#also this is probably a bad time to be posting but well. we power through

[ropebunnykant]

hand in unlovable hand

“You’re a fucking idiot, you know that? What the fuck were you thinking, jumping in the water with your hands tied?” he asks, and there’s almost anger in his voice. Kant expected anger, but not about that. It has his eyebrows furrowing. “You told me to,” Kant points out simply. Like it should be that obvious. Because it is to him. Because of course he jumped. What else was he to do? Or. Bison saves Kant.

Read on AO3 here.

[tropicalcryptid]

Ok so She-Ra pulled such a great hat trick with Hordak's characterization, and I LOVE it

One of my favorite things about 2018 She-Ra is Hordak's story and development (and Entrapdak cough but that's not the point of this particular post), and the cleverest thing is that so much of it is actually being set up and told to us in seasons 1 and 2 before we even realize that that's what's happening.

When we first see Hordak in the show, he's giving "generic evil overlord" vibes. Garden-variety baddie. Maybe a little more reasonable than some and clearly capable of long-term thinking, but that just serves to make him intimidating. Everything about him--the way he runs his empire, his armor, his color scheme, his minion, his Villainous Eye Makeup(TM), even his name--are all projecting to the audience "yup, Acme Bad Guy here. Move right along."

But then, backstory. And everything snaps into focus. Not only is it one of the first big oh SHIT moments of the show, where we suddenly zoom out and realize that there is SO much more going on than we realized--it's also the start of the audience seeing Hordak as a character rather than an archetype. Suddenly we realize that he's not conquering Etheria because he wants power, or hates happiness and sparkles, or whatever--he's doing it out of a desperate attempt to prove his worth to his brother/creator/god. This moment where Hordak lets Entrapta in is also the moment the show lets us in on what makes our favorite spacebat tick.

On top of that, we've also seen him bonding with Entrapta and opening up to this person that he respects and trusts...probably the only person he's ever respected or trusted apart from Prime. And she's Etherian--someone of a lower species, someone he's supposed to subjugate, someone who he has been raised and trained and programmed and mind-controlled into believing is below him in every way.

But instead she's brilliant and creative and mesmerizing. She's not afraid of him, and she's fascinated with his work. For the first time since being abandoned by Prime, Hordak finally has someone that he can talk to, who is on his level and both understands and cares about the science! (because he is a giant nerd). She's kind to him, a mere defect. And it just sends his whole worldview into a spin, and that's all before--

Bam, mans is a goner. Entrapta's "Imperfections are beautiful" comment punches right through all the toxic bs that Hordak has been steeped in his entire life. You can see on his face here--I think it's the moment Hordak fell in love with Entrapta, but this is also the face of a spacebat reevaluating his entire worldview. If Entrapta, who is amazing, believes something different from Prime...what does that mean? If Entrapta, who is brilliant, believes that he is worth something, and that she herself is a failure...

Well. We know what happens after that, and how Hordak begins to doubt, and eventually fights back against Prime (and remembers his love for Entrapta after TWO mind wipes help my heart ack). But we also get to see what life in the Galactic Horde looks like: the only life Hordak ever knew before coming to Etheria.

It's not nice.

It's really not nice.

Prime operates in a very specific way, and we learn a lot about it in season 5. Prime expects complete obedience, devotion and worship from his clones. He allows no individuality from his subjects, not even a name. Failure or deviations are punished, mind-wiped, or destroyed. We even learn from Wrong Hordak that facial expressions are considered a privilege reserved for Prime (apart from, presumably, expressions of rapture caused by being around Prime).

And once we learn all of this, suddenly thinking about season 1 Hordak becomes very interesting indeed. The time we spend with the Galactic Horde and Prime throws absolutely everything that we know about Hordak into a whole new context. Now all those traits that made him a generic villain are actually hugely effective characterization! And what that characterization is telling us is that Hordak had already moved much farther away from Prime than we (or, probably, he) had realized, even long before he met Entrapta.

Horde Prime does not allow his underlings to have names, personalities, or any differences of appearance. Not only does Hordak allow this among his own troops, he chose a name for himself as well! Season 5 tells us that his very name is an act of blasphemy against his god. And yet Hordak took one for himself, and that name is part of the core identity he is able to hold on to when rebelling against Prime.

Horde Prime cast Hordak out when he showed signs of physical imperfections. Hordak not only keeps Imp (who is by all appearances a failed clone or similar experiment) around, he treats Imp more gently than we see him treat anybody or anything before Entrapta. Imp is not simply "generic evil guy's minion," he is proof of Hordak's capacity for compassion, and evidence that Hordak cannot bring himself to cast aside "defects" as easily as Prime. Considering where Hordak came from, Imp's existence is a huge, flashing neon sign telling the audience this guy here is better than the hell that molded him, and we don't even realize it until 4 seasons after it's been shown to us!

Very cool, ND.

There's more, though. Hordak's red and black color scheme? His dark eye makeup and lipstick? Very Evil Overlord chic. But nope! Actually these are actually expressions of individuality on a level that Hordak knows would be abhorrent to Prime!

Reading between the lines, I see this as Hordak desperately trying to reconcile two diametrically opposed beliefs in his head: (1) devotion to Prime, whose approval he desperately craves, and (2) maintaining some degree of unique personhood, of Hordak, from which to draw strength. Because a failed, defective clone cannot survive on a hostile world, cut off from the hivemind and from Prime's light. A failed clone cannot create an empire to offer Prime as tribute, nor build a spacetime portal from scraps and memory to call Prime back. A failed clone cannot create cybernetic armor to keep his hurting, weakened body alive; to force himself to keep going no matter what, to fight through the pain and the doubt by sheer force of will.

But maybe Hordak can.

And so there it is. Hordak had plenty of time to gain and explore his individuality while separated from Prime, but I think the reason he did it so effectively (while still deluding himself that Prime would forgive him for these little sins, if only Hordak could prove his value) is because he had to.

Wrong Hordak gained his individuality surrounded by kind, quirky people who took care of him; Hordak was ripped from the hivemind by Prime himself and had to fight for his survival against all odds. And that produced a dangerous and damaging foe for Etheria. But it also produced the one clone with the strength of will to defy Prime himself.

This is long and rambling, but ultimately my point is that 1) I love Hordak, and 2) I love love love love that the show was so clever about his characterization. We learn so much about him and how much progress he's already made in breaking from his psycho abusive cult upbringing, and we don't even recognize it until the show wants us to. Hordak had come so far, all on his own, before he met Entrapta. She just helped push him over the edge and finally realize (at least consciously) that Prime's worldview might not be the correct one.

Idk, I just don't know if I've ever seen all the trappings of Basic 80's Villain(TM) so successfully subverted, where looking back 4 seasons later is actually a smack in the face with the "effective character building" stick. Amazing.

[ramblings-of-a-chaotic-neutral]

Hello again everyone! It's time for another Merlin au! This time featuring Uther's propaganda and a healthy dose of misunderstandings and pain! :D

This au was inspired by an idea that I pitched in a reblog of one of @tamaha's amazing posts! (Also, shoutout to my awesome mutual @achillesuwu, since you asked to be tagged when I wrote this! :) ) You can find that original reblog here!

EDIT: You can find part two of this au here!

In canon, we know that Uther had children drowned for using magic, and that most of those children were likely warlocks who were born with their magic. However, we also know that most people in Camelot believe that magic is a choice and that it's impossible for someone to be born with it, so how did Uther justify to his people both the existence of child warlocks and the killing of children for something that they had no control over?

Well, Uther utilized his propaganda to justify killing young warlocks. He found some ancient text that hypothesized that warlocks got their powers from being reborn demons, and he used those very shoddy sources to justify his actions.

He spun stories about how warlocks looked human, but weren't human at all. He told the people that while those warlock children might have looked like regular humans, they would grow into powerful demons that would hunt down regular humans and eat their souls to gain more power.

Uther's propaganda campaign was successful, and soon, warlocks were some of the most feared magical creatures in Camelot. The people were terrified at the thought of a beast that could consume souls and blend in among them, unable to detected until it was too late.

Warlocks were a regular element of the nightmares of all of the children in Camelot, who would jump at every shadow and wonder if it was a warlock, there to devour them. Arthur was among those children, lying awake late at night, trembling with fear at the thought of any person he passed on the street being a warlock who would eat his very soul, denying him any afterlife and instead turning his soul into more magical power for the warlock.

And fast forward to some point after Arthur's become king, Merlin has a pretty painless magic reveal. Arthur and the knights were out hunting, they all get ambushed by bandits, Arthur takes a bad hit that would probably be fatal, but Merlin rushes to his side and, without hesitation, uses magic to heal Arthur's wound.

Arthur was, of course, very upset to learn that his manservant and best friend has magic, and they have a big argument over it, but no one physically attacks anyone (despite Gwaine's threats to kill Arthur and the rest of the knights and run away with Merlin).

So, everyone endures a rather tense and awkward ride back to Camelot, where Merlin is the recipient of many irate glares from Arthur and reassuring looks from the knights. When they reach Camelot, Arthur bans Merlin from his presence until he calls for Merlin again. He says that he can't stand the sight of Merlin at the moment, but Merlin will owe him a full explanation later. Merlin tearfully agrees and holes himself up in Gaius's chambers for a few days, while Arthur makes an ass of himself with his foul mood, snapping at everyone in the castle.

The knights try to point out to Arthur that while, yes, Merlin had magic and had lied to Arthur, he had only revealed it to save Arthur's life. Most of the knights used that point as a tool to comfort Arthur and ease his temper, but Gwaine used that fact to rub it in Arthur's face how terrible of a person Arthur was being towards the man who had just saved his life.

Finally, after the whole castle had to suffer through five days of Arthur's prattish and unpleasant behavior, Arthur summoned Merlin to his chambers, feeling calm enough again to actually hear whatever nonsensical reasons Merlin would give for turning to magic.

You see, what Arthur, the knights, and pretty much everyone in the castle had assumed was that Merlin had probably just picked up on some small useful enchantments and healing spells for Gaius's old study of that material. Arthur was angry at Merlin for turning to magic, but he could understand where Merlin was coming from.

Everyone knew that Merlin cared about his friends to the point of idiocy, so it made logical sense that Merlin, since he had the resources available to him, would resort to learning healing magic in case of an emergency. Arthur understood that aspect of Merlin more than anyone else.

Knowing that Merlin's magic was probably just the result of him being a loving and caring idiot did help ease the blow for Arthur, and truthfully Arthur didn't plan on punishing Merlin at all. To Arthur, hopefully confining Merlin to his chambers for a few days would discourage any future stupidity along these lines, and they could put this entire situation behind them.

So, when Arthur summoned a distressingly pale Merlin to his chambers and demanded an explanation, he expected to receive some stuttered response about learning a few spells from some of Gaius's spare books and to extract a promise out of Merlin that he'd never turn to magic again, and then everything would be fine.

However, when a wrought looking Merlin opened his mouth to explain, Arthur's heart plummeted to the floor. At the very first words of Merlin's explanation, "I was born with it," Arthur's chest went cold, and he took a few staggering steps backwards until his back hit the cold wall behind him, his eyes seeking out his blade.

Merlin was born with magic. That made Merlin a... a...

"Warlock," Arthur whispered, his eyes teary and terrified all at once.

Merlin stopped his explanation and tilted his head at Arthur, a small grin pulling on his lips. Arthur flinched back slightly at the sight of it, unable to form a coherent thought beyond the all-encompassing terror, dread, and sorrow that swirled around his mind.

"Ah, so you do know the correct word for it then! Yes, I am technically a warlock, but the distinction doesn't really matter that much anyways."

Merlin made a dismissive gesture with his hand, as if his words hadn't just completely shattered Arthur's heart. Arthur couldn't even listen to the rest of Merlin's explanation through the rush of his heartbeat and breathing in his ears.

The terror gripping his heart shouted at him to fight or flee, don't just stand there waiting for him to decide that he's feeling peckish for souls!

Arthur suddenly registered the pallor of Merlin's skin and the hollowness of his cheeks and came to the awful conclusion that he doesn't have much time, Merlin's already hungry and Merlin was stepping closer there was no time to escape nonono!

Arthur closed his eyes, unable to look at what must have been Merlin unfurling whatever demonic jaws he kept hidden and preparing to eat Arthur's soul...

But the sensation of his soul being devoured, whatever that was supposed to feel like, never came. Instead, he just felt a hand on his forehead, and after a few seconds another one cupped the side of his face.

Arthur hesitantly opened his eyes, almost not wanting to look upon Merlin's happy, friendly face that had always brought nothing but comfort. He didn't want those caring eyes to be that last thing he saw before he died at Merlin's hand!

Slowly, Arthur steeled himself and blinked the tears from his eyes, willing to at least face his death like a true warrior, looking at it head-on.

But, as his vision cleared from the tears, Merlin didn't look like his death, or like any sort of soul-eating monster. He just looked like Merlin, and by god wasn't that the worst part of it?

Merlin slowly smiled at him as his tears dried, coaxing him away from the wall and towards his armchair by the fireplace. Merlin gently guided him over to chair and helped him into his seat, holding Arthur's hand the entire time.

Arthur, once he was sitting, looked over at Merlin, still holding onto his hand and whispering comforting words to him, and Arthur felt like a small, scared child again, freshly awoken from a nightmare and jumping at every shadow.

It took what must have been hours for Arthur to catch his breath, stop his tears, and cease his body's terrified trembling, and Merlin sat next to him the entire time, drying Arthur's tears and comforting him.

Eventually, Arthur looked Merlin in the eyes again, and he could find nothing in them but love and care.

Whatever Merlin was, however hungry he must have been after going five days without being able to hunt for souls to devour, he apparently didn't see Arthur as a target.

Arthur took a deep breath, maintaining eye contact with Merlin. Alright, Merlin might be a soul-eating demon straight out of Camelot's worst nightmares, but he saw Arthur as a friend, not a meal. Arthur... Arthur could work with that.

He just... he needed more information before doing anything else. Merlin was still looking at him with love and concern, and with each passing moment, Arthur became more and more convinced that Merlin was still Merlin, warlock or not. And damn it all, that still counted for something. It had to count for something.

Now that his fear was marginally under control, questions swirled around Arthur's head. How did Merlin even eat souls before this? How often did he need to eat? Did he need to also eat food, or did he sustain himself and his powers on souls alone?

Before he could ask Merlin any of the pressing questions that were on his mind, Merlin had already helped Arthur out of his chair and towards his bed, readying a limp Arthur for bed whilst the king was drowning in his own thoughts.

Before Arthur even knew it, Merlin was pulling blankets over him and snuffing out the candles in his room. Merlin promised to visit Arthur again in the morning to tell him more, and Arthur barely registered his words over the storm of his own thoughts.

When morning came, Arthur couldn't even tell if he had gotten any sleep throughout the night or not, but he woke up exhausted either way. Only a few minutes after the sun had risen, Merlin burst into the room, still looking paler than usual and helping himself to one of the sausages that was supposed to be a part of Arthur's breakfast.

Just the sight of Merlin eating anything made Arthur feel slightly queasy, imaging some terrified soul being devoured at Merlin's hands. Arthur took a deep, steadying breath before getting out of bed, allowing Merlin to dress him as he normally did.

Merlin, much to Arthur's relief, was still acting like nothing had changed, like he was still the same harmless Merlin that Arthur knew him as before yesterday.

If that was how Merlin wanted to act, then Arthur was fine with it. Truthfully, even with all of the questions that Arthur had surrounding Merlin's nature, he found that he didn't really want answers to any of them. Answers would make this new reality, one where Merlin was never harmless at all and where there was a demon hiding under his best friend's skin, real for Arthur. If Arthur didn't have any answers, then he could just... pretend that everything was still fine, like nothing was wrong.

To keep Merlin by his side, he would gladly accept ignorance and pretend like nothing had changed.

However, there was still one issue that Arthur needed an answer to, to confirm that Merlin was still the man who Arthur always thought him to be.

As Merlin was cleaning up Arthur's breakfast plate, Arthur cleared his throat, getting Merlin's attention. Merlin quickly turned around to meet Arthur's gaze, but Arthur didn't feel scared meeting his eyes this time.

"Merlin, I'm willing to let everything that was revealed yesterday be forgiven, and everything can go back to normal."

Merlin gave Arthur a beaming smile at his words, and Arthur continued with a solemn heart.

"However, there is one thing I need to know. You've never..."

Somehow, the words eaten the soul of an innocent person were so vile that they refused to pass Arthur's lips, so he chooses an alternative.

"... hurt anyone who didn't deserve it, right? And you never will in the future? If we are to have any sort of trust between us, you must answer me honestly"

Arthur figured that, if Merlin was indeed forced to eat souls to survive, Merlin was probably feeding on bandits or enemy soldiers that Arthur and the knights would've killed anyways. It was the only explanation, as innocent people didn't mysteriously turn up dead regularly enough in Camelot to indicate that Merlin was feeding on them, and Arthur knew, deep down, that no matter what he was, Merlin would never do such a thing.

Merlin froze at Arthur's words, his smile falling. He lowered his gaze briefly, before meeting Arthur's eyes once more, determination shining brightly in his eyes.

"Arthur, I swear to you, anyone whom I've hurt with my powers were enemies of Camelot. Whatever I've done, I did it to protect you and your subjects."

Arthur nodded, satisfied and relieved by Merlin's answer. Nothing had to change then, Merlin was still his friend and manservant, albeit with powerful magic and an appetite for the souls of his enemies. Arthur could... tolerate that.

As the weeks went on, Arthur found himself thinking about this new side to Merlin less and less. Merlin was still acting exactly as himself, so there was no reason for Arthur to worry, let alone dwell on any thoughts of warlocks.

(And if he had a familiar nightmare from his childhood featuring a warlock, then that was Arthur's business and Arthur's business alone.)

Everything was fine, and months passed without any incidents. That was, however, until Arthur noticed Merlin becoming paler, his cheeks hollowing out again, and his eyes sporting heavy bags. As he took in the changes in Merlin over the past few days, he came to the sickening conclusion: Merlin was getting hungry again, and would need a soul to eat soon.

But Camelot was at peace, there were noticeably less bandits roaming the streets in the past year, and no assassins had come to the castle in the past months. Arthur could see that Merlin's usual... hunting grounds... had been drying up, and he needed to find a solution immediately. Arthur shivered at the thought of what devastation Merlin would unintentionally bring down upon all of them if his hunger ever got out of control.

After several hours of brainstorming on Arthur's part, he finally had an idea. It sickened him to have to consider, but he would do what he had to for the sake of Camelot.

Arthur called for Merlin to follow him as he made his way into the dungeons, where only one prisoner was currently being held. The prisoner was a minor noble who had killed several of his own servants and then used his status as a member of the nobility to cover up his involvement in the murders.

However, the nobleman was sloppy, and there was evidence left behind that proved his guilt without a doubt. He was set to be hanged for his crimes in two days time, as per Arthur's own judgement at the noble's trial, but... if he was going to be executed anyways... perhaps his death may be of use.

(What Arthur didn't know was that the real reason why Merlin looked so exhausted was because Merlin had spent every night for the past week searching for and compiling evidence that the nobleman was behind the murders, as the bastard would've gotten away with it otherwise.)

To Arthur, the criminal's death could be used to ensure that Camelot's only source of magical protection (and Arthur's best and dearest friend) didn't starve to death or go into a hunger-induced rampage, whichever came first.

Slowly, Arthur made his way to the nobleman's cell with Merlin trailing after him, where the criminal was bound to a chair on Arthur's orders. Arthur solemnly opened the door to the cell, gesturing for Merlin to follow him inside.

As soon as Arthur set foot in the cell, the nobleman started begging him for mercy, pleading with him to lower his sentence, not knowing what punishment Arthur truly had in mind for him. Ignoring the soon-to-be dead man, Arthur turned towards Merlin, who was startled by Arthur's intense stare.

"Arthur? What's going on?"

"Merlin," Arthur choked out, his voice rough with guilt, sorrow, and fear alike. Merlin rushed to Arthur's side at the sound, trying to urge him out of the cell, away from whatever issue was causing Arthur such pain.

Standing firm, Arthur cleared his throat.

"Merlin, I need you to... to do something for me."

Concern marred Merlin features as he reached out to Arthur.

"Of course, I would do anything for you Arthur."

Arthur swallowed roughly, trying to force his next words out of his throat. He'd ordered executions before, hell, he'd even ordered this man's execution before, but this was much, much harder than any of the other orders he'd given.

"Merlin, I need you to... take care of this man, as you normally do for enemies of Camelot."

Merlin reeled back with shock, looking somewhere between confused and hurt.

"Arthur, you can't possibly mean for me to..."

"I'm sorry, but yes Merlin, it needs to be done."

Merlin stared at Arthur for a few more moments, before slowly nodding his head and turning towards the bound criminal.

As Merlin stepped closer to the doomed noble, Arthur closed his eyes and turned his head away. Perhaps it was cowardice, but if there were ever a time for Arthur to show such cowardly behavior, it was here. He didn't want to see this part of Merlin.

He did, however, hear everything. There was a scream from the criminal, which was sickeningly cut off by a loud wet crunch that echoes off of the cell's walls, and then there was no sound in the cell except a very loud silence.

Arthur slowly opened his eyes to the sight of Merlin standing in front of a corpse and tried to believe that everything was still normal.

And that's a wrap on this au! Man, that got darker than I expected it to be.

Be sure to let me know if you'd like a continuation of this au!

And, as always, thank you for reading through my ramblings! :D

[woofs-silly-ships]

Oh. Oh holy hell

HEAVY WARNING FOR THE HAZBIN LEAKS. PLEASE FOR THE LOVE OF GOD DO NOT BE MAD AT ME IF YOU WILLINGLY CLICK ON THIS AND GET SPOILED.

Tw: Mentions of Poison/Angel Dust’s abuse, Aphobia (from Viv and Hazbin, not me. Frick Aphobes or any kind of queerphobe /srs)

This is almost certainly real and that makes me

I think I feel worse than when the Poison leaks happened

And that was bad

Yet I think this might be worse… because at least some survivors do relate to and find comfort in Poison and Angel as a whole. At least people knew he was suffering from and dealing with this abuse. This… people couldn’t have seen this coming.

Alastor and Rosie’s relationship was one of the few actually well written ones in this freaking show. And they just screwed it the hell up

Alastor being owned by/selling his soul to Lilith made so much sense. Of course Lilith would care about his child’s dream, of course she would hide him away in heaven after a (likely) bad fight with Vox, of course if he was in heaven nobody could find him, of course he’d be so fearful of the literal Queen of hell.

If Alastor is owned by Rosie, why the hell would he actually be genuinely comfortable around her as shown in season one? Rosie wouldn’t give a shit about the hotel as well, I’m sorry but like huh??? She has 0 relation to the founders or guests besides Al??? Also there’s no freaking way that Rosie would be able to hide Alastor IN HELL FOR 7 FREAKING YEARS AND AVOID ALL DETECTION. If Vox’s cameras didn’t catch him in a HEAVILY POPULATED TOWN, there’s literally no way some random diner didn’t catch a glimpse of him or something??? And Al is probably on the level below Rosie power wise, there’s no way he wouldn’t have rebelled at some point, even if he lost???

But yeah, I’m beating around the bush here. Elephant in the room time.

The whole song and animation and everything leans WAYYYY too into the aspect of Alastor being Rosie’s pet, and that creeps me out so much. Because it again feels fetishized. Way too reminiscent of pet play and such, which I already don’t like on its own but I’m not getting into that. I wouldn’t even have an issue with it if

1. Rosie was portrayed as an actual big bad and not “secretly silly”, same issue as Val

2. ALASTOR WASNT FREAKING ASEXUAL. AND ROSIE WAS LITERALLY THE ONE TO CONFIRM THAT IN CANON (the “ace in the hole” scene was one of my favorites and now it’s ruined for me. Of course.)

I know k!nky asexuals exist and are completely valid and yall are awesome, and I’d be fine seeing that represented if, you know, ALASTOR WASNT SHOWN TO BE FREAKING SEX REPULSED?? HAVE WE FORGOTTEN ABOUT THE FREAKING

^^^ THIS???

AND GOING BACK TO WHAT I SAID BEFORE: AT LEAST SURVIVORS WHO RELATE TO ANGEL KNEW THAT HE WAS A VICTIM LONG BEFORE THE RELEASE OF POISON AND S1. MANY FELT BETRAYED BY IT AND THATS VERY VERY VALID, BUT IT COULD HAVE BEEN FAR WORSE (as in, Addict could’ve never existed, Angel fans including survivors could’ve had no idea of what he was going through before being thrown into the mess that is Poison). THERE WAS ABSOLUTELY NO FORESHADOWING OF THIS WITH ALASTOR. IVE SEEN SO MANY ASEXUALS LOVE AND RELATE TO AL AND TAKE WHAT LITTLE REPRESENTATION THEY GET IN STRIDE, AND IM SO SCARED TO SEE THEM DEAL WITH THE FETISHIZATION OF THEIR SEXUALITY. THAT WILL HURT ME MORE THAN WHATEVER THE PLOT DOES. IF YOU ARE ASEXUAL AND RELATE TO AL THEN I AM SO FREAKING SORRY FOR YOU, ESPECIALLY IF THIS ENDS UP HURTING YOU AS MUCH AS IT DOES ME /GEN

ALSO, APPARENTLY VIV IS DOUBLJNG DOWN FROM POISON BECAUSE THERE’S SOME CHEERY UPBEAT AH MUSIC BEING SUNG ABOUT ALASTOR BASICALLY BEING CHAINED AND ABUSED FOR THE MAJORITY OF HIS AFTERLIFE AND ALSO BASICALLY BEING SHOVED INTO A PET-PLAY KINK LIKE THING AS AN UNWILLING AND UNCOMFORTABLE (AND ASEXUAL) PARTICIPANT

Urghhh, I’m sorry I just really needed to get that out. Posting this on my selfship blog since it’s more contained and I have 2 Hazbin f/os anyway

Since I’m here anyway, yeah my Hellaverse AU won’t have any of this crap. Alastor will be owned by either Lilith or Roo, whichever one makes more sense when S2 comes out and we see more of Lilith and see if Roo was scrapped or not. Right now he’s owned by Lilith in the AU and his relationship with Rosie is exactly like in S1: genuine and comfortable. I’m sorry but I’m not letting Vic’s awful plot direction here ruin one of the few good relationships in the show.

And I’m sorry if any of this is exaggerated by accident, I’m just, er, very passionate about minorities being disrespected this badly and this is kinda just me dumping my thoughts and rage into writing /gen

On a small but light note, the other clip is actually really cool!! Makes sense for Heaven to have Goitia as well as Hell, and as long as this bird doesn’t turn out Stolas then I’m pretty happy with this :D

[bug-slappy]

What Serizawa lore and dialogue in the manga that got cut from the anime are you talking about specifically I'm curious /gen

THANK YOU FOR GIVING ME A REASON TO GO HAM!!! any adaptation is gonna have its cutbacks due to time restraints, but i feel like so many of serizawas lines/important moments got totally butchered or cut completely just to be replaced with cute moments that never happen in the manga.

!! MP100 SPOILERS HEAD obvi !!

First case: In the manga, when serizawa finally stands up to toichiro, things pan out COMPLETELY differently!

I feel like this is a really important moment for serizawa. whatever false idea of friendship serizawa had left is ripped away from him. its unnerving to see how brutal and ruthless toichiro is, finally showing his true colours to serizawa after manipulating him for 3 years. I feel like its also a really important moment for reigen to bare witness to. serizawa and toichiros relationship serves as an exaggerated parallel to mob and reigens. A powerful and persuasive man using a naïve esper for their powers under the false promise of learning to control their powers, whether it helps them for better or for worse. big difference is that reigen does help mob in the style of important life lessons and guiding him towards being a good person. after the separation arc, reigen realizes how manipulative he's been to mob, he becomes a better person because of it. but i feel like after the TOICHIRO fight specifically is where we see a very clear difference in how reigen treats mob. he becomes a lot more patient and less controlling. it bums me out that this interaction was cut completely from the anime. I think it must have been for time because they also cut ekubos moments.

Serizawa not knowing what getting arrested is:

Calling the Yokai hunter out on his bluff:

they replaced this with the awesome fight scene but still an awesome line i wish they kept it was so bad ass lol:

But the most shocking thing that they cut from the finale was this scene, after mob goes to reigen and serizawa for advice on asking out tsubomi:

not only is it fruity,,... but more importantly its a super important moment!!! seeing reigen open up like this in front of another person is something we havent seen up until this point!! mob and reigen have impacted each other so much, and its a FANTASTIC segway into the final chapter! absolutely crazy to me that they would cut such a deep personal moment especially considering how much BONES loves reigen.. it gets "implied" through a quick silent moment between reigen and serizawa (all they show in the anime is serizawa looking surprised at him)

not only that, but its so interesting how easily reigen opens up around serizawa. he doesn't do that around anyone else (probably because serizawa is the only person near his age playing an active role in his life bro has no friends)

and its incredible how well serizawa can already read reigen after such a short time working at S&S. serizawa tends to be quiet and hang in the background, but in the manga it has a purpose; hes observing the world around him. when he does have something to say it has importance and is carefully thought out.

in the anime so much of that important dialogue is cut and replaced with his moe salaryman moments which sure its cute, but when you know what he was really supposed to be saying its such a major let down. I feel like the writers didnt know about serizawas huge fan following hes had since his premier, so they didn't really care about him. thats my best guess as to why so many good moments got cut

also this:

serizawa mentioned during his fight with mob that hes accidentally sent his mother flying before with his powers,,, exactly like mobs traumatic moment when he sent ritsu flying and injured him when they were kids... as i mentioned earlier, serizawa has always been a very clear parallel to mob (i can talk more about that in another post if someone asks). I was really hoping theyd go deeper into this moment in the anime but it GOT CUT!!!!!!!!!!!!!!!!! RAAUGH!!!!

and this page right after.. MAN:

BROTHER.... to me, i feel like this is the moment that made serizawa certain reigen doesnt have powers. not only does he have a talent for reading people, but he has to know by now. if he thought reigen had powers to protect himself, he wouldn't be saving his ass all the time like he does.

he knows reigen wont be fine on his own. he knows that reigen has something hugely important to tell him, important enough that reigen is willing to die to run out there and tell him

WHICH BY THE WAY THE MOST DISRESPECTFUL BUTCHERING OF A SCENE OF ALL TIME:

from what ive researched it seems like a common occurrence in japanese culture to remove your shoes before attempting suicide. this is such an intense and impactful moment for reigen to be removing his shoes. looking around and seeing the situation hes in, but still throwing himself into harms way so he can protect mob like hes done so many times before, but in this scene hes making the concious decision to go in, knowing the risk involved. INSANE THAT IN THE ANIME they made removing his shoes some sort of way to get better grip to run. obviously, running barefoot in rubble and destruction is not going to give you better foot grip.. I think they did that to make the scene more lighthearted but it just feels like poor taste.

i feel like the style choices combined with the dialogue cuts in S3 seriously take away from the intense impact of the manga. ONE has such a talent for writing characters to be fleshed out human beings as well as interpersonal relationships. season 1 and 2 did such a good job of showing that even when there had to be scene cuts.

if you havent already, I think you should for sure read the manga. its even more life changing to me than the anime already is, and ONE has a beautiful art style and can convey strong emotions better than anything else ive ever seen. I have more good serizawa moments than this that were cut, and a lot of dialoue between mob and ??? was removed too, but i don't want to spoil every funny joke or character building moment.

this is why i think everyone should read the manga and the REIGEN spin off book :) thank you for reading through this!

ps: devastated when this got cut

[yaseraphine]

2024, the year I lost my crown.

Pluto in aquarius / Sun / Ego / Leo stellium / Ego death / Karma

I will say it loudly and proudly : In 2024, I entered my flop era (and it set me free)

This post will sum up the major lessons I learned this year through the prism of astrology.

INTRODUCTION - This post is a post I was looking forward to sharing for a while. 2024 seemed to have been a crazy year for a lot of people. Mine could be summed up by “emotional release” or the release of a karmic emotional cycle as well as connecting with my inner child. This year was charged with deep epiphanies about my childhood, which I realized I romanticized and erased key moments from my memory. Realizations came in waves always accompanied with the identification of intense deep seated insecurities and fears that stemmed from my childhood and the way I was nurtured. All of those intense and hidden emotions bubbling up to the surface together made this year really emotionnally charged with negative emotions. This eventually unwillingly forced me to neglect superficial aspects of life, such as appearance and charisma. I was slow, insecure, tired all the time, felt like sh*t all the time, lost drive. You could say that, basically, in chronically online terms, In 2024, I just entered my flop era.

This made me realize the extent of our society's obsession with glowing up, being the best version of ourselves at all times, pushing ourselves out of our comfort zone. Entering our so-called “bad bitch” era, focusing on self-care, being the best, having people admiring us, standing out, being that b, making people do a double take on us,etc... Most of our life is spent relentlessly  trying to be unique, appearing at the top of our game. We always aspire and desire to appear and seem , but we never just are. 

Capitalism has its ways of trapping us into a vicious cycle of superficial constant change and improvement. Like it creates new problems to solve for the mere goal of selling a new product to us, it creates a weird transactional and selfish sense of self, where we almost aspire to be alienated from the community and stand out. 

I decided to share this post as a reminder, in the sea of “how to glow up in 2025” videos and posts, that, sometimes, divine timing has its ways and it prevents us from shining the way we want to. Not every year is a year to glow up, you cannot be at the top of your game all the time. Like during the reign of a Queen or King, your empire will have an apogee, but also a decline. Your power and influence over your empire will always fluctuate, and you will only get probably one period of apogee, followed by a pretty intense empire decline. Despite going through all of this, something will always remain and that is faith. The faith you have in yourself, in the future, maybe even in God or a Higher Power. The faith that is deep inside yourself and that guides and helps you to push through even if you’re at your lowest.

This issue behind this obsession with “glowing up”, and all the external validation that comes with it and avoiding “flopping” at all costs, is what led me to go insane and completely give up this year.

Start of college : a beautifully humbling experience

-> from the top grader to a “mid” grader, an average student

-> highly political place 

-> Politicians and rulers : ruled by Leo BUT political parties, independent parties, ideology : ruled by Aquarius

-> I started to not only take interest in my own endeavors but also the country’s / humanity’s condition

-> I attended riots and protests multiple times, even during exams seasons

-> I assisted to GM’s hosted by students there to protect students’ rights but also for Gaza (GMs = General Meetings)

-> I read books about feminism, learned about communism and just politics in general

-> Unlearned a lot of myths surrounding the working class, rape culture, cultural appropriation, ..

-> Made new friends quite different from the ones I had in High school > anarchists, feminists, really woke people.

Why did all those changes occur ? 

SR Chart of the year 2023-24 : North Node in the 11th  house > letting go of ego and individuality to embrace community

Lilith in the 9th house transit : with all this new knowledge, I literally felt like my brain was being rewired. All the old thought patterns and life limiting beliefs I have been clinging to all chattered, bits per bits. Of course, I started that shadow work way before I got that Transit HOWEVER this transit did boost the process of getting rid of those limiting beliefs.

Gemini rising > my 7th house sign, my shadow, was my rising that year. I have to say the year prior to this year prepared me REALLY well to deal with it since, that year, I became friends and hung out with a bunch of people with gemini stelliums (i genuinely don't know how I survived tbh)

North node return -> events that pushed me to get out of my comfort zone

Chiron in the 9th house transit : my natural ability and talent to think abstractly got tested by this transit. The more theory I learned, the foggier my mind got. I kind of felt like the more times passed, the dumber I got. Which, I know, sounds crazy. But my comfort zone of having philosophical thoughts, disconnecting from my direct environment, this sagittarian hyper-independence (and ego..) became uncomfortable to embody and I felt a sense of loss every time I was ought to have abstract ideas and see the bigger picture. My natural intellectual talents “decreased” and I had no choice but to ask for help and interact with other students to understand certain concepts (so becoming the student even though it’s not comfortable to me). Along with my North node return in the 3rd house (my natal placement), this pushed me to trust other people’s knowledge and experience and learn from them. To show up daily, interact with people from all walks of life and not think to myself before doing so that “there is no point anyway to talk to them it’s useless/ a waste of time / we’re too different” or whatever bullshit excuses my ego would create to prevent myself from socialising

"Let them eat cake"

My obsessive desire to be perfect and to handle everything by myself got too far. I wanted to look my best every single day, but, by the second semester I just couldn't keep up. My timetable was heavier, my classes less interesting and even harder. But, what truly pushed me, or more so forced me to change, was my final exams results of the first semester. In high school, I did not have to study much to excel. To be a top grader, better than everyone else was easy for me, it was a routine. I was never surprised by my grades because I knew I topped as usual. However, going with this mentality/ belief for those exams was what slapped me right back to reality. My grades were bad. When I saw them, my heart shrinked, I was completely shocked. I did not expect much to be fair, but I thought it was going to be okay. Oh boy, it clearly WASN’T. And what made it worse was the people around me, who did not seem to take school as seriously, who consistently skipped classes, who cheated and lied for homework. These people, these people that I consistently judged as immoral, those people that I despised so much , THOSE, they got better grades than me. This made me go CRAZY. I cried for days on end, I couldn’t go to classes because of how badly I felt. This was the final straw for me : what is the point of being such a straight, invested person who came to classes even when I was sick, who always looked clean and hydrated. A perfect student with a perfect attitude. An independent student who helped her classmates. A perfect student who gets exploited by a system where cheaters and liars pass just as well, if not better, and get complimented as much. I realized how much pent up rage I had inside of me. I wasn’t just sad or disappointed, I was deeply disgusted. 

Leo stellium, Sun in Cancer conjunct Saturn, Pluto and Chiron in the first house and 9th house south node : unrealistic standards, lack mindset, low self-confidence, strong ego , scared of being bad at something, of being the worst, self-loathing, “there is no point in doing that anyway” , “i am not like them anyway there’s no need for me to go to this event” : 

As someone with a Leo stellium, I never realized how strict I was to myself. Only people around me could see it, but, because of how headstrong I am, I thought they just didn’t have enough standards. The thing is, I couldn’t see how perfect a lot of things in my life were because I was only fixated on what I lacked. I only focused on the defaults, the problems, the parts I wasn’t good enough in. And even the vocal and direct feedback of people wasn’t enough for me to believe I was just fine, maybe even great. And while I always focused on the parts I have failed in, I also had this unrealistic expectation that I needed to have a neutral, linear emotional life. In my head, it was like : I had a period/ period of emotional disturbances now I cannot have one again, or at least not as intense. It’s simply impossible. Now I used all my “jokers”, cards , I have no choice but to only go higher. This strange way of thinking was what made me only put positive/confident songs on my spotify playlists and avoid any songs that expressed “negative” emotions, outside of anger and rebellion. You could say it's a good thing in a way because I did my best to lift my head up. I knew how music affected my mood so I adapted my playlists accordingly. The thing is, whenever I was feeling anything other than confidence or anger, I did everything in my power to dismiss it. I obsessed over avoiding feeling low because in that state, no one will like me. People will see me in a vulnerable state and it’s too embarrassing. People have to admire me, compliment me, heck just like me at least. But if I’m not on top of my game, they will realize I am like them. I am part of the “plebs”. I have to be a queen, a princess, not a goddamn peasant! (really harsh wording, I know, but it felt like that looking back). I can’t. I just can’t. ... Unfortunately, trying to desesperately keep up with my reponsabilities as a Queen, not caring much for people as they were mere peasants who had nothing to do with me, is what led me right into my empire's decline.. Up in my fragile papermade castle, seating on my throne, I truly always felt so lonely...

The last straw  : getting rid of the lion’s mane

I shaved my head. Crazy but I did. By myself. A monday afternoon, 3 days before halloween. Right in the middle of the sinister season of the Scorpio : I shaved my head. I shaved my long, luscious and golden curly hair. This mane that held all those limiting beliefs and toxic standards. My hair was my signature look, one of the first things people noticed about me. One of the first things people complimented me about. “Look at those beautiful curly hair ! I wish I had hair like you!” “They look so healthy omg!”. All this external validation was like a drug to me, therefore, I never DARED to even trim it. Yeah. Looking back, I was crazy for that.

Sr for the year 2024-25 + Pluto in Capricorn last turn around : my experience

SR Chart 2024-25 : Virgo rising with the chart ruler Mercury in Leo in the 12th house.

Pretty gloomy and bleak period. I was feeling quite depressed to be fully honest. I started the new school year with every symptoms of depression, exept the su*c*dal thoughts. I was slow, my body was heavier yet I lost weight. I moved slower, thought slower, slept more, was always tired, taking a shower, doing the dishes, eating and every other simple daily task was a burden, harder than usual. My solar leonine energy, my vitality all disappeared without me realizing it. I had low self confidence, didn’t get ready in the morning, and stopped feeling any sense of pleasure. I was empty, crying on the train to my campus. The last time I felt like this, it was in 2018, I was 13, depressed and entering the darkest phase of my Dark Night of the Soul.

Guess what, I am Not A Robot

You've been acting awful tough lately

Smoking a lot of cigarettes lately

But inside you're just a little baby, oh

It's okay to say you've got a weak spot

You don't always have to be on top

Better to be hated than loved, loved, loved

For what you're not

You're vulnerable, you're vulnerable

You are not a robot

You're lovable, so lovable

But you're just troubled

Guess what? I'm not a robot, a robot

Guess what? I'm not a robot, a robot

Once again, I had no other way but to ask for help. I went to see a doctor after years of avoiding it. I confessed a lot of things to my mom with whom I always had/have a really distant and tense relationship. Our conversations were really eye opening for the both of us. I went to see a therapist, and I am still looking for one. I didn’t have enough energy to attend class (I live 1h15/1H30 away from my campus.. so my 8 am classes were awful, especially since not attending is a risk to failing in that subject.. I was in a really problematic period.) But, I met a friend, an Aquarius sun and rising student who helped me throughout all of this. She was the contrary of me in many ways : really social, open and relied on other people. easily opened up to others. She didn’t have those perfectionistic obsessive thoughts. She trusted people, had a bunch of friends, and didn't overthink every single one of her interactions. She quickly became the air that tempered down my fire, which was burning myself out. My ego was killing me and my body (symptoms of depression) was warning me. I couldn’t control these feelings. I hadn't felt that depressed in a while. Like the type of depression that makes you stare at the wall in the morning, struggling to get out of bed.I thought it was behind me. I thought I was better than this. I thought “yes other people have depressions and struggle on a daily basis because of it and that’s okay but me ? I am over it. I had one at the beginning of my teenagehood. Now it can’t happen again, at least not actual depression.” But no, unfortunately for me, It did indeed happen. This showed me I was vulnerable, like every human being. I wasn’t immune to failing, to lose, to being bad, to being average, to needing help. I was simply a human being. I wasn’t a superior entity, a god flying above the rest of humanity.  I was just like them. Was I considered a bit weird for liking astrology, tarot and for listening to kpop ? Was I considered a bit weird for having Halloween as my favourite holiday ? Was I a bit edgy and had a certain sensitivity to anything grotesque, deadly, macabre, taboo ? Yes, I was all of that. But I am still a human being. I am just like other people in many ways, and even if I have more quirks than the average person It shouldn’t stop me from socialising. I need people and people need me, and, honestly, that is totally fine. Connecting with others is beautiful. People are here to help each other and share their experiences. That is the most beautiful part of existence : everyday frivolous conversations with people, interacting with them, exchanging ideas, sharing our daily frustrations and struggles, laughing. All of that is the simplicity I never expected I needed so badly. On the quest of finding this truth, I went faraway in the abstract realm of ideas only to realize that this truth was right in front of me since the beginning.

Life really wasn't as complicated as I made it to be.

A song that sums up this overall energy

Fear and Loathing - MARINA : "I'm done with tryin' to have it all and endin' up with not much at all"

Marina called Fear and Loathing a turning point in her life, after which she stopped being a "bitter person" and began to work with new people and try new things, even though she wrote the song alone in her bedroom in London. She placed the track last on Electra Heart because she views it as a "letting go" song.

In this process of losing myself, I am gaining something precious and that is the construction of a true authentic self-confidence. Not one that is out of fear : out of fear of being perceived like a loser, a compulsive fear of being like my 12 year old self, a scared and terrified pre-teen who hated herself, from the way she looked to her personality and non-existent talents.

I am finally starting to cultivate something solid, something that comes from a deep sense of self. 

[Verse 1]

I've lived a lot of different lives

Been different people many times

I live my life in bitterness

And fill my heart with emptiness

And now I see, I see it for the first time

There is no crime in being kind

Not everyone is out to screw you over

Maybe, yeah just maybe they just wanna get to know ya

And now the time is here

Baby, you don't have to live your life in fear

And the sky is clear, is clear of fear

[Chorus]

Don't wanna live in fear and loathing

I wanna feel like I am floating

Instead of constantly exploding

In fear and loathing

Albums that accompanied me during this period

Traumazine - Megan Thee Stallion

Something to Give Each Other - Troye Sivan 

All year long, I was drawn to artists with an 8th house North Node. Lately, I’ve been drawn to slower, more sensual and jazzy songs, which isn’t something I listen to usually. Songs about intimacy, vulnerability.

-> both artists have a North Node in the 8th house, which is currently the energy I am encouraged to embody as it is the North Node of my solar return for the year 2024-25.

This north node is all about trust and intimacy, sharing oneself, the deepest parts of ourselves with others, sharing our resources, accepting loss and not compulsively clinging onto things, and possessions.

Just in the title of Troye Sivan’s album, this 8th house aspect is instantly identified : we have something to share, to give to others, to exchange with someone. It hints at an exclusive exchange between two people.

Something to Give Each Other hits especially now. Traumazine, it was more in February/March, which was the period I was starting to release things and started healing, feeling deeply angry and sad at the same. (around the astrological new year). Since September/October, especially now and for the next few months if not year, I have been feeling more like Something to Give Each Other. Now more than ever I am discovering the beauty of connecting with others, sharing my true self, throwing myself fully in the unknown nature of human relationships. All of those things , despite being a Pluto dominant and 8th houser, truly terrified me for years  even though I obsessively and terribly craved it at the same time.

This album is my something to give you - a kiss on a dancefloor, a date turned into a weekend, a crush, a winter, a summer. Party after party, after party after after party. Heartbreak, freedom. Community, sisterhood, friendship. All that.

— Sivan describing the album

At the end of the day, we all have something to give to someone, and to give each other.

[soaps-mohawk]

So...

I've been doing some thinking about a couple of things.

This blog has grown considerably, even from its start and I appreciate each and every one of you so much. Your support never ceases to amaze me and I owe all of you a lot for giving me something to focus on this year instead of spiraling into insanity.

But

Things have gotten a tad bit overwhelming recently between trying to run the blog and trying to write. I find myself either having to ignore the blog to get writing done, or sacrifice writing time and energy to spend time on the blog and keep up with all the replies/reblogs/asks etc. Definitely not complaining, you all never cease to amaze me.

But, I am just one person and my brain only has so much power right now. So, I'm planning to take some (more) time off each week right now while I focus on writing and planning since we're getting into some serious plot stuff soon. So I'm planning to be on the blog three days a week for a while: Saturday, Sunday, and Thursday. That gives me some time to get some writing done as well as some time to rest my brain.

Saturday and Sunday of course to post the chapter and respond to replies and reblogs so I don't get super behind. Monday I'll have some asks queued up as well as maybe a few reblogs. I'll still use the queue Tuesday and Wednesday for reblogs/asks with spoilers as usual. Thursday I'll be on the blog answering asks from Monday - Wednesday as well as things I get that day. I'll queue up a few things for Friday since that day gives me a little break between to prepare for the weekend and posting the chapter.

I'll probably add more days as time goes on. You can still send in asks on the days I'm gone, but just know I won't see them or respond to them until later in the week. I already get behind by a couple days on asks anyway so that's not much of a change.

Don't feel bad for sending them either, I love getting all these asks, I just tend to get behind on days I spend more time writing.

The second order of business

has to do with my taglist. Most of you probably haven't noticed (which I don't blame you lol) but my taglist has gotten very big. Very, very big. It's just over 230 people right now, and I'm sure there will be others asking to join. It's quite time consuming to do all of these tags for every chapter (especially since we can't tag in blocks anymore) so I've been doing some thinking into how I can make it easier for me, and for you.

I know there's at least one blog I've heard of, though I'm sure there's more, that have made side blogs that they have people follow and turn on notifications for and just make a post on that blog when they post a chapter or fic, etc. I've been considering doing that since the taglist is a lot of work and time.

I've also seen blogs that have side blogs that just post chapters/fics and nothing else. I know quite a few of you only follow for the fic, so if anyone is interested, I could put together a side blog like that as well that you can follow and get notifications from instead of having to follow this blog and having to go through the probably 100 posts that I make a day 😂 (at least it feels that way for me)

Having a separate blog for the taglist too would allow me to schedule posts so I can have them come out a bit earlier than I get up for those of you across the world who stay up to read and have to wait for me to post in the morning when I get up (or later like today because I slept in). Of course Ao3 will get posted later because I can't schedule posts there, but at least for Tumblr I can have things post earlier.

So let me know what you think about the taglist side blog and the possible just chapters/fics side blog. Feel free to send in asks (anonymously or not) with your opinion. I might not answer them all (not tonight because my brain is fried and honestly i'm not sure if this is even comprehensible English) but I will at least use them to make the decision (or make a post with all of them and answer it as just one).

[vigilskeep]

You're my favorite Viago poster & it's my birday so I would love to get your thoughts on that lil datamined bit from Viago's vo notes where it says "he won't be happy until he sits on a throne" (or something like that), would love to get your thoughts on 1- how true that feels to you, 2- what Viago going after the throne could look like if he really decided to make that move, & 3- how the rest of the Crows (esp Teia & House Dellamorte too I guess) would realistically react. Would also love if you include any thoughts on how Sol would handle/react to this because I love them 💖

well if it’s your BIRTHDAY i suppose i have no choice but to viago post... i do this against my will...

okay. first of all the datamined files are vastly out of date information so i don’t consider it as dismantling canon to disagree with them as much as it would be dismissing canon to, like, express that canonically a certain piece of concept art did not happen. that being said, here it is: “Calm, ambitious, and ruthless, Viago is the bastard son of the late King of Antiva. As a high-ranking member of the Crows, Viago has just as much influence as the Monarchy, but he still resents the fact that he is not a legitimate heir and feels his birthright was stolen from him. Beneath his cool exterior is a lot of anger and frustration. He will not be satisfied until he sits upon a throne.” (you can already tell this is directly not canon because viago’s dad is still alive in veilguard lmao)

here’s what viago thinks about the subject in eight little talons: “Rising to the rank of Talon should’ve been enough. With a small army of assassins at his beck and call, Viago was more powerful than the king. But the harder he worked, the more resentful he became of his half-siblings, who knew nothing of ruling or tactics. The knowledge that, given the chance, he could restore strength to the Crown dogged him—leaving a hole that no contract or coin could fill.”

one thing we should say is that the entire system where bastards are put into the crows is to prevent them from entering the line of succession. it would shake up the whole of antiva and how things have worked for centuries to abandon all pretense and put a crow on the throne for real. but that’s small fry because viago is saying he would do even more than that. what viago is talking about here is not just taking the crown—it’s restoring the crown to STRENGTH. he is fairly explicitly not talking about a future in which “the crows rule antiva.” it’s really an incredibly, incredibly audacious, hubristic thing to think, and his confidence in it takes me aback every time. it’s not the idea that he could restore strength to the crown, or the thought that he could do that. the knowledge he could do it. viago you’re insane.

does he really want that, even if he could achieve it? would it really satisfy him? i don’t know. i know that viago’s underlying self-superior beliefs about his ‘birthright’ did probably hold him together at his worst, but are also the root of, like, all his worst instincts. i know that crowns almost always make people worse! i also know that he only thinks through the entire above spiel because he is distressed that teia immediately devastated him with one line, and that the very next paragraph after the spiel is him immediately getting distracted by wanting teia so bad it makes him look stupid (again). would teia take these risks with him, or, even if he won the throne, condescend to be a king’s mistress? between the throne and the woman he loves, which is likely to satisfy the empty void in his chest, if he can only have one or the other? are we likely to enjoy the kind of king we would end up with, if viago loses one of the like two to three humanising connections he has that make him not a complete tyrant? (said with love.)

on the other hand, it’s not as if, right now, viago is holding a normal job down with supreme mental health support and a long life expectancy, let’s be real. and let’s be clear: if restoring strength to the crown does really mean going up against the crows, god, i can’t say i don’t want to see it. i can’t say the thought of viago-josephine-zevran triumvirate finally taking the crows out of power has never crossed my mind, okay. i’m a predictable person with simple wants. but you had best believe caterina will fight to the death on that, and many other talons with her. teia—to whom the crows are a family, however much they fight—could be lost here, which is nigh unbearable.

i don’t think viago is actively, seriously planning doing any of this, to be clear. in eight little talons he’s just thinking he could do it “given the chance”, i.e. if he was one of his legitimate siblings. not, this is my end goal i’m actually working towards for real! but i knowww he’s thinking it. and god knows what fighting for and winning treviso did to his ego. if he and teia break up again we are so in danger 😭😭

(for sol, my dearest rook de riva, the reaction is mostly Extreme Distress because they do not actually care about the fate of the crown or whatever, they just want viago to stay alive. this is not the Safely Staying Alive route, actually, viago. i don’t think they would really grab that skinny man by the lapels and yell, “i don’t think before i act? I DON’T THINK BEFORE I ACT?” and then shake him until he makes a laminated paper wobble sound. but it’s a close call. emotionally, it’s where they’re at. also, god knows what their dellamorte boyfriend, currently at least nominally first talon, is going to feel obligated to do about this. real mess!)

[maxwell-grant]

The Penguin Episode 4: Cent'anni Breakdown

She goes through all these different levels of all these different personas: excellent daughter, overachiever, and this horrific feral state in Arkham. And it's not until the yellow dress that she finds the one that fits.

Kind of like sharks can't stop moving or they sink. It's that relentless pursuit of justice.

This changes her forever. She never comes back. Something so much bigger than her takes over in order to survive - Cristin Milioti

This was pointed out to me by my friend and, show of hands everyone, who else thinks it's unbelievably fucking sick that it is Sofia who gets to show up at the Falcone dinner table, wearing a thematically appropriate embodiment of her childhood trauma, and do a "None of you are safe" speech?

(Episode 1) (Episode 2) (Episode 3) (Episode 5) (Episode 6) (Episode 7) (Episode 8)

It probably felt odd to spend time with Sofia when we’re in a show called The Penguin. But I think it’s just as important so you can understand Oz psychologically. Even though I don’t view Oz as a hero or a villain, he is a greater villain in the show than anyone else. And for you to feel that way, I think you have to understand his primary antagonist more. And that’s Sofia.” - Lauren LeFranc

I gotta say I'm generally not enthusiastic about Penguin being depicted as overtly disgusting, like drooling and eating raw fish and all that Burton stuff (actually I do think the black bile is cool, but only so far as as that version goes), but for that opening scene, that was a spectacularly well-placed bit of grossness. Like this sheer craven animalistic ugliness of DeVito's Penguin descending for a second to show us how Sofia sees Oz, and even how right she is to do so at the moment because holy shit hahahahahaha

From what we can see of Sofia's pre-Arkham life, she was basically the Meadow Soprano of the family: The smart, overachieving golden child, whose social standing and eligitibility for leadership wouldn't even be up for debate if she was born a man like her loser brother (love AJ, relate uncomfortably to AJ, he's not at all morally comparable to Alberto, but he is very much a loser). Socially conscious and sticking up for victims but only if you don't poke too closely at her victim-generating family business, aware of some things but willfully blind to her own hypocrisy and insistent that daddy is still in average a good man who isn't as bad as people around her may say he is. I'd even say that the Sofia we see here is a more moral person than Meadow, although obviously being the daughter of Carmine Falcone is a much scarier, more isolating and horrific prospect than growing up the daughter of Tony Soprano (the ways in which the two Sopranos kids diverged and majorly prefigured American socio-political developments that kicked off after the show is a topic for another post).

(Also, I don't really want to bring up Sopranos comparisons because the shows are similar, they're really not, but I finished The Sopranos yesterday so they're gonna come up still)

I think Mark Strong does a really good job here filling in for John Turturro's role, even if he's not quite as good in it as Turturro. I think he plays the character differently in a way that works really well for this being a past version of Carmine, filtered through Sofia's vision. He is imposing and quiet and mighty, a lone titan of unquestionable power over the entire world, not even remotely someone to be defied or displeased. Turturro's Falcone was charismatic and affable and oozing with unspeakable yet casual cruelty, and I would have liked that here, but I like the idea that we're seeing a Carmine from before he was invincible, when he still needed Sofia to help him get Congressman Hill on the phone and still worried about the future of the family at Alberto's hands, a Carmine from when the Maronis were still around and he wasn't the sole ruling power in Gotham, who could still possibly lose even without vigilante intervention.

He is larger, more imposing, a stern and stoic father who had little use for pleasantries, and with no mirth to be had at the expense of the little people who think they can do anything against him that matters, even if he is getting there. I think the difference here adds a nice little arc to Carmine: there was a time where he needed to keep up appearences, there was a time where he raised his voice above a whisper to get things done, and there was a time where he wasn't the real mayor of Gotham. There was a time where he was a "proper" Don, when he acted like his comics counterpart, and none of that really became necessary over the following decade, when he grew more and more invincible and isolated and comfortable in this nightmare he made the city into.

They also confirm here that apparently the Iceberg Lounge/44 Below existed way back when Oz was just Sofia's driver, and it was already Carmine's prostitute slaughterhouse even then and Alberto knew about it. Possibly explains why Oz was handed the club in the first place, because the Falcones already called him Sofia's penguin and putting The Penguin in charge of the Iceberg Lounge would fit their idea of a laugh (and given how much Oz hates being called Penguin, he would hardly come up with the name himself)

Lmao, those dog comparisons I keep making really don't stop justifying themselves.

Credit again to Mike Marino and the prosthetics team for this younger Oz make-up, he strikes a very nice middleground between current Oz and the one we see as a kid.

Really like what we see of Sofia and Oz's dynamic here, again reinforcing that for all intents and purposes he was the sidekick in her HBO protagonist life. We see how Sofia likes his company and how she even kinda defends him from the family, but she really cannot bring herself to respect him very much and disdains him from the same very upper-class perspective the rest of the family does, she's just nicer about it. And in turn we see parts of where Oz's resentment to her comes from, and also the extent to which Oz was always lying in wait for an opportunity to get ahead regardless of her, his justified grievances as well as him being a conniving fuck. The really thin line this treads though, is that it establishes that neither of them were lying about how they meant something to each other, even if it doesn't help.

Sofia did have her life ruined partially because of Oz, she did endure horrific things while he got a promotion because he ratted her out to Carmine, and he very much did in part because he wanted to get ahead and saw an opportunity to do so. But also, Oz genuinely had no idea that this is what Carmine would do, and I think in large part this was also about keeping himself safe. It's not even that unbelievable that he was genuinely looking out for her, because holy shit you do not talk to the press about Carmine Falcone, daughter or not, and he tried warning her in the car before she rebuffed him and insulted him pretty deep for good measure. If Sofia talked to the press and would not stop talking (since he didn't know in the car that she rebuffed Gleeson) and shit started happening because of her snooping around, he would have absolutely gotten punished/murdered for it, it is not at all a stretch to assume that Carmine would have done something to Oz as punishment to Sofia.

Oz didn't plan any kind of misfortune, at no point did he mastermind her admission into Arkham (or even help keep her there with the letters, like the rest of the family), he just told Carmine something he shouldn't have, and neither of them expected anything too terrible was gonna come out of it. They both wildly underestimated what a complete scumbag Carmine is, but with Carmine (and the others) gone, there's nobody else to turn those grievances to.

Even if Oz could claim deniability for the Arkham thing, which he kinda can't but Sofia even tried to grant him anyway, he sure as shit can't for everything else he does in the opening minutes.

Oh hey it's Mr Mustache With The Broken Nose.

A thing that came to mind when I was watching the episode was the story of Rosemary Kennedy, JFK's sister whose father arranged for her to be institutionalized and lobotomized at age 23 as a reponse to "difficult" behavior. I'm not recounting it in more detail here because the rest of it is just too horrific, look it up yourself if you're curious. I remembered it because reading about Rosemary Kennedy ruined my fucking day and it still pumps up the breaks in my train of thought every now and then, so it came to mind watching this story about a young woman horrifically institutionalized and butchered for the sake of her wealthy family's image. Later I heard the podcast, and turns out that actually was exactly what Lauren LeFranc based Sofia's story on, which was nice. I'm glad it also fucks Lauren LeFranc up and that we both agree she should have gotten to wreak revenge on the entire family over it, thank you Penguin Show that continues to be made for me, this was nice.

Oh hey, Magpie. Just the name, yeah, but that was another nice surprise. I used to have a bit of a soft spot for Magpie, occasionally I thought there was something to get out of her and Penguin together, so a part of me likes that they put Magpie in The Penguin show even if just in name. Yes, she only exists to be annoying and die, but that's what she already tends to do anyway. And y'know, much as I may like her, she is still a John Byrne character, so she doesn't really deserve much more than that

Jesus Christ this episode gets uncomfortable.

I like that this establishes that Julian Rush kinda did make an effort to help her and kinda felt bad about it, but not nearly enough, and that he is very much a complicit contemptible creep who has it coming as much as any of the people who put Sofia in there.

Cannot state enough how much I appreciate that they didn't put any actual named Batman villains in the Arkham Asylum episode, guarantee a lot of creators would not resist the temptation. I mean okay I guess there is a Ventris already in Batman but, come on, you know who I mean. This did not need any references to like, Jeremiah Arkham or Jonathan Crane or Hugo Strange or any of that, and that's not a diss on any of those guys, it's just that unlike pretty much every other Batman story, this episode does not undercut it's point about the horrific institutional horrors dehumanizing and destroying Sofia by pinning it on a chief boogeyman supervillain that Batman is going to fight later. Dr. Ventris is not responsible for the systemic rot that got her there nor is he the sole orchestrator/perpetrator of the abuse it's inmates suffer, he simply answers to those, and thus perpetuates them, by doing his job in a mental institution.

I am still haunted by the inmate committing suicide with a fork. It is so fucked up that Sofia was tortured and goaded by the doctors into murdering another inmate, and when that failed, they tortured her again and again and again until she snapped. The whole point was to push Sofia beyond the breaking point to justify further incarceration. The doctors just standing there letting her kill Magpie.

I want Dr.Rush to die.

I have more thoughts on Arkham, but I'd call this the most horrific take on Arkham so far, because it is the most honest take on Arkham so far. Even at it's most run-down and monstrous, it is usually never at all into question that Arkham Asylum is necessary, because if it wasn't there, all the crazies would run rampant in Gotham. Over the years, it's monstrousness has always been tied directly and specifically to it's inmates, and whenever people have pointed out the shoddy conditions and inhospitable environment of Arkham as a factor for repeat offenders, it's pretty much always as a fandom joke outside of Batman stories proper, and if there is anything wrong with the way the Asylum works, it is always the fault of particularly evil villains attached. A Lock-Up, a Jeremiah Arkham, a Hugo Strange, etc. Arkham Asylum is in general a Batman concept that's raised a lot of discussions and calls for revision over the years, and a lot of the issues with it tie into larger issues around superhero depictions of the carceral system, that @artbyblastweave went into here.

Here, in large part because this is a realistic world and a Gotham without a rampaging supervillain contingent of repeat offenders who can magically break out constantly, it is never into question that the patients are the victims of this system, and if they are being turned into potential supervillains, it is because of Arkham inflicting this on them. This is an Arkham Asylum that remains a nightmarish, horrific force in this world, but not because it's Castle Dracula where all the crazy villains hang out, not even just because the rest of Gotham is hopelessly rotten and corrupt, but because it's a mental institution and depicted accordingly. It gets to dig into the real life horrors mental institutions inflict on it's patients without having to justify those measures as benign or necessary to keep crazy crimes from happening. Frankly, this take on Arkham Asylum has been long overdue.

In every form of Batman media, just about the worst thing that can happen at any given moment is Arkham Asylum falling and it's inmates escaping into the streets, that's generally what happens when Batman needs to deal with apocalyptic stakes (which is why of course it happens all the fucking time now). Here, that scenario would be regarded with cheer, because the worst thing that can happen in this universe is being sent to Arkham Asylum. It isn't just Batman's unofficial personal prison / punching gallery, if anything it massively raises the stakes on this Batman's next adventures, because now we know this is what's waiting for him if he gets caught and unmasked.

I like that Sofia and Oz are both trying to save/protect those they see as younger versions of themselves, while inflicting on them the kinds of tragedies that ultimately created them

Oz reached out to this poor disabled kid from the streets and is showing him the ropes, while also belittling him as a nobody and distorting his worldview and dragging him into life or death cornered scrapdog situations chipping away at his morals. Sofia saves her little niece who laughs at bad table manners and doesn't quite do what her family says, gently lulling her to sleep so she can kill her mom and her entire family.

Extremely important that Sofia Falcone makes her formal arrival as a villain by showing up dressed in a sexy yet fitting extension of her trauma / cultural reference (The Yellow Wallpaper / the walls in her mother's bedroom), before putting on a mask and enacting Gotham's first Mass Casualty Gas Attack, we love to see it.

I was frankly already calling Sofia one of my favorite Bat-villains even before this episode, I'm just glad everyone seems to be on the same page with me now. I'm seeing a lot of posts on Twitter and Instagram talking about how they're rooting for Sofia instead of Oz, that she deserves to win this war, and good, fucking amazing that they're doing this, again, this show is hitting home runs I could not have foreseen.

It is incredible what a character they've made out of Sofia, and the fact that we now see Oz as her antagonist as much as we see Sofia as his, and the fact that if Penguin wins, he will win this as a villain. He will steal a victory he does not deserve and rub it in your face and he will make the children of the world cry for it as any villain worth his name should be doing, and it frankly wouldn't be much of a fight if Sofia wasn't every bit the complicated, engaging protagonist he is. Lauren LeFranc claimed that she sees Sofia is the closest the show has to a hero even if she is not, and this is the episode that sold everyone on it.

Halfway through the show and it's only gotten better and better, can't wait for what's coming next.

[budbuddnbuddy]

Little obey me headcanons (pt3)

(Pt4)

A/n: uhhh not really sure what to say here, but I’m glad my posts are getting the attention similar to what I had when I first picked up writing fanfics and headcaons. Thank all of you so much hope all of you had a wonderful Christmas.

As MC spends more time in the Devildom and makes more pacts with the brothers, they’ll start to have a slightly more evil look to them. Get what I mean? Like how Megan Fox has “evil beauty.” However its not as visible, they’ll still look like your normal boring human first glance.

“The celestials know every language in the human wor-“ *LOUD INCORRECT BUZZER* Sorry but I respectfully hate this headcaon with all my heart, it doesn’t make sense. Sure these guys are immortal powerful beings that have lived for millions and billions of years, but they don’t even keep up with the human world like that and that’s CANON. Also if we’re looking at it through their perspective where as a hundred years is literally just a couple of blinks, humans would be making new languages every second.

They probably know 2-6 MAX, and that’s not me underestimating them that’s me saying that they either don’t have the time or will to care about 7,139 OFFICIAL languages there are in the human world. But enough of that let’s dive into the languages that they can speak.

Lucifer: English, French, Italian. and a little bit of Japanese due to Levi but not enough to be fluent. Mammon: English, Spanish. Levi: English, Korean, Japanese, and sign language. (idk if that counts) Satan: English, Mandarin Chinese, Japanese, French, Spanish, Arabic. Asmodeus: English, French (mainly because he thinks it sounds hot 💀) Beelzebub: English and German. Belphie: English, Spanish, German (because of Beel), Japanese. Diavolo: English,Italian, a bit of Spanish but not enough to be fluent. Barbatos: Mandarin Chinese, Japanese, English, French. Simeon+Luke: English right now but Luke wants to learn Spanish.

Solomon is probably the type of person to wake up at 12:30 in the afternoon whenever possible. Mf probably has an alarm set for that exact time too, and when you ask where he’s been for like half of the day he’ll tilt his head to the side and be like “I was sleeping????”

I feel like we can all come to a sort of mutual understanding of this, but the brothers fan clubs and MC do not mix well together like at all.

“Asmo, get your crazy ass fans under control! They’re fucking insane!”

“Oh they can’t possibly be that bad dear! They’re MY fans after all!”

“I let it slip that we had a date planned for this Saturday and one of them threatened to cut me before calling me a warm toilet seat!”

“Oh.”

Asmodeus, Barbatos, and Simeon call you Hon/Honey sometimes.

For all of your RAD classes, every brother except Lucifer shares at least ONE class with you. Also all of the exchange students are in the same Main classes.

Everyone is a tad bit insane about you, just a little bit, a sprinkle if you will. No I am not explaining this.

[azurlily]

Guess whose not dead?!

(This is an actual post with a character, just scroll down to the pink bow if you don't want to read this.)

I was in and out of the hospital for a long time. I'm sorry I haven't been writing, but I'm doing so much better. I've closed requests so I can catch up on the ones I currently need to do.

I also wanted to mention some of the newer works(that AREN'T being requested) that I plan to make will probably be either smut or darker stuff. It's a way for me to cope and I enjoy writing altogether.

Yandere!CEO x Fem!Reader

Morena(yan!ceo) x fem!reader

Synopsis: You're a young woman working in the tech industry, you know people(mostly men) don't take you seriously. Due to the constant stress of needing to be better (just to be considered good) you are constantly anxious and jittery, you've also developed a depressive mindset and you consistently struggle with taking your medication.

You just got a new job by a large, female owned, tech company! You thought you'd feel better and you wouldn't have to deal with a toxic environment. You were dead wrong; your boss is a bitch and expects constant perfection and no less. You were just barely able to make it under her radar, until she starts going through files- and you find yourself in her office with a deal you just aren't allowed to refuse.

Not like you can refuse a demon after all?

TW: Non-consensual kissing and physical touch, somewhat mentions future kidnapping.

The reader is kissed(while under a spell that takes away will-power from their body) and is forced to sign a contract against their wishes.

You stand quietly, with your hands in front of you- clasped together so tightly you'd think you were about to get in your knees and pray. But no, instead you were ready to beg to not be fired.

That's what this was right? You were getting fired and your horrible, asshole, bitch-faced boss wanted to say it to your face. You could cry, you almost did on the way here.

Yet as much as you wish you weren't in this situation, as much as you wish you could repent for whatever you did; you genuinely have no idea why you've been called here. You've never gotten a write up, all your reports are clean and bug free, and you work well with seemingly everyone.

You stand face forward, staring at the woman who decides wether you get to eat for the next month. The same woman who while you hate her, you can't -no you won't- deny her beauty. You-

"Hello?! Do you hear me or are you too busy pissing yourself to pay attention?"

You look down, wondering if you genuinely did pee yourself, only to see dry pants and floor. You look back up at her and she gives you the look of someone who both wants to laugh and yell(not in the good way).

You wondered if there was something who had tried to sue her for how rude she was. I'm sure there could be some sort of case, as long as there was proof. Hell, even witnesses would do.

"Sorry, ma'am. What exactly is it you called me for? Has my team done something wrong, did we miss some meeting, or did-"

She stands up, slamming her hand on the desk so loudly it echoes. You nearly jump out of your skin- was she going to hit you?!

"Be quiet. I can't handle you prattling on like a cow. I'm not firing you, nor am I firing anyone on your team. In fact, it's quite the opposite. Oh and please- call me Miss Morena. Thank you."

Oh she is definitely a condescending bitch.

You thought for a moment, 'quite the opposite'. So you aren't getting fired, hell you may be getting a raise! Maybe Morena wasn't so bad of a boss. Maybe she just likes hard workers.

"Thank you, ma- Miss Morena. If I may ask: does this mean I'm getting a promotion?"

Morena smiles, not the smile you give someone when they're right about something. The smile you give when you're a fox, and you've just cornered the bunny you've been trying to catch.

"Yes, a promotion of sorts. I actually have a contract for you, but I can give you the gist and read the rest to you later."

Morena pulls an inch thick stack of papers from the desk. She sets them aside with a pen and slowly steps out from the desk. Morena signals you to come closer, but you only take a few steps forward. You could practically feel how badly this situation was going to go.

As Morena got closer, you began to feel more compelled to make eye contact with her. Like someone was whispering into the back of you mind, telling you to look up. To look into the beautiful blue eyes that Miss Morena holds. To never look away; keep your eyes on hers.

Don't look away from me. I always get what I want and that isn't changing anytime soon, little rabbit.

"Well I've been looking over employee information and I noticed you moved from very, very many jobs before you got to this one. Never staying in one place. I never really liked people like that, and from what I've seen, people like that have done the same with my company. Now I hope -very strong word here- that someone with skills like yours wouldn't do something to this company. I hope that you'd stay, willingly of course. You would stay willingly, right?"

Of course you would, you never had any interest in leaving. You planned to stay past the one year mark, past the time where everyone would get raises in order to ensure you were getting a that this place was a good opportunity. You loved it here, you loved you teammates, your boss, you loved the office building itself.

"Of course I'm staying, Miss Morena. I would never leave."

The words coming out of your mouth felt robotic, they felt like you were lying to yourself and others. Like you were in your body, but you weren't the one speaking.

"Good girl, now go over to my desk and sign you name on all of those papers. Don't read them, you don't need to. You can put all your trust in me."

You did exactly as you were told, you signed every paper with you signature. You didn't even think, your body was moving like second nature. You had this warm feeling in your gut, this safe and controlled feeling. You like feeling like this- don't you?

You hear some shuffling behind you and yet you can't turn around to see what's going on. You only hear a voice.

"You know while your under I guess I can explain. You can't really yell at me or try to run away, so I can speak my peace. You're going to be the newest human I suck the life out of! But hey, for the next few months you'll get to live lavishly and without fear of anything. Other than me of course!"

Your brain registered what she was saying, but you couldn't respond. What were you doing to do? What could you do?

"Come here bunny."

You turn around and walk straight into Morena's arms. She gently grabs your face, you just noticed three of her fingers on her left hand have been filed down. Meanwhile the nails on her right hand, as well as her pinky and thumb on her left, are long and colorful.

Morena pulls you closer to her, her lips ghosting over your mouth. You feel her press her lips to yours and you get an overwhelming feeling of disgust wash over you. You feel nothing but utterly dirty as she kisses you, you feel like someone's just stabbed you and is trying to clean the wound to make themselves feel better about the act.

Your eyes are wide open the entire time, so you watch Morena go from kissing you deeply to pulling back in what looks to be shock. Her pupils dilate slowly, her eyes relaxing and you see nothing but black take over.

"Oh...oh you're much too sweet to kill."

Morena gently moves you head to the side pressing her tounge against your neck. You feel her shiver and watch as she pulls back with a dark smile on her face.

"I take back what I said about you enjoying these next couple of months. . . You'll get to enjoy such pleasures for the rest of your life. With me."

You let your body process her words this time, you don't know how to react. Instead you feel your eyes wet themselves, your expression hadn't even changed. And yet, you were crying. Morena notices almost immediately and you watch her face distort itself into a disdainful look of annoyance, until it twists into one of sadistic pity.

"Oh, shh, bunny. Hush now, stop those tears. I'll take the spell down once were home, in my home you wont be able to run away. So you can have a tantrum all you want there. I know you don't like me right now, you maybe even hate me, but give it some time. You'll realise you need someone, and I'm the best you'll be getting for the rest of your pathetic human life."

Everything goes black after that.

[germesthegenie]

Can a “😍😙😁” gal and a “💀👿🩸” gal really be besties? Sure seems like it so far.

Based on a scene from Ward 3.3

Recently finished Ward Arc 3! Thoughts below:

Been a while since my first post on Ward, a couple of thoughts:

Arc 2

I like the slower pace so far (we’ll see how long that lasts i suppose). Nice to get little moments like Victoria going to interviews and visiting the kids at the hospital.

Zion really gave one last middle finger to humanity and said “You know what? Automated random horrific death triggers.” Jokes aside, the broken trigger scene was haunting, might draw something based on it in the future.

The therapy group superhero team premise is interesting. Nice to have a band of characters who have mental or emotional weaknesses but have each other’s backs! Now let’s see who they’re up agaisnt- oh, Tattletale? Oh no.

Not too many thoughts on the arc’s interlude, a lot of nice worldbuilding which is always welcome.

Arc 3

Capture the Flag was a fun premise for a friendly fight, and it delivered pretty well in showing off everyone’s powers, strengths and weaknesses. Also nice to see Victoria filling a more mentor/coach role and getting to flex the experience she’s gained with her power in a more positive light. Have some drawing ideas once I figure out how exactly I want to depict stuff like her aura.

Liking the new team so far, though still need to wrap my head around some of the finer details of the powers. Definitely gives me Jojo vibes in how the powers are more complex in the sequel/s.

I realized quickly that Kenzie’s powerset is a lot like my character from my friend’s Worm campaign (which I might write more about later on). Also a surveillance/drone Tinker, though with more focus on multiple drones and material efficiency than Kenzie’s big boxes of large scale holograms and photo-distortion.

Seems the group all have their own little secrets and/or problems they need to work through. Please Vic don’t let any of them near Tattletale they would practically be a freebie for her to take down.

Ok, no Birdcage as I learned from last post. But is there, like, a dead Earth with a one way portal to toss Carol into? Is Sleeper still occupying Earth Zayin? Maybe we should send Carol there on a free vacation I hear it’s a lovely time in… whatever the effect of his power is.

Evil Robot Grocery… ok how do you even fight that. I guess it’s an S-class Threat for a reason but like what option is there other than quarantining and bombarding the entire area they’ve spread to? Do EMPs work? Put Ghost Bakuda to good use and make that Arc 6 Bomb to knock them all out?

Silly rodent themed hero. Close enough, welcome back Mouse Protector Ratcatcher. Also gonna toss her on the list of “characters I should draw some time.”

Amy Dallon finally speaks, and looks like she’s making friends! Friends that are all (at least former) supervillains! That are encouraging her down a darker path! I can only see good things happening here. A little surprised we get her this early from an Interlude rather than from a main chapter, though I suppose it does make sense to flesh her out more now rather than waiting until Victoria directly sees her again in whatever state she’s in by that point (probably a bad one).

That’s all the Ward thoughts I could think of at the moment. Will be reading more, next update hopefully won’t take 2 months again (but probably will)

[the-tyler-as-in-skyler]

posting more svsss fanart this time half finished doodles of a lil au that’s been cooking in my brain for a few weeks

fox shen yuan aus have my heart and soul anyways he gains more tails the higher his cultivation is :33

plot points for this below the cut (also apologies for the terrible image quality she’s been through a lot (my google drive))

- shen yuan is a fox demon, he gets popped into a very young fox demon similar to how airplane gets dropped into baby shang qinghua (airplane is sqh in this au but that’s not plot relevant yet)

- little fox shen yuan, still getting the hang of his powers and creating a human form, runs into shen jiu in the woods, realizes this “random” teenager looks a lot like he did in real life, and unconsciously shifts to look like him

- shen yuan and shen jiu become kind of friends (in that shen jiu feels like he needs to protect shen yuan because he thinks he’s naive and also thinks it’s funny when he’s a bitch and shen yuan also thinks that shen jiu is funny when he’s a bitch and that he should probably keep this kid from dying or screwing himself up with his clearly demonic cultivation too bad)

- shen yuan eventually figures out how to look fully human (prior to him and sj going to cang qiong mountain)

- sy and sj become disciples on qing jing together! how does shen yuan cultivate? well sj is the only one who knows he’s a demon but they manage to swipe a fox demon cultivation manual from qing jing peak’s library for him

- when the qing generation ascends shen yuan leaves cang qiong to go be a wandering cultivator and write a bestiary

(at this point you may be asking, where is zhuzhi-lang? he’s in the doodles, why hasn’t he shown up yet? fear not, he is coming)

- while traveling shen yuan decide that the mortal realm is too boring and there are far too many papapa plants there so he travels to the demon realm to record more beasts

- at this point tianlang-jun is still the emperor of the demon realm, and, through shenanigans probably, shen yuan manages to save zhuhai-lang from a rather dangerous plant that mimics normal demonic plants and gets introduced to the emperor

- it does not take long for shen yuan to realize that this is luo binghe’s father and decide, hey, maybe he can help this guy and hopefully get both of luo binghe’s parents to survive so he can have a kind of normal life without the trauma (he is still masquerading as a human at this point and there’s quite a bit of controversy about the demonic emperor taking advice from a human cultivator, linguang-jun later mocks mobei-jun for ‘following in the late emperor’s footsteps’ when he takes shang qinghua as his primary advisor)

- this plan does not work, shen yuan is exposed to the cultivation world as a demon and a traitor and gets his ass tossed into the endless abyss so he can’t warn zzl and tlj about the plot against them

- (shen jiu goes to see him before he gets sent in: “why’d you do it?” “i… i wanted to try and let them (su xiyan and tianlang-jun) be happy together…”)

- sy is stuck in the abyss making himself a little house and strong arming the various horrors down there into liking him

- cut to shen jiu, now shen qingqiu, extremely bitter about the fact that the only person he considered a friend betraying him the cultivation world, and seeing baby binghe who looks just like the guy his friend got tossed into the the abyss for and figures out that this must have been what shen yuan was trying to protect

- shen qingqiu is livid and takes it out on binghe

- yet another cut, we know what bingge’s childhood was like, and binghe’s gets dropped into the abyss (sqq thinks that it’s fitting he sends the beast to the same fate that trying to protect him doomed shen yuan to)

- binghe wanders the abyss, being miserable, for several years before he comes across… a house? the bamboo house from qing jing peak? is he hallucinating? but no, it’s not quite the same, it’s made with whatever freaky bamboo equivalent grows in the abyss and there’s a pen with a six-legged carnivorous horse around the side of it

- shen yuan built himself a version of the bamboo house because he really liked it and he helped build shen qingqiu’s bamboo house as a sort of present/congratulations for ascending to peak lord status and he wanted a comfortable place to relax where he’s less likely to be attacked by a beast

- binghe is very confused when he is enthusiastically greeted by a fox demon who looks like his scummy teacher but is rather quickly endeared and intrigued

- they bond, shen yuan helps binghe find xin mo and they get out of the abyss and into the demon realm together with shen yuan acting as an advisor for binghe similarly to how he did with tlj, with the condition that binghe helps him release tlj and zzl from their prison

- this is the main catalyst for them going to huan hua in this au (most people have forgotten what sy looks like or they were too young to remember his trial even happening, it wasn’t anything super public because publicity for the great sects is very important so they kept things very hush hush)

- shen yuan reunites with zhuzhi-lang and tianlang-jun! it takes them a while to figure out how to properly break them out but they do manage it!

- at some point in the demon realm shen yuan and shang qinghua run into each other and clock that the other person is a transmigrator pretty quickly (they both have a habit of muttering in chinglish during court and they hear each other and do the spider-man point meme)

- sqh and sy bond and binghe and mbj don’t exactly know if they should be jealous about it, they’re very close and seem to share some sort of strange dialect that only the two of them speak and spend a lot of time together?? (they’re arguing and maybe kissing a little bc… cumplane my loves)

- shen yuan eventually has the misfortune of running into liu qingge (who survives here because i love him and i think that sy would at least try to prevent his death because he found him endearing when they were disciples), while sy is delighted that his shidi is alive he’s less happy about having cheng luan pointed directly at his throat in a secluded alleyway when he was just trying to browse the market of a town he remembered being pleasant

- reuniting with lqg leads to reuniting with the rest of cang qiong (and getting yelled at for his incompetence by shen qingqiu before they make up)

- shen yuan has (just barely) convinced binghe that torture is not the answer to solving his trauma so shen qingqiu does not get water prisoned but they aren’t trusted alone in a room together for a good long time

- eventually this probably ends in shen yuan collecting a harem on accident (not that he’s very upset about it but still, he’s confused how he managed this)

- neither binghe nor shen qingqiu are particularly pleased about the harem thing but like… they love shen yuan and if it makes him happy they’ll put up with these other idiots (they totally don’t like some of the other harem members what are you talking about? there’s nothing going on there stop asking them about it)

[yourtoradorasextendedwarranty]

So I am a bit ashamed given modern day politics to admit that I'm left leaning at all. Even if I'm a just Left of Center Libertarian.

But the reason why is because of the fact that a huge swath of the left has an issue when it comes to words. Specifically changing the meaning of words until they mean next to nothing at all.

What do I mean by this? Well let's consider, what words have been made to mean nothing by the left:

Gender

Sex

Abortion

Genocide

Nazi

Man

Woman

Child

Family

Capitalism

Communism

Socialism

Fascism

Racism

Sexism

Etc

The list goes on and on and on.

Nazi more or less now means, "I don't like you and you don't agree with me thus forth I will bestow this label on you so as to smear you publicly"

Gender used to mean sex and now it both does and does not mean sex and even is now used to mean "Identity" with that was never what it meant.

Genocide is SUPPOSED to mean the intentional removal of a group of people through killing them or breeding them out by sterilization or intentional delusion of their bloodline. (Example of this is the raping of Uyghur Muslim women by Han chinese men and the sterilization of the Uyghur Muslim men by chemical castration or actual castration). Now it just means, "People dying in war is genocide. People not being allowed to chemically castrate themselves is genocide. People being allowed to eat meat is genocide". IE: It means nothing at all.

And then there's my favorite phrase from the left.

"This is a threat to our Democracy" which actually translates to: This is a threat to the power of Democrats therefore we need to smear and slander anyone pushing whatever is being pushed currently. And we will use weasel words normies use in order to scare them away from whatever this thing being pushed is".

First and foremost, we DO NOT live in a Democracy. We live in a Constitutional Republic. Secondly, when people want power as BADLY as Dems and will lie, cheat, steal, and smear to get there, you should be concerned. I mean for god sake, people consider a very TINY riot at the capital with 99.99% of people unarmed completely, while we also know feds were in the crowd, an "Insurrection"; But then will not consider fire bombing the security office outside the White House, the pushing down of the WH fence, and the burning of a historical church across the street, and the injuring and killing of several Guards and Police the same thing.

So basically, it's a "If we are in power, everything we do, no matter what it is, is fine and reasonable. If you are in power anything we do to try to remove you from power is fine and reasonable.", situation.

That's why I don't like most of the left. Because they think they are gods. Their "Moral" is correct even when it never stops changing. Look at their defense of slavery in the middle east all because, "Those poor oppressed Arabs". I'm sorry but what?! SO slavery is FINE so long as it's non white doing it? That's what I'm hearing right? And sadly a lot of the time it's "YES! That is what you are hearing". If time has taught me anything it's that most of the left is a brainwashed, uneducated cult. They believe EVERYTHING outside of their cult views as evil and thus forth need to lie about it to make everyone else NOT involved or not informed also have the same resentment towards the people they hate.

And it was the last straw when I saw post after post after post of leftists excusing rape. And then people like Hasan Piker calling Kids, "Colonizers" while in the breath before talking about violent removal of people is fine if they are colonizers.

No leftists. You need to understand something very clearly. The "Right" you view as so bad and evil are consistent in most of their morals. But you view everything in bad faith. Thus can't see past your own bias long enough to realize the actual evil ones are you.

And understand. I'm not calling EVERYONE on the left evil. But if you worship the left, you probably are evil. Even if you believe you are doing "The right thing" that doesn't mean you are. And it's about time you realized that.

[captainuranium543]

Thing I've noticed about the Fairy tail fandom misogyny problem (I'm about to sound like such a nerd)

Not to be the loser of the year but the easiest way to see the bad treatment of women in the ft fandom is by imagining what would happen if you swapped the genders of gray and erza.

As we all know gray has a running gag of taking off his clothes, however while people clown on him for this it's also well known and obvious that he is more than that. He has depth and character beyond just that gag. In the more recent 100 year quest he really hasn't done that much by comparison to natsu Lucy erza or even Wendy. This has been (reasonably) upsetting to some fans arguing that he deserves better. I agree with this but I need you to imagine what the reaction would be if he was a women because it would be a completely different story.

If gray was a character who didn't get a lot of development and was always taking off his clothes as a women people would not be saying he deserves better then would be absolutely dog piling this dude calling him useless and fanservice only completely ignoring all his previous development.

How do I know this? Because that is literally what happened to Lucy. Back in the 2010s people WOULD NOT GET OFF HER ASS. people were constantly calling her useless (completely ignoring the fact that she's a brand new wizard being compared to guys who've been doing this since before puberty and NO SHIT SHES NOT THAT GOOD YET. THATS WHERE THE DEVELOPMENT COMES IN). It made sense for Lucy to be weaker than the others she was brand new to this and that was literally the point of her entire story to watch her grow as a wizard and become more independent and powerful. In some instances Lucy was written to be a damsel in distress character but rather then looking at her as an obvious victim of bad writing it was treated like it was somehow her fault. Gray and Lucy are very similar characters but gray is treated far more favorably right now than Lucy ever was back in the early days.

As for erza, people cannot stop calling her a plot armor character. All I see online is none stop hating, some people even claiming it's worse than natsu. The things is, to a degree they are right erza does have plot armor, the issue is that so does literally everyone else. As much as you don't want to accept it erza fights more so it's more noticeable with her but every single fairy tail fight outside of a few will have an element of plot armor ESPECIALLY for natsu.

The issue I have isn't that people are wrong it's that they completely ignore the fact erza is literally only being treated the same way male anime characters have been since the dawn of time but now suddenly it's a problem. Being overpowered and winning by punching things harder is fine as long as you're a dude ig.

It's even worse when people argue she's a Mary Sue because she objectively isn't. She not only has so many flaws that come to mind easily, she had probably one of the strongest character arcs I've ever seen. She's gone through more character development then 99% of the cast the only problem is that it happened very early and afterward Hiro didn't really know what to do with her.

That being said, even if she had no character arc at all I STILL WOULDN'T SAY SHES A MARY SUE. BECAUSE A MARY SUE IS A CHARACTER WITH NO FLAWS. AND NOBODY IN THIS SHOW IS MORE FLAWED THEN ERZA IS. I've heard people argue that all her flaws are comedic and, ignoring the fact this is just not true she has plenty of flaws that are genuine problems she needs to grow from (ie galuna island, tower of heaven and edolas), who cares if they are comedic? Natsu is also a very flawed person and has not had to change even a fraction of the amount Erza has and does that make him a Mary Sue? No. Do I still love him? Absolutely, he's funny as hell.

This post was not made to complain about gray or natsu btw Its not that I think they're useless or Mary sues I just don't think any of these characters are at all and I think people who do think that should all explode. Anyway this is just what I think feel free to disagree but don't try to argue with me because nobody is changing my mind on this one.

[chefwhatnot]

A Too-Close Analysis of the Double Exposure Treatments from Duskmourn (1/2)

Happy Prerelease Weekend everyone! During the announcement stream for Duskmourn, Art Director Ovidio Cartagena said that one of the goals of the "Double Exposure" Alt-art treatments was to capture the inner psyches of Legendary Characters. And that immediately tickled my neurons, so I decided to write a bunch about the different Double Exposures and what exactly they suggest about the different characters! This post will feature all the characters from Duskmourn who appear in the Main Story articles, with the rest coming sometime tomorrow probably.

(EDIT: Part 2 is out now! You can find it here)

The Wandering Rescuer-

In profile over the Wanderer is one of Duskmourn’s demons, seeming to show similarities to the demon depicted on the card “Vile Mutilator”. This demon in particular, and presumably other Duskmourn demons, possess the ability to kill survivors’ glimmers. The Wanderer is the only character we see in the story who has a glimmer, potentially because her will and connection to her home plane are strong enough to manifest one before any other members of the party can. So, having that connection to her home, to the place she has sought after for so many years and finally had the chance to return to post-March of the Machines, taken away by a monster… yeah, I can see how the Wanderer might be afraid of that.

Valgavoth, Terror Eater-

Unlike the other double exposure treatments, Valgavoth is the upper layer of this double exposure: he is the nightmare. He blends seamlessly into the door behind him, which is carved with a simulacrum of his core form. He is the House, and the House is Valgavoth. There is no escape from his grasp, etc.

Tyvar, the Pummeler-

Tyvar looks forward, fists raised in a fighting pose. His position suggests fearlessness, but a Cellarspawn still taunts him over his shoulder. “Oh why’d he be afraid of some random Cellarspawn” well he’s not, he’s afraid of what it represents. I posit that this Cellarspawn is the one Tyvar copies when he puts himself and Zimone into House camouflage in the main story. That action, while clever, nearly led to both of them being subsumed into the essence of the House if not for Zimone’s fateshifter. It represents bad change, the possibility that Tyvar isn’t infallible, and the way his transmutation abilities feel uncomfortably similar to that of Phyrexian compleation. But still, Tyvar stands proud and stares forward, ready to courageously curtail whatever may come. Also, only noticed this a bit after originally writing this section, but compare Tyvar’s Double Exposure card to Kona’s. Notice anything? The colors are inverted. Tyvar, the subject of the card, is rendered in magenta, perhaps showing how he is to be feared.

Kaito, Bane of Nightmares-

Kaito is surrounded by gaseous Cellarspawn who shy away from him, flinching back as though in pain. This, combined with his title as "Bane of Nightmares" suggests that there is something about Kaito that the House instinctively cowers from. Which, upon thinking things over, makes sense. He is a planeswalker: he has the ultimate trump card to ignore and escape the horrors of Duskmourn at any time. Plus, he is the only person we’ve seen who was actually able to pose a significant threat to Valgavoth, stabbing him through the chest at the climax of Episode 6. The ghastly cellarspawn are Valgavoth’s creations, and Kaito may be the only one they fear. (Kinda expect Kaito and Valgavoth to have an Ajani/Bolas or Elspeth/Norn relationship maybe.)

Niko, Light of Hope-

Niko is both layers of their double exposure, one calm and confident, the other in pain. Niko’s fears are all internal: fear of not measuring up to their ideals, fear of being forced to go along with whatever plans the powers that be have in store for them. Just as their magic creates reflections, the hand that skillfully balances five of their magic shards is reflected in agony on the "internal" layer. Yet, simultaneously, them being both layers of the double exposure seems to break the rules shown by the other cards. Extremely fitting for a master of their own destiny, wouldn’t you say?

EDIT: @greatdinn pointed out that, in the “internal” art, Niko’s eyes appear to be missing. It could be read as them squinting, but if that is the case it could suggest that Niko’s biggest fear is going blind and losing their skillful accuracy.

Marina Vendrell-

Kinda similar to Victor’s Double Exposure treatment, the wings of a moth is overlaid on top of the subject’s face. However, Victor’s moth is covered in eye patterns, while Marina’s has the shape of a skull on its wings. Victor sees Valgavoth as a source of knowledge or power, Marina knows he brings only death. Notice, too, the way that Victor stares forward, making himself a part of the moth, while Marina glances to the side, attempting to reject its existence. Marina’s only safety now is that of denial: accepting how her actions doomed the plane to an eternity of nightmares would undo her.

Nashi, Searcher in the Dark-

Hey remember that time Nashi was trapped in a cage by a group of wickerfolk who slowly picked off the other Nezumi he cane to Duskmourn with and turned them into wickerfolk? Remember how a similar thing happened when Nashi ran into Tezzeret during that one side story and Tezzeret killed a bunch of Nashi’s friends? Remember how Tezzeret ALSO killed Nashi’s birth parents and everyone else in his village? Remember how everyone who gets close to him meets a horrible fate, to the point that eventually Nashi must find it easier to push other people away, to remain isolated because the only reasonable explanation is that he must be somehow cursed to bring ruin to the people he loves? Yeah.

Winter, Misanthropic Guide-

Winter pinches his forehead, deep in thought. Layered over him is a dagger with a strange handle that morphs into the hand of a corpse. This blade is a reminder of how he betrayed and sacrificed his friend in the house in order to escape Duskmourn. The blade faces the same direction as him, as though primed to stab into someone’s back. The hand is either the hand of his friend, desiccated and decaying, and/or represents the agency he had in the betrayal. Despite his claims that anyone would do the same, it is ultimately a decision he made, a path he followed, and consequences that he is responsible for.

Zimone, All-Questioning-

Over Zimone's face is a book, cover detailed with gnashing teeth and pages flipping ominously in the wind. But, as the story points out, how can there be wind inside the house? Zimone does not know, but she wants to. She wants to know everything, regardless of how outwardly intimidating the container of that source of knowledge may be. The spine of the book makes it look like her eye is closed, which combined with the reflective lens gives her an appearance of sleeping reverie. Her desire for knowledge blinds her to other potential threats, which the House knows and uses to sow the lures of her destruction.

That's it for now! Stay tuned for when I release the rest :)