative sense and been much more powerful. It’s better evidenced in the text – her using her sexuality to manipulate people and taking lovers for political sway is entirely canon, as is her backstory where genuine love and lust blew up her life – and it links much more closely with the most shocking of her villainy, which involves cutting out children’s dæmons to stop them developing “troublesome thoughts and feelings,” referencing sexual and romantic desire (and what Lyra and Will do to save Dust is clearly a big ‘fuck you’ to those aims). She even says this to MacPhail in TAS, “If you thought for one moment that I would release my daughter into the care - the care! - of a body of men with a feverish obsession with sexuality, men with dirty fingernails, reeking of ancient sweat, men whose furtive imaginations would crawl over her body like cockroaches - if you thought I would expose my child to that, my Lord President, you are more stupid than you take me for.” Don’t get me wrong, she’d have been a villain regardless, but I do believe that there’s a much stronger link between her sexual and romantic experiences and her murder work than between professional and academic stifling and child murder. It would have been a lot more interesting and a lot less tenuous.

However, the show is trying to be family-friendly, and digging into why this terrible, cruel woman might want to cut the ability for desire and love (and other non-sexual adult feelings, I’m sure) out of people could get dark. We know that the show doesn’t want to go there, because they’ve actively toned down her weaponising her sexuality: in the books, she has an established sexual relationship with Boreal, whereas the show made it seem like she’s been stringing him along all this time, and made it about potentially ‘sharing a life’ together rather than fucking, which was clearly the arrangement in the books. Also, I think Ruth Wilson said she and Ariyon Bakare filmed a “steamy scene” together, and given that only a single chaste kiss between them aired it must have been cut. I think they deliberately minimised the sexual elements of the text, particularly regarding Mrs Coulter (the mountain scene with Asriel, which I did still love, was also a lot less horny than in the book) and replaced that with another gender issue, that of professional sexism, as if the two are interchangeable, which they are not. This is a shame, both for Mrs Coulter’s character and also for the story as a whole, because the characters’ relationships with sex and desire are an important part of the books! (If this minimised sexuality approach means that they don’t use the TAS scene where Asriel threatens to gag her and she tries to goad him into doing it, I’ll scream). Overall, I think they missed the mark here, which is a shame because I also think it could have been done well, if they’d been bolder and darker and more thoughtful.

Why might this happen? Why might the show take this approach? Why might it be latched onto by viewers? Personally, I think the conversations we have about women and power are very simplistic, which leaves us in a tight spot when we see women seizing power for themselves (even in fiction) and weaponising that against others, not just other women but people of all genders, because we struggle to move past ‘women have overall been denied power, so them taking it ‘back’ is good,’ even if that immediately becomes a hot mess of white, corporate feminism and results in the ongoing oppression of many people. I think we are so hungry for representations of powerful women that we – producers and viewers alike – struggle to see them as bad, because it’s uncomfortable to be so intoxicated by Mrs Coulter effortlessly dominating the men around her, subverting systems designed to marginalise her for her own benefit, and generally being aggressive and intelligent and ruthless, and then realise that you are entranced by someone who is, objectively, a terrible, terrible person. It can be hard to realise that if you channelled the energy of someone who mesmerises you, you’d be the villain. So instead of sitting with that (more on this below), a lot of legwork goes into reworking her villainy into, somehow, a just act, a result of oppression, as her taking back power that has been denied to her, rather than grappling with the fact that for anyone to desire power in such a merciless way, even if they have to overcome marginalisation to get it, is really, really dangerous.

The joy, of course, is that Mrs Coulter is not real! She’s not real! Adoring fictional characters does not mean condoning their (imaginary) decisions, nor do stories exist for each person in them to fit neatly into a good or bad box so you know who you’re allowed to love. Furthermore, fiction can be a fabulous tool for exploring and interrogating the parts of yourself that, if left to bloom unexamined, might perpetuate beliefs or behaviour that cause harm to others. Mrs Coulter doesn’t need to be a feminist or taking down the patriarchy or a righteous powerful woman to illuminate things about gender, power and feminism for those reading and watching. In fact, it’s important that we explore what happens when women (most commonly white, wealthy women, as she is) continue to perpetuate brutal systems under the guise of sticking it to ‘men,’ because it happens all the time in the real world, and it’s a serious issue. Finding characters like Mrs Coulter so cool and compelling doesn’t make you a bad person, but it might tell you something about yourself – not that you want to be a villain or kill kids or whatever, but something about how you relate to your gender or women or men or power – and that knowledge can be useful! We all have better and worse impulses, and finding art that helps us make sense of ourselves, both the good and bad parts, is a gift that we should relish.

Anyway, tl;dr, Mrs Coulter doesn’t need to be sympathetic or understandable or redeemable to be brilliant – but you wouldn’t know that from how she’s been portrayed in the new adaptation.

[xivu-arath]

Wanted to hear your thoughts on the possibility of Mara's literary or narrative parallel actually being Xivu instead of Savathun. It's kind of a half formed idea from stuff I've been catching up on but Xivu and Mara seem similar when it comes to...I guess intent than Savathun to Mara. Possibly, Mara being close to what Xivu would act like if she was the eldest of her siblings.

yeah I've thought this was an interesting shift in perspective now that we have savathun and mara actually in the same place! (and apologies in advance, this is going to be a bit of a ramble about everyone involved before I get to the meat of your actual inquiry). also it should go without saying, but this post is not the place to get into mara's morality or what she did wrong or right or Who Is Worse - we're here to talk about character comparisons in how they think and act!

you'd think they'd lean on those parallels (and one of the seasonal lore entries certainly does, in a very weaponized way) but savathun also brings it up of her own volition, which was certainly... a Choice

I think this is because she's certainly aware of those parallels herself, and wants to draw attention away from them. right now she's the target of so much well-deserved hate and anger, and it's to her benefit to seem vulnerable and ambiguously benevolent. if she can also undermine mara's authority or (already somewhat muddied) character to us by comparing her to her ferocious and clearly threatening sister, then... well, that's a clever blow to strike, isn't it? especially to people who are likely to care about crow and might be resentful already

but I think it goes deeper than that. I've spoken in my analysis of xivu that I believe the hive gods make up for their deliberately flattened and streamlined emotions by drawing comparisons to their experiences and memories, as well as important bonds, because otherwise their frame of reference for much of the universe is so horrifically skewed that savathun wouldn't be able to get anywhere with her manipulations. her ideas of how people are motivated just wouldn't work. sure, she's definitely dissing mara and likely trying to ensure the guardian doesn't see her in a fond light - but there's likely a grain of truth in it regardless

mara acts like savathun does, and does prize the same things she does - secrets, encryptions, security. but in season of the lost we're seeing her in a much more personal context in-game for the first time, and there... yes, they do seem to act similarly forcefully when it comes to pursuing people who are trying to keep their distance. another astral alignment dialogue notes that xivu arath's relentless attacks seem obsessive and extremely personal, and mara's interest in crow as well as her reflections on uldren are... singleminded. most notably, savathun is entirely correct that neither of them can let go of the past right now

however, I think there's a few key differences here. xivu has always been quite close to her siblings, and makes the active choice to part ways with oryx and savathun to grow her strength on her own. mara and uldren's relationship was always defined by distance, which she mourns in rare moments when she knows she's going to die and leave him in one of her lorebooks, but her control of him is extremely hands-off until he's no longer in her orbit. then she suddenly needs to regain his attention and devotion, which is a very common unbalanced family dynamic. the hive siblings are, of course, also extremely unhealthy in their Everything, but to me, xivu's intent to reach savathun is more to get an explanation and demand a return to the way things were or be back on equal ground than to wrest back control specifically. it'll still be an extremely destructive meeting, which is why savathun wants to make sure it happens after her worm is out and Things Get Real

(I'm also tagging in @synnthamonsugar, who has made posts about her own thoughts on savathun's plan here and its echoes of trying to escape an unhealthy family dynamic, which sort of attaches on to this whole topic)

I feel as a whole their motivations and goals are too different to really work as complete narrative foils. but if it continues this way for family alone (at least until we have confirmed lore for how either savathun or xivu feel about their family! bungie! please!!!) then that works out quite well

I could see an older xivu, or even if she'd been from an earlier brood entirely and was used to being the protector of the other two, would be more focused on controlling and herding them, and be more inclined to be a more... forceful variation of mara, forbidding and stifling by shutting off choices or going first

I hope this covers everything you were interested in, anon!

[stellocchia]

Here’s an analysis of the “Tommy’s Plan To Kill Dream” stream (part 1)

I noticed that my “overly long” analysis always tend to be about extremely depressing streams, so here’s me trying to change that and failing miserably because I can find angst literally everywhere!

As usual I’ll be talking about the characters only unless stated otherwise from here on out. 

The whole thing is under the cut because, as the name of this “series” suggest, I’m phisycally incapable of keeping things short

Before we proceed with the analysis we need a quick overview of Tommy’s relationship with the people he interacts with this stream so that we can all start with the same mindset: 

Tommy & Tubbo: They have obviously been very close friends since the beginning but recently Tommy has developed a sort of dependence on Tubbo which really isn’t healthy. This of course is a direct result of his second exile and his mindset moving forward after that. While with Dream and then Techno Tommy was extremely isolated and made to depend entirely on the one person providing for him. He continued this even after Doomsday, this time developing an extreme dependence on Tubbo that culminated with the line “What am I without you?” (basing your entire identity around someone else is not healthy, who’d have thought?). With the developing of the hotel post-finale he expands his system of support to include Sam and Sam Nook, but this is of course ruined with the prison arc. Tommy doesn’t trust Sam any longer and, while he still cares deeply about Sam Nook, he’s not someone that can give him emotional support. So he went back to rely soley on Tubbo (though it’s obvious throughout the stream that he’s tentatively doing so with Ranboo as well)

Tommy & Ranboo: The two of them used to be sort of close before Doomsday, Ranboo still very much admiring Tommy and considering him a friend. Thet said Ranboo is not in the very small circle of people who Tommy trusts and finding him married to his best friend and moving in together with a child didn’t help his perception of him. He feels replaced by Ranboo and sort of feels like he “stole” the only system of support he had that he could count on. Though there is a beginning of change throughout the stream. 

Tommy & Ghostbur: Their relationship is really interesting. Tommy is pretty obviously one of Ghostbur’s unfinished businesses (possibly the only one now that L’Manburg is gone) and most definitely his priority. He was the only one who offered to go with Tommy during exile and he tried to be there for him constantly. Even his return this time was Tommy-motivated as we know from what he said in Ranboo’s stream. Meanwhile Tommy’s feelings on him are very complicated. He swings between recognizing that Alivebur and Ghostbur are different entities to conflating them together any time he has a strong reminder of Alivebur (at the beginning of exile and after spending time with Void!Wilbur for example). He also has only very recently come to the full realisation that Wilbur was awful to him and that their relationship was definitely not healthy (something we can infer from him finally taking a stance on not wanting him back and him admitting that Wilbur is good at manipulating him).

Now that that’s done, let’s get into the analysis!

“Oh I forgot I died, didn’t I?” So, Tommy is in a very peculiar situation where he has to somehow process his own death and, at the moment, he’s still in a state of denial about it. He knows he died but he acts like he didn’t in the sense that he hates how it affects his life. He doesn’t want people to treat him any different (even though he IS different), he doesn’t want to acknowledge the changesto the world nor to his relationships, which is the reason why he dislikes the statues of himself so much (that and the fact that he simply never liked to have statues of him). They act as a constant phisycal reminder of what happened to him and, more importantly, how much things changed in his absence. 

One other reason why change scares him so much it’s because of how often he’s alienated from the world around him. He spent more time in exile/prison then in his own home since L’Manburg got it’s independence. He is constantly forced to live in an isolated bubble while the world around him moves forward and then, when he gets thrown back in he is never really given much time to adapt and catch up before he is thrown once more into the role of the hero/villain that he despises (after the 16th for example he was painted as a liability at his first mistake and put on trial etc despite how much he did for the country. Again after Doomsday he had the Dream fight to think about and, after that, Sam Nook asked him again to be the hero against the Egg and he, once again, was villanized by the Team Rocket. Now again he finds himself in the position where he has to take action against Dream once more).

So the stream really starts with Tommy deciding to contact Tubbo to get some help in his plan to kill Dream. He heads to Snowchester to do so (stopping before that to build Sam Nook a little wooden platform to keep him out of the rain).

On the way to Snowchester he gets trapped in the tunnel and almost drowns, making him break the glass of the tunnel. This is triggering for him for a couple of reasons (aside from drowning generally being not pog): exile reminder of his waking up drowning every day and taking damage in general seems to be a reminder of his death (he also seems to be hypersensitive in general in regard to phisycal sensations) 

The whole mansion scene is a further indicator of this new dynamic between Tubbo, Ranboo and Tommy. Tubbo and Ranboo grew extremely close as we know (got married for tax benefits, adopted a child together and, apparently, canonically fell in love after) and they are planning to move in together with their son in the mansion. This, once again, all happened while Tommy was locked in prison. The feelings of alienation for him in the situation are prevalent together with his jealousy at Ranboo as he perceives him as his replacement. 

“You married someone without me- without my permission?” “Okay, can I have your permission?” “Does he make you happy?” “Yes” “then ye- okay” Just... I’m a softie and I think that it’s very sweet that his only requirement to give his blessing is Ranboo making Tubbo happy. We stan a unconditionally supportive friend! 

“Ranboo listen, let me open up to you pal! I- I’ve been through a pretty rough time recently and- (”Yeah I can tell”) and I know that we were kind of close before I went into prison, but then you ki- Tubbo would you mind looking at that flower a bit more? You kinda stole my best friend, and that’s kinda- you know now I feel kind of very lonely- actually feel very lonely” “I didn’t steal...” “And my other friend who then turned out to be my enemy is actually dead. So I’m kinda feeling a little bit left out here, and considering I was locked in a prison for 4 weeks...” “Yeah, no, I mean... I didn’t- I didn’t steal...” “No no no no, you did, you did, didn’t you? You did!” That was a big piece of dialogue there to transcribe! Regardless Tommy doing my job for me here by literally spelling out for us how he feels about Ranboo. One thing to be noted though is that Ranboo remains calm and keeps an understanding attitude in all his interactions with Tommy. He constantly tries to be reasonable (trying to explain that he didn’t “steal” Tubbo as, you know, he has his own free will and can have more then one friend) and generally just doesn’t get mad. Keeping a non-confrontational attitude is probably the best thing he could have done here.

So after that exchange Tommy opens up to them a bit about Dream, explaining what he’s planning.

“The revive book is too much and he (Dream) is too powerful and he’s only gonna use it for evil now! He is an evil man and he used it- he used ME to prove a point and to experiment on me” “Oh my God, like a lab rat!” “Like a- like a- worse then a lab rat! A lab- a lab sock!” “A lab sock?! No!” “Oh God!” “Oh my God” This is the first time in the conversation where Tommy’s gone more in depth about his traumatic experience (though he did mention before that “Dream asked him about it” in reference to his revival). It’s honestly a really big positive that he’s opening up to someone, even if it is other two teenagers who can’t do much but be sympathetic to him. 

“I think it’s good. You don’t actually know this but I’ve been- I’ve been collecting some data, but, honestly... I’m not sure is a too good of an idea” “You said it was good” “No no  no, I didn’t mean it was good in the sense of we should-” “Ranboo’s changed you, Ranboo’s changed you! He’s manipulating you! He’s manipulative and controlling” So 2 things to unpack here:

1) Tubbo hesitance comes from both him being on his last life and how things went during the season 2 finale. He isn’t too optimistic about their chances of killing Dream (even with Dream being completely unarmed in the prison) and he’s also less passively suicidal then he was during the finale, probably because he managed to build a life for himself now. He has a home, a family and Snowchester, he doesn’t wanna loose those.

2) Because of very obvious reasons (Wilbur being abusive, Dream being abusive, Techno isolating and manipulating him and then siding with his abuser and Sam betraying his trust) Tommy views all relationships aside from his with Tubbo in a negative lense. Basically he has HUGE trust issues and he’s so used to his relationships having usually some degree of manipulation (exept for Sam, who still entirely broke his trust. Also recently found out Jack had been lying and trying to kill him as well, which probably didn’t help the issue) that he just assumes that must be the case for Tubbo and Ranboo as well. Both of them of course are fast to correct him on this as that’s really not the case. 

“So why don’t you want him to bring Wilbur back now? What suddenly changed?” “I spent months in the death... area- let’s call it ‘the death zone’, with Wilbur alright?” “The death zone?” “I spent months there. I spent months and months and months there and I was only there for a few days, Wilbur’s been there for real months. He is so different and he is fucking powerful and you know how he molds me like a piece of clay, Tubbo. (hushed) I don’t want him to come back” So here we have Tommy’s admission to Wilbur’s manipulation and how effective it is on him (most probably because of how close they used to be). We also have another hint about how dangerous Wilbur is now because of the knowledge he acquired. 

“In the mean time we also... unless we don’t kill Dream... we gonna have to stop Technoblade, ‘cause Technoblade owes him a favour” “Stop Technoblade?” “Technoblade owes him a favour and we can’t let him redeem it” When Tommy mention’s Techno, Tubbo immediately becomes even MORE hesitant about this whole thing (probably a mix of his death-related trauma, Techno exploding his nation twice and his most recent inquisition venture in Snowchester). 

“So why don’t we try to block Dream’s communication with Technoblade? ‘Cause then Technoblade would have no idea how to... redeem... the favour” “He can bring back the dead Tubbo, we need him DEAD! He’s too powerful for this server’s good and he’s a bad man and he won’t use his powers for good. And it’s not even-” “Mmmmh” “What do you mean ‘Mmmh’ Man?!” “I don’t know this really- this didn’t go too well for us last time we got all hyped up and tried to do this” Tubbo once again is mostly apprehensive because of how things went last time they were up against Dream. He also tried proposing an alternative solution to fighting that Tommy shoots down because he doesn’t think anyone should have the power that Dream has. Also, may I add that Ranboo is actually on Tommy’s side on this whole thing? Possibly because he knows as well how dangerous Dream still is. 

“Just because he’s locked up doesn’t mean his strenght is, allright?” This basically perfectly sums up the crux of the issue. Of course thanks to Quackity’s lore we know that Dream’s power now is mostly a facade, but they don’t know this. To them Dream is just as powerful now as he was before. To them the image of powerlessness that the prison gives him is the facade.

That said the conversation in the electric chair tower ends here and, as this is already so incredibly long, I’ll also end part one of the analysis here. This was also the most lore-heavy part as the rest is more light-hearted so it’ll probably be faster to cover.

[nevenabadr]

Sebastian Stan X Reader, Leather Love, Prologue

This is a prologue to Leather Love!

Note: English is not my first language.

Inspiration: this is inspired by:

· Bliss, a novel about a magical baker.

· A Dash of Magic, a novel about a magical family of bakers

Word count: 2003

Warnings: Romance, fluff, sweet words, and few explicit words

Enjoy reading and please comment with your feedback. 🖤

---------------------------------------------------------------------------------------------

You and Sebastian met at the Met Ball, an annual fundraising gala for the benefit of the Metropolitan, and you were their choice for creating the patisserie masterpieces for the evening.

As for Sebastian, the gala was enjoyable till the moment he was running away from the press.

Also, you were running away from the pressure of catering for your foremost important event of the season.

At the calmest corner of the hotel. You sat calming yourself down speaking to yourself, "I am seven stars rated Baker. One of the best around the world."

Little did you know that someone was taking a few steps and heading to that same calming place.

You were so close when you noticed that man lighting a cigarette "want one?"

He smiled at you.

"You know, that could kill you." You frowned.

"Better than anxiety" he scrunched his nose.

Smocking was something you tried once or twice for fun but never thought of as a tool for calming your nerves.

"I am Y/N by the way."

"Sebastian" he extended a hand to shake yours

You did not rush to tell him you know him and his works. You are a fan, but you still respect that he is already anxious.

"Can I ask, what are you so anxious about?" You calmly asked.

"Too many cameras, I am used to them, but I needed a moment for myself too."

You smirked "A fellow introvert, are not you?"

"Maybe," he giggled and kept smocking, "I did not get your name?"

"Your/F&L/Name, please to meet you, Sebastian." You smiled softly and noticed stars in his eyes.

"Are not you the owner of Bliss, the antique-styled bakery café in New York?" His voice was jammed with excitement.

It surprised you to be personally recognised by a star. It is always the brand that gets the enthusiasm, not you.

"Yes, in the flesh," you shrugged.

He was excited as a child just found his favourite lost toy "I love your patisserie. I even treat myself from Bliss each Sunday."

You were excited that he likes what you serve. "Have you tried our coffee?"

He hesitated "I am a Starbucks guy, sorry."

You laugh "even I, a Starbucks girl, just don't tell my workers." You winked.

"Well, look, I should prepare my surprise for the evening."

The cigarette was almost finished, and the conversation was not over, so as you started walking away, he called you back "Y/A, can I ask you for a favour."

You turned, "anything, Sebastian,"

"Can I take a VIP tour? That special thing, for me, please." He asked with puppy eyes.

He seems to be still nervous about going into the crowd. He is in the sport because of his new PR company. Adding, his ex-girlfriend fame and breakup impact was hard, especially the buzz all over Tumblr. He could not be around the media at that moment.

"Alright, come along, but no cameras or sharing my secrets." You seriously ordered

Indeed, that VIP tour was in a crowded kitchen. Everyone is busy creating a piece of heaven.

"There you are," a young man ran to you. His face draws worrying emotions and anger.

"Frank, what's wrong?"

"It is 30 minutes to delivery."

Frank started walking by your side, describing something that was going wrong and you pointed "we have time"

It surprised Sebastian that Frank did not even notice him. There in the kitchen, you were the star to be followed and the boss to be obeyed.

"Sebastian, I need you to put on gloves and follow my lead"

It surprised him to take orders now

"Frank, you go being the rest of the cupcakes, I am preparing the icing myself."

As Frank left, you give Sebastian an explanation "my staff got something wrong, I have 30 minutes to icing 500 cupcakes."

"This is better than expected. I would love to help." His soothing voice calmed down your anxiety.

He took off his jacket. He looked stunning in everything, as you thought to yourself.

He was laughing and motivating everyone around him "coming people there is a Gala to conquer."

You were icing the side of the cupcake by side, forgetting how exhausting it was to do all of this work in a short time, yet the joy on his face made this worthwhile.

"I don't remember having this much fun in my life," he was icing a chocolate cupcake

"Are you sure this is your first time?" You said playfully

"I don't even know how to cook," he shrugged, "maybe, you can teach me."

The icing went well, but both of you stayed talking and he ignored the time

"Oh, look at the time, I have a to attend that dinner."

He was fixing his clothes and hair, running too fast out of the kitchen. "Thank you Y/A."

You wish for him to stay longer, as he made this chore easier for you, at least mentally.

As he was rushing out "can I book you for a private lesson? A date maybe?"

"I thought you would never ask." Giving him your private card and going back to your staff.

The next morning, he woke up thinking of how alive he felt around Y/A. He juggled her card between his fingers, thinking whether or not to call her. He settled on calling her after mid-day or at lunch.

He took a shower and got prepared for his morning run. It is never too late for one.

He took his usual route of running passing by the Bliss, something made him stop and look for her. Maybe you were tired from all her work, but it is Sunday and he deserves his weekly treat.

Behind the counter there you were, beautiful as he remembers her from the night before.

"May, I have a cupcake please,"

You were busy talking and giving instructions to one of her staff members, yet a familiar voice turned her head "Why not trying the Bakery choice of the day?"

"If the baker herself agrees, then I am sold." He flirted.

"On the house, sir,"

You served him English cake with coffee at his table.

He stood up when you approached "oh God! You brought it yourself!" he tried to give her a hand and serve himself at the table.

"Anything for my favourite guest." You smiled as did not sit.

He was puzzled and clueless "Y/A, wait."

"Anything else?" You smirked at him.

"Will you go out with me tonight, please?" He used the charm of his puppy eyes again.

"I would love to." You glowed.

Later that day, he texted

Sebastian: You did not take my number! 🧁

Y/A: Sebastian, hey, thank you! 🙏🏻

Sebastian: tonight, when and where?

Y/A: Sushi, maybe???

Sebastian: I was thinking of an Italian fancy restaurant, gotta impress the girl. 🤷🏻‍♂️

Y/A: Not this one lolz. Just anything you like. Surprise me.

Sebastian: Fancy, it will be!

Y/A: next time, I am choosing.

Sebastian: there will be next time, huh? 😉

Y/A: haha, I've got to go. Sunday means work.

Sebastian: see ya tonight.

At your house, you are confused about what to wear.

"It is a fancy date with a handsome man that happens to be a star" you were worried, every ex you had was not even close to Sebastian's sweetness. You know that there is always a catch. This time, it might be you and your busy schedule.

You texted him your address. He arrived before his time with ten minutes holding flowers at your door.

He was dressed in a slim fit navy suit without a tie.

"You look beautiful," he complimented your little black dress and heels.

The dinner went well. Both if shared stories from your past, trying to make a career, and how hard the world is becoming.

"Baking is great but applying for investment is hellish," you discussed the situation with coming at the top.

"Your food should be decorated with prizes. I believe you won many."

He teased, as he knew that you were part of a reality show for bakers.

"It was a phase, now this is the real world." You exhaled gloomily.

Your phone ringing cut off your conversation. You excused him for taking this call.

You left the table, yet, arriving with a miserable 10 minutes later.

"Is everything okay?" He nervously asked.

You looked down at your food "I am sorry, Sebastian, I have to go"

You were anxious and irritated

"What's wrong?" He tried to soothe you.

"My angel investor is having a party. He needs me to prepare the cakes and cookies by myself." You were about to cry.

"Okay, you are pressures." He smirked playfully, trying to change your mood.

"He needs them tomorrow by noon." You asserted upon the last word.

"See, I was going to ask you to teach me, so why not today,"

He called for the check.

Sebastian drove you back to your bakery. It was almost empty by that time. Just two workers and you took Sebastian to the kitchen.

You prepared the ingredients on the counters. Sebastian asked if he can help with getting the blenders and mixing bowls. You pointed at a higher shelf opposite to you.

"Thank you, Sebastian," you were about to leave his car.

"Not yet, doll, we have cookies to prepare," he said as the cute dork he is.

You were guiding him to which thing is to add to the blender first and he was a curious student.

"Exactly, why are you hand blending that?" Pointing at the chocolate mixture in front of you.

"Because we make these with a dash of magic and bliss," you spook magically and seriously.

He paused for a moment "and I am not magic"

You raised an eyebrow, "you are my apprentice, yet, hand blend the cookies."

You came by his side, your chest at his back, and guided his arm to hand to blend the cookies.

He was blazing with fire and excitement. Ultimately, he felt at peace.

“An excellent exercise to those guns.” He teased you.

"Not as a baker's," you guided his free hand to something, "now take a pinch of magic... chocolate chips and add them."

Both of you rounded up and finished everything was in the oven. You sat on the floor drinking wine and chatting further, till the alarm of the oven called it done.

"My cookies" Sebastian pulled them out of the over, "taste what the master baked."

"Apprentice," you asserted as you pulled your cakes out of the other oven.

You let everything rest. It was almost the morning.

"They will come I pick them at 9 am, no time for home." You yawned

"Can I drive you?" He yawned too, and his eyes were sleepy.

"Cookie, you looked exhausted." It was the first time to call him so, he was surprised and delighted.

"I have a coach in my office."

Both of you laid tired and exhausted from the long day. Spontaneously he put a kiss on your forehead, you whispered at his lips "I have a better one" you took his lips on your own and shared the sweetest romantic first kiss.

"Sweet dreams, apprentice Cookie." You laid to sleep in his arms.

"Sweet dreams Y/A." He smiled against your lips and laid a kiss goodnight on them.

Yet, Sebastian had to make the last thing before he sleeps.

Guys, I made cookies

That was his message to the group chat with his best friends.

Chris: cookies, is that's a new term for sex?

Anthony: WTH @Cheis. If Sebastian mentions cookies, then he really made cookies.

Sebastian: I baked cookies

Christ: good for you, pal.

Anthony: you are waking me up at 6 in the morning for cookies.

Sebastian: and a kiss.

Anthony: my man, you should have gone for the pussy 💪🏻

Chris: language!

Sebastian: Good night oldie issues and smarty pants. 🤣🤣🤣

Sebastian looked at your peaceful face, laid another kiss on your forehead, then departed into a deep sleep.

-------------------------------------------------------------------------------------------------------------------

Tag list:

@shafverani

@imsebastiansta-n

@brokenwitty

@221bshrlocked (awaiting your feedback)

@sinner-as-saint

@zemosimp05

@buckys-fairy

[ckneal]

About a month ago, I had a fairly random revelation that Lilith was to Lucifer what Adam was to Michael. Not in the sense that she was ever his vessel, as all humans capable of serving that role are purportedly descended from Adam and Eve, and, while it’s never specifically confirmed to be true for the Supernatural universe, most lore surrounding Lilith sets her up as being too old for that.

And I also don’t necessarily mean that Lucifer and Lilith were in love—Lucifer is too egotistical and arrogant for me, personally, to believe he’s capable of a true romantic bond, and it is twice stated that he lost his virginity to Kelly Kline, in settings that leant themselves toward his credibility on this subject (musing aloud to an uncomprehending Kelly in the privacy of their bedroom, and awkwardly grappling for something to say in his first unplanned meeting with Jack, respectively)—leading me to believe that the recognizable sleazy substitute for love (lust) was not present between these two either. But, I do think that there was a connection there, and I do find myself curious about it.

After all, Lilith was willing to die to set Lucifer free from the cage. And yes, I am aware that she had made a deal with Michael to help set off the apocalypse, and she was obligated to carry out her part, but has anyone ever wondered what exactly Lilith got out of the bargain? She’s not exactly written like Eve, from season 6. She is not mothering toward demonkind. I can’t see her sharing Michael’s motivation to bring God back. The one who stood to benefit from her sacrifice, was, in fact, Lucifer. (And Michael, obviously.)

I think that the bond Lilith and Lucifer formed was a bit similar to what Adam and Michael had, in that it came from a lack of choice. I firmly believe that Lilith and Lucifer spent a decent amount of time together in Hell, just the two of them. Likely for a much longer period of time than Michael and Adam did in the cage. We don’t know exactly when Lucifer made Lilith, but we do know that he was out and moving around for awhile after the apple incident that Gadreel was incarcerated for—after all, Cain was a grown man when he caught Lucifer circling Abel and agreed to take the Mark. And bible ages are a little strange, but let’s say that that’s a good couple of decades in earth time. That’s much longer in Hell. Assuming that Lilith was turned prior to Cain, that’s a long time with Lucifer and Lilith being the only two occupants of Hell. (Well, except for Ramsey and her hellpuppies; remember she was pregnant when Lucifer saved her from extinction.)

And I wonder if in that time, the two of them could have developed a begrudging sort of friendship? Just from the forced proximity—Michael was clearly capable of decimating Lilith on sight if she went back to earth, and there weren’t exactly a lot of humans wondering around that early on in the species to provide her with cover—not to mention a meatsuit. She was pretty much stuck there, while Lucifer was presumably laying low, while he got his schemes together. Setting up the horsemen, binding Death, somehow getting and hiding the demon tablet, creating the Princes of Hell, and such. . .Just a lot of stuff, and where he used to have a vast multitude of siblings to talk to, he now just had this snarky little corrupted human soul, and I think—I think—they became friends.

And Lucifer considers this to be the filthiest thing that he’s ever done—on par with the most torrid, disgusting affair that anyone has ever had, and he still hates everything about it to this day. That’s why Lucifer never once talks about Lilith. He is nauseated by the fact that they were the original frenemies, completely disgusted and powerless to resist their intense conversational chemistry, and if they saw each other tomorrow there’s a tiny part of him that will still light up because no one has ever been more thoroughly on his level.

And it’s fucking mutual. If they saw each other tomorrow, they would exchange the most vehement of insults, maybe even physically attack one another, shouting their hatred at full volume—and then a few hours later be spotted at a coffee shop, passionately talking trash on Sam Winchester, and set terrible, terrible plans in motion that will plague Sammy’s life for the next several years. When they part ways, they would both feel intensely dirty, telling themselves that this will never happen again—but Lucifer has never been one to resist temptation, and at 3am finds himself sending that text message he knows he’ll regret later. . . “So what are your thoughts on Dean? ;)” And off they go again, all night long.

And that’s why Lilith was willing to lay down her life to set Lucifer free. And it’s also why she had her moment of doubt, when she nearly got Sam to agree to that demon deal. She had a moment of realizing that she was about to die for an asshole she doesn’t even like.

I personally like to think that Michael was the archangel who nearly came blasting in to defend Chuck that night, when Dean pulled the plug on the deal Sam was about to make (and before you try to tell me that wasn’t a real deal because Lilith was planning a trap—rewatch that scene, Sam was the one who played dirty by reaching for the demon-killing knife; Lilith was busy eyeing his crotch through his jeans and feeling up his chest). After Lilith smoked out of her meatsuit, I like to think that Michael followed her and gave a kind of prep talk, telling her that it’s important that they remember their motivations, shameful though they might be

At which point, Lilith just bursts into tears, crying, “Oh god, you’re right. . .He’s my best friend—how did this happen? How did this—Oh god, oh god, oh god, I’m going to be sick!”

Lilith sobs into Michael’s wings, while Michael is just sort of stuck standing there, because Lilith is gripping one of his four heads with both hands as she cries, while the other three are looking around for help, intensely confused because he, of course, was talking about bringing God back, and now he has no idea what to do to get out of this uncomfortable social situation that he does not understand.

And thinking about Lucifer and Lilith and Michael and Adam as parallels, it gets me asking these questions about how things would go if the roles were reversed. Would Adam willing lay down his life to free Michael from the cage? As a fanfiction writer, I enjoy the idea of saying yes.

In fact, I’m a little enamored with the idea of a parallel world where everything is flipped. Where it’s Michael in the box, and Adam running around breaking seals, Adam on that final, fateful night—after having had his moment of doubt in which he’d lured Ramiel into a secluded spot and offered to stand down and nearly banged Ramiel’s brains out in the bargain—but that’s all past, and now he’s firm in his resolve. Adam standing in front of a mirror—but instead of the white gown that Lilith wore, Adam’s in a black suit, dressed as if it were his wedding day, though he’ll never see his groom. And Raphael appearing at his elbow, looking concerned—instead of some random follower of Lilith’s, and Adam telling Raphael to be happy. Everything is going to be okay.

And it’s Adam reclining against the alter, all serene anticipation as Ramiel—the second Prince of Hell, who rejected his place in the succession because all he wanted was to live out a quiet life with his fishing gear, well away from the Pit and the Life—comes storming into the church with Zachariah at his side, assuring Ramiel that he’s trained for this, he can do it—only to have Azazel come bursting in behind them, shouting, “NO, RAMMY! IT’S WHAT HE WANTS!”

[lovelyirony]

morgan doesn’t have to be a hero. she just has to know the family that was. 

(or me ignoring everything about infinity war and endgame) 

Thinking about how Tony doesn’t tell Morgan everything about Iron Man. There are books, of course. A couple of children’s authors and illustrators thought it would be nice if the kids could see heroes on something else other than a news source that also talks about casualties and how much they actually lost. 

It’s nice for Tony, too. 

No one saw the wormhole. No one illustrates him falling out of the sky, body plummeting and seeing what the future would be. 

It’s Morgan’s favorite book, seeing the team defeat the “mean aliens.” Her eyes follow each hero. She likes Hulk the best. She likes tracing along the pages, asking “whozat” every two minutes or so. 

She finds the old armor in the garage when she’s in her “investigation” phase, and correlates it to the book. 

She doesn’t think that Iron Man is that cool. She wants the armor to be pink and green, so dad loses out on “cool points.” 

She finds the armor that he’s building for Pepper, because he’s still paranoid and worried and he wants her to be safe. 

He survived one house of his falling, and he’s not sure he’ll survive another one. 

Morgan asks about the picture at the kitchen, the one where Tony and Peter are posing for Peter’s official internship. 

“That’s...that’s your family,” Tony says, because he can just picture how excited Peter would be at having a little Morgan around, crawling everywhere. “His name is Peter.” 

He never refers to Peter in the past tense. He doesn’t know if it’s for Morgan’s benefit or his own. 

He tells her all about Spider-Man. “Spidey” becomes easier to pronounce, so they go with that. 

Sometimes mom finishes those stories while dad goes to get juice pops. 

(And look at the photo for a bit too long.) 

Morgan asks him where Spidey is, once. More than once. But the first time it was...it was painful. 

“Where is he?” Morgan asks. 

“He’s...” 

Tony doesn’t know what to say. He’s not gone. No, fuck that. Peter isn’t gone. But he’s not here, and Tony doesn’t know where he is. He doesn’t know where anyone is. 

“He lives far away, so he would have to take a long time to get here,” Pepper says, smiling. “But now, we are going to travel for the kitchen for lunch! The menu today is carrots and celery with hummus, and some fresh fruit and a sandwich. What do we think?” 

“Is the fruit seasonal?” Tony asks, voice thready. “Points off if it’s out.” 

“You’re a nerd,” Pepper says. “Yes, it’s in season. Would you mind turning the washer on? I forgot to.” 

Tony nods, and Pepper grabs his hand, squeezing. 

He was so lucky to have her in his life. 

- 

And then the Avengers are reforming. Scott Lang, aka Ant-Man, aka the weirdest superhero name he’s ever heard, has a theory. 

About time travel. 

He said he didn’t Back to the Future think about it, but he totally Back to the Future thought about it. 

The problem is that it works. 

That’s not the real problem. No, it’s not a real problem at all. He thinks about everyone returning and it’s happy and good again, and- 

He’ll have to leave. 

He hasn’t forgotten Strange’s statement. 

Only one situation where this doesn’t fail. Where we don’t fail. 

And it has to be him. 

You don’t come back from something like that. 

Usually, anyway. 

Tony’s determined that he’s coming back. That everyone is coming back. 

The whole plot of Back to the Future goes as such: Marty’s life sucks, his parents’ lives are boring, and they’re not supposed to change the future. 

They do anyways. 

And it works. That’s the thing. Out of every single “time travel is dangerous” trope, Back to the Future still shows that sometimes some changes don’t affect the future badly, it just changes it. 

Tony knows that that can be done. It has to be done, because there’s no way in hell he’s going to leave Morgan. He already pinky-promised her that they’d make a picnic for her fifth birthday, and pinky-promises are the most binding contract he’s ever been a part of so far. 

He doesn’t know what he’ll do if it can’t be done. 

- 

He has to go with Steve to get a stone. He doesn’t necessarily like that because neither of them are subtle and they’re going to see his dad. 

Which is just gonna be a ball of a time. And Tony looks like Howard, just a few slight changes, but it’s undeniable. 

As long as no one connects the dots, he’ll be fine. 

They’re both like bulls in china shops. Neither has ever been out of the spotlight, and neither have been trained very well in the art of subterfuge. 

“What, SHIELD just decide to set you loose?” Tony hisses as they’re making an escape. 

“Oh and you didn’t have any time to learn?” Steve snaps back. “Let’s go.” 

- 

Natasha almost doesn’t return. Almost. Tony’s terrified to think of what would have been happened had she still been there. 

“Dumbass,” Clint mutters. “Thinking you could jump and we wouldn’t have done shit about it. You’re stupid.” 

Natasha just has a graceful smile on. 

“You’re not allowed to be the stupid Avenger all the time, Clint.” 

“Okay I accidentally blew up a microwave one time and suddenly-” 

Tony laughs. 

Genuinely laughs. 

It’s been a while since they’ve functioned like a team. Been a longer time since they’ve been one. 

- 

They get the stones. 

Hulk gets everyone back. Bruce gets everyone back. 

He’s confusing. 

But there he is, Peter. 

Tony hugs him, and he tears up, and god he’s so glad that Peter’s back. That everyone is back. 

It feels nice. 

But they still have a fight to finish and a glove to play hot potato with. 

- 

Thanos is still formidable. He’s still skilled, still has an entire army. 

Well...they’re not outmatched for long. 

Dr. Strange opens portals, leading a whole new mass of people to help. And Tony sees Danvers, which he has yet to talk to Rhodey about. God, Rhodey had been right about her being alive. 

But that’s not important. 

- 

He’s fighting one-on-one. 

Thanos is confident that he’s going to win. 

See, that’s the thing about Tony: he may not have been trained in subterfuge, but he knows all about flouting expectations. He knows that everyone had expected so many things of him that when he did anything out of the ordinary, no one paid attention. 

This is just like that. 

Thanos snaps, only it’s not enough this time. 

It’s not going to be like last time, with Peter panicking and people screaming and tragedy lining the news for years. 

No this time? It won’t work. 

Because this is the time where the hero wins against all odds and there’s a happy ending. He’s going to make it so, no matter how much of a toll this takes. He’s getting back to Morgan and Pepper no matter what it fucking takes. 

- 

Thanos is gone. His army dissolved. 

And he is satisfied. He’s tired, but happy. And he’s fairly sure that the glove has taken its toll on his body, but he hopes to god that he’ll be okay. 

Pepper is running her hands through his hair, telling him it’ll be okay, and asking anyone for help with transportation. 

There’s one person important that didn’t get blipped, and luckily, she’s a personal friend: Helen Cho. 

Sure, it’s time-intensive. 

Yes, Morgan is mad that daddy can’t read her a bedtime story. 

But...she gets to meet Peter, torture him with forty questions a minute, and Tony gets the use of his arm back. 

So it equals itself out. 

- 

The world, for now, doesn’t need a lot of superheroes. Everyone’s still settling down, no one wants anything but normal. 

This means a lot of superheroes have no idea what to do. 

But Morgan does. 

When dad gets back and is up for playing again (which took forever), Morgan asks to see the team. 

If dad is Iron Man, then it only makes sense that he knows all the other ones. And she has a lot of questions. 

The Avengers are a...a team. God, that’s about the only thing they can call themselves now. They used to be a family but everything’s changed and stilted and awkward. 

Morgan knows none of this. 

So ergo, she decides the most amazing thing ever for her fifth birthday party is to have a picnic with the whole team. Writes them invitations and everything, makes her mom trace out the words she wants to write so that it looks “extra fancy.” 

Tony’s never been one to deny Morgan something she really wants. 

“You sure you wanna handle this? You and Steve aren’t exactly on the best of terms, and I don’t think the team has actually talked.” 

“Well, no time like a five year old’s birthday party to get to catching up.” 

- 

It’s...something. 

Morgan is blissfully unaware and everyone makes so that she stays unaware. 

This involves some...awkward conversations. 

But mostly just making peace with the fact that life happened. 

And Natasha finally has another niece, even if she’s not named after her. 

“You still should’ve,” she jokes. 

“We were thinking about it, honest,” Pepper remarks dryly. “But hey, thanks for coming. Morgan’s very excited to learn how to ‘be a spy’ in her words.” 

Natasha grins. 

“I’ll have her taking out government officials in no time.” 

“Or just teaching her how to disarm dangerous people, thank you very much,” Tony says hurriedly. 

“Didn’t peg you to be the helicopter parent, Stark,” Clint says. 

“Oh trust me, he barely left the house when she was born,” Pepper says with a laugh. “And he would check everything. I had to convince him that Morgan did actually need to sleep in her crib.” 

“She would’ve been fine by us!” Tony defends weakly. “And besides, you said you did want an office space!” 

“Working in the sunroom is fine enough,” Pepper says. “And you forget that you offered to build me one, which is an offer you still haven’t done.” 

“I saved the world, you know.” 

“Oh, did you?” 

Tony grins, popping a grape into his mouth as he sees the scene unfold. 

Morgan’s having great fun showing everyone her little hideout, and where she goes on walks. 

She’s made friends with Peter and introducing him to her stuffed animals. 

Yeah. 

Life is good. 

[just-a-fangirl13]

Why s5 *might* be the season MacRiley happens

Okay so...Hear me out! I'm not crazy I promise!!

Firstly, after 5x03 (and probably 5x04) it may seem very unlikely that MacRiley could ever happen. But I thought of a few reasons why they might actually happen by the end of s5 after all.... (it gets a lil long winded and kinda complicated but just stick with me till the end!)

1. All the MacRiley moments including the ones in 5x03.

[this Mac smile could not be an accident or something that slipped through both production and post-production right?! that in itself is a whole reason!]

Every Macriley moment we have ever had- whether it's the hugs, Riley saving Mac, Mac saving Riley, the ultimate show of loyalty when Riley went after Mac during Codex or even just the looks exchanged between the two- to any outsider it would seem pretty obvious that they are dating or at least in love. Keep in mind the writers would have written each of those scenes and Lucas and Tristan have acted them out with a specific build up in mind aka MacRiley.(think about the date episode: Riley just got dumped but was still thinking about how Mac might be hungry. She didnt have to do that. She could have just shown up at his place..) I mean how can they write two people so perfectly in sync and so perfect for each other and not have them end up together? It would just be a waste of all that tension and slow burn. (not to mention all the hugs and glances)

2. They know we exist. 

The MacRiley fam is very active on twitter with the writers and while they were writing 5x01 they knew we were around. They know we are a huge group. They would not want to risk pissing 90% of the fandom off by not making MacRiley endgame.

[P.S.yes 5x03 was a bait and switch but if you were paying attention you would have noticed that neither Lucas not Tristan live tweeted or hyped up the episode. They knew we would probably hate it so they didnt publicise it too much! so in the future if you have doubts about the episode being a MacRiley one just check their stories or posts on twitter/intstagram]

3. Yes 5x03 happened. 

I really think it was an episode they HAD to write. Ok so after 4x13 they had 7 more episodes planned and were filming 4x20 (aka the finale) when the pandemic struck. So they have these 6 episodes but no finale for it. [Idk if anyone else has noticed but in 5x01 there were clearly some parts cut out. For example the conversation between Desi and Riley towards the end seemed a bit jilted. Riley asking Desi to forgive her but Desi replied with yeah we are cool (still no apology ofc) I feel like something happened during that which ended up getting cut out so it could fit with the final story.]

This makes me think that they have rewritten a few bits to tie into the new finale episode. In 5x03 when Mac asked Desi to come fishing with him which was clearly something very personal to him she was like no do better.. then we see Mac's disappointed expression. She could have easily said okay but maybe not for our first date? Or its not really my thing? Or just about anything else rather than laughing in his face like that. Eventhough MD is together they still arent compatible. Mac’s final words in 5x03 was him being desperate. I truly think he is so broken and lost that Desi is the only safe thing left, the only thing he feels like he can fix right now. Once he finds himself again and heals...then it's going to hit him like a pile of bricks!!

4. But Riley doesn't have feelings anymore...WELL doesnt she? 

When it comes to Mac, Riley is always in denial. We saw it in s4 when she tells Bozer not to make her say it. I think s5 will show her finally accepting it. Finally accepting that she is in love with her best friend and that it definitely isnt Codex adrenaline because she caught the feels when Codex wasnt even around. While Mac's arc would include realising he and Desi are never going to work and that he is unhappy and that RILEY is the one for him.

[why else would they give Riley feelings for Mac? Something has to come of it.]

5. The slow burn rule.[this point is a lil complicated] 

Now season 5 is rumoured to have 13 episodes. So here’s what I think: If MacGyver follows the pattern that most shows do when it comes to slow burns, then technically MacRIley should have happened at the end of season 4. But since the season got cut short and they didnt get to air/finish their final episode the writers had to improvise. 

From what I know, 4x19 which is 5x04 for us is the episode where Mac meets Desi’s parents and 4x20 was supposed to be the finale that was left unfinished.(they are definitely moving the timeline ahead if a pre finale episode is suddenly a mid season one.) There might have been a 4x21 or 4x22 but I haven't heard anything about those....EVER.

So what I think they have decided to do instead is extend the MD storyline a bit longer just so they dont end up scrapping all their s4 episodes where they would be together and write a new finale that ties everything together, aka MacRiley.

If you think about episode counts, s4 and s5 together would have 26 episodes which is a how long a normal season runs. Basically what im trying to say is if we follow the ‘slow burns end by s4’ and take season 5 as an extension of 4 then MacRiley should get together in the season 5 finale or maybe the episode just before. (IM REALLY TRYING TO GET SOME LOGIC INTO THIS)

This would be a typical TV thing too where the couple finds out about each other’s feelings while the main arc of the show is also at its peak, which perfectly sets up a future season where fans are hyped but still has a satisfying ending.

6. So what about MacDesi?

So far the macgyver writers have given us characters we love. Think of every character on the show apart from maybe Desi... Mac, Riley, Bozer, Jack, Matty, Leanna, Samantha, Russ and even Murdoc. WE LOVE EVERY SINGLE ONE OF THEM. So then why is Desi such a strange character? I think shes purposely been written as an opposite to Mac or even Riley (I get she’s supposed to kinda replace Jack but Jack is really irreplaceable). 

It's not necessarily a bad thing its just not a great thing to do or have great execution. People have said things like Desi is a badass and shouldnt have to apologise or say I love you back to her boyfriend because she is a strong woman...I'm sorry but your opinion of who a strong woman is, is EXTREMELY skewed. A strong woman is someone who can make mistakes and when she does, she is ‘strong’ enough to own up to it, she is loyal and fierce and also caring while being a badass who can take down bad guys. And for GODS SAKE, RILEY DAVIS IS A STRONG WOMAN...people have called her mushy and feminine on twitter and I'm just very confused by that.....

Anyways before I go off on a rant, it seems like Desi is intentionally being written this way. Every opportunity they get to redeem her and make her more relatable or just a better person they just dont take it. While Rileys character arc is one of the best I've ever seen. Either its intentional or they’ve forgotten how to write characters...which is worrisome but ill give them the benefit of the doubt.

The writers also know we dont like Desi. The amount of times we've tagged them in the toxic posts or pointed out problematic things we can be sure they've seen at least half of those. So theres no way they dont know. RIGHT?

So why then is MD still a thing you may ask??

Well for one they cant break them up again off screen because of those unreleased s4 episodes. (not to mention the other parts of the audience who arent as invested in mac’s love life would probably be very confused.)

Secondly Mac has to be the one to pull the plug, not Desi. 4x13 made it seem like Desi was the annoyed one not Mac. He apologised to her which meant he wanted to fix things. 

Thirdly, they are opening the chpt one last time before they permanently close it. MD is going to be a stark contrast to macriley(it already is in every way possible). Every issue Mac and Desi had can be used to show how amazing macriley really is as two people who arent even dating yet.

Fourthly, MD being together is a sort of commentary on Macs mental health as well. We can see how happy he is with Riley but around Desi he becomes some one else. If the writers are doing this on purpose or subconsciously still remains to be seen.

And Yes keeping MD around for a few more episodes seems like a necessary risk right now but I have a feeling its going to be worth it later.

[I know we have had like 4 desi entered episodes already but I really think 5x04 will be the last of it since 5x05 is the Jack episode and 5x06 is Mac+Riley+Bozer episode with no mention of Desi at all!]

The writers know we are a dedicated bunch and they know that once MD breaks up for the last time the entire fandom will be waiting and watching. That's when the show will be at its peak. That will be the perfect moment to bring in MacRiley’s arc to a new start!

Congrats if you stuck with me through this whole thing! if you agree/disgaree with any of these or have other reasons why they could be endgame in s5 let me know!!

[butwhatifidothis]

I did it! Finally fucking did it! I 100% the support log for 3H….Holy shit, that took longer than I was expecting, lol. 

(Long rant, so heads up.)

I came in thinking “Oh they finally time-locked the supports, so I don’t have to have the damn cursor mocking me every time I open the menu like in Awakening and Fates, hurr hurr”. No no no no no. At least for Awakening and Fates, it was on my dumb ass for pressing the S-support and saving when I knew I shouldn’t. First off, if they wanted us to regain supports for Byleth in NG+, why the heck are supports for characters like Edelgard, Rhea, Dorothea and Lindhart locked? I don’t mean time-locked like the post-TS supports in a regular playthrough, I mean deadass “you can’t buy this, period” locked. “Oh it’s because you haven’t advanced that far in the story yet”. I can buy post-TS supports for the other characters, what makes El and Rhea exceptions?! The only thing that would be lost is that I don’t have to replay their entire route to get their S-support twice. It’s not like there’s enough differences between Bylad and Bylass to warrant the supports being locked, none of the characters specify a specific gender in their dialogue, and as far as different models go, changing models during a cutscene is coded into the game, so that should be no issue.  

After going through the monastery option enough times, the hubworld is in this weird limbo state where it feels like it was made specifically for Byleth’s benefit (faculty training, recruiting party members, etc,) but the rest of the party seems to benefit from it instead (Instructions, Motivation points, etc). The Explore vs Battle options just don’t mix well, which feels like poor design choice. You can focus on auxiliary battles to raise your party’s level, but at the cost of potentially missing out on more party members. You can instead focus on the monastery to recruit party members, but at the cost of Byleth falling behind due to splitting activity points between recruiting and faculty training, and being in the monastery means less time grinding for levels. This isn’t as much of a problem in NG+, but if a game needs NG+ to lessen a design problem, then that’s more of a sign to me that the idea itself needed more ironing out. 

 As far as using the monastery to raise support points goes, the hubworld definitely needs a revamp. The only (good) options available are Meal Time and Choir Practice, with the latter being limited to once per week and the former making me think that the monastery must eat their own weapons to survive due to how fucking scarce food ingredients are. Getting meat and fish isn’t too big of an issue so long as you have enough money, but produce might as well be an urban legend. There were too many times where I had 60+ fish/meat, but produce was at fucking 1. I get that they wanted to be “realistic” in having seeds grow once per week, but if it’s at the cost of a gameplay element being nigh unplayable, then some more thought needs to be put into it. Sothis is a goddess of life and time, maybe her powers allow Byleth to make plants grow faster. Just something to make this section actually playable. 

The final thing I wanted to talk about when it comes to the monastery is that, for some baffling reason, it is entirely possible to lock yourself out of key events like S-supports or being able to choose CF, simply by skipping to the end of the month. I’m not sure why this is a thing. It’s not like the game was designed with speedruns in mind (I mean, it is possible to beat a route in an hour, but fuck me if I ever succeeded in that), and nothing happens like a prompt popping up that you have to explore the monastery during that month or even limiting your options to just Explore (which the game has done before). This is especially weird for the quest in getting Jeralt’s ring (how to access S-supports), since Byleth is supposed to be sad in this month, so not being able to do seminars or Byleth being undeployable during auxiliary battles would make sense. 

The option to choose CF is even worse though, because at least for Jeralt’s ring it’s a Red Quest that doesn’t allow you to finish exploring unless you complete it. For Edelgard, however? A dime-a-dozen quest prompt you can entirely look over and skip. No prompt by the game, no indication to talk to Edelgard, nothing. FFS, Rhea’s tea time quest was given more thought. At least her quest marker is a unique color. 

(End of rant…sort of) 

…So anyways, that was my experience with the game, lmao. Now you or someone else may be thinking, “nonnie, if you had this many problems completing the game, why did you bother?”, and the answer to that good question is…I’m not completely sure, lol. I know there’s more than one reason why, so bear with me here. I know part of it is due to sunk-cost fallacy (“I’m already this far into the game, I might as well fully complete it”), but I think a bigger reason is because I knew ahead of time that the routes were so similar to each other that there was little point in having a route split to begin with (except for CF, but who gives a fuck about that?). Despite all of my bitching, I do really like 3H even if I admit that it’s my least favorite FE game that I’ve played so far. I guess a part of me just wanted to like the game more despite my issues with it. 

Now that I think about it, maybe the main reason was for fear of future mainline games. People are fear to like whatever part of a game that they wish, but I do think that 3H introduced some fundamental storytelling flaws that I’d rather not see repeated in the future, with me focusing on 3 in particular: 1) The Monastery, 2) Route Splits and 3) Byleth. 

Aside from what I already talked about in regards to the monastery, if we are going to get another hubworld in the new FE title, have it to where it doesn’t conflict with how the rest of the story is presented. Is it better to simply tell us that the Western Church is xenophobic in an easily skippable side quest early on, or is it better to show us? Enemy Western Church NPCs going after foreign party members like Dedue or Petra more aggressively and calling them “animals” or the like, the map having Duscari NPCs locking themselves indoors for fear that the Western Church will persecute them, things of that nature. Is it better to tell us that there has been civil unrest in the Empire and the citizens revolting against Edelgard, or is it better to show us? Enemy Adrestian Civilian NPCs, assassins specifically going after Edelgard in a map, maybe one where a large farmland has been stripped bare. Things like that. 

I’d rather do away with the Persona-calendar/Monastery hubworld, but if they are here to stay then they need enough content in it to keep the player engaged for 20-odd chapters, because there isn’t enough content in Garreg Mach to even hold up 12 chapters. Speaking of more content, if there’s going to be another route split in the next title, then there needs to be enough differences in the routes that actually warrants having a route split. Fates already did this well in having the route split be early in the game, along with the plot and story maps of each route being different, you could even skip to the route split moment on subsequent playthroughs, so 3H’s approach in having to play the same 12 chapters 3-4 times just felt like a massive downgrade. Playing multiple routes should feel rewarding rather than tedious, is what I’m trying to say. 

Finally, and most importantly, I know that no one at IS is reading this but on the off chance that someone is - please, for the love of God, do not make another blank-slate/self insert main character like Byleth. Or at the very least, don’t have them be the focal point of the story, it’s a big reason why AM just works better than the other routes. For a game like FE, “self-insert” and “protagonist” goes as well as oil and water. Now, out of those three flaws listed, the Byleth one is what I’m hard set on. The monastery and route split flaws, my opinion might be flexible within reason, but the Byleth one…not so much, lol. If we really do get another self-insert doll for a main character, that alone is going to make the next game a hard sell for me, because seeing all the praise Byleth got (and has been getting) makes me fear that IS is going to take the wrong lesson from this and think they don’t have to put effort in making their protagonist anything resembling an actual person and their audience will still lap it up. It would be one thing if I just hated the character, but I don’t. I’m disappointed, which is even worse.

…With that said, it’s still better than whatever the heck Cap’n’Crunch is doing. Okay, rant over. For real this time.

—

I agree with a lot said here! But I do have a few disagreements, though they’re mostly my opinion than anything else lol

And this first one is probably like, extremely unpopular given how much shit I’ve seen flung at this aspect of 3H, but like… I actually really like the Monastery? Like yes, absolutely, it should have done more to not shelter the player from how bad the war is and it should change more with the world instead of being in this mostly limbo state where apparently seasons don’t real. I definitely also have those complaints, but to me, the Monastery was fine for the most part. A lot of the issues you brought up, like supports and Faculty Training and supplies for eating, weren’t a problem for me almost at all. My only real gripe is with how hard it is for Byleth to get training in Flying, Mounted and especially Heavy Armor without NG+ unlocking weapons ranks, since they don’t have access to Weekly Chores. I do believe I still managed to recruit everyone while only unlocking C in Faith on my Maddening playthrough of GD, but it certainly wasn’t easy. But I feel a lot of the problem people have with it are on subsequent playthroughs where they’re trying to do things like 100% any aspect of 3H, which yeah is gonna exacerbate the issues tenfold. Cuz like, while those three weapons ranks I mentioned are hard for Byleth to raise, on Normal mode you have unlimited auxiliary battles to help with all the other ones. 

Like, I wanted to get Claude’s Dex to the max amount right? Just cuz I felt like it. And in doing that I found out just how tedious it is to get levels once a unit gets to a certain point, just cuz while Normal Mode gives you the Retreat option that lets you keep exp so you can drop a unit down on a yellow spot and get a decent boost in exp… you can do that like, twice or thrice on a story chapter. Once if it’s auxiliary (and not the freebie one). And that’s if you even have internet. And using the greenhouse to get Ailiell Pomegranates was a pain because they weren’t really guaranteed even if I used nothing but the right seed - doing that is more consistent, but not always, and I usually only got one anyway. It was annoying! But I was also doing a specific thing that’s gonna heighten the flaws in the system that I never would have noticed - didn’t even notice - unless I did that. The flaws are still there, don’t get me wrong! The Monastery definitely still needs improvement, battles still need to be a little more streamlined for future playthrough, but the flaws can seem a bit bigger than they are once you do certain things outside of a casual playthrough, know what I mean?

But, for example, when replaying 3H on hard mode and looking to recruit everyone after my no recruitment run, I didn’t come across any dilemma over “recruitment or Byleth being good, pick one.” That was the run my Byleth was usable, in fact - my first blind run that was no recruitment (save for Shamir) had my Byleth be pretty much completely useless while literally everyone else was fine. Also never came across problems with supplies for cooking (or at least not any big enough to comment on). So like, while these (and the above stuff) can certainly be problems for players trying to do everything everything in 3H, at least from my experience I just haven’t come across them. The monastery itself definitely needed a better story implementation, but yeah. I could’ve just been lucky tho lmao

I don’t mind how they implemented trying to get on CF at all tho lol. If you’ve been playing the game like it suggests you do - supporting characters and exploring the monastery  there’s no reason for players to have missed getting on CF. If players wanted to ignore one of the biggest aspects of the game I don’t really feel that bad for them when they miss out on very achievable things. Plus, CF’s requirements are nothing in terms of FE’s madness when it comes to getting on a route. It may be more specific than any other route, but like I said, playing the game as the game tells you to would naturally land you in it (the only thing that might be a bit unfair is that I think if you talk with Edelgard at all that month you have to decide right then and there, and then the whole month is lost. Kinda ass). 

Binding Blade, for example, requires you to do specific things that few first time players would think to do in multiple, random chapters in order for you to get the best ending. With absolutely no warning as to when these chapters happen and what to do in them. And some of these requirements are not fun lmao, I’d prefer how they did it with CF than with how they’ve handled ~secret~ stuff before personally

Pretty much agree with everything else though! While 3H is actually one of my more favored games in the series, I’ll be the first to admit that its storytelling is in dire need of improvement. Having the story and lore of the game just be spat out in lore dumps and this or that NPC just isn’t that good. Or if they are going to do that, at the very least give some visuals to go along with it! Imagine how much impactful Rhea’s story would have been if it was in a visual format, like CGs and/or a cutscene. It still would be an info dump, but at least we can see for ourselves how horrific the Red Canyon was for her! And I do not want another avatar in whatever next mainline game we get, personality or not. We’ve evolved past the need for self-inserts that all the characters Just Like lmao

But thanks for sharing your thoughts!! And sorry that it took so long for me to get to answering ;w;