#also i really did have SO much energy

[starbuck]

we didnt sit near each other at the goats show but you had so much energy it made me so happy !! you were the only other people getting tf into aisle and you just looked so happy i hope you enjoy life like that a lot more. also the cowboy hat BANGED it looked sick as hell

THANK YOUUUUUUUU!!!!!!!

i *WAS* so happy!! i was honestly trying to keep my hopes low for this show bc it was a john and peter duo when i booked it and i wasn’t sure how the change would change the vibe of the setlist but, needless to say my expectations were WILDLY exceeded!!!!!!!

i hope you had fun as well!!

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[autism-corner]

LEVI STARTS ASMR CHANNEL??? NOT FAKE!!

(blank/betterQuality and reference under cut =w=bb)

[ryllen]

Hi! I hope that you are doing well🥰💗💕 I really adore your art!! Your Yuu really wins me over to the very heart!💘💘💘

I wear lightning-shaped earrings and they really remind me of Sebek!⚡ I would like your girl to put them on and draw this🥺💓

But I also really love her black earrings that she wears when she's a teenager and green ones when she's an adult! It's really cute💕💕

And! I would be interested to know if Sebek notices when Yuu puts on other earrings or doesn't wear them at all if she doesn't want to?👉👈💗

Have a nice day!🥰❣️❣️❣️

decide ur ending, which feels more in character

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[mewkwota]

For the character ask meme:

Marvel vs Capom Megaman!

Technically that would just be Classic Mega Man, so we'll go with him!

Send Me a Character

And I will tell you my:

First impression I know who Mega Man was and that there were different ones (I just wasn't sure how or if they were necessarily connected at first, so I drew him and Hub interchangeably but confusedly). I think Rock is cute, but his design was too simple for my tastes.

Something about Smash's additional details clicked so well to me. (MM11 is still not quite there for some reason, so I don't use it.)

Impression now I've always had an interest in robot characters, and after learning more about him, I was somehow able to explore so much with that concept and just Mega Man's character in general. Unsurprisingly, working with him reminded me a lot of Astro Boy and the situations he faces with the innocent mindset of a child and the body of a robot, just not as heavy (I won't talk about the Archie Comics, I stopped following after a while for reasons).

The thing about working with child characters is that they aren't always going to act like older characters, in their words and their emotional responses. On top of that, drawing them is particular too-- their faces, the things they do with their hands, etc.

It leaves a lot to think about, but the thoughts are very welcomed. Kinda like a "put yourself in their shoes" sorta exercise.

So besides the fact that I grew to really love the Mega Man series, with its fun characters and robot designs, I really appreciate the "pureness" of Rock's character. I know he's also a hero with a strong sense of justice, but in the end he's also just a child. A robot child.

Even when compared to the other Mega Mans, Rock is the simplest, purest form of the non-human. His "humanness", while present, differs from X and his complexities despite them both being totally mechanical. Hence why I chose that word "pure".

Though Rock may appear simple, it turns out it's with much meaning. At least to me it does. I have no idea if these words make sense.

Favorite moment This is a Smash thing, but watching the lights of Mega Man's eyes during his fighter reveal is always gonna be so cool.

Idea for a story I made two (ancient) comics that touch on the uncomfortable dynamic between Rock and Dark Pit. I never really clarified it, because I'm still not sure, but Dark Pit's harsh attitude toward Rock were meant to cover for something else.

It's been so long, I don't know if I'll ever return to it. But there's definitely a lot of loose ends I've still left flying around. (Y'know... Like the one with Beck.)

Unpopular opinion I don't really like Rock's MM7/MM8-type proportions. He looks way too tall and way too lanky.

Favorite relationship *Coughs loudly in Captain N*

Favorite headcanon The little depictions that remind you Rock is originally (and still is) a helper robot are very sweet to see.

[speakofcompersion]

God of Performance Taemin ft. the cutest audience in the world 🥰 Move on AKMU's The Seasons: Long Day, Long Night (231103)

Bonus: AKMU also being cute

[oneluckydragon]

I know it's a story, oh I know it's just a story. But why does it feel like my worst nightmare?

My Explorers of Sky Hero, Echo!

Lately I've been writing a study on her and this paragraph is taken from my rough rough draft. It's a more in-depth exploration of her character/origin/experiences and since I am a huge fan of the darkrai reincarnation theory, this is my personal take on the concept.

I think it's a bit poetic that Echo, in the aftermath of everything, winds up as a dark-type again (and one connected to the moon no less, the irony) as well. I mean, her timeline of lives has literally been this:

Darkrai (New Moon/Pitch Black) -> Human -> Eevee (Evolution) -> Umbreon (Moonlight)

A lot of her evolution into umbreon has to do with her personal trauma/amnesia and also significant influence from dusknoir (who she trusted and cared about), but deep down I feel like her evolution was also partially determined by the fragmented remnants of her original self. She even tried to evolve into leafeon, which obviously, did not work out as planned. Perhaps this is her past lives way of manifesting in her current self, though she is no longer the same pokemon anymore. Maybe it has something to do with self-forgiveness or acceptance? She still has a lot of healing to do, though.

Once evolving into a dark type, Echo slowly starts to regain some of her memories from her time as Darkrai. And Team Wish's new friendship with Cresselia, who is more perceptive than she has any right to be, gives Echo a lot of insight into exactly who she is. This spirals into Echo battling the reality of her past actions alone for a long time because how is she supposed to admit the truth to Sora? That she was the direct cause of their shared suffering? That she and darkrai are one and the same? That all of the pokemon of the future lived in an eternity of hell because she desired it? Of course, she keeps quiet for a long time out of pure fear-- because if Sora rejected her, she'd fall apart. It's a lot to keep secret but what else can she do?

And bonus!! Does Echo's shadow change during each night of the new moon? Hmm. Sure does seem like it.

[roomba-mangga]

being normal about thistle and the touden siblings in the most insane way because imagine you're a sad out of touch hopelessly devoted little magician whose family has been actively pushing for you to see this path of self-destruction that they set you on to its fatal end and being confronted with that sends you tumbling down a doom spiral to hell from which there is no escape but then suddenly from out of nowhere two brainless randos bust into your house and offer the first real acts of kindness and gentle touch and validation of your personhood you've received in at least a few decades if not centuries if not your whole life (for want of which you Did All This Shit in the first place), and unlike the other dickheads breaking into your house all they care about is Being Nice To You For Free and deep frying your security cameras and tbh you wouldn't know how to react to this on a good day whatever that looks like so you just go along and eat their funny snacks and tie them both to a pole like puppies you picked up off the side of the road and then with all that said and done you immediately die

[bagadew]

I’m about halfway through Turnabout Trigger, and having the opportunity to replay my favourite Ace Attorney game with a new translation is really doing wonders for my understanding and appreciation of it.

Like, when I first played the game I found Knight a fun villain. I enjoyed the VERY intense, almost manic, cocksure energy he brought to the table, and his completely disregard for gun safety. He was the sort of figure we’d seen before in these games. Someone who would burst into the world of Ace Attorney, burn brilliantly and briefly across the screen, and then vanish without a trace once we’d arrested them.

I’m going through a story I know well but the motions are slightly different, so I notice them more and pay better attention. It almost feels like I’m playing the game for the first time again, except this time I know how the story ends, so I end up noticing the little bits that guide it towards its path.

Obviously, when I later replayed the case I knew that Knight wasn’t really like that class of villain. He is very much not a man who came from nowhere, the circumstances of his existence are pretty damn important to the plot of the game, and in a way, play a part in the series as a whole. Although we don’t really see him alive again after his arrest, his presence comes up again and again throughout the game, and once you’ve reached the end it’s hard not to feel sorry that he died the way he did.

Playing through the case with my fresh all knowing eyes, I notice a strange realness to the way he was written that I hadn’t picked up on before. Don’t get me wrong, he’s still an intense, cocksure, manic, with no regard for gun safety. It’s just… there’s also something behind all that. Something more grounded and real. Annoyingly it’s also something I can’t screenshot or really put my finger on. But it made me think about his character in a new light and the impact that he had on the story as a whole. Knight is, in many ways, a deconstruction of the one off Ace Attorney villain and… I’m not sure I really appreciated that before.

I’m looking forward to seeing what else I discover.

[brynnmclean]

saw a post questioning shipping Senua and Thórgestr and started to reblog it with a tag novel-- felt weird about doing that since this is lengthy and potentially derailing, so making my own post instead. Spitballing under the cut:

First off, any time someone is like, "the real reason people ship this is because they find the dude attractive," this is SO funny to me as someone who doesn't find men attractive IRL and has fiercely loved Senua since I played the first game, like-- actually I find the dynamic between those two characters to be compelling and interesting precisely because of all the baggage between them re: their backgrounds, the rough (put mildly!) beginning of their relationship, all the things they don't talk about, and them finding a common enemy/common ground to work with. The explicit parallels between them stated in-game scratched an itch in my brain. The minute they pointed out the dark rot on his arm, it was like, "oh! hello there! NOW I'm interested in whatever your whole deal is" for me. Also, idk man, I too would follow Senua around after she knocked me into the dirt and then showed me a way to fight the giants that I very much wanted to fight instead of appease.

The idea that Thórgestr was part of the Orkney Raid that killed and mutilated Dillion is VERY interesting food for thought, even if I don't personally have that headcanon (surely there are more viking raiding groups than just the Bjorg). I think the Furies or the Shadow said something similar about Fargrimr (his kin murdered yours, you shouldn't save him, etc.) so I completely get that line of thought, but I think the game left it ambiguous enough that it's up for interpretation. Would I read fic with that premise? Yeah, I'd check that out. Could Senua forgive Thorgestr if his people were involved? Sounds fun to explore.

If (ha, when?) I write fic, I'd have to think more about it especially wrt timelines, like when did the Bjorg start specifically raiding for slaves for giant food sacrifices vs. killing people for resources and wealth? How far off are we from the old gods "dying" and the volcano erupting? Was it indeed a different group of raiders who made a deal with Zynbel, attacked Senua's home, and made the sacrifice at that time to Hela?

At the very least, I think there's a time jump between the end of Hellblade I and the beginning of Hellblade II since Senua wasn't alone on that slave ship and at least one of the (brief) survivors knew her by name. I wouldn't mind exploring that gap of time, too.

In any case I do agree that it would take a VERY long time for Senua to consciously catch feelings for anyone let alone Thorgestr with all their collective baggage. The idea of them having a relationship beyond friendship in the far off future of an AU where he survives is the only one that can make sense in my brain, personally. It would take time! Time they didn't get in the game! But I think there are a lot of different roads that could take, and some of them might be healthier than others. Shipping them certainly isn't forgetting or excusing what happened to Dillion-- or even mutually exclusive from still shipping Senua and Dillion. Or, frankly, also shipping Senua and Astridr, because I can see that ship too.

One of the nice things about all the details Ninja Theory didn't expand upon and that they left that ending so open is that the sky's the limit. I'm VERY interested in seeing fandom tackle this game as we get farther from the initial release.

[aq2003]

omfg . radio play version of much ado with david as benedick from 2001

[dont-open-dead-inside-25]

*voice of boy who just experienced romantic/sexual attraction for the first time* did you guys see that. that was insane. wdym you live like this

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[lokh]

fastest way to piss me off is to try and add something to a task im in the middle of doing because 'youre already doing it so this shouldnt be extra work tee hee' THATS NOT HOW THIS WORKS