#also this is the part where I say that the cast can say whatever they want on 4SD. If it contradicts the actual show I ignore it
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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Since people seem to once again be having trouble remembering the order of operations, let me just remind everyone:
The ability Laudna possesses to feed Delilah is Hunger of the Shadow. In the fight with Bor’dor, Laudna used that BEFORE Orym’s head nod. Bor’dor attacked them and her response was to do the thing she knew would give power to Delilah. Matt even makes the sound of Delilah’s heartbeat.
The spell she used after the head nod? Whither and Bloom. The same spell she later attacked Orym with, which isn’t even a warlock spell.
And speaking of the head nod, you want to know what’s it’s prefaced with? ‘Laudna you can do whatever you want.’ And Marisha responds by saying that Laudna is ‘barely present’ because she’s having ptsd flashbacks to all of the times something horrible happened to her and she couldn’t do anything about it. So she kills Bor’dor because it makes her feel in control of the situation.
And yeah, the 4SD where Liam says Orym thought Delilah might come back. Except y’all somehow took that and made it seem like he’s the one who shoved Laudna over the edge when what actually happened is that Laudna flung herself off it because betrayal is triggering to her.
And the sword. The sword which apparently wasn’t triggering enough that Imogen contemplating whether the Vanguard were good guys didn’t cause any reaction. Or for that matter, make her object to Ashton’s ‘this is permission statement.’ But she saw Orym wearing it, got uncomfortable and then all it took was one sentence from Delilah for her to decide to steal it. Delilah, who mutilated her, murdered her, has been possessing her for decades, and who basically held her soul hostage when BH wanted VM to resurrect Laudna. But what Delilah didn’t do? Tell Laudna to steal the sword.
I wasn’t around for campaign 1, but in campaign 2 I definitely noticed a trend that people who were all ‘I love women! Female characters rock!’ would, the second one of their alleged faves did something controversial (or just something they didn’t like) would find a way to shift the onus onto someone else so she could remain blameless. And that is definitely continuing this campaign, and if anything is getting worse (which, not to get into speculation, but I wonder if it’s because all of the female characters this go round are more traditionally feminine than last campaign.)
I think the reason Orym’s been getting raked across the coals so hard by certain parts of the fandom is actually because of this. Because Imogen’s repeatedly gone ‘what if the Vanguard have a point’ and Laudna agrees with everything she says, whereas Orym’s been pretty consistently ‘no, the murder cult that murdered my family are bad guys.’ And well, can’t go around admitting that our faves did something wrong.’
And so we have a situation where Laudna attacks Orym, but somehow that’s Orym’s fault because the possibility of Laudna doing something wrong ruins people’s lesbian cottegecore fantasy. But the thing is, that whole thing was all Laudna. She chose to listen to her first murderer when Delilah said ‘maybe it’s cursed’ and then she chose to blanket the room in magical darkness (sorcerer ability, not warlock) chose to cast an area of effect spell to destroy the thing Orym was using to sheath the sword (sorcerer spell, not warlock) and, upon hurting Orym, chose not to drop said darkness, which meant Orym couldn’t see who attacked him. And when she got caught, she tried to downplay what she did, tried to say that because she didn’t mean to hurt him it didn’t count, refused to apologize for actually hurting him, kept shifting her argument (and even low key got called out on it by Imogen when she asked Laudna why she’s want its power inside her if she thinks it’s so evil.)
There is an alternate universe where Laudna wakes Orym up and they have what probably would have been an intense discussion about the sword (and that might even have been what Marisha was aiming for before Delilah got involved) and THAT truly would have been the ‘both sides are equally right’ scenario, but that’s not what we got. And you can say Orym shouldn’t have taken the sword unilaterally (but somehow Laudna’s allowed to unilaterally steal and absorb it?) or that she’s being manipulated by Delilah, but the fact is that Laudna’s an adult and is responsible for her own decisions. Yes, Delilah is a powerful and malign presence that they all downplayed/ignored, but, to use Marisha’s addiction metaphor, making amends with those you’ve harmed is a part of recovery for a reason. Because ultimately, you are the one who did that. Yes, it does immensely suck for Laudna that she’s been handed the cards she has been, but it’s up to her to make the best play she can.
Wow this got long, but my overall point is that Laudna is a character with her own agency and makes her own decisions (well, Marisha makes them, but at this point y’all should know she’s not conflict averse and is willing to have her characters make controversial character choices). And really, take all that away, what’s left? How much onus can you take from a character before you might as well go look at a painting?
#critical role#cr spoilers#long post#Like this is a Marisha character and a warlock. Do you think she’s going to sit there and be pretty#some of you would hate Fig Faeth’s ‘Complicated Women��� podcast#also this is the part where I say that the cast can say whatever they want on 4SD. If it contradicts the actual show I ignore it#anyway very curious to see what happens when they get to Aeor#Imagine what happens if Delilah tried to get her to eat the beacon
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omgg lol [guy who won't stop going "more like scapeGOATED" voice] now hold! on!! lmao [same guy just saw encanto voice] Hold on!!!
#& [it might be 5am but i'll still see if i can draw some] trackpad homemade reacts. inhales & hands to head/face x9 then walking off#site giving pretty random Suggested assortment there where i was like oh right sure. prob not tumblr keywords captures lmaooo#(plus happened to have it open in firefox) but my god Not the scapegoated literal seers lmfao. whoooo. my god#also it was just really good anyways like right nice. damn#the (queerrr) seerrr the perceiverrr the truth tellerrr the ruinerrr the scapegoat be-errr the internalizerrr the neurodivergerrr#& now i Know there is 0% chance ppl weren't putting ''always a gay cousin or it's you (avuncular edition)'' in that thing#family tree design not even leaving space for the hypothetical kids of this relative we mostly pretend is nonexistent hmm#also that necessarily. it's giving all intents & purposes Disability abt a dozen ways & it's saying [accept that] vs [we'd better fix him]#you don't cite said [it's giving disability] as part of the We All Hate The Horrible Little Freak scapegoating justification & then be like#''actually we don't have to do that anymore b/c he's sooo normal :)'' or not if you're serious about [don't scapegoat your family] anyways#which like oh ok they Are serious so The Weirdo's scapegoating / casting out / lack of support Isn't justified#so he's still weird & you just gotta get over that b/c otherwise. bye. having a natural rat affinity is such a slay btw#& we've all been there like ''you NEVER want two scapegoats talking it's Over if they do'' + littlest kid is like um. they're the best#plankton voice Correct! inhale i'm so impressed like. getting to go ''finally someone Normal'' (serious abt letting someone Be Weird(tm))#which also always counts as like mm hard time suggesting someone's Not queer & also autistic for a start lmao. an award#adding in suggested layers like talking to oneself; talking Oddly / w difficulty; physical uncoordination; rituals ; acting; animal friend#the layer of ''& all that's fine? like?'' again rather than him ever suppressing or even changing it so far as it's suggested#besides that it's observed as Weird like but so? or else what? nonrhetorical: hostility / rescinded support & driving someone off is what?#& that Truth like the [worse treatment / exclusion / scapegoat] oft recipe for someone giving the support they're not getting themself#again Never let the [ppl both experiencing this] talk oh it's So over. or the child who's all i like family support & kindness actuallyy...#obviously also like the complete opposite of billions. knowing what they're about & letting this Just As Beloved crucial guy be So Weird#but billions Also [hmm feels right for our scapegoated guy to Perceive / Tell Truths / openly want/need & then be hurt] now get his ass#anyway [guy who could always go way on could go way on but only has thirty tags & it's 6am & i still mean to try some drawing] voice#remarkable amt of So True & ''it feels like ppl on the same page w/exactly what they're doing are all behind this''#remarkable amount of concentrated My God That Is So A Slay located in bruno all at once. what a gift#sticking to ''sometimes someone In Your Group is Weird. Disabled. deal'' firmly enough there's no ;) oh u can bet we'll Fix Him in the end#everyone always assumes the worst so....me when i'm [always as a kid yearning for Living In Secret Passages]. emile gtmpota?#oh congrats to whatever rando who will be having his dramatic gay reunion w/bruno just out of frame obviously. i perceive#now imagine if That rando was....emile gtmpota! what a crossover event. haunting4haunting. do i have enough tags for this lmao. yea#& having 1 more tag to say: as though the [endless serving] isn't enough bruno's also as close to gender envy as it gets. incl rats; sure
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i know i need to shut up abt it esp bc i don’t know for sure if i actually got exposed to covid but like. it’s just so fucking frustrating and terrifying. not just in the case of covid but with other things too like driving. you can take every precaution to keep yourself and the people around you safe but all it takes is one selfish careless asshole who can negate that in a heartbeat and ruin your life or maybe even end it in some circumstances. lol
#purrs#ask to tag#complete and utter despair about it all. i feel like such a freak for telling everyone to be safe and be careful all the time but this world#is so fucking scary and we are so fucking helpless. how can i not cast out this desperate fucking plea. this prayer. that harm will not#befall you even if it’s something as small as a drive to the store or a trip to a new place. i just live in fear of the people i love#getting hurt all the time and of myself getting hurt. and covid is fucking scary because we still don’t fuckng know how bad it is really or#what it can do to you in the long term and there’s no way to know if you have it until you find out you have it bc this fucking nightmare#country gutted all the covid infrastructure so it’s like. it’s just really bad. im so scared. ive been so proud of myself lately bc i feel l#like even though im still not doing great ive been less miserable and anxious like a couple months ago i was having breakdowns almost daily#and i feel like ive been getting better and this just has thrown me so bad. there are other things going on too ofc so i know im reacting#really strong but like. throwback to all the asks i just answered where anons were like idk how you even function witb the amount of anxiety#you carry with you all the time and i was reading that like but not anymore! and it turns out… no it’s still there. it just was summer and#i interacted with fewer people and went almost nowhere. and now the semester is starting again and everything is changing and it’s just. bad#also addendum to the first part of my tags: i wish i was brave enough to ask ppl to like. text me when they get to their destination safe or#whatever. i almost never think of it bc it just seems like such a forward boundary crossing thing to do + it was a bad habit from when my#separation anxiety was MUCH worse as a kid. but like… i want o do it and sometimes i need to but i repress it so hard. lawl#also to say i love you sometimes. some ppl it’s really easy and we do it all the time. others i can’t bc it crosses boundaries and it#physically hurts not to. lolll
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sometimes u put yr playlist on shuffle a song comes up and you have to put another song in the queue immediately as soon as it comes on bc it makes you think of that song
#this is abt aura by ghost and pals Sry everytime i hear it im like a fiddle This is just like devil went down to georgia and then i have to#put devil went down to georgia in the queue#i think its a fiddle innit.. it sounds like a fiddle but im also NOTORIOUSLY bad at telling instruments apart. <- guy who once couldnt tell#if something was a guitar or a piano i actually rly rly rly rly dont wanna get into it okay.#i guess you didnt know it but i am a fiddle player too 😏😏#sry. the other thing this post is abt is kiss me and ladies in their sensibilities sweeney. obviously those r connected#but if ladies in their sensibilities comes on by itself i quite literally couldnt be assed so everytime i have to put kiss me on instead an#add lits to the queue. bc them together is like the best song i ever heard its just that the beginning of lits is just kind of boring It#does get stuck i my head sometimes but the supreme part is the end thats Basically just a reprise of kiss me#but also theyre kind of the same song anyways at least o wowww i was just typing in tempo with the fiddle that was awesome. at least on the#2012 soundtrack aka the best one talk to the hand or dont i dont wanna hear it. well i do want to hear it it being the 2012 london cast#recording of sweeney todd starring michael ball and imelda staunton. ANYWAYS!! in that one the songs lead in to eachother#ive listened to all the other soundtracks but idr if they do that.. well ill tell u the movie doesnt bc it doesnt have kiss me. which is#just so. the johanna anthony romance doesnt rly have much substance in the first place and yr taking away like. their duet together. ok....#AND yr taking away the end part of lits? the best part of that song? whatever its fine its fine.#if anybody is curious my ranking of casts is 2012 > obc > movie > 2006 i fucking hate 2006 or 2005 or whatever i hate it sm it makes my#blood literally boil im sry. i fucking LOATHE it idk what it is well i do but this post is already 5000000 years long. idt the new one is#out fully yet... i was ok with the songs i have heard but idk where id rank it yet. i should prolly check if the full things out yet omg so#me and my lampstie (way of saying my siblings name if theres something deeply wrong with you) can listen :]
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i will never not find it hilarious that they completely forgot to animate patty at the very end of the final cutscene in the last three frames of the whole group
and the dub didn't even give her voiced lines when everyone was shouting they so the localization forgot about her too
#GTF Vesperia Things#the loc also changed her line from “it stopped?” to “it's over?” which is awkward#bc i'm pretty sure she was referring to the blastia+spirit's power not working as they intended#i know the DE loc was really wonky and they rly just went what's a consistency tho#but it's actually very jarring for me to play the DE version bc the loc was actually relatively on point originally#and then all the additions and changes are super awkward in the loc#like flynn saying good luck out there to yuri if you sleep at the inn at aurnion... even tho he's literally in the party#you can tell they didn't actually check the original script for accuracy/consistency AT ALL#just really feels like they didn't care much about it ultimately and just shoved it out#the remake is what i have access to rn but like... the original was def better and like#as someone who did play the original numerous times it's so blatantly obvious where they changed/added stuff#esp since patty's lines outside of anything immediately directed at her own story#were almost entirely throwaway lines they stuck in there just to give her lines to make her more present#i'd say about half of flynn's added lines if not more for anything he wasn't originally part of were similar#like anything that was exactly the same except they stuck in a few extra lines for those two#and like... i love flynn but imo the DE version really didn't do him that much more justice (n-no pun intended)#and like it doesn't matter that they did plan patty originally bc ultimately she got cut#which meant making the entire story/plot without her; so adding her back in LATER is like... why did you fucking bother removing her then#they ended up having to forcefully stick her back in anyway and whatever she would've had in the first place#prob would've been better/integrated better into the story than trying to squeeze in lines wherever possible#and I say that bc her lines (and a chunk of flynn's) don't actually change anything. chars will respond the same with or without their line#like... hearts r did really great in integrating a new char into the main party#even if i usually do NOT like additions to the main cast in remakes and is usually why i don't want remakes in the first place for tales#and then you've got innocence r which just butchered everything with its additions#and vespy is right in the middle as like... why bother (for money i know but still)#also tho honestly with how little flynn is even actually playable it's still a big why bother for me#bc yeah i do love having him there and i do love the sidequest stuff with him#but the biggest difference between hearts r and the vespy remake is that they didn't really... remake it#they just stuck new things into existing unchanged content and added a little bit more and reused the base game#if the tag count is still thirty im out of tags lol i just have a lot of Feelings abt this remake
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struggling with how to word this, but putting it out there anyway:
i can fully understand the posts on here from a lot of americans being tired of "vote blue no matter who" posts when the #1 thing that people are constantly (and sometimes only?) addressing is how the republican party is going treat trans/queer people if elected.
it's part of an unfortunate pattern of prioritizing the effects on a demographic that includes white + upper class people, when people of color and those in the global south are actively and currently being killed or relegated to circumstances in which their survival is very unlikely
it is genuinely exhausting to witness this, and i was also on the fence about even participating in voting because i a) felt like it didn't matter and b) every time i voiced being frustrated with the current state of the country, white queer people would immediately step in with "but what about trans people!" -> (i am mixed race trans man)
and i say this with unending patience toward people who do this, because i know that it's not something they actively think about. but everyone already knows how the republican party is going to treat queer people. you are probably talking to another queer person when you bring up project 2025. the issue is that, for those of us who aren't white, or for those of us who are but who are conscious of ongoing struggles for people of color worldwide, the safety of people around the world feels more urgent than our own. that is the calculation that's being made.
you're not going to win votes for the democratic party by dismissing or minimizing these realities and by continually centering (white) queer people.
very few people on here and twitter are actually talking about issues beyond queer rights that concern people of color, or how the two administrations differ on these issues instead of constantly circling back to single-issue politics. this isn't an exhaustive list. but these are the issues that have actually altered my perspective and motivated me to the point of committing to casting a vote
the biden administration has been engaged in a years-long fight to allow new applicants to DACA (Deferred Action for Childhood Arrivals, the program that allows undocumented individuals who arrived as children to remain in the country) after the Trump administration attempted to terminate it. the program is in limbo currently because of the actions of Trump-backed judges, with those who applied before the ruling being allowed to stay, but no new applications are being processed. Trump has repeatedly toyed with the idea of just deporting the 1.8 million people, but he continues to change his mind depending on whatever the fuck goes on in his head. he cannot be relied on to be sympathetic toward people of hispanic descent or to guarantee that DREAMers will be allowed stay in the country. biden + a democratic controlled congress will allow legal challenges to the DACA moratorium to gain ground.
the biden administration is open to returning and protecting portions of culturally important indigenous land in a way that the trump administration absolutely does not give a fuck. as of may 2024, they have established seven national monuments with plans to expand the San Gabriel Monument where the Gabrielino, Kizh / Tongva, the Chumash, Kitanemuk, Serrano, and Tataviam reside. the Berryessa Snow Mountain is also on the list, as a sacred region to the Patwin.
i'm recognizing that the US's plans for clean energy have often come into conflict with tribal sovereignty, and the biden administration could absolutely do better in navigating this. but the unfortunate dichotomy is that there would be zero commitment or investment in clean energy under a trump-led government, which poses an astounding existential threat and destabilizing force to the global south beyond any human-to-human conflict. climate change has caused and will continue to cause resource shortages, greater natural disasters, and near-lethal living conditions for those in the tropics - and the actions of the highest energy consumers (US) are to blame. biden has funneled billions of dollars into climate change mitigation and clean energy generation - trump does not believe that any of it matters.
i may circle back to this and add more as it comes up, but i'm hoping that those who are skeptical / discouraged / tired of the white queer-centric discourse on tumblr and twitter can at least process some of this. please feel free to add more articles + points but i'm asking for the sake of this post to please focus on issues that affect people of color.
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FAN BEHAVIOR
characters: dick grayson, jason todd, tim drake summary: batboys with a celebrity! reader content/warnings: fem! reader, fluff
DICK GRAYSON
You’re an actress who has had a meteoric rise, moving from doing small, one-off parts in TV shows to becoming a breakout star on a particularly popular series to being cast in major movie productions
Your stardom is still a little surreal to you and when you’re invited to a wayne enterprise charity gala, you contemplate not going — what business do you have being somewhere with people far more famous than you? But when you tell your agent this, she gives you a look that says you’re insane for even considering declining
You’ll forever be grateful that she urged you to do so because that’s where you meet Dick
He’s standing with Bruce Wayne, chatting with some frequent donors, dressed in a perfectly-tailored navy blue suit when he sees you out of the corner of his eye and he lights up. He approaches you first with that megawatt smile and introduces himself with an extended hand and says, “I’m a huge fan! I’ve been watching your stuff since you were in Legends of the Kingdom!” And the rest is history
Dick goes to every red carpet event you invite him to and he makes it a point to attend every private premiere screening and public opening night
He definitely shushes anyone who talks during your movies or TV shows and does not care if people think he’s obnoxious.
You’re definitely the ‘it couple’ and your faces are plastered constantly on magazine covers and two-page spreads
There are people who try to sow discord in your relationship and their go-to is either pointing out how different you are to Dick’s former girlfriends; that you’re not his type, that this isn’t going to last, etc., or that you’re not talented enough for the fame you have or to be dating Dick Grayson
It definitely gets to you and does nothing to whatever lingering imposter syndrome you harbor but Dick is such a grounding force, reminding you that it’s all just noise and that he loves you completely and unconditionally
At home, he likes to rewind your scenes in shows and movies, and it flatters you as much as it flusters you
He also likes to read through scripts with you when he can and his voices for the various other characters bring you to tears from laughter
So many intentional and unintentional thirst trap couples pics. Like, a selfie you post one morning — Dick is shirtless and you’re in one of his old t-shirts and its sliding down your shoulder and showing your collarbone and you’re both laying on your stomachs in your shared bed, hair sleep (and sex) tousled with the morning sun making both of you look like you’re golden and glowing
JASON TODD
You meet Jason as Red Hood first when you’re running from the paparazzi but you don’t know it’s him
They chase you down a couple of blocks before someone tugs you into an alleyway and you’re about to scream for help when you see who it is. Red Hood shields you as the paparazzi pass and when you ask him why he helped you, he simply says, “I hate the paps and you looked like you needed a hand.”
Once he’s sure the coast is clear, he walks you back to your hotel using the back alleys of Gotham. You make several attempts to strike a conversation up with him in the first few minutes of your walk but what seems to catch his interest is when you start rambling on about just finishing Dostoevsky’s Crime and Punishment.
You’re disappointed when you arrive at your hotel and you’re rush inside to find a pad to scribble your number on but he’s gone when you return, disappearing into the night
It’s by chance that you meet him again (unbeknownst to you), this time in his civilian identity as Jason Todd. You’re in disguise at a bookstore in Gotham when you bump into him and spill his iced coffee all over both of you, apologizing profusely and offering to buy him another drink, which he accepts. (His voice is oddly familiar to you but you can’t put your finger on why)
You two keep in touch and start dating privately. The long-distance is difficult at times given your very different and busy schedules and Jason is pretty cagey about what he does but you both make time for each other as much as possible
He tells you that he listens to your music during his workouts and in the background while he’s doing stuff around his apartment. He hums along too.
He recommends your songs to anyone who listens, which raises suspicions in the Batfam, and it obviously doesn’t take long for them to figure out that he’s dating you but he makes them promise to keep it to themselves.
Whenever you have a concert in Gotham, which you make a point to do frequently, Jason is in the VIP box, bobbing his head and mouthing along to your songs. When it ends, he’s right there backstage with flowers and a thermos of tea for your throat
Your relationship goes public when fans capture of video of you two leaving one of your concerts together, Jason’s leather jacket draped over your shoulders
You eventually move to Gotham to be closer to him and the two of you spend every free moment either of you have together, making up for lost time.
You still try to keep your relationship as private as possible but fans eat up any crumbs they get, including the occasional selfie of you both
He is your biggest inspiration for songs and also your biggest help. You love bouncing ideas off of him and he likes sitting with you when you pick at your guitar strings and mumble a half-formed melody
(You eventually do find out that he’s Red Hood when he tumbles through the window of your bedroom, bleeding profusely, and you have to take his helmet off to assess the damage)
TIM DRAKE
You’ve known Tim since you were kids given that your parents ran in the same social circles
You started out as a child model in department store clothing catalogs. Tim did some shoots with you too but while his parents eventually stopped auditioning him for such jobs, you continued until the present day, and you’re now a well-known supermodel
You two have been friends forever and the internet laps up your interactions together. There are compilations of videos and photos of the two of you at banquets and red carpet events and memes with text like “when will someone look at me like that?”
Before you two even started dating, there were articles about a supposed romance and sexual tension between you two. In interviews, you would vehemently deny anything asked about it and reiterate that you two are just good friends
At some point, however, you start seeing your childhood friend in a different light. He’s kind, brilliant, funny, attentive, and very handsome. It’s not that you didn’t know that before but it’s different now. You find yourself shying away his casual touches and suddenly conscious of your actions around him — did you laugh too loud? Is your hair in your face? Does he know how you feel? Can he tell?
You don’t want to ruin your friendship, as cliche as it sounds, so you did your best to keep your feelings under wraps, which resulted in you distancing yourself. When Tim would text to congratulate you on your latest Vogue cover or runway show, you would simply shoot a simple ‘thanks!’ text back instead of the usual ‘THANK U’ followed by five heart emojis.
He confronts you about it one day and you’ve never really been a good liar in front of him so you tell him, bracing for a gentle rejection but instead receiving a kiss.
You made a hard launch post with him on Instagram and received hundreds of DMs of people saying they were vindicated in believing that “friends don’t look at each other like that”
Tim is in the front row at every single runway show you have, dressed impeccably in an expensive suit. He takes pictures of you and visits you backstage with your favorite sweet treat.
After fashion shows and other events, you return to his apartment to let your hair down and put your feet up. You do your skincare routines together, sheet face mask and all, and snuggle on the couch for some TV or just to hang out and talk endlessly
You’re very active on social media with him and you two have a lot of couples posts together. When you both have time, you do Instagram lives where people watch you two make dinner together or answer some questions from viewers. A fan favorite is when you choose outfits for each other.
During a runway, you blow a kiss at Tim in the audience and the camera zooms in on his face, where he just watches you with a lovestruck expression and bright red ears — it’s in almost every video compilation that’s titled something like ‘15 minutes of Tim Drake being a simp’
#✶ nove writes#dc comics x reader#dc x reader#dick grayson x reader#nightwing x reader#jason todd x reader#red hood x reader#tim drake x reader#red robin x reader#nightwing scenario#nightwing imagine#red hood scenario#red hood imagine#red robin scenario#red robin imagine#dc comics imagine#batboys x reader#fic: fan behavior
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happiest season // ellie williams
*・゜゚・* summary: the gang's all back together for christmas! no matter how hectic life gets, you always make time for your end of year outing.
*・゜゚・* pairing: modern!ellie x reader ft. jesse and dina
*・゜゚・* content: sfw. ellie fucking sucks at ice skating
*・゜゚・* length: 2.1k
this fic is a part two to this blurb! i loved writing the dynamic so much i had to continue it... there will be more coming trust. *dutch voice* i have a plan. also i don't even like xmas that much so i have no idea where this came from. just felt right. i hope you all enjoy, and have an amazing festive period with your loved ones <3
gift bag in hand, you wander into the restaurant. there’s cheesy christmas music drifting through the speakers, a tree in the corner, lights everywhere; you immediately spot jesse and dina, the latter waving at you as soon as you enter.
“hey!” she greets when you walk up, standing to put her arms around you. “how are you?”
“good, good,” you reply, one-handedly returning her embrace before leaning down to give jesse a quick hug. “you?”
“good. i mean, life is fucking killing me in general, but y’know.” she sits back down, watching as you place your belongings to the side and shuffle your chair in. “where’s ellie?”
you shrug. “no idea, i haven’t talked to her today. probably isn’t even on her way yet.”
“most likely,” jesse adds, smirking.
“has anyone texted her?” you ask, looking between the two of them.
the couple share a glance, wordlessly confirming before looking back at you.
“uh… no,” jesse states.
“dude.”
you pull your phone out, knowing all too well what ellie’s like. even if she knows she has to be somewhere, she’ll stay up way too late; and if no-one gets in touch with her in the morning, she won’t be up and ready for it.
selecting her contact and calling her, you press your phone to your ear. she surprisingly answers after two rings, clearly walking down the street, wind whipping past the microphone.
“hello?”
“just checking you’re awake.”
“uh, okay, sorry, i’m literally… like, ‘round the corner.”
“hurry up, ‘cause the manager says if all members of the party aren’t here in five minutes we’re getting kicked out,” you deadpan, casting a smirk at your friends.
“very funny.”
you automatically turn your head when you hear the door open, both through your phone and behind you. ellie bustles through it, phone between her ear and shoulder, waving with her free hand before ending the call. she heads over to the table, taking the empty seat beside you. dina looks on, giving her an exaggerated offended stare.
“uh, the fuck, do i not get a hug?”
ellie rolls her eyes with a small smile, gesturing her over. “come here.”
dina happily totters over, leaning over ellie’s chair and wrapping her arms around her shoulders from behind. ellie shifts her hand, giving her forearm a few pats before she pulls away.
“happy?”
“yup.” dina sits back down, budging her chair in before clapping her hands together lightly. “okay. gifts before or after food?”
ellie scoffs lightly at her impatience. “i literally just got here.”
“you want everyone to say before, 'cause you want yours now,” jesse comments fondly, leaning an elbow on the table.
“… correct. but i really don’t mind, whatever you guys wanna do.”
“i don’t mind. we can do it now,” you add.
dina’s eyes flit between each of you mischievously. “can we do it now?”
“let’s do it now,” you confirm with a chuckle, leaning forward and pointing your hand at dina. “you first — your idea.”
she grins, reaching to pick up her gift bag and holding it out to ellie. “i got you.”
ellie takes it from her, smirking lightly as she takes out the tissue paper on top. her expression changes when she sees the first item, eyebrows scrunching and letting out a drawn-out scoff. “bro, what the fuck?”
dina laughs knowingly.
“what is it?” jesse questions, chuckling lightly. she just holds it up in reply, pivoting it back and forth so you can all see, avoiding eye contact with you. it’s a hot pink bullet vibrator.
“y’know… ‘cause you’re gay and stuff,” dina jovially explains, holding her hands up in gesture. ellie just stares at her, blinking slowly and holding back a laugh. “ladies’ll love it.”
“what ladies?” jesse remarks quietly, earning himself a light-hearted tap from ellie’s shoe under the table.
“anyway…” ellie gingerly sets the box down on the table, digging back through the bag. “thank you for that, dina.”
the rest of the gifts are sweet; she’d gotten her a dinosaur mug, her favorite chips, and a band tee. she holds them up in turn for you all to look at, placing everything back in when she’s done and thanking dina.
dina nods in acknowledgement, smiling warmly. you all look at ellie expectantly, who settles into her chair holding a clueless expression on her face.
“it’s your turn,” jesse reminds her after a moment of silence.
“oh, shit, yeah.” she sits back up, picking up her gift bag from the floor and passing it over to you, dragging the action out in amplified suspense. you grin, taking it from her gently. “thank you.”
dipping your hand in, you take out the first item. it’s your favorite scent of candle, one you always had on in your room. you’d never mentioned anything about it to her, but ellie was like that. always quietly noticing.
there’s another, bigger item in there, too. you pull it out the wrong way, turning it around to get a look; it’s a framed painting of your favorite musician.
“oh my god, this is awesome!” you say, looking at ellie. “where did you get this?”
“uh, i didn’t…” she trails off softly, looking down at her hands for a moment. “i made it.”
your eyebrows raise, smile widening. “no fucking way. you painted this?”
there’s a small, coy smile on her face as she nods. “… you like it?”
“you serious? i love it, this is like the coolest thing ever.” you look back at the painting, studying the fine details; it looks like it took her a good while. “thank you so much.”
“wait, i wanna see!” dina chimes in, reaching over the table for it.
jesse leans in as you pass it over, peering over her shoulder. “woah… this is good, ellie. why the hell weren’t you my secret santa?”
ellie tuts playfully, leaning back in her chair and crossing her arms. “you’d have gotten coal.”
the rest of the gift exchange goes ahead, temporarily halted by the waiter coming to take your orders. you got dina; dina got jesse.
the secret santa was a silly tradition you’d upheld over the years. one that became more precious when you left high school, and you and ellie got into a different college as the other two. you still saw each other wherever possible, and had a group chat that was active daily; still, it was hard being away from your closest childhood friends. you found yourself missing just being able to text dina to come pick you up, getting drive-thru and talking shit in her car until the early hours.
every year when you were all home for christmas, you made a point of meeting up. while normally all busy with your own plans, no matter what, you’d always clear your schedule for at least one day.
after the meal, dina announces that she’s booked ice skating — to which ellie lets out a groan.
“why?” she complains, drawing the word out. “you know i’m horrible at it.”
“yeah, why do you think i made the reservation?” dina counters teasingly. ellie just gives her a look.
when you get down there, in the middle of lacing up your skates, ellie flops down next to you to put hers on and lets out a dramatic sigh.
you cast her a sideways glance, smirking fondly. “oh, shut up, it’ll be fun.”
“you don’t understand, i fucking suck.”
“get a penguin,” you respond, chuckling as you finish up, leaning back to wait for her.
she lets out a laugh. “no… embarrassing.”
“plenty of people have them.” you gesture out to the rink.
“yeah, they’re all ten and under.”
rolling your eyes, you train your gaze on dina already out there. she whizzes past fairly gracefully, dragging jesse along. “hold dina’s hand, she’s pretty good.”
“no, she goes too fast. i’d end up eating shit.”
“i think that’s gonna happen either way.”
she sighs lightly, pulling a dejected face as she finishes tying her laces. going to stand, you offer a hand to haul her up, keeping hold of it as you both dodder over to the edge of the rink.
you get on first, a little unsteady; you’re passable at skating, at best. ellie hesitantly places a first foot onto the ice, free hand clinging onto the side as she ungracefully enters fully. one of the skates almost goes out from under her and catapults her flying into the barrier; it nearly takes you out, too, sending you off balance.
failing to hold back from laughing at her, you give her hand a squeeze. “ellie, oh my god.”
“i fuckin’ told you!”
“look, you’ll be fine, just hold onto the side and i’ll, like… drag you.”
“real elegant.”
you raise an eyebrow, jutting your neck slightly forward in gesture. “rather fend for yourself?”
she pauses, sheepishly looking to the left, then back at you. “… no.”
“come on, then.”
it goes about how you expected, moving along at a snail’s pace, ellie practically white-knuckling the barrier. by the time you’ve gotten to the other side of the rink, dina and jesse have passed you twice; on the first, teasingly cackling at you, on the second, calling out, ‘losers’.
you pat ellie’s arm in jest, giggling at the exclamation. “don’t listen to them, they’re mean.”
not long after, you actually come up behind two people slower than you; a young boy and a grandma, trailing around the edge of the rink hand-in-hand. you deal with it for a few minutes, but the thought of being stuck behind them the whole time proves too irritating.
“we’re gonna pass these people,” you mutter to ellie, leaning in. “you’re gonna have to let go, and—“
she cuts you off, shaking her head vehemently. “no, no, no. dude, i can’t.”
“you gotta. literally just let go for like, two seconds, hold onto me while we go around. it’s chill.”
you were wrong — it was not, in fact, chill. essentially the second ellie lets go of the barrier, she panics and wobbles. that, in turn, makes her panic even more, and she completely loses her footing. calling out your name in comical distress, she goes down in a heap, automatically grasping onto the back of your jacket and bringing you down with her.
you crack up after the shock of hitting frigid, wet ice wears off. it seeps through your sleeves and jeans, goosebumps forming. “ellie, what the fuck?”
“i’m sorry,” she laughs along, sitting up and flicking the moisture off of her hands. “i’m so sorry.”
you manage to get over to the side and hoist yourself up. whilst you’re in the process of attempting to get ellie on her feet without being yanked back down, jesse and dina fly past again, cheering dramatically at the sight.
ellie turns to flip them off; the motion destabilizes her, and she topples and lands flat on her ass all over again.
later, when you’ve all hugged and parted ways, you’re in your childhood bedroom winding down when you receive a series of texts from her.
you head over to the corner of your room where you’d dropped your stuff on entry, taking your gifts out of the bag and rechecking. camouflaged against the interior, flat against the bottom, there’s a small envelope addressed to you.
opening it and taking out the folded paper, you can’t hold back from smiling. it’s a letter, decorated with silly stickers.
i just wanted to write you a letter to let you know how much i appreciate you :) i am very lucky to have you in my life and i always look forward to spending time with you even if we’re just hanging out in each other’s rooms and rotting.
i kinda struggle with getting to know people (woah shock) and when i first moved i was so fucking worried i was gonna literally have no friends LOL. but right from the beginning you, jesse and dina made it so easy. don’t tell them this because i'll never hear the end of it, but it was mainly you. you were always going out of your way to talk to me and include me and stuff, and it meant a lot. and at risk of sounding super weird as soon as i saw you, i knew you were going to be an important person to me.
back in school when we were applying to college, honestly i was scared that you were going to end up going somewhere different to me. like to the point i wouldn’t be able to sleep some nights because i’d just be up thinking about it. anyway, i’m so glad it all worked out. wouldn’t wanna do this shit with anyone else <3
love you always
ellie
heading back over to your bed to grab your phone, you text her again, letter sitting at the side of you.
#hope everyone understands the way the 'right right' in the texts is supposed to be read#as in the video of the woman like have you ever had a krispy kreme.....#*crickets chirp*#anyway merry christmas!#tlou#tlou2#ellie williams#ellie williams fluff#ellie x reader#ellie x you#ellie williams x reader#ellie williams x you#ellie williams tlou2#wlw fic#lesbian fic#ellie#modern!ellie williams#modern!ellie#my writing#abbysleftbicepp#kaykeryyy
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Addressing the OBX drama and the speculations:
Was JJ’s Death planned?
No, Rudy asked to leave the show. It wasn’t something the writers planned. He didn’t want to renew, the writers were rightfully upset and then decided to kill JJ off.
Did the writers/producers create an uncomfortable set?
No, they didn’t. This post is not true. The brothers were never inappropriate.
Was Madison a bully on set?
I’ve seen a post going around of someone saying Madison was a bully, controlling the set, and bluntly treating Rudy and crew members like crap. That is NOT true.
Was Rudy’s decision sudden?
Yes and No. No as in he let the Pates know ahead of time he didn’t want to continue (some time during the strike, so they had time to change what was already written). Yes, as in they were shocked by it.
Was there on set drama between Rudy and the Pates?
Yes, there was many disagreements/personal problems during s4. Yes, Elaine was involved and so was Lilah Pate. They are civil now.
Why did every ship but Jiara get a still?
The jiara still does exist but idk why it was not released. My source doesn’t know either and I don’t want to spread something not true. Rudy and Madison took pictures just like everybody else did.
Why did the cast chemistry seem off in part 2?
They shot episodes 1-5 first, THEN 10, then 6-9. The cast didn’t know rudy asked to leave until they received the script for episode 10. You can tell there was a drastic change between JJ and Kiara in part 2 because after the cast found out, Madison was upset with Rudy and his decision, so she didn’t put in as much effort into the scenes with him. She was upset because she knew that would mean the near end of obx and her character… in a way.
Was there alternate endings?
Yes, but that was only because they wanted to see if rudy would change his mind. There was even scenes where a funeral was shot (obviously they didn’t air it so I’m assuming they’re saving it for s5). From March-June of 2024, they spent the entire time doing reshoots of some scenes. That is why some things don’t make sense.
Did Rudy and Madison talk on set?
Yes, but not closely or anything. They’re not friends, they just did the scenes they had to do and that was it. All those people saying they’re hiding their friendship from the cameras or whatever… that is not true sorry. The pates can’t force them to act like best friends as long as they were doing their scenes.
Why did Jiara have “less” than everybody else?
It’s true that Jiara scenes were toned down. Part of it was Rudy asking for it. Madison didn’t care as much. Another part was just Rudy and Madison not doing more than what the script asked.
Was Elaine uncomfortable with Jiara scenes?
Yes, and she has been since s2. It got worse during s3 and obviously s4. That was part of the conflict.
What is the Rudy and Madison Drama?
Obviously what happened between them is private. It wasn’t the fans. The fans were more so the catalyst to something that had been brewing.
It is true that the girlfriends are involved and that they weren’t happy. Madison hurt Rudy, but not by being a bully. It was emotionally. The feeling was then returned on his end and it just got worse from there. It didn’t help when the girlfriends and fans were involved. It is true that it’s not a coincidence this happened when they both got involved with relationships. Most of you have speculated correctly, that is all I will say. I think you know by now what I’m trying to say.
Also when I say fans, I don’t mean the “shipping.” They never cared about that. What I do mean is that all this drama happened when Jiara fans were at their peak. Them wanting to see those characters together put Rudy and Madison in a problematic situation because they knew they couldn’t avoid each other on screen. Instead they just did so off screen.
Should the Writers/ Directors/ Producers stepped in?
Yes, but what I need you guys to understand is that these writers were basically father figures to those actors. They watched them grow their careers, supported them, made them who they are now. It’s hard when you spent so much time with each other and became a genuine family. Even their conflict with Elaine was hard because Jonas knew her family, his wife treated her like a daughter, and lilah treated her like a sister. They had every right to be bitter because from their POV, it’s basically like “hey I trusted you to bring my project to life and now I’m being forced to go in a direction I never wanted to go in.”
What’s going on behind the scenes right now?
A mess. They knew it would be bad but infact it is worse and they know that.
Am I reliable?
Honestly I don’t care if you believe me or not. You didn’t before and I got attacked (literal death threats in my inbox). I’m just a messenger. I’ve given you info before and clearly I didn’t lie about it. It’s up to you to decide.
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just this once // ln4
word count: 2.7k warnings: smut, sexual themes, intimacy themes, secrecy, conflicts of loyalty, romantic tension and suggestive content includes: friends to lovers, fluff, best friends little sister, brothers best friend summary: basically porn with a little plot - sorry. or not? if you don't want to read the explicit part, i've added a red line where it starts and ends
PART THREE previous part - next part
tag list: sltwins sarx164 hadesnumber1daughter fullmugwolffish willowsnook
MINORS DO NOT READ
As you slip into your pajamas, the soft cotton of your loose tank top and shorts providing comfort against your skin, the phone on your night stand buzzes. You sigh, feeling drained from the long night out and the emotional rollercoaster with Lando. You rub at the remaining mascara under your eyes, trying to wipe away any still left. In your softly lit room, a single lamp casts shadows on the walls as you crawl into your bed. It's a cozy escape from the night you’d just had. As you settle under the covers, the warmth of the day lingers on your skin while your chosen movie's gentle hum adds to the soothing atmosphere, creating a peaceful state of mind.
The name on your phone screen, however, makes you freeze when you finally look at it.
Lando: You still up?
Your pulse quickens. After the night you’d just had—the stolen glances, heated touches, Max hovering too close—you aren’t sure you’re ready for more of whatever this was.
You: Just about to crash. Why?
His reply comes seconds later.
Lando: Because I’m out front.
Your heart skips a beat.
You: Are you serious? Why?
Lando: Come find out.
You hesitate, knowing that letting him in will only create more complications. But the memory of his touch and the taste of his lips still linger on your skin, making the decision for you. You throw on a cardigan and walk to your front door. Through the security system's camera, you see Lando leaning casually against the door, dressed in his usual hoodie and jeans and looking far too confident for someone who showed up uninvited at this late hour. Exhaling deeply, you buzz him in and crack open your apartment door. As he steps out of the elevator, his familiar scent fills the hallway - clean, warm, with a hint of musk.
“Are you insane?” you ask him, crossing your arms and cocking an eyebrow.
“Probably,” he answers with a grin. “But I couldn’t just stay home after tonight.”
“You could’ve texted me like a normal person instead of lurking outside my building.”
“Would you have replied if I had?”
You open your mouth to argue, but the words die on your tongue. He has a point. Lando's gaze softens as it sweeps over your appearance, his grin turning lopsided. His eyes linger on your pajamas, taking in the cute patterns and soft fabric. You suddenly feel self-conscious under his scrutiny, but also oddly flattered, “Cute .”
“Don’t start,” you warn, the sound of your voice echoing off the walls as you shut the door behind him. He holds up his hands in mock surrender but doesn’t move from where he’s standing in the entryway. His eyes are fixed on you, studying you with a penetrating gaze, like he’s trying to decipher some deep mystery.
“What are you doing here, Lando?” you ask again, your voice barely above a whisper now.
He shrugs, his usual confident demeanor faltering for a brief moment. “Honestly? I just wanted to see you.”
Your heart skips a beat at his confession. The air between you seems charged and heavy, pulsing with unspoken emotions.
He takes a step closer, his hands casually slipping into the pockets of his hoodie. “All night, all I could think about was you. The way you looked at me, the way you felt when we danced... And then Max was there, and I couldn’t do anything about it.”
“Lando…”
But he interrupts with a low and sincere voice, “I know we said ‘one time’, but it doesn't feel like enough. Not after tonight.”
Your defenses start to crumble as his words sink in. You want to say something, anything, but before you can, he closes the distance between you. “You drive me crazy, you know that?” He murmurs, gently brushing his hands over your arms. “Right back atcha,” you admit, barely above a whisper.
That's all he needs to hear. His lips are on yours before either of you can overthink it, his hands pulling you closer by your waist. This kiss feels different from the last time - not playful or teasing like before, but deeper, filled with all the pent up frustration and longing.
Your hands find their way to his hoodie, gripping onto the fabric as he guides you backwards towards the couch. When your knees hit the cushions, you both break apart for a moment to catch your breath. “Are we really doing this?” Your voice trembles as you ask.
He rests his forehead against yours, his thumb tracing circles on your hip. “If you tell me to stop, I will.” But you don't. Instead, you pull him back into another kiss—your answer clear.
“Don’t stop,” you breathe out, voice low. The atmosphere is charged now, every sensation amplified—the brush of his fingers against your skin like the whisper of a checkered flag, the heat of your bodies close enough to ignite. This moment has an intensity about it, like standing on the brink of a cliff, hurtling towards something that is both unknown and alluring.
You crash your lips against his with a newfound intensity, the decision made and the line crossed. Your hands, emboldened, slip beneath the soft fabric of his hoodie, exploring the contours of a body built by countless hours in the cockpit and gym. You feel every ridge of muscle, every pulse of his quickening heartbeat against your palms.
“Your hands are freezing,” Lando chuckles breathlessly, but there's a thrill in his voice that tells you he doesn't mind the chill. Or perhaps it’s the contrast he enjoys—the fire between you set against the ice of your touch. “Maybe you should warm them up then,” you tease back, your voice a raspy whisper, a green light flashing in your mind, urging you not to stop.
With a gentle tug, his hoodie is off, tossed carelessly into the shadowy corner of the room. There's an urgency now—a need to explore the terrain of his skin, to map out every part of him. Your breaths mingle, hot and fast, as you navigate this new intimacy. The world outside fades away until there's nothing left but the electric current buzzing between you, threatening to short-circuit your self-control.
Lando's eyes lock with yours, dark and intense. His pupils are blown wide, reflecting the dim light of the room. You can see the conflict there—the eagerness entwined with hesitation. “Are you sure about this?” he asks once again, his voice husky. You make a mental note to remember this about this. This carefulness, the way he needs to make sure, you’re sure.
Your answer is to pull him closer, eliminating what little space remains between you. You can feel the heat radiating off his bare skin, smell the intoxicating mix of his cologne and sweat. Your fingers trace the lines of his abs, feeling them tense under your touch. “I've never been more sure of anything,” you breathe against his neck before pressing my your lips to skin of his neck, feeling his sharp intake of breath, the way his hands tighten on your hips.
__________________________
Suddenly, you’re falling backwards onto the couch, Lando following, his body covering yours. The weight of him is intoxicating, pressing you into the cushions. Your legs part instinctively, allowing him to settle between them. The friction as he shifts against you sends sparks shooting through your body.
“Fuck,” Lando breathes, his forehead resting against yours. His curls tickle your face, and you reach up to run your fingers through them, marveling at their softness. You arch up, desperate for more contact, more friction, more of everything. Lando groans, the sound vibrating through his chest and into yours. His hands are everywhere—skimming down your sides, slipping under your shirt, leaving trails of fire in their wake.
“Too many clothes,” you mutter, fumbling with the hem of your own shirt. Lando helps, his fingers brushing against your skin as he pulls the fabric up and over your head. The cool air hits your exposed skin, raising goosebumps. His eyes roam hungrily over your body, his gaze so intense you can almost feel it like a physical touch.
“God, you're beautiful,” he murmurs, voice thick with eagerness. His hand traces the curve of your waist, fingertips dancing along your ribs. You shiver, arching into his touch. The moment stretches, charged with electricity. You can hear the pounding of your own heart, see the rapid rise and fall of Lando's chest. The air feels thick, heavy with anticipation. You reach for him, pulling him down for a searing kiss. His lips are soft but insistent against yours, tongue seeking entrance. You grant it willingly, moaning softly as the kiss deepens. Lando's hips grind against yours, the friction sending shockwaves through your body. Your fingers dig into his shoulders, urging him closer. The kiss grows more desperate, teeth clashing, breaths mingling.
Lando's lips trail down your neck, nipping and sucking at the sensitive skin. You tilt your head, giving him better access. His stubble scratches deliciously against your throat as he works his way lower. When he reaches your collarbone, he pauses, looking up at you through his lashes.
“Is this okay?” he asks, voice rough with longing.
You nod, unable to form words. Your skin feels like it's on fire, every nerve ending hypersensitive. Lando continues his descent, pressing open-mouthed kisses along the swell of your breasts. His hands come up to cup them, thumbs brushing over them. “Lando,” you gasp, your voice breathy and desperate. “Please...”
He smirks against your skin, clearly enjoying the effect he's having on you. "Please what?" he murmurs, his breath hot against your chest. You squirm beneath him, desperate for more contact. "Don't tease," you whine, fingers tangling in his curls. Lando chuckles, the sound vibrating through you. "But teasing is so much fun," he says, punctuating his words with a gentle nip at your collarbone.
"Tell me what you want," he murmurs against your neck, his breath hot on your skin. "You," You gasp. "All of you."
He groans, grinding his hips against yours. The friction is delicious but not enough. You slide your hands down his back, feeling the muscles flex under your palms, before slipping them into the waistband of his jeans. Lando inhales sharply, "Fuck, you're driving me crazy,".
"These need to come off," You breathe, tugging at the fabric. Lando nods, his eyes dark with desire. He shifts and fumbles with the button of his jeans. You fumble with your shorts. Then you’re both looking at eachother, panting, "Like what you see?" Lando teases, voice low and husky, clearly enjoying the effect he's having on you.
"Shut up," you mutter, reaching for him. He laughs, the sound rich and warm, before leaning down to capture your lips again. This kiss is slower, deeper, filled with a hunger that makes your toes curl. His hands roam your body, leaving trails of fire in their wake.
You arch into his touch, desperate for more. Your fingers trace the planes of his back, feeling the muscles flex beneath your palms. Lando groans into your mouth, hips grinding against yours. The friction is delicious but not enough. You need more. As if he knows, his fingers finally dip between your thighs.
"Fuck," Lando breathes, his voice rough. "You're so wet." You can only whimper in response as he starts to move his fingers. Your hips buck against his hand, chasing the sensation, "Lando," you pant, "Please, I need you." He groans, pressing his forehead against yours. "Are you sure?"
"Yes," You breathe. "God, yes." He reaches for his discarded jeans, fumbling with the pocket for a condom. Lando's hands tremble slightly as he rolls on the condom, his eyes never leaving yours. The anticipation builds, an intensity of desire thrumming through your veins. He positions himself between your thighs, the heat of him scorching against your skin. With excruciating slowness, he pushes in, stretching and filling you completely. You both gasp at the sensation, overwhelmed by the intensity. Lando stills, his forehead presses against yours, breath coming in short pants. "You okay?" he whispers, voice strained with the effort of holding back. "Yes," you breathe, lifting your hips. "Move, please." He obliges, starting a slow, steady rhythm that has you seeing stars. Your fingers dig into his shoulders, urging him closer, deeper. The room fills with the sound of skin on skin, breathless moans, and whispered encouragements.
Lando's lips find yours in a searing kiss as he picks up the pace. You match him thrust for thrust, lost in the sensation of him moving inside you. Your world narrows to just this - the slide of his skin against yours, the pressure building with each thrust, a burning tension deep in your core. Lando's rhythm falters, his movements becoming more erratic. You can tell he's close. His hand snakes between your bodies, fingers finding that sensitive bundle of nerves. The added stimulation is almost too much. "Fuck, Lando," you gasp, arching into him. "I'm so close." He groans, burying his face in your neck. "Come for me, baby," he murmurs against your skin, his voice rough and desperate. It's those words that send you over the edge. Your release crashes over you in waves of white-hot pleasure. You cry out, fingers digging into Lando's back as your body shudders beneath him. The pulsing of your inner walls triggers his own climax. With a strangled moan of your name, he stills, burying his face in your neck.
For a moment, you lie there, tangled together, your chests heaving as you catch your breaths. The room feels charged, electric, the air thick with the scent of sex and sweat. The warm, solid weight of Lando's body pressing down on you creates a sense of security and connection, his skin smooth and warm against yours. You run your fingers through his damp curls, savoring the intimacy of the moment.
Lando lifts his head, his eyes meeting yours. There's a vulnerability there you’ve never seen before, a softness that makes your heart skip. He opens his mouth as if to say something, then closes it again, seemingly at a loss for words. "Hey," you whisper, cupping his cheek. "You okay?" He nods, a small smile tugging at his lips. "More than okay," he murmurs, leaning down to press a gentle kiss to your lips. "That was..."
"Yeah," you nod in agreement.
As the afterglow fades, reality starts to creep back in. Lando shifts, gently pulling away from you, and you both wince slightly at the loss of contact. He disposes of the condom and reaches for his discarded clothes, his movements slow. You sit up, suddenly feeling exposed, and pull a throw blanket over yourself. The silence stretches between you, heavy with unspoken words and lingering questions. Lando runs a hand through his tousled curls, his gaze flicking to you and then away again. "So..." he starts. You interrupt him, "That happened."
__________________________
He chuckles softly, the sound vibrating through his chest. "Yeah, it did." His hand finds yours, fingers intertwining. "Any regrets?"
You pause, considering. There are so many things to consider.
Your eyes lock with Lando's, searching his face. Despite the vulnerability in his expression, there's a spark of hope there too. You take a deep breath, weighing your words carefully. "No regrets," you finally say, squeezing his hand. "But...this complicates things." Lando nods slowly, his thumb tracing circles on your palm. "I know. Max..."
"Yeah," you sigh, the name of your brother hanging heavy between you. "And our friendship.” The air between you feels charged again, but differently this time. There's a tenderness there now, layered beneath the lingering desire. Lando shifts closer, his free hand coming up to cup your cheek.
"I definitely don't want to lose you," Lando murmurs, his eyes earnest. "As a friend or...whatever this is." You lean into his touch, closing your eyes briefly. "I don't want to lose you either," you admit softly. When you open your eyes again, Lando's gaze is intense, searching.
"So what do we do now?" he asks, his voice barely above a whisper.
#lando norris x reader#lando norris imagine#lando norris x y/n#lando norris x you#f1 x reader#lando norris smut#jto
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pairing; lando norris x fem! star wars actress! reader [ no faceclaim ]
a/n; when i catch that mclaren social media person who wiped all their 2023 posts i will squeeze them like they're my last bit of toothpaste
[ series masterlist ]
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yn.jpg what are friends for if not lego store robbing?
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generalkenobi3 We're so back
angelricciardo finally some good kotor cast content
daniel3.jpg Look at me leaving your place with my suspiciously LEGO Star Wars Ultimate Millennium Falcon 75192 shaped backpack
yn.jpg 🤨
liked by y/n.jpg, davidcorenswet, maxverstappen1 and 200,872 others
lando.jpg summer break
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y/n.jpg where's the part where you admit to the whole world you broke my cherry hairclip
lando.jpg where's your evidence it didn't spontaniously combust? catch me if you can, mr holmes
gonestappen HELLO?
tyrescreamer OPEN THE FLOODGATES OF HEAVEEEEN LET IT RAINNNNN
tatooinerat man now i have to take the "child of divorce" from my bio
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yn.jpg loser secured
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osc.jpg Hello
yn.jpg do my eyes decieve me lando.jpg i can't believe it daniel3.jpg THE LINEAGE EXPANDS YET AGAIN yn.jpg the prophecy fortold our arrival
ahsokawife the sigh of relief i just let out
patiencesainz team danny don't let the door hit you on the way out
liked by yndeathtrooper, oscarpiastri, landonorris and 578,369 others
mclaren Pasta makes you fasta
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landonorris until your teammate crashes into you
oscarpiastri Or you crash into your teammate landonorris you crashed into me oscarpiastri No, I did not yndeathtrooper guys mclaren Isn't the divorce arc over? What is this. landonorris HE CRASHED INTO ME oscarpiastri Nuh huh landonorris YUH HUH oscarpiastri Nuh huh. landonorris YUH HUH
liked by landonorris, davidcorenswet, danielricciardo and 603,021 others
yndeathtrooper monzed so hard i singapored
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davidcorenswet Thank you guys for the wonderful weekend :)
landonorris who are you again yndeathtrooper don't listen to him he likes you landonorris i barely tolerate him
georgerussell63 Hey
danielricciardo FIGHT FIGHT FIGHT yndeathtrooper im yet to exact retribution georgerussell63 Oh silly me, whatever shall I do landonorris you're so brave for saying this george
pic credits: pinterest and instagram
taglist: @wtfisakilometer2 @aexitizen-ln4 @localwhoore @gulabjamoon @lavenderhazeeworld @redbullphantasmagoria @onecojg @cixrosie @sheridamn @thehufflepuffavenger1 @sxrcxsm26 @mellowarcadefun @deeziee @dark-night-sky-99 @multifandomwhore-003 @theblueblub @julezstinkz @imachaoticghost @coffeehurricanes @yuki-tsunodas @raizelchrysanderoctavius @ln8118 @neferaskingdom @justdreamersdream @cha-hot @dl-yum @minkyungseokie @allywthsr @eugene-emt-roe @soleilgrec @raevyng @baw-sixteen @palomaxaxaxa @cassiopeiia24 @callsignwidow @kissesandmartinis @gods-menace @iifloweringnightsii @1655clean @lanando4 @lichterfee @mehrmonga @thatoneembarrasingmoment @inloveallthetime @danielricswife @youdontknowmeshh @arian-directioner @cherry-piee @queen-of-elves (tell a friend to tell a friend SHE'S BACKKKK) (ALSO i've officially reached the tag limit so taglist is CLOSED sorry guys not my fault, there's a 50 tag limit per post)
#🌟ln4 galaxy far far away#lando norris x reader#lando norris au#lando norris imagine#lando norris#f1 x reader#f1 imagines#f1 imagine#f1 fic#f1 fanfic#f1 instagram au#f1 smau#f1 social media au#social media au#instagram au
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Doing a Sharpie Magic draft with my friends :)
Our house rules are as follows:
draft cards as normal (the packs were made from bulk we had lying around, and we spent an hour sorting through them for cards with a lot of text)
sharpie out text/mana costs/whatever, with the following stipulations:
Cards need to have mana costs, and you can’t delete any colored mana from casting costs
Activated abilities still need a cost, but you can delete all but one part of the cost
Making grammatically correct, magic-legal cards is preferable, but if it’s clear what the card is meant to do a little bit of ambiguity is alright
If you would have “many” of a thing, that’s 1d6 of it. Other abstract numbers are evaluated at runtime based on where they sit relative to “many”
Instant wins are fine and encouraged
10 max life so that maybe one game ends to combat damage (jk lol everyone is gonna lose immediately to a 1 mana card that said “target player loses 2 life”)
If you laugh, your opponent draws a card
There’s a two mana card that says “Glimpse hole” in one of the packs. There is also a card that says “Out target player” so if i don’t keep a counterspell up my extended family might get a really funny text
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Look Who's Inside Again pt 1.
Jenna Ortega x fem!reader
"Well, well. Look who's inside again."
"Went out to look for a reason to hide again."
Summary: This is your first time playing a major role in a movie and it's intimidating. Jenna comforts you after you hide away in your trailer.
a/n: y/f/m means your favorite media. movie, book, anime, video game, whatever.
Part 1. Part 2.
The muted sound of everyone talking fills my ears as I zone out. The first few days on set are being used to get the cast adjusted to each other. I've never had such a major role before in a big movie, to say I'm nervous is an understatement.
I already have trouble talking to people normally, how am I supposed to talk to celebrities? Especially when they're the ones approaching me. Shouldn't it be the other way around?
"Y/n?" A voice enters my head, my head perking up at the mention of my name. I meet my eyes to Jenna's. "Are you okay?"
"I uh, yeah I'm doing good." I force a smile before looking to the side, avoiding her gaze. I have never felt more parasocial in my life. How am I supposed to hold a conversation with these people, especially Jenna, when I feel like I already know too much about them and they know nothing about me.
The main cast consists of four people. Jenna Ortega, Finn Wolfhard, Wyatt Oleff, and I. It's one of those horror movies where it's a group of teenagers investigating something where they should die because of it, but we all know they won't because it's a movie.
"So are you excited? This is your first major role right?" I turn towards the voice to meet Finn. "This could be a big debut for you."
"Yeah I'm excited." I grab my arm, holding myself and taking up as little space as possible. "I'm mostly nervous though, a lot can happen."
I feel Jenna's gaze on me, so I turn to look at her to find a look of curiosity in her eyes. "It can be intimidating, but you can do it. I believe in you." Jenna's genuine smile meets my uncertain face.
Jenna saying 'I believe in you' repeats in my head like a metronome. This somehow makes me feel more nervous and also safer at the same time.
I just don't want to embarrass myself in front of these people, especially Jenna.
It seems the conversation continued while I was in my head. Everyone's eyes were on me expectingly. Did they ask me something?
"Sorry, what'd you guys say?" I ask, Finn and Wyatt look at each for a moment with a face that I can't tell is annoyance or uncertainty. "It wasn't important." Wyatt states.
That feeling of safety is now gone, my heart beating at a thousand miles an hour.
Was it important?
I feel my legs start to shake from the nerves, as if I could fall at the slightest inconvenience.
The nervousness replaced with anxiety and uncontrollable thoughts. 'Did I already blow it before I did a single scene? Does everyone think I'm annoying? That I'm distant?'
I find Jenna's worried gaze on me yet again, causing me to look at the ground for a moment before trying to keep eye contact with the main cast and failing. "I'll be back."
I quickly find myself walking to my assigned trailer, my pace faster than usual. When I finally find myself inside, I close the door pushing my back against it before sliding down. I sit there with my knees to my chest and head in my arms wrapped around my legs.
I already decorated my trailer to procrastinate on meeting the others. I tried my best to make it feel like home, bringing posters and collectibles from different pieces of media I enjoy. The blinds are closed, blocking the light sure, but also separating the trailer from the set.
Luckily, I also brought some string lights to hang across the ceiling. I don't know if I could handle the harsh florescent lights my entire time here.
I take a moment to try to take control of my breathing, doing the breathing exercises I've been instructed since I was little.
I'm interrupted with knocking on the door I'm leaning on. I stand to open the door to find Jenna Ortega on the other side. I still can't believe I'm seeing her in person and on talking terms.
Well, if I ever actually try to talk to her that is.
"Hey, I just wanted to check on you. It seemed like something was wrong." Her worried yet genuine glance meets mine.
"I'm- I don't know." I cut myself off to stop myself from lying, biting my bottom lip.
Jenna looks past me for a moment. "Can I come in?"
I nod, opening the door more and taking a step back. Jenna walks past me, she's wearing this nice perfume that fills the scentless trailer.
She looks around, admiring the decorations. "I like the string lights, I can't handle the florescent lights they use in these."
I close the door before approaching the built in couch. "Thanks, I actually wasn't aware of them until I got here. Luckily, I brought them from home by chance."
Jenna turns, taking the seat next to me. "Do you wanna talk about what's wrong? I understand if you don't want to."
"I-"
I cut myself off again, unsure what to say. "I don't know."
My heart is still beating to the bpm of flight of the bumblebee.
Jenna gives me a genuine smile, trying to make me feel comfortable, before glancing around the room again. Her eyes linger on the merchandise of different medias.
"How about we talk about media we like?" Her genuine gaze meeting mine. "I'll start, I really like Breaking Bad. It's kinda a guilty pleasure of mine."
My eyes slightly light up.
"I also really like Breaking Bad." I say, trying to reflect her genuineness. "I really like the character development and how much they change throughout the story."
Jenna scots a little closer. "I know right?! it's so good!" She seems so interested in the conversation.
She looks into my eyes with a smile. "Now it's your turn."
I look around the room for a moment, unsure what I should say. For a lot of my life I was told I can get annoying when I delve into my interests. It's like whenever I start talking about it I can't stop.
I don't want her to think I'm annoying, but I also don't want to tear down all the work she did to try to get me comfortable.
"I really like y/f/m, I just love the universe that they made so much and the characters." I start speaking, pausing for a moment to read Jenna's expression.
She is smiling and has this look in her eyes, like a genuine interest in what I'm talking about. My eyes feel like an open door as she looks into them.
"You can keep talking, I was listening." Her smile somehow becomes more genuine, causing a smile to creep up on my face.
For the past few minutes Jenna let me ramble about y/f/m. I soon realize I've likely been rambling for way too long "I'm sorry, I didn't realize how long I was talking." My smile fades, turning to embarrassment in an instant.
"What, no it's okay." She puts a hand on my knee comfortingly. "I was interested in what you were talking about."
I look at her eyes, her genuine eyes complimented with her genuine smile.
She is just so genuine.
"Are you sure I'm not being annoying?" I ask, insecurity laced in my voice.
She nods to me, her smile fills my heart.
I'll never get over the way she looks at me. As if she's actually interested in the conversation, interested in who I am.
I find myself looking down to the couch cushion, hiding my face. Soft gentle sobs start to escape my body, my shoulders slightly shaking.
"Hey, what's wrong?" Jenna scots closer, her hand gently grabbing my unstable shoulders.
I sniffle before getting my head up, revealing my glossy eyes and a few tears. My head feels like a boulder, trying to keep it lifted on top of my shoulders.
I shake my head with a smile. "It's stupid."
"There isn't a stupid reason to cry." Jenna says comfortingly, rubbing my shoulder with her thumb as she rests her hand there.
I look away again for a moment before meeting Jenna's gentle eyes. I open my mouth, no sound coming out as I try to decide my words before I speak. "It's just you're so nice. Most people either just let me speak, but are clearly disinterested or just flat out call me annoying."
Jenna's eyes are laced with empathy as she looks into my eyes like windows.
I sniffle before speaking again, fanning my face for moment. "And you just seem so interested and intrigued in what I'm talking about, and it just means so much and- I don't know."
She continues to rub my arm. There was a moment of silence, the only noise being my soft sobs until Jenna spoke. "I loved seeing the excitement and passion you have about y/f/m. You should talk to me more about it some time." She says with a smile.
I nod. "Yeah, I'd like that." A sniffle interrupts the middle of my sentence.
"I should probably try to calm down, I don't really want to go back outside looking like this." I motion my hands over my face, addressing my puffy eyes and tear streaked face.
Jenna breaks eye contact for a moment, finding the tv before meeting my gaze again. "How about we watch something?"
I nod, she stands and quickly finds the remote. "Before we start watching something, do you need a hug? You're allowed to say no."
I love how considerate she is.
I nod, standing up. She holds her arms out, inviting me into her arms. I put my arms around her lower back and she wraps hers around my upper back, one hand resting on the back of my head playing with my hair comfortingly. She holds me in her warm, gentle embrace for a moment before letting go.
She meets my face with a smile. "Feel better?"
I quickly nod with a smile on my face, happiness in my eyes.
"Do you have any comfort movies?" Jenna asks, finding her seat back on the couch.
I find my seat next to her. "I really like Studio Ghibli movies."
Jenna points the remote to the TV. "How about Spirited Away?"
"That sounds good to me." I say with a nod, looking at her one more time with a smile before we start the movie.
a/n: hii guys, hope you enjoyed my first Jenna fic. this was inspired by the tiktoks I've seen about the way Jenna looks at people. maybe if you guys behave you'll get a Jenna fic that has actual romance in it next.
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I made a pattern for the terror gloves!!
Please note I'm not a professional and this is just for funsies, sorry for my clunky english but knitting terminology is a whole other beast lmao
I hope you can make some sense of this
Full tutorial under the cut
Terror Gloves Tutorial
Disclaimer: I’m not a professional and I’ve never written a knitting pattern before, I just made this up as I went tbh, basing it on a german tutorial I used for regular fingerless gloves I had made a couple of times already, the fingers I made up on my own. Unfortunately, I don’t have the time to make another pair to document the process for you as of right now, so you’ll have to work off of the pattern alone. Sorry for all the weird terminology, translating german knitting vocab to english fried my brain real good lads.
I’d say this is a beginner to intermediate level project, you should know how to purl and knit and how to make left leaning and right leaning increases. For the latter one I’ve linked a tutorial on YouTube at the part where it comes up in the pattern.
All that being said: I hope you enjoy making these gloves! Feel free to @ me on tumblr if you’d like to show them off :D
What you need:
- Yarn that requires you to use size 4 needles (3,5mm in the german/european system, the UK doesn’t carry the equivalent of this size for some reason, so use a size 10 or 9 depending on how tight you’re knitting); the color is obviously up to you, I used a grey close to the one most of the boys are sporting. I also used a 100% wool yarn, but I know those can be pricy so feel to use whatever is available to you :) I used about 50g, maybe a little more for my pair
-> Please note that I didn’t make a test swatch since I’ve used the base pattern of these gloves before and know that this size of needle works for me. I’d say I my tension when knitting is normal – tight so if you knit more loosely maybe choose smaller needles
- Size 4 double pointed needles (3,5 german/european, 10/9 UK)
- Safety pins
- Darning needle to weave in the ends
- Scissors
Tutorial:
- Cast on 11 stitches on four of your five double pointed needles
-> If you have smaller hands you might need to start with 10 instead of 11 stiches on each needle
- Join in the round and start the pattern for the ribbing that will make the glove a little tighter around your wrist, which means purl 2, knit 2, until the end of the row
- Repeat the purl – knit pattern for 20 rows
- Knit 10 regular rounds
- Now for the thumb: Knit 1, pick up 1 new stitch (it doesn’t matter if it’s left or right leaning), knit 1, place a safety pins on the needle behind that stitch so you can keep track of your increase section (tutorial for increases)
- Knit the rest of the round normally, as well as the round that follows
- Knit 1, make 1 left leaning increase, knit 1, make 1 right leaning increase, knit 1, slide the safety pin over
- Knit the rest of the round normally, as well as the round that follows; from now on the pattern will be one row with increases, one row without increases
- So in the next round with increases you will knit 2, make 1 left leaning increase, knit 1, make 1 right leaning increase, knit 2, slide the safety pin over
- Continue with this for 14 rounds (7 with and 7 without increases) until you have 15 stitches in the section framed by the safety pin
-> If you have small hands you might need to stop before reaching 14 rounds, your work should just about cover the first bone (going upward from the base) in your thumb. Maybe stop at 10 or 12 rounds, make sure you end on one without any increases
- After your last “no increases” round, before you start with the next round put the 15 stitches for the thumb on hold by sliding 7 of the stitches onto one safety pin, the other 8 onto another; you will not continue to work with these stitches (for now)
- Continue like normal and start knitting the rest of the stitches on the needle, making sure to join tightly to avoid a gap and finish the round
- Knit 11 regular rounds or until you reach the base of your pinky finger; you should have 42 stitches on all of your four needles right now
- We will start by knitting the pinky finger: For this knit normal until you’re at the second needle and have 5 stitches left on it
- Put all but 10 stitches (the ones on the second needle and the first 5 on the third needle) on hold by placing them ideally on two big safety pins or several smaller ones
- Knit normally until you reach the end of the second needle; here you will take a third needle and pick up 2 more stitches, one from the side the second needle is on, one from the side the first needle is on, so ideally, you’re keeping the gap that’s going to form between the fingers as small as possible
-> If you have small hands, you might only have to pick up 1 stitch or none at all; if you find that that’s the case split the 10 stitches onto three needles so they’re easier to work with and continue as written down below
- This was the first round; knit 9 more or until your work almost reaches the second bone in your pinky finger or just until you decide that it’s enough (feel free to try the gloves on as you go!), cast off and cut the yarn
- For the ring finger, pick up 10 stitches from the ones you put on hold, once again two needles with 5 stitches
- Join the yarn in the same place you started with the pinky finger
- Knit the first needle, then pick up 2 stitches on a new needle as I described it for the pinky finger
- Knit the 5 stitches on the second needle, then use yet another needle to once again pick up 2 stitches. You now have 14 stitches on 4 needles
-> If you have small hands, you might only have to pick up 1 stitch per new needle or just one stitch on one new needle
- Knit 14 more rows like this or until your work almost reaches the second bone in your ring finger or once again until you decide that it’s enough, cast off and cut the yarn
- The middle finger works exactly the same: Pick up 10 stitches from the safety pins, pick up 4 new stitches on two new needles, knit 15 rounds or however many, cast off and cut the yarn
- For the pointer finger you should have 12 stitches left since we started off with 42 in total (30 already “used” leaves 12) which means we only need to pick up 2 new stitches on one new needle (whether you pick them up on the side facing the thumb or the one facing the other fingers is up to you; I picked the one facing the thumb but picking the other one will probably look better)
-> If you have small hands, you might only have to pick up 1 stitch or none at all
- Knit 14 rounds or however many, cast off and cut the yarn
- Now to finish off the thumb: Put the stitches back onto your needles, 7 on one needle, 8 on another; now taking up a third needle slide the last stitch on the second needle onto it, pick up 2 new stiches around the base to make sure there’s minimal gaping, then pick up the first stitch on the first needle. You should now have a total of 17 stitches, split on three needles (6, 7 and 4 stitches) forming a triangle
- For the first round, join the yarn into the first stitch on the first needle; knit normally until you reach the third needle: Here you knit the first 2 and the last 2 stitches together, leaving you with 2 stitches on that needle
- Repeat this for the next round and knit the remaining 2 stitches on the third needle together, leaving you with 1 stitch on that needle (it can be finicky handling this third needle but it makes working the rounds a lot easier)
- Knit 5 rounds or until your work reaches over the second bone in your thumb, cast off and cut the yarn
- Weave in the ends; you might have to go back in with extra yarn if the holes between the fingers are too big for your liking
Yay!!! You finished it, congrats!! :D
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lovely
“You say things with your mouth, cobwebs and flies come out / I hear a second voice behind your tongue somehow / Luckily, I can read your mind, flies and cobwebs unwind / They will not take you down, They will not cast you out”
Or, you’re fine. And whatever other words hide behind those four letters. Spencer sees what a piece of you wants to hide from him.
notes fluff (mcondance writes fluff??) but still MDNI, reader is neurodivergent this is for my baby girls (audhd spencer reid kissers), inspired by those lyrics from lovely by twenty øne piløts, do not listen while you read. this is what having a dual tøp-spencer reid era does to a writer. gif from pinterest. also guys please i’ve been experimenting with layouts for my works for like… months now if this layout is ugly just ignore it please please. mcondance capitalizes ?!
word count 1.1k+ (closer to 1.2k hello i am proud)
You lie still on your back in the middle of the bed as you watch Spencer close the door and set his cardigan down on the chair by the dresser. He floats through the dim room, momentarily lit up by the interludes of soft moonlight wafting through the windows. He takes his place beside the bed. Your music pauses.
“You okay?” He asks quietly.
“I’m fine.”
You’re lying. Spencer knows you’re lying; it wouldn’t take a genius to deduce that. It’s in your voice, most obviously. But it’s in the other details that only Spencer would notice, too. Not because he’s a genius, but because he’s your Spencer.
The room is dark. Which wouldn’t be much of a problem, if you didn’t sound so bleak and tired when you spoke. You have your big headphones on, which, again, wouldn’t be so bad if you’d have pulled one back when he walked in, or even just told him that the song’s almost at the good part, and then after it hits you’ll take them off.
The room is bathed in moonlight. The moon, and your Spencer. Two shoulders for you to lean on. Three, actually, with the music you were just listening to.
But all of the shoulders just aren’t enough to block out the bad feelings you’re having right now.
Overwhelmed. Sad. A little depressed. Whatever.
“I don't think so, honey,” Spencer speaks softly from where he stands in a split of moonlight, hands in his pockets as he shrugs.
He glows in a silver streak. You sniffle. Fuck.
He allows silence to ensue, obviously giving you time to get your thoughts together. The bed dips to the left as he sits down beside you and props his leg up. A part of you wants to laugh at the common knowledge that if you had the will to look down you’d see an interesting sock and a Converse, but you don’t have the energy to do anything but what you’ve been doing since you let your playlist roll into its fifth run— lay down and alternate between staring out into the blackness of your room and the backs of your eyelids.
“It’s nothing,” you obfuscate. But it’s obviously not nothing.
Again, he lets his silence give you comfort instead of pushing you to talk. You take it gratefully, as it gives you the time you need to collect yourself and try to put words to what’s going on in your head and all under your skin.
You breathe in.
“I'm just… irritated.”
You breathe out.
A bit of weight lifts off of your chest at your short admission, but the elephant in the room continues to perch tall and proud on you, crushing you and leaving very little room for you to exist.
Still, Spencer is silent. The quiet puffs of his breath and the dip in the mattress are enough. Anything else would be too much, and he knows that. So he lets you lead him into the dark with you, he stays still and lets you guide him into the cavernous deep of all that you feel right now.
The fan whirs and cars pass outside the window. The stillness of the night almost laughs at the chaos ensuing in you.
Another breath, deeper this time as you gather the courage to try to express what it is you’re feeling.
“I don't know,” you blurt. “Everything's just too loud and my friends are all annoying and nothing on YouTube is interesting and I feel like I'm gonna explode and crumble all at the same time.” Those tears are bubbling up under the surface of your skin again and threatening to spill out of your eyes.
And now that you’ve spoken and some of the tension in the air has dissipated, Spencer feels it’s appropriate for him to talk.
“It’s okay, baby. You’ve been working a lot lately without many breaks and now you’ve run out of steam, and that’s okay. It happens. You’re just burnt out.”
Horribly, his sweet words inflame a mean, hot part of you. You scoff, finding the strength to wipe a stray tear as it falls. Spencer knows you don’t mean it, that something up in your brain has just had enough and is now denying you of any feeling but solitary petrification.
Burnout. You hate that word. You wish it didn’t happen to you. You wish that you were normal and being stressed didn’t mean paralysis and staring at the ceiling like it’ll change and morph into an answer or a semblance of comfort.
In the dark, you strain your eyes at his form. You can just barely make out the wisps of hair flying in all directions away from his face. His posture is terrible. You can tell he’s looking off to the side of you so you won’t feel overwhelmed under his eyes. Perhaps he was made for you.
The air softens, and you do too. The facade of anger slips away as quickly as it reared its ugly head. You take a shuddering breath and let your head fall towards him.
He moves closer and a beam of moonlight illuminates him as he takes you in with warmth etched onto the comfort of his face.
Something up in your brain has just had enough and is now denying you of any feeling but solitary petrification.
Fortunately, Spencer won’t let that happen.
How grateful you are for this man who won’t let you get the aloneness that some tired part of you craves. He’ll stick beside you and sit in silence for hours upon hours if it meant you wouldn’t feel alone. He has done that before. He’d do it again in a heartbeat.
With him smiling softly at you even in your cocoon of darkness, that sweet quirk of his lips that is ever-present when he’s looking at you, you feel a little better. Now, he can touch you. Before that thought even registers, he reaches out for your knee and rests his hand there, rubbing his thumb up and down over your skin.
It doesn’t cross the line of overstimulation, and it doesn’t feel like not enough. It’s just enough. Spencer can read you as well as the surplus of books he reads daily. There’s no push to get up, to take your headphones off or turn the light on.
Spencer wants only for you to breathe, and to know that he is here. When he hears your breathing become easy again, and he feels just a bit more of the discord you’re swathed in slip off of you, he knows you know.
His hand on your knee won’t nurse you back to your functioning form. And it’s not what he’s striving to do.
And as you look through the darkness into his moon-bathed eyes, you know you’ll have him here with you every step of the way, by some divine power that put him in your life. And that’s okay. You won’t be okay for a while, but you have him to lean on. You’ll always have him to lean on. You feel the love he has for you radiating off of him, pushing into your skin as he caresses it slowly.
Getting out of bed sometime later sounds a little easier, now.
#spencer reid fluff#spencer reid x reader#spencer reid x you#spencer reid x black reader#mcondance 2024#— 🪽
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