#also based off the first movie

[panxramic]

My mind has been working over time in just making Death Family AU’s (it’s how I cope with all the recent news) and this might be the silliest one yet.

So. I was rewatching the Charlie and the Chocolate Factory movies and I could not (specifically the first one) stop seeing Charlie as Chayanne.

A boy so kind and generous with a heart of gold. Who is very selfless and considerate of others? THATS MY BOYY. Someone who loves cooking and baking and who would also love Willy Wonka the biggest chocolate/candy maker in the world?

HEAR ME OUT! KASH AND I WERE COOKING AND LISTENNNN. ITS SILLY BUT HEAR ME OUT.

Chayanne and Tallulah are orphan kids that live on the streets. They try their best to get by, with Chayanne working overtime to get them food and and buy the medicine Tallulah needs as well.

Chayanne is the one that finds the golden ticket. He buys in extra bar of chocolate that’s where he finds it.

He brings Tallulah as his plus one to the factory, excited to finally to get a look inside of one of the most mysterious and dazzling candy making places in the world.

In this AU, q!Phil and his partner, q!Missa, run the factory together. However no one has seen them in years, as the factory has been running in secrecy. They are a mysterious pair.

The factory opens to the 5 lucky contestants that were able to find the 5 golden tickets.

Chayanne and Tallulah find inside an entire world of chocolate and candy. Sweets of every kind. And an odd set of workers… crows. They’re marvelous. They dance and they sing and they help make chocolate day and night.

When they first arrive they’re met with Missa, who says Phil is too busy inventing and can’t join them but will appear here and there. Throughout the tour one specific crow sticks to the group and ends up being very fond of Chay and Tallulah, the only two kids who don’t shoo him away.

And sure enough Phil appears every so often. He’s a wacky and strange character, more so than Missa. They’re both… weird. The kids side eye them, look down on them, all but Chayanne and Tallulah, who gleefully laugh and join in on their ruckus.

In the end, when the tour is over, Chayanne and Tallulah are the only ones left. They must say goodbye. It’s awful, they have nowhere else to go, no place to call home. But they must go.

Chayanne has the candy in hand, the candy that he was given and he can sell for thousands of dollars and finally give him and Tallulah a home. Instead of taking it he leaves it behind.

Missa reluctantly lets them go, knowing that this is just part of the test. We think Phil is indifferent, doesn’t want them around anymore. But secretly on the inside he’s hoping, wishing, for Chayanne to turn around and leave behind the candy and not sell him out.

And when he does, it’s the happiest moment for the two. It becomes the happiest moment for all of them.

Phil and Missa have two kids they can pass down the factory too, and two kids they can call their own. And Chayanne and Tallulah finally have that family they were hoping for.

[000marie198]

I don't care how excited it might make some people, I don't like this remake

[joyfuladorable]

Trust (based on an ask I answered)

[byuuli]

[i-really-like-phrogs]

Re-design of my un-named Beetlejuice OC from back when I was thirteen

Original Reference under the cut:

[puhpandas]

this sucks bc I actually like and agree with what they were saying about making the protagonists a group of misfits representing different kinds of minectafters and people experiencing the game for the first time (or maybe not in Henry's case) bc community is a core part of minecraft. like I really dont even dislike this idea of real people being put into minecraft at all, it's just the visuals.

literally if this movie was animated it would be good. the visuals + real people in greenscreen land with all cinematography thrown out the window + strange realism in the world for no reason even tho if they were put into the game it should look like the game ruins it for me. if they went with the kind of style of the villager news they JUST showed or the trailer animation style for minecraft updates it could have been actually good. I want to see those people turn into minecraft skins and walk around the world not be in real life but blocks

[thewhizzyhead]

I know that this brainfart is like a "well fucking duh" moment given that Barrett wilbert weed originated both musical Veronica and Janis, but like,,,auli'i cravalho could make for a good musical movie veronica and I mean that genuinely

[fullscoreshenanigans]

Joking aside in the previous post, I do actually like how a lot of those little instances highlight how the dissolution of the farm system wasn't the result of a single individual character's efforts.

Sometimes I'll see greater focus on the contributions of certain characters—usually Norman and Ray, for a variety of reasons—elevating them a bit as a testament to how much they appreciate them, maybe with a bit of hyperbole how the escape or another event hinged on them above others, when one of the main themes Shirai wanted to stress is how it's through collective effort and solidarity that systemic change is accomplished.

One of the better escape outcomes—all the orphans of plant 3 who could be shipped in a two-year time period fleeing Grace Field—is possible because of the combined strengths of the full score trio in concocting and executing a viable plan, and Emma putting her trust in her family after seeing how capable Don and Gilda were. (Going further, Isabella was convinced that if she took out the leaders of the plan, that would be the end of it.)

The Grace Field escapees are able to survive out in the wilderness much more comfortably due to the combined sacrifices of Mujika's clan and Minerva's followers.

The destruction of Goldy Pond is due to years of planning and sacrifice by the Goldy Pond Resistance.

Λ7214's destruction and the subsequent establishment of the paradise hideout is due to a collaboration between the cattle children, them benefiting from the network of intelligence constructed by Minerva's followers, and them taking advantage of what remained of a long-lost demon colony's architecture to provide them seclusion and safety away from demons that would eat them.

The fall of Legravalima's court is possible due to the alliance between Norman and Geelan's clan.

The raid on Grace Field headquarters is possible due to a united effort between the cattle children who weren't captured by Peter and the moms and sisters uniting against Peter.

I want to say this plays into the mythologization of the individual that's common in many narratives, also for a variety of reasons, including practical convenience and scope of focus. But all of this is also tempered by these being mostly informal discussions and serve as a testament to how much affection is held for these characters, and there is something to be said about how sometimes it just takes the right personality, the right metaphorical spark, to take advantage of the kindling provided to it through those collective efforts, as alluded to in "Touch off."

[roseworth]

i think its evil and pointless that they split wicked into two movies and the worst part about it is that the best songs are in act two so the first movie wont even have the bangers

[too-young-to-fall-in-love]

insp. by A Kiss Away From Being Dangerous by @cha-melodius

[thatonewierdo]

SCENE FROM CHAPTER 6 OF A TALE OF SPIRITS by @unorthodoxx-page​.

Check out the fic cause I promise it’s worth your time, my first impressions of it were like “wtf how is this so good?!”

took some time given I’m preparing for college at the moment and way underestimated how my almost 2 year art break affected my digital skills but now that I’m back I’m just PUMPED to get back into it. Might do some other scenes in the future who knows (send recs and I might just be tempted to do other scenes and fics).

Beware they may be simpler than this tho cause wtf even is coloring and backgrounds? Give me my pure sketchy goodness

(segue into my messy sketch. idk man I just like seeing artists being messy and not giving a fuck about ‘clean’ art)

[lyn-ne]

EVERYONE SHUT UP AND LOOK AT THIS COOL AKITO SKETCH I JUST DID

HIFJFJFFNKDJCNFNSJDHFDNSKDH

[zayadriancas]

[knife-red]

starting to think a lot of ppl who base their whole aesthetic and vibe around ghibli movies have never watched a ghibli movie

[minakoaiinos]

Twitter getting obsessed with conspiracy theories about where redacted is makes me feel so fucking terrible when there is so much worse going on that people are literally begging you to pay attention to but instead you want to focus on scenarios you made up in your head and play true crime detective

[kakusu-shipping]

You’re all getting another unpromted headcanon dump because I’m very personally tired of the “Mario would hide his struggles and trauma post Movie from Luigi because he doesn’t want to look weak and keep up the appearance of the Strong Older Brother” take. Don’t Eldest Daughter Syndrome Mario. He and Luigi are a team. A pair. He would tell Luigi everything.

Anyway here’s everything I think Mario personally struggles with and would rely on Luigi for

The Mario movie put it very blatantly on the table that Mario’s a little touchy about his height. It’s probably more so because he’s use to being picked on as The Short Guy on the sports team rather than it really actually bothering him all that much. He’s just assumes someone calling him short is an insult. The only personal problem he has with it is being shorter than Luigi. They spent a lot of their childhood the same height, and Luigi being taller still messes them both up from time to time

This is another left over from Highschool; Mario and Luigi (accidentally) kind of fell into the trope of the Smart twin and the Sporty twin, with Mario being the ladder. This messed with his head in a way he couldn’t really articulate, being expected to be a Meathead like the other guys on his sports teams did actually cause his grades to go down, especially in Math which use to be his best subject, which of course caused a lot of concerned backlash from their parents, especially his dad. Now he has it locked in his brain somewhere he’s stupid when he’s not.

He’s bad with people. Luigi’s a lot more of a people person than he is. He has a hard time connecting to people, or making simple small talk. He can be pretty blunt, or awkward, and maybe a bit aggressive sounding, especially to someone not use to how loud and confidently he speaks. As he gets older he gets quieter, speaks less, falls into a much more comfortable selective mute life style, and it suits him much better than trying to fumble through talking to people. He prefers to listen

He’s definitely a workaholic, he’d gotta be busy busy busy all the time. A lot of people will see him run from one project to the next, never turning down a request for help with something, constantly juggling tasks and working on something in his spare time and think it’s all because he’s such a nice, hard working guy. But no. It’s the stress of not doing enough. Or because he anxious being alone. Luigi’s the only one who knows Mario will keep going till he crashes, and is the one to always stop him and remind him he’s doing enough, he’s enough. Take a break.

Mario’s always struggled with separation anxiety. He’s never been one for the whole concept of “alone time”, he’d much rather be near people he loves and trusts and can relax around. He use to joke it stems from being born first, those few moments before Luigi was born was more than enough alone time for a life time. He tries to wave it off occasionally, but it really is a problem. If he is ever left alone, say Luigi goes off on some grand adventure without him, he finds things to work on until he passes out, and then just sleeps and lays about until Luigi comes back.