#also there's a shrek reference in there i think

[cpcposting]

Probably one of my fave things about CPC is the fact that Gwen genuinely isn’t conventionally attractive, she’s not just some girl who *gasp* wears glasses and has her hair in a ponytail or something X_X The amount of ”””ugly””” characters I’ve that seen that fall into that trope bruhhh. But as the comic goes on, like Frederick, you get used to her appearance and come to appreciate her as truly beautiful bc of who she is <3 

[theultimatekamehamehavoc]

This is a layered reference

[sudokuplayer]

i've watched only a few scenes of the movie WALL-E and i hate it so much 😮‍💨 and i also dislike all the Pixar movies released after that one. they really peaked with Ratatouille in my eyes

[notjuststardust]

One Piece Monster Trio: Calling them husband when you're only dating

A random drabble I thought of after seeing a tik tok of this random girl calling her boyfriend husband. Enjoy the firstfruits of my madness >:)

Monkey D. Luffy

-You say it in passing to some random guy while apologizing for Luffy causing a scene and Luffy doesn't even realize.

-You're just like, "Sorry, my husband is a little excited," and now he's just trying to figure when the wedding was and if he missed your anniversary or not.

-Man is gaslit so hard he forgets that you aren't even married and somehow all the townspeople are suddenly referring to you as "the straw hats wife"

-After all, just like he will be the Pirate King you will be his wife.

-Only gets brought up when some lady asks to see your ring and Luffy starts freaking out when you say you don't have it.

-"Did you lose it during the fight?!"

-Man is actually sweating until you assure him you didn't because YOU NEVER EVEN HAD ONE.

-"Well, do ya want one?" After some blushing and nodding he tears off the drawstring to his hat and ties that around your left ring finger as a placeholder.

-You better start introducing yourself as the Queen of the Pirates.

Roronoa Zoro

-Sanji was making some comment under his breath about why a goddess like you chose to be with human shrek and before Zoro could even rerack the barbell to argue you were already defending him, "Don't talk about my husband that way you overcooked spaghetti haired-"

-Zoro is so shocked by the word 'husband' leaving your mouth he doesn't even recognize that the sass you'd exuded was borrowed from his own insults to the cook. The barbell just drops clean onto his chest and hes fighting for dear life to get it off.

-You've never lifted a weight in your LIFE so Sanji has to help you save him.

-Right after Sanji's yelling, Zoro is so quiet. He's just staring at you like you've got 3 heads.

-"Great, you broke him!" You yell when Sanji sees the dumb awe on Zoro's face.

-"You did that yourself, my dear. Look at the dumb look on your husbands face-" Now you're blushing and stammering because you realized what you'd said thinking you'd offended the swordsman.

-"Not my husband-"

-"Yet." Theres the tiniest smile on Zoro's face when he says it.

-HES LOOKING DEAD AT YOU TOO WHICH IS MAKING SANJI AUDIBLY GAG.

-"If you don't die from a barbell first."

Blackleg Sanji

-He calls you wife all the time but he never expects you to try to get him back for it.

-He's literally in the middle of serving dinner when one day you just drop, "Yeah, my hubby's the best cook!" After some rando Luffy had invited on the ship starts glowing about the taste.

-He hits the deck.

-Literally.

-But also the edge of the table on the way down.

-Chopper actually thinks hes had a heart attack because this man went TACHYCARDIC.

-Wakes up with a concussion and the ability to speak fluent french.

-You know he wakes up and starts mumbling nonsense like, "mon cher je suis honoré d’être votre seul et unique!" (My dear, i'm honored to be your one and only).

-I haven't taken french in years so please correct me if you're fluent.

[tgcg]

argument

its a big one

TG: alright this is probably a bust

TG: more i think about it how the fuck do you even make a marinara

TG: can i even alchemise cheese or do i gotta like alchemise the milk and curdle it myself

TG: how do you even curdle

====================

TG: make a goddamn

TG: curgler

TG: whatever

TG: internet archive gonna pull through

====================

CG: ALRIGHT DAVE

TG: shit

====================

CG: YOU BETTER BACK THE FUCK OFF. I DON'T KNOW WHERE IN BULGEMUNCHING VIRULENT FUCK YOU GET THE IDEA YOU HAVE ANY RIGHT TO TELL ME WHAT I SHOULD THINK ABOUT MY OWN GODDAMN PLANET. SORRY TO HAVE TO DEAL A BLOW TO YOUR IMPOSSIBLY INFLATED FUCKING EGO, BUT HAVE YOU EVER CONSIDERED THAT YOUR SIDE-EYE SLACKJAW HOPELESS DEADPAN BULLSHIT BEHAVIOUR IS ACTUALLY INCREDIBLY FUCKING CONTEMPTIBLE AND DOESN'T PUT YOU ABOVE OTHER PEOPLE? HAVE YOU CONSIDERED THAT?

CG: OR DID YOU JUST ASSUME FROM THE MOMENT YOU FOUND OUT I'M A REVOLTING FUCKING MUTANT LOWBLOOD FREAK THAT I'M SUDDENLY NOT ALLOWED TO LIKE THE IDEA OF MY LIFE MEANING SOMETHING AT SOME POINT?

TG: okay you are wildly misquoting me where the fuck did that come from

TG: also you scared the hell out of me

TG: im just trying to science some pizza here

====================

CG: OKAY THEN, DAVE! EXPLAIN TO ME AS WELL AS YOUR AMBLING ONE-NOTE SMOOTH EXCUSE FOR A 'THOUGHT'SPONGE CAN

CG: IN SOMEWHAT COHERENT TERMS, ALTHOUGH I KNOW THAT'S A TALL ORDER:

CG: HOW YOU SAYING MY ADOLESCENT DREAMS OF BECOMING A THRESHECUTIONER ARE "FUCKED UP AND IRONIC IN A NASTY ASS WAY" DOESN'T QUALIFY AS UNDERHANDEDLY KICKING ME IN THE MANDIBLE PRONGS!

CG: YOUR AUDIENCE AWAITS YOU WITH BATED BREATH! TAKE IT AWAY, M.C. BRAIN HEMORRHAGE.

====================

TG: okay i dont

TG: know how you got a hold of that phrasing because i said that shit in confidence

TG: get out of my business bro

CG: NEWSFLASH, ASSHOLE: THIS METEOR IS A PHYSICAL, LITERAL LOCATION WE'RE BOTH IN. IT'S NOT A FUCKING PRIVATE CHATROOM. THIS MIGHT BLOW YOUR PITIFUL MIND BUT PEOPLE CAN ACTUALLY HEAR OTHER PEOPLE TALK WHEN THEY HAVE TO SHARE A SPACE! BRO!

TG: ugh

====================

CG: AND IT'S VERY INTERESTING YOU ACCUSE ME OF MISQUOTING YOU, AND THEN SUDDENLY TURN AND SPOUT FROM THAT SHITTY DRONING GROANSHAFT OF YOURS THAT I'M INVADING YOUR PRIVACY WHEN I DIRECTLY QUOTE YOUR SMARMY LITTLE SHAMEGLOBES!

CG: WOW! TURNS OUT KARKAT IS ACTUALLY BEING GENUINELY FUCKING UPSET ABOUT SOMETHING — WHO KNEW, RIGHT? WHO WOULD'VE GUESSED THAT I ACTUALLY HAVE GENUINE COMPLAINTS TO LEVEL AGAINST THE PEOPLE WHO GO SPOUTING HOOFBEASTSHIT ABOUT ME BEHIND MY BACK TO THEIR ECTOSIBLINGS?

TG: no dude can you shut up a second

CG: I MOST CERTAINLY FUCKING WILL, THANKS FOR THE OFFER! I'M NEVER TELLING YOU A GODDAMN THING AGAIN, SO I HOPE YOU MANAGE TO GAIN SOME WRINKLES TO THAT VESTIGIAL FLAWLESS ORB FLOATING AROUND IN YOUR CAVERNOUS NUGBONE FROM ALL THIS. I HOPE IT WAS WORTH ALL THE EFFORT ON YOUR END.

TG: listen!!!!

====================

CG: MHM! MY AURICULAR CHAMBERS ARE WIDE OPEN!

TG: jegus

TG: okay

TG: i have no defense for my literal phrasing but how expeditiously did you shadowstep the fuck away after i said that

TG: because that is some shrek tier "princess and ugly dont go together" level misrepresentation of my sweet self

TG: like if this wasnt obviously a heated platonic argument we were having i would probably be digging what the reference even if it was a shitty trope

====================

TG: i just

TG: have been thinking about some things and none of those things have got an iota of a thing to do with you or your blood

TG: thing

TG: man

TG: i dont know why you think id be so pressed about your vein juice its like

TG: a normal ass color for a normal ass guy

TG: and obviously it was a major fucking deal from how you talk about it but it doesnt need to be anymore

====================

TG: the thing is i just dont like have the same attitude as you about fighting and stuff and thats not something i am getting into right now but i am gonna make it expressly clear

TG: that its just kind of fucked up for me to sit my ass down and listen to someone spew gold and medals and confetti colored shit going googoo all over tall and loathsome ass bloodletters he never knew

TG: and have him tell me he wants to be the best guy at combat since samurai fuckin jack

TG: and thats my capital B business believe me the emphasis is there

====================

CG: SO IS THIS ABOUT ME WANTING TO BE PART OF SOMETHING YOU DON'T AGREE WITH? BECAUSE THRESHECUTIONERS DON'T EVEN FUCKING EXIST ANYMORE. I LITERALLY COULD NOT DO THIS IF I TRIED AT THIS POINT, SO YOU CAN UNKNOT YOUR “KNIGHTY WHITIES” ABOUT IT.

TG: being anti-military is not my point but damn if it isnt a thing thats probably true anyways so good job sleuthing that out

CG: WHAT IS YOUR POINT, DAVE.

TG: bluh

TG: i just said i dont wanna talk about it man

====================

CG: OKAY,

====================

CG: OKAY.

CG: I MEAN. IT FEELS KIND OF IMPORTANT TO THE CONTEXT OF THIS WHOLE UNAMBIGUOUSLY PLATONIC ARGUMENT WE'VE BEEN HAVING

CG: WHICH I'M RELIEVED WE AGREE ON BY THE WAY

CG: BUT IF YOU DON'T WANT ME TO KNOW I'M NOT GOING TO WRING IT OUT OF YOU. IT'S FINE.

====================

CG: …IF YOU DECIDE AT SOME POINT THAT YOU WANT TO TELL ME THOUGH, MY RUMBLE VESSELS ARE STILL OPEN.

TG: i swear youre making those up on the spot at this point

CG: I'M KEEPING MY LANGUAGE'S ART ALIVE, DAVE. IT'S BASIC DECENCY TO THE PLANET THAT RAISED ME.

TG: heh

====================

TG: yknow we got these things called anatomical snuffboxes

TG: its got that right amount of vague nose wrinklage to it that i feel like youd be right at home saying that

TG: snug as a grub even

CG: WHAT PART IS THAT???

TG: its that little weird bone bit that sticks out on the back of your palm when you flex your thumb right

====================

TG: look

CG: HUH. LOOKING AT THAT IS KIND OF WIGGING ME OUT.

TG: yeah its kinda gross rose told me about it

TG: but anyways

====================

TG: are we cool

CG: I MEAN… I GUESS SO. YOU WEREN'T ACTUALLY INSULTING ME, RIGHT?

TG: hell no dude never

CG: OKAY. I COMPLETELY RESCIND THE MYRIAD OF WAYS I JUST INSULTED YOU. AND I'M SORRY.

TG: nah i know its just fluff at this point

====================

CG: I STILL DON'T APPRECIATE YOU TELLING ROSE THINGS I SAY TO YOU IN CONFIDENCE. THAT WAS BETWEEN YOU, ME, AND MY NOW NON-EXISTENT HOME PLANET ROTTING AWAY TO A CRATERED GRAY HUSK IN ANOTHER DEAD UNIVERSE.

TG: i swear that was like the only thing its just that she gets it and i cant keep my mouth from going on about the gettable stuff

TG: they call me the babbling brook the way my flows so audible

TG: i wont do it again

CG: NO,

====================

CG: I GET IT HONESTLY.

CG: I'M BASICALLY THE NUMBER ONE PROPRIETOR OF AIRED GRIEVANCES IN ALL OF PARADOX SPACE AND THEN SOME, AND I'D ALSO BECOME ITS BIGGEST HYPOCRITE IF I HELD IT AGAINST YOU.

TG: thanks

TG: but i mean

TG: at the gigantic risk of sounding uh

====================

TG: ………..

CG: ?

====================

TG: well

TG: i kinda just think youre better at being a guy to chill out and watch movies with than a guy to tangle fists with

TG: and i dont think theres anything wrong with being that

TG: i think its cool

====================

CG: …THAT'S AN ALARMINGLY BRAZEN OBSERVATION TO MAKE OF SOMEONE YOU'VE KNOWN FOR ABOUT THE SPAN OF SEVEN SEASONAL EQUINOXES, DAVE.

TG: i dont know what that means but it sure is probably

CG: AM I ALLOWED TO ASK WHAT EVEN GIVES YOU THAT IMPRESSION????

TG: i just got that inkling about you man

====================

TG: and you can do whatever you want with that info

TG: throw it in the load gaper or whatever if you want i dont really care

TG: give it a swirly and slam it in a locker call it a nerd break its glasses whatever

TG: but beyond this whole lord english thing weve got going on i am pretty content to never aggress my fellow man slash alien slash monster again if i can help it

TG: i think thats pretty fair given what thats been like so far

====================

TG: and yknow its cool to have some company when im waxing emotional over the narrative depth of click starring adam sandler which we are watching next by the way

CG: UGH, FIIIIIIIIINE. JUST TO MAKE UP FOR CALLING YOUR THINKPAN SMOOTH AND SUPERFLUOUS.

====================

TG: score

TG: we should argue all the time

CG: SNRK

[araminakilla]

Regarding Death Wolf...

Hear me out (NO, it's not the kind you are thinking)

We know Death has a job, right? To collect souls and most likely release them to the afterlife.

And for this job, he has to be there when somebody is about to die, as demostrated with him being there moments before Puss' eight death.

Supposing he is THE Death and he has been doing this since the beginning of time (or at least when there were enough stories of the Grim Reaper to adquire a physical form) that means he has seen a lot, A LOT of awful things.

Murders, suicides, massacres, death of infants, people who didn't deserve to die alone, animal cruelty, some other heavy stuff I won't mention here, etc etc etc.

And we thought "man, how is he able to cope with all of that? That job has to be utter torture for someone."

Probably many of you could think that he is able to do that because he is Death, and he was "born" with that purpose and only him can reap souls perfectly.

But while he is a force of nature, he also WAS a force of nature. Let me explain it well: He adquired a personality enough to be angry, excited, frustrated, amazed, happy, among other emotions.

While he has supernatural power and is most likely the most powerful being in the Shrek Franchise (or in Dreamworks as many say) he is also a PERSON.

Someone with a code of honor, morals, opinions, beliefs, etc.

Returning to the question "How can he bear all of that?" taking into account he is no longer an inevitable force, but a character of his own.

The answer is something you may relate to, and that is: Creativity and escapism.

To be the embodiment of Death, the guy is a very creative fella.

First of all, his design. I heard many people saying here and in Twitter that his design is something they would come up in their edgy, teen years of drawing their first fursona.

Guess what? They are right, the wolf form is someone's fursona. It's DEATH'S fursona. He clearly came up with this badass, piercing canine form to blend with the Fairy Tale Land assuming the form of the "Big Bad Wolf". He most likely had other forms he designed over the centuries and was able to present as them like if he were on a role play game in the living world.

His sickles? The weapon of choice with the little crossed cats on it to have a bigger effect of terror for Puss? Those who can become knuckles and join to create a scythe? Those are his creation, probably after thinking it for a while and writing all of those functions on a paper.

The way he presents himself? In the bar? The coins in his eyes as a "watching you" sign while being a cool reference to the Ferryman of souls? He transforming Perrito's forest into the background of a skull? The chilling reveal at the Cave of Lost Souls? The fire ring? It was all him.

As for the escapism part...

When the world becomes too heavy to deal with as real life issues tend to make us feel bad, depressed, angry... we tend to escape it somewhere. And in our time the common place would be the internet as in webpages or comics, stories, etc.

But what has to do with Death Wolf you may ask?

Well, while he would NEVER be able to escape his job entirely, he can have moments where he can enjoy a good hunt of people who don't appreciate life, like the whole plot of the Puss in Boots sequel could demostrate.

He managed to have a little time outside his eternal routine to chase an arrogant cat who took life for granted. He enjoyed it, it was thrilling, it was exciting.

It was a way to escape a monotonous, grim "life", if just for a short moment.

So, when the chase ended as his prey no longer feared him and now was ready to fight for his last life, the wolf retreats, happy for Puss' character development but resigned because he once again had to return to "The Eternal Duty"

And that's not even counting all the times Jack "I'm dead inside" Horner had to interrupt Lobo's hunt and remind him of his job even in his "spare time"

Death knew the chase had to end eventually, but he didn't want it to end.

He didn't want to return to his own world

And if we look at Death like that, then he is probably one of the most relatable characters Dreamworks has ever make.

In the Shrek Franchise:

Monsters can be loved

Princesses don't have to fit the perfect standards of beauty

Handsome guys can be possesive jerks

Love at first sight doesn't work like one would think

Happily ever afters had to be built and not just obtain them with magic

And Death is the most creative and "full of life" being in the world

Because he would absolutely go crazy with his life/work if he wasn't.

Because in a world of Kings, Poets and Soldiers, he's the Supreme King

And he's also a perky goth but none of you are ready for that conversation.

[bugsinapocket]

Hello there! I’d like to introduce you to my newest project:

My Little Hermit!

Two of my hyper-fixations decided to merge and create this cute little AU! Mostly based off of season 10 and the hermits personalities- I wanted to give a shot at creating pony designs for them.

More information and singular reference sheets below the cut!

First up we have Joel!

Joel is a Changeling; I’ve always seen him as a bug and I like to change his Shrek ears into antenna! Changelings are the bugs of the MLP universe, so I thought it it. I decided to make him reformed because of the colour palette. I’ve always seen Joel as somebody with a very vibrant and bright personality; and he tends to use eye-catching colours in many of his builds. Vibrant, bright, and eye-catching are all words I would associate with the reformed changeling colour palette! They use very vibrant colors, and I think it suits Joel quite a lot.

Next we have Skizz!

Skizz is a Pegasus pony for a few reasons! I’m trying to base the pony designs off of the content creators’ personalities and building /gaming styles- but I’m also taking the more popular fanon designs for these characters into account as well. Many people draw him as an angel. I also see Skizz as somebody who is incredibly sweet and is constantly trying to lift others up, and with a pair of wings, he could do that literally! So why not!

Then of course the lovely Gem!

Gem was a little harder to pinpoint, since I’ve only recently started watching her videos, but since I’m also trying to base these designs off of their season 10 aesthetics- I decided to make her a hippogriff! In the MLP universe, hippogriffs are creatures that can transform into sea ponies using a magical necklace (this is shown explicitly in the movie). Since her base for this season is based on dredge and fisher/pirate aesthetics, I decided to make her a hippogriff to give her that advantage when it comes to terraforming her underwater section of the base. I also think that her little fishing rivalry with Grian could be funny if she could literally transform into a fish.

And last but certainly not least; Impulse!

Impulse is a unicorn, partially to be parallel with Skizz- but also for his ability to create magic with Redstone. I considered making him an earth pony for his feeling of stability and competence, but it didn’t feel quite right. So unicorn he is! His cutie mark is his signature "i" symbol that's lit up like a redstone torch.

AND YES I MADE A LOGO. I HAD TO. I COULDNT NOT DO THIS.

I hope you enjoy!

[fantaatix]

a stolitz post? in the year of our lord??

warning this is genuinely a long ass post

okay so sometime last month i was watching 3bskyen’s JLMW reaction (really tells you how long i’ve actually been cooking this post), and he was talking about color theory or something but what caught my attention was that he was paused on THIS frame:

he said something about the red/blue contrast throughout the music video; red being symbolic of blitz (the moon) and blue being symbolic of stolas (the ocean (?)) and it got me thinking, i wonder what the gold might symbolize? because this definitely isn’t the first time we’ve seen the color gold in reference to stolitz. first think back to truth seekers, there’s gold in quite a few places

golden rails, golden feathers, golden shackles; this is why i say gold and not yellow. at first i thought it might be symbolic of the power imbalance, but that’d be too easy.

quite the selection of objects, isn’t it? rails imply safety but can also be restricting, the feathers seem harmless but then turn into shackles…possibly reminiscent of the nature the book deal and the role it actually played in blitz’s mind about his relationship with stolas.

but there’s one more thing i left out; the golden dust

...okay...don't laugh...

first time i saw this scene in truth seekers i was immediately reminded of shrek ever after

AND I’M NOT COMPARING BLITZ TO RUMPELSTILTSKIN, i’m not trying to imply they stole from shrek ever after, THAT'D be a stretch. if anything blitz is better compared to shrek himself, but i'm not gonna write about that because i Don't Want To

but if i’m remembering correctly, that movie revolved around the theme of taking good things for granted, like your partner and your friends, which aligns pretty well with how blitz’s bad trip ends:

“i believe your subconscious is trying to tell you that you simply cannot fathom proper intimacy, but also craves it as well. it’s rather unfortunate, sir, considering it’s often how you treat those who stand by you, such as myself. are you worried i may have enough of it one day, as well?”

"you cannot fathom proper intimacy."

blitz doesn’t know how to be close to other people–i don’t think he understands the relationship he has with any of the people in his life.

we still don’t truly know blitz’s full belief on love and we can only deduce it from his actions; he says monogamy is boring but then goes on to stalk his monogamous employees, on their anniversary no less, bringing along his own singular date...

he focuses on the sex in his relationships because that’s what he’s good at; he finds sex less complicated than romance... and then struggles to get his asmodean crystal to open a portal because he can’t get it off.

he has this recurring pattern where the title of “best friend” eventually turns into something else, often unrequited...

“...my first ever friend!”

he didn't expect stolas' intimate attraction to him. stolas made the connection and it succeeded in making blitz feel guilty about stealing the book; that was why he stayed the night. blitz isn't used to not being rejected, even though he has a record of relationships that stopped once the Evil Four Letter Word came up. when he goes into a relationship, blitz has learned to not expect it to evolve past sex. love has negative connotations to him.

the worst part is we don’t know for certain WHY any of this is, or if it can even be chalked down to a singular thing

yeah, his mom died in a fire blitz caused, his best friend/crush lost his limbs in a fire blitz caused, he’s been treated as property since a young age; you can makes all kinds of correlations between these events and how they might have affected him later in life but as it stands now, we have no concrete answers other than the conclusion that blitz hates himself and has commitment issues.

but back onto that “taking things for granted” tidbit–subconsciously, he knows relationships can be good, but he feels he has to give up a lot of freedom in order to maintain one of his own.

also note how blitz is desperately crawling up the staircase, feathers kind of just hitting him haphazardly as he does so, as opposed to trip!moxxie who takes a few steps up after picking up a feather of his own volition. he knows moxxie’s relationship is more stable than any relationship he’s ever had, and yet:

“stop fucking talking, all of you!”

cue the gold dust.

now, i'm not saying the book deal was a good thing. in fact, it kind of reinforced the power imbalance between blitz and stolas. i'm saying that from blitz's perspective, it was a safeguard. any feelings he might have had for stolas before could be dismissed, and he does exactly that one episode prior;

"it's a transactional fucking, you see..."

what i think he does take for granted is the advice “moxxie” gives to him, his attempts to reach out in a meaningful manner, kind of like stolas’ attempts to reach out. he ignores them both; he’s too deep into his own denial.

also, STAIRCASES IN THIS FUCKING SHOW.

why do these fruity little men think so low of themselves and so highly of others??

i guess that's a bit of a rhetorical question, we all know the answer, but. wait. hold on a sec

ohhhh.

OOOHHHH, that's what this post was gonna be about!

i fucking GOT all of you, you thought i could go a post without talking about him you're WRONG and should feel SILLY.

so this was the OTHER thing i realised when watching 3bskyen's JLMW reaction: it follows the same theme as moxxie's bad trip!

JLMW vs. moxxie's bad trip

in helluva boss, we're used to seeing staircases being symbolic of a difference in power or importance, or a staircase to heaven, or a highly anticipated event going wrong *cough cough ozzie's cough full moon cough cough*

however, i think in the context of moxxie’s bad trip and JLMW, it can also be attributed to emotional distance. like stolas, moxxie's also looking for an emotional intimacy/understanding between him and blitz (he spends his whole trip actively trying to get on the same level as him for crying out loud).

this could also fit into blitz's bad trip; he's trying to get on the same level as stolas, but feels like even if he ever did, he'd still be inherently worthless. a "play thing".

he doesn’t know why anyone would want him for anything else, but he’s clearly not all about the hierarchy.

they need to get on the same level as each other emotionally; they need to break the power dynamic, and thats why the book deal had to go.

the difference in the symbolism is that while blitz has a straight and narrow path to trip!stolas, moxxie’s path to trip!blitz is this winding, unguarded staircase. he almost falls off.

now, compared to both of those, stolas’ path is a fucking stroll. albeit an emotionally damaging stroll, but it takes less physical strength.

conclusion; stairs are symbolic of a difference in power, but gold is symbolic of something else.

and there is a power dynamic between moxxie and blitz. it's not like stolas and blitz's dynamic, it's an artificial imbalance; blitz is the boss, moxxie is the employee. and moxxie has his own inferiority complex, which i think plays a role in it too.

the imbalance between stolas and blitz is kind of, unfortunately, inherited. but it's not impossible to manage. of course, stolas doesn't care about where blitz is on the hierarchy, he doesn't care about the hierarchy period. but it's still there. blitz cares because it affects him.

"you will be technically under his jurisdiction, but..."

this was problem one. stolas unintentionally demonstrating his power over blitz. "surprise, i technically made you someone else's property! please love me!" i'm exaggerating but this is definitely not the kind of thing you spring on your partner; they needed to talk about this beforehand, but according to stolas:

"no need for an arrangement, it can just be him and me!"

sigh. the many different ways this night could've gone

this is enough to trigger blitz's fight or flight. he wants to be with stolas, but he doesn't want the freedom to choose to be with him, which is problem two:

because blitz's belief of love is so inherently fucked up,

what are the chances that the very thing stolas gave to blitz to reaffirm his free will was just interpreted as another shackle?

blitz doesn't do commitment; stolas doesn't say "i love you", he doesn't need to. if you love something, you let it go, and if it comes back then it's yours--which happens in the very next episode.

blitz is the first person to mention love.

but if they want to love each other, they have to be equals, which was why the book deal had to go. they can't hold each other to these super high standards because that'd just set themselves up for disappointment. they have to be on the same level.

tldr: they're two sides of the same coin. literally!

color theory for dummies, a brief intermission

fun fact: i actually didn’t learn color theory in an art class, but in a textiles class. we love american education. but anyways, i’m gonna ask you to draw your attention specifically to the complementary colors.

we start the chorus of JLMW in a purpley sort of place, which then shifts into gold, and then into the red/blue contrast.

except red and blue aren’t complete opposites, they’re both primary colors.

if they wanted complete opposites, they could’ve used red and green, or blue and orange, which are admittedly uglier combinations but the point is that stolitz aren’t complete opposites.

however, purple and yellow, or gold, ARE complete opposites; they’re complementary colors. if purple is implied to be symbolic of stolitz together, then could gold imply stolitz apart?

well…no. i think that’s the wrong angle. if they wanted that contrast, they could have left the gold out entirely, because red and blue separate is stolitz apart.

so how are we supposed to deduce what the gold is actually symbolic of? because no, i don’t actually think it’s an extended shrek 4 reference. that kind of exclusively pertains to blitz’s trip.

listening to the lyrics in the gold part;

This unspoken contract

A deed we forged for mutual gain

If that's all this was when you're not here

What is this rooted pain?

I don't care that you're of lower station

Or primed to sate my dark temptations

Why can't you understand? Let me explain

And I'm terrified as I cry

To make these feelings true

What's left for me and my broken heart

If I cannot have you?

a direct mention of the book deal…and another mention of the power imbalance…so i realize am starting to sound insane, but please hear me out.

i think the main theme of helluva boss IS learning to love in spite of damages and traumas and insecurities–not ignoring either of those, but learning to work around them or possibly heal those parts of yourself so you can love someone else effectively. learning from mistakes.

so what if the gold is symbolic of the simple desire of a mutual understanding? or a meaningful connection with someone else?

tying it all back together somehow

both moxxie and stolas want to connect with blitz (in different ways), but for stolas, that means severing possibly the only thing connecting them thus far (the book). for moxxie, that means climbing the staircase and possibly being pushed even further away.

moxxie also has this high opinion of blitz despite all his obvious (and not so obvious) flaws. i think it's partially because of his own inferiority complex, but to him, blitz is the phantom--his scar becomes the mask he hides behind. he knows blitz puts on this loud, crude personality to hide his cracks and keep others away, and has a scarily accurate portrayal of him in his mind.

moxxie wants to be on the same level as blitz, and he knows it's possible to get there, because he's a damaged character himself and he gets it. he's just yet to take the actual first step.

stolas, even in his own imagination, doesn't think it's possible to be emotionally intimate until the deal is broken. he could reach for blitz, but blitz wouldn't reach back. he's not looking. not to mention the literal celestial view he has of blitz in his head.

while stolas can see blitz's damage, he can't fully comprehend it yet, partially because blitz won't give him the chance and partially because stolas isn't damaged in the same way he is. they both had deadbeat dads, but they adapted in different ways.

that's just the way trauma works, you adapt to deal with it, and then have to unadapt those unhealthy coping mechanisms once you're finally safe. it just takes a while for people to realize they're actually safe, and these fruitcakes are no exception.

conclusion? uhh, i don't know, i guess i don't really have one. just. enough with the discourse about these bitches i guess??? just give them each some time, change takes more than two seasons.

i guess i could compare the way the songs are set up but this was supposed to be out like two days ago and it's already 11:45 so. maybe some other time, maybe in a post about moxxie's Interesting taste in musicals

was unfortunately unable to finish the mox vs. fizz masterpost this month but we'll see sometime in the coming months, maybe sometime after the next helluva short comes out. been a bit too busy with school and other social things to have time writing these long asf posts about my skrimblos

okay goodnight o/

[raven-at-the-writing-desk]

Twst in “ The wizard of oz” ( a shitpost)

Yuu as Dorothy ( obvious choice)

Grim as Todo

Ace (or Deuce) as The Scarecrow

Ortho as The Tin Man

Epel (or Jack) as The Cowardly Lion

Vil as Glinda (He would look pretty in her dress)

Azul as the Wicked Witch of the West

Jade and Floyd as The Flying Monkeys

Crowley (or Idia) as the Wizard himself

And the rest of the cast are the munchkins

( let me know what you think of the cast, and who would you choose to cast here)

I uh 💀 recall being forced to watch Wizard of Oz once as like a 7 year old, so my recollection of it is vague at best 💦 I did refer to its Wikipedia page to summarize the story and characters to me, so hopefully that’s enough to get an understanding of this prompt!

My interpretation would be:

Yuu as Dorothy and Grim as Toto! The obvious picks ✨

Expanding Team Dorothy and co. to create novel roles so each of the first years can have a part in the journey; I very much like the idea of the first year friend group!

If we’re sticking with just the Scarecrow, Tin Man, and Lion… I’d choose Deuce for Scarecrow (since he is objectively the less intelligent between him and Ace). What Deuce would gain at the end wouldn’t be smarts, but rather the understanding and the acceptance that he’s stubborn and simple-minder, and that’s his strength. This would be similar to how Deuce unlocks his UM in book 5, by embracing his true self.

Jack would be my pick for Lion (since he is more beast-like). Additionally, Jack had to deal with finding the courage to stand up to the rest of his dorm, including the dorm leader, in book 2.

Vil as Glinda works, but I can also see Azul playing Glinda in a sleazier manner befitting the shadiness of a used car salesman. I just think that juxtaposition between how kind he looks and his real attitude would be hilarious (think of like Fairy Godmother from Shrek 2).

Back to the idea of Vil as Glinda though, he’d totally kill the look!! I think it would be funny if the ruby red slippers that bring Yuu home are the crimson Ténèbres brand mirror heels 👠👠 mentioned in Jade’s Dorm Uniform vignettes (a highly exclusive shoe that even Vil dreams of but finds it hard to get his hands on). RIP Yuu though, having to walk to the Emerald City in those…

Azul and the twins work as the Wicked Witch of the West and her Flying Monkey (Flying Fish?) henchmen. However, I can also see Malleus and Sebek + Silver in these roles since Malleus is TWST’s poster child for “villains”. He’d be mad that you killed his mother—/j

I can kind of see Idia as the Wizard since they’re both mysterious shut-ins, but I feel Crowley is more befitting since he’s the one constantly promising to find Yuu a way home. Crowley also works better since the Wizard kinda pep talks the Scarecrow, Tin Man, and Lion about how they had the traits the most wished for all along. It seems like the kind of corny thing he would spout to try and convince his students to be friends. The enigmatic headmaster who loves shiny things and oversees a school that looks great from the outside but is constantly dealing with traumatic events on the inside… Doesn’t that kind of man fit the role of someone who lives in the shining Emerald City made of smoke and mirrors?

SHORT KINGS RIDDLE, LILIA, AND EPEL SHOULD BE MUNCHKINS… (Riddle and Epel would be mad about it, but Lilia would have fun with it and ask the others if they think he rocks the outfit.) This is only, of course, if Epel is not already a part of Team Dorothy and co. as a new character and/or if Lilia is not already serving as one of Malleus’s minions.

The Seven Dwarves and Cheka should be included among the Munchkins.

[just-a-ghost-named-echo]

Pet names I would call twst boys

This is only the heartslabyul boys rn

Riddle Rosehearts:

✦ Dear. I know it’s a simple choice but I think it’s still regal and it still fits him.

✦ Darling. Again, simple but it’s something that won’t make him question my sanity (dw guys Ace gets those pet names)

“Darling, you didn’t by any chance collar grim, did you?”

Trey Clover:

✦ Sweets. See it has to be something with desserts because let’s be so real here, I would only ever call him by a petname like that when I want something

✦ Baby girl. Now, I’m not a Trey girly, but I would call him baby girl. I don’t personally think he’s baby girl I would just like to see his reaction

“Sweets? Pretty please? For me? Nobody will notice if one brownie is missing anyways…”

Cater Diamond:

✦ Babe. But like I would only say it in like, a certain way. In a hollywood direction that’s lowkey kinda fruity but he’s from that one Barbie movie where they reveal that Barbie is actually an actress and is acting all the hit movies and that’s why she looks the same but that’s not the point of the movie. The guy that fires her actually.

✦ Honey. Similar to the other one except it’s like your hairdresser hearing about how you took your ex back after he cheated on you and he cheated again but he said he changed so you’re thinking about it

”O M G! Babe 🤪✨💅! Heyyyyyy!”

Deuce Spade:

✦ Honey. But not in the Cater way, in the way where I’m like running my hands through his hair after he’s had a bad day and trying to show him I adore him

✦ Dear. Idk I think he’s one that I could and honestly would grow old with and this petname is honestly timeless. (could also be Dearest)

“Honey? Oh my…what’s wrong? You wanna talk about it?”

Ace trappola:

✦ Shawty. It’s the Justin Bieber in him guys. All his petnames will be purely satire

✦ Pookie. Again. Satire but also because I don’t think they would understand any of the references I would make so they would just look at me like I’m crazy when I reference Shrek.

“But…Pookie…you promised you wouldn’t hu- oh wait you guys don’t have Shrek, do you?”

[sailforvalinor]

After seeing this post I was struck with a vision of how a Star Wars musical would work, so bear with me for a sec:

(Also please keep in mind that I studied theatre in college but NOT music, haha.)

The musical would be pretty dang long but would still be two acts, Act I covering the prequels and Act II the original trilogy.

I think it makes a lot of sense to give the musical an omniscient narrator (like The Narrator in Into the Woods or Hermes in Hadestown). The choice that seems to make the most sense is C-3PO (accompanied by R2-D2), but my vote is actually for Obi-Wan—though the story follows Anakin, he is the throughline for the tragedy and the one who probably experienced it the most personally and I NEED people to understand that, okay.

The musical opens with an introduction by Narrator Obi-Wan, and then launches into a 7-10 minute ensemble piece which covers the entirety of the events of Episode I, narrated by all the characters involved. I don’t want this to sound like the opening of Hamilton, but I don’t mind a reference or two (“how does a podracer, orphan, son of a slave and the Force (huh?) dropped into a forgotten spot in the Outer Rim by happenstance, impoverished, in squalor, become both a dictator and a martyr?” you get the idea). Qui-Gon makes a brief appearance in this scene and duets with Obi-Wan (in this instance I’m not sure if this should be a different actor? Probably, as it would make the transition into Episode II smoother, I just worry that it might be confusing) in which they bicker over Obi-Wan’s rule-following nature and Qui-Gon’s go-with-the-flow ideology. He then sings a section about the will of the force (maybe this whole song is called Will of the Force?) which is interspersed with interjectory melodies from the arrival of Jar-Jar, Queen Amidala and her handmaidens (the handmaidens are a mini-choir), and Padme (with the introduction of her theme), and this section ends with them running into Anakin. The rest of the song involves the introduction of Palpatine and his theme, and the only appearance of Darth Maul, and then the lightsaber fight ensues (fully choreographed) and Maul dies, then Qui-Gon dies in Obi-Wan’s arms (Narrator Obi-Wan looking on sadly), singing one last chorus of Will of the Force, something something “train the boy…it is the will of the Force” (Narrator Obi-Wan echoes “will of the Force…”), then the full ensemble sings one last big chorus, with Adult Anakin joining and then trading places with Child Anakin (a la Shrek’s Fiona). End of song.

Transition to Episode II. This is mainly going to focus on Anakin’s personal tragedy for the sake of time, so the galactic politics might have to get sidelined a little bit—BUT, this is important, after the opening number, whenever Palpatine is not on-stage, he is always sitting in a side balcony closest to the stage watching the events on-stage in full view of the audience. He’s the one pulling the strings, I want him to be LOOMING over the proceedings, got it?

It starts with Anakin’s “I Want” song, as he sings about how he wants recognition from the Jedi, recognition from the Council, from Obi-Wan, etc. We get the sense from this song about how he seems like a bit of an outlier among the Jedi due to his unusual circumstances.

The story proceeds. Narrator Obi-Wan now acts as himself in the story, switching between his role in the story and his narrator role.

Anakin and Obi-Wan probably have a bickering duet (a reprise of the Qui-Gon Obi-Wan duet? Probably. I’ll call it the Padawan Song). They meet Padme again, during which she reprises her theme. Her and Anakin’s romance plays out, they sing a gorgeous love duet, it’s wonderful, it’s beautiful, it takes part of the melody from Across the Stars, you get it.

These other things happen, though in what order I can’t decide:

• The Senate has a Senate Battle song, and the Jedi Council has a Jedi Council Battle song. Both songs very explicitly mirror each other.

• Palpatine has a theme that he debuts early on which he reprises in minor when he finally shows his cards to Anakin as a Sith Lord.

• Obi-Wan has a ballad about how he doesn’t know how to train Anakin, addressing both Qui-Gon and the Force.

• Qui-Gon makes a brief Force Ghost appearance when Anakin kills the Sandpeople (although I’m not sure how naturally this plot point can be incorporated? So I think this one’s a maybe. Qui-Gon appears when he does something evil, anyway.)

• Ahsoka is there because I said so (and her leaving the Jedi is instrumental to Anakin’s fall). They have their reprise of the Padawan Song in which it becomes very apparent that Anakin is trying to imitate Obi-Wan as a master at first, but fails miserably.

• C-3PO and R2-D2 have a song about their frustrations with having to hide Anakin and Padme’s marriage. 3PO sings traditionally, R2 sings entirely in beeps.

• The Clones get a fun song. Because I said so. Rex gets a solo. But this also means that they get a horrible reprise of their song when Order 66 happens. Because I’m evil. They also march through the aisles.

• The Ahsoka leaving the Jedi arc happens (though shortened/possibly altered for the sake of time), ending with a heartbreaking duet between her and Anakin where he begs her to stay. It ends with a solo power ballad in which she escapes the narrative at a cost.

We get to Episode III, all the main events happen as usual, evil Palpatine ballad and Order 66 as described above. Anakin’s turn is marked by a reprise of his “I Want” song overlapping with Palpatine’s song (the “I Want” turning into how he wants to save his wife), and as he succumbs he succumbs to Palpatine’s melody. Also, I want to somehow heavily imply that Palpatine is responsible for Padme’s death.

The fight between him and Obi-Wan is both a song battle and a physical one, the duet sounding like something from Jekyll and Hyde and interspersed with lightsaber choreography. It’s gut-wrenching. It’s goosebump raising, it’s beautiful. I would love the battle to rage through the audience, but that would probably depend on the size of the aisles and whether or not there’s danger of the audience getting bapped with a lightsaber.

The duel ends, probably ending on “you were my brother, Anakin…/I loved you” with Anakin burning on the ground. Obi-Wan then steps out of the scene, and turns to the audience as the Narrator, singing to us about the aftermath—the destruction of the Order, the reiterating the death of Padme (no worries we’re not leaving that offstage), his flight to Tatooine—but then he starts to sing about the twins, and we hear the glimmers of a hopeful theme that isn’t a reprise of anything we’ve heard before. But then the music darkens again. Obi-Wan looks up, and we see Darth Vader standing in the balcony behind Palpatine (now in his Emperor’s garb). The two stare at each other. Curtain.

ACT II. We open on Narrator Obi-Wan again, who is the same actor, now in a gray wig. Luke enters, and sings his “I Want” song.

Now, about Luke. I don’t have any particular ideas about vocal parts for anyone. But I HAVE to insist that Luke be a high tenor (maybe sounds a bit like Orpheus in Hadestown)—I want him to sound VERY vocally different from everyone else in this musical. His “I Want” song, while it should certainly have callbacks to Anakin’s, I want to be entirely his own, as a lot of his other songs are going to be reprises. He wants to fly, he wants freedom, he wants adventure in the great wide somewhere, etc. Luke is a typical teenager, but he’s also a delight and brightens any scene he’s in. You can SEE the Force radiating off of this guy. I am determined to make him your favorite character in this musical.

He meets Ben, they meet Han and Chewie (does Chewie sing? I don’t know?), etc etc. (Do Luke and Ben get a Padawan song? Maybe? I don’t know, I don’t want to overdo this one.) The Cantina Band gets a bit of a song, and Han gets an introductory song.

I’m unsure of how to do the Falcon as a setpiece, but like, it’s a thing. Somehow.

Leia gets a song, although I don’t have a lot of ideas on that front.

As they try to escape the Death Star, Luke, Han, and Leia have a bicker song (a la Into the Woods) as they run around, shoot Stormtroopers, swing over chasms (if it’s physically viable), etc. I would love to somehow work out the trash compactor but I don’t know if it’s possible.

We then get the Ben-Vader fight. (Vader is still played by Anakin, though I think his voice might be another actor, at least until he takes off the helmet.) It begins like the Padawan Song on Vader’s part, but Obi-Wan transitions it into their duel theme and they fight. The fight is more subdued and calculated this time (doesn’t rage into the aisles if it did originally), and of course ends as it usually does, with Obi-Wan letting Vader kill him, Luke screaming from a part of the set where he can’t get to them.

After they escape, Luke looks sadly for a long, silent moment where Narrator Obi-Wan used to stand. He then takes his place and his role as Narrator.

Narrator Luke launches into the story of how they destroyed the Death Star. I genuinely have no idea how to stage the X-Wings, but the number is an ensemble song between Luke, the pilots, Leia, Vader, and Han and Chewie flying in at the last minute. It’s great, it’s glorious, lots of light effects, maybe projections, it’s beautiful. Obi-Wan’s voice (offstage) sings to Luke to turn off the targeting computer (maybe to the melody of Padawan Song).

Luke narrates the events of the next few years.

Again, these things all happen in what order I can’t decide:

• Han and Leia reprise the Luke-Han-Leia bicker song, except without Luke there, it suddenly transitions into a love duet and they break off, confused. Later on the Falcon, they sing it for real and it ends with the kiss. When Han gets frozen in carbonite, they sing their song and the melody starts to drift into Anakin and Padme’s theme. Though it’s subtle, Vader is affected by this.

• C-3PO and R2-D2 have a reprise of their song, this time they are complaining about being saddled with the Death Star plans and being put in constant danger.

• No Wampa (sorry), Luke probably just wrecks, but he sees Ghost Obi-Wan. This is either done through bluish lighting, costuming, or a combination of both. When he encounters him again on Dagobah, Ghost Obi-Wan takes over as Narrator again, it’s quite triumphant.

• On Dagobah, Yoda is played by an actor with a puppet (like Milky White) as he is in all the previous Jedi Council scenes. He has his own kooky comedic song, and then he and Luke have a Padawan Song as he trains him, with Obi-Wan involved here and there.

• Obi-Wan sings a reprise of Will of the Force in which he tells Luke he has to kill Vader, which he of course he isn’t a fan of. The dark side cave scene? I want it but I’m not sure how it would work.

• An easily-dropped Stormtrooper song (doesn’t specifically echo the Clone song, but they march through the aisles in a similar fashion).

• A reprise of Palpatine’s song, in which he duets with Vader, and Vader unsuccessfully tries to hide the fact that he’s discovered that Luke is his son. Important note: up until this point, Palpatine has NOT been in the balcony, but he appears there immediately after this song.

• Lando gets a jazzy introductory theme!

• Luke and Vader have their own battle duet that MIGHT briefly harken to the Padawan Song when he tries to convince Luke to join him.

• …though I desperately don’t want to, I think I’m legally obligated to give Jabba a song. *siiggghh

• Luke and Leia have a duet when he tells her she’s his sister.

• The Ewoks should be there. I don’t quite know how to do it, but they should be.

When Luke confronts the Emperor (presumably on a raised platform with some significant height), Palpatine begins with his villain song, with Luke wavering with his “I Want” song, similar to how Anakin does in Act I. However, instead of succumbing to Palpatine’s, he refuses Palpatine and suddenly breaks into Padme’s theme. Vader is briefly shaken, but he attacks, and in the ensuing song battle (that again might rage through the aisles), as Luke (though he briefly dips out of it when Vader mentions Leia) harkens back to Padme, Ahsoka, and Obi-Wan’s themes, finally defeating Vader.

Palpatine then electrocutes Luke, there’s cool lighting effects. Narrator Obi-Wan looks expectantly at Vader. There’s a pause as Vader looks at his son. He sings a line of his and Padme’s love duet. Pauses. Sings another line, Vader’s voice is joined by Anakin’s. Sings another, louder, and then, with a cry of rage, throws Palpatine down the shaft (behind the setpiece and onto a mattress).

He then collapses, Luke rushes to him, Vader tells him to take off his helmet (in Vader’s voice), and Luke does, revealing Anakin, aged and scarred. In a broken voice, he sings a joyful reprise of his “I Want” song, all about his wishes for his children. He looks over at Narrator Obi-Wan. Back at Luke. Smiles, and then passes into the waiting arms of the Force.

There is a musical interlude as all of the set pieces are cleared offstage. Narrator Obi-Wan summarizes how the Rebels succeeded and the Empire fell. He looks offstage expectantly as the Ewok party assembles, and Force Ghost Anakin joins him. Obi-Wan gestures for him to take over, and after a moment’s hesitation and an encouraging nod from Obi-Wan, Anakin does, telling the fates of all our main characters as the party kicks into gear. He finishes with Luke, and at the sound of his name, Luke’s head snaps toward him and watches his father talk about him with a beaming smile on his face. They share a look, and then the whole ensemble breaks into the finale, a final reprise of Will of the Force, at first beginning with the characters at the Ewok party, but eventually incorporating all the main characters (including a Skywalker Family Moment). Narrator Obi-Wan is the last to join, looking back at the audience with a smile of true joy on his face before he does. Because, in the end, it wasn’t a sad song, and he’s gonna sing it again.

Curtain.

[flower-detergent]

I was supposed to upload this yesterday but i noticed i made multiple mistakes (used the wrong pronounciation for name and wrong font, etc) i went back and forth for like 4 times

Very shameless self-insert oc, i can't believe a game finally made me embrace my cringe side KJASNDSAJDA i hope it's fine to change the majors fun facts down below

Yes, the bold sentence is a shrek reference. it's their fav movie, can you tell?

Spring MC (somehow), she does not trust the test

Oftentimes gives acquaintances a small smile because they're told that their normal face is intense and unapproachable ever since they were young

Laughs like a dad, also the type that chuckles at everything

"Oh, I just think Jamie is attractive. It's not anything serious" -> "I might have a small crush on him but it's not that bad" -> "Omfg, I am head over heels for him. fuck." feels extremely guilty abt crushing Jamie esp knowing how uncomfy he is w attention

Thinks Jamie isn't that fond of them. (has the highest platonic points w him)

There's also gon be a full reference sheet i'll upload tmr, prepare yourselves (i spent 17 hours on it pls look *sobs*)

[ghost-of-diogenes]

I watched Les Miserables live! With a friend who knew nothing about it outside of the song One Day More

they didn’t expect so much death

referred to Les Amis as “the twinks”

thought Javert was hot and shipped him with Jean Valjean

referred to Cosette as Casenoisette and Casoupee

shipped Enjoltaire (they called them the drunk one and human Shrek, they thought the actor plying Enjolras looked like human Shrek)

also in this production when Thenardier sings “this one’s a queer, but what can you do,” instead he said “this one’s a queer, think I’ll try it to,” and swept a guy into a dip. They called this iconic, they are correct.

Enjolras and Grantaire were perfect.  The actor of Grantaire understood the assignment. So many yearning looks and his desperation to stop enjolras right before he dies. Grantaire last one alive then climbs the barricade finally and then is shot dead.  also he was close with Gavroche which made it really hurt when he died.

also the Javert bridge fall was done in such a freaking cool way it’s hard to explain. I know some of this is just part of the touring production, but it’s my first time seeing the show live since I was six.

Also Jean Valjean had the voice of an angel, but with his grey hair from a distance he looked like Connor Roy

[yusakiiiii]

New group nicknames!!!

I’m making a little fanfic when the Hermits (bar Xisuma for reasons) end up in the Life Series. I’ve tried to make new groups mostly to test out new dynamics and I’ve tried to give those groups names either made by other members or what fans would call them. Here you go:

Iskall, Stress and Etho — The Vaulters — Because having Iskall and Stress taught Etho Vault Hunters before, Etho is now teaching Iskall and Stress the Life Series.

Zed and Tango — A.S.S — Because the gimmick of the season they’re in in the fanfic is that each member has a power given to them, which is easier to do in a fanfic than in actual Minecraft. And I of course gave Zedaph the ability to make sheep levitate. Tango is along for the ride, trying to land in rivers after he hits build height on Flossy the third.

Beef and Skizz — Big Salmon — Because they moved over from Hermitcraft in the fanfic, they’re keeping the rivalries from the server and Beef wants to use the chance of a Life Series to mess with Doc.

Jevin and Gem — Slimestone — This name was coined by Skizz. He calls Gem, Gemstone. With that it’s just a simple portmanteau.

BDubs and Joel — BDubs and the Beanstalk — Joel’s power is that he’s 11ft tall. This name was also coined by Skizz and subsequently adopted by fans.

Ren, False, Hypno and Grian — Hearts, Arts, Smarts and… Farts. Or “HAS Farts” for short — Coined by Skizz, Ren said they were a pretty ragtag group and Skizz said, “You’ve got Heart” looking at Ren, “Martial Arts” looking at False, “Smarts” looking at Hypno, “and… Farts.” looking at Grian. Fans took that moment at they became “HAS Farts”.

Wels, Joe and Cleo — Soldier, Poet, King — The fans made this one up entirely. Joe and Cleo understand the reference and Wels is a bit confused by it.

XB, Keralis, Scar and Impulse — The Farmers — Definitely my least imaginative name, but three of them have powers related to farming in some way and Impulse is a Farmer type hermit in the HCTCG.

Doc and Mumbo — Shrek and Fiona — Doc just wants to work in his swamp and Mumbo goes to live with him. They get into nitty gritty Redstone together whilst trying to ignore Beef and Skizz.

Pearl and Cub — The Powvestigators — They go around trying to help people who haven’t figured out their powers yet, figure out what powers they have. Investigating powers, thus, Powvestigators. In doing so they also try to find out people’s weaknesses for their own gain under the guise of trying to help.

What do you think of these groupings and team names? Do you have any better suggestions? I’m all ears, the only one I will not budge on is HAS Farts. That group name is comedy gold.

[quantum27]

a lot of the mid 2000s (and even still today) post Shrek era of self aware fantasy films lack a crucial element of the Shrek universe and what makes that self awareness work. Now don't get me wrong I don't think every film that did this is bad. (For example, Happily N'Ever After is like technically a mid movie and does have some broken world building if you think about it too long, I think did this pretty well iirc)

What makes it work is that Not Everyone is Aware of Fairytale Tropes. For example the reason why Shrek is aware of them, is because he's shown to have actively read fairytales. Obviously we see this in the intro and the fact within his house he has a bookshelf. There's also some dialogue -

Donkey: Stairs? I thought we was lookin' for the Princess.

Shrek: The Princess will be up the stairs in the highest room in the tallest tower.

Donkey: How do you know that?

Shrek: I read it in a book once.

(Shrek )

Shrek, upon hearing the terms of the Happily Ever After potion:

Midnight, why is it always Midnight?

(Shrek 2)

In comparison, Donkey is NOT as aware of Fairytale Tropes. His experiences are usually all personal. This leads to him being surprised more often. Seemingly contrasted in the alternative timeline in Shrek: Forever After where Donkey is highly aware of the tropes in that timeline, while Shrek isn't. (Speaking of- Shrek doesn't know every single fairytale- not knowing who Rumpelstiltskin is allows him to be tricked.)

Puss on the other hand is super knowledgeable about the world around him and can point out the culture - likely due to his long term career as a thief, adventurer and assassin.

These varying levels of knowing fairytales and how they work isn't completely static between characters, instead varying.

Compare this to some of the other mid 2000 fairytale movies in which somehow, characters will be aware and mock tropes in the movies. Often more a fourth wall jab than anything else. Overuse of this leads to a weird fake feeling to the universe sometimes.

I just think this is a neat writing thing over all and another example of how Shrek as a movie series is able to have this world building feel clean. Similar to how you don't need to get its pop culture references to be funny. You don't need to know about the abundance of Starbucks everywhere to find the gag in the second movie of them running to another building across the street funny. That's another post entirely but yeah.

[kirbles]

assigning crocs to the BG3 origins/companions

astarion: christian cowan x crocs he'd never fucking wear crocs and i think he would kill me in any attempt to ask but if i am going to force them onto his feet they may as well be designer. he would look good in these imo!

lae'zel: roa x crocs these crocs are designed specifically for hiking. not only does bae'zel favour function over fashion, but these crocs also kinda look like her LMFAO. she would kill soooo many enemies wearing these in sports mode.

gale: lisa frank x crocs so full of whimsy! this is only half a joke. i genuinely think he'd enjoy how silly these look. maybe not advertise it, but definitely enjoy how comfy they are and hide them under his desk as he works. also i can't really think of lisa frank without thinking about those existential memes so like sorry the funloving nihilism is very gale.

shadowheart: christopher kane x crocs i just feel like shadowheart would be one of those spiritual girlies who collects rocks. she would look cute in these. it's so easy to lean into the more goth/emo look but i think these would suit her.

wyll: MCM x crocs my boy wyll is constantly on his feet, travelling all over the sword coast to save lives. he needs something simple yet practical, but also he deserves to look stylish too.

karlach: sweethearts x crocs you thought i was gonna go with something badass huh? something with flames? well too bad. karlach has such a big heart and so much love to give! i think she deserves the cutesy fluffy crocs. hopefully they don't singe too bad.

the dark urge: little big x crocs spooky white dragonborn rocks up to the bhaal temple drenched in blood and also wearing these. idk it just works.

minthara: disney's haunted mansion x crocs i'm biased because i own these and they slay. i think she would like the purple/teal colour scheme and the spooky wallpaper pattern. also: glow in the dark jibbits! underdark reference.

halsin: shrek x crocs just as the oak father intended.

bonus withers: pleasures x crocs