#also like. food has been a motif for most the show

[wowsillies]

I WISH Jorge had referenced the part of Luck Runs Out where Odysseus tells Eurylochus to be quiet because I feel like that’s an element missing from a lot of Eurylochus interpretations.

“I need you to always be devout and comply with this /Or we'll all die in this” is important because Eurylochus fails to do it by questioning Odysseus’ words (the bag is NOT treasure, it’s storm) and opening the wind bag and his actions lead directly to the facilitation of the death of most of the crew. I hesitate to say he’s to blame because, well, Poseidon is taking revenge due to Odysseus’ decision, but Eurylochus handed him means and perfect opportunity to do it.

So, after that, Eurylochus obeys everything Odysseus says to do. He takes men to explore Circe’s island. He stays put instead of running when Odysseus goes to rescue him. He follows intl the Underworld despite the fact that “hey this witch is helping us now by sending us to death’s realm, this is definitely not a trick” probably raised some questions. He doesn’t (or at least we don’t see) stray or talk to the souls in the Underworld even though Odysseus ends up doing it. He traps and kills the sirens.

He lights and gives out six torches.

So, if devotion to Odysseus wasn’t enough to save them? If Odysseusnis now using that devotion and trust to get them killed as long as he gets to make it home to his wife? What is he meant to do now?

Eurylochus doesn’t sound… fully there, during the second half of Mutiny. Whether there was divine intervention pushing him or madness or simply the pain of it all, he’s not acting rationally. He just saw six of his trusted men brutally murdered, asks Odysseus to lie and say it was a trick, and can’t even kill him when the truth comes out. Odysseus’ wounds are bandaged! (I’m not sure that he doesn’t actually know where Helios’ statue is from btw, both due to the melody and bc it seems outrageous)

We’re all talking about Odysseus pleading for Eurylochus to stop before killing the cows, but Eurylochus is pleading too. He asks how much longer is he expected to suffer, to push through doubt, to follow the orders. And Odysseus’ first plea is “I need to get home” (later “we can get home”). Let’s not forget Odysseus is selfish and Eurylochus knows that, maybe even loves that, but he’s not just hungry, he’s tired.

When Polites gets the location of the sheep cave from the lotus eaters and takes the men to it, he leads several of them to death and himself to his doom. When Eurylochus stumbles upon the cows, does he remember that? Does he deliberately invoke it?

Killing the cows isn’t about the hunger, not really. It’s about the devotion that was asked of him, the price he paid to learn that lesson, and the pain that silence put him through anyway.

[kaibutsushidousha]

Every otaku producer on any at least decently-sized project is chained to very BIG MONEY merch contracts. Merch sales are one of the biggest cogs making the anime industry run and because of that, merch manufacturers expect producers not to allow anything that would make their products fail to reflect the contents of the show.

A recent example that sparked controversy about this is the new Tokyo Mew Mew reboot anime. Mew Mew is a series where pretty much everyone important has food names, but the early scanlators failed to notice how far this motif extended and rendered Quiche's name as Kisshu. This is spread in the fandom enough to make merch makers assume that was the proper way to spell his name in English and produce pins with the name Kisshu written in Roman letters. Thanks to that, over a decade later, the Mew Mew translator on Crunchyroll subs is forced to use Kisshu on her script despite knowing it's wrong.

But this is a Type-Moon post, so let's talk about Type-Moon instead. On October 29th, 2010, Nasu released Fate/complete material III, containing profiles for all Servants featured in Fate/stay Night. In his lack of English knowledge, he most likely relied on Google to learn how to romanize all those names. This generated two curious results: Arthuria was rendered as Altria, as the first search result for アルトリア would be the cigarette corporation, and Rider favored the French spelling Medousa over the English Medusa.

Flash forward to May 25th, 2016. At this year, Fate/Grand Order had already been released and proved itself a commercial success against all odds. In celebration of that, FuRyu Corporation sculpted the source of all evil.

FuRyu's figure utilized the erroneous "Altria" from Complete Material III. Here is where I want you to notice that FuRyu did not release a Medusa figure alongside it. "Altria Pendragon" is the only character in this collection.

Our next chronological stop is August 14, 2016. Merely 3 months after the FuRyu Altria figure began to spread its corruption through all we know and love. That's the day Fate/Grand Order Material I came out, containing profiles for Saber Arthuria and Medusa.

As you can see in the right corner, Medousa is no more. Due to having 6 more years to learn things and no merch contract forever chaining him to his spelling mistake, Nasu had the opportunity to correct Medusa's name, which also settled it as the name FGO NA legally had to go with.

So when I say FGO NA translators went with Tam Lin because it's literally illegal not to do so, I am talking about

[mimi-tada]

My thoughts/notes on akayona chapter 264

I really dislike the dragon gods after this chapter however I can sort of understand them, in that hiryuu was gone for like 2 thousand years, didn't return to heaven and did who knows what in that time span. So it would makes sense if the gods were driven to insanity because of that, additionally, wouldn't hiryuu have know the gods personalities and guessed that they may have gone insane because of of him leaving. Oh and pointing out the next question, what did he do in those 2 thousand years if he didn't go to heaven, it seems sketchy kinda like the other dragon gods.

Especially to the point he reincarnated without any of his memories, like after 2000 years he choose to do something 💀so this could mean that he apathetic to some degree like the other gods or his powers are limited (makes more sense to me)

-yona's powers being limited makes sense because in this whole chapter she basically had no power and had to argue with the other gods, and they only let her argue because they liked her or well hiyruu

-also I know people were theorising on the last chapter if the food yona ate in the chalice might have weakened her or is a parallel to the greek persephone myth and I think it has some value cause it would explain why she and hiryuu are weak compared to the other gods

Next dragon god, ouryuu, where is he? I know he's trapped inside zeno but why has he not joined in with the other gods. To me it seemed like zeno had ig some sort of power? in a sense because the gods asked yona to kill him, it doesn't make sense unless they couldn't kill him them selves. So is it a loophole where only hiryuu can kill him and any other god that does is messing with ouryuu jurisdiction? ig or is it again telling us that the dragon gods powers are severely limited that they can't kill zeno themselves.

Also the other 3 dragons acted as a hive mind like they all had the same desires and stuff. What if it's all an illusion or just one god acting on the behalf of the others. This could also just mean that insanity drove them to have one single desire/thought? Idk

More into the dragon gods, when they shapeshifted into Hak it really drove home how much they didn't understand humans and emotions in general that they can't differentiate between romantic and platonic relationships. It just shows how they only understand yona in a basic level like when they shapeshifted into the dragons, they didn't understand she liked their personalities.

Also the gods treated their descents like they had no agency or more like they disliked them and it makes sense with how most of the dragon warriors treated their powers as a curse, like it would make sense for the gods to act like this if for centuries u heard ur power being called a curse and would explain partly why they are so apathetic/hold a dislike towards humans.

Onto the dragons, it felt like what the gods promised was too good to be true in them being humans like there has to be some kind of side effect to it, like a version of the crimson dragon disease or them being reincarnated (essentially leaving Hak and su won alone unless they want to deal with kids), I just really don't trust the gods to be kind and follow through with it properly.

Wider effects on kouka, I think 2 chapters before we were shown the natural disasters happening there just because yona came into the chalice so it would probably continue if yona is going to be in the heavens. It shows how apathetic they are towards humans and sucks for su won.

Also poor Hak and the dragons, their reactions when they find out what happened to yona is going to be devastating 😭

-I really liked the flower motif in this chapter, its been prominent throughout the story but I liked it because I'm pretty sure yona's name means lotus and su won gae her a lotus hair pin so it could be a parallel to all that symbolism especially with her drowning in those flowers. I just really love that detail.

[mdhwrites]

https://www.tumblr.com/everysongineverykey/709979889023008768/the-owl-house-was-really-like-oh-yeah-by-the-way-a?source=share

Thoughts on this post?

So my immediate thoughts were two things: One was that I always feel awkward responding to other posts because I try not to shit stir most of the time. Two though was that I just agreed with it. The reality of the Hexside kids is purely played for laughs despite being horribly traumatizing on pretty much every level. That's just true.

Then I saw the tag saying it wasn't a criticism.

So was it okay for Hexside to be treated like this? Wartwood had a similar rebellion and it had its own silly things like a themed food Friday and people still being their quirky selves. It works there however because while dealing with what life throws at you is a theme of the work, trauma specifically isn't really. It's there, I've talked about how smart Amphibia is with it to keep its tone consistent but that subtlety also makes it so that not dwelling on it is fine.

If I were to give TOH S3 a theme of some sort... It WOULD be trauma. I don't think it does this theme well, at all, but it is a consistent motif. Hunter's trauma about Belos, Luz's trauma about... Fucking everything if I'm frank but her core trauma is resolved at least once in each episode, technically twice in the finale. They graft on trauma out of nowhere for Willow. She's never dependable Willow, soft spoken and never complaining at all times, but now she is so she has some sort of trauma to deal with while also dealing with Hunter's new trauma of losing Flapjack. One could even argue that Belos has it running throughout because his desperation is potentially fueled by trauma of losing his brother and having his world shatter around him by his brother betraying what ostensibly would have been both of theirs core beliefs. You even have the Collector going through his shit with having been trapped alone for so long.

And then you have Hexside where no one cares about how traumatic all of this has been... Except Boscha. And Boscha is played subtlely, much closer to Amphibia, rather than the capital t TRAUMA that the rest of the cast is going through. As such, most people who watched didn't give a shit and just saw it as a half baked redemption arc rather than continuing a theme because yeah, why would you? What does she even have to say about trauma? That you'll get kicked even harder while you're down and the only option is to move on by yourself and just pretend like it didn't happen?

And that's honestly a problem with the theme in general. So much of the answer to "How do I deal with this," for TOH is to go "I'm awesome and amazing and fuck you for ever thinking otherwise!" It's the conclusion for Hunter's trauma with Belos, we don't get a conclusion with Flapjack really, it's the statement that Luz makes for her character finish of just how much she wants the entire world to recognize she's a bombass nerd -_-, and it's even how the series wraps up with only Luz getting the Titan's power and only her, while she quotes her favorite books, actually attacking Belos. This is your reminder that all the co-op attacks with King and Eda were done far away from Belos, fighting random slime for literally no reason besides the fact that both Luz and the show got lost for about a minute. Willow is the only one where compassion for needing to actually, you know, process your pain and be supported and helped with it might be the answer but again, it's not a core trauma to the character. It's a clumsily grafted on element that also has Willow force Hunter to confront his trauma with Flapjack which IS the answer for him so it's also contradictory. It's not given nearly the same weight as the stuff with Hunter and Belos or ALL OF LUZ where their answers are just 'deal with it'.

(Bonus points to Luz's core problem theoretically being that she was WRONG about Philip and at least two of the endings to that trauma, with her friends and with the Titan, are her being told "You're wrong for worrying," like that would help at all.)

So then you have Hexside where their trauma is ignore and played for laughs so you can just do normal fantasy rebellion stuff mixed with teen rebellion stuff. It's not bad when measured that way but it's contradictory to many of the points that the whole abridged season is trying to make. It's an element that conflicts with your core theme. It's akin to how we're supposed to take Hunter leaving the EC seriously and as this grand pain of his... And then also have people mocking Lilith for it and even having her go "I'm realizing I was bad at my job" back in S2 because fuck her and her trauma I guess.

And don't tell me it's because it's a kid's show. Boscha could have easily been the surrogate for all of Hexside and then you kick out Miki and just have Boscha to deal with. Focus the episode around getting her to open up, be defenseless, maybe almost get turned into a puppet for it as it seems her fears were justified... Before she looks up to find she's behind one of Matt's pillars and everyone is coming out to help protect Boscha. Because the only reason they've gotten through this is together and while they're happy Boscha has actually helped them despite her pain, she shouldn't be dealing with this alone. All of them will do better if they share this pain and so we get them kicking the ass of one of the Collector's hunter stars and the plan be to ride it up to the Archive for the main crew before they get snatched off of it. It has more to say about the complexities of trauma and how you can't just power through it, allows an acknowledgement of what this world has done to these people, all while still allowing the rest of Hexside besides Boscha to be silly and upbeat because they've been doing what they need to handle all of this.

So yeah, I think the blog itself is correct. I think calling itself not criticism though means ignoring what all of these conflicting elements mean for the season overall. Yeah, it's a cute segment as is but when you have a show like TOH that is trying SO HARD to say something... Shouldn't we be critical of when it's failing to do that or even muffling it's own voice?

Because the hex on this side of the Isles could have been used to do something more but instead was treated like a cute charm to fill time. That's not okay. See you next tale.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[talleyuh]

i don’t think anyone was waiting at the edge of their seat for descendants: rise of red, but i feel like the premise had a lot of potential and a few small changes could’ve made the movie a lot better.

1. if the movie started with a cold opening with red causing some trouble around wonderland with a few friends, it would’ve shifted the tone of the movie to set it apart from the past descendants movies. we could’ve seen red, her friend maddox, and a few other people all acting like a version of robin hood and the merry men: thwarting the queen and causing minor chaos as rebellious acts. we could’ve seen that red has a desire to be good by stealing food for the poor, creating diversions to get people away from the guards who plan to execute them, or even releasing prisoners. that way it would’ve shown that even though she thinks of herself as good, she doesn’t have the most noble methods of carrying out good.

1.5 i think if they made the queen of hearts actually care for red deep down would make her more dynamic. even though she’s extremely controlling over red and wonderland, it would be to prevent red from ever experiencing humiliation or insecurity like she did.

2. by establishing that red has friends, being sent to auradon alone by her mother to take over would’ve cut off her emotional support system and be essentially forced to do what her mother says or be stranded in a strange land alone.

3. before the orientation day ceremony, we could see red and chloe butt heads while moving in their dorm or something. red is obviously in a very tormented place and one theme they tried to explore with chloe is performative kindness, so red could’ve seen right through chloe and ignored her.

4. when they eventually go back in time, we could see the nuances in the older characters and not everyone being as perfect as they seem. for example, ella could’ve been going to auradon on an academic scholarship instead of paying for tuition like everyone else, so she really tries to keep her head down and stay out of trouble. she only befriends bridget out of pity, since she’s either ignored or outright bullied by everyone else. bridget could struggle with forgiving people or moving on from being mistreated even though she’s naturally peppy.

i think charming’s character could’ve been a bit of a player (cliche i know) which is why ella originally rebuffed his advances, but then have him genuinely pursue her. also it would’ve been so fun if ella asked fay to help her with her outfit and have her hesitate to talk to charming at castlecoming since she has to go home at midnight and then they played “so this is love” to show the moment they fell in love. plus we’ve never seen someone’s fairytale play out on screen.

5. i think that we should’ve gotten a get ready montage for castlecoming, specifically with chloe and red finally getting along as they got glammed up for the dance. they should’ve both been in ball gowns (not the high low ones we kept seeing in the earlier films). the costume designers could’ve even added purple motifs to show how the two characters were coming to finally get along and see each other. like chloe could’ve worn a dress in a lavender-periwinkle color, or a deep royal blue that looked a little indigo. red could’ve worn a red-fuchsia to show her coming to a common ground with chloe with the purple and a pink to show her growing closer to her mom.

6. i think the prank at castlecoming should’ve played out, so we could see red, chloe, and ella be there for bridget. i think it would’ve made more sense if bridget was pranked at castlecoming and ella wasn’t there for her bc she was hanging out with charming, and after that bridget was angry so she stopped being friends with her. that would explain why she hates her so much all those years later.

7. as cheesy as it would’ve been, we should’ve gotten a scene where they supported each other and bridget stood up for herself against her bullies and that’s when red and chloe went back in time to see the changes that they made.

*the movie wasn’t all bad, i liked that they gave chloe a more nuanced view of goodness after spending time with her mom who did not grow up with as much privilege as she did. i feel like they could’ve had a scene where red learns that she can’t cause chaos because she thinks she’s helping. i think we should’ve gotten more from the villains, especially malifacent and hades. also if we saw red’s internal struggle between good and evil more (aka her wants vs her mom’s wants) and how that affected her relationship with chloe.

[thiccowlladylife]

Oh shit, Mammon episode dropped! Time for some spicy thoughts!

Good:

-Mammon's design is... Okay? Not exactly the best design of a fat person, but I like that he's not red (he even goes through different clothes like a real person, holy shit!), and this is probably the only character where the chaotic details work well for his whole clown-theme

-it handles issues of stalkers and exploitation in entertainment with a modicum of respect (not that it does it well, exactly, but it's an effort, which is more than the show's done for other touchy issues)

-A decent-ish relationship conflict between Ozzie and Fizz? Still blowing Moxxie and Millie outta the water right now

-SIGN-LANGUAGE IMP KID (all things considered, the show is handling physical disabilities surprisingly well!)

-Not Fizz being relatable with his anxieties and sense of impostor syndrome (I'm pretty sure someone else wrote this episode because Viv has never handled topics like this well on her own)

-Spider Mammon? Spooder? SPIDEY??? Noice.

-Awesome Fish-Twin designs; they're nice one-off villains

-Better musical numbers in this episode than the last few ones combined

Bad:

-whyisheaustralianWHYISHEAUSTRALIANWHYISHEAUSTRALIAN (I do not care for his voice; it is the shittiest most stereotypically bad accent I've ever seen)

-I'm seeing some more toxic, possessive traits of Ozzie coming out (looks like no relationship in this show can actually have conflict without being exploitative)

-Mammon has a low-key spider motif going on? So, he's fat, a bug, and overindulges in everything (food included) to the max...? Why does he seem like a better Beelzebub/depiction of Gluttony than Queen Bee/the show's actual depiction of Gluttony?

-Blitzø feels extremely shoe-horned into this episode... Also, he's not one to talk to Fizz about how Mammon talks to him, considering his whole... Thing with Stolas

-speaking of Stolas, I know the whole Ozzie revealing his love publicly (as sweet as it was) is totally gonna springboard more Stolitz shit in later episodes...

On an unrelated note, apparently Wally Wackford ain't Mammon like I theorized... My next best guess is that he's Satan's imp-sona. Not that I care enough to keep watching!

That being said... I'm done. Not exactly a highlight to end the show on, but it certainly ain't a complete shit show like the rest of the season has been. But I ain't watching anymore. I'll keep an ear out for info on later episode drops, but it's hard to be a fan, even critically, when the quality is this bad, and the only positive side of the fandom shreds apart anyone who critiques it.

If anyone needs me, I'll be playing with my OCs and AUs like dolls on here, and waiting for Hazbin to drop next year!

See ya later! Byee!

[i-guess-im-into-this-now]

The Apothecary Diaries

S1E10 First Watch

Here's where I watch The Apothecary Diaries for the first time and give my thoughts, analysis, predictions, and occasionally I stumble into a joke.

To start at the beginning:

Episode 1

My character/location cheat sheet

Lady Ah-Duo - Pure Consort, one of 4 top concubines

Garnet Pavilion - Lady Ah-Duo's residence

Fengming - Head LIW at Garnet Pavilion

Xiaolan - Maomao's servant friend

Lady Lishu - child bride concubine

Lady Lihua - the consort who was poisoned by powder

Jade Pavilion - Lady Gyokuyou's residence

Luomen - Maomao's physician father

Sir Kounen - Jinshi's older acquaintance who died

This episode fought me hard. Like, I struggled a lot with it. I'm more lost than I've ever been in this show. And forewarning, much of this episode's blog is me spinning wild theories, since I couldn't actually figure out what is happening.

And full disclosure, I had to watch this episode twice. I watched it once while I was tired, and could not figure out a lot of it. So I slept on it, let the mysteries roll around my head all day, and then watched it again and I'm still confused about many things! But I had some insights about a couple things, and added some more notes to my initial watch responses. Enjoy!

Cryptic opening. A person sits drinking alone on what appears to be the walls of the palace.

Palace gossip! The girl who drowned used to serve at the Garnet Pavilion. Word has it that she's the one who poisoned Lady Lishu's food. Could she have done it because Lady Ah-Duo is at risk of losing her place as one of the top consorts to a younger concubine?

At age 35, Lady Ah-Duo is so, so old. She's practically geriatric. Way too old to be a favored consort, even if she has been married to the emperor since he was the crown prince, and bore him a child that died.

And the math is funny when you have to consider child brides, but there is a possibility that if that infant that she bore had in fact not died, that they would be a young adult right about now. Right around the age of Jinshi a lot of young men in the palace. This possibility isn't my leading theory, since the show has already implied that Jinshi is the emperor's brother, but it's a good back up. For what it's worth, Lady Ah-Duo has the right coloring and look to be related to Jinshi. Also, I have no idea how old Jinshi actually is, but Gaoshun keeps referring to him as a young person, so I'm guessing young 20s or late teens. Which means there is an age gap between him and his brother the emperor who we now know is 34.

I'm starting to notice a motif. Maomao describes the Rear Palace as a garden, and the concubines as flowers. I remember her talking to Lady Lihua about how one could not compare a peony to a bellflower. And now she says:

Even the most beautiful flowers wilt eventually. And those unable to bear fruit no longer serve a purpose.

The ladies of the Jade Pavilion prepare and host a tea party for Lady Lishu, which is fraught with politics. The party is attended by Lady Lishu's food taster, who is terrified of Maomao after the events of the Garden Party. But even so, it seems Lady Lishu is still being bullied by her ladies.

Of note: Maomao is dressed up for the party, and doesn't have her freckles on.

The ladies of the Jade Pavilion won't let Maomao help clean up and they toss her out into the hall claiming she needs to rest, but they may have ulterior motives, because a certain palace manager is waiting for Maomao there.

Jinshi wants to know about the tea party, and Maomao realizes that he may have had a hand in organizing this event. I assume he wanted Maomao to observe Lady Lishu with her ladies in waiting to determine if the bullying is still happening, which is a noble intention. Why he does these things without simply asking Maomao to help, I don't know. She doesn't appreciate being maneuvered, and her natural curiosity and desire to help usually get her involved anyway, so there really isn't a good reason for him to continue operating this way. But things have been weird since Maomao became despondent after the servant girl drowned. He's retreated to old behaviors, which include manipulating Maomao. And the mask of the enigmatic palace manager is back. He's all sparkles again.

Maomao tries to brush him off.

Jinshi: I am far from being done with you.

Understatement.

Maomao: Funny, I'm more than done with you.

A lie.

But she may be done with him in this moment. When he's sparkling, he's manipulating, and she knows it.

They are bantering as they always do, but this isn't honest or fun. And he's put his hand on her shoulder. She has asked him before not to do that. She slaps it off as she did last time. Nothing has changed. What she said before is still true. His status makes anything between them impossible, and he shouldn't be touching her.

His tone immediately changes, signaling his sincerity as he wants to talk about the servant girl who died. He's not convinced that it was a suicide. He's heard Maomao's thoughts on this before, and he believes her. He also doesn't want to give up on finding the truth and getting justice for that girl. And... I just love that.

We see Jinshi through Maomao's distorted lens so often, that it can be hard to see that he has heroic qualities. When we first met him, he seemed to be almost an antagonist to Maomao. He was using her in his machinations, trying to seduce her to more firmly control her, and keeping information from her. But his role in this story, is not that of an antagonist, he's the love interest, and he's got to be worthy of the hero. As we've moved through the story we've caught glimpses of his better nature, and we can read between the lines to see what his motivations and actions have been. He's got some growth yet to do, no doubt, but fundamentally, he's a good person. And here, with his pursuit of justice for the murdered servant girl, we get a good example of him becoming a hero in his own right.

This also demonstrates the impact Maomao has had on Jinshi. I do believe he cared about justice before Maomao arrived in his life, and I think he would have pursued this case regardless, but this case in particular has extra meaning to Jinshi, because of Maomao.

The woman who died is a servant girl, just like Maomao. Someone targeted this woman and murdered her, because she was expendable.

Maomao: I am but a lowly commoner. My life is easily taken away over the slightest error. [From episode 9]

And that is unacceptable to Jinshi.

He saw a despondent Maomao, and listened to what she had to say, and in the moment he had no idea what to do. And he still might not know what to say to Maomao, but he does know that servant girls don't deserve to die when they become an inconvenience to someone in power.

And servant girls shouldn't have to live in the palace feeling like their lives are expendable.

Maomao: We wander through life, never knowing when it's our time. That's fate. There's no way of resisting it. [From episode 9]

No. Not okay. Not to Jinshi.

He might not be able to escape the obligations of his station or be able to take off the mask he needs to wear, but he can at least use his power for this.

He saw Maomao at her darkest moment to date, and it threw him. He has pulled back a bit but as he said he's far from being done with her. Jinshi never gives up on Maomao. Big male lead energy.

And so Jinshi asks for Maomao's thoughts, as he always does. He always wants to know her thoughts, her conjectures, and he believes her. As he did with the drowned servant girl. Now he wants to know if she thinks the servant girl could have done what it's being said she did. He's not sure himself, but he trusts that Maomao will have some insight. Just as Jinshi's support and encouragement helps Maomao to solve mysteries, Maomao's careful analysis and even unfounded conjectures, help Jinshi make sense of the cases he's call upon to handle. They work better when they work together.

Jinshi has heard her thoughts about the servant girls death before, but he has to ask again:

Jinshi: Do you think she really committed suicide? Maomao: I've already told you that's not for me to determine.

And if Jinshi is back to masks, and sparkles, then Maomao is back to conjectures shouldn't be spoken out loud and "a mere lady-in-waiting wouldn't know."

Jinshi: She was a common servant girl. What reason would she have for attempting to poison Concubine Lishu? Maomao: I don't know.

The walls are up. The communication is down. Jinshi makes a frustrated sound. He tried asking her earnestly, and it got him nowhere. If Maomao is going to retreat to old behavior, so will he. It's time to ✨sparkle.✨

Jinshi will get to the bottom of this case goddamnit, even if he has to maneuver Maomao to do it. She's been sent to the Garnet Pavilion to help out get answers. She acts like she's upset at being sent, but don't listen to her. She wants to solve this case as much as Jinshi does.

That's... a hell of an intro for Lady Ah-Duo. She's going to be someone important isn't she? See wild theory above.

Caught it on the second watch, but the person on the wall was Lady Ah Duo. Her guan and hair style are the same, and when Maomao pictures her riding a horse, it's the same outfit at in the beginning.

Which begs the question, what was she doing sitting up on the rooftop drinking and staring at the stars?

Lady Ah-Duo is getting the kind of starstruck reaction usually reserved for Jinshi. And Maomao is wondering who Lady Ah-Duo reminds her of. Don't tell me my off-the-wall theory was correct? Shit, I'll have to rework all my other theories if that's true...

Everything at the Garnet Pavilion seems... nice. The servants work hard, and the head lady in waiting is kind, and approachable, different from what we've seen before with Lady Lihua's and Lady Lishu's servants. Maomao isn't sure what to do. She didn't get any specific instructions from Jinshi, and she's not sure where or what to look for. She's considering all of the angles though. In fact those thoughts are keeping her up at night. A servant girl who used to live and work in that very pavilion, was murdered. And someone did try to poison Lady Lishu. Maomao knows there must be a clue somewhere. It's driving her crazy.

This show just casually drops in commentary about the role of women in society.

She's (Fengming) well past her prime, but in another life, she would have made a great wife. I wonder if she ever considered marriage? Or if she chose to serve Concubine Ah-Duo for life?

I wonder if Maomao considers this her fate as well. Will she ever consider marriage? Will she choose to serve Concubine Gyokuyou for life? Do servants even get a choice? Do their desires matter at all? What about the concubines? Do they get a choice? Do their desires matter at all?

Lady Lishu shows up to the Garnet Pavilion acting weird as hell. Looking all around like she doesn't want to be seen. And she only has her one food taster with her. Strange for someone who may have been the target of an assassination attempt from the Garnet Pavilion.

Something about this doesn't add up. Why is she hiding her visit? Is she hiding from her own ladies? Is that why she only brought the one? Or is she avoiding someone else and didn't want a large retinue that would make her more noticeable. And why visit the Garnet Pavilion? What is the connection? She had the weird reaction to honey at the tea party she attended at the Jade Pavilion. Does this have something to do with honey? I really don't know. Maybe there will be some clues later on.

When she's done Maomao reports back to Jinshi, who... is acting very strangely. I think he's trying to seduce Maomao again. But, why use methods he knows will fail? Just what the hell is going on here?!

Maomao: And what's with his casual attitude recently?

Maomao thinks it's weird too.

He starts by lounging suggestively across the couch. Maomao finishes her report of the facts, and Jinshi asks her to go on... and I think I've figured out what he's up to. She's still holding back, not willing to share her thoughts and theories with him. He's pushing her. He tried talking it out before, and it didn't work, so this is plan B.

He pushes her with a pointed question, and that works! She tells him the facts she knows, her reasoning, and her opinions. Gaoshun and Jinshi share a look. Everything Maomao said aligns with what they already thought about Fengming.

The honey. Does the fact that Jinshi brought it mean anything?

Maomao: Given the way he's lapping up that honey, he must have already suspected her (Fengming).

I actually don't know how she gets to that leap of logic. Does she think he went to request a pot of honey from Garnet Pavilion to investigate himself? Maybe he or Gaoshun really did do that. Maybe that is how Gaoshun discovered that Fengming has a bandaged arm. I don't know.

What does he already know, before Maomao even gives her report? We know he knew about the bandage on Fengming's arm, but didn't tell Maomao about it. She noticed it and figured out it's significance on her own. She realizes that he already knew everything that she reported. So why bother to ask her?

My theory is that he's not sure, but he trusts Maomao's judgement and wanted to hear it from her to confirm his own thoughts, or see if she had any additional insights. Maybe to see if she can tie in any of the other mysteries. Or maybe he is seeing if she is a good spy. Perhaps he will use her this way again in the future, since she performed so well.

For what it's worth, I think he would like to be able to ask her opinion and have it freely given. And they may reach a day where he can simply consult with her, without her pulling away. But that day is not today.

There are also the mysteries of who tried to poison Lady Lishu, and why the servant girl that worked at the Garnet Pavilion was murdered. I think both Jinshi and Maomao would like to know if any of those things are connected.

Jinshi then does something so deeply weird... it's... he.... he tries to put his fingers In. Her. Mouth.

He offers her a pot of honey. An expensive luxury, with medicinal properties. It's something she probably would be willing to accept. However:

✨Jinshi✨: This is for you. Good girls should be rewarded.

She declines, completely freaked out. So he dips his fingers in the honey and corners her. What the absolute fuck Jinshi?!

Maomao: Offer it to someone who wants your fingers in their mouth!

Back the hell off with your honeyed words and your honeyed fingers!

Jinshi: Don't be so modest.

Is he doing this because she smacked his hand off of her shoulder earlier?

Maomao yells for help from Gaoshun, who pretends he can neither see nor hear what is happening. Holy hell. Don't these guys remember her story about nearly being assaulted? What the hell does Jinshi hope to achieve here?

Maomao is pissed at Jinshi, unnerved, and uncomfortable, but she's not triggered into having a trauma response. I think she must know that Jinshi would not force her. Even with the honey, I think he would stop shy of forcing his fingers into her mouth. I think, he thinks he is teasing her (it's harassment as Lady Gyokuyou says when she comes in). Maomao considers fighting. She considers submitting. She considers fleeing, but before she can decide what to do, she has an insight, which is what finally stops Jinshi.

Maomao has a moment where she thinks through some earlier events, like Lady Lishu not wanting to eat honey, and having had an allergic reaction to fish. She draws a connection that Lady Lishu may also be allergic to honey. Then she thinks about the servant girl who was drowned, about Lady Ah Duo, the servants, and Lady Lishu acting shady. And... I'm not sure what connection they have to honey, but I'm glad Maomao was able to connect all of the events. I knew she could do it, even if I can't!

My hero, Lady Gyokuyou walks in and Jinshi is caught honey red handed. And he runs away, like the guilty asshole that he is. Did I say he had heroic qualities earlier? I take it all back.

Gaoshun calls Maomao "Xiaomao" and tries to make excuses for Jinshi, calling this a prank that went to far. And barf. Fuck that excuse. And boy do I think there is some commentary happening here about sexual harassment and rape culture, but I won't digress into it.

Maomao: Since it was nothing but harmless fun, next time you can do the licking for me?

So, what is the point of this scene?

I've thought about it, and I'm swinging in the dark, but I think Jinshi is acting bizarrely because he is getting desperate. We've seen him slowly unraveling for awhile now, as he struggles between craving authenticity, and living up to the expectations of his status. To be clear, what he did is way across the line. It's certainly across the line in Maomao's eyes. It's also crossing the lines of propriety which is why Gaoshun pretends not to see, and why Lady Gyokuyou reacts so strongly when she sees it. But I think Jinshi has even crossed a line of his own that he normally wouldn't. So what would compel this usually composed and calculating man to behave in such an unhinged way?

Well I think it comes down to a few key events that happened recently.

Maomao left.

Jinshi has gotten rather used to having Maomao around. Being able to call upon her whenever he wants to take advantage of her incredible mind and unmatched skills. Or if he just wants to tease her or banter with her. She's the one who sees him. The one who makes him feel like he's a person, and not like he's just filling a role. So when he shows up and she's just... gone. Well. Jinshi did not like it.

He thought he lost her to another man.

Not only was she gone. She was gone with another man! Hadn't Jinshi been clear enough when he gave her a hair pin? How can she prefer Lihaku?! Also, doesn't she shrink away or cringe whenever Jinshi tries to touch her? How could she allow herself to be with Lihaku?! It turned out she wasn't physical with Lihaku, but for a moment there he saw what could happen. Jinshi did not like it.

Maomao's despair

That the machinations of the palace could tangle Maomao and get her killed, and that Jinshi would be powerless to stop it, well... This is intolerable to Jinshi.

Mix these feelings of loneliness, jealousy, and desperation and we get a Jinshi that is irrational. We've usually seen Jinshi in control of himself and everyone else around him. He's the mastermind, who knows how to move the pieces around the board to produce the outcome that he wants. And if he feels some way about what's going on around him or inside him, we usually have to guess, because he doesn't have anyone that he can talk to about it. So to now see him behave without thought, or reason, just from a place of desperation, of wanting to connect with Maomao, who just won't let him in, no matter what he does. Well, it's really weird, and inexcusable, but also kind of sad.

Whatever the case may be, Maomao uses this opportunity to ask Gaoshun for a favor. She's put the pieces together and now she needs evidence. Gaoshun accompanies her to visit Lady Lishu. His presence implies that the visit is sanctioned by Jinshi, which it is not. Maomao feels he owes her this one.

She wants to ask Lady Lishu about honey. Things are starting to come together for Maomao but I'm lost. I haven't figured out how exactly the conspiracy works yet, or what connection Lady Lishu has with the Garnet Pavilion. In any case, Lady Lishu had a dangerous reaction to honey as an infant and was told to never again eat it. And when Maomao asks about Fengming, Lady Lishu looks downright terrified. I'm also remembering that Lady Lishu was the child bride of the former emperor, and was mother-in-law to Lady Ah-Duo. That little tidbit probably wasn't dropped into this story for no reason. Just what is the connection between Lady Lishu, Lady Ah-Duo, and Fengming? Whatever Maomao suspected she didn't share it and now I'm starting to understand how Jinshi feels because I also want to force her to tell me what she thinks!

Gaoshun may not be a fan of JinMao but he is becoming quite a fan of "Xiaomao." He's giving her cutesy names and doing her favors with no reward. He has seen the way her brilliant mind works, her passion for protecting the powerless, her composure under pressure, and her superior competencies. She's earned his respect. When she asks, he searches through the court library, without question.

Wait a god damn minute. Honey. Lady Ah Duo's child appeared dead because they gave him honey. Of course they did, they have honey in abundance at the Garnet Pavilion. Then when the doctor was called he... took him out of the palace to safety? No that doesn't sound right. If the baby were a girl I would say yes, and that the baby was Maomao. But if that were true and we assumed that the emperor was her father, and we assume that Jinshi is the emperor's brother, than that would make Jinshi Maomao's uncle. Lol! Perfect. Absolutely perfect. But I don't think that's right.

So I've thought some more and I'm reminded that someone said the Emperor and Lady Ah Duo were foster siblings. I'd like to know more about that scenario, but regardless, I wonder if they truly saw themselves more like siblings than as spouses. I wonder if they didn't have physical relations at all. It would explain why they never had another baby in the many years they have been married. But then how did Lady Ah Duo end up pregnant you may ask. Well, there are not a lot of named male characters in this show that could fit the bill, so with my limited information, and a shot in the dark, I'm going to guess Sir Kounen. He was around in the palace with access to the imperial family, which we know because he had an impact on young Jinshi. Was he friends with the Emperor and Lady Ah Duo? Did Lady Ah Duo used to ride horses with him, then sit under the stars? Was that why she was drinking while stargazing at the top of the episode? Was she toasting to her past lover? I don't know. I don't really have any evidence at all.

So then what is with Fengming burning secret communication sticks? Well, if we consider that Lady Ah-Duo sneaks out to go horseback riding or meet up with her fellow who isn't the emperor, then maybe those communication sticks are for setting up secret rendezvous.

When Maomao was figuring out the connection of honey to every as yet unsolved mystery, she thought about how honey can nearly kill an infant, she thought about the servant girl who was murdered, and of Lady Ah-Duo, and if Jinshi is that baby, and honey was used to feint his death, then maybe the reason the servant was killed, was because she found out that the baby that was born was not the emperor's, or maybe that the baby lived. Or maybe she found out about Lady Au Duo having an affair, or maybe she saw Fengming using the secret communication sticks. Hmmm, could be a lot of things. There are a lot of secrets to keep in the Garnet Pavilion.

But how does Lady Lishu tie in? Am I way off here?

So I guess I'm now leaning towards Lady Ah-Duo's baby being Jinshi. Was Sir Kounen actually his father? And that would make Jinshi 17. He seems older to me. With all of his responsibilities, that makes me very sad to think he's so young.

There were two baby boys born around the same time, the baby of the emperor and the baby of the crown prince. Was there a baby swap in the palace? Did the emperor's child die? And they replaced that child with the Lady Ah-Duo's baby? Therefor removing Lady Ah-Duo's baby from the line of succession, since the child is a bastard and isn't actually of the imperial bloodline. That would kind of fit with how Jinshi is treated.

But you may ask, if Jinshi were Lady Ah Duo's baby and honey almost killed him at an infant, how can he sit around lapping it up now as an adult? Well, babies' deadly reaction to honey isn't due to an allergy, it's a rare infection. So even if you have a reaction as a baby, that doesn't mean you can't eat it as an adult. Will this be relevant later? Is that why the storytellers made such a spectacle of the honey scene? So we would remember it later?

Also, Maomao thinks it strange that the current emperor only had one concubine while he was still crown prince. That's even stranger if that one concubine was his foster sister whom he didn't have a physical relationship with. Did he also have a secret lover on the side? In the annex maybe? Perhaps someone that it wasn't appropriate to make into an official concubine? Perhaps Maomao's mother? Do we even know any characters that could fit this role? Fengming, maybe? The emperor comes to visit Lady Ah Duo, but he's actually there to see her head lady in waiting? Is Fengming actually using the communication sticks to set up a rendezvous for herself with the emperor? Did the lady in waiting find out, and the emperor's people had her killed? But Fengming is quite a bit older than the emperor so that's probably not it either.

Ahhhhgggg! This episode is too confusing! I give up! I want to threaten Maomao with some honeyed fingers and make her tell me what's going on!

I am really sorry to the people who read all of this. I have nothing good to offer you this episode. Just a ton of really wild, conjectures. Maybe I should take Luomen's advice and keep some of those to myself. Or maybe put them to use in writing a fanfic. lol.

If you want to start this blog series at the beginning:

Episode 1

Next episode:

Episode 11

[shallowseeker]

hi shal!!!! long time no see it seems like.... i have a favour to ask… im doing a school project about media in the early 2000s and how they treat women and minorities, and i want it to be centred around supernatural. ive been looking around spnblr for essays about this, but the most on-topic i could find were meta, and i want to look at the context in which the show was created instead and use the show as evidence, yk? do you have any recs or nah? thank you for your time ily forever

That is.... so very cool. Despite dabbling in what you kids call meta these days, I'm not super great at calling up this stuff in my head. I think you could look through @drsilverfish because there are some era-specific motifs and @cassierobinsons has some meta that might be helpful.

Dashfam, please make suggestions! ❗

Off the top of my head, one of the things that struck me growing up in that time is how my peers were so disgusted by the Jessica Simpson weight fiasco of 2009. I had peers refer to her as a cow and other derogatory insults. Just two years after that, 2011 and the Leviathan season hits the air with a lot of fat-shaming. There was one scene in season 7, I think it was REPO MAN, where Sam is sitting in a library and there is some shame heaped at the female librarian there to me feels very of the era. I remember laughing at the time and thinking, "Oh, like Jessica Simpson."

This was the "viral" photo btw:

EDIT: Yes it was Repo man.

Yes, the "Lucifer" in the show is basically the thoughts Sam has and is unwilling to voice, so it makes a lot of sense that he's so judgmental about weight (and women) at this point, especially in light of his perfectionistic obsessions with weight and food. Sam/Lucifer is weird about not just the librarian "chubby" but also the mother of the kidnapped boy (Nora) "stupid cow."

It's still incredibly of the times the way it's written.

[striderthefrog]

Scratch McGee and repressed trauma.

First off I’d like to preface this by saying I am not an expert on mental health this is an attempted analysis of a cartoon character through the lense of mental health for the purpose of entertainment.

TW: Discussion of mental health/ptsd

Scratch has been one of the most complex characters in tgamm. He starts off as a grumpy hermit, but as the series progresses we begin to see that he has a softer side. However he is trying to escape a traumatic past and is scared of forming attachments.

In scaring is caring it is revealed that Scratches worst fear is losing Molly. Although they’ve only known each other for a few months these two have become the closest of friends and we see that Scratch is deeply afraid of losing her even though he shouldn’t have to be worried about that.

Then we get to season two, this is when we really start to see where the possible trauma originated. In A soda to remember we see Scratch and Molly try to get a soda he had as a kid to help him remember his past. This could be seen as a trigger for his trauma, something related to it that starts to bring up those feelings/memories.

Scratch confesses to Molly that he is scared of his past, he doesn’t know if he wants to remember, part of him wants to forget it for good. He ends up deciding that not knowing is the worse end so he takes a sip and we get a peak into his childhood.

Here we see that Scratch had a friend that moved away. We hear a sad version of the friendship motif which has been used with Molly and Scratch’s bonding moments. Scratch looks up from the soda directly at the screen showing the most raw emotion we have seen of him yet. He does not tell Molly about this for a while.

Finally we get to All in the mind, an entire episode delving into Scratches past memories and trauma. The form of these memories coming back takes the form of bubbles fizzing up. A fitting way to show that he can’t hide from his trauma forever. Now Scratch seems to be depicted with some form of ptsd/cptsd albeit a more simplified cartoon version. These can be triggered by very small things sometimes seemingly unrelated however the brain usually has come to associate some things with the traumatic memories causing it to trigger.

It seems possible due to the correlation with Adia that being around Molly is causing Scratch to remember things and face his repressed trauma. The better he gets to know her the more he feels a connection similar to his one with Adia.

Once we dive into Scratches mind we see many things such as childish cardboard ship in a bottle of the same soda. And we also see many food related things. Including a taco “of his past.” In his mind we see a brief scene where Scratch is in a chair across from a monkey very clearly like he would a therapist. Scratch clearly has something mentally going on.

Later in the episode Scratch is finally able to stop running for a bit, he talks through it with Molly and although still scared he’s going to try and confront his past. We get an even deeper look into his mind and see him and Adia discussing their plans to travel the world, while in a cardboard boat.

We get another look at the scene of Adia moving away but this time we see scratch look down at his hands where the soda is.

Scratch has begun to dig up his past trauma although it seems we have yet to see the source. At the end of the episode we see a massive bubble come up with Adias face in it distorting the end music and the logo.

Scratch still has his biggest traumatic memories to deal with.

It’s been confirmed that Scratch would have been about 9-10 in the flashback scene we got. When someone goes through trauma they often will act in a way reminiscent of the earliest time they had before said trauma. We consistently see Scratch acting like a child, throwing fits, and talking about things like a 9-10 year old would.

All this seems to point to Scratch having un processed trauma and memories. The show seems to be leading towards the final straw being something happening to Molly as Scratches biggest fear is losing her, like he seems to have lost Adia.

On that note I’d just like to add that trauma takes many forms, and many different things can lead to childhood trauma. One persons will not be like someone else’s necessarily and traumatic experiences happen much easier when one is a child as the brain is still forming. Please feel free to critique anything I’ve said. Hope this has been interesting.

[justinspoliticalcorner]

Stephen A. Crockett Jr. at HuffPost:

I’ve always been stunned at former President Donald Trump’s physical prowess.

I mean, who can forget when his White House director of communications, Anthony Scaramucci, gushed about witnessing Trump throw a perfect spiral through a tire? Or his claim that he’s seen the confirmed thousand-aire at Madison Square Garden in a top coat at the foul line swishing free throws? And despite all of us knowing that the former president’s diet relies heavily on fast food, that didn’t stop his White House physician, now Rep. Ronny Jackson (R-Texas), from praising his genetics. “Some people just have great genes,” Jackson told reporters in 2018. “I told the president if he had a healthier diet over the last 20 years, he might live to be 200.” So it has been quite the show watching the gymnast-like contortions of the former president to avoid getting to know, or actually court, Black people to support his campaign. Earlier this month, in his latest episode of “See? Black people like me!” the president stood during an obvious photo-op at an Atlanta Chick-fil-A while smiling Black workers appeared to pose while taking his order. Trump reportedly ordered 30 milkshakes and some chicken, dealing out fast food for free publicity before heading to a high-dollar fundraiser in a largely white neighborhood.

A Black woman in the restaurant said, in her best untrained actor voice, “I don’t care what the media tells you, Mr. Trump, we support you!” I later found out the Black woman was in fact Michaelah Montgomery, a conservative activist who had arranged the entire scene. To her credit, the bigger story was supposed to be a conversation between students from nearby HBCUs and the presidential candidate about conservatism and possible inroads with the Black community. The moment became a meme. As with most Trump moments. Because what Trump and those around him don’t understand or care to involve themselves with is that Black people, more specifically Black women (also known as the spine of the Democratic voting bloc), are three dimensional, alive, actual human beings.

In Trumpland, Black people are caricatures of all of the worst stereotypes that have ever been imagined. They are rapists, thieves and murderers who want to terrorize… wait, no, that’s immigrants. But the point remains: The idea of even possibly courting Black voters never moves past stereotypical ideology. Which is comical when you consider that in 2024, the year of our lord Dawn Staley, an actual presidential strategy for winning the Black vote was… wait for it… sneakers. In February, Trump unveiled his $399 “Never Surrender High-Tops” at SneakerCon in Philadelphia. Trump didn’t just premiere the gaudy gold high-top decorated with an American flag motif, the sort of faux patriotism that’s truly become Trump’s signature brand, he actually went to the event to help hawk the ridiculousness that was an attempt to capture not just youth culture but ... well, I’ll just let Fox News contributor Raymond Arroyo say the quiet part out loud. “This is ... connecting with Black America. Because they’re into sneakers. They love sneakers. This is a big deal. Certainly in the inner city.”

Arroyo got bashed for his take, as he should, but his take was a glimpse into how many Republicans, especially Trump, see Black people as sneaker-loving, inner-city dwelling and easily swayed by shiny, expensive things. It’s Republican typecasting in which a Black person remains the villain/magical negro who serves only to further the white protagonist’s storyline. And make no mistake about it, in the story of Trump, as told by the narcissistic narrator, the former president is always the hero.

Which brings us to Blacks 4 Trump (aka Black Voices for Trump), you know, that hodgepodge group of Blacks (mostly men) who have proclaimed their allegiance to Trump and who stump for him despite his lackluster attempts at any tangible metrics with the Black community. Don’t act like you don’t remember Michael Symonette, Maurice Woodside and Mikael Israel (these are not three people; it’s one man who has gone by three names), more commonly know as “Michael the Black Man” (his name for himself, not mine) who magically appeared behind Trump at a 2017 rally in Arizona. Always strategically placed in the camera’s view wearing a shirt that says “Trump & Republicans Are Not Racist” or “Blacks 4 Trump.” The funny thing is that the group Blacks 4 Trump didn’t ever seem to really do anything other than allow their Blackness to be co-opted for the then-president’s political gain. The group didn’t have an agenda or a political manifesto (at least it never presented one) that noted how Trump could actually earn the Black vote. They just showed up and allowed their images to be used to sell a product.

Because, never forget, Trump is always in the Trump business. Which leads to arguably the most disturbing attempt by Trump’s campaign to court Black voters, which Trump’s camp openly admits they need to win over in the upcoming election: Insisting that because Black people have been the victims of an unjust criminal system, they relate to Trump more because he, too, is a victim of the Man.

[...] Trump acknowledges that there is discrimination and, more important, that Black people have been discriminated against. This means nothing to him, of course, as that only serves to get him to his second point, which is that he can relate, which therefore makes him more relatable to the discriminated class. He doesn’t want to fix the problem, he only wants to leech off of the sympathies related to it. It is in this brushstroke that Trump ― who has been charged by Fulton County District Attorney Fani Willis, a Black woman; Manhattan District Attorney Alvin Bragg, a Black man; and New York Attorney General Letitia James, a Black woman ― that he, too, is a victim of systemic racism.

“When I did the mug shot in Atlanta, that mug shot is number one,” Trump said. He added that the Black population “embraced it more than anyone else.” He also said: “I’m being indicted for you, the Black population.” First, the obvious. I’ll just let President Joe Biden’s campaign spokesperson Jasmine Harris explain it. “The audacity of Donald Trump to speak to a room full of Black voters during Black History Month as if he isn’t the proud poster boy for modern racism. This is the same man who falsely accused the Central Park 5, questioned George Floyd’s humanity, compared his own impeachment trial to being lynched and ensured the unemployment gap for Black workers spiked during his presidency,” Harris told The Washington Post.

“Donald Trump has been showing Black Americans his true colors for years: an incompetent, anti-Black tyrant who holds us to such low regard that he publicly dined with white nationalists a week after declaring his 2024 candidacy.”

Stephen Crockett Jr. wrote in HuffPost that Donald Trump's attempt to court Black voters is based on stereotypical traits of Blacks from a conservative POV, including by claiming to relate to being victims of an unjust criminal system that Black folk face.

[nuevo-city]

can i have. oc infodump please im genuinely so curious

HI HI OKAY HI.

some background info on this world; ~700-1000 years in the future. cyberpunk dystopia. almost all of the world is a desert, with only one city of mutated humans remaining. nuevo. these humans main survival adaptation is their ability to survive the slight remaining radiation from the nuclear apocalypse that happened, as well as their ability to drink saltwater, but they have powers too. the city has been divided into three “levels”, all built vertically on top of each other.

the lower levels are a cyberpunk undercity type place, with crime both violent and harmless running wild due to the lack of the hero society’s influence here (i’ll talk about them in a seperate post, but unfortunately to convey it simply, imagine the heroes from mha if they were basically the fbi and the cia at the same time and also even more corrupt and like. paying off the villains to kill people)

. the middle levels are basically solarpunk aesthetic with none of the e benefits of solarpunk, vaguely-futuristic nyc. think spider-verse earth 1610 for what daily life is like, just a lot more future-y.

upper levels are where the hero society mainly influences, the city in the sky. the RICH people live here. generally if you’re up here you’ve got ties to the hero society or the government, or you just work here and live in the middle levels.

NOW. this is my precious son leo grayson arnaud. vigilante name red noise. bisexual transmasc disaster/professional enabler older brother/part time wannabe wine aunt. he is sad and pathetic and here for a bad time, not a long time. (*cough cough* leo-grayson-arnaud.carrd.co check it out if it still works)

he’s a vigilante!!! he’s awesome!!!! he’s a boyfailure!!!!!! he’s cool as fuck!!!!!!

some info: he’s deaf! his powers let him control sound waves, so he uses them to be really fucking loud so he can utilize noise to electricity to electrocute people with the power of punk rock, but uh…. (garfield meme here) you are not immune to power drawbacks. safe to say, he’s lost most of his hearing. he was also raised the cyberpunk equivalent of a catholic lol? but it’s more akin to like,,, the legal religion from the silt verses than anything. he’s also got an AWESOME boyfriend

(the cowgirl in the second image is @the-lonelyshepherd’s oc shay. if you’re reading this and don’t know her, check her out!!! she’s cool and shep’s stories are so awesome)

this is sam pines. my BOY. fellow disaster tboy, professional hunter noceda relater-to. absolute poor little meow meow. he’d probably like mother mother but he doesn’t even HAVE a mother mother, carrion bird motif, “my guilt does not purify me” ass.

(the flower clasp is only part of his design while he’s in the cult.)

anyway he’s a born and raised lower level kid. he was abandoned by his mother (DO NOT THINK SHE WAS BAD FOR THIS. it was her only option) and grew up in the foster system until he was nine. at that age he was roped into a cult known as the sentinels. (ill go more in depth with them in another post too) they promised him food and shelter, and he needed it, so he took it. over time he was made to be a soldier for them.

he’s basically a prophet for the sentinels? of sorts. it’s very confusing and strange because it’s a Cult and that’s how they are but yeah. he does get out eventually but it’s more “outcast as a heretic and hunted down and almost killed and then saved by the leader because she thinks he’ll be useful if he still has some devotion left”

bonus info: he’d probably like will wood and jhariah tbh. he lost an arm to his own powers (if i had a nickel for every time power drawbacks showed up in my main ocs if have two nickels which isn’t a lot but it’s weird that it happened twice). he feeds stray cats. he falls asleep in the weirdest positions. chronic pain haver (the haverrrrr). all i can think of as basic info rn but im working on making full refs and posts for the rest of the team

[good--merits-accumulated]

OK, SEVERELY rambly post incoming but - Anderperry Stardust (2007)/ The Little White Horse AU, anyone?

Rundown: I think many of us are familiar with Stardust, originally a Neil Gaiman book but also a great film, starring Claire Danes as a falling star and That Guy Who Plays Daredevil as the lad who promises to bring her to the girl he's infatuated with. The Little White Horse is, to the best of my knowledge, more unknown, but equally very good (for sentimental reasons, I think of it much more highly than Stardust). Published in 1946 by Elizabeth Goudge, it tells the story of thirteen-year-old orphan Maria Merryweather, who moves to her cousin Sir Benjamin's Moonacre Manor in the West Country, where she finds a) a thriving cosy community and a long family history, b) the little white horse of the title, c) a longstanding family feud cutting off Moonacre from the sea, d) her imaginary best friend Robin, real and in the flesh, and e) some of the most deliciously-described food that has ever been or will be. It's a great book even past the rose-tinted glasses of my childhood. Go read it. (The one (1) marring is that you can't find a bloody edition that doesn't have a JK Terfling quote pasted onto the cover, because apparently it was one of her favourite books, but fuck OFF, I'm reclaiming it now. Thou shalt not keep the cosy low fantasy from me.)

Anyway even though I mention Stardust this isn't really part of the AU I have in my mind, except for the bit with the Star, because Todd as a main character who thinks he's a very forgettable bland boy-in-the-corner until he finds out he's a star is a great thought to me. Particulars on /how/ he's a star to be fleshed out later! (I only thought of this AU about two hours ago, lol.)

In my mind this is how it goes - nebulously Olden Times setting (TLWH is set in 1842, so perhaps then). Todd is around seventeen/eighteen and Geoff has just graduated from university, and gone off around Europe, accompanied by their parents. Months go by. Something happens - he's never given the liberty of knowing, but Geoff and their parents stay in Europe, and the townhouse in London is sold, and Todd is packed off to stay at a distant relative's - Keating, as it turns out. It's a blessing in disguise, because Todd is finally away from his family for the first time in his life and around people that appreciate him. He begins to bloom under this new care - but there are strange family secrets only now being revealed to him, and dark forces beyond the valley which threaten to disrupt the haven he's found...

The rest is very cosy fantasy, featuring Mr Perry as the local uptight vicar locking horns with Keating at every opportunity, Neil as his withdrawn but friendly son just longing for a rebellion, and more! (Read: Charlie is here and he is Outrageous as usual. Read also: Pitts as a sailor because I think he'd like it.) Right now I'm thinking of adding an equivalent of Monsieur Cocq de Noir for a villain (Mr Perry is NOT the villain), and Cameron can play a part there so I can give him a good redeeming! Here are a couple of extracts from TLWH to show the kind of mood/tone we're working with:

Thematically, I REALLY like the idea of Todd as a star because it allows me to work in a very fun trope, of "not of the rose but near the rose" - when a character perhaps is shy and a little quiet and reclusive, but inspires other people around them to brilliance and greatness. (Honestly I do think this kind of goes in with the film, where it's not just Keating's teaching but Todd's reaction to it and his presence that galvanise Neil to continue.) This ties in really well if Todd's a star and adds to the overall self-confidence journey - plus I was really thinking about the sun/moon motifs! They're very prominent in TLWH (Maria is a "moon" Merryweather and Robin is a very sunny boy), and I really want to implement them here with slight twists. I think of Todd as a sunny moon; yes he's warm and caring and cheerful but once you go a little closer it's more of a luminosity rather than a blaze, there's a coolness and quietness to him I like. You know, a quiet character doesn't always have to be quiet because there's something "wrong" with them, sometimes they're just like that. For Neil it's the opposite, he's a moony sun; under the thumb of his father he's polite and decorous and demure but somewhere under all of that there's a very loud and booming laugh and a healthy sort of ruddiness. I don't know, I just like sun/moon motifs!!!!!!!!!!

(On a more personal note: this AU, which I already love very much despite not having known very long, would be above all a careful love letter to the West Country. It's been lovely living around here almost all my life and by this time in September I'll be hopefully up very far north at uni, so I'm pre-emptively kind of :') about it. Mutuals who are at uni/college how on earth did you cope?)

[pinkberrypocky]

pmmm rewatch live notes: ep 9

wough. ep 9. wough. the design of sayaka's labyrinth. the way kyoko chooses to die with sayaka. screaming crying throwing up.

THE WAY SAYAKA’S LABYRINTH IS MUSICAL

Earlier when she was in despair but not a witch she was floating in symbolic waves of sadness that looked kinda like music waves

In sayaka’s labyrinth the sword as the conductor wand is SO CRAZY

Bc the conductor is the one who decides how everything goes and what the rules are and sayaka was determining the rules for the world as a warrior of justice but she was wrong

The bugs around the lamps when madoka is on the way to find sayaka !!!

madoka is walking on a railroad track when she comes across homura and kyoko carrying sayaka

There is a railroad motif in her labyrinth

The silence of the train and then the sudden sound of the train as madoka comes to the realization of what happened to sayaka

“From now on for every person she has saved she will curse another” really ties back into the idea that hope and despair cancel out to zero

Homura isn’t able to comfort madoka bc she has been through what madoka is going though countless times and knows crying is pointless

Homura saying that she doesn’t consider herself human and kyoko shouldn't either is so AAAA

Madoka small on her bed with her knees to her chest and kyubey’s giant shadow on the curtain as he looms over her

Why are there so many empty chairs in madoka’s room?

For the past versions of her?

For everyone she will save?

Madoka asks kyubey if the magical girls are just disposable energy sources

Which is exactly what it is

They are a natural resource for the incubators to manipulate, reshape, and commodify with no regard for their humanity

Kyubey moves to sit on a chair… What does this/the chairs represent?

I don’t think madoka truly saw kyubey as an enemy until this episode when he says he doesn’t understand why they are upset about a few people dying

Before that she tried so hard to understand him bc she wants to see the best in everyone and find a path forward together but this is a fundamental difference they can’t meet on

Kyoko is seen eating a shit ton of food right after the whole sayaka thing

Reminding herself that she’s not back in the situation she was with her dad

She’s not poor she is safe and can eat when she is hungry

False sense of security in food

The reason she is always snacking is bc it brings her comfort

Kyoko tells madoka that until they knows for sure that sayaka can’t be saved she wants to try

She isn’t trying to put up the facade that she doesn’t care about others anymore

She is doing something selfless blatantly and doesn’t seem upset about it either

Kyoko says that it was sayaka who reminded her why she became a magical girl in the first place (to save others)

So its so narratively tasty that she dies to “save” sayaka in the only remaining way she can

Kyoko tried to teach sayaka the truth about the horrors life but in turn she was reminded of the good parts by sayaka

In the building kyoko and madoka break into to get to sayaka’s labyrinth is lit in yellow

So interesting how mami dies first but her color shows up the most in setting/objects

Her influence living on and continuing to have an impact on the actions of all of them

Kyoko does what mami tried to do in terms of educating about the magical girl reality 

She tells madoka to wait to make a wish until she has no choice

She is always talking about how tough it is and doesn’t sugar coat anything 

She is seen as an opposite to mami but in reality they are so similar

They are also the only two who have experienced economic hardship

Sayaka’s witch form wears a suit of armor like a knight (like she wished to be)

All the people playing the violin in time perfectly no matter what is happening around them bc sayaka’s whole thing is making sure things play on (and literally that kyosuke can play violin)

The red and blue sayaka and kyoko in kyoko’s internal monologue of talking to/with sayaka is SO AAAAAAA

The only time in this fight that kyoko gets mad is when sayaka attacks madoka 

Bc that shows that sayaka is truly gone bc protecting (esp her loved ones) is everything to her

Kyoko tells homura to focus on the one thing that matters to her most to the end

Homura looks at her with madoka in her arms

Kyoko takes down her hair and kisses her soul gem before breaking it to die w sayaka

In context w the quote from above she is apologizing to herself, what mattered most to her, bc she has found something else that she isn’t willing to give up on, even if it means giving up on herself 

The first time we see homura’s nameplate for her house when she talks w kyoko its red bc they aren’t a team yet then the next time it's lit in yellow bc they are a team now but then when kyoko dies it is just gray

[eepyreading]

The Art of Food and Culture in Crying in H Mart

“How cyclical and bittersweet for a child to retrace the image of their mother. For a subject to turn back and document their archivist.”

4.5 / ⭐⭐⭐⭐⭐

Zauner’s harrowing memoir recounts the details of her mother’s last years before her death. She takes the reader by the hand and shows them the ugly face of unadulterated grief - what losing the most loved person in your life to cancer feels like.

I have read both criticism and praise for Crying in H Mart that believe the focus on food imagery either serve no functional purpose past making the reader’s mouth salivate (which it did - Korean food is delicious). I have to absolutely disagree, and would even assert that the descriptions of food are such an integral part to this story - to the story of Michelle Zauner the Korean - that Crying in H mart would not be as impactful without the in-depth details of each dish.

Throughout the history of humans, food has been a pillar of society and culture. It is an integral part of many traditions, from the family dinner table to the yearly Thanksgiving meal in America. For some cultures, including Korean culture, food goes a step beyond and is seen as a symbol of love. To cook someone a meal is to show a sense of belonging and kinship with that person. For Zauner, she witnessed this in her mother, Chongmi, who showed her devotion to the author through cooking and homemaking.

Until Zauner takes up the mantle of caring for her sickly mother, food descriptions are not nearly as frequent or detailed as they are later in the novel. After, however, we see this shift of food as a minor detail in the book to a predominant motif. Throughout the memoir, there is little else that gains such detailed accounts; preparation, texture, taste, and visual are all descriptors of different dishes Zauner has throughout the novel. While the food in Crying in H Mart is definitely enticing, it is treated reverently - almost as sacred.

As a first generation Hispanic American who did not grow up learning the mother tongue of my parents, I can absolutely understand not feeling connected with your culture. It is like being stuck between two vastly different worlds and not finding a neat place to fit in either. But this is why I absolutely adore the use of food as language - food becomes the unspoken vessel for Zauner to retrace the steps of their relationship and familial love. Learning how to make kimchi and indulging in food feels like a celebration of her mother’s life - the “lovely mother” who showed her affection through cooking.

Each description of a meal is mouth-watering, sure. But they also show Zauner’s growing dedication and reverence toward the food that symbolizes her mother’s culture. For this reason, I find myself wanting more direct introspection on the culture barrier between Zauner and Chongmi as a result of language. Zauner conveys enough to the reader so they understand her relationship with her mother became strained as a teenager, but I believe the narrative would benefit with more introspection of why their relationship is strained in the first place and how their language barrier plays a role in this.

Chongmi spoke fluent English, but pure language is not what I am talking about - I speak of the culture that is lost in the language barrier. When she visited Korea or was able to speak Korean with others in the memories of Zauner, the reader sees a different side of the author’s mother - they see someone who is human and able to be carefree. As someone who felt this barrier with their own mother during my teenage years, how do you convey this sense of deep grief and anguish - the abyss - in words that will resonate in their mother tongue? Where mother and daughter are unable to communicate themselves through words, food heals.

This memoir feels more like the journey rather than a destination, as if Zauner is flipping through a catalogue of memories and putting the pieces together as we look on, rather than being a cohesive end product that perfectly maps out her thoughts and experiences.

The nonlinear narrative of Crying in H Mart can feel disorientating at points for some readers because of the time jumping. However, I believe this suits the message Zauner ultimately tells - grief is not linear, nor is the process of coping. The narrative feels like a chaotic roadmap and the reader is in the passenger seat, trying to navigate the twists and turns on the road. Ultimately, this book is the author's attempt at coping with grief and this memoir is a great example of using the narrative style to situate the reader in the mindset of the author. This book will make you feel sad, happy, hopeful, defeated, and nostalgic. Perhaps it can feel incohesive storytelling-wise, but I do not believe it was meant to be that. To me, it felt like I was invited to an intimate meeting between a dying mother and a grieving daughter - how could I expect clarity in a situation that offers none?

[salty-protagonist]

Where is Doll Getting Blood From? (FOL Orphanage Blood Collection)

Now that we know Doll is a Bizarre Doll, let’s try to find out how she is sustaining herself with blood. This post will include information from the most recent chapters.

First of all, we know that no one can go in or out of the FOL orphanage except authorized people and innocent victims. So, while it is possible that blood is being imported into the orphanage, we need to ask ourselves “What would Undertaker do?”. For this case, it is unlikely that a place designated to be a blood collection center would receive shipments of blood to sustain one (known as of now) bizarre doll.

We also know that the fledged children are how they obtain blood. So, if the children aren’t leaving the premises, how does the blood go outside.

Because the fledged children are in fact, leaving the orphanage.

The last couple of chapters make it seem like once a kid reaches fledging day, then they get celebrated, they leave and then they are brought back at night. We can’t know yet if this is the general case for kids other than Ginny.

Let me remind you that before Ginny, the older kids had no idea where the fledged ones went. They even went as far as threatening Finny to get this information. It has its own large panel with a bold text to show how important it is.

Then Ginny could be a special case that returned to the orphanage compared to all the other fledged kids that we have no information on.

But why did Ginny return?

This question has a simple answer: for Doll. While it wouldn’t make sense for blood to come into the orphanage, why wouldn’t they use the very alive kids that they know the blood type of for food.

Doll ran out of supply like it happened to RC in ch 149, so the women at the orphanage quickly improvised to get her blood. An evidence for this would be the fact that Ginny’s dress wasn’t properly made.

They didn’t know they would need blood that day, so they acted quickly. Much like how Doll didn’t know she would collapse. Otherwise why would she go out in an open field surrounded by people?

Is Ginny dead?

Probably not. At least not when we saw her like this:

Let’s look at a motif that was present many times in the FOL chapters, the mistletoe. It’s known for being used in Christmas celebrations. But it’s importance in Kuro is much different. Theo does explain it a bit, but Finny outright says what we’ve all been thinks about for bizarre dolls all this time.

If mistletoe is digested, it can effect as a sedative that makes people go to sleep. It’s been used as herbal medicine for some centuries. There are dangerous side effects to eating mistletoe, but a large amount needs to be digested to cause death. So I don’t think that’s the case here. Ginny is just sleeping.

What we should be focusing on is the fact they they brought her to the stable. It was where we last saw Doll. Wouldn’t she be able to move on her condition?

Although the kids couldn’t find a secret door, there could be another mechanism that lets blood to be drawn and for Doll to use it. If even one of the snakes doesn’t return, it would be logical to assume that the snake was caught by Doll just like when she re-appeared.

As for the general blood collection, the fledged kids are most likely put the sleep with the mistletoe. Then they are brought to a bigger facility on a supply and demand basis. The blood isn’t drawn and shipped. But the need for whichever blood type gets fulfilled by a fledged kid that has it.

Just as a side note, I think that the lemon pastries have something to do with the mistletoes, but I don’t have anything further yet.

———————————

Thank you for reading!

[spacedlexi]

Would love to hear u talk more about Clem and Minnie mirroring one another if u haven’t already 🦅

i have Not >:) cracks knuckles

talking about minnie can be hard since she Really only exists in eps 3 and 4. eps 1 and 2 keep the twins pretty mysterious we only learn a few things about them. i think the most important thing we know about them tho is that they (or at least minnie) provided a sense of relief for the ericson kids. tenn saying how minnie would sing them "dont be afraid" when they were feeling scared. i think its safe to assume she wrote the song Specifically to have a way to make the other kids feel better when things were rough

when the twins die the kids lose this emotional support and we can tell its been hard on all of them (some more than others). but then in comes clementine. our girl whos been carrying the "light in the darkness" motif since season 1. and although she got that shit a little dirty in seasons 2 and 3 (ava going off in s3 about how clem and aj are light and hope and shit so we're still supposed to see it (and recognize that clem has become so Dark in s3 without aj)), she got her light back when she got aj back and she'll die protecting him

clem (and aj) fall very quickly into the hole the twins left. now its clem who makes them feel safe. first with finding them food then protecting them against the raiders ("youre our savior clem" "we were more scared than we let on when you met us. you made that go away"). its not an accident theyre put up in the twins room. and with the way violet grabs the frame and looks at it sadly we can even assume clem sleeps in minnies old bed (also the old torn down paintings seem to only be on ajs side of the room and hes got his whole "i wanna be an artist too" thing going on). clem has unintentionally taken on minnies old role of making the kids feel safe and reassured

then we finally meet minnie. and based on how the others described her there is definitely a piece of herself that shes lost (that shes killed). her light is gone now. and although her motivations have been warped, they remain the same. i do genuinely believe she is still trying to protect the ericson kids and do whats best for them, but just in the only way she thinks she can to stop more people from dying. she might even think the pros of living with the delta are worth the cons. clementine is the one teaching them to fight back but minnie knows from experience that fighting back just gets you killed, so she feels like if she can just stop clementine then everything will be fine ("youre the FUCKING problem here" "i wont let you get them all killed" and she does seem genuinely concerned if clem and vi are fighting in the cell. and obviously we know she doesnt want anything to happen to tenn). both minnie and clem want to protect the ericson kids they just have conflicting opinions about which is the right way to do it. but minnie Does show her ass when she ends her "if you just do what they say you can live" speech with "you can be rewarded just like i am" 👀 oh girl... she didnt just give up she gave in. killing sophie was her breaking point and i really wish we knew more about how that scene went down outside of lillys dramatic retelling i would like to see it objectively please. but based on the way lilly tells it, minnie (im sure begrudgingly) accepted her place at the delta before it even came to that, and was probably just pulled along by sophie when she tried to escape. which is probably why (im assuming) lilly gave her the choice to kill sophie to stay with the delta (her New family), and she did... she kills a piece of herself when she does this (only compounded by the twin imagery), and i think her seeing clem fight back reminds her of sophie and brings all those feelings to the surface. and if she can just kill clem everything will be ok, cuz it worked last time....

minnie singing "dont be afraid" when attacking them on the bridge. a song that once brought them peace now being used to herald death. but since she approaches already singing it she was probably singing it to soothe herself as she succumbs to her bite, walking away from the wreckage she blames on clem, her delta family dead (she Did care about them in a fucked up way), using a herd of walkers against them the same way clem used a herd of walkers to attack the boat. all minnie cares about at this point is finding tenn, and she does, and shes gonna take him with her. just like clem looking for aj, finding him, and taking him. but where clem would die to protect aj, minnie wants to kill tenn to take him "home" with her. add to this ajs feelings about ending up alone without clem and wanting to be walkers together if it came to it. this is why tenn dying on the bridge feels narratively fulfilling to me even tho i hate it 😭 tenn wants to be with minnie (and sophie and their parents) and death doesnt scare him. it kinda comforts him. him and minnie dying together here is like the dark fate clem and aj barely avoid

and then vi fitting into this as she became tenns caretaker after the twins left. she also wants whats best for him so her and minerva fighting at the end for tenn is interesting. especially since violet (and louis but he wasnt tenns caretaker the way vi was) can die throwing him over the gap. i like the layers violet adds to being in the bridge scene, and it makes it even more sad when she cant protect him because thats all shes been trying to do since before clem and aj even showed up. plus aj shooting tenn puts violet in a similar position to louis in regards to marlons death

i really love the ways violets route adds to all the minnie and tenn stuff. and the way we can see clems influence change her. how a saved violet is ready to fight with clem but a kidnapped violet believes in minnies goals and thinks giving up is the safest plan for everyone. because regardless if you save her or not violet ALSO wants to keep the ericson kids safe and just doesnt know the best way to do it. clem encourages violet to step up and minnie encourages violet to give up (warping her character growth which is why i cant Not save her 😭 and the betrayal of it all). using violet as a common denominator is another way to differentiate between clem and minnie. then throw the romance on top of that.... you can see why i get a little...Sillay.. this is ALSO why i dont like vinerva in any romantic capacity post the events of ep3 and why i love seeing vi with clem. its what they each encourage in her. minnies weakness, clems strength.... why seeing vi and minnie fight clem makes me want to cry but seeing clem and vi fight minnie makes me jump off the walls LETS GOOO

and i havent even talked about lilly yet.... how if lee took lilly up on her offer in S1 about stealing the RV together clem couldve ended up in her custody.... i definitely believe clem looks at minnie and sees some broken scared part of herself in there. she is Fiercely Loyal and would do anything for her family so if she was raised (or broken) in that environment (and it seems very "ends justify the means" with the delta as it sounds like its actually pretty good over there if you can look past the intimidation and torture and kidnapping) i could definitely see her being the one standing behind lilly in some other universe. its what lilly still tries to do with her but its too late (and so lilly tries it with aj instead which is still a way to get to clem). but clems grown now and shes been making her own choices for a long time. shes already been through this with the new frontier (and hell even with carver at howes). she'd die before she gave in. and minnie made the choice to kill her sister to save herself

even with the little info we actually have on minnie she still works pretty well as a foil to clem. this is why i find it easier to talk about minnie when comparing her to clem like i feel like its her main purpose. i feel like theres still more i could say its just eluding me. its not a coincidence that minnie almost takes clem down with her in the end. why shes the reason clems able to get bit. minnie blames clem for her own demise and she's gonna get in one last fuck you. and minnies fate is one clem is desperately trying to avoid. kinda 👀 to be taken down by your narrative foil