#also just for his own sake

[comradeboyhalo]

sorry it wasn’t meant to be aggressive i wanted to bond over thinking hes handsome

NO I KNEW YOU DIDNT MEAN TO BE AGGRESSIVE it was just really funny reading it that way. but anyways yes bad looked so pretty with his hair up in that one cookie stream with hannah and skeppy </3 he should do it more

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[hinamie]

itakugi sillies fr the soul

[bastardlybonkers]

feetman

[cubbihue]

the plot on earth: happening. everyone crowing around the lore: okay but tell us more about pixie office shenanigans please

Once, a new Pixie intern accidentally ordered Blue-White paper with 97 Brightness instead of Cream-White paper with 98 Brightness. It sent the entire Pixies Corporation into an uproar, and they tried to take over Fairyworld as a result. Y'know. To ban Blue-White paper from existence.

It took weeks for Jorgen to resolve it all and bring the Pixies back in line. After that event, interns had to take a 2-course seminar on the differences of printer paper quality before being tasked to order more printer paper.

Bitties Series: [Start] > [Previous] > [Next]

[hajihiko]

Hold me back 😡😡😡

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[turtleblogatlast]

Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)

Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)

Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)

The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[son1c]

i sketched a boscage maze shadow to complete my set. this version of shadow takes several... creative liberties... with boscage maze, but i think it works? maybe? let me explain.

so, i like the idea that boscage maze is the result of a science experiment catastrophe. the fallout of the accident mutated all life on earth, creating mega fauna (such as thorn rose’s giant flicky), and killer plants. i’m talking humongous venus flytraps that capture and consume people, vines with minds of their own, etc. obviously, this made earth extremely hostile to regular humans... so they left.

the survivors of the catastrophe boarded the ark and left for space. they had plans to return-- but at the current time, it was simply too dangerous to do so. and they needed to make something that would be able to combat the violent mega fauna. enter... shadow. aka halcyon, as he’s called in this au. halcyon has the ability to drain shard energy, thus un-mutating the corrupted plants and animals, and returning them to their natural state.

unfortunately, the people on the ark thought that the world was still too dangerous for him to return to shortly after his creation, so they put him on ice, waiting for a better time to start their restoration project. before that, though, halcyon grew up hearing all kinds of stories about the way earth used to be... a beautiful paradise, a safe haven in a vast, uncaring universe. his best friend on the ark, maria, also instilled in him one wish: save earth. so that’s what he intends to do.

his bitter enemy is thorn rose, whose goal is to protect the horrible mega fauna. but she just doesn’t understand the harm it’s doing to what was once a peaceful planet. and how could she? she never knew what it used to be.

[liquidstar]

but for real i love adventure time bc in the face of shitty family members that are also space war criminals, most kids show protags would be all "guys lets not fight... we're family! we can be friends! peace and love!" but finn is like "im going to personally rip off my dads arm because i hate him"

[little-mouse-adventures]

@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.

Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.

We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.

Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.

In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.

With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.

It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.

Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[chickensauras]

(<-)

His wife and kid:

[kingofanemptyworld]

anyone else enamored by the thought of Ichigo learning Spanish because of Grimmjow or is that just me