#also they're all queer cause i said so

[cebwrites]

heart pirates!! ❤️🏴‍☠️ i’ve always wanted to draw all the goobers i’ve named and i finally had enough of a kick to do it!! 

this is a little different from my usual format and setup, but fuck it i’ll include a cursory introduction under the cut

maybe more general hcs later on if anyone would be interested in hearing any specifics? 🤔

Heart Pirates - Intro

Bepo and Law are the youngest Heart Pirates at 22, and 26, Shachi and Penguin are 27 and 28 respectively; everyone else is in their late-20s to mid-40s. Cal is early 20s but I don’t much consider him ‘canon’ a lot of the time

As far as we’ve seen from brief glimpses in the anime and manga, it looks like Fang could be the Heart’s helmsman - he’s grown to view Bepo quite fondly through their interactions since Bep is the resident navigator - Fang likes teasing his polar friend but will just as quickly come to Bepo’s aid and defense, battle axe at the ready

Ikakku is one of the Tang’s engineers and self-appointed mom friend of the crew - she’s never in one place for very long, running up and down to make sure everything’s in tip top shape at all times; if Law isn’t around, Ikakku insists that everything would fall apart if she wasn’t there to make everyone pick up their own slack She also refills her insomniac captain’s coffee frequently and uses that opportunity to act like an affectionately annoying older sibling

Although Bepo is usually the one people would assume is Law’s first mate, duties pertaining to it are split between him, Penguin, and Shachi -the three of them and Ikakku converge a lot because the responsibilities they assign themselves tend to overlap, but Penguin typically still likes to keep a modicum of decorum when the others start getting cheeky and even Ikakku can’t resist joining in on the fun

Hake handles finances and Hoki helps them organize their hellish workspace - they’re both haughty and catty by trade, but can be sweet when they need to be - Hake was also a tattoo artist prior to joining the crew and is responsible for a lot (but not all) of the crew’s in tat work

Additionally, every Heart Pirate with the exception of Bepo has their jolly roger inked somewhere on their body, along with more personal tattoos for specific members in particular

Bas and Laeno are the chefs responsible for feeding this big ol’ Heart Pirate family, Dorie helps around when things get too hectic 

Law can’t be the only doctor on board, right? (especially with how frequently they go AWOL) Marl and Gul are the ones who handle most medical things if their captain isn’t around, although Law makes sure that at least a little more than two thirds of his crew have basic first aid knowledge if push comes to shove

Marl also sneaks candies to Bepo if he’s been particularly brave during a scary procedure that day 

I’d like to think that Uni also has some medical expertise before meeting Law (what’s behind the scarf sir you hiding some Katakuri teefies, maybe fishman or other beastly traits perhaps??? 👀) Clione likes to help to the best of his abilities but he’s ends up getting in the way sometimes; he’s better off running things in the boiler rooms

I’m not entirely sure what Ani’s role would be yet, but honestly that could lean well to them helping Jean Bart get acclimated to the crew once he’s brought on board as someone who generally fades into the background a lot and would know how everything runs, she’s showing peepaw the ropes with (mostly) an unbiased lens

[lgbtlunaverse]

This page from the adventurer's bible makes me want to cry

Like basically any neurodivergent dungeon meshi fan, I see a lot of myself in the Touden siblings. But I was blindsided by just how much I suddenly related to Falin in this little comic from the adventure bible's complete version.

It's about the Touden siblings' differing relationships with their parents, and why Laios still holds their treatment of Falin against them, while Falin herself doesn't.

We know that Falin was isolated and ostraziced by their village after she saved Laios from a ghost, displaying her uncanny affinity for magic. Her parents, instead of defending her, sent her away, which angered Laios so much he ran way himself before Falin even left for magic school, hoping to make a living so he and Falin could live together alone.

He tells Marcile this, but when she goes to Falin, she says she sees things differently. Her father sent her to magic school to protect her form the rest of the village without having to cause a conflict. He didn't explain that, and we actually see her burst into tears when he says it.

But, well... Laios was gone for a year before Falin went to magic school, and everyone else in the village avoided her. The understanding Falin has with her parents to me looks like one borne out of necessity, she literally didn't have anyone else to talk to.

And this is where we get to the page that made me want to cry

Like I said, I relate to the Toudens because I'm neurodivergent myself. that feeling of suddenly realizing you're disliked, but not knowing what you did wrong or what you should have done instead? Yeah... that's one I recognize.

When I was around 9 years old, the same age Falin is in this comic, a bunch of kids in my class decided to make a "game" where you lost if you touched me. It was basically the 'cheese-touch' from diary of a wimpy kid, except I always had it and couldn't pass it along. They'd pretend I was poisonous or disgusting and run away from me screaming or gagging. The point was to make fun of me. But my autistic little 9 year old ass thought "Oh I get it! It's tag but I'm always it!" So I... played along. Running at a boy and having him fall on the ground screaming in fake pain because you tapped him is, in isolation, pretty funny.

It wasn't until months into the "game" that I realized it was meant to be meanspirited. That the reason I was the one who was always 'it' wasn't an arbritrary rule but the whole point. Because I was weird and gross. I wasn't in on the joke, I was the punchline.

Falin may have come to understand her parents' intentions, but she didn't always. The adventure bible actually tells us that she at first didn't even notice that the rest of their village disliked her. She clearly knows now, but she had to be told. So when her mom tried to exorcise her, she just saw it as an activity she got to do with a mother she usually didn't get to spend much time with because of her poor health. It's only Laios who notices something is wrong.

(Sidenote, Laios being hyper-aware of people's poor attitudes towards Falin but completely blindsided when he's in the same spot, like with Toshiro, is also very relatable as an eldest sibling)

It probably also took Falin months, until after her brother had left and she had no one but her parents, to realize why her mother had been doing all those things.

And I know they're not the same. Even misguidedly, Falin's mom was trying to help her, not make fun of her like those boys in my class. (Though, as a queer person who also cares a lot about the queercoding in Falin's storyline, a parent trying to 'exorcise' their child of a fundamental part of them the parent thinks is evil or corruptive? yeah... that's not perfectly wholesome)

But do you know what I did, when I finally figured out the game was always meant to make fun of me?

To me, it looked like I had a choice.

See, those boys eventually figured out I didn't understand that they were being mean to me. I'd laugh every time I managed to catch one of them, I was visibly having fun. And while it no doubt only made me more of a weirdo in their eyes, they never informed me that I shouldn't be enjoying myself. That the point was for me to feel hurt.

So now that I did know, I had a choice. I could either get upset, and let the insult land as it was supposed to. That wouldn't stop them, because making fun of me was the original goal. Or I could ignore it and go on as usual. They had already accepted that I didn't get it, and they weren't gona stop me from having fun, so why should I?

And the thing is that I had... one friend, in that whole class. One person who actually liked talking to me and hanging out with me. I was lonely. And the 'game' provided me with another social interaction, mean-spirited as it was, that I desperately needed. And it was so delightfully simple. Navigating actual friendships as a kid with autism and adhd was so fucking complicated, and I'd never know when I might break an inivisble rule. But I knew the rules to the game perfectly!

Sometimes, if I was chasing one of them, the others would trap him and hold him down so I could tap him. In those moments it actually did kind of feel like I was playing with them, rather than against them. And it didn't change much, they didnt start actually liking me. But they were willing to roll with the fact that I wasn't upset, and I took advantage of that because I needed to.

So you can look at Falin seeing the best in her parents as her being naïve, but I look at this page and I see myself, at first unable to differentiate between playing and being made fun of. And then later, when I did see the difference, deciding not to get mad about it because that'd mean losing that social interaction, and I couldn't afford to.

Like I said, Falin probably first realized this in the year she spent with her brother gone, and everyone else avoiding her like the plague. If she refused to talk to her parents, like Laios did, she'd have no one left.

I see a lot of people relating to the fight between Laios and Toshiro. that frustration when you realize someone you thougth was your friend actually hates you, and they never said anything, never gave you a chance to fix it because you had no idea that you were even doing something wrong! And I can see that, too. But sometimes, when people don't fully hate you, it feels better to go along with the pretending. Because adressing it won't fix it. Because the problem isn't a specific behaviour, it's you. And if they're willing to tolerate you, despite the fact that it's you, then you'll take it. Because other people do hate you, so this is the best you'll get.

[steviewashere]

Thinking about a fic idea right now where Steve comes out (maybe with a little Steddie...maybe; might be best to start them pre-relationship in this). Walk with me here.

Steve Harrington who has always been a huge Wham! fan. And then eventually a huge George Michael fan. He's got all their albums. Collects magazines with interviews in them (y'know, if there's a U.S. release). So, he's pretty much up to date with all news, music info; that kind of thing. He's always on the money about when interviews are.

George Michael who comes out publicly in 1998 after his arrest. Which, you can watch the clip from the interview here. He's thirty-four at the time, had been private about his sexuality and romantic life up until then.

Steve who's freshly in his thirties.

He's thirty-one. He's had some thoughts in regards to his sexuality for years now. Since Robin came out to him in 1985, he's thought about little things. The way certain guys walked that caught his attention, maybe the plushness of their lips, how they styled their hair. She's introduced him to queer culture at the time—pride parades & protests, some lingo, the handkerchief code, etc. So, he's well aware of a lot of things before the CNN interview airs. He hasn't made any hard connections between his sexuality and the thoughts in his head; maybe he's had a few, soft, questioning moments like: Am I gay? Am I bisexual? Is this what I really think or am I searching for something I don't actually want? Am I just being too observant?

(Okay, thinking about pre-Steddie now. And a lot of platonic soulmates Stobin. Also, I totally (accidentally) half-wrote a fic. Stay with me here.)

Eddie's been a part of Steve's life since 1986. Somehow he survives (don't ask me the fine details, I don't know). And Steve tries his hand at being Eddie's friend because he kind of—no, really—wants a guy friend who's around his age. Cue their shenanigans: the chaos they cause together, the pranks they pull on their other friends, the shit Eddie makes Steve get into (drag racing (cars), stealing scrap from the junkyard, throwing rocks over the quarry to guess the impact they made, other little town shit). Eddie who learns that Steve's a true ally to Robin, so he comes out to Steve, too. They all form a very great, deep bond of solidarity. Become roommates outside of Hawkins, somewhere a little more progressive. They protect each other. Listen to each other.

Cue the day in 1998 when the CNN interview is being aired live, unseen up until then. Steve's already ready to watch, having taken up the middle cushion on the couch. Robin's on his left, criss-cross and making a set of beaded bracelets for the three of them. Eddie's on Steve's right, uncapping a couple bottles of beer to pass over. And they're watching with Steve because Steve likes George Michael and, well, they like Steve and his interests. So they're all there when George Michael comes out. They're all there when the words are said live.

Robin and Eddie are wide-eyed, then laughing something a bit triumphant, high-fiving over Steve's head, maybe chanting something: "One of us! One of us!" Maybe becoming huge George Michael fans as they speak. But, Steve's silent. He's sitting on the edge of his cushion, palms down on his thighs, staring off into nothing. All the celebration stops as the interview continues, words being missed. And Robin and Eddie share an odd glance, a questioning one. Until, finally, Robin asks, "Steve-O? You OD over there?"

Steve blinks back into existence. Mutters, "Did George Michael just come out on live TV?" Eddie answers him truthfully, voice a bit soft and concerned. Steve licks his lips, doesn't move his eyes from his socked feet. "...He knew for a little while," he comments. "Right? He knew for a while."

"Sure, Steve," Eddie answers again. "He probably knew about himself for a long time. Probably...Honestly, probably while he was still in Wham."

Maybe Steve nods at that. Maybe he just stays kind of stoic, thinking too hard. "He's thirty-four," Steve points out.

"That he is," Robin answers this time. "Thirty-four and proudly out."

Steve hums some sort of acknowledgement and then goes back to watching the TV, moment drifting away. He sort of watches in a daze. Up until he turns in for the night. Well after Robin has slumped over on the couch and Eddie's gone to bed earlier—because he has work, or so Eddie's said. And Steve maybe sits in his bedroom, up at his headboard, looking down at his albums. At his Wham! and George Michael albums. Turning the tapes over in his hands, reading the track lists, maybe tracing the edges of the cases with his thumbs. Thinking about how George had said he was telling his life story, even through some of his earlier solo work. He's thinking about how successful George Michael has been. And then he thinks about how George Michael came out later in his life. In his thirties, not in his twenties, not in his teens. Sure, yes, it was definitely more negatively criticized to do so, but it means something to Steve. To be thirty-four and freshly out. And he thinks, too, about being thirty-one and things clicking into shiny clarity—he's into guys, too. He's into women, but he's into guys. That word, "bisexual" looking like the final jigsaw piece. To be thirty-one and proudly out, too.

And he's comforted in that thought, as he drifts off to sleep.

And when he wakes up in the morning, he bustles around Eddie and Robin in the kitchen. They make a shared breakfast of scrambled eggs and sausage and toast with jam. They sit at the dining table, forks against plates, shooting the shit back and forth.

Steve cuts a slice of sausage, puts it in his mouth, eats as usual. And just as the conversation is beginning to drift again, he finally speaks what's on his mind. "I'm bisexual," he's able to proudly state.

Maybe Eddie and Robin cheer, too for that. They ask him for his taste in guys. Maybe they tease him a little. Maybe Eddie realizes he fits the bill a little; maybe he waits a little bit before taking a shot, but he still does eventually.

And right before they head off for their respective, regular lives outside of the comfortable space of their apartment, Robin knocks their shoulders together. "Proud of you," she states. "Thirty-one and proudly out. How does it feel?"

They're in the kitchen, washing and drying the dishes because Eddie left for work already with a promise to bring home pizza for dinner. They're in the kitchen, the lights a little fluorescent like the Starcourt bathroom. They're in the kitchen, in each other's orbits, two friends who've seen it all and will continue to see the world together.

"It feels...I feel good. Excited."

Robin smiles at him, something soft and understanding. And as his focus goes back to the plate he's about to hand off, she snorts. "So, Eddie, huh?" And he scoffs, rolling his eyes. She just laughs to herself. Then, when she's calmed a little bit, she states, "He kind of looks like Rowlf. You and I have a thing for Muppets, Stevie. Muppets."

And after their laughter dies down and they live out the rest of the day, Steve thinks about how he can send a letter of thanks to George Michael. And maybe he cherishes those albums a little closer. And he is confident in himself for the first time in a while, all because the representation he didn't know he was seeking, is finally right in his face.

Sorry that got long. But I'm just thinking about Steve who comes out later in his life. Maybe he couldn't make those connections because he didn't have the safe atmosphere to do so; feared the worst if his parents ever realized he didn't care too much about women sometimes, if his eyes drifted to men a little too much, fearing that they'd catch his contemplation. Maybe he found his safe space through Robin and Eddie, but needed a little more of a push and he just didn't find it yet. Up until now.

[fandomfaeofveryfewf4cks]

I'm seeing a lot of people saying they're excited to see Charles realize he's in love with Edwin, but...y'all... I think he knows? The whole season he seems like he knows exactly how he feels about Edwin, but was denying himself the romantic aspect of those feelings. And there are SO many reasons for why he'd be doing so.

First off, he has said he doesn't want to end up like his dad. I'd wager he doesn't want to have a serious romantic relationship with anyone because he's worried he'll end up treating them like his dad treated him and his mum. I do think he had feelings for Crystal, but maybe he didn't believe it could become something lasting. She is living after all. He very well may have figured she'd grow up and move on to someone else, but at least he'd have had a girlfriend for a little while, almost like he would've if he hadn't died.

Similarly, as well as wanting a girlfriend/ partner, he may have always thought he HAD to have a girlfriend like lots of people think they HAVE to find a significant other of the opposite sex to settle down with like they're expected to. For someone who clearly wants to be alive, it's understandable for him to be reaching for what he was taught to be the "normal" experience for normal teenage boys.

It doesn't help that his dad very well could've been homophobic, so Charles never felt like it was safe for him or the boys he might've crushed on. Not to mention, it was the 80s, so he was probably being taught boys liking boys was wrong and/or would get you killed, even if his dad wasn't the one saying it.

I feel it's also worth mentioning that he's known Edwin for 30 years. That's nearly twice as long as he had been alive. Edwin had shown Charles a kindness he'd seen little to none of before and then kept being kind to him. He was unapologetic and sometimes harsh about voicing his opinions, but also listened to Charles'. He knew what it was like to hide things about yourself like Charles did. Charles may have even clocked Edwin was gay from very early on.

I headcanon he probably more or less went from ignoring it cause it's Edwin, to feeling weird about it but not showing it, to getting curious and learning more about it, to looking up "how to be a good ally" to accepting Edwin and reassuring himself that if Edwin does come out to him, he will make sure he knows that Charles will always accept him for who he is, and that this wouldn't change how much they mean to each other nor the respect they have for each other. (Really, he seemed so ready for that confession. It wouldn't surprise me if some planning went into what he was gonna say. Just didn't expect it to happen in Hell.)

Anyway, my point is that Charles seems to have put Edwin on something of a pedestal. He sees him as kind and good, and Charles will protect him with everything he has so that he may remain so. Charles can't help but love Edwin, but he will make sure that love is from a selfless place. Partially so he won't be taking anything Edwin shouldn't have to give, but also because he may not think Edwin would want to give or take anything to or from Charles if he saw the things Charles hates so much about himself which possibly includes: all the things his dad said was wrong with him, everything he grew up being told was wrong with people like him, all the things he sees of his dad in himself, and possibly more.

AND! Edwin is an upper-class(?) white boy from 1916. Charles is a queer punk from India. He may have thought Edwin would have had some prejudices against him even subconsciously for a while when they first met, which would have also been an acceptance-of-feelings deterrent.

Ultimately, if it turns out Charles also needed over 30 years of looking at his friend like that to figure out he like likes Edwin, I'll still love it. But I'd also be surprised. Boy was blushing and giggling for Edwin since they first met even while dying of fucking hypothermia. I swear.

[justin-chapmanswers]

Sorry if this is a bit rude, but how do you consider yourself as he/they or they/he? I am questioning my sexuality and gender at the moment and seeing you (idk if ur lgbt) makes me find comfort, if you can, how did you realise you were not straight and how I can find mine! :3

Oh golly uh. Let's see if I can keep this short and then bury it under other answers. <3

Labels are fun cause they're so funky and ever-changing as you learn more about yourself. So, firstly, don't stress about finding something so perfect right away and bounding yourself to it. You're still you, any way you word it.

Gender-wise I'm in a state of def preferring they but being chill enough with he. Like whateverrrrr. It's hard to get around societal norms and perceptions, so my expectations are calibrated accordingly. I of course feel that for people who feel more strongly about a specific label, it's important to fight for it to be recognized whenever you're in a safe-enough environment to do-so. But for me, the concept of pushing for a specific label or, even more-so, of seeing other people pushing others to use a specific label for me is veryyyy anxiety-inducing. I tend to avoid spotlight when possible. But at the same time, a lot of it just comes down to not wanting to be grouped/perceived gender-ly at all. I tend to use the label agender. But I'm sure a lot of people have similar experiences with different labels. I just, ya'know, wanna be me.

Gender exploration is funnnn. There's no one right way to learning about yourself. Some people know from a young age, almost inherently, some people figure things out a lot later. It's never too late. Some people learn with outfits and styles, some with looking to people/characters who they want to be perceived more-like, some with experimenting through new names/pronouns and feeling-out how being called different things makes them feel. If you have friends you feel safe around with all of this, on or offline, can't hurt to say "hey would ya mind calling me x-name or y-pronoun for a bit?" And if you don't like it, you don't need to stick with it. But really be cognizant of it feels right to you.

Then on the romantic orientation side, that's been a much longer journey haha. I was calling myself straight through middle schooler, bi for a bit in early high school, gay starting in later high school, then for a long while. Nowadays I just say queer. Labels make things easier, until they don’t haha. For me, if you imagine a scale of feminity to masculinity with like little pegs running down the line from 0 to 10, with 5 in the middle, I tend to find myself attracted to people in like the 4 to 8 range? Something like that. But even that's not perfectly consistent! There's never going to be a perfect word for everything. That's why I like queer as an umbrella term. It's also just a cute word, I don't make the rules.

Hence earlier when I mentioned that you should just feel free to keep it open and not close yourself off. Maybe nothing'll change, but what if something does? But of course, I assume you're asking from more of a place of just starting this journey. I'm trying to get my mind back to where I started with that. I think the first time the not-straight realization hit was when a friend of mine didn't show up to an event and I was all like "why am I so miserably sad that he wasn't there?" And then a lightbulb appeared over my head and out-loud I said "aw damnit." And then things have been weird and confusing ever since.

But in terms of giving advice, it's hard to not just be like "uhh idk just hang out with people that makes you feel gooey." But obviously it's more complicated than that. A decade ago, I was taking random "am I gay" tests online. But they're kinda silly cause the questions on those would ask me to fill in information about how I feel, but how am you supposed to know how I feel without the test telling me how I feel??????? So realistically, I'd advise private journaling. Just take some time, even five minutes. Start now. Write out who you are drawn to, in any sense, and how they make you feel. Especially if you're like me and have trouble self-reflecting unless I force myself to. Like. In a Tumblr post.

There's so many ways to explore. It's also nice to look at relationships in life and media and seeing if you connect to any relationship or long to fit into someone's place within a relationship. That's why representation matters, baybeeeee! But also, ya'know, talking to people goes a long way to learning about yourself. Trial 'n error let's gooooo.

And above all: you got this.

[klerothesnowman]

The Sith are Nazis and it's never been subtle

This one ended up being really long. I spliced in some images when I could to break it up easier.

One of the things that causes the most friction in the world is the idea of morality. I know, that's the most water is wet statement ever said but I think people really miss just how much the nuance of morality goes over people's heads. Subjective, objective, relative, from a baseline we understand that there are different types of morality but I don't think people really grasp how much a persons personal morality can be wildly different to any another given person's, especially among people who share spaces like fandoms. Morality is shaped by personal experiences, there are personal experiences that are 99% ubiquitous among humanity like "Pain" that form the basis of everyone's moral compass, then there are the major cultural touchstones that no matter what your morality will be affected by, religion, nation, race, all that what have you. Everyone has an opinion on the Christian Church and that opinion is informed by your morals. People who have been abused by members of a church will have a very different view of the morality of a religion compared to people who have been raised Catholic compared to someone who was raised agnostic compared to someone raised agnostic and is queer compared to someone who has been raised Catholic and is queer compared to someone who has been raised Catholic and is queer and is also rich and so on and so forth you get it.

Morality is not a binary thing, and it's not a nine point grid either D&D, it's more like one of those circle charts that Jojo Stands get ranked on. You know the ones that always seem to show up in anime? I don't know what they're called. Except instead of a circle it's more like a ball, and everyone has this horrible looking 3D balls covered in bumps and spikes and dips and holes.

Why am I opening this ramble with a ramble about morality and religion? Because I'm on tumblr. When I decide I want to ramble about something I read the tags and see what the vibe is, see what people are saying about things. I'm not part of the "Fandom", I don't know the discourses, I see that there's Anti-Jedi and Pro-Jedi and "Stanikins" and all of these different labels and battlelines, and then I read about how people on either side are feeling attacked and harassed by people on other sides. I have no idea how real this is, I have no idea what kind of minefield I'm about to walk into. I'm just rambling about my thoughts and feelings about Star Wars because I like it and I'm a little extra aware that this one is going to ruffle feathers.

Because people are fuckin' worked up about Jedi. There are people who are making it part of their identity that they are anti-Jedi. And it's been happening for years, decades even. Because the experiences and trends of nerd culture has been pushing against systems and religion since I was a baby. Nerds being obnoxious atheists and smugly telling people "God isn't real" was basically the norm when I was a teenager, and before I was born nerds were dealing with being called evil and satanic. Nothing I'm rambling about here is new, in fact using D&D as a touchstone I think the current trend for nerddom's interaction with religion is ambivalence, despite faith and divine power being such an important part of D&D, there's basically zero interaction with divinities in 5e, and when there is it's hostile and has an asterisk against it. I'll do a ramble about this one day too

But the Jedi stuff is interesting to me, because there's a lot of directions people come at for it.

There's people who argue against just Jedi because they're a religion. There's people who argue the Jedi are slavers or kidnap children. People think Jedi are super beings who lord over everyone with their power. People think the Jedi force people to suppress their emotions and personhood. There are people who think Jedi are moral supremacists who silence and kill anyone who thinks about the Force differently from them.

I have some "Pro-Jedi" arguments to make but I'll save them for a different ramble, because this one's supposed to be about another group of people.

The people who think, from their point of view, the Jedi are evil.

The reason I rambled on so much about people being Anti-Jedi is because very often, these people end up being Pro-Sith. It's an obvious leap, if the Jedi are the problem then the people opposed to the Jedi might have the right idea. If your issue with the Jedi is that they disallow "Attachment", then here's the Sith who are all about Attachment. If your issue with the Jedi is that they suppress their emotions then here's the Sith who are always tapping into their emotions. There is an immediate appeal there.

Then there's the Sith Code, let's give it a read.

Peace is a lie, there is only passion. Through passion, I gain strength. Through strength, I gain power. Through power, I gain victory. Through victory, my chains are broken. The Force shall free me.

Pretty sweet, Passion is pretty positive, breaking chains and freedom. I can get behind that. The rest of Sith Philosophy is pretty swell too. It's about improvement through conflict. Your struggles make you stronger, makes you better, removes your shackles and lets you be free, but also recognizes that you will have to do whatever it takes to do so. The Jedi seek to wipe out the dark knowledge you attain, so you must sequester yourself and hide when you must hide, and strike when you must strike. It's stance could be summed up as something like... "The sacred mission of a Sith is to preserve the Sith Order's most valuable elements as you raise yourself to a dominant position, and all who do not are chaff."

There are people who are really into this. Like, really, really into this. They talk about how they apply this mentality to their real life. They describe themselves as Sith. There are also people who are only kind of into this, they think about positive Sith characters and make headcanons about the good things Sith do.

I need to stress, for those people, that what I am about to say is not hyperbole. I will provide sources.

The Sith Code and Philosophy is Nazi Propaganda. It is literally lifted from Mein Kampf. That quote I used to sum it up is a paraphrased quote from Britannica.com. That's Hitler.

The Sith Code was invented to be in opposition to the Jedi Code, its purpose is to twist a preexisting code to make you think the alternative isn't so bad and it uses codephrases to do so.

Passion, Strength, Victory, Chains, being Free, these are words that we have presubscribed meanings for, but what do they mean in the Sith Code? What IS Passion? What IS Strength? What IS Victory?

Most people I interact with see Passion as Love, passionate, exciting love, the exact thing the Jedi reject. But that can't be it, where's Palpatine's love? Where's Maul's? Where's Vader's?

Passion is obsession. The kind of obsession that will lead you to burning everything down if you don't get what you want. It's not letting anything stand between you and your goal, even if that thing is your goal itself.

Let's break the code down here.

Peace is a lie, there is only passion. We start with the obvious twist on the Jedi code, an immediate refutation of the Jedi's first line. It stands in opposition.

Through passion, I gain strength. We've already done Passion, it's a nice little dressing up of "Being a raging psycho"

Through strength, I gain power. Strength is often intermingled with power, but it's often spoken of interchangably with being able to set aside morals. The Sith isn't an amoral monster who just killed a bunch of kids, he's just STRONG enough to do what needed to be done

Through power, I gain victory. Power isn't a code word. Power is Power, Power is what it's all about and there's no hiding it. In the Sith way the only thing that matters is that you are powerful enough to kill your rivals and stand on top.

Through victory, my chains are broken. The Force shall free me. I think the notions of breaking chains and being Free is the cleverest part of the Sith Code's propaganda kit. It's still seeing use in The Acolyte and it's still convincing people that the Sith are right, even when the guy who's calling for freedom mercs a child then and there.

The Sith are not misunderstood heroes. They're Nazis. They're facist might makes right would be autocrats trying to convince you they're right so you'll validate them and prove them right.

Sith Philosophy is self defeating. Following the Sith Code means you need to define yourself on your conflict, meaning your conflict can never end. For all its claims of being free and breaking chains you can never be free of what drives you or you will lose the strength it gives you. To break your chains you need to hold onto them tight, and you can never let them go.

[set-wingedwarrior]

My most important sapphic ships post before Pride Month ends

What the title says, studying kept (and still keeps me) busy so we gotta go fast lol

Bumbleby (RWBY)

to the surprise of absolutely no one, they get first place (despite me not going in a particular order) because of reasons. They're perfect. Soulmates. Slowburn of all time. Yin and Yang. Eyes the color of each other's souls. Truest OTP to ever OTP in my book. ∞/10

Konosetsu (Negima!)

I already talked about them in their own post, this scene changed my life leading to my self-discovery and it still lives rent-free in my mind.

Kyosaya (Madoka Magica)

I'd also add MadoHomu but I'm trying to keep it to just one for each fandom. That said, they still make me mentally unwell. I love them, and I did for a long time now. I can't wait for the next movie to come out and suffer.

Ruby and Sapphire (Steven Universe)

These bitches had the first cartoon gay wedding and kiss DO I NEED TO SAY MORE???

Korrsami (Avatar)

Still down the queer cartoons making history path, these two made me insane back in the day because I still didn't understand I was queer and lots of sapphic couple were starting to appear in media, and I remember jokingly say how "lesbian ships were hauting me". All I can say now is "Thank you" lol. Anyway, they were incredibly important and all the people criticizing how little queerness there's in the show will never understand just how massive this scene was.

Catradora (She-Ra and the Princesses of Power)

Friends to Enemies to back to Friends to Lovers. Iconic. I still want a movie with their adventures bringing magic back to the universe.

Hollstein (Carmilla)

My third beloved blonde with a cat gf ship. I miss this web-series every day. Also, Natasha Negovanlis played an immense role in my gay awakening.

Ellie and Riley (The Last of Us: Left Behind)

Ellie and Dina are adorable and I love them, BUT I just will never get over these two. That dlc fucked me up. (also, they're in the same category with Korrasami as "gay ships that hauted me before I realized I was queer" lol)

Lumity (The Owl House)

I remember starting this show feeling it as the successor of Steven Universe, at least to me. We could say that at level of mistreatment from its parent company, it defenitely surpassed it, but at least I'm glad I was right and we got Luz and Amity becoming canon. I love these two and not a day passes without me yelling at Disney for what it did to them.

Bubbline (Adventure Time)

I actually watched Adventure Time fully only recently, but I always loved them even when I watched the show randomly when it appeared in tv back in the day. Getting to see the progression properly just made me love them even more.

Yasammy (Jurassic World: Camp Cretaceous/Chaos Theory)

Incredibly recent addition, but I am so glad that I checked out Camp Cretaceous and got into it. It's a nice show and these two are a really cute couple, their confession and especially Yaz's internal turmoil were just so on point. I was really happy to see them go still strong in Chaos Theory, and I can't wait for next season.

Pricefield (Life is Strange)

These two caused me pain in the best possible way. I felt literal heartbreak at the Bay Ending, and I was just as emotional at the Bae one (Bae > Bay Forever) I hope the new game will respect their relationship OR ELSE.

Wow, this is quite the list. I do have an amazing taste, if I do say so myself, ahah!

Well, I guess this is it for now, glad I could make it before Pride Month was over! Knowing myself I might have actually forgotten some though, so keep an eye out for possible updates (what makes me even think that you'd care? lol).

That would be all, be gay and do crimes! Bye!

[joanofexys]

i don't want to start a war or anything but i know nothing about cults. so i'm really curious if you have any thoughts on former ravens being in a long-term relationship with other former ravens once they're out of that environment. like maybe it's realistic or maybe it wouldn't cause as many problems as one would assume...

OKAY SO

this is actually such a good question and something i’m very excited to talk about. yet another disclaimer that my experience is unique, as are all cult survivors, and my opinion isn’t like an objective fact just observations from being a cult a survivor. since i haven’t made a cult post in awhile

but cult survivors tend to flock to each other. without even realizing most of it the time. as a cult survivor the majority of my friends are fellow cult survivors. some of them i grew up with and others i befriended without even knowing they were in a cult. you’ll hear a lot of queer people or neurodivergent people talk about their friend groups being predominantly queer or ND just by complete coincidence and i’d say a very similar thing happens to cult survivors. and of course a lot of us also seek each other out as support systems for a sense of community and understanding and shared experiences.

and there are couples who are in cults together and often get married while in the cults who will often deconstruct and leave together. obviously it seems like the majority of the time it’s just one person in the couple leaving the cult but i wouldn’t discount the amount of couples who leave together or say they’re a rarity.

all that to say i think it’s very likely for couples who were secretly together in the nest to stay together. especially because a lot of ravens haven’t worked through the mindset of being in a cult. that us vs them mentality.

it actually probably seems beneficial to them once they graduate. and it’s probably something that reflects well in the media too. a raven couple signing to the same team and then later publicly being a couple. the media gets to use that “power couple” sort of spin. the ravens get someone who understands and a way to still rely on the partner system. it’s a safe option.

and there’s a couple ways it can go. they feed into each other’s patterns. they cling the nest and everything they were taught. they might function fine that way but they’re not healing. they’re not unlearning anything. it could even make it worse, send them spiralling downwards. they could crash and burn. or it’s a way to slowly adjust to the outside world. they don’t drown without someone by their side. it’s a way to ease into everything with someone that understands. and maybe with that they get the time to think about everything they were put through. as they recognize what was wrong with the nest they have someone to turn to when they feel like they can’t tell anyone else. they get to work through things together. relearn healthy relationships and boundaries and how to be people again. and those things that are too heavy, too shameful, too gut wrenching to confess to anyone who didn’t go through it too can finally be said.

or there’s the option of ravens who never dated in the nest seeking each other out afterwards and dating. this is probably something messy and unhealthy for former ravens who have never tried to heal. they’d likely flock back to each other and become codependent, fall back into habits in the nest. but it also has the opportunity of being something healthy. it’s that same sense of community, of understanding.

even former ravens who have adjusted to life outside the nest, who have relearned how to be people, may not feel comfortable with dating or with being surrounded by people who just don’t understand. and i’m not saying that cult survivors can’t date non cult survivors. obviously those relationships happen and they can be fully healthy and loving with a lot of understanding and growth. they work just fine. but there might be some ravens who feel like that’s not possible for them. they’ll find people with similar experiences, other ravens, who just get it.

in general i think it’s incredibly likely that a lot of ravens tend to reconnect or stay together outside of the nest. and that has the potential to be good or bad. i don’t doubt that some of them just cut each other off entirely. some might be more causal friends than anything. but maybe they meet up for breakfast when they’re playing in the same city. they might send each other wedding invites or christmas cards. a text with a therapist’s information and a mention that they’ve been really helpful in working through things. a lot of them might be a lot closer. teams made up almost entirely of former ravens. a lot of them might be roommates. they spend a lot of time together on and off the court. a change from their obligated time spent together in the nest to actually becoming friends. ravens retiring together and following each other into the same field. coaches, journalists, commentators. eventually moving further away but staying in touch. regular phone calls and texting every day.

the ravens healing does not necessitate them cutting each other out of their lives. though that’s something that people might assume. they can continue to co-exist and even maintain relationships with each other in a healthy way if they do it right. and a lot of them might do it unhealthily anyway. it’s unlikely that ravens uninterested in healing or working through trauma will let each other go when their system relied on an unhealthy level of dependency.

[dykeyaoi]

I feel like a lot of fanon tends to miss what seem to be three pretty crucial things about Teru, and it's weird because they are easy to miss, but they're also so important that without them he's very superficial. it's part of why he gets so yassified almost every time he's adapted (see: manga into anime into fancontent)

one is that this kid is smart. on my first watch of his debut arc I assumed he was psychically cheating to be one of Black Vinegar's top students. now though I don't think so: firstly, I'll admit, because he doesn't actually seem to have a way to do that except blackmailing other kids for answers or something; but secondly because throughout the series he's just good at figuring stuff out. he picks up complicated psychic techniques more quickly and frequently than anyone else, including Mob. he was the one who almost beat Shimazaki. he figured out that Psycho Helmet was Dimple from the fact that he was a spirit who knew Teru's name, not a lot of info to go on. he draws conclusions in the somewhat haphazard but very clever way a detective does.

two, he's motivated so much by anger. this one's something of a hot take but it's so there to me that I can't leave it out if I'm Teruposting. before meeting Mob yeah he thought he was special and important for having powers but he was also extremely lonely and subconsciously mad at everyone else for not having them. he's the only one who has to deal with Claw he's the only one who has to live alone because his powers make it dangerous for his parents, he's the only one strong enough to be the shadow leader. he'll do it because he's the Protagonist but god he's gonna be pissed the whole time. it's not what he wants (we only get to see what he wants later with Mob and Reigen and everyone else) but it's all he has for a long time. seventh division shows the intersection between I Should Be Satisfied Now Teru and I'm Better Than These Guys Teru very nicely

last and kind of most important is his thing for Mob. I absolutely believe ONE wrote Teru to be queer and he definitely had or has a crush on Shigeo, but I also think that at least part of said crush is him misconstruing his adoration and the pedestal he's put his friend on. until after the Confession Arc, the two of them getting together would be really tricky and probably not good. Mob still feels bad about what he did at Black Vinegar for most of the rest of season one, and the only reason Teru changed in the first place was because of the cavernous gap in power between the two of them. until he declares Shigeo his rival and realizes that he has faults and any destruction he causes isn't perfectly righteous, Teru can't love him.

there's as much to his character as there is to the other main characters, and I get the easy appeal of the flattened version of him but when he's flanderized into this sparkly gayboy who's also sad sometimes, it makes me sad.

[problematicbyler]

an incomplete history of byler sexuality discourse

and how widespread fandom purity culture and homophobia created a flourishing nsfw sub-fandom

some may call me chronically online, but i call myself a fandom historian. i've been a member of some fandom or another since i was about thirteen, and i've always been interested in the rise and fall of fandom discourse. though it's annoying in the moment it's happening, i think it's very interesting and telling to look back at the overall arcs and trends.

so, let's talk about the many times the fandom has cancelled people over byler sexuality, and how each level of "hornygate" has contributed to the growth of the proship/byler smut community.

(i use the term proship in its intended definition, which is to say, not "problematic shipping," but rather being pro-fiction, anti-censorship, and anti-harassment; it is a position of believing the fiction one creates or consumes doesn't reflect a person's real life beliefs or morals.)

i have been a stranger things lover since season 1, a byler shipper since season 2, and an active part of the byler community on tumblr since season 4. i'll mostly be focusing on post-season 4 discourse because that's what i've really been most present for and that was the period that really marked a turning point in the fandom.

seasons 1-3

i wasn't as plugged into fandom discourse back in the day, but the broad strokes of early discourse was mostly thinly veiled homophobia. claiming that it was sexualization to assume will or mike could be queer despite blatant queer coding, implying that analysts were no better than will's bullies to assume his sexuality, etc etc. people were criticized for shipping byler at all because they were so young (but these people naturally had no issue with mileven, so, again, homophobia).

season 4 (may-july 2022)

now, season 4. this is where byler was brought to the attention of a lot more fans, and stranger things' viewership reached wider than ever. the byler fandom on tumblr booms from 4k to 100k over the course of season 4's release.

this brought a lot of new people who have never been in fandoms before, people who never learned don't like don't read or your kink is not my kink and that's okay or ship and let ship.

or, a lot of times, people who had only been in fandoms for celebrities and bands, which tend to have different rules when it comes to shipping and sex, because they're real people. hence a lot of young antis' conflation of character with their actors, but that's a different rant.

so with a rapidly growing fandom, a show ripe for analysis, and the art of media literacy bleeding out on the ground in front of us, the hellscape of the fandom post-season 4 in 2022 followed as such:

august 2022

jo/kendra gate where two extremely popular analysts were called out for "sexualizing" byler while being adults (early to mid 20s). they were dogpiled and harassed because one of them said that will was giving mike "bedroom eyes" (he was) and one of them said mike was checking will out (he was):

pyshiie and moogate. the proship side of byler twitter rose up and started to divide itself. i'll credit my own joining-the-dark-side to pyshiie and moo, formerly barbjeanisms, who were two popular artists called out respectively for sexualizing byler and generally being proship. similarly, people were called out and criticized for even following or interacting with those accounts after this discourse.

september 2022

hosegate is the most famous across the byler fandom, and it's when some users proposed that the scene in the pizzeria uses phallic imagery to imply mike turns will on (or vice versa) and a lot of people thought that was too sexualized, it caused a divide, and more fanpolicing, etc.

october 2022

the artist noodlesandtea was harassed for having liked arguably nsfw bakudeku art (they were shirtless, it wasn't explicit) on the same account where they draw characters who are minors. they also drew byler kissing, which was a problem for some? anyone who defended them was also called a pedo, naturally. noodles also got called out for having drawn fanart of the popular e-rated fanfiction....

the unmarked mixtape. a massively popular sequel to a massively popular fic, the red envelope. for a long time, those were the most widely recommended byler fics, but it very soon became taboo to even admit to reading them because the sequel has explicit sex and the first has them making out.

sonnet116 gate is another fic that was beloved and then rapidly turned on by byler twitter because it had implied, fade to black sex scenes. it was about them hooking up but had no smut. and even the non explicit idea of that was offensive and pedophilic of anyone who dared read it. around this time, another fic was called out for having will moaning into a kiss, because writing a teenager moaning was also offensive and pedophilic.

i'm told i (jana / troublebyler gate?) may have influenced a lot of people joining twitter for byler smut after writing illicit affairs and some other smutty oneshots in rapid succession, seeing a lot of byler shippers moving to the proship side of the fandom just to discuss and write byler smut. i also hosted a little fandom gossip column on my curiouscat where a lot of folks confessed to reading or writing smut while pretending to be "normal" in the "main" fandom. it basically revealed/implied that a large amount of popular authors, artists, and accounts were secretly pro byler smut, and that many proshippers were "undercover" in the "main" fandom.

the blocklist era. around this time the "main" fandom also created a "st twt safety" account on twitter which was basically targeted harassment and mass reporting of proshippers. the account does warn of some genuine bad actors sending gore images via dms, being racist, etc. but by far, the majority of it was simply calling out proshippers for sexualizing byler, sharing screenshots they thought were "gross," which only resulted in spreading nsfw content to unintended audiences of minors that likely never would have seen the nsfw accounts otherwise.

november 2022

practice kissing gate is where a handful of popular fic writers were criticized for writing practice kissing fics (such as undertow), and in fact, any amount of byler making out, because adults "fantasizing" about teenagers kissing was "gross."

the proship corner of st twitter continued to grow a lot thanks to so many lovely fan creators, all of whom i couldn't possibly list but who have done a lot for the community! but we continued to get bombarded with endless callout posts and block lists and witch hunting. people were unabashedly policing people's following lists and likes on twitter to call people out for engaging with any questionable users or content. (if you search byler twitter now you can still see the wreckage of so many witch hunts.)

onward through 2023

over time things have mostly calmed down, or at least enough of the folks on "opposing sides" of the fandom have mutually blocked each other to survive. this is likely also influenced by the hiatus leaving the fandom to quiet down, the collapse of twitter-turned-x having many users migrate their fandom content elsewhere, and the mass exodus of many people from the fandom for political reasons. if i had to guess, the ramp-up to season 5 will see all new conflict as more "casual" fans return to the fandom. but who's to say.

which brings us to now:

spicybylerpolls gate, wherein the byler tag on tumblr collectively had to reckon with the fact that people want byler to have sex and it doesn't make them creeps to vote in silly polls about it. people criticized the blog for being overly sexualized and pure fantasy versus more "acceptable" analysis, with many making sweeping moralizing statements about anyone who dared interact with the blog.

this has kicked off tumblr's own sort of horny revolution in encouraging folks to be more open on here, whereas previously we were confined to our corner of twitter.

so in summary:

people over and over again put fan creators on a pedestal just to turn on them when they're "betrayed" when a person's views did not one-to-one line up to theirs.

teens in the fandom especially were "betrayed" by adults in the fandom they thought were "safe" (and i would argue that self proclaimed "safe" adults in fandom are far more dangerous to real life minors than the proship fans who sexualize fictional characters but dont interact with real teens)

most everything has been fueled by widespread ageism at any fan over the age of 18, widespread homophobia and puritanism in regards to exploring queer sexuality or discussing sex at all

so much hate has been over what are essentially "thought crimes", with people watering down serious accusations like pedophilia into a petty insult over disagreements on fiction

and the cycle repeats itself endlessly until things devolve back into witch hunting and policing peoples following and likes etc

the best part to me is that every single cancellation just resulted in more people flooding to the horny side of the fandom to post more freely and without shame. every time a person on twitter posted screenshots of my account to say how "gross" it was (while simultaneously exposing my 18+ nsfw content to their audience of minors) i had a surge in followers. the more the fandom squeezes, the more people slip from its hold.

but that doesn't make the harassment campaigns okay, and it doesn't mean the fandom didn't do massive amounts of harm to real people in an attempt to protect fictional characters.

my hope going forward is that the fandom can coexist as a community where people don't have to like or agree with certain content to treat the people who create it with respect and dignity. and i hope that, while this side of the fandom might grow more on tumblr, we don't have to relive the same old discourses and go through the same cycles we went through on twitter.

and remember kids, the block button is both free and fun.

[vidavalor]

Ah, I remembered!

My question was: what are your thoughts on Crowley saying ‘I lost my best friend’ when he’s directly talking to Aziraphale’s non-corporate ghost in season 1? I always thought that line was strange. Is it that he can’t say ‘I lost you directly’ because others might be listening?

Hi @procrastiel ooh, nice! I *love* this scene so I'm super happy to share an opinion on it. Thank you. :)

Meta on the meanings behind what they call each other, what they intentionally *don't* call each other, how they actually said they loved each other and came up with a shorthand for it in 1941, and why they still don't just use those damn words already...

This goes everywhere, just FYI lol. I think I started with "no nightingales" and took a scenic route through 1600, 1941 and bits of S2 before coming back to the scene you asked about but I've been told it makes sense. Thanks for indulging me. :)

There are certain things that Crowley & Aziraphale feel that they can't call one another and can't say to one another directly. It's not just because they could be overheard if they're in public, though that's always a concern. They don't say them when they're alone, either.

It's because it hurts too much.

They've always tried to be optimistic about surviving Armageddon and being able to be together somehow but they're terrified that they won't and the odds, in their minds, aren't great, being that it's the whole will of God and all. As a result, they've lived their whole relationship expecting it to end in tragedy. They could both live for all of time, forced apart by Heaven and Hell. One of them could die and leave the other alone for eternity with nothing but the memory of the other. Meanwhile, in the now? It's not a great situation, either.

They can't really be together. They are together but not openly and they can't promise each other everything and they absolutely would if they could. Heaven and Hell could literally murder them if they got caught together so they have to be careful and keep it a secret. This means that even as the human world they live in opens up and starts to change to a point that queer humans like them are living more open lives with one another, Crowley and Aziraphale still cannot at this stage in the story.

So, it all becomes then an unspoken question of: what would make this easier? (As if it could ever really be made easier?) They don't wish to cause each other any additional pain. What would make it easier, they think, is if they don't say certain things so that what they can't have now or what might be lost to them in the future is and will be easier to bear.

This is delusional but they're doing it anyway because it gives them some measure of control over things they can't totally control.

They think it is easier to deal with not being able to be together if they just never say directly aloud what they are in terms that are surface-level undeniable. They speak in a coded language with one another and they say all the things in those words. But the doublespeak gives them some cover. Not to ever deny any of it but it softens the edges of it.

It's also because they live with the fact that they can't fully be together but they also both are fundamentally optimists and want to think that maybe, someday, they could find a way to have what they want to have with one another. That's also why they don't say the things fully. A part of them thinks that if they just don't right now and they wait until some time comes when it seems like they could have a life together, then they still get to have those moments. They're almost saving some of it for a life they hope they get to have but aren't sure if they will.

As a result, they are romantic as all fuck towards one another but they don't use words like romance or love aloud. If they do find they have to talk about it, they've shorthanded it in a way that they both understand because it's based on their past together. We already can see bits of it uncoded-- nightingales, dining at the Ritz-- but there are more than that that we can see if we deep dive a bit here so let's do that...

What's evident in the scene in 2.06 wherein Crowley decides to try to abandon the doublespeak is how deeply ingrained this way of speaking is for both of them. Also, how they don't abandon it when they're alone (the 1967 scene also illustrates this.) Crowley actually reverts back to their doublespeak *three sentences* into his proposal. He doesn't get much further than establishing that they've both been on this planet for a long time before he starts evoking coded messaging. He flicks his hands between them during the "you and me" line in a way that is echoing how Aziraphale gestured at him to mean "couple" in 1941. He winds up using coded language all over the place, peaking with the "no nightingales" moment that is actually coded language twice over because of "nightingales" being their word for romance and the asking Aziraphale to listen for birds evoking the Job minisode and the moment in the courtyard when they came up with the doublespeak.

Part of why Crowley can't get through the proposal without it is because he doesn't want to do it like this. Both the doublespeak and the idea of someday loosening it a bit mean things to them. They like their private language. Maggie and Nina are not exactly correct in assuming that they never say how they really feel. They're not wrong, either, but they're not fully right. Crowley and Aziraphale do talk. They just do it in a way that hurts them less because they can't bear to hurt each other because they're batshit crazy in love with each other. Maggie and Nina are correct in saying that Crowley and Aziraphale don't say how they truly feel if saying how you truly feel means using traditional language but they are wrong to say that they don't express these feelings at all because we have literally been watching them do so this entire time.

Notice how Crowley, even risking more with breaking their code in 2.06, still doesn't say some things. Amazing how he said all of that and he didn't say I love you, isn't it? He could have. He is, in what else he's saying, but the words they don't say are still there on the table. Aziraphale, later in the scene, almost does. He almost does because he is a mess over the situation and he wants to give Crowley something but then he doesn't and he spits out a self-aware I forgive you instead. That horrid, complicated version of it that he's used before and is code they both kind of hate. He's angry that this is all happening the way it's happening because it's taking some of the things they leave unsaid for hopeful, better days and it's saying them in a less than ideal moment.

That they both leave out that I love you, though, is the most I love you thing they could have possibly done.

They think it will be easier to not be free to be together and unafraid in the present-- and to maybe lose one another in the future, if they eventually have to-- if they pretend they're not a team or a group of the two of them and one way to do that is to never say words like the one we were all silently screaming at Crowley to say in that scene in 2.06 lol: "couple."

Are they a couple? Yes. Are they lovers? Yes. Are they partners, the term Nina used? Yes. Do they refer to their relationship using any of the terms in this paragraph? Oh God no...

That is why Crowley freaks out when Nina tries to get him to use uncoded, normal, human person language to help her understand what Crowley and Aziraphale's relationship is. She calls them partners and this is Crowley:

We're in agreement with Nina then when she responds with:

Nina isn't wrong here. She's just from a different world than Crowley. Nina lives in a world like ours in the year 2023 and she's puzzling Crowley and Aziraphale out through that filter. She doesn't know at this point that they are an angel and a demon who could be murdered by Heaven/Hell for being together. Her best rationale for why she's never seen Crowley and Aziraphale in her cafe together and didn't know until this week that the bookseller has a fella is her theory that Crowley is married and that he and Aziraphale are having an affair. To her, it explains why they've got chemistry for days but they're secretive. Crowley denies that-- defending Aziraphale's honor like the good old fashioned lover boy he is :)-- but the reason why he quickly denied that he and Aziraphale are partners, even if they absolutely are, is twofold. They are used to hiding it, it's dangerous for them to get caught out, and he probably feels uncomfortable with the idea of telling someone what they are exactly without talking with Aziraphale about it first-- that's all one reason.

The other reason is that he and Aziraphale don't use that word. It's not that it's an inaccurate one; it's probably the most accurate one, actually. They have a word, as we'll see, but partners isn't it because partners is the same thing as a couple and these are embargoed words to them. They don't use those phrases, even if that's what this is, just as they don't say I love you because if they don't call it love directly, they'll never lose that love, in their minds. If they don't know what it's like to hear the other say it, they don't ever have to bear the pain of never hearing it again. Better to hold those words back and only use them if they ever can somehow really be fully, openly together without fear. If Crowley doesn't use those words with Aziraphale, then he's not about to use them with the Coffee Shop Human he's only just recently met.

Along these same lines, they refrain from traditionally romantic terms of endearment on the surface. No my love, no darling, no sweetheart. Angel was there at the start and it stays because while it's always really angel (romantic), it's also angel (species/occupational), so it works well enough with their code. But its equivalent in reverse is Crowley. It's intimate, in the sense that only Crowley and Aziraphale know what it means. Only they were there in Job's courtyard. That's the coded layer of it-- it's Crowley's name to everyone else on the surface but it's that and a pet name to Aziraphale. It's why Aziraphale just calls him that constantly. Crowley changed his name to something only Aziraphale also really understands, making the use of it by Aziraphale then a way of expressing affection. When Nina asks them both separately about their relationship, both Crowley and Aziraphale actually revert to using what they call one another in an effort to explain it, even though they know that it doesn't translate fully in human terms without more words. Crowley says Aziraphale is an angel he knows; Aziraphale says:

Ironically? They are actually making it all *more* intimate by speaking in their own, private, coded language. They can't give each other everything but this they can, right? The language is their own, little world and not being able to explain their relationship to humans that well in 2023 doesn't mean they don't know what they mean to one another, which is more important. Since they can't make each other promises of forever that they can't keep and they can't have a life in the present that they'd choose for themselves, something they can do is use their little language to be sweet towards one another and they do. By having to work a little harder at conveying meaning through doublespeak, they wind up with something ironically actually at least as romantic as the traditional words, if not more so.

Anyone can call a lover darling and it can be lovely but can just anyone make my dear fellow romantic? Aziraphale can. This one was all him. He loved standing there in front of a dozen deadly human soldiers in the Kingdom of Wessex in 597 A.D., getting away with a pet name under the guise of stealing the "old sport"-style of male, moneyed, British speak and turning it romantic. This scene is great with the pet names because it opens with Aziraphale being a bit of a tease with "is that you under there, Crawley?" which he only does so that Crowley will roll his eyes and correct him. Aziraphale loves that Crowley changed his name to something coded between them based off of the moment they started their doublespeak. It was very romantic and this scene shows that Aziraphale sometimes, in earlier days, would call Crowley the old name just to get Crowley to correct him, which is all just a coded way of getting Crowley to say that, yes, he still feels the same way and yes, he still wants Aziraphale to call him that. This same scene, a few sentences later, then has Aziraphale's my DEAR fellow-- heavy emphasis on the 'dear'-- which is then answering Crowley's admission by just skipping any and all of Crowley's names entirely lol and calling The Black Knight my dear in front of a bunch of bloodthirsty soldiers and mercenaries.

The my [] fellow is perfect in their little language because of how it sounds all "I say, old chap!" on the surface but contains words that are romantic to them in their doublespeak. It's intentional that it's *not* "old chap" or "old sport" that they appropriated for their own purposes, it's my [] fellow. Fellow as in human, which is how they see their relationship (because it is) and that's something that comes up when Crowley uses a variant of this in 1941, which we'll get to in a second. My adds an intimate element to it of admitting that they are each other's in whatever ways they can be.

Aziraphale, like we said a moment ago, will sometimes sauce Crowley with the pet names a little and he does in S1 when he calls Anathema my dear when reassuring her in a scene in which he and Crowley are having a playful coded argument over Crowley's driving. Aziraphale miracles a bike rack onto the back of The Bentley and unnecessarily codes the word "bicycle" ("a perfectly normal velocipede"), smirking when Crowley grumbles "bicycle" at him. It's joking with him a bit at the lunacy of their little language *in* their little language. (Crowley playing back during this sequence is also calling Aziraphale angel (romantic) in front of Anathema, which was also a strategic decision to signal to her that he might look like a murder hornet but he's really just long-suffering gone on the sunshine-y one. Very we're just an old gay married couple, hen. We won't hurt you. in tone.) Anyway, Aziraphale using my dear with Anathema-- and his little smirks towards Crowley around it-- was really just underlining the way he uses my DEAR fellow with Crowley by using the same core phrase with a human in normal, uncoded, human conversation.

Other than this and the big one we're going to get to, there are really only two other things we've seen them use to refer to one another. In S1's Eleven Years Ago/2008, there's the moment when Crowley and Aziraphale have arrived back at the bookshop and Aziraphale is flirting with Crowley and says this, tongue firmly in cheek:

I mentioned this in another post about the wall slam in Tadfield but this is a very much intentionally blasphemous specific sexual request that is more at home in the sex meta post you all have me working on lol but for the purposes of this conversation, "foul fiend" is Bible for "wicked demon", so this is Aziraphale just kind of flirtily, jokingly calling Crowley a wicked demon in the one area in life where Crowley would probably happily own that description lol. It also has the other layer of humor in it in that Crowley calls Aziraphale angel (romantic) all the time, more often than he uses Aziraphale's actual name, and you'd think he wouldn't want to because Heaven hasn't exactly done right by Crowley and he's not especially fond of it. By calling Aziraphale angel with love behind the meaning of it, he's calling Aziraphale a good angel. He's saying that Aziraphale is what an angel is *supposed*to be, something that Aziraphale struggles with. It's both sweet and reassuring at the same time. As a result, Aziraphale has never just started calling Crowley "demon" for the same reasons-- he thinks if being a demon is being demonic and truly evil, then Crowley is a terrible demon because he's a lovely person. He is, however, positively wicked in bed, and Aziraphale likes to mock their whole situation with blasphemous Bible innuendo when requesting a little hellfire.

The other thing to briefly mention before we get into the friend discussion is a scene not long after the one we just talked about, when they're both smashed in the bookshop in S1. When he's drunk and attempting to say "bouillabaisse", Crowley gets distracted staring at Aziraphale for a moment and calls him baby before going back to his attempts at saying a word (in French, their romance language, per S2) and we get the "fish stew-- anyway!" segue back into the rest of the scene. Aziraphale was too drunk to notice enough to react so this opens up the question of whether or not the rules can get slightly more lax in bed. Does Crowley call Aziraphale baby in more intimate moments or does he just want to and it slipped out when he was drunk? It's a fairly normal phrase so it both would and would not be a surprise either way but it's still something of a question mark by the end of S2.

But there's one thing that they use that pertains to your question from the Discorporated!Aziraphale scene (told you we'd start to get here eventually lol) and that's how they use the word friend.

The rules of their language apply-- what is said on the surface is what one of the meanings of what they are saying is. It has to be what it sounds like on the surface to also be a coded thing. Aziraphale is Aziraphale's name and angel is what he is and Crowley is the name Crowley chose for himself. That angel and Crowley have hidden meanings-- that angel is given a tone that turns it from referring to Aziraphale by his species and more into angel (romantic); that Crowley is the name everyone calls Crowley now-- from angels to demons to humans alike-- but only Aziraphale knows that it's an in-joke referencing Crowley having to playact at being demonic and evil to hide his truer, sweeter nature... this is what makes these terms acceptable in their mutual language. My [] fellow is then also meeting the rules of the language because of the humor of taking a non-romantic phrase and using it for this romance of theirs that they don't refer to as one. It sounds like a perfect common thing for British men of any kind of relationship to use in conversation on the surface but it's romantic to them underneath.

So when they say friend, by their own rules of this language, it has to first contain the surface meaning. It has to be true on that level to reoccur in their language. So 'friend' does mean 'friend' in a friendship sense. They are friends. They are good friends-- best friends. Using the word is an admittance that they are each other's closest friends, which is both lovely in its own right and healthy in a romantic relationship. You want to be friends with your romantic partner. It doesn't mean you can't have other friends, of course, but if you're not friends with your partner, it's not really going to be a terribly satisfying relationship and since that is what they are-- the longest-running of long-term relationships lol-- that they are friends is important and a good thing. It's also a big deal for them to admit to it, since they are actually *supposed* to be mortal enemies. Their whole enemies-to-lovers thing never really got off the ground because they adored each other on sight but that they're friends despite the danger and the conflicts is a big thing in its own right.

But that's not the *only* meaning of friend to them, so let's look at how they evolved that bit of their language.

From what we've seen so far, it started in 1600 in The Globe Theatre scene with this:

In 1600, Burbage drops some human, queer coding into the secret language. Friend, the way Burbage is using it, is something that's actually implying lover. The surface word is technically related to friendship but the tone changes the meaning of friendship in this context to be that of a sexual relationship. Burbage's tone implies that he thinks Crowley and Aziraphale are fucking (which Crowley, laughing, silently agrees with is obvious, since he's been ignoring Burbage in favor of buzzing around Aziraphale and clearly trying to flirt his way into his bed).

Burbage is pissed that these two-- who, as we know, are basically the entire audience-- have been ignoring his monologue in favor of flirting with each other so when Aziraphale tries at a modicum of politeness (that somehow is even bitchier subtly than Burbage lol-- "I love all the... talking" is the best he can come up with), Burbage slings back by trying to drag Crowley into it by calling him Aziraphale's friend, with that loaded tone that makes the question really: 'and what does your lover think?'

Aziraphale gets the innuendo-- he's not exactly a novice at this in 1600-- but his immediate response is just to panic at the idea of anyone noticing him and Crowley together and, as Aziraphale does when stressed, he lies in increasingly absurd levels of untruth. (See also: the scene with Shax in The Bentley in S2, when he spirals up into ludicrously claiming to *not even know who Gabriel is* in an effort to say that he has nothing to do with his disappearance.)

Crowley is bemused by Aziraphale's increasingly desperate attempts to deny what is abundantly obvious to everyone around them and by Burbage's attempt to make a thing out of them to try to assuage his bruised ego. He chooses a little violence with this particularly amusing bit of go fuck yourself, you insecure little twerp:

Anyway lol what this scene then does is give us a moment in the story wherein we see them in a situation where friend (loaded) is defined as friend used euphemistically for lover and they both know it. This isn't coding they came up with but that they will wind up appropriating from the humans around them and repurposing for themselves, though they won't for awhile still to come yet.

What's worth noting here is that friend (loaded) in this human code is euphemistic for a pretty wide array of loaded friend relationships. There's no separation in it for friends with benefits versus someone you're seeing but aren't comfortable admitting that versus someone you've been with for awhile versus the person that is basically your secret spouse, etc.. All of these things are friend (loaded) in human code because the main purpose of it is to identify a pair of people who are involved as such without directly saying so on the surface, even if it's implied heavily via tone.

So what happens when Crowley and Aziraphale eventually decide to repurpose it for themselves?

They've got to be clear on what it means. They'll need to define it more specifically amongst themselves in order to use it.

For awhile still after 1600, they just aren't defining their relationship. They don't need friend (loaded) because they have things they call each other, right? They've got angel and Crowley and my dear fellow and the like. They're not usually around a lot of other humans together that are going to do what Burbage did and try to force a definition of it. (This changes, as we know, in the modern era-- especially S2-- but back in the day, it was true for them.) As a result, they've never had to define this and that's absolutely fucking perfect, as far as they're concerned.

Not defining this? Lovely. Yes. More of that. Makes the fact that they can't just call each other my love hurt a lot less, they're convinced. It helps now for sure and it'll make it less painful if they lose each other. They totally will not at all continue to spend thousands of years wondering what it would sound like if they said the things. They don't each have fourteen million fantasies about being able to use the traditional words and how they'd do it-- absolutely not lol. *Not* using the traditional words isn't at all making both the allure of those words-- and the ones they *do* use-- hotter and more romantic or anything. Not in the slightest...

So then we eventually get the Holy Water Arc, right, and in the middle of that scene, we see them run into a definition problem. In 1862, what actually causes them to fight isn't the holy water request. It's Aziraphale giving it all a word and that word being "fraternizing." First rule of We Don't Say It Club is that we don't say it... but it's also that if you're going to say a word that means the two of you and what you have, maybe don't use the one that Heaven would-- the one that means 'socializing with the enemy.' In Aziraphale's defense, they're both a mess and half-broken up in this scene and there's more going on it than we're going to get into here but the point is that suddenly not having a word caused big drama and caused the whole holy water conversation to de-evolve into an argument that broke them up for the eleven or so minutes that they can stay broken up.

But they still hadn't really resolved the whole holy water argument debacle by 1941, even if there is evidence in the show that they saw one another between 1862 and 1941, and the reason why they haven't is because holy water is irretrievably linked to defining what they are.

Crowley asking for it meant they had to consider what they are to one another and talk about it and 1862 proved their language didn't have words for that at the time. There is a level of panic to it because the request contains a certain level of acknowledgement about how they feel about each other. Aziraphale jumps onto holy water being a suicide pill not just because he's terribly worried that that's why a visibly anxious and depressed Crowley wants it but because if it's not what Crowley wants it for, then Crowley is saying he wants it for defense and whose defense, right? Not just his own, potentially. It's very much saying that he wants it to protect not just himself but Aziraphale from Hell and now we're talking about Crowley being willing to risk the wrath of Hell and maybe get himself killed trying to protect Aziraphale from harm and now, we're closer than ever to that I love you under the surface and they panic and they avoid it for 80 some odd years entirely until World War II...

...and then we arrive at The Blitz in 1941. We are now a scant one hundred years or so until 6,000 years being up since the creation of Earth and Armageddon was always going to happen in "*about* 6,000 years" so, for all they know, this is it... and Crowley in 1600 told you how he feels about sad endings:

So while rescuing Aziraphale is nothing new, Crowley turned up in 1941 with the intent of making a better ending, in case they had now found themselves at the start of the end of the world. They were almost out of time either way and he didn't want it all to end without them having said the things but also they didn't know *for sure* if this was it... and they still can't be together if it isn't... so Crowley can't just show up and be like so, angel, I've been meaning to tell you in the actual words for the last six millennia-- I'm madly in love with you. He has to find a way to do it in their language of doublespeak. And so, here's Crowley using friend (loaded) in front of the Nazis in 1941:

By using my friend in the church, Crowley is then actually euphemistically calling Aziraphale my lover by calling back to The Globe Theatre and stealing the human coded term that Burbage used. Crowley does not care what the Nazis think. The comment isn't for them; it's for Aziraphale. So is letting Aziraphale find out about his first name, which is also calling back to The Globe Theatre. ("Anthony", pronounced "Antony", as in Shakespeare's 'Antony and Cleopatra', the play in which Shakespeare put the love poetry he stole that Crowley wrote for Aziraphale.) So is referencing the unguarded holy water in the church, which is then trying to talk about it a little by connecting it to this romantic grand gesture here and acknowledging why they panicked over it all those years ago. It's all saying I'm in love with you in their little language in the best way Crowley can in this moment.

But what did we say about friend (loaded)? We said they have to define it, right?

Because it can mean different things. Crowley isn't wrong to use it and Aziraphale understands it the way he does in the church. He understands it to euphemistically refer to them as lovers, which they are. It's just that all of this combined with Crowley saving the books then makes Aziraphale realize that it's one thing to say my friend (loaded) but if you say it and then there's holy water referencing and then there's more of the Shakespeare scene in there with Anthony and the little "you don't like it?" pout and then there's the entered a church for you and... you put all of that together with little demonic miracle of my own and saving the books...

...and Aziraphale realizes that Crowley is taking the thing that they always were-- my friend (loaded)-- and using it in the middle of saying that he's in love with him.

Crowley is trying to give it a word.

The word he's using meets all their language rules. It's from a moment in their past. It has a true surface meaning and a loaded undertone and subtext for days. He's not asking Aziraphale to use it. He's not saying the actual thing, as that would be breaking their rules, but he is absolutely saying it in their language.

He's not asking Aziraphale for it in return. He's just saying that this could all be over soon and he needed Aziraphale to know and in some ways, it's an apology of sorts. He's sorry they fought. He's sorry they lost years over it. He's sorry for the pain of it. He was in love, you see. The sex while pining got to be a lot. All of this got to be a lot. You get it now right, Aziraphale? Yes? Good. Lift home...

The phrase my friend (loaded) takes on a different meaning after Crowley saves the books and after their conversation inside and outside The Bentley. That's the point of the two "shut up"s-- the one from Part 1 and the one right after it where Part 2 picks up. Why have this conversation twice? Because it's actually two different conversations.

The first one outside The Bentley is Aziraphale in a love stupor, just telling Crowley that saving the books was a nice thing and Crowley responding with a half-effort "shut up" while he cleans his glasses. It's the only scene in the entire series to date in which Crowley is cleaning his glasses and he is in this moment to give Aziraphale his eyes for a moment. But The Blitz, Part 2 shows us this again... and then gives us the scene in The Bentley with what starts out sounding like the same conversation on the surface to start. It is, though, not the same conversation *under* the surface...

There's a reason why Aziraphale says a second time that saving the books was a nice thing. They're now in The Bentley, which is a little more private, and Aziraphale can't let this drop because he needs to know for sure what Crowley is saying with this and if Crowley's sure he wants to be saying what it seems like he's saying. This is basically Aziraphale's version of Crowley's "are you sure? are you sure you're sure?" in the magic shop later on. Aziraphale knows Crowley just said he's in love with him but Aziraphale also knows *Crowley*, right?

He's been with Crowley for a long time. He knows him very well. He knows that Crowley is anxious and emotional and hopelessly romantic and that the world is literally ending around them as they're driving through bombs raining down over London and part of Aziraphale is thinking of the fact that even in this seemingly apocalyptic Armageddon that could be starting here, Crowley was coded in what he just did. He left the traditional words on the table. He said the things in their language and that is, in some ways, even more romantic, but he's left them the things they leave out of hope for a better future, just in case. There's a caution to that and while Aziraphale appreciates the caution, he also can sense that Crowley was nervous about doing this. He is a little concerned that Crowley's going to have said he loved him and then regret it and pull away from him again and Aziraphale can't do the first bit of the Holy Water Arc all over again. He's really wanting to start to move into a lighter era here lol. He also really wants to be sure that he's understanding what Crowley is saying entirely.

And he wants to hear it again.

If Crowley isn't going to shut down on him entirely now, Aziraphale very much liked all of this and would like more of it but he first has to be sure he knows for sure what Crowley means and he can't just ask directly or he's both saying the things they leave unsaid and he'd be undoing Crowley's effort so he has to find a way to ask without directly asking and in such a way that an already sensitive about all of this Crowley won't take offense or be embarrassed and that gives them a way back from this if Crowley shows signs that he feels like he might have gone too far.

So Aziraphale offers Crowley an out.

He tells him again that it was such a nice thing Crowley did for him. He means this and it was a nice thing but this is also saying that he heard that I'm in love with you that Crowley was saying by saving his books and that he liked hearing it, that it was nice, that it was okay that Crowley did that, but that it's also okay if he feels like he made a mistake with it.

Crowley's response to again being told that it was nice is to again tell Aziraphale to "shut up", this one a bit more emphatically than he did outside The Bentley a few moments before. It's unclear to what extent this language, at this time, is sexualized, but by 2019/S1, this back and forth of Aziraphale calling Crowley "nice" and Crowley responding with some bite is a self-parodic sex game that they're playing in Tadfield.

Much of what happens in Tadfield is playing on other parts of their story-- think about the paintball bit with the gun but now with knowledge of The Bullet Catch in The Blitz, Part 2-- and there is a big difference in the ways Aziraphale calls Crowley "nice" in 1941 and in 2019. In Tadfield in 2019, Aziraphale is literally smirking in a way that implies that this is a little game they play and he's saying a series of things that he knows will prompt this intentionally outsized reaction from Crowley, who is playing it with him. The game is likely tied *to* this bit of 1941 that we see in The Blitz, Part 2 in S2, in that it's referencing it a bit (if very obviously going in a different direction lol), but also because Aziraphale's phrasing and tone in 1941 is not smirking. It's softer and quieter and not designed, through their language, to prompt a certain response out of Crowley. It's not yet a sex game, it's still a kind of conversation they've had in the past that will serve as inspiration for said sex game in the future.

While it's a bit unclear if a version of this already existed in 1941 or if 1941 is part of the evolution to what it becomes by 2019, there's a tone to it in The Bentley in 1941 that says that, at the least, Crowley suspects that Aziraphale is trying to lure him towards sex by calling him nice and that's reinforced by the next thing Aziraphale says, which continues it, but is also doing so to provide Crowley with an out to his confession of love, in case Crowley wants to take it.

Aziraphale's out comes in the form of offering him sex, which is absolutely what this is:

Oh, gee, Aziraphale, whatever could you do in this moment here in The Bentley? You aren't at all telling him you'd do literally anything he says he wants right now, right here, in his damn car, are you?

But while Aziraphale would so absolutely yes because lawd, 1941 Crowley is sldjwkejele... look at what he's *really* saying as well...

What he's saying here is we can pretend you just did all of that for sex, if you want to. I know you didn't and you know you didn't but we are good at pretending and if you're silently having an anxiety attack behind your glasses over there, we don't have do this...

Crowley's response?

The quiet "forget it, will you?"

Meaning: I don't want to take it back. I'm in love with you. I wanted to say it. I meant to say it. Everything might be going to go pear-shaped and I wanted to have said it somehow. I don't need you to say it. I don't know what I expected but I also maybe kinda didn't want the response to be 'aww, you're sweet... do you want a blowjob?' so maybe let's just drop this. We're going to never speak of this again now. Moving onto spreading the demon drink...

Crowley turns down Aziraphale's offer to make it about sex and, in doing so, Crowley says indisputably that it's about love. If he had taken up Aziraphale's offer in that moment, then it would have been agreeing to pretend that he's never said he's in love with Aziraphale and to instead pretend that the romantic-looking things were all an effort to get into Aziraphale's pants. When he turns down sex, Aziraphale smiles softly because, to him, *this* is then really the moment that Crowley said he loves him.

Aziraphale knows for sure now what Crowley was saying and my friend (loaded) now has a definition between them that means the whole deal. Since Crowley said the thing that meant lovers euphemistically as part of saying he's in love with him, then my friend (loaded) is now forever part of the night during The Blitz in 1941 when Crowley said he was in love with him, which means that they can't use any version of friend (loaded) with each other without that being part of it. Friend (loaded) always meant lovers (sexual partners) but now it also means lovers (romantic partners) as well. It's not that they just suddenly became romantic partners because it's been a romance all along but now they're acknowledging it in a way they can't go back from and they do so by giving what they are to one another a word in their secret language.

Aziraphale then wants to return the feeling. Crowley is saying that he doesn't need him to by telling him to forget it about it and wanting to move on from it but Aziraphale can't accept that. Crowley might be right-- this could be it-- and like Aziraphale's going to let Crowley potentially soon go to his grave without telling him he's not alone in how he feels. That's not happening. However you think the events happened to give Aziraphale the opportunity to rescue Crowley from the wrath of Mrs. H-- divine fate, Aziraphale miracling the bottles broken, The Bentley shipping it and helping Aziraphale, all of the above, etc..-- he gets the chance not ten minutes later and he takes it... and, of course, what does he use?

My good friend (loaded af lol).

They've already just redefined my friend (loaded) by this point, so to turn around and use it is to tell Crowley I feel the same way. I love you, too. This is Crowley's change in expression in reaction in that above gif. It's one thing when Aziraphale volunteers to help-- that is sweet and Crowley's all eyebrows raised in intrigued surprise. His whole expression then slips from that into being stunned when he hears my good friend and he realizes that Aziraphale is now grand gesturing *him*. He's realizing that the bit in the car really was just an offer of an out, not just that plus Aziraphale saying he was uncomfortable with what Crowley had said and needing it to stay a lot more hidden beneath a cover of sex. It was Aziraphale needing to be sure he understood and needing to be sure that Crowley was sure he wanted to make this change in how they are but now that he's sure on those things, Aziraphale is actually all in for it.

Worth mentioning that my good friend (loaded) is a mashup of my friend and my dear fellow, which makes it extra sweet. Just as Crowley started this by calling back to The Globe Theatre by using my friend (loaded), Aziraphale is calling back to the my dear fellow rhythm of what he's called Crowley for centuries. It says I love you and every 'my dear fellow' was not just fondness but an 'I love you', if you didn't already know. I've loved you forever.

It's also quite literally calling Crowley 'good', which is not something that he really believes about himself but is something Aziraphale believes about him. His good friend, as in close friend, but also his good friend, as in good person. He also does nothing to discourage Mrs. H's inevitable understanding that he and Crowley are a couple. He gestures between them to indicate it. He uses my good friend in such a way that it's just the same thing queer humans of the time would have said to someone low-risk (a theatre person) in London during WW2. It's completely inverted from his response to Burbage in a different theatre in 1600, in the moment this whole friend thing became a thing for them, which is also intentional. It's telling Crowley he understood all the things Crowley was saying in the church and he feels them, too.

Then, there's this, once they're back the bookshop:

Here, we're acknowledging what friends means now by pausing and emphasizing it. "That's what friends are for" is not a phrase that would require the pause and the tone on friends if friendship was all "friends" meant to them. It's not now and this is acknowledging that.

Note Crowley's little lip twitch/almost-sad-smile at what Aziraphale is saying. It's agreement. It's assent. This is them confirming that they understand what the other is saying and giving this new word a home in their language.

This is then what they call each other now when they need to talk about it and it's my friend on the surface and it's my love underneath.

There's a sadness to it. How nice it would be to just be able to say it... It's also a moment of realizing that they aren't sure they can use this word all the time. It's good to have a word and a shared understanding of what it means and they have no desire to take back these confessions of love here but while it's lovely to have said this now, it's also a bit heartbreaking.

Aziraphale's heartbreak, his little Crowley move of putting on his (transparent lol) glasses, his brave smile, and then how quickly they both transition from this conversation into The West End, The West End and I'm a lonely G.I... and The farthing *has vanished*! It shows you how accustomed they are to burying the pain under trying to live in the moment for one another.

A few moments after this, Aziraphale will be showing Crowley some of his human magic tricks in preparation for performing on stage and when they get to the point where Aziraphale is telling Crowley about Goldstone's Magic Shop, he then tells him that it's not for him because it's "for professional conjurers only."

This is somewhat unintentional metaphor on Aziraphale's part that Crowley then acknowledges and turns into coded language in his response. Aziraphale's love of human magic is metaphorical for his love of humanity and living in a way as to indulge his humanity in a way that angels have been taught not to do. The reason why Aziraphale's love of magic is this metaphor and not, say, his love of books or music or food, is because all of the other things that Aziraphale likes about the human experiences can be dismissed by him as relating to understanding the human experience *so as to be a better angel.* He's really not a student of humanity just to learn how to better guide them. He admits to Adam in front of Crowley in S1 that he thinks that humans are the ones who get it when he tells him that he hoped Adam would be good and worried he'd be evil but that he's something better than either of those-- he's human incarnate. Aziraphale can justify most of his indulgences as being related to learning human ways to relate to them to help them-- food, books (his home and his book collection can be justified as necessary cover for his angelic embassy), music, etc.... but the love of human magic?

Aziraphale just loves it. It's for him. It's his hobby. He thinks it's a little selfish and probably a lot unbecoming of an angel. He'd completely just want this for a job and he's not supposed to want a job other than to be an angel, which is supposed to be the bestest job imaginable lol. What kind of angel wants a silly human job? What kind of angel with actual magical powers is obsessed with human magic? Aziraphale is. He's endlessly fascinated. It makes him happy. It brings him joy. It's the part of living as a human that he's done in such a way that it's just for him and in such a way that it conflicts a bit with his role as an angel. The only other way Aziraphale loves like this, in this human way? The only other thing he studies at to be a better human over being a better angel?

Crowley.

So when Aziraphale says that he can't go to Goldstone's because it's "for professional conjurers only", Crowley knows that what Aziraphale is really saying is that the shop is "for actual humans only". He knows Aziraphale is admitting that he's sometimes insecure about his ability to be human because of how his humanity is tied to being an angel. Crowley knows that they're talking about Aziraphale and his human magic love on one level but that they're also talking about them and their relationship on another level. This is Aziraphale saying that he loves human magic with a passion but he's not sure he's as good as it as he could be or as he wants to be because maybe he doesn't know everything about being a human in the way that the "professional conjurers"-- humans-- know... and everything we just said he's unsure about with relation to human magic is also how he feels sometimes about loving Crowley.

This conversation is happening in an overlapping way with their friend confessions and Crowley hears that Aziraphale is saying in there that he loves Crowley with a passion but he's not always sure that he's studied enough, that he knows enough, about being human to be what Crowley deserves. He would love to go to this magic shop but he's afraid that it's not meant for him. He struggles, as Crowley already knows, with how he's not supposed to want it but oh he wants and he can't help but love magic and he can't help but love Crowley... all of which prompts Crowley to reassure him, using a now-familiar bit of their language:

"You, my Nefertiti-fooling fellow, are about to perform on the West End stage. If that doesn't make you a 'professional conjurer'... I don't know what does."

Meaning:

You, my human-passing man, are so good at this that you fooled the Ancient Egyptian Queen. You're about to perform your human magic on stage-- to make yourself vulnerable in a way that scares humans. You are always willing to take risks like that and try something new and learn more about being human and that makes you human. It's human to not totally know how to be human, I think. You're doing all of this tonight because you love me. It doesn't matter if you're a good magician or not. This love of ours is human and you're very good at it. You love me very well. If loving me doesn't make you a 'professional conjurer'... I don't know what does.

Crowley uses my [] fellow to emphasize my friend (loaded) by using the term of endearment that Aziraphale himself started that has human connotations to make the point that their love makes them human and to tell Aziraphale that he's very good at their love.

Aziraphale, understandably melting over that:

And then? They just keep using my friend. For decades. Through S2.

What makes it work for so long is the fact that it's human-coded in origin so if they run into a situation where they need to refer to one another like this, they can use it and it doesn't get a lot of questions. After the partners scene with Nina, Crowley uses my friend without thinking twice about it, telling her that she'll be safe in the bookshop because "my friend would never let anything happen to you." Nina already gets that they're friend (loaded) and she doesn't know what using friend means to them because only they know about 1941 but it's a phrase that they can use with the outside world if they need to but that mostly stays between them because only they know that, in their language, my friend = my love.

So when Crowley says I lost my best friend in the Discorporated!Aziraphale scene in S1, he means that he lost his best friend but he *also* really means I lost the love of my life.

The first thing my best friend means is just the actual, uncoded definition-- what the words really mean as they are. Aziraphale is Crowley's best friend. Whatever else they are to one another, they've always been that. The idea that he'd have to go through the end of the world and whatever came after without his best friend devastated him. In a lot of ways, it's sweeter than saying anything else, even if they weren't in a public space, because it's saying that what he'd miss the most is just having his partner in crime in life. The other layer of it is the coded layer. Since they are a couple that uses my friend in an euphemistic way for my love, then Crowley's my best friend in 2019 is the same thing as Aziraphale's my good friend was in 1941. It is my best friend on the surface and it is that but it's also my love beneath it.

This scene is also then the same thing in meaning:

And by S1's present of 2019, they're at a point of using it in an argument, which provides them the means to talk in a way they didn't have in 1862. Yeah, they have their dramatic little breakup spats but this is actually a marked improvement over where they were before the holy water mess. So now watch this bit of the bandstand again here below for the friend (loaded)...

Remember that Aziraphale lies increasing bits of absurdity when stressed and that Crowley knows that. He dismisses what Aziraphale says with that "you doooo" when Aziraphale tries the *utterly ridiculous* "I don't even like you" lol. They're both panicked about the end of the world here in Ineffable Divorce: Round One and Crowley's trying to get them to run away again, which is a terrible idea, but in the process of suggesting it, Crowley is calling them friends (now eternally loaded, as we just spent this meta proving lol) and...

...*how long* have they been friends does he say?

So, how long have they been in love, per their language, per Crowley in the bandstand scene?

Six thousand years.

Since the start.

Vavoom. Sorted. :)

[veetyuh]

I'm reminded of that "antishipping isn't purity culture because it isn't conservative christianity" post... And I think I've done some unpacking on why it triggers me so much.

I was an intersex child shoved into the role of a female, in a rural & conservative Christian environment. I've had not just purity culture shoved down my throat, but also the shame of not being able to meet the expectations put on women in that environment.

It's not just cover up, slut. That implies I had something to show off, to begin with. And men still want to ogle you and imagine what your body is like beneath that modest dress. So here, literal child. Have this shapewear to make your figure conform to that of a developing middle school female's under your clothes.

It's contradictory that way. You have to try to be unappealing to not 'tempt' men, but you still need to be appealing in the sense of conventional female attractiveness. Moreover, you must not think about men or sex at all. But you cannot be asexual — your parents demand grandchildren.

Antis do the same with their queer representation. It's the same contradictory expectations... They champion the idea of breaking societal norms through queerness (i.e. the idea of 'queer as in fuck you'), then demand that every nuclear family norm be met. Queer characters must be disruptive without actually disrupting anything. And the contradictions apply to fans, too — you're homophobic if you don't like a canon queer ship, and you're fetishistic if you like queer ships too much. (There are more, but I'd be stuck here forever if I listed them all. 😅)

There's also the obvious — fictional sins being as bad as things done in real life. There's Matthew 5, which includes so many popular verses about thought control that Christians use, and equates bad thought to bad doing.

27 “You have heard that it was said, ‘You shall not commit adultery.’ 28 But I tell you that anyone who looks at a woman lustfully has already committed adultery with her in his heart. 29 If your right eye causes you to stumble, gouge it out and throw it away. It is better for you to lose one part of your body than for your whole body to be thrown into hell. 30 And if your right hand causes you to stumble, cut it off and throw it away. It is better for you to lose one part of your body than for your whole body to go into hell.

And fuck if antis aren't cutting off their entire goddamn arm and gouging out both eyes.

It's not just purity culture they embody, though — it's the satanic panic, too. Good lord the amount of times my grandma wouldn't let me watch Ghost Hunters because she thought I was welcoming demons into the home, or her concern for me watching horror movies because I'd surely become more violent. It's the same shit, different horse.

On a more light-hearted note, they play the same game that Christian demoninations do, too. I was Baptist, and considered the Methodists okay. But the Catholics? No, keep that shit away from me. Why are you worshipping Mary? That's idolatry! How horrible, to openly spit in God's face. When I read antis' DNI lists rattling off forbidden, unredeemable fandoms, it feels the same way, haha.

But what really seals the deal for me is how they smile in your face and promise they're just looking out for you. Christians do that, too. "We want you to get better. We want to help you. You're on a dark path." While they break your bones to force you into their mold. You may not be hurting anyone on your dark path, but they'll convince you that you ARE. You're hurting yourself "spiritually," you're hurting the community, your family, by being an abomination to God. You're hurting everyone and yourself, you just need us to help you realize it. Antis feel the exact same. I block them pre-emptively because I cannot handle having that shit directed at me again.

Moreover, their insults feel the same. The childish "icky," the ad hominems. It's too reminiscent for me. Of my mom hating my icky facial hair and my classmates making fun of my masc traits when they thought I couldn't hear; you are a gross person!!1! Ew!!!

It's funny that antis are so often anti-kink, considering they're so fucking intent on giving me a golden shower and telling me it's rain. I hope they're careful not to choke on the homophobic, pedophilic pastor cock they're sucking.

[a-bright-comet]

Okay I am very happy to see more and more people call out the weirdos, namely the ones villainizing pregnancy and all that, But I wanna talk about the startling amount of people I've been seeing popping up calling Jade and Stalker's romance "cheap, boring, easy" just *because* it's woman-loving-man or "straight" as these people keep calling it.. How wild is that-? to call a romance boring because of the gender of the people involved? they're not calling it boring cause of writing but because of their damn genders? hello?? do you know how insane that would sound if said about a sapphic or achillean (mlm) couple?? imagine if someone said that about Albrecht and Loid they'd get flamed so fucking fast dude. Do these people also forget bi/pan etc. wlm relationships exist? or that straight genderqueer people and relationships exist?? that queer wlm relationships just exist as well in general??? I'm a bi woman in a relationship with a bi trans man, JUMPSCARE! we exist! while I understand being tired of wlm romances cause there's enough out there to get to hell and back, that doesn't mean they should just, not exist? or that they're inherently bad or boring? not only is that just weird period but it also erases the people and relationships mentioned above. (also goes against the whole equality thing we've all been fighting for my guy) also like, the last time we got a wlm relationship between major/important characters in warframe was god damn Ballas and Lotus and that shit was abusive, we needed a healthy one to balance it lmaaoooo. Annd to my knowledge there hasn't been any romance between two warframes before these two yet so it's not like they've done it before to warrant the groaning? you know it's odd how I almost felt this type of attitude coming, I was witnessing a concerning steady rise of hating pregnancy in fiction from one side of the internet and just general hatred of wlm relationships on the other side of the internet, such a shame it all came to a boiling point and targeted this quest that really didn't deserve it. Honestly looking at it without the stained view of people the quest is just as good as all the others before it, short, sweet and impactful. I really enjoy it and have been trigger happy with the block on anyone slightly annoying about it cause at this point it feels like we don't even play the same game lmao. anyways this will likely be the last post about people being weird as I don't wanna bring more negativity to the tag and I'm tired of people pff but posts like these are unfortunately important cause if you let the mold sit it'll contaminate and ruin everything. Jade, Stalker and their beb deserve all the love they can get, I will not tolerate slander. >:[

[aroaceleovaldez]

Hello, if you still have Nico di Angelo thoughts, I have a curiosity. How likely do you think it would be for Nico to express some of that internalized homophobia (that he got over way too quickly imo) towards others too?

Not violent homophobia, but little comments that make others go "huh, something about what you said feels off"

Nico doesn't mean harm by them, but he has views that are accurate to the time he was born and raised and I don't think there've been many opportunities for those views to be challenged enough for them to change (at least from what we've seen in canon, TSATS dni)

(Of course I know this is a sensitive topic so if you're uncomfortable with it feel free to ignore the ask)

I actually do have a very specific thought about this! Thank you for asking - So my take on it is I don't think Nico would have his internalized homophobia externalize at others - he's a very tolerant character in general and it's implied Maria generally raised him to be very tolerant. I think the majority of his internalized homophobia manifests mostly as a subset of his self-loathing more than anything, because he is actually very assured in his identity in general! Most of his problems with his own identity aren't actually grappling with any specific identity itself, but his concerns with how other people perceive him about said identity (being gay, son of Hades, etc). (I do agree though that in canon he moved on from that WAY too quickly.)

That being said I do think people around him would mistakenly assume he's homophobic at first, LOL.

A.) I think his language is VERY outdated, because he probably has never had the opportunity to educate himself on English queer terminology back in the day, and absolutely has never had the opportunity to educate himself on modern queer topics/terminology, nor would he probably be brave enough to do so on his own. If he's had any brushes with modern English queer stuff it'd probably be the kids at Westover saying slurs and Nico internally quietly going ("??? is that the word for it?") He knows it's considered crude but he can't tell if it's because it's impolite terminology or just general homophobia and he's too afraid to ask, so he just awkwardly avoids saying anything at all or just VEEEERRRY SLOWLY starts letting out the most hesitant "...f-?" until his friends cover his mouth going "no no no no, don't say that-" (Nico di Angelo voted most likely to say "Is he... yknow... [gestures vaguely]...?")

B.) Nico kind of goes deer-in-the-headlights about queer topics in HoH and I imagine that would be something that continues for a bit until he learns that he's in a safe space for it. Like anybody starts mentioning queer stuff and he just freezes up a little bit and starts awkwardly trying to read for what reaction he should be having based on everybody else while remaining polite as possible, but also he can't tell if they're being sarcastic or not so he's just trying to leave just in case someone starts being homophobic, and also he's very confused anyways because he's not caught up on the terminology. But everyone else just reads that as "oh, queer topics make Nico DEEPLY uncomfortable. Is he homophobic but like, trying to be nice about it?" (cause the majority of camp probably still thinks Nico has a crush on Annabeth and has no reason to believe he likes guys, or anyone for that matter). And then people find out he's from the 1930s and proceed to filter his behavior through that lens and just assume "Oh, it must just be him being from the 1930s" and leave it at that.

Also its just REALLY funny to me to have the dynamic of Will looking at Nico, mistakenly assuming he must just be mildly homophobic, and going "I CAN FIX HIM-" while there is Nothing To Fix he's just old, gay, closeted, and confused.

[spop-romanticizes-abuse]

since i've talked a lot about how i dislike Catra, here are some of the other fictional characters that i dislike:

(warning: long post ahead, also spoilers for steven universe, the dragon prince, ocean waves, the legend of korra, and kipo and the age of wonderbeasts)

1. Lapis Lazuli (Steven Universe)

i think this one is pretty obvious. there were a bunch of characters in SU who were let off the hook after doing terrible things, but Lapis is the one i disliked the most.

she started off as an interesting character, her trauma after getting caught in a war and stuck in a mirror for ages was sympathetic and pretty well-written but like Catra, i think the writers coddled Lapis too much.

this is evident with her relationship with Peridot, where she starts off blaming Peridot for something that wasn't her fault and destroying her prized possession when she tries to make amends. but Lapis expresses concern for Peridot ONCE and now they're besties.

and after that, Lapis becomes toxic and demanding, causing Peridot to constantly walk on eggshells around Lapis so as not to hurt her feelings. and finally, Lapis just takes the barn, Peridot's HOME, off into space because she couldn't agree with Peridot's decision to stay and fight the Diamonds?? i'm not mad that Lapis didn't want to fight the Diamonds, i fully understand her trauma, but did she have to take the barn with her? what part of that was necessary??

i think all of this would have been fine if Lapis was held accountable for her actions, but she wasn't. she doesn't even do the bare minimum and Peridot immediately forgives her. sigh. at least they didn't make Lapidot canon.

2. King Harrow (The Dragon Prince)

i don't hate this character as much as I hate some of the others on the list but i do think that he was kind of a shitty king. he literally decides to starve his own kingdom in order to help out another kingdom. and this is framed as the right thing to do?

it's a tough choice but Harrow's people were depending on him, and he decides that his own people should sacrifice their winter rations for another kingdom. scummy move, i do not like him. Viren may have been self-serving and manipulative, but he was right to try and stop Harrow from doing this.

3. Rikako Muto (Ocean Waves)

god, i fucking hate this bitch. worst ghibli movie ever honestly. the thing is, like Catra and many of the other characters here, Rikako would have been an interesting character if the writers just made her an antagonist.

but no, she's supposed to be the love interest while being a selfish and manipulative brat. she is rude to everyone unless she wants a favor from them. she uses people to her advantage and screams at them when they try to resist. Rikako is the most interesting character in this movie, which sucks because she is also the most insufferable character.

the singular most hilarious scene in this movie has to be when Taku is fondly reminiscing about the interactions he had with Rikako, and since she was nothing but a little bitch throughout the entire movie, we get a super emotional flashback, accompanied by a soft score, of all the times she was manipulating and verbally abusing him. would have been funnier if it was not unironic. i do not know what the creators were thinking.

there was no chemistry between these two characters, their relationship was unhealthy as fuck, but they still get together by the end because.. amatonormativity. and because Taku had too much chemistry with his male best friend and they didn't want the viewers to think that he might be queer.

4. Bolin (The Legend of Korra)

it's crazy how everyone and their mothers hate Mako for cheating on Korra and Asami, but absolutely adore Bolin who sexually harassed his coworker. Bolin forced a kiss on Ginger while she was tied down on set, after she had already rejected him multiple times and said that she was her doing her job.

i see so many people saying that Bolin was a green flag and a better choice than Mako, and i seriously wonder if we watched the same show. i don't condone cheating either obviously but how do you call out cheating but completely gloss over sexual harrasment? Bolin legit acts like a manchild who doesn't understand consent and because the show frames this as "comedy", the audience thinks it's cute and funny.

at least Mako faced the consequences of his actions. he got dumped by both Korra and Asami, some of the other characters called him out on his actions, and he actually turns into a much better person by the end of the series.

oh, don't forget that Bolin started working for the literal fascist in s4. and he acts all dumb about it and argues that Kuvira was like Korra which,, what the fuck? he literally sees Kuvira torturing people and it still takes him a long time to stop working for her. he was a bit like Entrapta in that case, the writers made him too oblivious and stupid in order to justify him aiding a fascist.

5. Kipo (Kipo and the Age of Wonderbeasts)

okay, so Kipo is a little different from the other characters mentioned here because she's not problematic by any means. quite the opposite actually, her main personality trait seems to be that she's kind to everyone.

and that's fine, it's on par for most kids show protagonists, but Kipo is such a deeply unflawed character that she just becomes so boring. she has no character growth throughout the series, except for developing her fighting skills as her wildcat form. and even that comes easy to her, she masters it in one episode. her "flaws" are very surface level, like being clumsy or kinda awkward.

she is unbothered by almost everything, which is the most baffling in that episode where she discovers that she was the result of a science experiment done by her parents. you would expect some sort of mixed emotions there - confusion, hesitation, resentment even? nope. she's just excited and happy that her parents put her life at risk by experimenting on her.

and the show insists on reminding us every five seconds that "hey! Kipo is a GOOD person, she's the KINDEST human being ever and the ONLY person who doesn't love her is the EVIL VILLAIN". shit like this just turns me off so much. just SHOW me how nice Kipo is, instead of making every character gush about her niceness. SHOW, don't tell, for god's sake. besides, even if a person is kind and wholesome, it's unrealistic for EVERYONE to like them.

and the funny thing is that this show has other interesting characters! Wolf, for example, was a really complex and flawed character who is still fundamentally a good person. Hugo was a sympathetic villain who got a pretty decent redemption arc. so it's not like the writers didn't know how to write interesting characters, they just wanted to make their protagonist a Mary Sue.

[mochinomnoms]

I'm a trans guy, but I have massive tits. So there's a surprise factor to the whole thing. Imagine, if you will:

You're friend, Floyd (or someone else, Ace, idk) just got out from detention. It ran extra long, so he's hungry. He keeps complaining about being hungry, and the vending machines are far away.

You don't really want to walk all the way there, so you decide: eh. Fuck it! He's by best friend (and you are so down bad for him rn). He's gonna find out one day anyways, with how often he stays the night at Ramshackle, and you can't keep sleeping in your binder cause it's getting a little hard to breathe at this point.

So you undo your tie, unbutton your shirt a bit, and pull out some twst cheetos from in-between your tits and hand them to him. They were being held nicely by the binder and your boobs, and they're warm! Bonus! But now he's starring at you, ah shit, time for the questions.

Fast forward about an hour. You don't know how you got here. But you are suddenly on your bed in Ramshakle with his face shoved right the fuck up in your chest. I mean, you are wearing a shirt. But you're kinda starting to wish you weren't...

"You need to breathe!" He said. "Don't worry, I not gonna think of you as a girl all the sudden or something" He said. And he doesn't! All he knows and all he cares about is that his crush just got a whole lot softer to cuddle with! And his mind is also going at a million miles per hour but we're not gonna focus on that rn

Nah but for real you're not supposed to wear binders for more than 8 hours and I always keep mine on for 12-26 hours straight with no breaks 💀💀💀💀. Anyways, thanks for coming to my T-Boy™ TedTalk

🦩

(babe, darling, love, honey, I'm BEGGING you to not bind for such long periods you need your RIBS AND LUNGS TO FUNCTION—)

Oooooh they don't care about having some sort of crisis about finding out you have boobs. I don't think so anyways, it's a magic world with talking fire cats and dragon fae, I like to think that queer people are the norm. Ace/Floyd is just delighted to find a soft new pillow that just happens to be right on top of his crush's chest~

Boobs are boobs, to be quite frank, and if you like someone that has them, it's just a bonus that you can suffocate yourself in your love's embrace and chest! Aaaaa Ace/Floyd is such little shit, he's shoving his face in your cleavage and bringing his hands up to squeeze your breasts so that his head is stuck in them! He likes how soft they are, and it's a bonus that he can hear how fast your heart beat is going as he squeezes. Maybe he'll take a lil nibble through the shirt~ Just to see your reaction 🤭