#also me doing digital art? Impressive

[charlie404error]

My hand slipped

[silusvesuius]

this tree from my new drawing looking goated afffffff 👑👑

[graedari]

Hehe hoohoo. Ace Attorney Brainrot™️

Anyhow- the Gavin brother can be so special to me, I have an entire OneNote page dedicated to Pokémon teams for all the AA characters, Sebastian is my little guy, and I literally cry thinking about Mia every single day.

Thank you for coming to my TEDTalk- See you all next time. Imma head out

[Image ID in alt text]

[elvenechoes]

Prompt 3: Sketchbook

"Sketchbook" immediately brought Beryl to mind, and I thought it would be cute to have her looking through her grandfather's sketchbook. And then I remembered that I actually inherited some of my own grandfather's art and I thought it would be neat to work that in there. So credit to Nagyapa for those little art pieces :)

[deathbycoldopen]

The Archivist

Technically, this is art for my Good Place Au This Page Intentionally Left Blank, but if monster!Jon is your jam then far be it for me to stand in the way.

ID in Alt.

[sourtrot]

THXX!!!!!!!!!!!!!!!!!! flowers and confetti for all of you! 💋🥳

[alsoanyways]

nothing like an outfit lineup to “ease” myself back into drawing 🫠

(character impressions/assumptions would be very appreciated btw!!)

[loubatas-art]

I think one of the funniest ways two of my OCs met is when Luin met Tristan through accidentally blowing up a tavern during a fight

Thankfully, no one was harmed (safe for the wall that now sports a new entrance), so the town's mayor was ready to let Luin go in exchange of a small fine and paying for the damages he caused. Or, since he was "one of those monster hunters", he could go hunt that fucking unicorn that's been plaguing the region for a few years now, haunting the forest and destroying their crops and livestock.

Luin, who knows very well that unicorns aren't a thing but didn't want to argue about their (non) existence, tried to explain that his specialty was more like exorcising spirits, and the mayor said that was fine, but then Luin needed to pay now, or he would enjoy a free tour of the town's jail

And that's how Luin and Tristan met

[sysig]

Can’t talk now, I’m making Pokéballs

[weirdmarioenemies]

Name: Pac-Man

Debut: a box

We all know Pac-Man in the game. You know Pac-Man in the game. I do not need to explain what he looks like to you, and I am so confident in your knowledge that I simply will not. You know that guy.

Now let's instead look at and talk about Hiro Kimura's interpretation of him as depicted on the Atari 400/800 box art! Let's make this our default vision of the character!

This is Pac-Man. Pac-Man is a striking yellow humanoid with a massive, spherical head, no nose, and a set of rodent-like upper incisors. He's wearing a tank top with his in-game design on it, sneakers with high socks, and, best of all, jorts!

This design DOES register enough as a Pac-Man to me, but aside from how goofy he already is, I can't help but think of him as a Stanley S. SquarePants-style cousin to the original Pac-Man. It's almost uncanny how similar the duos are!

Now, an issue I have with many Ms. Pac-Man designs is that, unlike her husband, she is often given a tiny mouth, not a mouth befitting a woman who eats for a living. How is this Pac-fella's mouth? A bit small, but not as small as the bites he's taking out of those floating plastic discs! I guess it's as much as he can get with that narrow set of teeth.

But geez, reaching for another when he's barely made any progress in the first? I hope he doesn't choke! Since this is a still image, I will give him the benefit of the doubt and assume he is able to chew through these discs like a woodchipper, and we just happen to see the frozen moment where only the first bite was taken. He can turn these macroplastics into microplastics like nobody's business!

And I guess he's in some kind of castle labyrinth, and the ghosts are trying to eat him, specifically. They think he looks Yummy, and I will have to take their word for it. I would not eat this guy, OR his plastic discs! However, there is a reason I am glossing over these ghosts. They're nothing in comparison to... the others.

Yowza in the howza! My word, and then my entire sentence! The ghosts on the unused Atari 2600 cover art (also by Hiro Kimura) are certainly the most viscerally frightening things any Pac has ever had to contend with. It's quite impressive, really! I can see why this art would be replaced, since it is frankly not an accurate representation of the game itself, but dang am I happy just to look at it. The Pacmeister here is very similar to the previous one, but this time, clad in perfect, stainless chrome, for some reason! I'd want to eat this version even less than the previous one.

What I WOULD like to eat, though, are those rectangular prisms he's munching. To me, those are delectable baked lemon bars. I'm also realizing that there's a frog hopping away from the chaos in the bottom right! Strange... perhaps a cheeky Frogger reference? Like, get outta here, Frogger, Pac-Man is better, and it's illegal to like multiple things at once? Well I like BOTH of these wacky box arts! If Capcom can use Bad Box Art Mega Man in a game, perhaps I can hope for Pac-Stanley to return in an amazing digital fashion...?

[robolvrr]

attention-seeker ミ⁠●﹏

transformers reactions to human modifications. (tattoos, piercings, hair-dye.) headcanons!

optimus prime, bumblebee, prowl. tfa.

sfw / suggestive under cut.

may do more of them, i love this show to death.

optimus prime

"you do this stuff... for fun? huh."

try as he might, he does not understand the point much.

don't get me wrong, i see animated optimus to be the closest to a mid-twenties rascal as you can get. modifications aren't unheard of for bots. he's not a nun.

however ...

he sees humans as still pretty fragile. so the idea that you like going and having needles shoved into your flesh and jammed through your muscle isn't something he can wrap his helm around at first.

primus forbid you have lots.

imagine him trying to process you explaining that yes, your entire back is covered in ink and you're planning on about five different piercings in the next year.

"so you. you plan on getting two on your back. just because?"

"that's the plan, big guy."

poor mech is lost. though he does enjoy learning more about humanity when he isn't stressing too much about saving it.. so expect questions.

when you suggest getting one of the autobot emblem, his circuits nearly fry.

prowl

"so, what's the significance?"

i see prowl not writing off the behavior as weird and instead digging for why you pursued this journey.

yes, he sees your tattoo and piercing collection as a journey, because that's what it is, isn't it? years of work and pain to adorn your body to your liking.

he knows that humans are bundled with nerves. there's respect earned. he finds humans to be eerily resilient.

will ask you the meaning of each and every one. piercings less so.

"what does this bird represent?"

"mm.. my sense of liberty."

"a visual representation of the wish to stretch to new horizons. how fascinating. being small in a vast universe with the urge to still explore."

"i also just like hummingbirds."

"mm. i see."

will get onto you once he finds out about the "makeshift" work. finds the mistakes or even forgettable craftsmanship to make you endearing.

bumblebee

"whoa! sick paintjob, human!"

he LOVES human culture. and you guys can just... change your appearance? count him impressed!

you had dyed your hair to a nice golden yellow to match his frame and he almost jammed his intake shut.

"you can just. do that?!? b-but your helm used to be-"

"hair, bee."

"right, right. it wasn't always that color though!!!"

he thinks it's so cool. real dork about it. totally buzzed out once you spoke about the chemistry that it went to the process though.

he thinks piercings are cute. after all the fusion of metal and organic is kiiind of taboo. you pull it off great.

tattoos make him beg ratchet to let him upgrade his paint. poor old mech is grumpy and over bumble whining him to just let him "get some flames and that's it."

you draw a lot of inspiration from him. will gladly brainstorm your next big change and puff his chassis out like a lil peacock knowing you're willing to get something permanent done in his designation.

nsfw.

optimus prime

"you look like a painting. primus above, you're gorgeous..."

optimus prime enjoys tracing your tats. he kisses the patterns and images as if the pain of the needle remains, glossa licking along thick and thin ink with shuttered optics.

he likes to see goosebumps trail after. kind of a weird fetish (?) but he mostly enjoys how reactive you are and how your inkwork ripples with the movement.

when he finds out your piercings can make you sensitive ...

well, good luck.

optimus at his spark of sparks is such a tease. when you continue to surprise him, it's nice to be in control of that mutual fascination for once.

"you enjoy when i tug.. these?"

nipple piercings.

expect his glossa. he takes special care to even lubricate each of his digits just to toy with your sore nipples.

prowl

"that's it. fall apart for me. just like art..."

prowl is observant. so when you let it slip that you've been holding back on some of what's on your body...

you're on his berth and naked. his optics are hidden behind his sharp visor.

"holding back on me? that's a shame. i thought you knew better than to do that."

is he angry? hardly! but his processor is about to work overtime when you stammer just why you hadn't gone into depth.

genital piercings.

he doesn't say anything for a long time. doesn't ask the millions of questions bombarding his thoughts. his servos do that speaking before he can.

let's just say you start to understand why he deals with tedious and delicate situations. those hands are built for... meticulous attention.

bites. all the areas with piercings. focuses carefully damn near to the square inch of sensitive flesh where it drives you wild.

tattoos? he loves to scrape his digits down em.

loves to doll you up in lingerie that accentuates everything you hide. crotchless, cut-outs exposing yourself until he can't see where the inkwork begins and ends.

robolvrr 2024.

[feverdreamjohnny]

The Epitaph of Anything Goes

I decided that this morning I would talk about The Museum of Anything Goes and the subject of lost media.

For the uninitiated, The Museum of Anything Goes is an obscure "game" released in 1995 by Wayzata Technologies, a company that is so far under the radar that I was unable to find any useful information about it outside of TMoAG.

All I could uncover is that they published a few multimedia projects (which are essentially lost now) alongside some asset discs (clipart, SFX, etc.). That's it.

The brains behind Wayzata are even more difficult to locate these days: there are only two main names credited inside of TMoAG - Michael Markowski and Maxwell S. Robertson.

The game alleges that Michael and Maxwell are well known in the art world, but any additional information about the duo is scarce beyond the confines of the museum. Attempting to search for either name online turns up plenty of rabbit holes - but none of them have anything to do with the Michael and Maxwell responsible for TMoAG.

This is particularly fascinating because it essentially means that TMoAG is the only accessible record of their lives. Before we dig any deeper into that statement, let me step back and actually address what this game is.

The Museum of Anything Goes is, by definition, a virtual art museum. Functionally it's a prerendered point-and-click adventure game where you can explore a bunch of multimedia exhibits that give the surface-level impression of a children's edutainment game, but once you start exploring further it reveals a side that firmly plants the game's feet into a haze of substance abuse and surreal humor.

Many exhibits are essentially just toying around with the astonishing new powers of CD-ROM. Everything has to make noise. Everything has to spin and flitter around. There's an air of genuine excitement for the medium, and I can't help but find it extremely charming.

The game also functions as a scrapbook, filled to the brim with photos of random trips to the zoo and snow-mobile rides with friends. At one point we even get insight into something as specific as Michael's one-year job as a tutor at a Chicago middle school, where he talks about how it opened his eyes to how poorly funded and mismanaged the school system is.

It's simultaneously quaint and chilling to see so much personal history packed into a world doomed to obscurity. As I explore the deeper parts of the museum, I contemplate if the creators are still alive today. It's a bit morbid, but imagine that - you create a single obscure game with your friend and it's all the world can see. TMoAG is currently the only surviving piece that gives any insight into who these two men were.

While many exhibits are lighthearted or nonsensical, there are occasional moments where the game dips into the eerie.

One exhibit has the player kill a man by dropping him from the sky, and after burying him you open the coffin to a video of a rotting pig carcass being put into an incinerator.

Other exhibits just feature simple 3D renders shifting around a dark screen while haunting groans play in the background.

While I would never refer to the game as "scary," its darker moments combined with the occasional mature subject matter definitely begs the question: Who is this game for?

You have to remember that this game came out long before the concept of "alt-games" had become codified in the digital space. Sure, unconventional digital art had been around before the advent of 256 colors, but TMoAG was being sold on disk as a game! It came out 2 years after DOOM hit shelves!

The trend of using the PC for entertainment was certainly on the upswing around that time, but It's not like TMoAG had a massive audience to find a niche in. With its mature themes it certainly wasn't suited for the kids market either, so who was it for?

At the end of the day, it's a moot question. We already know the target audience for The Museum of Anything Goes: Nobody. It doesn't have an audience because by its nature, TMoAG wasn't being made FOR someone, it was being made BY someone. It's a raw, unfiltered form of personal expression.

I think games like these are pivotal, because they question why people assume a game has to exist for the sake of being a consumable product. TMoAG certainly has the shape of a product: it features an intro cutscene, it has a tutorial, it features intuitive UX, it even has a map! These are all features that are solely integrated to provide comfort to an end-user. But once you actually wander around the museum for a bit, you realize how bizarrely its packaging fits its contents.

I think TMoAG is criminally underrated. It's not because its core content contains some earth-shaking truth, it's because the game defied all odds and cheated death.

How many thousands of other personal projects were deemed a little "too exotic" to be archived? How much history was lost these past 40 years as the digital space evolved and ate its old skin?

God knows how many other TMoAGs we'll never learn about because they weren't lucky enough to be preserved.

The Museum of Anything Goes isn't just some nonsensical art piece, it's a grave marker for so much lost media. Its existence is a reminder that some people's lives were fossilized, then macerated into nothing because a construction company built a skyscraper over them. The only evidence we have of those other games existing is this little fossil that somehow slipped out from under the skyscraper unscathed.

Even though so much has been lost, TMoAG survives as an epitaph.

[ttshihiro]

pspspps.. totally not golden groovy woops

ANYWAYS HII!! heard u were open for requests. may i request tammy + qiu with and an artist reader :00

requests of my favorite fandoms are my catnip good gof woa who could this be‽‽ my reqs and my ask box are like always open btw >◡<

extra note/s: I refer to step 1 Qiu as he/him. Uhhh take this as platonic or romantic, I'll add an indicator for romance (𐙚) ^^

more under the cut > o

✧ At 10 years old, QIU's fascinated. How he discovers your interest and skill in arts varies but his reaction doesn't. He's impressed! Whether digital or traditional, Qiu would love to participate especially if you asked him yourself.

For this reason, he carries an extra pen and even those colored ones just in case you get bored or if you're suddenly struck by creativity when you two are playing :3

✧ The first time you show him one of your doodles you made during class, he's compelled to do the same whether or not you actually give him it. And ever since, you two've been exchanging these sketches during class. It's the cutest scene to walk into.

✧ URGH AND THE THINGS HE DOES WHEN YOU TELL HIM ABOUT ART BLOCK DEPENDING ON HOW AND WHAT YOU DRAW

You're into drawing sceneries? Trust that he starts telling you and Tamarack about more "special things" in the forest and/or the town.

Like the sky? There's this clearing a lot further into the forest at your backyards. Stargaze, watch the clouds and the sunset together?

✧ It's also necessary for me to mention that unlike his notes, lazily pressed against eachother and constantly on the run, anything you give him goes to a safe space probably in between a books pages, under the the matress of his bed or inside a drawer/container.

"They broke into my backyard accidentally, 'cause they were on a crazy investigation about a paper airplane. Plus, they got here a day ago and they're already looking out for me. Normally, I'm the one doing that."

"Besides, they're pretty. And they make me pretty. Look! Look how they drew me!"

✧ As for 10-year-old TAMARACK, she's curious. The things you draw, are they based on actual places? Actual people? Oh, you draw based on your imagination? Elaborate.

✧ At some point in the prologue, she says "All the forests in the world are different, and some places don't even have forests. I can show you good spots to find things since you're newer to this forest than me."

And I can't not think of her running up to you to give you all of what she gathered for you to draw like omfg

With all those leaves and tiny branches sticking out of her hair and sweater, she smiles brightly with her hands filled with her treasures. AUGH SHE MAKES ME SO SICK I LOVE HER

✧ Like Qiu, she has her own safe spot designated for only your drawings if you've given her any.

She shows off all of them. Especially if you've drawn her?? It'll be the only thing she talks about during literally any time for the rest of the month and the few months after.

"Out of all the friends I have here, you're the best one. We came to the same exact neighborhood, almost at the same time, and are he same age. You have fun outside and I do too."

"I think you're pretty. How you draw me is pretty! I've never met a kid who was just like me. That's important. That's serious."

✧ Now, 14-year-old QIU's pretty much no different. They're even more impressed when they see just how much you've improved. Nonetheless, they treasure your old drawings just as much as they do they new.

They take the liberty of providing you with both a pen and paper to draw on when you're together, in case you don't bring your sketchbook (if you own one).

On those days where you two just sit in silence in their hideout, their gaze drifts to your side quietly a few times to watch your progress. After a while, they settle with sitting right next to you and watching the stroke of your pen against the paper as the scene forms with each hatch.

✧ As a teen, they've actually been a tad bit farther off the town when they feel like taking a ride on their bike. They've seen many sights and burn the route into their brain for them to tell you about. They'd even be happy as to bring you there themselves.

✧ If you ask them to be your muse, good god you'd need to tell them what to do.

It's almost a funny sight. Qiu, the kid who knew what to do their whole life asks you, "Should I pose? Where do I look? Ah- what's my good side?"

𐙚 They can feel their breath hitch under your scrutiny. Suddenly, they're concious of every single thing about them. Where do their eyes go? Should they move their hands? Is their hair in the way?

They avert their gaze flusteredly, their head ever so slightly moving to the side when they do so.

And good god do their hands clutch the fabric of their pants when you tell them to look at you properly.

✧ Same goes for TAMARACK at 14. She's as intrugued as ever to hear about your work. She admires (you)r style from then till now and has learned to appreciate the time gone into things as simple as this, whether or not you've made it with her in mind. BUT GOD IF YOU TELL HER IT IS, it's always sitting on her desk and she thinks constantly about what you've done for her.

✧ And while she doesn't exactly bring you a pen, she's more than glad to hand you hers when you need it.

✧ Unlike before, she'd now be at your side when you two hung out at her backyard. She'd be sitting across from you, practicing the cello. The hum of her instrument accompanied by the sound of nature and the scratch of your pen against paper gives her a sense of calmness.

This may also be when she realizes she's been your muse! Her fingers trace over where your pen has been and boy appreciate isn't even enough for her to describe how she felt. It was definitely happy, but that wasn't the word either.

𐙚 Her heart pounds alarmingly as she admires your work. It's almost concerning to you that she sits silently with a blank expression as she held your sketchbook in her hands.

But that concern washes off you as soon as a warm smile curls the corners of her lips, tender adoration displayed all over her face.

[souperluminal]

Hello!! I'm a huge fan of your art and I thought I would ask about your colorwork, because it's genuinely super impressive to me how all your pieces have amazing palettes and they add so so so much to the general atmosphere. Do you have any process to pick colors for pieces? Like using picture references, gradient maps, etc or do you genuinely just eyeball them? I'm super curious :]

But yea I really love what you do and love seeing every new piece!! Have a nice day! Ty for reading <3

Thanks! I very much use references, though I don't use the color picker on them, gotta train the eye. I have an ever-expanding reference folder of photos and paintings with colors that I like so that when I start a new painting and I have an idea of the color scheme I want in mind, I'll already have some reference on hand. Good reference really makes a world of difference!

I also like to bias colors a little bit away from their standard versions:

The more blue green and the more yellow green are both more interesting to me than the "just green" green. Nothing wrong with that average green though, sometimes that's exactly what you need. It's always situational.

Lastly, a fantastic color tip for digital art specifically that I got from Mike Hernandez: Use the RGB sliders instead of the HSB color selection!

By default, Photoshop gives you the HSB (Hue, Saturation, Brightness) color picking setup which looks like this:

It's perfectly functional and has its uses, but it doesn't really feel like mixing color. On the other hand, if you use the RGB sliders:

Now you can add a little more blue if you think that's what the color needs, or you can take away red, add some green, etc. It gets you actually mixing color and thinking more about how the colors relate to each other. It can take some getting used to if you've only used the HSB setup before, but it's worth it!

[jokeroutsubs]

📝ENG Translation: Elle Men Special: A Fashion Odyssey with Kris Guštin

Article written by Ajda Gregorc, published in the November/December 2024 ELLE Slovenia Magazine. Print and digital versions of the magazine are available for purchase.

Scans and English translation by @kurooscoffee, review by @weolucbasu and a member of JokerOutSubs, proofread by IG GBoleyn123.

Full article translation, scans, and Spotify link are under the cut 👇

🎧 Article available in audio form on Spotify.

Elle Men Special: A Fashion Odyssey with Kris Guštin

With Kris Guštin, the music author and guitarist of Joker Out, we escaped to another side of music, and with that, to his other passion. We talked about style and everything connected to it. There will also be no shortage of this in the band's third album, titled 'Souvenir Pop', which is released on the 15th of November—one week after the issue of Elle you’re holding now. How perfectly synchronised we are!

PHOTOS URŠA PREMIK, STYLING ALENKA BIRK

At Ljubljana’s Moderna Café, on a fresh but lovely autumn Tuesday, when everyone’s still at work or in school, he arrives in a dark green jacket with a checkered pattern, awesome trousers, and her necklace. This time, the menu is not serving music and life, but matcha and "all things fashion." I’m in a regular trench coat and a white T-shirt, but luckily he doesn’t judge people by their style—instead, the style might be what piques his interest to converse, if it's good, of course. Besides, he's the one being interviewed. So, let’s begin! AJDA GREGORC

Interviewer: When did you first discover your personal style or the field of fashion? Was it in childhood or a bit later?

Kris: I roughly divide my life into two periods: before I first held a guitar, and after. When I really got into playing and ventured into music, my world opened up in all areas. Discovering fashion definitely falls into this second period, so the post-high school era. To be completely honest, my style in high school wasn’t something I’m particularly proud of today. (laughs) My girlfriend and I still have a photo of me wearing cargo pants and a black sweater, which is a proof she truly loves me, since that look was far from the best choice. (laughs)

When did it evolve from just a aesthetic impression to self-expression?

My first contact with fashion as a form of art or expression was during our band's first music video or fashion shoot, when I realised that this is also something you need to consider as a musician. At first, it seemed to me like a fairly peripheral element, but as our career developed and we met new people who gave us more insight into this, I began to understand its significance, what I could personally gain from it, and what we as a band could gain. This quickly developed into standard practice. I was increasingly exposed to fashion; we had more and more costume rehearsals and stylings, and two years ago, we even got our first proper stylist. And then I really committed to it—at around nineteen or twenty. Before that, my philosophy was always to "just wear whatever I first find in the closet," but then I shifted to "I'll wear things that would make me stand out from others". But this process was a long one.

So, your style development with the band inspired your personal growth too? I’ve always wondered if a young person is compelled to mature in every area when so many 'big things' happen all at once, as they did for you.

Maybe you do "grow old" in terms of personality sooner. Yes, at first I wanted, and still want, to primarily express the difference or uniqueness that I feel inside myself through music, but then I discovered that this goes very much hand in hand with fashion, so I started looking for my expression there as well. Today, it's almost an equally important part of my day.

Which fashion ideas or directions attract you? You’ve probably encountered a lot of inspiration during your travels on tour, right?

Definitely, but speaking purely origin-wise, I think I’m just like any other rock musician—we draw from the rock aesthetic of the ’60s and ’70s, which was also very "in" when my fashion awareness was born. Back then, around 2016 to 2018, here were a lot of flamboyant shirts on the music scene, with a slight hippie influence, which was the starting point. Only later did I start getting interested in slightly more modern clothes. When I was younger, I found myself in street fashion, that sort of Eminem-esque, hip-hop vibe, so very baggy clothes, which I then began to reject when I made the shift toward the ’60s and a slightly psychedelic aesthetic. It makes perfect sense, as humans tend to jump between extremes. When I had worked through that style, I started discovering the aesthetics of the ’80s and late ’90s, which was also reflected in music at the time. The best example that comes to mind is Dua Lipa’s previous album, which was in the style of the “new ’80s,” and the fashion matched that as well. Today, the early 2000s style has come back, but I haven’t fully decided whether I like it or not. As a musician, I was, of course, initially inspired by other music groups. Arctic Monkeys were a big inspiration for us both musically and visually, as was the whole British rock scene, including bands like The Kooks and Oasis. That entire aesthetic has always been strongly present with us. I doubt there’s a single inspiration board at our shoots that doesn’t include a photo of one of those bands or, for instance, the Beatles. And that aesthetic has always been close to my heart, too.

Rockers have always been associated with more masculine fashion elements, while in recent years, many male musicians have been experimenting with more feminine style elements (for example, Harry Styles and Lenny Kravitz). David Bowie was already the one who back then started to blur these fashion boundaries. You, too, wear such pieces and dare to stand out with them.

It happened quite naturally, as the stylists we worked with always chose slightly more “unmanly” clothing for me. This doesn’t necessarily mean women’s clothing, but rather somewhat more androgynous pieces, which I quickly embraced. I found them interesting and appealing because there’s a lot of fresh expression in that style that I don’t find in traditional men’s clothing, though I don’t want to overdo it. I also started experimenting with them personally, choosing many more varied colours. For a while, I was very fond of pink, and lately, I’ve been playing around with orange. On the cover of the album 'Demoni', I wore an orange-pink sweater.

Are we, as an audience here, already mature enough for a musician to present his feminine side through fashion? Does that require courage?

It does, there will always be people who won’t understand you. But for me, when it comes to the stage or a shoot, I’ll wear anything, and if I feel good in it, I don’t worry about what someone thinks. When I walk around "in civilian clothes," however, especially in Ljubljana, I am still aware if I’m dressed somewhat "untraditionally." There’s a certain boundary that I still need to break within myself. On stage, it’s easier because it’s not necessarily a hundred percent my expression; I’m playing a certain character, but personally, sometimes I do need some courage to show up in a particular style. However, the awareness of being different is stronger in Ljubljana than in other parts of the Western world. For example, I never felt that way in London, but still, our capital isn’t the worst when it comes to this.

Speaking of influences, what about other artistic or cultural movements?

I love art deco, the aesthetics of the '20s and '30s, though it doesn’t influence my daily life. In terms of photography, Damon Baker’s black-and-white style is beautiful. The vintage camera aesthetic has recently won me over, which will also be reflected in our band. Musically, over the past year, I’ve been listening to old Italian chansons and older French music, chansons as well, so I’m clearly feeling very retro this year. (smile)

Will the third album visually stand out from the previous ones then?

Yes, it will be very different. In the last two, we used a lot of colours, but there won’t be as many in this one.

Style can be an excellent tool for expressing an artist's authenticity, but with increasing success, the artist can also become its slave; the line is thin. Do you ever feel the pressure of having to express your fashion style in your private life as well?

No, I’ve never felt like my style owns me; it’s always been the opposite. I’ve always felt like I want more, like I want to dress even better than the day before, especially when it comes to my music career. Perhaps style only hangs over my head a bit when I have no inspiration and would rather wear sweatpants on an ordinary, relaxed day. There’s nothing wrong with that, of course, but then I do think about what would happen if I ended up somewhere in the middle of the city dressed like that.

It seems that Joker Out has developed a distinct style despite outside influences.

Yes, today we are already very complete in our style. Others have definitely had an influence on us, and I think it’s great that each of them tried to express themselves through us – it was interesting to experience how Joker Out was seen by Ponorelli, and how Andraž Drobnič or Karlo Kirri did. Of course, there is a difference in this, but it also aligns with the development of our music and aesthetics, so all these influences are very welcome.

How much of your personal fashion identity is therefore reflected in Joker Out?

Maybe, as someone who is not an external observer, I can't answer that, but I can say that I was always one of the first to give feedback to the stylist when we were creating our outfits, approving moodboards, and so on. So, I have definitely shaped our style in a direction that suits me. On certain "blind stylings," when we just dressed up, I quickly threw something on myself and then helped look for pieces for the other band members.

What about this photoshoot, where Alenka Birk took over the styling? Did you let her take the lead with her tactics, or did you collaborate on fashion choices? How did the communication go?

I didn’t know Alenka, who, by the way, is an excellent stylist, before. She was recommended by Urša (the photographer, ed.). Later, she confided in me that she had also worked with my father. Alenka focuses on elegant men's fashion, which is a departure from this more fluid fashion; and this suited me because I had never really been photographed in a men's suit, jacket, and tie. I wanted to try something new. I hadn’t seen the outfits before the day of the photoshoot when we met in her small studio in the morning. There were nine of them in total, and we only swapped out a piece or two in at most three of the looks.

This is more of an exception than a rule in fashion photoshoots. Does that mean you felt good in them?

Yes. In some more so, obviously, but in others, you have to trust the people you're working with. When I first look in the mirror, I always keep in mind that if something isn't optimal, it doesn't mean it won’t work well on camera. Even if the pants are too short or creased, it's still worth photographing them, because the photo can be edited later, whereas on stage, it's a different story, and everything has to already be perfect in the mirror. Working with Alenka was very simple; we clicked really well, and I will definitely work with her again.

How linked are your confidence and the way you feel on stage with your styling?

Very connected. As a musician, you want to enjoy yourself as much as possible on stage, and the people who come to listen to you and pay for the ticket deserve to see you at your best, which means you have to feel good in every aspect.

You recently attended Ljubljana Fashion Week. Which of the local fashion designers do you like to follow?

As far as the Slovenian fashion scene is concerned, I’m still quite the beginner, so I only knew the designers we had worked with. This was my first time visiting the Fashion Week.

Which shows did you watch?

On the first day, all of them. I didn’t like everything, but what stuck in my mind was Sarivalenci¹ with their somewhat "country club", Lana Del Rey vibe, and golf moment. I also really enjoyed the Belgrade Fashion Week, as there was an obvious Balkan touch, which I would love to see more of in Slovenia.

¹Sarivalenci is a Slovene high fashion brand created by fashion designer Sari Valenci.

You are a fan of vintage clothes and second-hand shops. What do these pieces have for you that new ones don't?

Honestly, I don’t know if there’s an objective explanation why. I started getting into it because it was popular, and at the same time, it gives you the feeling of getting a more unique piece. At the same time, you're shopping sustainably and not contributing to the production of unnecessary new textiles on Earth, which is great, but I would be lying if I said that’s my main motivation. What I like the most is the experience of "flipping" through clothes, where each piece is different, like a treasure hunt, compared to regular stores where you "flip" through the same clothes in different sizes.

Did your mum, who comes from the Netherlands where people have been aware of this for many years, introduce you to this concept?

I wouldn’t say we talked much about it at home, but I literally lived it. This is probably true for Slovenians in general – almost all the clothes I had as a child were from older peers, or I would take something from my dad, too. When I was done with wearing the clothes, my brother would wear them too. Every piece of clothing that came into our house was passed around, which is a great practice, and it’s still like that today. My sister "stole" half of my sweaters, my mum sometimes takes something too, Maks borrows jackets from my dad, which I’ve also done myself. It's like we all share one big closet! (laughs)

So you have influenced each other’s style in your family, or rather, you still do so? Who has otherwise had the most influence on your style in the past, and who does today?

I don’t remember ever looking at my parents as role models in this regard, as I didn’t really think about it back then, but they definitely influenced me, at least subconsciously. When I see how my mom dresses today, I see parallels with my own style, so she probably did influence me, perhaps more than my dad. As for street style, which I mentioned at the beginning, it might have been inherited from my uncle, my aunt’s husband from the Netherlands, who wore loose sweaters and listened to hip hop. My mum also had an uncle from the Indonesian side of the family, whom I never met, but he was very eccentric. Some of his clothes made their way to us over the years, and when I looked at these pieces in the closet, I was fascinated by how they reflected his personality. Asian fashion became a bit closer to me because of this, and I might even explore it someday.

The heart necklace you wear all the time, even today, is from your girlfriend. Do you ever dress your girlfriend or does she dress you?

My girlfriend is very fashion-oriented and has played a big role in my fashion development. She has always encouraged me when I tried new clothes that, at the time, seemed more radical to me. In this way, she partially shaped me. We also really enjoy shopping together. She dresses me more often than I dress her, which means I ask her for opinion. There have also been times when we’ve dressed the same when it comes to basic pieces; we’ve never really styled each other, but there will probably be time for that in the future.

Where do you like to go for vintage pieces in Ljubljana? Did you find any gems while on tour across Europe?

Textile House Vintage Shop is, in my opinion, by far the best in Ljubljana. The next one is Humana on Stritarjeva street, where I find something every now and then. Abroad, we’ve visited many vintage shops in Dublin, Paris, and London. In the latter, I always go to Brick Lane, which is a street with vintage shops in the east side of central London, where the more hipster area starts. The downside is that it quickly becomes quite an expensive experience.

What kind of information can you deduce about a person based on what they’re wearing? Who, in your opinion, is truly well-dressed?

A person’s style is never a reason not to engage in conversation with them, but it is a very strong stimulator of my interest in that person. If I think someone is really well-dressed, I automatically assume they might think similarly to me and be interested in the same artistic, musical, or visual directions, so I’m more eager to talk to them. However, I’ve often met people who didn’t seem interestingly dressed, and later realised they were amazing people, even if they dressed completely casually.

Your audience expresses itself very differently in terms of fashion, as your parents also mentioned in a recent interview for Elle. How do you as a band perceive this?

Yes, what they meant was that it is no longer the case that you have to be "appropriately" dressed for a rock concert. When we observe the audience from the stage, I would say that the most typical thing for our time is that we are no longer genre-bound. Not just musically, but also in terms of fashion. 30 or 40 years ago, you would see people at a rock concert in leather jackets, black shoes, and jeans, and that was it. Today, you have flamboyant outfits with blue and green hair in one corner, gothic style in another, and of course, people in simple t-shirts and pants somewhere in the middle. And no one feels like they don’t belong; everyone sings our songs, and that’s really nice.

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[the-one-who-lambs]

uhh hello!! sorry if this is a tall order LOL but I wanna ask, do you have any narilamb fanfic recs? :D I already read yours and I really like bamsara’s and I’m waiting for epicaandk’s to update (that one is my fav ever <3) but idk what to read now lol

Tall order?? Naaaaah, I'm always happy to give recs. Oh boy, I'm gonna go in reverse chronological order.

If you've read all of my narilamb fics (have you seriously? I'm impressed, that's probably well over half the 150k+ I've written for this damn fandom. Also, to anyone seeing this from a reblog, my stuff is over at onethirdofimpossible!) then here we go!

You already mentioned it, but The Rehabilitation of Death is excellent so far! This one is by @bamsara who is new to the CotL fandom but apparently not new to fanfic writing; they have a really popular FNAF fic and I assume the well-deserved attention this fic's been getting is a byproduct of the popularity they've already gotten in other fandoms. :D Welcome, bamsara! Many of the fic writers in this fandom are friends with each other already, but we don't bite if you wanna say hi.

Feel No Evil and Language Barrier, both by @payasita. I always love how payasita portrays this duo (in both digital art and writing), with so much sass and repressed loneliness, knowing they're stuck together for eternity and making the best of it. (And maybe falling in love, depending on how dense Narinder keeps being.) What makes these come alive for me is how well thought out the setting is outside the Lamb and Narinder. The descriptions and weight of emotions really pop here.

LITERALLY ANYTHING written by pavi / @i-eat-deodorant. Depending on how spicy you want your fics to be he has even more here. Character analysis, diction, pacing, etc. are consistently 10/10. Top-quality banter between a sassy Lamb and tired old man Narinder. We constantly bounce ideas off each other and inspire each other a lot but I promise I'm not hyping him up just because he's my friend oh my god please just go bless your eyes.

It Was For You, O Death by blueberry-muffin-massacre (if they have a tumblr, let me know so I can tag!). An intriguing alternative ending to the final battle wherein the Lamb chooses a secret third option by refusing to give up the Red Crown and still observing Narinder as the God of Death. So many details are so well thought out and duality their relationship is nicely characterized-- both genuine care for each other and also quite unhealthy. A fine line treaded well!

Confessional by jusmove (again, lmk if they have a tumblr). Been a while since I've read it, but I love how the Lamb chips at Narinder's very carefully built emotional walls. Their personalities are very well fleshed out here, especially Narinder's cognitive dissonance at being able to process love.

Confession by @thewitchoftheweed. I didn't expect a part two to this one, but my god I was so thrilled when it did update. Narinder and Lamb with their unique and parallel loneliness and their fucked-up sense of everything. Their relationship is very rocky here, and I love how they navigate it: with tension and eventual, pained acceptance. Mind the rating.

Of Character Development and Being Dense by @calliecature. A short and sweet narilamb classic. They're both mutually pining and one of them is too emotionally repressed to realize it. Guess who.

Not An Offering, But a Gift by @checkplzjuliet. Small confession fic. I especially love how Narinder's descriptions twist the knife of his situation here, and how Lambert is a total foil for him! There are a lot of good things happening in such a short span, which is impressive.

Also, if you think you've read all my narilamb fics... I do have a secret one out there too. Just so you know.

Happy reading!

I'm already friends with many of the people here, but if any of the writers I've tagged have been kinda wanting to reach out for a while but feel a little anxious... Don't be. I've made my best friends in this fandom by literally just waiting for some of my readers to get over whatever assumption they have that I'm cool and say hi. Or being the more confident one first.