#also like i'm being given access to like resources

[clowngremlin]

it's kind of like amazing what being properly medicated and like leaving ur house and doing things with other people and like being a part of ur community can do for ur mental health.....

[medicinemane]

I still wonder about the people who double down on communism... and not even like me when I was younger where I got (not the full extent, but got) that the soviet union and such were awful, but just thought that maybe with less terrible people at the helm it could work (later realizing that these kind of things always have power hungry people rise to the top) Anyway, no I just don't get the "well see, you've admitted your great grandpa owned a chicken, sounds like he deserved to die" people... like the fuck is there even to gain here about being smug while dying on a particularly stupid hill?

[canmom]

"don't post links to pirate sites" as a security through obscurity strategy seems... weak. if a pirate site is so obscure that almost nobody can find it, it's also essentially pointless.

but yes, if a pirate site is common knowledge, the feds will be working on destroying it. so the idea is i assume to achieve an intermediate level of obscurity, where you have to have a certain amount of talent for asking the right people or searching the right things to find it. but... whatever capacity for research you are asking people to have on that front, the feds are equally capable of it, and they have a whole lot more time on their hands for tracking down pirate sites! security through obscurity is a losing game for piracy. the perfect sweet spot where people can find your pirate resource but the feds cannot is something of a mirage.

if not that, than what?

the current piracy system involves a few different tiers of accessibility, and various components that are more or less decentralised.

torrents are the most resilient tech because to stamp out a torrent (with DHT enabled) you have to suppress every seed. so, you have big public torrent trackers like TPB; these are well known and rely on hopping domains and redundancy for security. the ratio of seeds to leeches tends to be low, but the number of users is large enough that there will be at least a few seeds out there for most stuff. torrent clients have gotten a lot better at seeding strategies that take into account your seed ratio and what's currently available in the swarm, so if you just leave everything on seed and open your torrent client fairly often (use a VPN though lol), you don't really need to think about it.

then you have private trackers; these operate on an invite basis. the problem with this is that when the pool of users is so small, the odds of a given seed being online are also small. to prevent torrents dying, they gamify it: you get points for seeding and if you don't have enough points you can't download anything until you seed more. to help people get back in the game there will be 'freeleech' events. being active on a private tracker takes a bit of work.

and of course you have to get in in the first place, which tends to require a proven track record of seeding on other private trackers, and some kind of interview with the operators. getting involved in private trackers is a much bigger ask, you have to figure out where to get your foot in the door, and work your way up to the more insular trackers. it's like a mini subculture. it's valuable, but not scalable.

at the top level of inaccessibility is the warez scene. this is a whole subject that i'm not even gonna get into, go read wikipedia. historically this is where the files actually come from, before getting distributed on public trackers, usenet etc. but good luck getting in there lmao, they are understandably quite paranoid.

of course, for stuff to get on pirate sites you need somebody to go the effort of ripping and encoding it. this is where a major point of failure exists. when RarBG went down recently, the biggest loss was not the existing archive of torrent links, which can be backed up - it was that they were very active at converting scene releases into torrents with a decent balance of file size and quality, which then filter out into the various public trackers. that is much harder to replace! but what killed RarBG wasn't even suppression by authorities - according to their statement, it was a bunch of the admins getting covid or dying or fighting in the Russia-Ukraine war, which made the whole operation impossible to continue. so despite the thousands of people who download RarBG torrents, this single point of failure was overstressed and broke.

as far as the ethics of spreading links to pirate sites go... if it's something like a mega drive, yeah, the chances of a takedown are pretty high if it gets noticed! no question. but those things are by nature short-lived; if you want to use that for archival you're building on sand. there's also databases like emuparadise, but there was no saving that through obscurity, it just took Nintendo a minute to bring the case.

in this kind of centralised case, the clock is ticking from day 1. what we want is to maximise the number of people who are able to save copies while it's up, and then some of those people can put it up again somewhere else and keep the authorities playing whack-a-mole. (for a small collection of files, a sensible measure would be to make a torrent and a mega drive side by side, so that people can download the mega drive and then add the torrent to their client to seed if it gets nuked.)

as for torrent sites, the thing is that torrents rely for effectiveness on a swarm that is either very large or very responsible about seeding. if it's a public tracker, it has to be well known or it's pointless. instead of security through obscurity, the form of security for these sites is try to make the resource itself hard to take down - operating the tracker/archive in countries that don't have copyright treaties, maintaining mirrors, and of course distributing as many seeds as possible so the torrent can stay alive even if the site goes down.

the major problem with a dead torrent site is discoverability. if it's harder to find the torrent, fewer people will download it, the existing seeds will gradually go offline, and of course you can't download a torrent that you don't know exists. and while you could imagine a system of broadcasting metadata about a torrent (title, encoding etc.) in a DHT-like way but that would be so vulnerable to fakes and spam. maybe some kind of cryptographically signed 'this torrent is good' declaration is possible? I know certain torrent clients tout discovery features, but honestly I don't know how well they work. I'm sure there are projects that are way ahead of the game than me on this question.

but yeah anyway trying to browbeat people into not sharing links to pirate media is 1. futile, by the time you see it the cat is out of the bag 2. not a sustainable strategy for security. if you wanna lecture people, 'use a VPN and seed your torrents' is evergreen ;p

[genderqueerdykes]

i love you so much i love the way u talk abt trans men and our struggles i makes me feel so seen especially bc youre older than me, i want to be understood , keep posting please

THANK YOU !!

i appreciate that. i feel like nobody (aside from some very cool bloggers on here) is advocating for trans men anymore. like unless its a trans man talking about these issues, it just doesn't happen. nobody advocates on our behalf for the most part. everyone just leaves us to the weeds. we have to help each other because most people just don't even understand what trans men and mascs want. like it's absolutely positively insanity inducing

when i was in college, at my pride group, there were just. no conversations about trans men. at all. in fact. at the time i was beginning to realize i was a trans man but i couldn't find support or acknowledgement of transmasculinity anywhere. whenever i would participate in the conferences, and large group meetings for LGBTQ communities in our part of the country... I was forced into queer women's groups. i did not identify as a woman or bigender at that time. i asked them where a female-to-male genderqueer person should go, and they put me in every queer women's group. i was not being considered trans. i was being viewed as a cis butch lesbian.

i was fucking pissed.

i learned the word transgender and what it meant and the example that was given was male to female, which was informative. i heard a lot of things about feminine transition, drag queens, cis gay male culture, bisexuality, pansexuality, and even asexuality. i want you to know that my college's pride group in 2011 - 2012 was more accepting of asexual people than trans men, which is insane for that time frame. i was actually allowed to help with a presentation on asexuality

i had to go online and research trans men, though. there were none to be found in the group that were at least out and able to talk to each other. we were all very stealth and nervous. my long term friends there ended up being gay men, lesbians, and a transfem agender person. i never met a single trans man there. it was heartbreaking.

i am tired of participating in transmasculine silence. i will not participate in self-erasure. trans men are trans. we're men. we're mascs. we NEED support, community, and care. we need to learn how to access transition resources, to comfort each other, to laugh with each other, to help each other find what clothes make us feel like ourselves, to say each other's names and pronouns, to see one's self in the other.

we need people who will protect us from misgendering. we need to be able to talk about our unique issues. we need to be able to talk about how yes, we experience misogyny, but also that transandrophobia is literally a thing. we need people who will stand up for femme trans men and gay trans men. we need people who understand that it's not okay to call every single trans man a confused butch lesbian and assume that they're a queer cis woman. trans men can be butch lesbians and that's okay. but you can't rip away a trans man's manhood for the sake of being a catty asshole. it's misgendering. it's transphobia. care about being transphobic. transphobia hurts all trans people no matter where it's directed. we all lose when you opt to deny trans men and mascs the right to community.

i am transmasculine. i am a trans man. i love being a trans man. i'm not ashamed. i'm not going back in the closet. i love my transmasculine brothers and siblings. i will not silence them. silencing them is a disservice to us all. i refuse to do that to us.

thank you for sending this ask. stay safe, take care of yourself, you're an important part of the LGBTQ community, don't let anyone take that from you.

[blackmoonoracle]

PICK A CARD - THE PATH AHEAD

PILE ONE

I feel like a lot is being hidden from pile one honestly, like- there are a LOT of blessings coming to you guys. One big blessing may be that you will be entering into some sort of partnership. Likely a business ordeal that is really going to help your reputation. I'm talking a lot of recognition, maybe even being given access to certain resources that are rather hard to ascertain for most people. This partnership could be with a fire sign woman, or some sort of witch. Or YOU could be a fire sign woman or a witch. I'm seeing where something you've been working on for a very long time is going to start paying off. For some it could be a skill, people could be giving you recognition for how thorough you are. It's possible that some people are going to be confused by your success? You could've been struggling with stagnancy for quite some time, and then it's like out of the blue suddenly everything is just paying off all at once. It's like people saw the work you were putting in, and they just sort of figured it was all for nothing maybe? Good on you for not letting the way people talked, viewed, or projected onto you keep you from going after your desires. You may be isolating yourself from family due to some kind of trauma, or perhaps that has already recently happened. It seems like you're already a bit of a loner, or hard for others to read? So this could be you abandoning a family dynamic, or refusing to participate in some sort of cycle any longer for the sake of benefiting an abuser or keeping the peace & happiness of others. You're learning how to prioritize yourself. You are releasing mental and emotional blockages in love, that have kept you from having emotional peace. Learning a new skill, and learning how to move in silence. I feel like you will be taking on a new endeavour and you are not going to be telling ANYONE about this. Keep your passion, don't forget who you are, and if people try to cause drama or fight with you or bring up past grudges don't even put energy into engaging with them. State your piece if need be and keep it moving, these people are only seeking access to your energy because they delude themselves out of admitting their regrets. Trust that the right doors will be opened for you, keep things to yourself for the time being and trust your friends. They're in your corner, they're NOT trying to hurt you. If this pile resonated, and you'd like to book a personal reading based on this particular topic you can message me and tell me your pile number for a 45$ in depth reading on this topic.

PILE TWO A LOT of pentacles came out for this pile, so more than likely Taurus, capricorn, Virgo, and 10th, 6th, and 2nd house energy are present here. I feel like a lot of you are rather self centered at times, there's nothing wrong with knowing when to prioritize yourself, but I do feel like there is a lesson coming up regarding your reputation and your tendency to hoard resources of some kind? It feels like you can be rather argumentative at times, or that alternatively you have a lot of internal conflict regarding your reputation and what success means to you. Even if you are not hoarding a resource of some kind, the common theme here is stubbornness. I see you WANT to be in this King of Pentacles energy, feeling like you have financial security AND luxurious amounts of spending money. Yet, I also feel like sometimes you get caught up in money and materialism. There is more to life than money, and with the 2 of cups on the bottom of the deck this could actually be about romance. The lovers was beneath it. I feel like you are needing to tap in more with your feminine side, maybe spending more time nurturing your ideas and desires. Learning how to back up what you want to create, there is a need for you to develop your space of comfort more. Give yourself more peace, and connect with those you love more frequently. Basically, from what I can tell spirit is asking you to take control and make some changes in the way you are engaging with your loved ones. Be more present, and stop projecting unrealistic expectations onto yourself and others. It can make you pretty crabby at times from what I can tell, and it puts you in a position to where you can be a bit greedy- or just stubborn in general about what you think should be expected from others. Be more accountable for the role you play in your misery & learn to let go of what YOU think is best. The universe is trying to show you an easier path, but you are scared of letting go of what you've created. Things move in seasons. Relax, and let shit happen, it doesn't always need to be to a T. Some of you also need to express your thoughts and feelings more frequently. My throat feels tight, and weird, and like blocked? So definitely work on your communication as well. Keep going, and know that you are in control of your path. If any of you are into energy cleansing, do that more frequently. Sleep more often, stop letting people get to you, or when you fall or fail, just shake it off. Don't let it control or affect you too deeply. sometimes it just is what it is. Lastly, pay attention to signs in the form of butterflies, and listen to more music. Dance, get creative, paint, host a kickback. Do SOMETHING to get your creative juices flowing. If this pile resonated, and you'd like to book a personal reading based on this particular topic you can message me and tell me your pile number for a 45$ in depth reading on this topic.

PILE THREE

I feel like this pile has gone through a lot of trials and tribulations recently, I'm picking up on either a water sign woman or maternal energy doing a lot of manipulative stuff. It feels to me like there is someone in your life that is using their emotions to align you with their desired outcomes. It feels like you are very much in your own idea of what life should be and how you can develop that for yourself. I see where you may have a creative endeavor that you really want to pay off. You may stress and have frequent anxiety about fulfilling this desire due to this energy and the way it engages with you. You're being asked to keep your goals and ideas in mind. By choosing yourself and your truest desires over what this person has decided is best for you you will find true healing and self expression. I feel that this individual has very black & white thinking and a position of authority somehow. Seeing as the Justice card came out. There may be an influence coming in from a passionate, witchy, or fire sign woman who is teaching you some form of manifestation or spell work possibly? This could also be you tapping into your witchy side. I just keep hearing witchy woman. Your outlook on life is being shifted significantly in the coming future in order for your path to your desires to unfold properly. You may be forced to leave things behind, you may have to cut your losses regarding financial support from a family member of some kind and take things into your own hands. I'm seeing where you will be forced to let go of some sort of comfort zone of some kind. Because it is actively blocking you from achieving your goals. It's being shown here where your desires and your current circumstances quite literally cannot develop together. Like it's impossible. You need to learn that sometimes, especially if this is about leaving the house and moving to be on your own- that you have to be willing to take risks. Things are not meant to always be easy, but you are a strong and willing soul who can accomplish whatever your heart desires. Find a new outlook, and really ask yourself if your desires are so unattainable. If this pile resonated, and you'd like to book a personal reading based on this particular topic you can message me and tell me your pile number for a 45$ in depth reading on this topic.

[edgeray]

oh yes i meant when the reader is pregnant if u can, not in a nsfw way im sorry i made it unclear😭

Dragon Hunter Mother Part 4

(Arlecchino x Fem! Reader)

A/N -Part 1 | Part 2 | Part 3  It is once again dragon time, guys. I've written three dragon-related things straight 😩. The part you guys have been waiting for. Actual romance, hell yeah. Extra fluff for that one annoying moot (you know who you are 😡). It’s a bit short compared to the other parts for this series, but probably because there's no new lore dump. Guys, I’ve thought so far into this au, please feel free to ask questions about this AU outside of requests. I am dying to talk about random bits of lore I made up (such as Arle's backstory that I won't be able to write). Also this isn't the end. Because there is going to be a Part 5. What the fuck, guys /j.  Hi anons!! Yes, you can be 🦊 anon and 👅anon. I'm sorry for how late this was first anon, I know I kept you for a while 😭. Also I'm sorrry for not being able to fulfil parts of your request because a) jealous arle wouldn't make sense given the worldbuilding, and b) i don't write nsfw of any kind. Sorry. I'm not going to include how exactly you're pregnant because it makes me uncomfortable writing it, so I'll just leave it up to your interpretation.  Please don't let these discourage you from requesting from me :). I always try my best to satisfy every request as long as it's reasonable and within my rules.  Content warnings / info - no warnings :), 1.8k words

Recovering from the infected wound didn't take long–in fact, it only took a week to be fully healthy, and the wound was healing nicely. Arlecchino was able to take care of everything while you were bedridden. You were surprised by how diligent and aware she seemed to be of taking care of you, especially as a dragon, but you didn't question it. She has had several decades of experience before you, you wouldn't be surprised if she picked up on a few things about humans. 

It's been about four months since the dragon hunters incident, and you have yet had another situation like that. Venturing into the town you had previously been going to was no longer safe, and so you began frequenting another bordering village. It was a bit further away, but because it turned out to be a port town, it ended up providing you with a lot more food and resources you previously couldn't access; including: fresh fish, more meat and produce, and more clothes and fabric. 

The trio have grown big enough to which you ride on top of one of them with no difficulty. They not only increased in size, but also their affection for you, crawling into your lap or climbing your back, or simply pouncing on any limb and holding onto you tightly. The same could be said for you, you no longer saw them as children, but your children. Arlecchino tells you that they refer to you as ‘Mother’ often.

Speaking of Arlecchino, she is no longer the standoffish dragon she was before the dragon hunters incident. On certain days, she can be just as clingy, if not more, than the children, although she would vehemently deny it with a scoff if you are to ever bring it up. Over time, she was less dragon, and more human to you, and with that, your attraction towards her continued to blossom. Your current relationship status with her is still strange, neither of you had ever labeled it on human standards, nor have the two of you ever ‘courted’ one another–in human or in draconic methods. Still, neither the two of you could miss the glances or the way you hold each other. 

Lately, the past few weeks, she has been acting strange. She's been exiting the cave more often alone, leaving you with her children to tend to, not that you mind. She returns hours later, usually with some type of wild animal she caught for you: deer, the occasional bear or moose, sometimes even pigs. You often stand at the entrance of the cave, dumbfounded as she drags the dead creature by her teeth in her dragon form, while the hatchlings salivate. If it's not wild animals, it's usually an arrangement of different colored stones she found along the shores or in the river. You appreciate them, but you're no less puzzled by the intention with each gift. 

You tried to wrack your brain of why she would be behaving like this, but you can’t come up with anything. It also seemed like with every gift you received, she became more and more… saddened? You weren't entirely sure for the reason, but you don't want to offend her by questioning her more. As the weeks pass by, and she disappears more and more, it seems like Arlecchino is… moping. 

You have asked the children multiple times, but all they do is give you a pointed look before jerking their head towards their Father and letting out a rumble. When you approach Arlecchino, asking what was troubling her, all she does is shake her head, her subtle pout ever so slightly intensifying. Finally, having enough of Arlecchino staring blankly at her hands for hours straight, you finally come up to her, taking her clawed hands in yours and gaze into her eyes. 

“Arlecchino. Tell me what's wrong,” you demand gently but firmly, kissing her knuckles.

The dragon stays silent, turning away from you, making your eye twitch. 

“Please…” You plead. 

Arlecchino seems hesitant to answer, opening her mouth before closing it several times. She contemplates something deeply, then lets out a steady exhale. 

“I've been… making courting attempts towards you,” she quietly admits, her cheeks flushing the slightest amount. “But… it seems like you're unreceptive to it because you're human.” 

Courting attempts? As if she was trying to establish a romantic relationship with you? No, it’s not courting as in ‘human courting.’ If it has to do with dragons, then perhaps it means–

“You… you want me as your mate?” You whisper out loud, your face undeniably warm at the realization, and your lips quirk up to the faintest smile. 

The dragon nods timidly, so unbefitting for a strong beast like herself. She peers at you intently, searching and analyzing every twitch of your face to come up with her own answer. You let out a huff, raising your arms to cup the sides of her face in your palms. The cold texture of her skin will never be an unwelcome sensation. 

“You could have told me instead of pouting like one of our children,” you chuckle, stepping closer to lean your forehead against her chest, feeling her thumping heart through it. 

“I didn't know if you wanted to be since… you never responded to my attempts. I know that it's silly seeing that you're human, but I felt more and more discouraged…” Her voice is low and vulnerable, and it makes you want to do nothing more but hold her in your arms forever.  

“You really still have so many things to learn about humans,” you giggle, pressing your lips against her nose. Fingers card through Arlecchino's silky locks, and you hum contently.

 “What do you mean?” 

You grin knowingly. “We like more direct expressions of our desires.” 

You stand on your tiptoes before leaning in, warm lips gracing cold ones as you pull her towards you. Your arms lock around her neck, keeping the two of you against each other. Quickly, Arlecchino responds, pressing her mouth against yours fervently while her fangs prick your bottom lip. You groan into the kiss, and squeak when her hands slide down to your behind, lifting you up from your feet and wrapping your legs around her waist. 

The two of you pull away, and there's almost a feral look in her eyes. 

“There's somewhere I have to take you to,” she growls in your ear, and you can't deny that it makes your stomach coil, your loins burning.  

“Okay…” You murmur, holding onto her tightly. She carries you with ease, walking out of the cave and following along the edge of the mountain's base. It takes only about ten minutes until you spot a small opening, another cavern. Arlecchino takes you inside, and your eyes widen at the sight.

It's a nest, a careful structure supported by stones as the foundation with the sides from branches and sliced tree trunks, before the top is covered in an assortment of blankets and pillows. However, it's smaller and cozier than the nest at home–as if it's made for humans. You carefully step into it, sitting down and finding it pleasantly comfortable. 

“Arlecchino…” you gasp out with whispered awe. 

“Yes…?” 

“Where did you get the money for this?” You question, holding a heap of the numerous silk blankets in your arms, giving her a pointed look knowing damn well it wasn't your money. 

The dragon brings a claw to her face and scratches nervously. “I had Lyney search the bodies of the dragon hunters for anything of value. They had quite a hefty sum,” Arlecchino confesses. 

You sigh in relief, glad that no weaver or innocent person was harmed in getting this. “It's lovely. Is this what you've been leaving the cave for for so long?” 

Arlecchino nods, her voice bashful. “It's… it's a mating nest, so that if it were to happen the children would not be there. I wanted to ask you here…” 

The dragon walks inside the nest, before kneeling down before you, her clawed hands gingerly finding yours and holding them in her large palms. “Would you like to be my mate?” 

“I thought my answer was obvious. Of course,” you answer, smiling. “But isn't mating season in another two months?” 

She nods in response. “I wanted to prepare as early as possible. I wanted everything to be perfect.” ‘For you,’ she leaves out, but you know it's what she implies.

“It is perfect. Thank you… though I feel bad,” you murmur, your own face flustered by your embarrassment. “It took me this long to realize. I guess… I should make it up to you by courting you back, right?” 

Arlecchino flushes, her face visibly reddening. “What do you mean?”

“I mean… you've courted me with how dragons usually do it. I will do the same, but with humans. Does that sound alright?” You offer, giving her the largest grin. 

Arlecchino's face softens, leaning down and pressing her forehead against you. “Yeah… yeah, that sounds alright,” she murmurs against your lips. 

—

Three months have passed by since then. 

Safe to say, you’re pregnant. 

Arlecchino’s attentiveness towards you had always been impressive, but it borders on extreme with how much she pampers you. Before the mating season, you've taught her all you can about human civilization and socialization so that in the instance you won't be able to travel to town yourself, she can instead. While you always have saved up a lot of money from your time as a dragon hunter, she likes to spend it on you unreservedly. 

It would be endearing if it weren't the excessive amount of blankets in the nest, as if you weren't warm enough. Not to mention the amount of books she's gotten you. Since she doesn't exactly know how to navigate a bookstore, or how to differentiate between different genres of books, she’s gotten you dictionaries, children's book, erotica even. She was blissfully unaware why you read a page for a few seconds, shut the book immediately, took a deep breath before reopening the book, only to reshut it as well, repeating the same process. You didn't want her to get any… ideas. 

Currently, Arlecchino was in her dragon form, nestled around you   protectively from any gusts of wind that may pass through the cave entrance, her tail thumping against the floor softly. Her head rests besides you, her throat rumbling gratifyingly as you run your hand over her snout. 

The trio are currently fighting over some of the beef jerky you mistakenly bought for them, unaware of the chaos it would ensue in the cave. They seem to forget that you can return to the town to buy them more… Ah well, hatchlings will be hatchlings. 

You wonder how much more lively the cave will be with another one. 

[juanitascribbles]

I want to talk a bit about a part of Ralph's character that I don't see brought up as much as other aspects of WIR, and that's the concept of self-sabotage. I put it under a read-more because it's rather long.

Obviously, one of the main themes in this movie is self-acceptance, and that part is not exactly subtle. Ralph very plainly states that he believes he "can't make things - just break them," and while he does say that he can be a "good guy" I don't think he's really confident in that fact during the course of the movie. He brushes off most negative comments he receives, but we can see that others' perceptions of him have impacted his perception of himself and the actions he's taken (or hasn't taken) throughout his life. Vanellope greatly helps him change his perspective and accept himself, but I think he had the capacity to do this on his own. This is where the theme of self-sabotage comes in.

Ralph places the entirety of his problems, solutions to said problems, and self-worth on external factors, and while yes a big part of his problems do come from discrimination and being ostracized, he also exacerbates his own problems. He has many resources fully available to him the whole time. He just doesn't take advantage of them because he feels he can't, perhaps feels he doesn't deserve it, or maybe because it doesn't even occur to him that he can.

For example, the dump:

We see at the end of the movie that Ralph has built himself a home, and he does it entirely on his own. Note how the pieces he uses to build his house are right behind him in the beginning of the movie.

Living in the dump is out of his control, but what has always been in his control is the ability to make himself a better home right where he was at. He simply didn't do it because he didn't believe he could and (I assume) never tried.

Next we have the Bad-Anon meeting.

Ralph makes it very clear that he is lonely and wants a friend, but he has had the opportunity to make friends for years and never did. When he's told that the other villains have felt the same things he feels, he's surprised. But why? It makes complete sense that others in similar situations as Ralph would feel the same as him. He simply assumed that they wouldn't. "There's no point in going. They wouldn't understand me anyway. Nobody does" might be a reason he never went. Perhaps the idea of reaching out to others was too uncomfortable for him (Vanellope does mention him needing to go outside of his comfort zone). On top of this, he isn't receptive to the advice he's given at the end of their meeting. They didn't tell him what he wanted to hear so in his mind they still just don't "get" him. He blocks himself from making useful connections because of his own perceptions and assumptions.

Finally, I want to touch on Ralph's poor hygiene.

Throughout the movie, Ralph's poor hygiene is commented on by several characters (including himself) and on the surface is treated as a joke. What I find interesting is the juxtaposition between his own lack of cleanliness and his reaction to unclean things around him.

He is very squeamish. Despite living in a dump and smelling awful, he has no tolerance for any "gross" things he comes into contact with and lists the lack of hygiene as a negative. I do think this is, in part, a result of external factors he cannot control. Like the previous examples, however, I think this is also a result of neglecting himself and not taking advantage of the resources that have always been around him. I am inferring a bit, but hear me out.

Ralph can't access the penthouse to wash up, but it's highly likely he could have access to facilities in other games had he allowed himself to open up and simply ask for help. I'm sure any of the bad guys from his Bad-Anon meetings would be more than happy to offer him the resources he needs. There are a ton of other games that likely have accessible facilities, and he's not exactly barred from entering them. Surge Protector does not hinder him from entering or leaving any game, despite the frequent stops. Instead of using the washroom in Tappers to clean himself up, he (allegedly) passes out in it after drinking all night. Ralph is rather depressed at the beginning of his journey, and maintaining proper hygiene is something a lot of depressed people struggle with.

I think self-sabotage, isolation, and rejecting available resources is something a lot of people can relate to. Of course there will always be circumstances that are out of our control, but often there are things we are fully capable of taking into our own hands and making the effort to change. We simply for some reason believe that we can't or are too scared to try. The negative feelings we have about ourselves and allowing ourselves to remain stuck in our current situations can become more comfortable than the idea of external or internal change and taking risks.

For Ralph, he doesn't seem to take much action to change what he can on his own until he's reached a boiling point. He's consistently passive (or passive-agressive) until his negative feelings become too much to bear, and it definitely bites him in the ass or... face ig.

This is something I've struggled with and continue to struggle with to this day. While I'm not at all claiming this movie is the first or last to cover these topics (or even the most subtle or the best ever at doing so), I do think it's very well done. These themes definitely resonate more with me now that I'm older and have experienced more of these feelings myself. It's just one of all the little elements wrapped up in a candy coated 8-bit bow that makes this movie so special to me.

[rebeccathenaturalist]

I have THE biggest, BEST news EVER--

I GOT A BOOK CONTRACT!!!!!!!!

I am exceptionally pleased to announce that I have just signed a contract with Ten Speed Press (a division of Penguin Random House) to publish...

The Everyday Naturalist: How to Identify Animals, Plants, and Fungi Wherever You Go!

It is slated for publication in early Summer 2025, and will be written for anyone who wants to be able to identify the living beings around them regardless of educational level or experience. A HUGE thank you to my literary agent Jane Dystel of Dystel, Goderich & Bourret LLC, and my editor at Ten Speed Press, Julie Bennett!

This isn't just another field guide--it's a how-to book on nature identification that helps you go from "I have no idea what this animal/plant/fungus is and I don't know where to start" to "Aha! I know how to figure out what species I'm looking at/hearing!" Those familiar with my nature ID classes know that I emphasize skills and tools accessible to everyday people. Whether you're birdwatching, foraging, or just enjoying the nature around you, my goal is to help you be more confident in figuring out what living beings you encounter wherever you go--and not just in the Pacific Northwest. 

The Everyday Naturalist will not only explain what traits you need to pay attention to like color, size, shape, location, etc. and how to use them to differentiate among similar species, but will also detail how and when to use tools like apps, field guides, and more. (And given the current kerfuffle about A I generated foraging books, I will of course include information on how to determine the veracity of a given book or other resource.) And my editor and I have already been discussing some great additions to the book that will make it even more user-friendly!

Are you excited about this? I certainly am! I wanted to wait until the pixels were dry on the contract before going public with this (though my newsletter subscribers got to hear about it last month, lucky them!) It still doesn't feel real, but I'm already working on the manuscript so it'll sink in soon enough.

I will, of course, keep you all apprised of my progress because this project is going to be a big part of my life over the next several months as I write and edit and write and edit and wash, rinse, repeat. So keep your eyes on this space for updates (and feel free to add yourself to my monthly email newsletter here, too!)

[blackbackedjackal]

You know I've been feeling a little anxious bc Captain's werewolf form and June's shadowy version of her werewolf form look a lot a like and I always hope no one accuses either of us of design theft like it happened to me with one of my old characters, though I made his werewolf form in like 2020. June is cool as hell (if not cooler) I wouldn't want someone to be a jerk about it. Maybe I should draw them together shaking hands as a preventive measure lol

Heya! I hope this is ok to post but please don't worry about it! June's design is based off of other (mostly animated) werewolf designs I liked, but was given meaning through her story and the reason as to /why/ her form looks a certain way.

It's not that she's just shadowy, it's an intentional visual representation of black trauma. There's are cultural and social stigmas of Black people being systematically denied access to mental health resources or being told that they're just "lazy" or "crazy" or "faking it". June's form is altered by her mental/emotional state, it's what she /believes/ she is due to her past trauma and her story is, in part, learning deal with her trauma in a healthy way.

June's form is also based on the lesser known theories that The Beast of Gévaudan (which June is related to via her lycan lineage) was either a product of mass hysteria from the high number of wolf attacks in the region or was potentially a serial killer. The way the beast is often described (black fur, red lips, white/yellowed eyes and teeth) is similar to racist depictions of Black people in the past. I used this as a basis for designing her form. It's the intention and her story that's important, followed by visuals that are found within the werewolf genre and outside of it.

I'm a little too tired to go more in-depth but I'll leave this quote from the Jim Crow museum:

The mission of the Jim Crow Museum is straightforward: use items of intolerance to teach tolerance. We examine the historical patterns of race relations and the origins and consequences of racist depictions. The aim is to engage visitors in open and honest dialogues about this country's racial history...The Jim Crow Museum is founded on the belief that open, honest, even painful discussions about race are necessary to avoid yesterday's mistakes.

June's story is about racism. It's about intolerance towards black queer folk. It's about how Black people (especially black women) have to suffer under a system that denies them mental health resources, resulting in many Black people turning to unhealthy coping mechanisms. Her design was me intentionally marrying old werewolf motifs with a different perspective on the werewolf genre (since even today is it still mostly a white space). There's a stark difference to me when someone comes up with a similar design independently vs when someone is actively lifting direct inspiration from my work and twisting the meaning in the process.

[beforetimes]

my thoughts on the trans charles headcanon!

let me just start off by saying i love it. just to make that 100% clear at the beginning of this.

ok i think that charles being a trans man would change his relationship with the characters in the movies + his relationship with his mutation in the films as well. for one, i think that his first encounter with raven would hold more weight. because raven would be his first look at someone like him—a mutant—but also his first look at someone who was able to defy gender norms in a way he was unfamiliar with. i'd imagine that as a child he would be so isolated that he would assume his feelings in wanting to be anyone but himself [pre-transition] were inherent to everyone. and encountering raven changed that perspective but also drove home the fact that his expression of himself didn't change who he innately was. as raven changes how she looks frequently but at the end of the day, is still raven. i feel he would get his first realization that, ah, just because i look like a girl doesn't mean that i am one.

(i also like to imagine that his telepathy would be a tool for him to use before he's given access to the resources he needs to medically transition. it would work as a way to help along his social transition, maybe by subtly changing people's surface level perception of him if they were interacting in his youth. when he grows older and he does have the ability to medically transition, he would stop purposely affecting people's perception of him but that habit would be so engrained that it would subtly colour his interactions with the general public unconciously.)

anyway, i think the way this plays into his relationship with his sexuality would be fun, too! the flings he's implied to have in first class are obviously just superficial (as he repeats the same routine to pick up girls multiple times). we could argue is his version of comphet, if we're assuming he's gay, but the way he was raised makes him want to strive to be the person his parents wanted him to be. or the relationship of his sexuality with his gender identity and how he feels slightly invalid in his dual identity as a gay and trans man, because, to him (with internalized queerphobia), he would assume he's just taking extra steps to come around to liking men as a cis women.

besides that i think his relationship with erik would also change. because, like, i like to work with the idea of erik being a bisexual man (as he does have a relationship with a woman a decade long in canon and i'm not opposed to it in the context of the story) but him still interacting with charles as a man would still be pretty validating to charles. because, i imagine in first class, charles would still be welcome to float around the periphery of erik's thoughts (as erik wasn't opposed to charles' mutation as most people try to say he is—as far as i remember, erik lets charles into his head during first class multiple times without becoming angry!) and charles would see (at least on the surface level) that erik's attraction to him isn't because he sees him as a woman but moreso that despite being attracted to both men and women he still respects charles' identity as a man and builds a relationship in that context.

i have more thoughts about this that i'll probably add to later but this is just a summary of a conversation i had with someone in my discord server that i thought had enough substance to make into a proper post. thanks for reading!

[thisisnotthenerd]

statting out the rat grinders

this analysis is based on what we've seen of the rat grinders and their abilities in ragenarok. a few assumptions: if we follow my original xp analysis of the rat grinders that puts them at a comfortable level 19. however, we know that they've been doing far more than that, and that they may be unevenly leveled.

we know from the adventuring party that they have 20th level class/subclass features, without the benefits of leveling through it: no ASIs or feats, no additional hit dice, no hit points reflecting 20th level. the rat grinders are glass cannons to the extreme. i would guess that their stats and hit points are roughly equal to the bad kids at level 14, which leaves them vulnerable to being taken out within a round or two: if they fail a couple of saves they're stuck. what they do get is high level spell slots and the improved proficiency bonus for their best skills.

i'm presuming that the rage stars have this effect; granting access to power that your body can't support, using rage and deep emotion to sustain this state. they're functionally equivalent to the bad kids, given the bad kids' other resources and tactical cooperation. the bad kids do big damage every time because their resources are more measured--they don't have a 9th level spell to drop on the first turn.

kipperlilly copperkettle

class: mastermind rogue

level: 20

estimated hp: unknown (21 damage taken)

abilities: 10d6 of sneak attack, expertise to stealth, bonus action help, insightful manipulator (read for abilities), misdirection (move attacks to others in your space), reliable talent, soul of deceit (mind can't be read), elusive (no advantage against you unless incapacitated), stroke of luck (turn a miss into a hit/check to a 20)

commentary:

i can believe she's a level 20 rogue based on her damage output. i don't think her weapon is enhanced, so it's likely not adding much to her output. riz regularly does more damage because he has magical enhancement to his weapons.

she seems more like an assassin rogue than a mastermind--she does a lot of sneaking around the battlefield to get the drop on people. she could have thrown bonus action help but stayed out of range despite having ranged options. she also doesn't have magical means of her own to hide, presumably because she wasn't using it during this fight. not much on her hp at the moment, but i'd guess she's squishy based on her strategy.

buddy dawn

class: light cleric

level: 20

estimated hp: unknown (75 damage taken)

abilities: full suite of spell slots, warding flare (impose disadvantage on an attack roll), channel divinity, potent spellcasting (wisdom modifier added to cleric cantrip damage), divine intervention, corona of light (enemy disadvantage against fire/radiant damage)

commentary:

buddy has spent two turns of this battle holding concentration on a banishment and trying to dispel a slow on ruben. not really doing too much to help his party. he could have healed oisín but didn't. it speaks to their priorities as a group that he wasn't healing. he was there to banish the poll box and participate in the ritual, not really as a functional combatant.

honestly he's the purest example of what the rage stars do; they can give you power, but that means nothing if you don't know how to effectively use it. buddy hasn't protected himself or his allies at all

ivy embra

class: gloomstalker ranger | arcane archer fighter

level: 11 | 9

estimated hp: ~78 (78 damage taken)

abilities: action surge, hunter's mark, dread ambusher (extra attack on first turn), extra attack (1), iron mind (wisdom save proficiency), 4 arcane shot options (2 uses), indomitable, land stride (no difficult terrain), indomitable, stalker's flurry (on a miss you can make another weapon attack)

commentary:

i split her at 11 | 9 because we know she doesn't have 2 extra attacks, and she attempts stalker's flurry but fails. the arcane shot she used (halving an opponents speed with a con save) isn't technically a standard arcane shot option.

she really doesn't have the hit points to suggest she's 20th level. even assuming no bonus to con, average hp from from 20d10 (10 from ranger, 10 from fighter) would be 110. it's closest to 14d10 with no con modifier. also this would put her on even ground with the bad kids. this is what i used to estimate the rat grinders being similar to the bad kids.

oisín hakinvar

class: conjuration wizard

level: 20

estimated hp: ~90 (121 damage taken)

abilities: full suite of spell slots, arcane recovery, minor conjuration (summon an object), benign transposition (30 feet teleport swapping with a small/medium creatures), focused conjuration (concentration can't break on conjurations), durable summons (all summons get 30 temp hp), spell mastery and signature spells

commentary:

even though he died before his turn, i can believe oisín is a level 20 conjuration wizard, based on what we saw at the party. i'd guess what he did is some sort of ritual on top of a control weather.

hp-wise he falls in the range of for 14d6+40 assuming he has +2 to con. it works on the high end. i'd guess his actual total is lower than the damage he took, since brennan said he was on death's door after taking 86 damage, so i'd say no higher than 90, even though he took a total of 121.

ruben hopclap

class: whispers bard

level: 20

estimated hp: ~75 (75 damage taken)

abilities: full suite of spell slots, bardic inspiration, psychic blades (psychic damage from weapon attacks), words of terror (1 minute to seed paranoia), mantle of whispers (steal shadows of the dead), magical secrets, shadow lore (charm a creature for 8 hours)

commentary:

the only spellcaster of the rat grinders to actually use their high level spells in this fight, with the psychic scream that didn't stun the bad kids. he actually did get both spells off despite the slow, but couldn't counterspell or grant inspiration.

hp-wise he's in the normal range for a 14th level bard at 75. he did roll nat 1s on both the slow and the fireball saving throws, and failed synaptic static by 1. man is bad at saving throws.

mary ann skuttle

class: berserker barbarian

level: 20

estimated hp: unknown (52 damage taken)

abilities: rage, frenzy, mindless rage, intimidating presence (action to frighten a creature), brutal critical, resistance to psychic damage, relentless rage (drop to 1 while raging instead of 0), persistent rage (rage only ends if unconscious), primal champion (STR & CON go up by 4, for a max of 24)

commentary:

we haven't seen very much of mary ann--she got slowed and then couldn't effectively get anywhere for 2 rounds of combat. i'm excited to see what she has in store. i'm guessing she has more hp than the rest of the party by virtue of being the barbarian, but as a berserker she only halves bludgeoning/slashing/piercing, and the bad kids have a lot of other damage types that they work with.

i'll be back with more next week: covering the gaps in this analysis and maybe hitting jace and porter.

[theraprism]

Class subtext thoughts on Gatsby, Flatland, and Bill.

So broadly speaking, we've had some idea of what Bill's home dimension was like since the 2015 in-character AMA, when the idea that it was nearly (if not fully) identical to the world of Flatland was first introduced. During the Weirdmaggedon 4-parter, we finally learned that Bill had obliterated his home dimension and called it liberation. (From what I recall the fan concensus on this information was that it was a malicious act of evil on Bill's part -- up until the Book's release, I don't think the idea that it was a tragedy or accident ever had much ground to stand on.) Journal 3 picked up on this again when it established the existence of Exwhylia, which (importantly!) also reinforced the hierarchical nature of existence that Flatland presents.

I'll own up to the fact I've never read Flatland myself (it is on the neverending list of classics that I still haven't gotten to yet) and will be instead be relying mainly on Wikipedia and Sparknotes clones for this analysis, but the good news is that canon Gravity Falls materials have given us the basics of how Bill's home dimension operated at this point, and so knowledge of the work seems less required and moreso recommended. Similarly to Gatsby (the book as well as the character). More on that later.

To be more specific, the important info that Hirsch has given us about Euclydia is that it was repressive in the extreme. The exact ways that it maintained this are left up to the imagination, to an extent (e.g. there is no evidence of the upper echelons of Euclydia carrying out public executions against the lower classes, as there are in Flatland), but the Book does directly pull an image from Flatland that illustrates the class hierarchy there.

Since Flatland was written originally as a satire of the stratification in Victorian society, the work goes to great lengths to specify and elaborate on the different social roles of each shape (for example, women as lines, though the gender stratification isn't relevant in Bill's case). More relevant is the way that the work considers upward mobility through generations, and the fact that isoceles triangles (working class) are considered among the lowest beings in existence, just above irregular shapes. Bill has been referred to and drawn inconsistently as both isoceles and equilateral, but based on what we learn from Exwhylia in Journal 3, it's possible that this distinction is not relevant in the GF multiverse's reinterpretation of Flatland. See:

I'm sure a part of this reduction of the hierarchy in the original Flatland has to do with the work needing to be at least somewhat accessible to younger readers, but it does textually ensure that, regardless of the specific details of Bill's geometry, he comes from a background where, in spite of his exceptional ability to see the third dimension, he saw those around him receive resources more freely. His singling out of irregular quadrilaterals reads to me as a form of internalized classism; he needs someone to punch down to.

And earlier:

He describes his regular shape as an out-and-out "power". Bill explicitly carries with him the classist ideals and values of his home dimension despite its destruction. The way he internalizes different ideas about himself and who he is is probably a subject for another post, but the point is that these qualities Bill is emphasizing aren't simply a matter of arrogance. Bill is trying to sell himself as a gentleman, a respectable individual from an upper-middle class position.

This is where Gatsby becomes relevant, because The Great Gatsby is all about a man who wants more than anything to cross the threshold of inborn greatness and become a true upperclassman. Bill appealing to his innate biological qualities as evidence for his own greatness relates back to the notion that such greatness is an ontological trait which cannot be given, but can also not be taken away. Note what he explicitly says here about the themes of class in Gatsby:

If you walk up to any college English professor and ask them what Gatsby has to say about the American Dream, I really do not think you are going to hear them say the word "bittersweet". The American Dream is a false idol and illusion; Gatsby himself is utterly miserable and meets a miserable end. There is nothing "sweet" about it.

At the same time, it makes sense that Bill would describe it as bittersweet, because for all his powers of sight, Bill cannot imagine a future where he is happy. Throwing crazy parties every night (for Gatsby at his home, for Bill on the Earth's remains), staring at an unreachable desire far out in the distance -- that's his end goal. He emerged from a position where he was repressed and since then his life has been a steady climb/crawl in the direction of power and control. Both Gatsby and Bill seek to reclaim a lost sense of fulfillment and purpose through this ascent, and both seek to become untouchable as gods are, but both are brought down in the end due to the consequences of their own actions, stemming directly from the violence they bring into their worlds of their own volition. In case you've forgotten, or if you've never read it, Gatsby's money is not clean. We may not see Bill use money, but his social currency is not clean either.

I think it's telling that Flatland can be understood as it relates to Bill's character through summary, but with Gatsby, there is so much subtle incentive to actually read the thing. From the GIF originally posted by Hirsch that I included at the top of the post to the PDF link on ThisIsNotAWebsiteDotCom.com to the fact that the gag in the Book itself goes on for multiple pages when it could have ended after one or two, the intertextuality is paramount. I think that's really cool. It's rare to see intertextuality this well-considered in genre fiction, and I think it makes the whole analytical process more fun.

[ladytabletop]

Do you happen to have any resources regarding accessibility in ttrpg design? About design, colours, phrasing of text or anything else that could be helpful!

I spent wayyyyy too long compiling all this - but it's important, and I appreciate you asking!!

Accessibility is a subject near and dear to my heart, and I will say up front that I'm not sure universal (aka accessible to everyone) design is possible, because people's needs can vary even within the same subset of similar disabilities (such as limited vision or blindness). BUT that doesn't mean we don't try to design for and make our games available to as many people as possible. Mismatch by Kat Holmes is a great read on design for accessibility in general, as is Invisible Women by Caroline Criado Perez. You might also check out literally anything Alice Wong has ever done.

To start, I recommend this article on the Lenses of Accessibility.

(for reference, this article is about web/graphic design, so I'm going to try and distill the most salient points for game design)

We are going to primarily focus on a few of these lenses:

Color

Font

Images & Icons

Layout

Readability

Structure

Keyboard

More details under the cut.

Color

Why does color matter? Well, for starters, there's a lot of colorblind people out there. Contrast affects readability. Autistic people and people who suffer from occular migraines might be affected by particular vivid colors. There's lots of reasons to consider color and the work it is doing in your piece, but in general you can provide a black and white, high contrast version of your game to help users.

There are tools out there to figure out if your contrast meets certain readability standards, such as this one.

Font

Dyslexia and other visual processing issues can make font choice really important. Plus, some fonts really affect readability. Additionally, line height, justification, and size of text can affect readability.

Best practice would be to provide a plain-text version of your game (and beware of "dyslexia-friendly" fonts which may or may not actually help - sticking to a basic readability font like Arial, Tahoma, or Verdana, is safest). I like this style guide for reference.

Images & Icons

For visually-impaired people, it's important to use alt-text, descriptions, and/or captions to help screenreaders properly translate images. Tons and tons of details that could go into this, but there are better people than me to describe it.

Layout

We've talked about this a bit, but there's tons of resources for this. There was recently a great writeup about Yazeba's Bed and Breakfast in terms of layout that I highly recommend.

Readability

More of the thing we've already talked about - it really is a combination of all the other lenses that comes down to readability. Audio versions of your game are always a good way to avoid the restrictions of screen readers, but can be expensive to produce.

Structure

This is tables. Tables are a nightmare for screenreaders, but including them as images can also be a problem. The short solution is "don't use tables" but that's not necessarily great for seeing people. The section in this blog is really great when talking about options for structure.

Keyboard

Debated on whether to include this, but given how many games are being read as purely digital files, I think it's important to have workable interactive elements that can be navigated through without a mouse. Some of that is going to come down to the programs being used to open your files. But if there are things you can do on your end (such as labeling form fillable fields on an interactive character sheet), they're worth doing!

Please understand that this isn't an exhaustive list. There's tons of resources out there and technology and standards are constantly changing.

It's also is important to note that even doing one of these things is helpful. You might look at this list and go "wow that's too hard" but I promise you, it's worth it. My games do not all have accessible versions! That's something I'm trying to rectify. The biggest part of that for me is thinking about accessibility from the start instead of at the end! But we can start today, and that's better than not starting.

The most important thing to remember are that disabled people are NOT a monolith - needs will differ from person to person. Accessible design makes gaming better for everyone!

Final Resources:

Accessibility in InDesign

Accessible-RPG

A11Y

Accessible Design for Teams

[crazy-pages]

First step to being a rationalist.

Acknowledge it might not work.

Let me take a step back for a moment. The single most important principle of science, in my opinion, is acknowledging the possibility of failure, that something might be beyond you. People often think of science as how you discover the truth, but I think it is more accurately and importantly described by how it lets us determine what we do not know.

For most of human history, we not only did not know what the sun was made out of, the question was fundamentally beyond our grasp. There was nothing any amount of scientific principle could do that would let you know what the sun was for most of human history. To be a scientist about it, to apply the scientific method to understanding the sun, is not just being able to know nuclear physics. You have to teach yourself to know when to say 'I don't know'.

For most of human history the sun has been fundamentally beyond our capacity to understand. And yet it is one of the most enduring and common subjects of false explanations. To internalize the scientific method, truly in a way that changes your thinking relative to what it was before you learned it, you have to become someone who, if you were living in those times, would be able to say "I don't know" even when everyone around you has an answer.

So let's talk about rationalism.

Rationalism is not just the idea that we can understand human biases. It's not just the idea that we can be more thoughtful or knowledgeable people by understanding these biases. No, rationalism is specifically the idea that by learning enough about human biases and by leaning on hard enough on data, we can reliably make correct and optimal moral choices. It is the belief that by performing enough rationalist study and training, and applying enough information science to a problem, one can proceed on the assumption they have come to the correct conclusion.

And those are very different things. It is the difference between saying "by understanding wood better, we can construct better foot bridges" and "by understanding wood better, we can span the San Francisco Bay with it".

Because here's the thing, better is not the same thing as reliable. Even if we grant the assumption that learning about biases makes one less likely to fall prey to them, and that is an assumption, an 80% chance of making mistake is also less than a 90% chance of making a mistake. It's valuable, that's a good thing, but it is not sufficient to say "hey so I used this method to come to my conclusions, therefore I'm sure I didn't make a mistake".

If you want to be a rationalist, the first rational principle you need to apply is that of the scientific principle looking at the sun. You need to be able to say "There may be nothing I can do, with the resources I have access to, to be sure I am actually free of bias and mistakes in logic. This may be fully beyond me, for the entire span of my life." And not just in the sense that nobody is perfect, but in the very real sense that you cannot depend on the train of logic in your own head to lead you to a correct place.

And the reason this is important is for the same reason it's important in science. The moment that you presume something is in fact knowable in science, it just becomes a tool of accrediting whatever conclusion you come to. It stops being an actual tool of discovery and becomes a rubber stamp of validation. It becomes something which makes you feel better about the conclusion you came to, not something which actually helps you in any way.

The moment you say to yourself, "because I am a rationalist, I am confident enough in A, B, and C to take actions X, Y, and Z" you've failed to be a rationalist. (Unless you provide a double blind study of a large well-controlled population, one of which was given rationalist training and the other which wasn't, upon the end of which it was determined that the rationalist trained population did indeed perform to an improved standard meeting a high minimum on certain metrics (upon which you must limit your assumption of rationalist improvement to those specific metrics). And then this study has been in the corpus of literature long enough to be peer-reviewed and criticized and had duplicate research and further investigation and a good long while for the scientific community to dissect it. A thing which has definitely not happened yet.)

The most important thing you can learn from rationalism is not an understanding of a specific set of biases. It's not the particular ways human cognition is messed up and it's not any type of information science. It is the fact that humans are flawed.

The most important thing you can learn from rationalism is humility, not hubris.

To do otherwise is for rationalism to just become another tool of confirmation bias, something making you think you are more correct than you actually are.

The humility you have to learn from rationalism is that you must plan and behave on the assumption that no matter how rationalist you think you are, you might still be behaving in biased ways. That there might be no way to fix this. And so all you can do try to behave in ways where even if you're wrong, you're going to minimize the harm you do to others.

This is where futurist philosophies derived from rationalism, the idea that the unimaginable number of humans in the future are so much more than the ones now that it justifies worker exploitation and present harms to make the far future better, falls apart. This is where AI doomerism/utopianism, the idea that general AI is definitely the biggest threat and potential boon facing humanity so we have to put all of our resources into safe AI research at the expense of everything else, falls apart. This is where effective altruism, the idea that we can quantify the outcomes of charity thoroughly enough that it makes sense to hand over direction of all charity to a small group of experts, falls apart.

Because the answer to "what if you're wrong about these philosophies?" is that a lot of people get very hurt. We are flawed. Fundamentally so, and I don't know that anyone has ever proved a way we can get around this. The only thing I know that we can do about this, is to try to behave in ways that minimize harms while trying to make the world better, rather than trying to maximize a hail mary to find the holy grail.

To which I can already hear the rationalists saying that this might not be enough to save the world, that anything but convulsive directed effort focused on is already doomed, so we have to pick one of them.

To which I say. First off, how are you sure of that? How is this a thing that you know for certain?

But more importantly. Yeah. You're right. There's no way of knowing for sure what course of action will make the world a better place. There's no way of knowing that anything short of futurists sacrificing the workers of the present to build a brighter future will be enough.

But if you are actually a rationalist, well. That is what you have to live with. You've got to be the scientist looking up at the sun and saying, "I don't know."

And then you should go and do things to make the world better without being sure of your prognostication of the future.

[the-muse-of-not-writing]

KOSA is becoming a bigger and bigger threat

if trump get elected, there's an almost 100% chance that KOSA will be passed in 2025.

KOSA is a mass censorship bill that will allow the government to not show certain things online, saying its to 'protect kids'.

the things they want to "protect" kids from include LGBT, reproductive healthcare resources, and resources for marginalized groups. but really they'll just censor whatever they want. including information about whats currently happening in the middle east.

(i do NOT have any solid proof for what I'm about to say, so please, unless you can find hard information about it, don't take it as fact: i think that twitter only letting people see ~500 tweets per day is in a similar vain to KOSA. i heard someone say that the reason this change was made was to leave people uninformed for when the time comes to vote. I've also noticed social media sites getting...stricter? over just the past year and a half or so)

parents will also be given access to their childs search history, which could put the child in danger if they don't live in an accepting household. these children wont be left with any safe online places to go.

not only that, if this bill passes, your data will no longer be encrypted!!

even though this bill is targeting kids, this will effect adults too. if you want to use a social media sight, not posting on it just to use it, you will have to dox yourself by uploading your ID online. for everyone to see.

what can you do to help?

call and email your senators. the combination of both will yield the best results. email your senator multiple times. its very common for them to not pay attention to things like this unless they're being bombarded.

signing petitions, telling friends and family, spreading the word. i will have some linked here on the post, as well as some sources that will go more in depth than i did.

if i got anything wrong or have spread false information, please let me know.

i wish i could have found it again but i couldn't: it was this website where you would type out your own personal experiences on how the internet was important to you, what it helped you with, and your reasons on why KOSA is harmful. i remember it being a google form that i had found.

[dynamic-swap-au-archive]

I'd like to offer gorillaz fans (and Potential gorillaz fans) another resource that I've spent over a year creating and perfecting.

The Gorillaz !

This playlist is, to the best of my ability, Every Single piece of gorillaz content that can be found on youtube in story order.

all of the music videos, all of the indents, all of the interviews, animations, radio shows, news specials, podcasts, audio books, tiktoks, Everything.

on top of that ! I made the decision to include select fan content! because Frankly the gorillaz fandom is unimaginably talented and creative. this includes Fully animating several music videos that were cancelled, but given to us in animatic form, original animations, animatics, and storyboards, fan visualizers and recreations of live visuals, even voice fan dubs for written material like the interviews and novels.

and more than that, with the (incredible) fan content that was available I've Also been able to flesh out the stories of each phase! a decision I made due to the plastic beach, the third album, never getting to finish the story officially (leading to the band breaking up and coming back 7 years later).

I'm so proud of what I've been able to do with it ! and even happier to share the picture I've been able to make as a whole :>

below the cut I'm going to include several other playlists that are based on this one, but made to be more digestible and less intimidating for newcomers ! as well as many other resources to fill in the gaps that this playlist can't ! (namely the written material)

thank you ! and I hope I can share something I love with all of you !

First is the simplest ! all of the music videos in order ! (plus a Few indents, because I can't help myself): [Link]

this obviously means that you lose out on quite a bit of context, as much of who the characters are as People and their relationships together are in the extra material (especially the shorts and interviews). BUT

this is the most Accessible, and also really convenient if you just want to vibe to the music. if you're not sure if you want to commit this kind of time to a cartoon band, consider checking this out! you may find yourself interested enough to learn more, or you may just have a good time and feel satisfied with what you've seen ! either way I'd be honored to have helped :>

Second, the Midpoint between these two extremes !: Phase 1-3 [Link] Phase 4-7 [Link]

these Include extra material like the shorts and animation, but Cuts Out some of the longer content like the podcasts and interviews! you can still get a pretty good idea about what happens in the story of each phase watching this, but it's not bogged down by videos that are hours long.

it'll give you a clearer picture of what's going on, include fun side content, while being less intimidating than the Full playlist. this is what I use to show my friends gorillaz !

alright, so you've got just the music videos and just the short stuff, now lets try just the Long stuff. all of the interviews, radio shows, podcasts, Etc: [Link]

maybe you've used my last playlists and now you'd like to listen to some of those long form videos you missed out on. maybe you just want to listen to these characters talk because it's Nice. either way, it's all here :> (I know, because I had to upload some of them myself)

Pirate Radio: [Link]

it's all here with One technical exception. pirate radio was the serial radio show for plastic beach/phase 3, that gave us insight into murdoc's frame of mind as a character. it Also used copywriten music. the reuploads on youtube cut the music out (likely because they wouldn't be available otherwise), while this google drive has the full unedited audio files if anyone would be interested!

this one may seem redundant, but I promise it isn't. All of the gorillaz albums in order: [Link]

this playlist (for the most part) doesn't Have any visuals, it's Only the music.

likewise, all of the music in the previous playlists are only those songs that Have visuals (official or fan made), which means not all of gorillaz's music is present! which is exactly what this is for :>

you have every album in order, filling in the gaps of what's been missed, As Well As special albums that are Associated with gorillaz, and gorillaz' guest appearances in other people's music !

now we're out of my playlists and into other resources :>

Lobotomy Pop: [Link]

this is a website that's worked for years to preserve and organize Every Single written interview gorillaz has ever done ! it's an invaluable resource and really just very cool.

it also categorizes several other things ! such as listing out all of the personal playlists the gorillaz members have put out over the years, or every profile that's ever been written for the characters ! it's very much so worth checking out as a fan.

Gorillaz Art Archive: [Link]

exactly what is says on the tin ! this is a google drive that's attempting to archive Every Single piece of official gorillaz art that was released from phase 1 in 2001, to phase 5 in 2018. it is Massive and it's such a joy to have access to

The Kong Files: [Link]

if you were wondering why the art archive stopped at 2018, this would be why ! the kong files has much the same goal, but instead picking up at phase 6 and continuing on Theoretically forever ! or at least it's kept up with all of phase 7

that said ! the kong files is attempting to document Everything relating to those phases. so all of the social media, all of the music videos, all of the written text, Everything !

I wouldn't try to Only use this for watching phase 6 and 7, but it's an Excellent resource for everything that could fall between the cracks

Rise of the Ogre on Archive dot Com: [Link]

rise of the ogre was an official novel released at the end of demon days (the second album/phase 2), that covered the entire history of the band up until that point! their backstories, how they met each other, what they'd gotten up to in the 10 years they'd known each other, and the shocking event that happened at the very end of the phase and the band's reaction to it. all leading in to plastic beach, (arguably) the Most story heavy phase of them all.

as I understand it, this novel has been out of print for a very long time and is quite expensive to buy second hand. so ! it's been scanned and uploaded here to the archive! there's actually several more scans available in the gorillaz art archive, but this is the most recent (having been uploaded just earlier this year).

Dawn of the Ogre: [Link]

dawn of the ogre is the fanmade sequel to rise of the ogre, attempting to fill in the gaps of what happened at the end of phase 3, the 7 year gap, and up to the (then) newest point of canon.

this is, of course, unofficial. so this is essentially fancy fanfiction. But it's extremely well done fanfiction that happens to be novel length, attempting to emulate the style of the original novel, and is fully illustrated. along with being available completely for free!

I'd definitely give it a shot, if you're the type of person who's already read rise of the ogre

the gorillaz wiki !: [Link]

I have no clue what the fandom thinks about it, but it was absolutely invaluable both in making my playlist, and becoming a fan at all. with all the work I've done my hope is that people won't need to go digging for themselves, but the Option is certainly always nice !

I'd Especially like to highlight this page [Link] which has transcriptions for all of the pirate radio show episodes !

I feel like there's a lot to find here :>

and of course, my own dynamic swap au archive! [Link]

if you've fallen in love with gorillaz and are desperate for more to sink your teeth into, then I couldn't recommend this enough !

keep in mind that these resources will continue updating ! as new music is created and new fan content is made! I'm keeping my eyes out on a fan project for a fully animated mv right now that I'm sure will make it to my playlists one day :>