#also there’s a LOT more in this issue that’s interesting but. that’s for my other post

[ariessunsakura]

Disclaimer: I started writing my response to this in 2017 and found it in my drafts. I know the whole post is quite old at this point and I'm truly not interested in arguing with anyone or continuing any discussion here, but I decided I didn't want some of what I wrote back then to go to waste.

Back when I started writing my response to this, I was 21 and angry at the large swaths of the fandom insulting the intelligence of Sakura fans like myself. I still love Sakura and SS, but I don't have an issue now saying that men like Kishimoto writing dynamics like Sasuke and Sakura's is something that should be...looked into, let's put it that way haha. That being said, what I still find disheartening is seeing Sakura, very much torn down by misogynistic fans in a large, primarily male fanbase, also torn down or criticized for supposedly feminist reasons by people who are often just determined to dislike her for whatever reason or somehow clearly miss important details. Sakura was reckless and made mistakes and did questionable things, as did many other characters who for some reason draw less ire. Lots of double standards.

Just to reiterate something that's already been said many times, Naruto proves that pop culture aimed at boys should have carefully written main female characters. There is the blatant misogyny that's happened in this fandom that anyone can see. Meanwhile, certain specific fans in the Naruto fandom that I may or may not need to specify (lol) have acted like the gatekeepers of social justice discourse in the fandom when really they've often just been hypocritical and selective about the type of issues they apparently care about when it comes to how they manifest in pop culture, or at least in this bananas series. They've often been bystanders or apologists or worse to that blatant misogyny. In light of everything that's been going on in the world, I sincerely think we should be more careful about how we talk about female characters. So when people write supposedly feminist posts but say that Sakura is just the "female main character with her legs always wide open and ready with basically no standards or expectations" despite everything the story has shown us, I kinda hate it and don't think that's good or feminist at all. Back in 2017, I wrote: I'm sick of condescending takes about Sakura and her fans as though there's little about Sakura’s character or the end of her story that could or should possibly resonate positively with girls.

Again, I know the original post is old. I know that Kishimoto's writing deserves to be criticized and that Sakura made mistakes and should've been written more carefully and responsibly, but I still want to say my piece.

It's true that Sakura is insecure early on, but her feelings for Sasuke really have nothing to do with that. She doesn’t know that Sasuke is popular when she starts to like him, so her feelings have nothing to do with wanting validation.

She knows her worth as a ninja and among her loved ones by part 2. A lot of guys are interested in her, including ones she admires and cherishes (Naruto and Lee). She confronts Sasuke fiercely many times, even as a genin. She basically spent part 2 trying to save or fight or stop him, going so far as thinking she should kill him to protect the village. That's hardly looking for his validation.

And that's not even mentioning what we're shown rather than told about her feelings for him, which is a theme for them. It's often the nonverbal way they act with each other more than what they say.

Karin with her chakra sensing can tell Sakura's grief is genuine and that she must've known Sasuke well.

“There is nothing different or special about Sakura’s love.”

Kishimoto gives us Karin, whose love for Sasuke is written as different from Sakura’s. Karin enables some of Sasuke's destructive choices and ultimately gives up on him, while Sakura ultimately doesn't do either of those things. And we can hypothesize all we want about Ino or some other girl being no different from Sakura, but who's to say they'd have had the same chemistry with Sasuke personality-wise or otherwise, or mutual understanding? We see from inner Sakura and in other instances that she has parallel elements of Naruto's personality, so...yeah, enough said lol. And who's to say another girl would've known exactly when Sasuke would leave the village, unlike Naruto? I think these speak for themselves:

One of the themes of SS, asserted in Kakashi's 693 quote, is that it’s about Sasuke accepting love without an overt reason so he can heal. Love in real life isn't always rational, it's about passion and attraction and things that are unspoken and can't always be put into words, which I think is what Kishimoto wants to convey with SS. The emotion for Sakura in Sasuke's eyes is concealed from us each time he thanks her for a reason. Sasuke tries to make a show of not caring about any of Team 7 or having a reason to love Sakura, but is still clearly drawn to her despite himself.

He's proud of her in the middle of all of the chaos and strife. He can't help but react to her.

I think Kishimoto makes contradictions more than once in the series, maybe including with SS. Clearly he's made a point to write things that make Sakura special and unique in some way to Sasuke, but there's also the message that Sasuke should allow love in without rationalizing it.

Another theme for them and for other women in the story is stated by Shikamaru's father: Even the roughest woman is tender to the guy she loves.

"Sasuke has not singled her out. She doesn’t appeal to him or interest him. She doesn’t challenge him in any emotional, mental, or physical way."

I think all of the above indicates otherwise. She does challenge him and changes his behavior, least of all when he has his first taste of intoxicating power.

He says himself that he has to remove himself from her and Naruto's vicinity to accomplish his goals. I think the intensity of the genjutsu he puts her in mirrors the intensity of some of his fights with Naruto as statements of him forcing away his bonds.

Still, Kishimoto makes a point to include this theme that can also apply to Sasuke:

"...she doesn’t know him, she’s doesn’t understand him, she doesn’t even have a basic grasp on the concepts that are necessary for those things."

Not true. She works tirelessly to understand and learn everything she can, and it's just not her fault that she doesn't always know everything. It honestly doesn't matter that she doesn't.

Sakura gets a lot of heat for what she says when Sasuke leaves the village, but shows she clearly understands his pain later on when trying to reason with Sai:

Never mind that Sasuke isn't even angry at her for what she said when he left.

“Sakura was just afforded the opportunity of being the closest girl around and female main character with her legs always wide open and ready with basically no standards or expectations. But I think the worse part, the really bad thing about it, is it supports a Sakura never growing up(...)as the blind quest for Sasuke’s dick goes on forevermore. All the pathetic shit will forever be apart of her as she dusts a house for a husband who comes home twice a year, who has a child who feels neglected, and she is happy with her dysfunctional family because Sasuke-kun’s anything is enough.”

Anyways.

As for her family, Sakura is clearly distressed by Sarada's distress. Kishimoto inventing a task apparently only Sasuke can do leading to him being away from his family is questionable to say the least, but it's hardly the first time in the story that normal or expected standards maybe can't or don't apply. Never mind Kishimoto probably projecting his own sentiments about men's career burnout and sacrifice onto Sasuke and Naruto...lol

Sasuke treasures Sakura, there is no way around it.

I don't think anyone is saying Kishimoto's writing is always the pinnacle of excellence lol, and no one has to like Sakura or SS. But people should at least think a little more about what Sakura has meant to a lot of girls and how the story actually unfolds.

Just a Little Bit on Sakura and Sasusaku

You know what I think about Sakura? This is less about Sasuke and more about herself. See, as person who dislikes Sakura, I actually think that because I’m not biased with fanfiction interpretations that I have a better grasp of Sakura’s character than some people who love her. Sakura, despite her bravado, is not a person of real confidence. She has low self-esteem and very little self-worth. I think that part of the reason she is so hung up on Sasuke is its a sense of validation for herself. She was shy, friendless, unpopular, and overlooked as a child. She liked Sasuke, but even better, to be acknowledged by someone everyone likes, everyone admires, that would make her special. That would make her somebody worthwhile, right? Of course I do believe that Sakura does have feelings for Sasuke, but is she really in love with Sasuke the person, or is it the idea of him? That he doesn’t notice her or pay attention to her only makes this insecurity worse. Sakura is constantly angsting over not doing enough, not fitting in on her team, not belonging or being someone of necessity. As stated (in the only time she ever elaborates on her feelings) she is attracted to Sasuke because he’s attractive, talented, and “cool”. A person who personifies, in essence, everything she believes herself not to be. God, there’s so much to say about this really, but I’ll save it for later. 

It’s part of why Sasusaku is such an out of left field idea to me. Sasusaku shippers portray the ship as the exact same way that leads Sakura’s problematic behavior. They ship it because they love the idea of Sakura being the “special one” who is the exeption to Sasuke’s personality and his greatest weakness and is the “fangirl who’s different from all the other girls”, which is so irritating because she’s not. Sakura is the antithesis of these concepts. There is nothing different or special about Sakura’s love. There is nothing different or special about her as far as relating to Sasuke goes. As I detailed in my previous posts, she doesn’t know him, she’s doesn’t understand him, she doesn’t even have a basic grasp on the concepts that are necessary for those things. Sasuke has not singled her out. She doesn’t appeal to him or interest him. She doesn’t challenge him in any emotional, mental, or physical way. They’re not even close. What does Sasuke even know about Sakura, or understand about her? Sakura, as far as Sasusaku goes, has nothing different or special about their relationship or dynamic that couldn’t be done by any other generic fangirl. Absolutely nothing. Nothing that transpired between them is anything that wouldn’t have happened had any other fangirl been placed on his team. That’s really the only thing Sakura had going for her or that seperates her from, I don’t know, Ino. Do any of you Sasusakus honestly think that if Ino was on his team that he wouldn’t have saved her life? That he wouldn’t have grown to care for her as a teammate? That he wouldn’t have thanked her for caring about him? That he would have left her to die? Or treated her like dirt on the bottom of his shoe? Do you really think that these “Sasusaku proofs of love” aren’t just generic shit that would come with virtually any other teammate, and is actually something unique that would only be there with Sakura?

‘Cause see, that's my whole thing. Can’t say that about Naruto. I can’t say that if Kiba had been his teammate, everything about their relationship would be more or less exactly the same. Or Shikamaru. Or Chouji. Or Neji. 'Cause you see, the manga has shown me this. Its shown me the depth, the reason, the relationship, the uniqueness between the two. In fact, while reading this I bet you were thinking of how different the dynamics would have been between Sasuke and those male characters, because, surprise surprise, there is actually something substantial there that can’t be replicated and receive the same results. Seriously, replace Ino with Sakura and think of what would change in regards to Sasuke. Ino would have cared. Ino would have tried to stop him. Seeing as how there are no substantial moments of bonding or exclusivity between the two, there is nothing that would have happened that Ino couldn’t fill in for. Sasuke waxed lyrical about Naruto and how much he’s always loved him and the ways in which he enriched his life for two straight chapters while Sakura got no mention (except, of course, in the Team 7 picture where he refers to them as such). Sakura was just afforded the opportunity of being the closest girl around and female main character with her legs always wide open and ready with basically no standards or expectations. 

For fucks sake, Sakura literally has nothing to do with Sasuke’s character or story arc. Seriously, delete Sakura from the manga and tell me what about Sasuke’s person or journey as character throughout the story changes. Please. Tell me something that would have affected his plot if some other girl with healing powers were on his team.

I’m just saying, there is nothing inside of Sasusaku. Nothing at all. Kishimoto doesn’t give a fuck about this pairing (lol I don’t know how they got together I don’t want any SS in the pairings movie there wasn’t gonna be any in the Bolt movie either but the SS fans are complaining so I guess I’ll come up with something here have a family pic of Sasuke looking like he’s about to run away as soon as the camera flashes and a Karin lookalike child who feels neglected), and it cannot become more apparent how little actual thought goes into this ship. Its just a vicarious fantasy ship where Sasuke is standard shoujo angsty bad boy bishie and Sakura is “independent, normal girl who’s different from all the rest” which is pretty much the antithesis of these characters. 

But I think the worse part, the really bad thing about it, is it supports a Sakura never growing up. It takes all those things (the potential for self-reflection and learning to be a person who doesn’t need others to feel worth something) and throws it in the garbage as the blind quest for Sasuke’s dick goes on forevermore. All the pathetic shit will forever be apart of her as she dusts a house for a husband who comes home twice a year, who has a child who feels neglected, and she is happy with her dysfunctional family because Sasuke-kun’s anything is enough. I don’t even fucking like Sakura, but that anyone is defending that anything about what her character turned into is satisfactory and good is honestly some disheartening shit. 

[raven-at-the-writing-desk]

To add onto that Malleus popularity speculation, I think another major reason why that you never mentioned is the simple fact that characters of Malleus' archetype are just more popular in general in the west amongst working age women.

There are plenty of adult novel containing male supernatural love interests. Fae and vampire romance novels are still extremely popular amongst adult readers. A Court of Thorns and Roses is technically an ADULT novel, NOT YA. Even m|m supernatural stories even fall into this category with Stolas/Blitz from Helluva Boss being an extremely popular over here. That pairing is from an adult animated show. Stolas shares a lot of similarities with Malleus.

Hell, even if you step into western contemporary romance novels, the male love interest tends to be more brooding and angsty with flawed leads. Everything from classic literature like Jane Eyre to modern shit like anything Colleen Hoover writes. (Don't get it twisted. I'm NOT saying that Malleus is anything like those leads. Just using those very popular example of brooding bad boy love interests in adult contemporary fiction in the west.)

Meanwhile in East Asia, those sorts of leads tend to be geared towards teenagers. Working age women want a more stable, realistic love interest that would take care of them like Trey.

Westerners seem to prefer more complex, intense romantic relationships, where the stakes feel higher and the emotional payoff is more significant. They will naturally write Trey off as a "big brother" character instead of seeing him as a romantic lead material thanks to being more used to seeing characters like Malleus as the love interest in stories.

I could be way off base, since I'm not Asian and far from being an expert on Japanese culture, but that's my two cents based on my observations. This is also based on broad generalizations. Neither culture is a monolith.

[Referencing this post and (more specifically!) my speculation here!]

Oh, for sure 💀 I made a post a while ago talking about how Malleus (especially from the yumejoshi/self-shipping perspective) reminds me a lot of the new "Shadow Daddy" archetype that has emerged in the romantasy genre. I mean, just look at how many of the Shadow Daddy traits Malleus ticks off:

is a nonhuman being (usually fae)

500 yrs old (or at least several hundred years old or a significant age gap between the Shadow Daddy love interest and typically female main character)

looks young and hot/conventionally attractive despite the age

is OP (usually with shadow/night/darkness related magic)

is royalty or in some kind of position of power

dark hair and/or skin (sometimes both)

“morally grey” and/or has issues (you can fix him)

brooding

looks or is rumored to be intimidating but is actually lonely and misunderstood, with a heart of gold

animalistic in some manner (usually with bat/raven/dragon-like wings)

has a tattoo or some kind of bodily markings (Malleus has the scales under his hair; you could also count the OB facial markings I guess)

Outside of romantasy novels geared towards older teens (18-19) and adults, the west seems to really love brooding bad boys as love interests in a lot of its media. Something else I noticed is that the "good guys" or the "boy next door" types like Trey tend to be "the other man" in heterosexual love triangles, which miiight also explain why he gets looked over in the western fandom. (I discussed some of my own observations, which are similar to the points mentioned here, in the posts linked above.)

I wouldn’texactly phrase it like westerners preferring "more complex, intense romantic relationships [... with higher stakes and more significant emotional payoff]", as that unintentionally implies that there has to be brooding or angst in order for the story or character arc to be "good". I feel a lot of it actually depends on the execution rather than the tropes present. For example, I've seen many "Shadow Daddies" that exist purely for wish fulfillment rather than emotional or story/character complexity (which, to be clear, there's nothing wrong with if this is the kind of thing you enjoy!). Wholesome or "normal" romances also have the capacity to be complex, intense, high-stakes, and emotionally significant too! Again, it all depends on the quality of writing and what one's personal preferences are. You'll find outliers regardless of culture as well--as the asker has stated, no culture is a monolith!

[suzukiblu]

WIP excerpt for lottie behind the cut; “a pocketful of Kons”. (( chrono || non-chrono ))

Star chirps encouragingly at Stud and starts to glow with solar light again, and Stud peeks up hesitantly over Tim’s shoulder for a moment, looking–uncomfortable, somehow, but almost immediately dives back down at the sight of Charger still in close with Flash. Admittedly, the “whole-ass adult” thing is weird and uncomfortable, but Stud hasn’t been acting concerned about that so far, and previous behavior indicates that it’s more likely that Charger trying to engage with him was what made him nervous. Which is, again, not something Tim understands coming from the incorrigible flirt of a soulmate he apparently has, but still seems like the likelier cause of Stud’s reaction all the same. 

He’d really prefer his soulmate were more concerned about the age difference issue, considering, but apparently that’s not a thing.

So he's not sure how he feels about that, considering.

Charger coos in Stud’s direction, and Saffie and Singsong both make little cooing noises of their own, and Tim only just manages to repress the frown this time. They sound like they’re trying to coax out a skittery pet or a shy kid, not . . . 

Stud peers back up over Tim’s shoulder, still hesitant but a little less uncomfortable-looking this time, and Charger makes an encouraging noise and holds her arms open. Stud stares at her for a second, then bolts the distance between them and wraps himself around her. Given he’s Superman-sized and she’s Linda Park-sized–comparatively, anyway–it looks kind of ridiculous, but Tim’s just not gonna comment on that. 

Charger squeaks smugly, wrapping her arms around Stud in return and reaching up to ruffle his hair, and then chitters impatiently back towards the table. Saffie bursts into violet light and snatches up Singsong, and the two of them fly over together to pile on top of Flash’s shoulder and clutter it up. 

“Okay, sure, guess I’m the Pocket party place right now,” Flash says with a snort. Star very clearly decides that counts as an invite, because she chirps excitedly and immediately scoops up Cat to fly over with her too. She doesn’t try to bring Red along, but Red does not appreciate flying Air Star, so Tim’s not surprised by that one. 

That is a lot of Pockets all jostling for position on the very limited real estate of Flash’s shoulder right now, though. 

“That was a joke, oh my god,” Flash groans, leaning his head to one side to keep out of the Pockets’ way and half-lifting his hands as he very obviously attempts to figure out how to keep any of them from falling off him while also mostly-smothered in them. “Nightwing, oh my god help.” 

“Naw, looks like you got it, party place,” Dick replies with a snicker, and Flash shoots him a very accusing look. 

“Oh, he thinks he’s funny,” he says. “Listen, buddy, let’s see how you–” 

Dick cuts him off as brutally as possible, meaning he cuts him off by holding up Red to be annexed into the Pocket-pile on his shoulder, smiling blithely the whole time. The other Pockets all cheer excitedly and envelope her into their tiny crowd, chair and all. Flash shoots Dick a very accusing glare this time, which as an expression is a little bit undercut by Star sitting half-on his head and Singsong balancing herself with an arm around one of the lightning bolts on his cowl and dragging it down an inch or so to one side, mask and all. 

“Not sorry,” Dick says just as blithely. 

“You should be,” Flash says witheringly. 

“Mmmmm, naw, not feelin’ it,” Dick replies with an easy shrug, then flashes him a teasing grin. “Anyway, you’re doing great, man, you haven’t dropped anybody!” 

. . . actually, Tim thinks belatedly, that’s . . . weird, isn’t it. Dick isn’t really looking at the Pockets’ positions as he says that, but he is, and Cat and Red are both way too precariously-balanced to actually be managing the perches that they’re sitting in–and Cat might like to take risks, but Red isn’t interested in wasting time on impracticality. And Saffie barely looks like she’s even standing on Flash’s shoulder at all, but also looks like she isn’t using her ring at all. 

So . . . what the hell, exactly? 

“I’m going to drop specifically Star and Red, actually–” Flash starts to threaten, and then hisses through his teeth as Red leans back in her chair just enough to jab her elbow right into the pulse point in his throat. “Ow.” 

“You deserved that,” Dick informs him, still grinning at him and entirely unsympathetic. 

“Yeah, I did,” Flash sighs resignedly, and then the door opens again and Captain Marvel leans into the room, looking really confused. 

“Flash, Green Lantern says–” Captain Marvel starts to blurt, then sees the currently-present Green Lantern at the table, also sees Dick and Tim, and then rephrases with–“not-this-Green-Lantern says he needs you down in meeting room 4. Um, Max Mercury called, there’s something, uh, kinda . . . weird going on with Impulse, I guess? Like, important-weird?” 

“That friggin’ kid always has the worst timing, I swear,” Flash says in exasperation, half-covering his face with a hand. The pile of Pockets on his shoulder rearranges itself a little for probably balance or comfort reasons, and Captain Marvel glances towards them and then–blinks, and looks puzzled. 

“Oh, they’re already here?” he asks in surprise, then looks around the room and frowns. “Or . . . not?” 

“What?” Flash asks blankly, and Captain Marvel points at his shoulder. 

“That’s Impulse’s Pocket, isn’t it?” he asks, and everyone in the room . . . pauses. “So where’s he?”

[helianthus-hellion]

depends a lot on what kind of hand mobility issues (and other disabilities) one has, but some options i can think of are

- if you can go outside (even a little bit) or have a window, bird watching can be fun - learning to identify local songbirds, and setting up a bird feeder if you're able

- there are some very loose painting styles that don't require fine detail, and large foam grips you can get for brushes to make them easier to hold. you can even start off with just cheap poster paints and cardboard. similarly, you can do really loose/sketchy drawing with pencils with large foam grips

- standard brick legos (or the larger duplo blocks if needed) can be used for making interesting builds even without the smaller, finicky pieces, and you can also make pixel art designs with them

- if you're able to use a phone camera, you can get into photography - this can intersect with bird watching above and/or any other kind of going for walks, but you can also just photograph things in your own house, experimenting with angles and lighting and such

- baking or cooking simple recipes (baking mixes and pre-prepped ingredients can help a lot with this! pre-diced veggies, frozen veggies, pre-shredded cheese - all of them are just as good as the stuff you prep yourself)

- if you have a rolling pin and cookie cutters, you can make a lot of really fun stuff with polymer clay without having to sculpt details, and it can be painted too (after you bake it, clean it with rubbing alcohol and then you can use acrylic paint on it). you can get textured rollers and stamps too, and depending on your dexterity level you can also carve designs into the surface of the clay

- similarly, shrinky dinks! you can draw a big design and it'll shrink down and look a lot more detailed once it's done, and you can even get translucent shrink film and make sun catchers and the like! the best thing i've found for designs on shrinky dink are posca pens if you want something opaque, and alcohol markers if you want it translucent

- i know a few different people who have written stories and/or poems using dictation software, and some types of digital art (especially pixel art if you use Big Pixels) - if you really don't have options off the computer, making stuff On The Computer is better than just doomscrolling n the like

i'm sure there's plenty of other options, but those are just some ideas off the top of my head - and admittedly it's mostly art stuff since i'm very much an art guy, but i also just find it really rewarding to Make Something and then hold the thing i made In My Hands

I read your post about rewarding activities and it was really interesting! I'm phisically disabled and can only really do computer stuff, and I've always had the intuition that having all of my hobbies in here kinda sucks. But I don't know what tangible hobby I could have when my hands won't let me. Do you have any suggestions for that?

I'm not an expert in any such thing; anyone else who can't use their hands have any advice?

As a side note, computer stuff is less effective than physical stuff, but adequate if that's what you have. People kept sane in quarantine with Zoom. There's a surprisingly high number of cases of suicidal people getting a handle on their depression by playing Dark Souls. I warned about the lesser effectiveness of digital stuff because it's a trap I see a lot of people falling into, assuming that digital work works as well as any other kind of work and having the computer take the entire load and getting distressed when it's not enough, but digital work is still psychologically useful, just less so. If that's the limitation you end up working with, you can work with it.

Rewarding activities don't have to require a lot of physical activity, either; tabletop rpgs are popular, for example, if another player rolls your dice for you. Local poetry clubs or book clubs can also be great fun. But again the advice of other people in your situation is going to be more valuable than whatever random shit I (whose hand mobility is normal) can come up with off the top of my head.

[barren-heart]

I haven’t really made a post about my feelings on this season, other than i do like it and i do like the finale.

However, i do have a theory on this season that ive had for awhile but i felt like it was controversial to say.

I do think this season did feel slightly off but not in a bad way. Let me explain.

First, I want to say i like a lot of the ideas for this season.

I liked Guillermo “moving out” officially and “getting his own place.” I thought him living in the wank shed was funny and also getting a job in the human world was a good move. I hyperventilated when i saw he worked at Panera again.

I liked that the writers wrote in Natasia’s pregnancy with the Rosemary’s Baby bit. Nadja got to be around humans which i think she wanted to always do more of. She even became more sensitive to human issues even if she doesn’t experience those feelings exactly like humans herself.

I like when Laszlo invents and I’m glad he was able to do something that wasn’t really connected to the main plot. I like that seanie came back with Laszlo, although i missed seeing him in the finale (i did like the alt version with him.) I like the vampires getting their own side adventures and he got to do this with Colin, which was a plus. I like that we got some of his background with his dad.

I liked that Colin was feeling alone with the changing dynamics and how he came to get closer to the monster since both of them are different to the vampires.

I liked that they did bring up Nandor’s search for love again. I honestly never thought they would bring it up again. The batcave was fun and the janitor bit was funny. I liked Nandor’s army and I’m glad we could see his old warrior side again.

I like that Nandor and Guillermo reconnected and that Guillermo doesn’t leave forever. I always worried that would end the show with Guillermo saying goodbye to the vampires for good. I liked the fake-out ending where if someone wanted that ending, they got it. That was bittersweet enough for some people, and could have worked. But, i liked that he came back and that it showed us, the audience, that Guillermo is so aware of the cameras that he does hide things on camera. I like seeing Nandor and Guillermo’s first meeting.

I liked that the last scene was Nandor inviting Guillermo into his coffin and that the Newhart alternate ending is the one they use on streaming. I like that they were the married couple featured in it when it could have easily been any pairing on the show like Laszlo and Nadja or Charmaine and Seanie or even the monster and I don’t know…Jerry?? lol.

I did wish The Guide had more onscreen plot than Nandor’s kinda love interest and working with Jerry mostly offscreen, even though I’m glad they did show her love. I think i really missed her being involved in the main cast.

I would have loved if the gang had an arc together. I don’t believe the main A plot involved everyone until the end. There was a lot of side adventures (which is fun), which gets me to my theory…

I don’t think the show was supposed to end with season 6.

Yeah, I’m one of those that believes that the show was cancelled. I think they wrote season 6 with the intention to have a season 7.

I think Harvey and Kayvan’s interviews since the news broke convinced me. Especially Harvey being so heartbroken on Instagram and Kayvan mentioning a season 7 constantly. And now that they are both talking about a spin-off, it all makes sense.

I think this was just a normal season that they already wrote and when FX pulled the plug, the writers went back in and added a few things here and there.

So, yeah. Season 6 would have been their friendship era and then season 7 would’ve worked towards the romance era. Episode 10 does work as a season finale, but not a series finale.

The documentary crew ending the documentary IS SUCH A GOOD PLOT. I think it was funny that they just ended the documentary, but thought it would be funnier if they started that plot from the beginning of season 6. Imagine the vampires fighting over how to end the documentary.

Jerry could have been an episode later and he could have been killed off in the second to last episode.

I think the writers did write episode 11 as an add-on to finish the show, but it didn’t really connect with the rest of the season.

I don’t think the finale had a surprise twist at all. And this show is actually good at season finale twists. Guillermo is actually a vampire slayer?! Colin was dying and came back as a baby?! Guillermo turned into a vampire?!

Yeah, their arcs and twists are honestly really good and thought out.

But, i think whatever twist ending they had was written out. Which leads me to my old theory:

The Guillermo is an energy vampire theory.

I still actually believe this was true, or at least a version of it. Watching it with the lens of Guillermo becoming a/an (energy) vampire again makes sense as the surprise twist. Enough was laid out that it could have connected so easily.

But ending the show that way might not have worked well since i do think they needed a bit more time, and i think that’s why any vampire!Guillermo stuff was removed. Because they didn’t have time to finish it properly.

And it would have tied up Colin’s arc of loneliness. I didn’t mind him connecting with the monster (i liked it a lot actually!). It felt like they were gearing up for Colin and Guillermo to connect on some level, and connecting to Guillermo becoming an energy vampire would’ve worked pretty well. That would have connected those plots together.

I do believe they wanted to do more with Guillermo’s arc but starting too much would’ve made the season really really full.

Actually ending everyone’s arc probably would have done that, too. I want more energy vampire lore. I want more Nadja connecting to her roots. I want to know why The Guide is really magical and what’s her name??

I think they truly needed one or two more seasons for that to be honest.

Which leads me back to the Nandermo of it all, too.

I think season 6 was about Nandermo reconnection arc after season 5’s Nandermo breakup arc.

I think they wanted to have Nandor and Guillermo make up first and then work towards their romantic arc going forward.

And that makes sense to me. They spent the season making them equals. And that feels earned to me. They ended the season together as equals.

And by The Finale, it seems like the writers knew they couldn’t add enough to finish every arc. And I respect that tbh.

I would have wanted a little more time with Nandor and Guillermo reconnecting before they kissed.

I do think that was the reason for the Newhart ending. It was a fun little homage but it was a Nandermo nod without having to skip over the important romantic arc they didn’t have time for.

It left the series open enough that if they don’t do a spinoff, we can fill in the rest.

And that explains the Guillermo’s “secret affair” and “the secret Nandermo batcave” and Nandor caring about the cameras being gone.

However, I think they left it open so that if they had the chance, they could do a proper spin-off to work toward the Nandermo romance arc we deserve instead of closing that door forever.

TLDR: I like season 6, but i do think the show was cancelled by FX and that’s why it felt a little different. Hopefully we do get the Nandor and Guillermo spin-off and potentially another What We Do in the Shadows movie to wrap it up completely.

It doesn’t feel like the end, but a new beginning.

[ladyloveandjustice]

So, about two years ago there was a post that claimed that the only time Stephanie's house was ever depicted as looking rough was immediately after Cataclysm and it was a huge misunderstanding because the reason for that was because a huge earthquake had just happened. And that this was proof her family didn't struggle financially and everyone had misunderstood.

I knew this wasn't accurate, that there were other comics that depicted this, but I thought at the time I'd have to pore through a lot of comics to find additional examples and it wasn't worth the energy. However the post came up again recently and I'd recently seen a counterexample (the pages above) so I decided to take a quick look and it was actually ridiculously easy to find additional examples, I barely had to make an effort and likely could have found more.

So, since that post got a lot of notes and contains misinformation (not just about the house but some other stuff too, but that'd take time to go into and require linking the post directly which I'm not comfy doing, I already responded on my blog), I thought I'd unleash this into Stephanie's tag to correct it, in case anyone was indeed using it as a resource.

The first panels are from Secret Origins 80 Page Giant. It basically focuses into Steph' origin story, all flashbacks, and shows her house looked rough throughout her childhood and teen-hood. This is an issue that directly states the Brown's financial issues, stating that whenever Arthur comes home he uses up all their money. This stopped happening when Steph busted him, but that's a huge financial hole to dig yourself out of, which probably explains a lot of the financial struggles, If you blow all your money, that's not something you magically recover from, it takes a lot of time.

Our next example is Robin #41 which was before Cataclysm (the huge earthquake storyline):

This is actually the same artist (Staz Johnson) that did the issue during the aftermath of the earthquake that was used as an example, actually, casting doubt that the cracks in that one were actually supposed to be because of the earthquake, which I honestly doubted:

Anyway, then we have yet another example in Batman Chronicles #22, a full two years after Cataclysm:

Anyway, so the repeated instances indicate that yes, Steph's house was very much intended to look rough as a (kinda lazy) way to depict the financial struggle/poverty, even if Dixon wasn't interested in exploring said poverty all that much because he's a weird conservative.

(also the clumsy recolor is because Steph's hair is miscolored red this issue, and this apparently bothered me so much as a teen I badly recolored the hair before uploading it to my little Steph wiki)

One other fairly direct implication of Stephanie's status as 'poor' is in Steph's Batgirl series, and there are likely more, but this post's evidence is already thorough enough imo. People can, indeed, live in the suburbs and struggle financially.

A good example of the need to do your own research when there's a claim made on Tumblr about comics. And if you would like to do that, I ran a Stephanie Brown wiki as a teenager. I've long since abandoned it like I've largely abandoned reading superhero comics, but there is another user who updates it regularly, and he put together a painstaking chronology of all Steph's appearances in comics, linking to a lot of my uploads and descriptions of appearances I did back in the day. And there's a lot more on the wiki too!

Stephanie Brown Chronology

[backstage-autorin]

I will never not find it funny that although Zuko is the one I see mentioned the most often in discussions of autistic-coded characters, of the three who set off my "takes one to know one" sense on my first watchthrough of the series, he is also the one I picked up *last.*

I picked up on Iroh first when he firebent his tea while waiting to enter Ba Sing Se. The only way I can make that choice make sense is if he had some kind of sensory processing issue that prevented him from drinking tea at the wrong temperature, or if he was stressed from the trip, needed to stim, and playing around with flavors/scents/temperatures of tea was the only form of stimming he was allowed growing up, making it his default method of stimming as an adult. (If the school he attended as a child was anything like the school where Aang got in trouble for dancing in music class, it's not difficult to imagine autistic students getting in trouble for stimming). Over the years of using different scents/flavors/temperatures of tea as the one form of sensory input he was allowed to be in control of, he developed a special interest in tea. Adding the fact that caffeine is sometimes used to self-medicate ADHD, depending on the caffeine content of his teas it's possible that Iroh has inadvertently been self-medicating for undiagnosed ADHD (as far as I'm aware the vocabulary to get diagnosed doesn't exist in-universe). Overall, I headcannon Iroh as AuDHD.

Azula was the next one I picked up on, during the Beach episode. The moment that made the headcannon click was the "sharp outfit" monologue/flirtation attempt, but she also takes the "party from dusk till dawn" invitation literally and her observation about the volleyball opponent's childhood injury on the left side reminded me of my own (self-described) unhinged pattern recognition. She masks well but unfortunately for her the environment she built her mask for was extremely dysfunctional, which I think played a role in her eventual breakdown. (For a modern-day equivalent, it's not uncommon for autistic women to only get diagnosed after seeking treatment for mental health disorders.) Azula being praised/recognized as a firebending prodigy but struggling in other settings reminds me of the discourse around gifted education, the prevalence of undiagnosed neurodivergence in gifted programs, and the recognition of twice-exceptional students (students who qualify for special education and gifted education at the same time), and I would probably headcannon her as a technically twice-exceptional student whose autism went undiagnosed so on paper she's just considered "gifted" instead of "twice exceptional."

Zuko, on the other hand, flew under my radar until he practiced the "Hello, Zuko here" speech for that frog, vented to that same frog (or maybe the frog was just there while he was talking to himself) while analyzing his social interaction failure after he accidentally reveals that he hired Combustion Man, and then an episode or two later fails to make anyone laugh with the "leaf me alone, I'm bushed" joke. I sometimes rehearse social interactions beforehand, very frequently replay my conversation errors in my head, and have plenty of experience with messing up at telling jokes, so i guess seeing Zuko do the same is what it took for me to figure it out. Honestly, I wouldn't be surprised if the reason it took me so long to pick up on Zuko being autistic is because he was masking to the best of his ability when he was trying to regain and/or maintain his father's approval and then once he switched sides he no longer felt the same need to try to pretend to be neurotypical.

There's probably a lot more I can say if I were to analyze the show through the lens of Iroh, Azula, and Zuko all being autistic but tbh those thoughts should probably be their own post instead of commentary on someone else's meme.

[ripplestitchskein]

The other interesting thing Sinsmas gave hints to are their potential future jobs. This idea that killing indiscriminately, just because you are paid to do it, without considering if the target actually deserves it, being called into question by the narrative leads to a number of interesting possibilities. Millie’s confusion over why they aren’t just doing it indicates this is more than just a one off, it’s a sign of change within the team she is confused and maybe a little frightened by.

Given Blitz’s protective nature, and how often he rescues people in a non-assassin capacity, and given that it seems there is a need for such protection even among Hells invulnerable, I can definitely see them moving towards more security and bodyguard activities in the future. He dismisses it after LooLoo Land “It was a one time thing we did badly” but he’s kind of proven that he isn’t bad at it. And I think it would be far more interesting to see more clients in Hell and what they need protection from than randomly killing people on earth.

For instance: Vassago seems to be a musical performer and Ars Goetia are not impossible to kill as we’ve seen. Verosika forgiving him a bit could have her asking for help which could give us more opportunities to see Tex and maybe Bee. Blitz already preformed that service for Ozzie and Fizz, they might need it again with the threat of Mammon still being an active issue. There are lots of potential avenues to explore this further. Octavia as well has recently made herself a target to Andrealphus, and there are definitely going to be some bonding moments between them, I think her asking Blitz for protection or him offering it could not only be a nice parallel to LooLoo Land but also a way to reconcile that conflict and have them get to know each other better.

Stolas too was given a door towards a future career, Blitz saving the book seemed significant. Someone who loves to read as much as Stolas does, who dwells a lot in fantasy and loves words, and obviously writes for fun and escapism, could go down that path for financial independence. It allows him a degree of anonymity as well. Even better if that is a way of reaching Octavia. I enjoy Secretary Stolas but I also would like Stolas to have his own thing and that seems like a good path. They could even work together, Stolas writing, Blitz illustrating.

These are just spitbally ideas, ones I’ll explore in my own fanfic over the break, but fun to think about.

[bubbipond]

Bison had no intention (in the beginning) of being with Kant just as much as Kant/Style had/have no intentions of being with Fadel/Bison. Now this is just my opinion, and in no way, am I trying to be condescending (since I’ve gotten that before when I have made analysis posts). In a general sense, if you are easily defensive, maybe reading people’s opinions is not for you. But if you want to read because you like to read other people’s thoughts, enjoy. ❤️

I am going to use *10 Things as my reference because I think it leans more towards that adaption than it does *Taming. If you haven’t read Taming or watched 10 Things, this may help you understand what a lot of the fandom talks about. For those who have watched or read either of the references for THK we know that the story is that Kat (Fadel) is the impossible sister who will never marry, and that Bianca (Bison) is the sister that everybody wants. In order to get both of his daughter’s married, their father decides to make it a rule that the only way Bianca can get married is if Kat gets married. This leads to the plot of manipulating Kat into being “Tamed” by her love interest in the original text (the movie moves away from this and instead has Patrick love her for who she is).

Going back to Bison, his character reflects that of Bianca; the very popular, beautiful, and wanted little sister (brother). The thing that I think some people are getting wrong about Bison is that he is more of a loverboy than he actually is. In the movie adaption, Bianca has no intention of ever being with Cameron. I’d say she’s not even that into Joey either, just wants the popularity dating him brings. She uses him as a ruse to get Kat to finally date so she can date. In the beginning, she kind of sees Cameron as a cute puppy. Almost like this person that she can manipulate just because she knows they want something from her. She eventually does start to like Cameron, but there are trials that she has to go through to see that. That being said, I don’t think Bison initially wanted to be with Kant. I think much like Bianca he was trying to free himself from what he sees as a lack of freedom and free will.

It’s not that I’m saying he doesn’t want revenge for his parents (he obviously does, but that is seemingly a ruse by “mom” to keep them around). But it is more so that just like Bianca, his brother is an obstacle within itself. The issue here is that he loves his brother (just like Bianca loves Kat) but neither set of siblings truly knows the other. They fight to protect each other, but can’t even do that because how do you protect someone you don’t truly understand? The only person in the reference material who is truly a victim of the plot is Kat (Fadel) as they are the only people in their stories who have genuine feelings for Patrick (Style). At no point is any of it a joke or a game or even a ploy to get what they want. In general, neither Kat nor Fadel are that savvy and both are far too levelheaded to do anything that the other characters do. So when you look at the motivation behind Bison’s attempt at freedom, he has to be far more savvy than anyone around him.

This is because you have to keep in mind that both Bianca and Bison’s goals aren’t to trick or hurt their sibling. They are looking for someone who would love their “difficult” sibling while also getting something in return. Bison didn’t mean for Kant to hire someone to fake like his brother. Just as much as Bianca didn’t ask Cameron to hire someone to fake date her sister. They are both fiercely protective of their older sibling and that is why we constantly see Bison five steps ahead or paying attention to things that even Fadel isn’t. I think what adds to the story is that the stakes are much higher. In 10 Things you have a bunch of high schoolers dealing with pretty high school issues. But in this sense, you have people’s livelihood at stake. So I think it feels like so much more pain is being brought up than in the original media. It’s easier to find fault in Kant, Style, and Bison because we’re watching a bunch of people do pretty terrible things. But I think for this type of story, you have to kind of remove morals because all four are pretty morally gray. None of them are perfect people or, like in the movie, kids.

Anyway, that’s all for me! Bye!

*Taming = Taming of the Shrew by William Shakespeare (play) *10 Things=10 Things I Hate About You (movie adaption of said play).

[solaskisser]

I finished Veilguard, so spoilers ahead!

I didn't really get any pics of the end cause I was focused on what was happening so I didn't capture my Solavellan ending (I think I'll just reload right before it to get pictures before I delete my save) but that truly made me sick I love them sm - when they were speaking Elven to each other like my pookies 😖 Solas in general will always make me so sad. He's so tragic and I love him. Overall though the ending was just wild, I knew something was weird with Varric but I didn't necessarily guess THAT ??? that shit was straight crazy and replaying it is gonna make me like hyper vigilant to how the other characters react cause WHAT do u mean u sit there and let me be crazy as shit low-key. anyway I'm gonna play again and mayhaps I'll play Alya again some time, I still haven't fully decided who I'll play next but I'm excited.

My only complaints really are that I wish there was more romance (which EVERYONE said) Taash's romance was nice, and they're hawt asf but definitely could've had more dialogue and scenes specifically! Especially like I remember telling my partner that I wish I could erase my memory and romance Solas again. His romance was just so good, partly because he's Solas but also I felt there was a decent amount of content in DAI that seemed to fall through in Veilguard. Also, a lot of things felt sort of rushed I guess? Some of the issues or anything like that to me seemed to be briefly brushed upon before we moved to something else. This wasn't everything but it did seem to happen often (like the thing w Solas and Mythal at the very end... there's a lot implied there!)

Overall though the game is very easy to play, which I'll never complain about, I enjoyed most of my companions and it'll be fun to explore other romances, options, and just kind of see what I pick up on now that I know certain things. but yeah, I kinda regret not taking any endgame pics but I'll remake Vela at some point and get that ending again. I'd like to make Phaedrus (my Dorian romance) too at one point so we'll see. It truly has me itching to romance Solas again teehee

I guess one last thing - I'd like to say the theme of the game was very interesting, which I think is why I felt that it fell short right at the end. The theme of regret has a lot of potential and I feel it wasn't as explored as it could've been, but I was still happy for Solas in the end. I can't imagine playing a playthrough where you don't help him 😭 I guess I could maybe understand but I just couldn't do it. I truly feel bad for him at the end of the day. I just wish it explored it a little more like we got to see with Rook in the fade quest.

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[venacoeurva]

Yes hello people going through my older kh art on this account because for some reason a shitload of them are getting notes again?? Are people leaving Twitter and coming back onto here? Anyway a reminder

[bibliophilicstranger]

I investigated the TV trope page and noted something you may have missed: there are numerous examples of the same trope far predating the Harry Potter series. The idea of turning a good character bad for one reason or another, including for shipping, is not a new one. It wasn't started by Harmony fans. Someone could easily have named the same trope The Roman's Odysseus, Zeus the Rapist, or Raoul the Alcoholic. The trope may have been used by Harmony fans, and the existence of those fics may have given the name to the trope, but frankly that says more about the media preferences of the people writing the article. If I had to guess, it was created during the heyday of Harry Potter, as that coincides with when TV Tropes was getting popular (there are approximately 24 pages with Harry Potter-related titles, three of which, including "Ron the Death Eater," are fanon terms). Based on the current Trope-naming guidelines, were the same page created today it might well not mention a character at all but be named "Good Guys Go Bad."

I'm going to have to ask you to provide some kind of credible article on Harmony shippers sending death threats as unfortunately Rowling gets so many of them that my searches are turning up more recent events. Were that to be true it would be unfortunate. Disappointment is warranted, and the expression of that disappointment is allowed, but one should not send death threats, especially not over this.

I can't comment on "classist body shaming and look shaming comments" as I've never seen those particular attacks made. Unless you're referring to the bit from canon where he's got dirt on his nose? Ron is canonically tall and thin-- who on earth is body shaming him for that? And in comparison to whom? Harry is also skinny, with knobby knees.

Attacking Harmony shippers for their reading comprehension is another ad hominem attack and I must request that you desist on that front. For one, it's inaccurate to say that someone who ships Harmony lacks reading comprehension. Reading comprehension is simply the ability to read a text, process it, and understand its meaning. Two people can have equally good reading comprehension but reach a different understanding of the text by focusing on different aspects or bringing different theories to bear.

You seem to adhere to the opposites-attract, pigtail-pulling-is-cute, antagonistic-bickering-is-a-sign-of-attraction school. I concede that is a common enough trope of its own. You focus on the expressions of jealousy toward other romantic interests, the virulence of their squabbles and the explicit details provided. The very things you seem to favor, the "love-hate relationship" are the same things which concern Harmony fans, who worry that such a relationship would ultimately be unhealthy and devolve into domestic violence. If the 'hate' part of love-hate got significantly better over time, then it wouldn't be as much of an issue, but as late as book six Hermione has escalated from trading insults with Ron to sending birds to attack him. In book seven, when Ron returns Hermione punches him, yells at him, and wants her wand to curse him. We don't see them practicing a lot of healthy conflict resolution-- Hermione rightfully bears a grudge that doesn't seem to be resolved until after they visit the Lovegoods, and we don't see them have a discussion where they talk it out as much as they just go through another particularly dangerous event and it makes them ignore and forget any previous conflict-- just like books one and three. Once they're no longer fighting trolls, death eaters, and Voldemort, can Hermione and Ron actually resolve their disagreements?

In contrast, I, and many other Harmony fans, look for exchanges of support and comfort, understanding one another, prioritizing one another. I look at details such as Hermione's words to Harry in the Potions Challenge in book one, her bringing him toast the morning after the Triwizard champions are selected in book four, and his trust in her and prioritization of her desires in book five. There are also the details in book six of Harry comforting Hermione and talking her up to Slughorn and her comforting him in book seven when they visit the Potters' grave or when they learn about Dumbledore. There are a variety of times where they display compatibility by knowing what one another is thinking, or how they're likely to act. While Harry and Hermione do argue, they still treat each other with respect and even while at odds Harry usually acknowledges that Hermione's position is well-meaning. There are other examples where he expresses anger around her, but acknowledges he's not angry at her, but the situation or other people.

Before the explicit introduction of romance in book six, there were only hints in either direction. Even after book six, there was a chance that any romance or attraction wouldn't last. There are many couples who make it through all of high school only to break up as they get older. A first attraction between Ron and Hermione could have flared and burnt out, and Harry and Hermione could have gotten together in the end. Neither Harry's attraction to Cho nor Ron's to Lavender lasted, after all.

Now for the Ginny "fanfic" you mentioned. Are you talking about the forum post of that name from twenty years ago? The one that's not a fanfic, but a conception of ways that Ginny could be removed in book seven? That only actually has only 196 ways? I'll grant you they're not the most tasteful, but this has been done for many characters over the years, including Hermione, Draco, and Edward Cullen.

I'd disagree about who the most toxic people in the fandom are. You yourself reblogged a post acknowledging the toxicity of the Romione fans. In addition to having seen numerous attacks on Harmony fans by Romione fans (including yourself), I've often seen incredibly toxic behavior from Marauders era fans (ex: 1 2 3), especially the ones who ignore most of canon. I think there has been a decent amount of hatred towards Tonks and Remadora (ex: 1, 2, 3) but it's also easy for most Wolfstar shippers to ignore her existence, considering most Wolfstar occurs before the Remadora relationship is even remotely possible. I can't be bothered to expose myself to HarryxDeathEater ships to find examples of them being abusive to Ginny-- I have most of those tags blocked-- but I'm fairly certain Drarry fans have engaged in just as much Ginny bashing and the use of that love-potion trope you don't like.

Accusing someone of "playing the victim card" is a common form of gaslighting and I suggest you remove it from your vocabulary before your erroneous use causes harm. You're also applying it in a situation where it's false. To play the victim card, one must be fabricating or exaggerating victimhood. To see two asks where someone called me a bitch, look here and here. I've deleted others. Here's an out of the blue attack on Lily and here and here are some against Hermione. In your above response you validated what I said about attacks on reading comprehension, but here's another example. And here's the call for negativity against Harmony shippers. As you can see, these are neither fabrications, nor exaggerations and therefore your accusation is false.

Further, you would really rather preach that all Harmony shippers should accept being victims of cruelty, simply because some may have engaged in negative behavior in the past (and a past that in some cases is twenty years and a whole generation of fans ago)? That seems a rather slippery slope, don't you think? It's thinking like that which has synagogues in Canada and Australia firebombed, when those with particular views on Israel/Palestine attack all Jews over their disagreement with the Israeli government, even when those Jews have no say in what the Israeli government does. It's one thing to disagree with a particular person holding views you don't like, it's another to call for an attack on all shippers. Such an attitude only perpetuates toxicity in fandom.

Defend your ship if you like, but if you want a less toxic fandom, constrain yourself to arguing over the text. After all, don't you want to sow positivity for yourself, lest you dislike what you reap?

There is one thing in common with the PeterMJ (Spider-Man/Marvel) and Romione (Harry Potter) shippers; both of their pairings are 'canon' and have everything going for them thanks to favoritism by the author (J.K. Rowling)/ comic writers (Marvel). Despite all that, these

'canon' shippers aren't satisfied with having an already huge following and seek/continue to tear down on other ships (Harmione & PeterGwen) just to push their pairings to front and center. People like these are why we hate fandoms.

I can't comment on the Marvel portion of this ask as my knowledge of that universe is limited in scope and I'm not an active member of its fandom.

As for the Harry Potter part...

I think Romione fans have the issue that while their pairing is canon, it's not well developed in the text (very few pairings in Harry Potter are). We're told that they get together, marry, and have children, yet we don't actually see a lot of development of the relationship blocks that would support the longevity of their marriage. Yes, they went through the war together (although Ron abandoned them for a good portion of that) and yes they were friends, but their friendship was highly contentious and they spent significant portions of each year not speaking to one another or not hanging out (first year before they were friends, second year when she was petrified, most of third year, part of fourth where Hermione was more with Harry, part of sixth year, and part of seventh). Now, technically, first and second year don't count, but honestly, the only year they spend the entirety of together where they don't have a major fight is their fifth year. We know they like each other from Hermione's actions in book six and Ron's in seven, but we don't really see why they do, why that would turn into love rather than a teenage crush, or why they'd make it as adults.

Supposedly Hermione likes Ron because he's funny. Supposedly Hermione's maturity makes up for Ron's lack and he gets her to open up. While there's something to her liking someone who can lighten things up, if that's all then she could just as easily have liked one of the Weasley Twins instead. As a Hermione-type myself, I've often liked guys who were funny, but them being funny isn't enough. The guy I dated when I was 17 was funny, but he also lacked drive and dedication and in the end that made us incompatible in the long-run. Yeah, it's nice to have friends that can make you laugh, but in a partner for life you want someone you don't have to nag all the time when you need them to do something.

We also know that JKR admitted that Romione was her personal wish-fulfilment, clinging to her original idea of the plot, whatever that was, rather than a natural outcome of what she actually wrote. She also said they'd have needed counseling and their relationship was further questioned in the Cursed Child.

This puts Romione shippers on a weaker footing than most canon-pair shippers in other fandoms, making them defensive. Yes, they have the benefit of canon, but not the textual support, other than 'well, our people got married.' They can be threatened by Harmony supporters, who have fairly well crafted arguments grounded in the text for why Harry and Hermione make sense as a pairing. This makes Harmony a greater threat than pairings which are more loosely grounded in the books: Dramione, for instance, is never going to happen in a close-to-canon universe, but it takes very few tweaks to make Harmony work. Additionally, many of the arguments used in favor of Romione are equally as powerful for Harmony, such as the length of their friendship. Indeed, many of the arguments regarding Hermione's feelings for Harry specifically are a lot stronger, because we do see instances where she chooses Harry over Ron, such as in the seventh book.

It is unfortunate that these tend to become rather nasty fights that devolve into personal attacks on the sanity, demeanor, or reading comprehension of the Harmony shipper. I've seen many people go after another Harmony shipper on here pretty nastily, and I've heard tiktok and instagram are worse. Some screenshots I've seen are basically Romione shippers vowing to spread negativity about Harmony just because they don't like some of the fanfic people have written. As if it weren't possible to just, you know, not read the fanfic you don't like.

It would be nice not to get people randomly calling me a bitch in my inbox, but you know, such is life. I don't know if they dislike me more for shipping Harmony or Jily at this point but I really don't care.

[gay-mike-wheeler]

i have a longer and more detailed version of this post in my drafts but i want to do a short one as well just to put it out there while it’s fresh in my mind.

someone may have pointed this out already since it’s a season 1/2 thing but i’m gonna talk about it anyway:

in s1 e1 will mentions x-men 134. which is interesting for a few reasons but i’m only really going to talk about one in this post.

in uncanny x-men issue 134 jean grey (one of the x-men) is being mind controlled by the enemies of the x-men. she has no idea what’s actually going on and she doesn’t recognise anyone. this, of course, parallels will being possessed kinda in season 2.

but you know who the one person she recognised was? the one person who helped break her out of this mind controlled state? scott summers, described by jean in this very issue as “the man i (jean) loved”.

and who’s the one person will recognised? the one person will isn’t related to who helped him break out of the possession just enough to communicate with them? mike.

look maybe this is a reach and just an excuse for me to make sttumblr listen to me talk about x-men. on the other hand maybe it’s more byler proof. truly who’s to say.

[skippygiraffee]

Hi, I'm the Raileon anon from a while back. Thank you for answering my ask! I loved reading your thoughts, and I hope you don't mind if I ask you for some more. You mentioned Leon and Raihan were both fascinating characters to you separately as well, and I wanted to ask why you felt Raihan was fascinating? I have my own reasons ofc, but I'd be delighted to hear yours as well.

I absolutely never mind, thank you for the ask!! (even if it takes me a while to answer things sldjfksjf). genuinely I love talking about these characters, all the SWSH characters (and SuMo) really, and talking about Raihan is top tier for me. under the cut because it's both long and I have included images from the manga as little Raihan treats :3

in regards to Raihan, what a character, yeah? when I got this ask I immediately went into chat with @beammeupbroadway and we had the following exchange (she's the Furby icon, I'm the first message):

and to elaborate a little, we're all introduced to Raihan in the framing of him being Leon's rival, and we're not really reintroduced to him until midway through the game. so for a while we're left with this impression that Raihan is the hotheaded rival to Leon, setting them up with the same sort of framing as like Hop vs Bede (which is more a rivalry than with the player I argue) or even Red vs Blue (certainly with the Charizard and the color imagery at play with both Raihan and Leon's designs). Raihan is, at his core, a peek at what someone looks like when they grow up in the shadow of someone else.

it's stated in game he has different interests, hobbies, a career, but he's still Leon's rival Raihan. where his job as a Gym Leader and his work with the Hammerlocke Vault serve the narrative purpose of bringing the player closer to Leon and closer to solving the mystery of the Darkest Day, rather than things that allow us a better view of Raihan. not to discredit those moments, because they absolutely do allow us as to see more of Raihan, but I guess I want to argue that the game just uses them as a jumping off point to get to Leon. even Raihan's accomplishments as a Gym Leader and battler are framed within the context of him being so good he could be Champion of another region, but he can't beat Leon. from a world building and audience perspective I think it's interesting to see, but man, picturing that as how he's painted in Galar, in universe? where all of these insanely amazing accomplishments are pushed aside to market himself as Leon's rival I think genuinely ruined his self image, his self esteem, and the way he views anything he does. Raihan's social media presence got started because of Leon, even if he sometimes takes random pictures of sand storms, and the only thing removed from Leon is his love of fashion and history, but we don't even get to see a lot of that as the audience/player of the game because it's not relevant to the story in most cases, and definitely isn't relevant to Leon. this was definitely a little rambly, but at least right here I just think that like Raihan being literally overshadowed by Leon makes him fascinating to rotate around like a rotisserie chicken, because you take one whiff of that guy and you can tell he was spiced up with self loathing and angst strong enough to turn the average character into a straight up villain

ties to Leon aside, the little things about Raihan I adore ARE those little hobbies he has. fashion, history, social media all are super interesting, and ignoring the Gym Trainer battle with WEATHER EFFECTS INSIDE THE TAPESTRY VAULT aside it's clear he is a trusted expert on the matter. Sonia goes to him, even if it's a way to get the player closer to Leon Raihan is the one who grants access to the vault, and anyone who loves tapestries is immediately boosted in my books

his characterization in the manga is really cool, and I adore manga Raihan a lot. it's actually when I really fell in love with his character because he's given a lot of really neat moments, where he's kind of this key player in having everything come together. also he was a trouble maker when he was younger!!! which I think is a logical reaction to being pitted against the literal undefeated Champion for so long. but, allow me to picture that below:

I also love him spraying himself in the face with a potion after being poisoned by Eternatus in the manga. like yeah he's confused, but literally no other character is brought up, only Raihan which is funny to me

also him and Piers are just buddies!! which is neat, especially since in the post game of the base SWSH titles they're shown not to really have interacted that much

he's also super polite to Melony (my beloved Mummy Melony scene), and he's overall pretty fleshed out, with being both serious and goofy, while having this odd tension with Leon when it comes to serious moments

like it shows a lot of complicated things brewing under the surface for him, even in the manga, and I love how it keeps his characterization in tact, while expanding on it in a way that feels natural

I think in short, there's an argument to be made that Raihan could have been left as this one dimensional rival to Leon whose only purpose to push the player along their journey. a road block as a Gym Leader, a helper as the keeper of the vault, but nothing more. and yet he's a pretty fleshed out character, who has other stuff going for him. he could be so many things, and yet he's Raihan, the dragon guy who loves fashion, is a bit silly, but also takes things as serious as they need to be taken. who had a bit of a rebellious streak when he was younger, to the point Rose knows about it in depth. where, in game, he can flip from smiling like :3 to hunching over in the stadium yelling out moves. he's cool, like undeniably, but also not, and I love that skdjfklsfd. I think Raihan is a testament to the subtle ways the Pokemon writers can dish out characterization without explicitly writing things in, and I love him for it