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#also turns out:
kavaleyre · 6 months
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• The Hanged Man •
“Compared to what Falin went through? This is nothing.”
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krysmcscience · 22 days
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I have some questions about karaoke night, Alex Hirsch. Very Important Questions. Which I will happily scream at a poor hapless baby triangle who can have no answers for me, and possibly also does not have object permanence yet.
Follow-up that is I guess suggestive, but let's be real here, Bill's a fucking triangle:
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Dude slipped right into his birthday suit, lmao
this is so stupid :D
Anyway, I don't care what anyone says, this brilliant individual knows what's up - Bill is absolutely way more of a monsterfucker than Ford could or ever will be, full stop.
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beybuniki · 3 months
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bodyguard x singer bkdk for a request ^_^
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ciearcab · 5 months
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gouache falin
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tearlessrain · 6 months
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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harboretum · 3 months
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It's Make a Terrible Comic Day
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mroddmod · 5 months
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everyone be quiet i'm manifesting
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pangur-and-grim · 7 days
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I updated the breeder on what's been happening, and she called Belphie out for being bald
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wasyago · 6 months
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quiet hours
closeups under the cut :]
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i really like these
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allysketches · 6 months
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this drawing started off as tv crowley and aziraphale dressed like their book cover counterparts, but then I got carried away and it turned out... not being exactly that anymore 🤷🏻‍♀️
so... late 80s/early 90s au? (aka. literally the book lol)
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egophiliac · 2 months
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crossing my fingers and wishing upon every star that chapter 10 finally brings us the tweel cards 🤞🤞
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sunderwight · 3 months
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Headcanon that Shen Yuan was hotter than Shen Qingqiu, actually.
Like yeah SQQ being a cultivator gave him a boost to enough attributes + being in a stallion novel where everyone is either unrealistic hot or dog's butt ugly got the Shen Qingqiu body extra points, and he wasn't bad looking to begin with. Plus not being ill is vastly more important to the new Shen Qingqiu than those extra hotness points (Without a Cure notwithstanding). But part of the reason why he's kind of like, meh, at least I'm not hideous or anything, is because Shen Yuan's original body was a knock out.
I also like him as chronically ill, and, as many people know, beauty standards and sustained suffering are not as incompatible as they should be. Shen Yuan was conventionally attractive in part because conventional beauty standards seem to want everyone slowly dying all the time. But even setting that aside, the man had flawless bone structure, an appealing figure, captivating eyes, and the kind of voice that stopped people in their tracks.
All of which was a contributing factor to his antisocial lifestyle, actually. Despite the fact that Shen Yuan does enjoy company and requires a certain baseline of social enrichment for his enclosure, his internalized homophobia and closeting did not play well with overtures from interested parties (regardless of gender). The only way to minimize the odds of him being asked out on dates was to essentially become a shut-in, especially since even Shen Yuan can only make so many excuses before he himself starts to notice that he's going to a lot of effort to avoid specifically that avenue of socialization. Far better to just remove himself from any risk of it, and then vocally lament that oh no he's just too much of a nerd to get anywhere with women!
Anyway this largely doesn't matter much outside of sheer comedy potential for any situation where SY gets his old body/life back. Like imagine a reveal scenario where the System is going to transport them back to their old lives.
Shang Qinghua: well bro I guess this is gonna be the ultimate test of love, right?
Shen Yuan: what do you mean?
Shang Qinghua: our husbands are gonna see what we looked like back before we were glorious cultivators! they're going to have to track us down in our mundane, kinda shitty pre-transmigration lives! it's gonna be at least a little embarrassing, right?
Shen Yuan: *gets his old body back*
Shang Qinghua, normal human with average looks: ...
Shen Yuan, exemplary 11/10: ?
Shang Qinghua: what. the fuck?? bro what the fuck why are you hot???
Shen Yuan: don't make it weird
Shang Qinghua: make it weird??? why were you sitting at home reading my shitty novel when you could have been out there building your own harem???
Shen Yuan: stop exaggerating
Shang Qinghua: oh my god you've always been like this. this is it, isn't it? it wasn't even brain damage from the transmigration or something--
Shen Yuan: hey
Shang Qinghua: --you've just always been completely unaware, haven't you? every time I wrote a beautiful woman who didn't know her own appeal you'd be jumping down my throat--
Shen Yuan: because that's a stupid trope--!
Shang Qinghua: --JUMPING DOWN MY THROAT EXACTLY LIKE THAT but this whole time THIS WHOLE TIME it wasn't even a glow-up issue, you've just been that, personified, yourself--
Shen Yuan: look I know I'm not ugly but I'm not I'm hardly that good-looking
Shang Qinghua: YOU ARE NEVER ALLOWED TO CRITICIZE THAT TROPE AGAIN! oh my god. how many broken hearts did you leave behind when you died?!
Shen Yuan: none, I wasn't even seeing anyone--
Shang Qinghua: yeah full offense but I am nottt taking your word for that. I bet you had a harem you didn't know about in this lifetime too. I bet you had a fan club, like an anime prince
Shen Yuan: *mumbling*
Shang Qinghua: what was that?
Shen Yuan: I said... only in high school...
Shang Qinghua: oh my god
Shen Yuan: it wasn't a big deal!
Shang Qinghua: *frantically trying to see if he can find any trace of it on the internet now*
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stromblessed · 10 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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dateamonster · 5 months
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"top ten movies about Girlhood" whose girlhood? whose girlhood? what kind of girl are these movies about? answer quickly.
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asthedeathoflight · 3 months
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I think an underrated angle on 2x05 is something that either Jacob or Assad said in some interview somewhere, which is that in that episode Louis is addicted to heroin. Thats why he has that whole stash of drugs that he gives to Daniel, that's why he gives Daniel the drugs even though he's already got him alone. He didn't just use those 128 boys for sex he was using them to get high. Bring them home, get them to shoot up, and then drain them to get that secondhand high.
It clarifies something that's always confused me about that scene, which is why Armand saves Daniel the first time. He wouldn't save Daniel as a person, he clearly knows Daniel needs to die, but he's not seeing Daniel as a person there. Daniel is just a substance. He rips him away from Louis to stop him from using.
And i think that adds a whole other layer to the fight he and Armand have to think that this is Louis on a bender, with Armand cleaning up after him because he's not stable enough to. Louis in the bed for a week isn't just healing from the burns, he's going through withdrawal. Him at the table with Daniel giving him the "bright young reporter" speech is probably the first time he's been sober in months.
It adds another layer to Armand's desperation, that Louis has been running from both Armand and himself in this way, and of course Armand wants to erase that memory. Of course he wants to pretend that that fight never happened. Not just to protect himself but in a way to protect Louis from having said those things. When he describes the fight to Louis afterwards, he says "you said the worst things you've ever said to me." And he doesn't really know how to forgive Louis for that so he just wants to bury this rock-bottom moment and move on like it never happened. After all, Louis was high, he didn't really mean it, but if he remembers then maybe he might think that he had a point. Better to wipe the whole experience away.
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ditzybat · 4 months
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bruce: i just want to make sure you’re safe
tim: you microchipped me like a dog!
bruce, showing affection the only way he knows how to by planting a tracker in tim’s neck: exactly, safe.
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